MESM Tokyo serves waterfront views in luxe surrounds

The new Club Med Tomamu, a ski-in ski-out resort located on Hokkaido, Japan's northernmost island, features a visually striking design that harmonizes modern elements with traditional aesthetics and alpine-inspired interiors. World-class designer Jean-Philippe Nuel drew inspiration from the surrounding natural environment, incorporating genuine winter-white birch and spring bloom garlands into the resort's foyer. The 341-room property is characterized by a vibrant color palette, including reds, blues, calming greens, rich brown timbers, and splashes of yellow, all coexisting to create a restful and relaxing atmosphere for guests. Jean-Philippe Nuel emphasizes the uniqueness of the resort's natural setting, which heavily influenced its interior design. The design philosophy behind Club Med Tomamu aimed to create an edgy interior that aligns with the brand's reputation for upbeat, friendly, all-inclusive premium holiday experiences. The result is a collection of funky furnishings and traditional Japanese design elements that are both eye-catching and comfortable, prompting guests to consider incorporating similar styles into their own homes. The main bar and lounge areas offer plush armchairs and luxurious upholstered daybeds, positioned to provide panoramic views of Tomamu's main slopes through expansive floor-to-ceiling windows. A notable design feature is a floor-to-ceiling, wall-to-wall Japanese-style bookshelf at one end of the bar, further enhancing the blend of culture and nature within the resort. Nuel highlights the successful fusion of Club Med's energetic culture with the surrounding natural beauty and local traditions, achieving an elegant and purposeful design. The resort's main dining areas are adorned with rich colors and patterns that evoke the four seasons, while the buffet room is designed to mimic the lively ambiance of an Asian night market, complete with rich red countertops and wicker lightshades illuminating dessert displays. The guest rooms and suites are styled to resemble those found in a boutique city hotel or apartment, featuring royal blue bedspreads, luxe gold throws, and floral rugs with red and orange accents. These vibrant colors are balanced by muted forest green couches and dark timber joinery, which thoughtfully frame the snowy winter landscape outside. Since its opening on December 17 last year, Club Med Tomamu has consistently operated at near-full capacity, largely attracting Australian holiday-makers. #Contemporary #Family #InternationalTravel #LuxuryResort #JapaneseDesign #AlpineInteriors #Hokkaido #SkiResort #InteriorDesign

The Bulgari Hotel Tokyo, the eighth addition to the global Bulgari Hotels & Resorts collection, is situated atop the new 45-story Tokyo Midtown Yaesu tower. This establishment is designed to meld contemporary Italian aesthetics with meticulous Japanese craftsmanship, infused with the opulent heritage of Bulgari. The design ethos, executed by Milan’s ACPV Architects Antonio Citterio Patricia Viel, maintains a consistent brand identity across Bulgari's diverse international locations. Upon arrival, guests are greeted by Roman-inspired sanpietrini paving stones and green-veined Italian marble at the ground-floor entrance, leading to black granite expanses and abstract floral arrangements. High-speed lifts transport visitors to the 40th floor, where a corridor adorned with a traditional Japanese textile pattern, reminiscent of Bulgari’s iconic Diva collection, sets the tone. This motif is intricately realized in bespoke glass mosaic tiles by Venetian artisans Bisazza. The reception area features sliding doors covered in a textile interpretation of the same pattern, revealing spaces partitioned by crafted elm-wood portals that evoke traditional Japanese architecture, with glass walls offering panoramic Tokyo views. Two large Carrara marble tables, designed by Naoto Fukasawa, are decorated with gold-flecked vases holding seasonal blooms, creating an atmosphere of refined luxury. The hotel offers 98 guest rooms, an Italian restaurant, a sushi establishment, a lounge, an Italian sweet shop, and a rooftop Bulgari Bar, alongside a spa. The interior design of the rooms features warm elm wood floors and panels, woven bamboo basket vases, and hand-brushed matte gold ceilings with curved edges. Saffron fabric bed headboards and vintage Bulgari advertisements contribute to the luxurious ambiance. Notably, gold-flecked throws are crafted by Kyoto kimono textile makers Hosoo, and furniture includes Flexform armchairs and Maxalto desks. Black granite bathrooms are concealed behind modern sliding screens. The rooms provide expansive views of Tokyo, with some overlooking the Imperial Palace and, on clear days, Mount Fuji. The Bulgari Suite, one of Tokyo’s largest at 416 square meters, boasts multiple living areas, a private gym, and a Roman travertine-wrapped bathroom, all continuing the blend of Italian and Japanese influences through design elements like a Murano glass chandelier and a silk headboard designed by Japanese artist Shoko Okumura. Culinary offerings are spearheaded by Il Ristorante–Niko Romito, located on the 40th floor. This Michelin-starred restaurant serves minimalist Italian cuisine, emphasizing taste and authenticity, with flavors adapted to local Japanese ingredients. An adjacent lounge offers organic teas and crafted sweets, while Bulgari Dolci, a jewel-box-like space, presents chocolates and pastries. Hoseki, a hidden sushi counter run by Kenji Gyoten, provides an intimate dining experience with handcrafted sushi served on a hinoki cypress wood counter, overlooking a Zen-inspired garden. The Bulgari Bar on the 45th floor features Venetian terrazzo flooring, an oval bar, and a Bisazza wall mosaic, complemented by large rooftop terraces with contemporary seating and Mediterranean plants. The Bulgari Spa, featuring Italian Vicenza stone and teak wood, includes a 25-meter swimming pool and a jacuzzi with gold and emerald green glass mosaic tiles. White cabanas are available both indoors and on a rooftop terrace. The spa also offers a Japanese-style bath, sauna, and steam room, along with nine treatment rooms providing city views. The Workshop Gymnasium offers fitness programs curated by Lee Mullins. The hotel's staff provides a service blend of Japanese intuitive formality and Italian warmth, maintaining a smooth and knowledgeable approach. The hotel prioritizes sustainability by transitioning from single-use plastics to larger, non-disposable amenities and providing water in glass bottles and paper cartons. An energy-saving sensor system in guest rooms helps control temperature and reduce energy consumption. The hotel is family-friendly, offering amenities for children, and provides disability access in two rooms. #LuxuryHotel #Tokyo #Bulgari #ItalianDesign #JapaneseCraftsmanship #HotelReview #FineDining #SpaExperience #ArchitecturalBlend

