Plot Twist: Stripes Keep This Maximalist Edwardian Home From Looking Too Busy

Interior designer Nicole Fisher of BNR Interiors transformed a four-bedroom, builder-grade row house in Hudson, Upstate New York, into a vibrant home with British charm. The initial state of the house, purchased by a developer, lacked character with generic hardware store moldings and fixtures. Fisher's primary goal was to infuse personality and warmth into the space, moving away from the common 'white on white' aesthetic prevalent in the region. The design process began with selecting a cohesive color palette, largely inspired by House of Hackney’s Avalon wallpaper, a striped and floral pattern used in the dining room. This wallpaper dictated the selection of 14 different paint colors applied throughout the house, aiming to create a distinctly British, rather than farmhouse, atmosphere. The homeowners, being British themselves, were receptive to a bold and layered approach to interior design, having previously embraced unconventional choices like a lime green kitchen in their London home. Fisher embraced the British tendency for playful interiors, characterized by multiple patterns and layers, creating spaces that feel timeless rather than confined to a specific era. The philosophy was to choose elements that the homeowners loved, ensuring they would work together harmoniously if executed correctly. A significant feature of the renovation included the incorporation of two hidden doors—one leading to a pantry and another in the TV room. These hidden spaces serve both functional and aesthetic purposes, providing privacy in a house where the entire length is visible from the front door, and offering practical solutions for entertaining by concealing clutter or creating a 'speakeasy' feel. Attention to detail extends to specific rooms, such as the primary bedroom, where multiple patterns are successfully integrated. The key to this success lies in a common color thread, specifically a cranberry hue, which is consistently pulled through various elements like the bed, wallpaper, and chair tassels. Additionally, Fisher employed variations in scale, combining small and large patterns, such as a chunky floral fabric from Liberty (which held sentimental value for the homeowner as her wedding dress designer) for the headboard. This approach creates a collected, aged feel, reminiscent of a modern grandmother's country house, avoiding a 'too new' or 'too precious' ambiance. The kitchen also showcases unique finds, including a faux marble island sourced from 1stDibs. This island, with its colors complementing the chosen wallpaper, became a central element that set the tone for the rest of the kitchen, contributing to the overall layered and inviting aesthetic Fisher aimed for. Other notable design choices include Sanderson’s Stapleton Park Wallpaper in the dressing room, Farrow & Ball’s Potted Shrimp for the den walls, Phillip Jeffries’s Island Raffia in the living room, Cole & Son’s Frutta e Geometrico in the bar area, Soane’s Scrolling Acanthus in Bloom in the primary bedroom, John Derian wallpaper in another bedroom, and Scalamandre’s Magnus in Indigo Blue in the laundry room. These selections highlight a rich interplay of patterns, textures, and colors, successfully transforming a generic space into a home filled with character and warmth, deeply influenced by British design sensibilities. #InteriorDesign #HomeRenovation #BritishCharm #PatternMixing #WallpaperDesign #ColorPalette #HiddenDoors #HudsonHome #BNRInteriors

This article explores a Washington, D.C., home designed by Zoe Feldman, which showcases a maximalist yet restrained approach to interior design. The residence, owned by a young, fashion-forward couple with an affinity for British style, particularly House of Hackney, challenges conventional design norms by seamlessly integrating bold patterns, vibrant colors, and diverse textures. Feldman emphasizes that despite the eclectic mix of elements, the home maintains a cohesive and surprisingly neutral feel. The dining room, for instance, features a large, square layout adorned with striped Farrow & Ball wallpaper. This bold pattern, rather than being overwhelming, is described as soothing. The space offers a view into a floral-covered foyer, which in turn leads to a chartreuse-colored living room where various animal prints are harmoniously incorporated. Feldman explains that the striped wallpaper in the dining room naturally complements the William Morris Pimpernel print found in the stairwell, with both areas utilizing tame color palettes that subtly prepare visitors for the vibrant chartreuse living room. A key design philosophy employed by Feldman is balancing quirky and traditional elements, ensuring that "everything can’t be the star." This approach is evident in the inclusion of a vintage landscape tapestry in one corner and a human hand-shaped catchall for keys, a signature touch in Feldman’s projects. She stresses the importance of natural relationships between design elements, rejecting the idea of simply throwing disparate items together. The leopard stair runner is highlighted as an example of a seemingly bold choice that functions as a neutral, according to Feldman, who believes animal prints are inherently neutral and can coexist in nearly any space. The living room further exemplifies this adventurous design, featuring nude sketches by a team designer, antique glass mirror panels, and a 1970s tiger-print daybed. The striking chartreuse walls and window trim, painted in a Benjamin Moore hue matched by Fine Paints of Europe’s Hollandlac finish, create the illusion of lacquer without the associated cost and labor. In contrast to the vibrant communal spaces, the kitchen acts as a palette cleanser with its gradient blue cabinetry. Feldman applied various shades of Farrow & Ball paint—Pale Powder for the walls, Light Blue for medium door fronts, and De Nimes for pantry cupboards—to create a calming, smudged effect. The Donatello marble countertops, integrated sink, and backsplash, with their subtle blue veining, enhance this optical illusion. The adjacent family room, described as the "heartbeat of the house," is designed for both the couple and their young children. A TV is concealed behind bifold cabinet doors, painted in Farrow & Ball’s Stone Blue to match the walls and baseboards, allowing for a versatile space that can be active during the day and serene at night. Feldman’s use of antique brass grilling to disguise lower cabinet panels, a technique often used for radiators and AC returns, adds a functional yet decorative touch. The primary bedroom features an upholstered bed frame that is complemented by speckled Matouk Margot print pillows and duvet, chosen to play up the pattern rather than mute it. Feldman argues that small-scale prints can complement larger ones in ways solids cannot. The children’s bedroom incorporates playful pink dinosaur wallpaper from House of Hackney, with the border painted in an icy blue-green, a tone present in the motif, to ensure a cohesive and impactful design. This careful consideration of trim, doors, and ceiling colors maximizes the effect of the wallpaper, avoiding a stark white that would feel out of place. #InteriorDesign #HomeDecor #MaximalistDesign #PatternMixing #ColorPalette #ZoeFeldmanDesign #WashingtonDCHome #TextileTrends #EclecticStyle

