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A Victorian house is transformed by a designer who really shows how to embrace the unexpected
This article highlights the transformation of a modest Victorian terrace house in Bath, conceptualized and executed by interior designer Sean Symington. Initially a dilapidated student accommodation, the property has been reimagined into a vibrant, colorful home that challenges conventional design norms. Symington's design philosophy centers on integrating unexpected elements, such as combining country-style items with contemporary lines, as exemplified by a scalloped banquette and tulip table in his kitchen diner. The house's exterior, made of light Bath stone, provides a stark contrast to its kaleidoscopic interior.
Upon first viewing, the house presented numerous challenges, including a cramped layout with a bed in almost every room and a 1970s lean-to extension. Symington, however, recognized its potential. He opted to maintain the sitting room as a distinct formal living space, reflecting his preference for separate entertaining areas. The renovation involved significant structural reconfigurations. The ground floor bathroom was converted into a cloakroom and utility area, while an upstairs bedroom was partitioned to create a new bathroom, optimizing space without compromising functionality. The outdated lean-to was replaced with an airy, glass-roofed extension that required digging down to achieve suitable ceiling height. Furthermore, a loft conversion was undertaken to add a bright new bedroom with ample built-in storage on the top floor.
Maximizing space was a crucial aspect of the design. For instance, in the main bedroom, the chimney breast was widened to accommodate a king-size bed, allowing for a full wall of wardrobes and ensuring the headboard faces the entrance, a design choice favored by Symington. The kitchen-dining-living area serves as the home's central hub, featuring a Bath stone fire surround that frames the range. Despite space constraints, Symington incorporated extensive storage, including a large kitchen island equipped with a dishwasher and sink. Alcove units flanking the range conceal a microwave and coffee station, with their interiors painted a deep red to provide an unexpected burst of color when opened.
Color and pattern are fundamental to Symington's design aesthetic, with a deliberate flow of pinks, blues, and greens throughout the house. The sitting room embraces eclectic maximalism, blending modern interpretations of stately home style with bold blue walls, pastel pink accents, and playful prints, all harmonized by a traditional portrait. The extension continues this theme, featuring a striking checkerboard floor and a palette of pinks and blues. Dining and sitting areas, rich in pattern, are balanced by warm white walls. A notable feature in this area is a fish-themed artwork that cleverly disguises a television.
Symington's meticulous curation and adept blending of colors and patterns extend to even the smallest spaces, such as the cloakroom, where a Pierre Frey fabric motif is used as a statement wallpaper, tying the overall design together. The article concludes with an interview with Sean Symington, where he discusses his biggest indulgence (window treatments and upholstery), his greatest success (transforming the dark and cold kitchen into an open area), his design hero (Miles Redd), and his belief that home should evoke feelings of safety, warmth, comfort, and happiness. He also shares his passion for antique shopping, particularly at Lorfords and Brownrigg in Tetbury.
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