This article highlights six exceptional hotels and resorts across Japan that feature stunning infinity pools, offering panoramic views and unique experiences for a relaxing holiday. Japan is renowned for its diverse landscapes, including snowy mountains, beautiful beaches, and vibrant cityscapes, all of which can be enjoyed from the comfort of these luxurious pools, many of which are accessible year-round, allowing guests to witness Japan's seasonal transformations. The Sorano Hotel in Tachikawa, Tokyo, is featured for its 11th-floor infinity pool that stretches the length of the hotel, providing unobstructed views of Showa Kinen Park. Guests can observe colorful flowers throughout the year, catch golden sunsets, and even spot Mt. Fuji on clear days, despite being just a 30-minute train ride from Shinjuku. The hotel's design ensures that the metropolitan environment does not hinder the natural beauty experienced from the pool. The Harbor Terrace in Kamakura offers a holiday rental experience with all rooms boasting scenic views. Its rooftop infinity pool, operational from May to October, provides a luxurious setting with a lounge that floats on the water, ideal for dining and relaxation by the coast facing Enoshima. Nearby, Thermal Spa S. Wave, also in Kamakura, presents another infinity pool on its fourth floor, designed to create the illusion of floating directly on the Pacific Ocean. This pool adjusts its temperature seasonally, ensuring comfort for guests regardless of the time of year. Moving south, the ANA InterContinental Beppu Resort & Spa in Oita prefecture, a region famous for its natural hot springs, offers an infinity pool with expansive views of the cityscape. This pool is a prime spot for cooling off and enjoying the evening lights, complemented by lounging sofas and a jacuzzi. Bettei Amafuru Oka in Ibusuki city, Kagoshima, located on a hill, is equipped with extensive wellness facilities, including bedrock baths, sand baths, a high-tech relaxation capsule, and a year-round infinity pool with a poolside bar serving tropical cocktails and natural wine. Finally, Hoshinoya Okinawa in Yomitan's coastal village is characterized by its ocean-connected outdoor pool, which operates 24/7. The pool's design makes it appear as though it merges with the sea, offering ample lounging space and a shallow area for children. These diverse locations and their unique infinity pools collectively showcase Japan's ability to blend natural beauty with high-end hospitality, providing memorable and picturesque retreats. #JapanTravel #InfinityPools #LuxuryHotels #HotelResorts #TokyoHotels #KamakuraHotels #OkinawaHotels #TravelGuide

Acne Studios, the Swedish fashion label, has opened a new flagship store in Tokyo's Aoyama district, a move that encapsulates the brand's playful yet minimalist aesthetic. The store, located on a prominent corner of Omotesando, an area known for its architectural significance, was designed by Acne Studios' founder and creative director, Jonny Johansson, in collaboration with Stockholm-based studio Halleroed. This new location replaces a previous store on a nearby backstreet and represents the culmination of Johansson's long-standing connection and inspiration drawn from Japan. The conceptual foundation for the store was inspired by the idea of a 'garage' – an open, technical space. Johansson envisioned an interior that maintained the skeleton of the original building, incorporating extensive use of glass to create a seamless flow between the inside and outside, allowing visitors to feel connected to Aoyama. This structural openness is complemented by a unique design element: softly-textured pink granite stone. This material is used to connect various spaces, extending across floors and walls, and forms two prominent, airy staircases with clean, minimalist lines and subtly indented handrails. The choice of pink for the granite was deliberate, aimed at avoiding a 'banal' or 'naïve' impression. According to Ruxandra Halleröd, co-founder of Halleroed, the team explored various textures and materials before settling on a granite that intensifies in pink hue when flamed. This approach was intended to create a mature and nuanced pink, moving beyond typical feminine connotations to become a 'pop color' that aligns with Acne Studios' slightly vague yet distinct brand identity. Contrasting the soft pink granite, the store integrates reflective metal accents, angled mirrors, and dynamic stainless steel clothing hangers that are sharply suspended from the ceiling. This blend of materials and forms adds to the store's contemporary and edgy atmosphere. Further enhancing the creative interior are bespoke elements from long-term Acne Studios collaborators. British designer Max Lamb contributed a series of pieces, including shiny soft leather seats that appear to merge with the walls, tufted carpets, and 'Blob' chairs made from hand-dyed yarns. Illumination is provided by dozens of custom strip-lighting fixtures, conceived by designer Benoit Lalloz, which are strategically placed across ceilings and integrated into metal displays. Surrealist mannequins by artist Daniel Silver introduce an additional layer of artistry. Ruxandra Halleröd emphasizes that the design thrives on contrasts, mirroring Tokyo's own blend of high-tech and historical elements. The stark, hard-material-clad building contrasts with the irregular, shiny furniture, creating unexpected visual and tactile experiences. Christian Halleröd, also a co-founder of Halleroed, highlights Japan as a significant source of inspiration, particularly for its commitment to quality and craftsmanship. The store's opening is also marked by a collaboration with artist Takuro Kuwata, who created a series of candy-bright ceramic vessels and reinvented the brand's 'Camero' bag and denim jeans with rainbow designs and trompe l'œil effects. This reflects Johansson's perspective that "fashion is supposed to be fun" and a desire for luxury to be inclusive rather than exclusive, a philosophy that deeply informs the new Tokyo flagship. #AcneStudios #Tokyo #FlagshipStore #FashionDesign #RetailArchitecture #InteriorDesign #JapaneseCraftsmanship #ContemporaryArt