The owner of a two-bedroom London maisonette, Gemma Edwards, who frequently travels for work with a government conservation agency, opted to hire interior designer Sean Symington to transform her home. Edwards sought a unique and non-standard interior, explaining her desire to avoid a “cookie-cutter” look and her focus on enjoyable aesthetic changes rather than extensive structural renovations. Symington, known for his adept use of color and pattern, was selected to invigorate the apartment. The living room, despite its inherent character, was previously described as dull and lacked a central feature. Symington addressed this by introducing a fireplace surround and incorporating alcove shelving, which served both as a focal point and provided display and storage options. A marble mantelpiece, sourced from a reclamation yard, enhances the room's coziness, particularly when candles are lit, despite not being a functional fireplace. The room features watermelon velvet sofas from Sofa.com and an armchair upholstered in an animal spot velvet. Edwards's existing Dashiki curtain fabric was adapted for the south-facing living room, with Sean lengthening them using an additional panel, offering a cost-effective alternative to purchasing new curtains. The room also benefits from a small balcony, providing a pleasant outdoor space for morning coffee and a developing potted garden, accommodating Edwards's busy schedule that limits traditional gardening. In the kitchen and bathroom, the strategy focused on redecorating rather than replacing existing fixtures and appliances, which were of good quality, to avoid waste. Edwards prioritized investing in fabrics and furniture, elements she could potentially take with her if she were to move. The kitchen now boasts soft, earthy red walls contrasting with dark blue cupboards and a chequerboard floor. Radiators were painted to match the walls, a budget-friendly solution. A matching Roman blind and sink skirt introduce softness, and vintage dining chairs were reupholstered. The narrow hallway was not overlooked in the decorative scheme. One wall features a gallery of framed prints, each without a backing to expose the wall behind. The radiator is cleverly concealed by a fabric skirt and a shelf, providing both style and utility. The main bedroom showcases a vibrant palette of emerald and mustard, combined with natural materials. A half-tester over the bed creates a bold statement, complemented by a classic William Morris print wallpaper. Table lamps from Pooky and smaller reading lights with scalloped seagrass shades adorn wicker-topped bedside tables. Fitted wardrobes, painted in Bancha by Farrow & Ball to match the woodwork, include both panelled doors and open shelves, aiding in creating a sense of spaciousness, with Ikea baskets used for storage. The home office underwent a significant transformation from an unliked baby blue to a warmer Farrow & Ball India Yellow. This color provides a suitable backdrop for a painting and a kilim rug, a souvenir from Edwards's time working in Africa. An antique desk from Vinterior and practical shelves with decorative scalloped edging complete the space. Edwards expresses her satisfaction with the final result, highlighting how each room now possesses a distinct character and individual color scheme, attributing the elevated aesthetic to the paint colors and fabrics chosen with Symington's expertise. #LondonMaisonette #InteriorDesign #ColorfulHome #PatternedDecor #BudgetDecorating #LivingRoomDesign #BedroomDesign #HomeOfficeIdeas #Renovation #SeanSymington

