We talked to 4 interior designers to find 'Bridgerton'-inspired home decor that will transport you to the Regency era

The popular Netflix series 'Bridgerton' has reignited interest in Regency-inspired interior design, a trend dubbed 'Regencycore' that has garnered over 392 million views on TikTok. This design aesthetic embraces a maximalist approach while utilizing a soft color palette, including creams, greens, pale pinks, and light blues. The Regency period, spanning the early 1800s, was characterized by opulence, gilded glamour, elaborate craftsmanship, and ornate detailing. Incorporating even subtle elements of this style can significantly transform a living space. One key aspect of Regency-inspired decor is the use of rich textiles. Johanna Constantinou, an interior trends expert at Tapi Carpets & Floors, suggests incorporating drapery, tablecloths, rugs, and curtains with floral motifs, intricate borders, or classic Oriental patterns. Luxurious materials like wool or silk are ideal for these textiles. Patterned carpets, such as those with light blue floral designs, can add Regency-themed elegance to floors. For a more budget-friendly approach, individuals can update lampshades, blinds, bed linen, and cushion covers with suitable patterns. The Damask pattern is another quintessential element of the Regency era. This elaborate pattern, featuring intertwining floral, geometric, or abstract motifs, was typically woven onto silk, linen, brocade, and cotton fabrics. Today, Damask patterns can be found on carpets, wallpapers, furniture like sofas, and decorative accessories such as valances, instantly adding sophistication to a room. Fanciful accent pieces, particularly those with Chinese-inspired designs, also play a significant role. During the Regency period, pagodas, dragons, birds, cherry blossoms, bamboos, and landscapes inspired by traditional Chinese art were popular motifs. These Chinoiserie designs were incorporated into furniture, textiles, porcelain vases, lacquerware, and screens. Such pieces can still be sourced today from antique stores or resale sites like eBay and Vinterior to introduce a touch of Regencycore elegance. Woodwork was highly decorative in the Regency period, often featuring intricate carvings on furniture, accessories, and architectural elements. For larger statements, carved tables, chairs, and cabinets can be chosen. Alternatively, smaller carved accents like picture frames, mirrors, clocks, and vases offer a more subtle way to integrate this detail. The choice of color palette is crucial for mastering Regency-inspired interiors. Caroline Woolmer, Head of Product Design for Lucie Annabel, recommends strong shades of green and blue, alongside romantic pastel pinks, purples, and yellows. Specific shades such as Lemon Meringue, Vintage Rose, Duck Egg, and French Mauve are particularly effective on walls, paneling, or woodwork, especially when paired with complementary wallpapers. Finally, adding gold elements is essential for a modern Regency look. Home accessories during this period were extravagant, often featuring opulent metallic finishes or sparkling accents to convey wealth. Integrating highly decorative homewares like gold light fixtures, antique-style rugs, ornate mirrors, and patterned ceramic vases into an interior scheme, alongside dark wooden furniture, helps achieve this sophisticated aesthetic. #Regencycore #InteriorDesign #BridgertonDecor #TextileTrends #DamaskPattern #Chinoiserie #CarvedWoodwork #RegencyColorPalette #GoldAccents