Aman Kyoto, the latest addition to the Aman group and the final project designed by the late Australian architect Kerry Hill, offers a unique luxury experience nestled within a 24,000 sqm forested estate in Kyoto. Unlike typical luxury resorts that aim to impress with opulent displays, Aman Kyoto emphasizes integration with its natural surroundings, making its architectural design almost invisible. Hill's deep appreciation for the garden, which he discovered 20 years prior and advocated for as the sole location for Aman Kyoto, guided this design philosophy. The resort's structures, including the restaurant, spa, and guest rooms, are uniformly clad in dark wood strips, enabling them to blend seamlessly with the dense foliage and shifting patterns of light and shadow. Upon entering the expansive rooms, which are approximately 60 sqm, guests find no overt decorative elements. Instead, floor-to-ceiling panels direct attention to the natural beauty outside, fostering a connection with the surrounding environment of cedar, cypress, camellia, and Japanese maple trees that change with the seasons. The understated approach extends to the amenities; while prices begin at around S$2,500 per night (excluding breakfast), the luxury is found in meticulously curated details such as marshmallow-soft chenille bathrobes by Ploh and Hinoki wood bathtubs that diffuse a calming fragrance when filled with warm water. This form of luxury is characterized by exclusivity and a deeply immersive cultural experience. The resort prides itself on bringing the essence of Kyoto to its guests, eliminating the need to venture outside. The spa features traditional onsen bathing facilities and treatments utilizing local ingredients like Kyoto green tea, tamba kuromame, local sake, and cold-pressed tsubaki oil. The signature 90-minute Aman Kyoto treatment begins with a hot spring soak, followed by a foot soak with ceremonial sake and 24k gold leaves, a sea-salt scrub blended with detoxifying matcha powder, and a breathing exercise with seasonal essential oils. A relaxing shiatsu massage concludes with freshly brewed green tea, selected by a local tea master, and Japanese-inspired sweets such as warabi mochi or fresh persimmon with vegan chocolate. The culinary experience at the Living Pavilion, led by executive chef Kentaro Torii, is a tribute to regional ingredients. Chef Torii, who meticulously sourced local produce for months, presents a wide repertoire that blends contemporary European degustation with Japanese nuances. Dishes might include jackfish carpaccio with mountain herbs, yuzu, and bottarga, or caramelised Ohmi wagyu from Shiga prefecture. The resort also offers rare heritage produce, such as hyotan pickles, intensely umami soy sauce from a local family brewer, and sansho berries harvested from the resort's own hills. Beyond the tangible, Aman Kyoto offers a profound sense of peace and a return to nature. Situated in a historic neighborhood known for its artistic community, the garden provides a Zen-like calm. Uneven stone paths invite barefoot exploration of the mossy grounds, and trails through the hills offer opportunities for quiet contemplation amidst birdsong and butterflies. The resort fosters a deep, restorative sleep, with guests falling asleep to forest views bathed in moonlight and the sounds of cicadas. In a world of increasing sensory overload, Aman Kyoto provides a sanctuary that offers what is truly needed: tranquility and an immersive connection to nature and culture, leaving guests thoroughly impressed by its subtle yet profound impact. #AmanKyoto #LuxuryResort #OnsenRyokan #KerryHillArchitects #JapaneseDesign #KyotoTravel #ZenExperience #UnderstatedLuxury #ArchitecturalIntegration

The Ace Hotel in Kyoto, Japan, set to open in spring, is drawing attention for its unique design and thoughtful amenities. This project is a collaboration between Ace Hotel's longtime partner Commune Design and local architect Kengo Kuma, known for his work on the 2020 Tokyo Olympic stadium. The hotel aims to blend traditional Japanese aesthetics with modern luxury, offering a fresh perspective on hotel room design. The guest rooms in the Ace Hotel Kyoto feature standard luxury elements such as minibars, lounges, and spacious vanities, but elevate them with distinct Japanese-inspired touches. These include tatami mattresses, Tivoli radios, and original artworks from local artists. A particular focus has been placed on optimizing storage solutions, ensuring both functionality and aesthetic appeal within the rooms. One of the standout design elements is the enhanced medicine cabinets in the bathrooms. Unlike typical apartment fixtures, these cabinets are crafted from tamo wood, a local wood similar to western American ash. They feature a sliding door at the bottom, which allows for discreet storage of everyday items while also providing an opportunity to display more visually appealing bottles or decorative elements. For rooms with double vanities, a column of integrated niches offers convenient storage for shared toiletries, addressing a common organizational challenge for couples. Another innovative feature is the multipurpose sofa bed, a simplified version inspired by traditional Japanese futon seating. This design addresses the common issue of cumbersome sofa beds in hotel rooms. The bolster cushion of this sofa doubles as a blanket, making it easy for guests to convert it for a quick nap or additional sleeping space without a complex unfolding process. This thoughtful detail emphasizes ease of use and comfort. Furthermore, the hotel reinterprets the room divider in its Historic guest rooms. Instead of conventional solid walls or partitions, perforated black shades are used. These shades can be rolled down to a desk partition, effectively dividing a large, open room into distinct, more private zones. This design choice offers flexibility in space usage and creates a sense of seclusion within the larger room, providing guests with a 'haven within a haven.' The overall design philosophy focuses on creating an experience that encourages guests to fully enjoy their hotel stay, making the room an integral part of their travel experience. #AceHotelKyoto #HotelDesign #JapaneseAesthetics #KengoKuma #CommuneDesign #LuxuryTravel #InteriorDesign #BathroomDesign #Kyoto