Interior designer Tess Twiehaus emphasizes a unique approach to home design by initiating projects with keyword brainstorming sessions with clients to understand their desired aesthetic and ambiance. While 'light' and 'airy' are common requests, Twiehaus encountered a client seeking a 'sexy' feel for their 1,500-square-foot Spanish-style home in Los Angeles. This specific desire led the design process towards incorporating black accents throughout the residence, such as zellige tile in the kitchen and a Nickey Kehoe pendant lamp in the dining room. A particularly impactful and unexpected application of this moody aesthetic was the integration of dark curtains. Twiehaus notes that luxurious hotel rooms often feature darker window treatments to create a specific atmosphere of escape and moodiness, a concept she aimed to replicate in her client's home. In the primary bedroom, a color-drenching technique was applied, using a forest green paint for the walls, window trim, and closet. This was complemented by curtains crafted from a James Malone fabric in a matching deep green, enhancing the room's cohesive and immersive feel. The bathroom adopted a blue theme, featuring navy café curtains that provided both privacy and a continuation of the rich color palette. For the guest bedroom, Twiehaus economically utilized the same midnight blue fabric, this time fashioning it into roman shades. These shades were chosen to harmonize with the romantic quality of the home’s original wood windows, contributing to the overall sophisticated atmosphere. Customization was a key aspect of the project, with Twiehaus investing in bespoke window treatments from Heritage Draperies. She highlights that the value lies in the tailoring and execution, opting for details like pinch pleats and a quarter-inch pooling of drapes on the floor, asserting that these specific elements significantly contribute to the final aesthetic. Despite the potential for dark fabrics to make small spaces feel confined, Twiehaus skillfully avoided this by selecting translucent linen for the curtains. This choice allowed ample light filtration, creating a distinctively atmospheric yet not oppressive 'light and airy' quality, demonstrating how dark window treatments can transform a traditional home into a moody and elegant sanctuary while maintaining a sense of openness. #InteriorDesign #HomeDecor #WindowTreatments #DarkCurtains #MoodyInteriors #SpanishStyleHome #CustomDrapery #TextileSelection #ColorDrenching

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

The article explores the resurgence of stripes in home design and questions whether this classic pattern is becoming the new chevron of the 2020s. As a home and design trends reporter, the author observes stripes appearing everywhere, from home decor to social media tutorials, leading to a trend of "stripe drenching" where entire rooms are covered in striped patterns. The author acknowledges that stripes are inherently timeless but notes their current user-friendly appeal, making them accessible for DIY enthusiasts to incorporate into their homes. This ease of adoption raises the concern of whether stripes risk becoming overused and blasé, similar to how chevron became ubiquitous and eventually dated in the late 2000s. The discussion delves into the comparison between stripes and chevron, highlighting that chevron was a highly popular, often gray-and-white graphic zigzag pattern that adorned various home items and symbolized millennial design. The author suggests that the current prevalence of stripes, along with block prints, in big-box home stores mirrors the earlier chevron craze. The article also draws parallels to the ikat trend of the late 2010s, which, like stripes, was timeless and rooted in design history but experienced a strong, boho-driven revival, becoming a signifier of "in-the-know" style. Design experts offer varied opinions on the trend. While some argue stripes are timeless, others express fatigue. A key insight from design journalist Nicole Letts suggests that while ticking stripes remain classic, wider, cabana-like stripes are starting to feel dated. These bold, graphic stripes, easily replicated through DIY, can lead to lazy decorating choices and appear flat. Texas-based designer Lauren Saab points out that painted wall stripes, if not executed with precision, can look busy rather than beautiful. She emphasizes the importance of perfectly leveled, crisp edges so that stripes integrate with the architecture rather than appearing as mere surface decoration. To effectively incorporate stripes, experts recommend opting for textured options like ticking-stripe wallpaper instead of painted walls. Suggestions include using vertically stacked subway tile or Roman shades for a dimensional effect. The article also encourages exploring stripes that move beyond traditional straight lines, such as busy patterns arranged vertically to create a striped impression. Designers Bridget Tiek and others assert that stripes are versatile and can complement various interior styles, including rustic, cottagecore, modern, traditional, and glam. The piece concludes by showcasing examples of designer-approved ways to use different types of stripes, from classic ticking stripes in children's bedrooms to ikat-striped wallpaper in entryways and tonal oversized ticking stripes grounding pattern-filled rooms, emphasizing that thoughtful application can ensure stripes remain a sophisticated design element. #HomeDesignTrends #Stripes #InteriorDecorating #PatternPlay #DesignTrends #Wallpaper #Cottagecore #Maximalism

