
Bauhaus-Style Cape Cod House Gets A Guesthouse by Hariri & Hariri
This article discusses the design and construction of a new guesthouse by Hariri & Hariri Architecture, commissioned by entrepreneur Cliff Schorer, for his property in Provincetown, Massachusetts. The property is home to a significant 20th-century architectural masterwork, the former residence of Carl Murchison, designed by The Architects Collaborative, led by Bauhaus founder Walter Gropius, and completed in 1959. Gropius was a strong advocate for modernist design, famously urging the U.S. government to adopt contemporary architectural styles for the Cape Cod National Seashore's visitor centers, rather than resorting to "reviving revivals."
Despite Provincetown's history of embracing progressive ideas and diverse communities, modern architecture remains uncommon. However, Schorer and the Hariri sisters, Gisue and Mojgan, shared a vision inspired by Gropius's philosophy, viewing his Cape Cod National Seashore letter as a call to push the town's architecture into the 21st century. Schorer, described as a "very inspired client," sought a design that would be both "revolutionary yet livable," driven by his passions for architecture, furniture, and art.
The resulting 2,400-square-foot guesthouse presents a fresh and captivating appearance, envisioned by Gisue Hariri as reminiscent of rocks washing off the nearby breakwater and landing on the beach. While distinct, the design thoughtfully incorporates and adapts Gropius’s signature rectilinear forms and neutral materials. The Hariris used a palette of grays, taupe tones, and dark wood, mirroring the original house's aesthetic. Charcoal-colored stucco covers the retaining walls, polished concrete flooring features on the lower level, and aluminum frames the windows, all contributing to the gray scheme.
Brazilian ipe wood is a prominent material, wrapping the upper level's exterior and lining its interior, creating a sense of warmth and continuity. The guesthouse's roofline, with its hairpin shape and broken pediment, serves as a transitional element, addressing the pre-existing gabled gatehouse on the property. A Gropius-inspired clerestory adds height to the master bedroom's window wall, while a smaller, ipe-clad window in the master bathroom is strategically placed to block views of a neighboring motel. Inside the master bathroom, ipe continues for flooring and faceted paneling, evoking a carved, cavelike feel, or a warm Swedish sauna, as described by the Hariri sisters.
Emulating Gropius's architectural approach, a portion of the guesthouse's lower level is buried, capitalizing on the site's elevation change. This design choice makes the guesthouse appear as a modest single story from the approach, with the living and dining areas revealing themselves down the slope. The double-height living area features a soaring fireplace wall, surfaced with the same gray stucco used on the exterior, echoing the Gropius house's fireplace. The Hariris expressed their profound respect and excitement in working with Gropius's architectural principles. The project serves as a testament to honoring the architectural heritage of a place while simultaneously advancing contemporary design, a philosophy that will guide future guesthouse proposals for the property.
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