In Japan, where Zen principles rooted in ancient Shinto rituals and Buddhist meditations deeply influence daily life, interior design reflects these philosophies through an emphasis on balance, minimalism, and harmony. This approach often manifests in Japanese homes designed to evoke equanimity, calmness, and freedom from excess. The aesthetic is characterized by a timeless beauty, frequently incorporating a basic color palette of light and soft earth tones. Furniture typically features clean lines and sharp angles, often finished with unvarnished cedar wood. This article highlights seven modern Japanese hotels that embody these Zen-inspired design principles, offering travelers an opportunity to experience peace and serenity. The first featured hotel, Amanemu, is located in Iseshima's tranquil Ise-Shima National Park on Honshu Island. It provides suites and villas equipped with spacious outdoor decks and traditional onsen baths, aligning with the concept of integrating nature and relaxation. Next, Zaborin in Hokkaido is nestled within forests and meadows, close to premier ski slopes. Its 15 villas each boast indoor and outdoor traditional Japanese baths, fed by natural volcanic spring water, emphasizing a deep connection to the natural environment. The House of Finn Juhl, situated in the ski town of Hakuba in Nagano, presents a unique fusion of Danish and Japanese design sensibilities. This hotel is entirely furnished with pieces by Danish master Finn Juhl, demonstrating how distinct design traditions can converge harmoniously. Shimaya Stays in Kyoto offers a contemporary take on traditional Japanese living. Two historic townhouses, over a century old, have been meticulously restored and transformed into modern, clean-lined serviced apartments, preserving their heritage while providing modern comforts. Sotoyama Jujo, located in Minami-Uonuma, a mere two-hour train ride from Tokyo, is a countryside hotel that blends natural elements with sophisticated design. It features cypress and cedar wood floors, an outdoor bathtub, stunning mountain views, and furniture by renowned designers such as Arne Jacobsen, Hans Wegner, and Isamu Noguchi. Hoshinoya Tokyo, opened in 2016, offers a contemporary interpretation of traditional Japanese ryokans within a 17-floor structure. Its rooms and public areas are designed with tatami mats, creating an authentic Japanese ambiance. Finally, Hotel Kanra in Kyoto provides modern rooms inspired by "machiyas," which are traditional wooden townhouse homes characteristic of Kyoto. These rooms include tatami beds and aromatic cypress bathtubs, offering guests a sensory experience that reflects local traditions. Each of these hotels showcases how modern Japanese hospitality integrates Zen principles and traditional aesthetics to create environments of profound tranquility and beauty, inviting visitors to immerse themselves in a peaceful retreat. #JapaneseHotels #ZenDesign #MinimalistInteriors #JapaneseArchitecture #LuxuryTravel #OnsenBaths #RyokanExperience #KyotoHotels #HokkaidoHotels

Ryo Kan MX, a boutique hotel in Mexico City, offers a tranquil escape designed to emulate traditional Japanese countryside inns, known as ryokans. Situated near one of Mexico City’s prominent avenues, this establishment distinguishes itself with its serene atmosphere and unique architectural and interior design. The hotel features an origami-inspired sculptural facade and houses only 10 rooms, each embodying a blend of Japanese aesthetics and Mexican craftsmanship. The design of Ryo Kan MX was spearheaded by architect Regina Galvanduque of GLVDK Studio, who oversaw not only the architectural framework but also the interior decor, art selection, branding, and even the tableware. The overarching design philosophy emphasizes the integration of Japanese hospitality principles with local Mexican materials and contemporary technology. Throughout the hotel, a commitment to locally sourced materials and textures is evident, coupled with styling that draws heavily from Japanese design traditions. Collaborations with local designers and artisans were crucial in developing and selecting furnishings that reflect this fusion. The hotel’s design is rich in sensory details, incorporating handmade crafts such as ceramics and textiles throughout the property. The light-filled welcome area provides an inviting space with an open library, comfortable seating, and a zen garden, establishing a calm ambiance upon arrival. This zen garden, located at the core of the ryokan, is specifically designed to create a dialogue between Eastern and Western influences, and traditional versus contemporary styles. Each of the ten guest rooms is named after a Japanese number and is conceived to mirror traditional ryokan spaces while incorporating modern automated conveniences. Features like automated lighting, controllable via the hotel’s in-house app, enhance guest comfort. Some of the more spacious tatami bedrooms offer views of the interior garden, a mini-bar, and an independent lounge area within their 225 square feet. The rooms are further customized with locally sourced materials like bejuco, a vine used in Mayan architecture, alongside terrazzo and oak, adding a distinct local flavor to the Japanese-inspired decor. Sliding modular doors, reminiscent of traditional Japanese shoji screens, are also a prominent feature. Ryo Kan MX aims to introduce the concept of 'mindful hospitality' to Mexico City, aligning with Japanese cultural values such as simplicity, reverence for nature, appreciation for local natural materials, and community. The hotel staff articulate that this approach combines these values with a meticulous service style, fostering a new perspective on responsible tourism through a blend of Japanese and Mexican cultures. The intention is to redefine the standards for small lodges within a large metropolitan area. A highlight of the hotel is its rooftop deck, which offers four private onsen baths providing panoramic city views, further enhancing the tranquil and luxurious experience. #JapaneseDesign #MexicanCraftsmanship #BoutiqueHotel #MindfulHospitality #ZenGarden #TatamiRooms #OnsenBaths #ArchitecturalDesign #InteriorDesign