This blog post explores the transformation of a historic colonial revival home dating back to 1895 in Newton Center, Massachusetts. The owners sought to update their property with a glamorous, sexy, and elegant aesthetic, while simultaneously restoring and enhancing its original architectural features. The project aimed to integrate sympathetic interior décor with a contemporary flair from the 2020s. Before addressing the design details, the primary challenge involved removing uncomplimentary architectural additions from the 1940s, 80s, and 90s, particularly a deteriorating 1980s kitchen. Designer Cecilia Casagrande was commissioned to address these challenges, focusing on enhancing the home's original architecture while adapting it for modern living. Her approach successfully blended original period details with quirky and glamorous contemporary touches. The kitchen redesign, for instance, drew inspiration from the client’s Turkish Iznik pottery collection and antique rugs, transforming a drab 1980s space into a bright, open area. The design incorporated a mix of midcentury, antique, and modern elements, evident in pairings like a midcentury side table with a modern bed frame, or a curved sofa with modern lamps. The breakfast nook features an antique pedestal table and vintage dining chairs, harmonizing with the updated kitchen. The cabinet colors, specifically Farrow & Ball’s Paean Black and Benjamin Moore’s Yorktowne Green, were inspired by the blue hues of the Turkish plate collection. The kitchen also boasts vintage rugs from Afghanistan, brass taps by Barber Wilson, and handmade tiles from Winchester Tile in England, along with green stone accents, contributing to a worldly and earthy feel. The living room, characterized by intricate wood detailing and an impressive bay window, features walls, trim, and ceiling painted in Farrow & Ball’s Hague Blue. This bold color choice maintains the modernity of the ornate trim while creating a cozy Victorian parlor ambiance. Natural walnut elements on doors and trim are highlighted with a clear poly finish. The room includes a midcentury vintage sofa upholstered in mohair blue velvet, complemented by a rounded Jonathan Adler Danner sofa and Kelly Wearstler lamps to create a “sexy vibe.” Midcentury furnishings, such as a reupholstered Thayer Coggin swivel chair and a new Thayer Coggin Roxy chair, along with a round midcentury pi-coffee table and Moroccan inlaid side tables, contribute to a global aesthetic through eclectic accessories sourced internationally. A vibrant artwork by Hunt Slonem in a gilt frame and a vintage carved sideboard add glamour to a corner of the living room. The dining room reflects the clients' vision with quirky contemporary elements like Cole & Son Leopard Walk wallpaper and a stag chandelier sourced from Germany. Iconic midcentury Saarinen chairs and a stunning Suzani tablecloth complete the eclectic and joyful space, which is described as Victorian modern. The upstairs landing serves as an inviting seating area, utilizing natural light from an original gothic-detailed 1895 window and featuring French-style armchairs and a chess set. The primary bedroom showcases pastel pinks, blending antique, vintage, and modern furnishings. Brass elements, such as Sarreid chests, an antique mirror, and an Alexa Hampton ceiling light, add character. Walls are painted in Farrow & Ball's Middleton Pink with trim in Dove Tail, while House of Hackney and Timorous Beasties pillows, a modern champagne velvet bed, and a faux sheepskin swivel chair balance the vintage pieces. The bathroom features a Penhaglion cast iron tub in unlacquered brass, a striking choice for the historic home, complemented by classic marble tiles, Timorous Beasties curtains, and brass accents, offering a modern twist on traditional design. The homeowners expressed satisfaction with the transformation, noting that each room was thoughtfully designed and inspired by their existing collections, making the renovation a collaborative effort from architectural restoration to fabric selection. The project successfully honored the home's original features while introducing contemporary humor and subtle updates. #HistoricHomeRenovation #ColonialRevival #InteriorDesign #BoldColorSchemes #VictorianModern #KitchenDesign #LivingRoomDecor #BedroomIdeas #BathroomDesign

This blog post details the renovation of a three-story Victorian home overlooking Long Island Sound in Larchmont, owned by the Pinchin family. The project, led by architect Robert Keller of Keller/Eaton and homeowner Gillian Pinchin, who also runs her interior design firm Wondernose, focused on transforming the traditional exterior with a funky, eclectic, and modern interior designed for contemporary family living. The primary objective was to modernize the home while maintaining its historical charm. The most substantial changes were implemented on the third floor. This area, which previously consisted of five small maids' rooms, was reconfigured to create a spacious master suite. This new suite now includes a master bedroom, a dedicated bathroom, a dressing room, separate his-and-hers offices, and a deck offering views of the water. The architect noted that the goal was to repurpose underutilized spaces into functional and aesthetically pleasing areas suitable for a modern lifestyle. A unique challenge was creating a sense of privacy for the parents within the master suite without isolating it from their three young children. The solution was a 2-inch-thick, 400-pound walnut door, crafted by Pinchin’s father, which slides on casters like a barn door. This door provides privacy when closed but allows the third floor to feel contiguous with the rest of the house when open. The second floor of the home features three bedrooms and a bathroom for the children, along with a guest room, an additional bathroom, and a laundry room. On the first floor, a modern island was incorporated into the traditional kitchen, blending new elements with existing aesthetics. Additionally, a formal living room was re-envisioned as a "grown-up room" by Pinchin, providing a tranquil space with two chaises for relaxation. The basement was also renovated to include a bedroom, a bathroom, a mudroom, and a gym, all designed with a clean, simple, and functional style. For the interior design, Pinchin adopted a "gallery approach," painting most walls white to allow select pieces of artwork or furniture to stand out. The most striking element in the house is a custom graffiti wall in the dining room. Pinchin commissioned an artist from San Francisco, who used traditional paint to create a "sloppy" graffiti look, even incorporating the children's initials into the design. This "crazy wall" creates a compelling contrast with the otherwise quiet room, furnished with midcentury pieces inherited from Pinchin's grandmother. The architect highlighted this surprising juxtaposition between the home's traditional exterior and its modern interior as a key success of the project. The article further elaborates on specific design choices in various rooms. In the master bedroom, artwork above the bed provides a splash of color against a neutral backdrop. Her office maintains an all-white theme with a zebra-skin chair and personal artwork. The kitchen features a modern island and a bubble chandelier alongside a reproduction of an old master's painting and green subway tiles. The "grown-up room" boasts a lenticular image of a ballerina above the mantel, offering a dynamic visual element, and combines high-end B&B Italia chaises with an Ikea shelving unit, showcasing a blend of high and low furnishings. The overall renovation successfully merges historical architecture with contemporary design and personal artistic expression. #VictorianHome #HomeRenovation #ModernInteriorDesign #ArchitecturalUpdate #MasterSuite #EclecticDecor #GraffitiArt #InteriorDesign #GillianPinchin #RobertKeller

