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DeVol’s Creative Director Dishes on How to Get the Brand’s Covetable Old-New Look
Helen Parker, creative director at DeVol, undertook a kitchen renovation in her Victorian home in Leicestershire, England, drawing inspiration from a still life painting of a fish by American artist Wendy Prather Burwell. Her primary goal was to transform her kitchen from a space with cheap chipboard cabinets and worn appliances into a functional and aesthetically pleasing area. The existing room possessed inherent beauty with arched sash windows, good proportions, and views of a walled garden, providing a strong foundation for the renovation.
The teal edge of a plate in the inspirational painting directly influenced the choice of backsplash. Parker selected DeVol’s Vintage Teal Lace Market tiles, utilizing all six available styles. These tiles, which vary in shape (square, rectangular) and pattern (intricate relief, smooth), contribute to a busy, textural, and uneven appearance, making them distinctive. To complement this, she painted the walls and ceiling in a soft, mellow, peachy pink, inspired by the backdrop of the painting. This deliberate combination of unexpected colors creates a less curated and more authentic feel.
A significant investment was made in the flooring to establish an authentic and visually harmonized foundation. Parker chose a checkered marble pattern from Floors of Stone, which presented a grand yet slightly aged aesthetic. This choice was crucial for aligning with her specific color palette, with tiny pink flecks within the natural stone seamlessly integrating with the Farrow & Ball Setting Plaster hue on the walls.
To achieve DeVol’s signature old-new aesthetic, Parker emphasizes sourcing vintage or unusual pieces instead of relying on mass-produced items. She incorporated furniture typically found in living rooms, such as a faded squishy chesterfield couch in powdery blue, into her kitchen. This approach aims to create a comfortable and inviting atmosphere, encouraging guests to linger. Due to the tight galley layout of her kitchen, a central island was not feasible, making the sofa a practical and charming addition.
The ceiling was also accessorized to enhance the room's character. Parker utilized DeVol’s brass hanging rail, a popular accessory, by mounting it on a once unsightly beam rather than over the backsplash. This created a visual feature upon entering the room, displaying a collection of copper pans. While acknowledging the potential for a country kitchen aesthetic, she maintains discipline in not overcrowding the rail.
Parker blended different cabinet styles and eras to achieve a layered look. She integrated a black sink cabinet from DeVol’s Classic English range, appreciating its proportions. Opposite this, she placed pink lower cabinets. A notable piece is a Georgian-style bedroom wardrobe, discovered at an antiques fair, which she repurposed by painting it, adding bun feet, and topping it with a curvy marble work surface. Adjacent to the sofa, a freestanding cupboard serves as a display case for her diverse dishware collection.
Inspiration from travel played a role in the design, with elements reflecting Parker’s trips to Italy. Thonet café chairs and a vintage rise-and-fall ceramic light over the breakfast table evoke the ambiance of Venetian _bacari_ (cafés or bars). Additionally, fancy lace café curtains, decorative colorful ceramics, and a general Mediterranean feel recall her visit to Sicily. These elements contribute to a simple, classic, plain, and sparse aesthetic, reminiscent of how these establishments are integrated into daily life. This careful curation of elements, from color and texture to furniture and accessories, allowed Parker to create a unique and personal kitchen space that embodies DeVol's distinctive style.
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