Seoul, designated as World Design Capital 2010, is showcasing its commitment to design through various ambitious architectural projects and exhibitions. Among these, Tokujin Yoshioka's "Spectrum" show at the Museum Beyond Museum stands out. Yoshioka, a Japanese designer, views design as an experiential rather than a purely creative process, and his works often possess an ethereal quality. His installation for Kartell at Salone del Mobile and his "Tornado" creation for Design Miami in 2007 exemplify this unique approach. The current exhibition features a nine-meter-tall window composed of 500 crystal prisms, titled 'Rainbow Church,' which is a central and awe-inspiring piece. This project was inspired by Yoshioka's visit to Henri Matisse's Chepelle du Rosaire in his early twenties, where he was deeply affected by the vibrant light filtering through Matisse's stained glass. This experience sparked his long-held dream of designing architecture that allows individuals to perceive light with all their senses. The exhibition also highlights some of Yoshioka's significant works from the past decade. These include the innovative "Venus" chair, which was cultivated from crystals within an aquarium, and the "Honey-pop" chair, a honeycomb-like structure crafted from sheets of glassine paper. A previously unseen piece, "Waterfall," is also on display. This counter table is fashioned from a massive glass block, similar to those used in giant observatory telescopes, and was originally created for a private gallery in Tokyo in 2006. Its appearance evokes that of a colossal ice block. Yoshioka's work consistently aims to engage all senses, offering an immersive experience for viewers rather than a passive observation. The "Spectrum" show in Seoul continues this tradition, inviting visitors to deeply interact with his designs and the unique way he interprets and utilizes light and materials. The exhibition is hosted at the Museum Beyond Museum in Gangnam-gu Chungdam-dong, Seoul, South Korea. #TokujinYoshioka #SeoulDesign #MuseumBeyondMuseum #DesignExhibition #CrystalPrisms #RainbowChurch #VenusChair #WaterfallDesign #JapaneseDesign

Metaphor Interior Architecture, a Jakarta-based interior design consultancy, services clients globally. This firm, composed of creative individuals, aims to provide optimal design solutions, specifically focusing on The Zora Kanade cluster. Christine, a senior associate, spearheads the design for Kanade Type 12. She reveals that her prior work on the Samasana Club House at The Zora provided a foundational understanding of the developer's design aspirations for the Kanade Cluster, which she extended to its three show unit houses. Her approach to the design brief involved analyzing the high-end target market and varied price points of the three housing units to determine appropriate interior design concepts. This led to distinct designs for each show unit, all incorporating a Japanese sensibility tailored for a modern, affluent demographic. Christine explains that the Japanese philosophy is translated not through direct imitation, but through the principle of 'balancing,' akin to Zen philosophy. This balance is evident in the harmonious use of colors, materials, and room composition, which collectively contribute to the desired ambiance. Elaborating on design balance, Christine highlights that each room's decor aligns with its function. For instance, a spacious area between the living and dining rooms demonstrates their strategy for balancing different zones within a single space. They also collaborate with Henco Home Decor to supply custom-designed furniture. Regarding color palettes, earth tones like brown or gray form the base, augmented by accent colors such as burnt orange, teal, and combinations thereof. While orange might not be traditionally Japanese, teal and olive are chosen for their natural associations, reflecting leaf colors. These accent colors are strategically employed to infuse a modern and luxurious feel into the Japanese aesthetic. Acknowledging the Japanese preference for simplicity, Christine clarifies that the target market's demand for luxury necessitated a nuanced approach to color, resulting in a unique modern atmosphere. The three show units, contrary to having a common thread, are each designed with distinct interior concepts to cater to their specific target markets. For example, the Type 12 unit targets a mature clientele prioritizing luxury, while Type 8+ and Type 10 units are designed with younger families in mind, featuring more youthful aesthetics. To ensure each unit resonates with potential buyers, the design process incorporates diverse consumer style preferences. These customer needs are then translated into unique designs for each unit, varying in color and overall concept. Material selection prioritizes both aesthetics and ease of maintenance, with choices like solid surface, marble, or laminate ensuring durability and practicality. #InteriorDesign #JapaneseDesign #LuxuryHomes #MetaphorInteriorArchitecture #HomeDecoration #DesignPhilosophy #ColorPalette #MaterialSelection