Interiors expert Sue Jones shares five key reasons and corresponding tips for incorporating stripes into home decor to create a cohesive and stylish look. Stripes are highlighted as a traditional, timeless, and versatile pattern in interior design, offering both bold statements and subtle enhancements. One significant benefit of using stripes is their ability to manipulate the perception of space. Vertical stripes can make rooms with low ceilings appear taller, while horizontal stripes can make narrow rooms seem wider. This visual trick, especially when combined with mirrors, effectively creates the illusion of a larger area by drawing the eye in the desired direction. The key is to align the stripe orientation with the spatial dimension one wishes to enhance. For a classic and enduring aesthetic, it is important to select stripes that will not quickly become dated. Jones advises choosing muted, neutral palettes or traditional bold colors like reds, greens, whites, and blues, as these have consistently remained stylish over time. To avoid a chaotic appearance, it is recommended to limit stripe patterns to no more than three colors: a primary color supported by two secondary ones, or a classic two-tone scheme. The thickness of the stripes also matters; thick stripes create a bold impact, particularly in two-tone designs, while thin stripes offer a more understated feel, suitable for both vibrant and muted color schemes. Stripes can also serve as a powerful statement element in home furnishings. Opting for large, boldly patterned pieces such as armchairs and sofas can create striking focal points within a room, especially when walls are kept plainer. This approach allows for the introduction of dynamic patterns without overwhelming the entire space. Even for those hesitant about bold patterns, selecting furniture with muted striped upholstery provides a safe and eternally stylish choice. Furthermore, stripes are an excellent tool for adding vibrancy to neutral color palettes. In spaces dominated by neutral tones, introducing striped elements can refresh the aesthetic. This can be achieved through smaller statement items like stools and side tables, or through fabrics such as luxury cushion covers, throws, and rugs. For a more subtle touch, accessories like striped china sets can also inject a refined touch of pattern and life into a room. Despite their versatility, it is crucial not to overuse stripes in a single space. An important guideline is to apply patterns either to walls or to furniture, but not both simultaneously. For instance, if a striped armchair or sofa is chosen, plain walls are preferable to prevent an overdone design. Conversely, if striped wallpaper is used, subsequent stripe applications should be limited to smaller accessories. Consistency in stripe orientation (either horizontal or vertical) and adherence to a single color palette for stripes are also essential to maintain a harmonious and non-jarring interior aesthetic. #Decorating #HomeInterior #LuxuryHomes #LuxuryLifestyle #Stripes #InteriorDesignTips #SpacePerception #TimelessDecor #PatternedFurnishings

Sean Ronnie Hill, founder of Rise Design Studio, and his wife, fashion designer Mallika Chaudhuri, have transformed their one-level, ground-floor apartment in North London to accommodate their two daughters' request for a staircase and to reflect a deep appreciation for natural materials and thoughtful design. The renovation of their home integrates a unique, sculptural birch plywood installation in the girls' bedroom, designed to resemble a whale, a nod to their eldest daughter's fascination with the sea. This whale-like structure functions as a loft bed, with a traditional flight of steps leading to a mezzanine for 9-year-old Freya, complete with an undulating open railing. Beneath the staircase, a raised platform serves as 6-year-old India's bed, featuring built-in drawers for storage and spare mattresses for sleepovers. A projector allows the girls to watch movies on their cupboard walls, and a perforated, indigo-blue moon adorns the bed's side, further enhancing the aquatic theme. The sea theme extends throughout the apartment. The bathroom, though compact, features a timber-slatted ceiling reminiscent of a whale's ribs and walls finished with ocean blue tadelakt, color-matched for a textured appearance. The family's time in Barcelona's medieval districts inspired the use of clay and exposed plaster throughout the home, emphasizing a desire for natural materials and their raw beauty. To maintain the integrity of these organic surfaces and avoid distractions from typical spotlights or artwork, Hill implemented innovative lighting and display solutions. Bulbs are suspended from pivoting black brackets, allowing light to be directed flexibly, while slim bars near the ceiling serve as picture rails, enabling frames to be clipped on and off without piercing the walls. The open-plan kitchen and living room demonstrate meticulous planning for storage needs, featuring extensive cabinetry, drawers within drawers, and a mobile kitchen island. This thoughtful design ensures that the family's belongings are neatly organized, preventing a cluttered feel despite the apartment's size. An additional bedroom, which also functions as a playroom, was created from a side extension, utilizing large sliding doors for instant privacy. This versatile space includes a daybed and a desk, providing an area for the girls to do homework while meals are prepared. The home's neutral palette is complemented by splashes of color primarily from Chaudhuri’s textiles—inherited or thrifted rugs and furnishings. A striking exception is Chaudhuri's studio at the end of the garden, which features vibrant Yves Klein Blue doors, symbolizing her fashion brand and adding an ethereal, happy hue that also subtly ties back to the home's aquatic motif. On weekends, the family enjoys opening the studio doors to relax on a small sofa, enjoying coffee and tending to plants, further connecting with the outdoor space and the thoughtfully designed environment of their London home. #HomeTours #LondonHome #KidsRoomDesign #LoftBed #InnovativeLighting #NaturalMaterials #StorageSolutions #InteriorDesign #ArchitecturalDesign