In northern Italy's Piedmont region, a distinctive modernist pavilion stands as a contemporary interpretation of a castle, enveloped by its own body of water and accessible via a drawbridge. This architectural marvel, designed by Duilio Damilano of Damilano Studio, sought to create a secluded oasis, blending Italian luxury with the serene aesthetics of a Japanese Zen garden. The client and architect shared a mutual admiration for Japanese design principles, which significantly influenced the project's interior and exterior elements. The exterior of the pavilion features a large garden, conceptualized by landscape gardener Paolo Roagna. This garden draws inspiration from symmetrical Japanese botany, incorporating sculptural Bonsai trees and water features harmoniously alongside indigenous trees and shrubs. The building's perimeter is defined by sculptural metal grid structures on opposing sides. These grids are not merely aesthetic; they provide essential shade during the summer months and are adorned with geometrically positioned square blocks of Fir wood, adding visual depth. The external walls are also crafted from Fir wood, treated with the traditional Japanese Shou Sugi Ban technique, which involves burning the wood to enhance its durability. The single-floor dwelling utilizes pigmented micro cement throughout. Externally, this material is acid-etched to mimic the appearance of natural stone, while the interior surfaces are left smooth. The internal layout is designed to foster continuous interaction with the surrounding natural environment, largely achieved through expansive sliding glass walls. The interiors showcase a thoughtful curation of design pieces, where luxury meets functionality and artistic expression. In the sitting room, a playful ‘Cactus’ coatrack by Guido Drocco and Franco Mello immediately captures attention, positioned near a painting titled ‘Sardinia’ by Andrea Lo Papa. The room also features an enveloping ‘Pack’ sofa by Edra, illuminated by Ingo Maurer’s ‘Lacrime del Pescatore’ lighting. A hand-crafted rug by Mohebban Milano and a collection of wooden sculptures by Austrian artist Daniel Eggli further enrich the space. The dining room offers a contrasting palette to the building's earthy brown tones. It features a gold leaf table, designed by Dilmos Milano, complemented by ‘Ella’ chairs by Jacopo Foggini for Edra, which are described as having soft, gleaming molten amber hues. The ‘Scrigno’ sideboard, with its mosaic mirror shards, adds a deeper luster, reflecting the jewel-toned scheme. Damilano describes these colors as representing the 'earth and territory, warm and material colors.' The kitchen and bathrooms maintain a practical yet refined aesthetic. The kitchen, hand-built in oak by a local carpenter, is designed for industrial efficiency, a material choice echoed in the bathroom. The bathroom is equipped with ‘Origini’ taps by Gessi, ‘I Ching’ towel warmers by Elisa Ossino for Tubes, and sanitary ware by Cielo Ceramiche. In the main bedroom, a burnished dragon motif, painted by artist Riccardo Brotini, adorns the entire back wall, drawing inspiration from Japanese mythology where dragons symbolize cosmic guardianship and control over natural elements. A foldaway bed is integrated into the ceiling, allowing for flexible use of the space, which also connects to the terrace, pool, and gardens through sliding glass doors. The design team's overarching goal was to create a dynamic yet meditative natural experience, with the metal mesh and interlocking wooden blocks forming an optical illusion that changes as one moves around the pavilion. This integration of Italian luxury with Japanese Zen principles culminates in a home that emphasizes well-being and a harmonious connection with its environment. #ModernistPavilion #ItalianLuxury #JapaneseZenGarden #ArchitectureDesign #PiedmontHome #DuilioDamilano #InteriorDesign #ShouSugiBan #LandscapeDesign

Shōtō, a modern Japanese izakaya located in Midtown Center, Washington D.C., is introduced as a new culinary and design landmark. The establishment, a project of the London-based global hospitality group that also manages Zuma, opened its doors for dinner service at 5 p.m. The design, spearheaded by Tokyo-based Studio Glit's Noriyoshi Muramatsu, marks his first venture in D.C. Muramatsu, known for Zuma's acclaimed interiors, has meticulously curated every detail of Shōtō, creating an atmosphere that balances luxury with a deep sense of Japanese aesthetics. Upon entering Shōtō, guests are greeted by thoughtful design elements, such as a lengthy, bronzed branch from an ancient Japanese forest serving as a door handle. The interior features an immaculate, wood-framed dining room and spa-like restrooms equipped with custom Le Labo black tea oil diffusers, demonstrating an "invisible touch" of luxury. The 155-seat restaurant showcases a symmetrically arranged sushi counter, a bar, and a Japanese robata grill, where various meats, fish, skewers, poultry, and produce are cooked over pressed Japanese white oak. The dining room's centerpiece is a massive, UFO-like sculpture made from lava stone sourced from an active Japanese volcano. This formation, comprising orange-sized stone chunks painstakingly hand-strung and suspended from the 25-foot ceiling, creates a dazzling shadow play on the floor as it is backlit, especially during sunset. This dramatic lava stone sculpture is complemented by other decor elements also sourced, assembled, or salvaged in Japan and transported to D.C. Shōtō aims to boast one of the largest Japanese whiskey selections on the East Coast, currently offering 40 rare types with a goal to expand to 100 as supply chains improve. These whiskeys are showcased like precious artifacts behind gold metal grates, greeting guests upon entry. The name "Shōtō," meaning "short sword" in Japanese, symbolizes the restaurant's commitment to accuracy and precision, evident in both its culinary techniques and design. The open kitchen and sushi counter offer diners a direct view of the meticulous work of Executive Sushi Chef Kwang Kim and Executive Chef Alessio Conti. The kitchen's textured tile backsplash features vertical rows of curved tiles, which are hand-molded and glazed casts of Japanese bamboo. Clay plates, handmade by a Japanese artist using a wood-fired ash technique, are neatly stacked on wooden shelves, further highlighting the artistic craftsmanship. The restaurant's walls and ceiling are designed with square wood boxes, creating a grid-like visual. Functional decorative elements include century-old parts of a rural Japanese aqueduct system repurposed as flower pots for cherry blossoms. Above the bar, rows of hand-blown glass bowls, crafted to resemble traditional Japanese tea kettles, are intended to hold Japanese spirits, sake, and shochu infused with fresh fruits, herbs, and vegetables. These glass orbs are interspersed with gigantic sake barrels from Japanese breweries, now serving as floating ivory artwork. The bar also features a hand-carving ice station and a bonsai tree, serving house cocktails made exclusively with Japanese spirits. A wine and sake cellar, capable of storing up to 1,500 bottles, occupies an entire wall, with sommeliers using a ladder to retrieve selections, adding to the dining experience's theatricality. A private dining room at the back features a 45-seat rectangular table under a ceiling of wavy red fabric, providing an intimate setting while offering glimpses into the glassy cellar, ensuring a unique experience for every diner. Shōtō is located in the same Midtown Center complex as Philotimo, chef Nicholas Stefanelli's Greek restaurant, which opened the previous month. #JapaneseCuisine #RestaurantDesign #LuxuryDining #Izakaya #NoriyoshiMuramatsu #DCRestaurants #SushiBar #RobataGrill #JapaneseWhiskey

This article highlights seven distinctive Airbnb properties across Japan, offering travelers unique accommodation experiences beyond conventional hotels. The selection ranges from tranquil Zen temple retreats to tropical treehouses and modern, themed apartments, each providing a memorable stay with a blend of traditional Japanese aesthetics and contemporary comforts. The first featured property is Temple Stay Zenso in Gunma, a renovated extension of the 700-year-old Horinji Temple. This retreat offers an immersive Zen experience with activities like Zazen meditation and Sutra scripture writing, while also providing modern amenities such as an outdoor dining area for barbecues and a lounge with a TV, balancing spiritual practice with relaxation. Next, in Kyoto, a Zen-inspired Machiya offers a blend of traditional and modern Japanese design within a refurbished 100-year-old townhouse. It features tatami flooring, sliding washi doors, a private garden, and a luxurious bathtub overlooking the garden, all while being conveniently located near a train station and popular tourist spots like Gion district and Heian Shrine. Moving south to Okinawa, Bansho no Ie is a bungalow surrounded by banana fields and lush jungle, offering easy access to the beach. This two-bedroom abode is also near various pottery studios, providing guests with opportunities to engage in local crafts. In Hokkaido, Tida House presents a quaint country cottage experience, designed with straw and concrete walls to ensure warmth during snowy winters. This humble two-bedroom home, reminiscent of a Ghibli film, offers a projector with Netflix for cozy indoor entertainment amidst a peaceful setting of neighboring homes and potato fields. Another Okinawan gem, Mori no Subako, is a dream treehouse getaway complete with a hammock, stunning ocean views, and a barbecue-equipped balcony. Despite its natural setting, a nearby café ensures creature comforts, and its location is a short drive from the historic Nakijin Castle ruins, a Unesco World Heritage Site. Yanaka Sow in Tokyo offers a hip guesthouse experience in Nippori, blending old and new with shared spaces like a kitchen, laundry room, and library. This property aims to foster a sense of community among travelers, offering guest rooms for four and six people with unmanned check-in and check-out, providing a local living experience. Finally, the Moshi Moshi Rooms in Tokyo’s Harajuku district provide three distinctively themed apartments. The third floor, Dosokoi, is inspired by traditional sento (public bathhouses) with a hinoki wood tub and a mural by a public bath painter. The floor above draws inspiration from origami, while the fifth-floor Sakura Room offers a modern, all-pink aesthetic, showcasing Harajuku's kawaii culture. These Airbnbs collectively provide a diverse range of accommodations, catering to different preferences and ensuring a unique and memorable stay in Japan. #JapanTravel #Airbnb #UniqueStays #TempleStay #Machiya #Okinawa #Hokkaido #TokyoAccommodation #Harajuku

The Waltz Partitions experience center in Hyderabad, designed by architect Nishita Kamdar, embodies the minimalist principles of Japanese Zen design. The 3,100-square-foot store, located on Banjara Hills road, is conceived as an urban oasis that offers a tranquil escape from its bustling surroundings. The design emphasizes simplicity, natural materials, and a deliberate absence of clutter, utilizing a palette of black and grey tones to evoke a sense of calm. The store functions as an experience center for various door and partition systems, including aluminum, glass, and concealed flushed doors with custom gold and silver mesh infills. Kamdar's design ensures a seamless flow throughout the space, enhancing the visitor's interaction with the products. Instead of a traditional display setup, the partitions are integrated into the architectural narrative, allowing visitors to experience their functionality and aesthetic qualities in an active, engaging manner. Kamdar highlights that the design transforms the "mundanity of the product" into a focal point, creating an intriguing play of revealing and hiding as customers navigate the store. The internal layout of the store is divided into five distinct yet interconnected zones: the Foyer, The Zen Gardens, The Meeting Room, The Living space, and the Display zones. The Foyer serves as a welcoming area, featuring large central stone sculptures, oversized rocks, and a custom-made, looming Thatch light. The Living Space provides a panoramic view of the entire setting, with clad walls contributing to the cohesive design. The Zen Garden zones are strategically enveloped by partitions, encouraging visitors to interact with and explore the products while fostering curiosity and conversation. Meeting Rooms are furnished with on-site-made marble-topped tables, and varied-shaped windows allow natural daylight to stream in, creating dynamic patterns of light and shadow. The Display zones are not isolated but rather overlap with other areas, creating a continuous visual experience. This integrated approach allows visitors to transition smoothly between spaces and encounter design details and materials organically, without a rigid sense of progression. The overall design aims to achieve harmony and fusion between the contemplative, restrained, and visually balanced qualities of Zen aesthetics and the functional, dynamic nature of doors and partition systems, resulting in a cohesive and immersive experience. #HyderabadStores #ZenDesign #MinimalistArchitecture #NishitaKamdar #ExperienceCenter #PartitionSystems #RetailDesign #InteriorArchitecture #NaturalMaterials