The article details the design process and outcome of a custom-built home in Dallas for Chris and Lynsey Synek, whose personal style, particularly Lynsey's "couture" fashion, heavily influenced the interior design. Faced with a limited real estate market offering homes that were either too old or too small, the Syneks decided to purchase a lot and embark on a custom build. They engaged designer Philip Thomas Vanderford of Studio Thomas James, Janson Luter Architects, and builder Faulkner Perrin to create their ideal home. The design aesthetic for the house was directly inspired by Lynsey Synek's curated and edgy fashion sense, characterized by precise editing and a specific color palette. This influence translated into the home's selection of deep charcoals, dusty whites, spicy mustards, eggplant, and sophisticated pinks, some enhanced with high-gloss finishes. These colors were balanced with natural elements like oak beams, flooring, and cabinetry, extending even to the office ceiling. Vanderford's approach focused on holistic design, ensuring seamless transitions and optimal mobility between spaces. The couple's preference for having all main living areas on the first floor guided the layout. A central feature of the home is the living room, designed as the nexus for family and guests, and considered one of the Syneks' favorite areas. To prevent the large room from feeling either overcrowded or empty, Vanderford implemented a "rule of two," using pairs of significant furniture pieces such as 85-inch settees, midcentury modern chairs, and coffee tables. This strategy aimed to improve circulation and flow, making the room feel both inviting and functional without appearing cartoonish, a common pitfall in oversized Texas rooms. The article also provides a room-by-room breakdown, highlighting specific design choices and sourced items. The entryway features an inky, textural wallcovering from National Solutions and custom black-and-white tile, complemented by a custom Riloh chandelier and a St. James Lighting lantern. The living room includes pieces from Paul Matter and Baker-McGuire, with a Stark rug. The family room, serving as a more informal entertaining space, contains chairs by Julian Chichester, a Visual Comfort & Co lamp, and a coffee table from Theodore Alexander. The kitchen is characterized by a wall of windows, warm oak cabinetry, and Bianco Superiore quartzite, furnished with vintage stools in Élitisfabric and Riloh pendants. Further sections detail the butler's pantry with Hapny hardware, a breakfast nook featuring a custom banquette and a Riloh chandelier, and a dining room painted in high-gloss Benjamin Moore Ciao Bella, accented with Carlucci draperies and a Jonathan Browning Studios chandelier. The wet bar, located opposite the living room, is equipped with Fyrn barstools. The powder room showcases terrazzo tile from Ann Sacks, Visual Comfort & Co sconces, and Phylrich fixtures. The primary bedroom features a supersized custom headboard and a pitched ceiling, with a Visual Comfort & Co chandelier and Thibaut wallcovering. The main level owners' suite and an outdoor cabana are also mentioned, completing the comprehensive tour of this custom-tailored Dallas residence. #InteriorDesign #HomeDecor #LuxuryHomes #CustomBuild #DallasRealEstate #InteriorArchitecture #ColorPalette #FurnitureArrangement #PhilipThomasVanderford

The article suggests incorporating stripes into home decor to combat a lacklustre or bland interior, specifically advocating for candy stripes in sugary shades of pink, bright reds, and deep turquoise. These linear prints are presented as a vibrant and refreshing solution for spring, ranging from subtle accents to bold statements. The piece highlights various brands and products that offer stylish striped items for the home. Anna + Nina, an Amsterdam-based lifestyle label, is noted for its striped ceramics, including scallop-motif plates and mugs, now available at Avoca. The influence of designer Sonia Rykiel, known for her striped designs, is referenced, reinforcing the timeless appeal of stripes in fashion and home decor. The focus for home interiors is predominantly on soft furnishings. Colours of Arley, a British brand, is featured for its vivid striped material, including a new recycled fabric made from plastic bottles, offering extensive customization with three stripe widths and 15,000 color combinations for cushions or curtains. The Soft Cotton Shop, a Galway brand, provides pestemal bath towels in a variety of striped patterns. For bedroom decor, Mango's home collection is recommended for its 100 percent cotton king duvet covers. The article also touches upon striped upholstery, suggesting brands like Tori Murphy and Octavia Dickinson for headboard inspiration. The design of Les Deux Gares, a Paris hotel by Luke Edward Hall, is cited as a masterclass in bed backs featuring stripes. Further recommendations for incorporating stripes include using striped tablecloths for dining, with Late Afternoon and the Considered by Helen James range at Dunnes Stores being mentioned for their cheerful designs. Other striped accessories highlighted are a bold curtain by Colours of Arley to conceal shelving, a striped and floral cushion cover from Kitri's collaboration with Amuse La Bouche, and a tufted seat pad by Considered by Helen James for dining chairs. Humorous mugs from Anna + Nina with striped designs are also suggested. Finally, the article recommends striped candles from H&M to adorn coffee tables and a cozy bath towel with recycled cotton from Arket in a spring yellow shade. The overall message is that stripes, whether subtle or bold, can instantly uplift the mood and aesthetic of a home, making them an ideal choice for refreshing interiors for the warmer seasons. #InteriorDesign #HomeDecor #Stripes #LinearPrints #SoftFurnishings #SpringDecor #TextileDesign #QuirkyDecor #VibrantColors