This article presents the 'House in Tama' project, designed by Cheng Hao Chung Architect, located on the border of Kanagawa and Tokyo, Japan. The house is situated on the southern slope of a hill, offering ample sunlight and a clear atmosphere, despite being in a dense residential neighborhood. The design approach for this 116 square meter residence, completed in 2024, focused on integrating with the natural topography and maximizing light and views while ensuring privacy and comfort for the inhabitants. The architectural concept emphasizes a multi-layered structure that adapts to the sloping site. The design creates a sequence of distinct yet interconnected spaces, each with its own relationship to the exterior environment. The architects utilized a combination of concrete, wood, and glass as primary materials, contributing to both the structural integrity and the aesthetic of the house. Concrete provides a robust foundation and defines the main volumes, while wood introduces warmth and texture in interior finishes. Large glass panels are strategically placed to blur the boundaries between indoor and outdoor spaces, allowing natural light to penetrate deeply into the living areas and offering framed views of the surrounding landscape and the distant Buddhist cemetery. A key aspect of the design is the careful consideration of the site's unique characteristics. The building form responds to the contours of the hill, creating a stepped profile that minimizes its visual impact and blends with the terrain. The internal layout is organized to take advantage of the southern orientation for optimal sunlight exposure and to create a comfortable microclimate within the house. The use of varied ceiling heights and spatial configurations contributes to a dynamic and engaging living experience, moving from more intimate, enclosed areas to expansive, open-plan zones that facilitate family interaction and entertaining. The project involved collaboration with structural engineer Jun Yanagimuro and constructor Sekkeikomu. The construction process highlighted attention to detail in material selection and craftsmanship, aiming for a durable and aesthetically pleasing outcome. The interior spaces feature a minimalist aesthetic, allowing the quality of materials and the interplay of light and shadow to define the atmosphere. The design includes functional elements such as a modern kitchen, comfortable living areas, and private bedrooms, all designed with a focus on usability and long-term sustainability. Overall, the House in Tama demonstrates an architectural solution that responds thoughtfully to its context, balancing modern design principles with respect for the natural and cultural landscape. The project showcases how a residential building in a challenging urban-natural interface can achieve both architectural distinction and a high quality of life for its residents through careful planning, material selection, and a strong conceptual vision. The dwelling serves as a contemporary example of Japanese residential architecture, prioritizing light, views, and a harmonious relationship with its immediate surroundings. #ResidentialArchitecture #JapaneseArchitecture #ModernDesign #SlopingSite #NaturalLight #Concrete #Wood #Glass #UrbanIntegration #SustainableDesign

A townhouse located at 319 East 51st Street in Manhattan's Beekman enclave, Midtown East, has been listed for $14.5 million following a comprehensive gut renovation. Previously acquired by hedge fund executive Timothy Greatorex and his wife Deborah Greatorex for $4.6 million in 2011, the property has undergone significant luxurious upgrades. The residence spans 6,500 square feet across five floors, featuring five bedrooms and five bathrooms. The parlor floor is characterized by an expansive open-plan design, highlighted by an 18-foot glass wall at the rear that offers views of a Japanese garden. Interior details on this floor include herringbone floors, custom millwork, and a wet bar, with ample space to accommodate a grand piano. The ground floor houses the kitchen, dining room, and a den, which also benefits from a wall of glass opening onto a 600-square-foot Japanese-style garden. This outdoor space is described as achieving a balance between luxury and tranquility. The third floor is dedicated entirely to the master suite. This suite features pearl beaded wallpaper, wall-to-wall carpeting, and a remote-controlled gas fireplace. It also includes a dressing room equipped with nine closets. The master bathroom is a focal point, with a marble tub carved from a single stone, set on hand-laid mosaic tiles. Additional amenities in the master bathroom consist of a large shower, a double vanity with a make-up station, radiant heated floors, and three windows for natural light. Ascending the grand staircase to the fourth and fifth floors reveals the remaining four bedrooms, each with its own en-suite bathroom. These upper levels also include an office space, designed with paneling suitable for a hedge fund manager, and a private terrace. The property also boasts a furnished roof deck, although it is not explicitly pictured in the provided description. The exterior of the townhouse maintains its historic character, which complements the extensively renovated and luxurious interior. The renovation has significantly elevated the property's standard of luxury, making it a notable offering in the Midtown East real estate market. The listing for 319 East 51st Street is handled by the Margolis Team for Douglas Elliman, with photos courtesy of Douglas Elliman. #LuxuryRealEstate #Townhouse #GutRenovation #MidtownEast #Manhattan #JapaneseGarden #MasterSuite #ArchitecturalDesign