For an extended period, home design gravitated towards a minimalist aesthetic, characterized by calm palettes, slender furniture, and a general editing out of anything perceived as excessive. This approach often resulted in tidy, yet somewhat unfinished-feeling rooms. However, a significant shift is underway, with bold stripes emerging as a key design element, moving beyond mere decorative accents to function as optical architecture. These stripes provide structure, add presence, and give modern rooms a sense of backbone. The previous decade’s minimalist trend, featuring white sofas, greige walls, and understated patterns, initially offered a sense of calm. Over time, however, these polite rooms began to blend into a uniform, beige aesthetic, leading to a desire for greater individuality and presence. Designers have responded by reintroducing the stripe, not as clutter, but as a simple yet impactful design choice. Interior designer Flora Soames highlights that stripes serve a specific purpose: when a plain surface is insufficient and a full pattern is not desired, a stripe offers structure and form. It acts like a drawn line in an architectural sketch, providing direction and defining boundaries, thereby bringing an open room into focus or adding an edge to a subdued space. Unlike soft washes of color that recede, a strong line commands attention and maintains its presence. This current fascination with stripes represents a larger trend away from the blandness of minimalist spaces, which often felt akin to waiting rooms. There is a quiet resurgence of pattern, texture, and rhythm, aiming to create interiors that feel lived-in and personalized. Stripes effectively achieve this, appearing natural amidst architectural features like arches and molding, and offering a crisp, defined look in new constructions. In busy environments, stripes guide the eye, preventing visual chaos, while in sparse rooms, they add essential definition. This versatility allows stripes to occupy a comfortable middle ground in design. Stripes offer remarkable flexibility, allowing for variations in width, spacing, and color pairings to alter the mood of a space. Designers are increasingly treating stripes as a strategic tool to direct attention and influence how a room is perceived, rather than merely a pattern choice. Soames emphasizes the integral role of stripes in her designs, noting their consistent presence. Beyond their aesthetic contribution, stripes can manipulate visual perception: bold stripes on walls or wallpaper can make ceilings appear higher, while striped curtains can enhance the perceived height of windows. Strategically placed striped rugs or floorboards can extend the apparent length or width of a room, creating optical illusions without requiring structural changes. This ability to subtly rewrite the room's perception is a key benefit. The application of stripes extends beyond flat surfaces to three-dimensional elements such as fluting and tambour, which are slim vertical ridges on furniture like kitchen islands and consoles. These textured surfaces, carved into wood, plaster, or stone, introduce movement and craftsmanship without overwhelming the space, catching light and shadow to create subtle dynamism. The brain's natural appreciation for repetition is engaged by these vertical and horizontal textures, which can evoke a sense of upward stretching or settled stability, respectively. This blend of steadiness and elevation contributes to the enduring appeal of stripes. Stripes are currently valuable due to their diverse behavioral characteristics—they can be bold, subtle, or nearly invisible. The most effective approach often involves selecting a single element for striped application, such as a painted accent wall, a striped rug to define an open-plan living area, or long striped curtains to enhance window presence. The impact can vary from high-contrast pairings like black and white to subtle tonal differences that become apparent under changing light. For those averse to overt patterns, disguised stripes in millwork—ribbed cabinetry, grooved panels, or slatted doors—offer an architectural rather than a printed effect. The objective is not to cover every surface with stripes but to use a few distinct lines as a framework, creating a sense of inherent belonging rather than a fleeting trend. The current relevance of stripes is also tied to design fatigue, as the prevalence of neutral schemes has led to a desire for more expressive interiors. Stripes provide discipline without descending into chaos, introducing edge, color, and a stronger sense of form. They can visually elevate a room, add character to a rental, or enhance a plain bedroom. Functionally, in an era where homes serve multiple purposes—offices, studios, and virtual backgrounds—stripes offer geometric clarity for digital appearances and define distinct zones within limited spaces where various activities occur simultaneously. This multifaceted utility ensures their continued prominence in interior design. #BoldStripes #InteriorDesign #HomeDecor #DesignTrends #Minimalism #ArchitecturalElements #SpatialPerception #TexturedSurfaces

This article highlights the renovation of a home at 1909 Baymiller Street in Cincinnati's West End, undertaken by Rosie Kovacs and Hayes Shanesy, the husband-and-wife team behind Brush Factory. The West End is presented as a vibrant neighborhood with a rich history, known for its unique homes and ongoing revitalization efforts, exemplified by previous renovations like a church-turned-home. The current owners' dedication to restoring historically significant buildings contributes to the area's distinct character. The renovation of the three-bedroom, three-bath home focused on maximizing square footage and enhancing the existing south-facing window exposure. A significant aspect of the project involved the complete rehabilitation of the staircase. Hayes Shanesy, with the assistance of his father, a retired master cabinetmaker, meticulously disassembled the curved cherry handrail and balusters. Each piece was stripped and refinished before being painstakingly reassembled, a process described as a labor of love due to the staircase's intricate design, wrapping around three flights. Custom woodwork is a prominent feature throughout the residence, reflecting the owners' craftsmanship. In the living room, built-in cabinets span the entire length of the space, offering both aesthetic appeal and practical storage. The kitchen showcases light wood cabinets paired with black hardware, creating a striking contrast against the tile backsplash. These custom elements contribute to the home's unique and refined interior design. The primary bathroom is another highlight, featuring a claw-foot tub, a walk-in shower, and a custom vanity. Adjacent to the bathroom, a door leads to a private deck, accessible from the owner's suite, providing an exclusive outdoor retreat. These details underscore the thoughtful design and high-quality finishes incorporated into the renovation. Shanesy reflects on the transformation of the property and the neighborhood, noting that when he purchased the house in 2016, it was a vacant, abandoned building in disrepair, a common sight on Baymiller Street at the time. He observes that most homes on the street have since been renovated, contributing to a beautiful streetscape. The owners appreciate the historical significance of the homes in the West End, particularly along Dayton Street's "Millionaire's Row," enjoying walks with their dog and daughter. The article concludes by emphasizing the neighborhood's romantic charm and its immense potential. #RosieKovacs #HayesShanesy #BrushFactory #Baymiller #WestEnd #HomeRenovation #CustomWoodwork #InteriorDesign #CincinnatiRealEstate

Jules O’Carroll, co-founder of Parker & Jules, showcases her Edwardian terraced home in West London, which she affectionately calls a 'Cottage in the City.' The house, shared with her husband Dero, reflects the brand's signature use of printed textiles and wallpapers, blending timeless patterns with modern colors to create an alluring, maximalist, country-style interior. When they first purchased the property, Jules was drawn to its period charm and original features, despite its predominantly white interior. Having previously owned a very modern country house, Jules was keen to work with the architectural character of this Edwardian home to create a unique and quirky aesthetic. Rather than undertaking extensive structural renovations, Jules and Dero opted for a 'decorative overhaul.' They maintained the existing layout, focusing on enhancing the home's aesthetic appeal. Major updates included replacing the bathrooms, installing air-conditioning in the main bedrooms and sitting room, and constructing a combined pantry and utility area. A significant decorative change involved replacing the 1980s black and white hall tiles with bold, patterned tiles to better suit the property's character and inject color. The kitchen floor was hand-painted with a diamond pattern, contributing to a more unified and connected feel within the space. Jules, whose work revolves around color and pattern, felt confident in her design choices, aiming to create an environment that resonated with her personal style. The downstairs rooms feature biscuit-hued walls, serving as a warm backdrop for the vibrant color palette. Jules's design philosophy centers on mixing 'ugly and pretty colors,' incorporating a recurring palette of khaki green, lilac, and a 'granny reddy-pink' to unify the interior. The kitchen exemplifies this approach with its green cabinetry, diamond-painted floor, emerald zellige tiles, a rich brown banquette, and striking red kitchen chairs. Jules describes this space as her 'laboratory,' where she experimented with unexpected color combinations. The utility area, located in the side return, features dark purple cupboards and Parker & Jules' Strawberry Fields wallpaper and curtain fabric, creating a playful, colorful, and fun atmosphere. In the sitting room, Jules created a more sophisticated and mature space, utilizing lime paint for depth on the walls and ceiling, complemented by earthy khaki and saffron tones. A specific fabric, Claremont Tree of Life, was a key element in this design. As one moves from the larger main room to the cozier TV area, the design transitions to a more intimate 'jewel box' aesthetic. The main bedroom upstairs maintains a cozy and eclectic feel, featuring pink painted wardrobes, a Parker & Jules wallpaper, and a gold fabric by Jennifer Shorto used in reverse on the headboard. Mid-century furniture pieces are integrated to introduce a modern touch, preventing the space from feeling overly traditional. Throughout the house, a maximalist aesthetic is achieved through extensive layering of fabrics, artwork, and rugs. Jules emphasizes that this layering is crucial for making the house feel like a home, blending charming and unexpected elements with moments of grown-up sophistication. This approach ensures that the home offers elements of surprise and visual interest in every corner. Jules reflects on her design process, noting that the house allowed her to expand her color palette and incorporate beloved fabrics. She identifies her biggest indulgence as the bathroom, her greatest success as the kitchen transformation, and the patterned hall floor tiles as a small change with a big impact. Her go-to color is a 'light bronze green,' which she considers an 'ugly color' that works effectively against prettier hues. Jules defines her style as colorful, layered, and confident, and she finds inspiration in a secret address, Nushka, known for vintage textiles. #CottageDecor #MaximalistInterior #LondonHome #InteriorDesign #ColorPalette #PatternMixing #EdwardianHouse #ParkerAndJules #HomeRenovation