Netflix's "Bridgerton," set in London during the Regency era of 1813, showcases a visually stunning design aesthetic that has inspired many. The series, which follows the noble Bridgerton family and their society debut, features opulent parties, vintage ballgowns, and distinct interior design styles across its various estates, such as the Bridgerton mansion, the Featherington estate, and the queen's palace. These spaces offer a unique take on decadent Regency style, leading to a renewed interest in this historical design period. To achieve a "Bridgerton"-inspired home, incorporating dreamy pastels is a key element. The Bridgerton family home, for instance, is predominantly decorated in soft shades of Wedgwood blue, a color synonymous with the iconic British ceramics brand. This choice creates a calm and elegant atmosphere, contrasting with the bolder colors seen in the Featherington residence. Wedgwood blue, a light pastel hue, originally became popular for its accessibility, allowing even those outside the upper classes to own high-quality china, while still being favored by royalty. Small, decorative accessories play a significant role in adding visual interest and luxury to a Regency-style home. Items like dainty side tables, tasseled throw pillows, elegant tea trays, jewelry boxes, and mantel clocks contribute to the opulent feel. Regency-style furnishings are characterized by their extravagance, featuring ornate details such as carvings, patterns, rich wood materials, and scrolled edges. These pieces, whether antique or budget-friendly reproductions, can transform a living space into one fit for the social season. Sumptuous fabrics like velvet and silk are integral to the rich texture of "Bridgerton" interiors and costumes. Daphne's bedroom, for example, features a velvet bench and a variety of textile textures for bedding and curtains, creating a sophisticated ambiance. To emulate this look, one can use velvet, silk, or linen for furnishings, curtains, pillows, and bedding. The Regency period emphasized layering different textiles, allowing for a mix-and-match approach to create depth and luxury. Reupholstering existing furniture is an option for those not wishing to purchase new pieces. Patterned wallpaper, particularly damask or floral designs, is another hallmark of "Bridgerton" aesthetics. The Bridgerton living room features damask wallpaper panels, and the Duke's birth scene highlights hand-painted chinoiserie wallpaper with bird and floral motifs. Vintage design wallpaper can be used on a statement wall or as framed panels to provide a contemporary update. This approach can also be a budget-friendly way to incorporate Regency patterns. For a different atmosphere, inspired by the gentlemen's clubs in the series, leather seating, dark colors, and dim lighting can be used. These establishments featured leather seating and dark wood furnishings, creating a private and distinguished ambiance. A classic leather lounge chair, animal print rugs, and antique books can help achieve this look, complemented by items like wooden cigar boxes and glass goblets to evoke a Gothic-style setting. Dramatic drapes are a consistent feature in both the Bridgerton and Featherington homes, reflecting their importance in Regency interior design. Curtains were typically hung in layers from decorative poles and pulled back with pins or ropes. To add a luxurious feel, long, flowing drapes made of heavy fabric, extending from ceiling to floor, can be used. Tassels or floral garlands can be added for a romantic touch. Symmetrical furniture arrangement is a key principle of "Bridgerton" interior design, making rooms appear larger, grander, and more harmonious. Seating areas were designed for entertaining, with sofas and chairs facing each other to encourage conversation. To create a balanced room, similar-sized furniture and accessories can be placed on either side of a focal point, such as a coffee table or fireplace. While aiming for symmetry, it is advised to avoid identical arrangements to maintain visual interest, incorporating different types of pillows, floral arrangements, or small side tables. Thrift stores and antique shops are excellent resources for finding vintage pieces to replicate the Regency era. The series features numerous antique items, and incorporating decorative pieces like antique dishes, tapestries, and ornate mirrors can add a regal touch. Garage and estate sales also offer budget-friendly options that can be refurbished, such as spray-painting an ornate picture frame gold. Fresh floral arrangements are prominent throughout "Bridgerton," with brightly colored blooms appearing in almost every room and scene, and even on costumes. Creating one's own floral arrangements with greenery, foundation blooms, and larger statement blooms in a decorative vase can liven up interiors with vibrant colors and scents, boosting spirits and creativity. Statement beds, such as four-poster and sleigh beds, are another element of "Bridgerton" design. The series led to increased sales of four-poster beds, known for their regal shape. Both sleigh beds, with their curved head and footboards, and four-poster beds can add refinement and sophistication to a bedroom. Finally, clawfoot bathtubs, popular among the British nobility in the 19th century, symbolize luxury and are an ideal way to bring Regency-era charm to a bathroom. While early versions were cast iron and porcelain, modern tubs are made of fiberglass or acrylic. Installing a freestanding clawfoot tub, despite requiring more space and cleaning, can create a timelessly elegant look. Metallic accents, including brass and ormolu, are abundant in "Bridgerton" sets, appearing in railings, light fixtures, door handles, and candlesticks. These metals were often used to decorate wooden furniture during the Regency period. Incorporating metallic details through updated door knobs, lamps, picture frames, mirrors, and elegant chandeliers can add a luxurious feel to any home. #BridgertonStyle #RegencyEraDecor #HomeDesignTrends #InteriorDecorating #LuxuryFabrics #VintageFinds #FloralArrangements #SymmetricalDesign

The Netflix series Bridgerton, based on Julia Quinn's novels, has captivated audiences worldwide with its engaging dialogue, captivating storylines, and lavish production design. The show's creator, Shonda Rhimes, and her team meticulously crafted decorative sets featuring opulent fabrics, exquisite brown furniture, and striking chandeliers, all designed to transport viewers to the dramatic Regency era. For those inspired by Bridgerton’s aesthetic and seeking similar real-world design inspiration, the ELLE DECOR archive offers a collection of homes that echo the series' grandeur and charm. The article highlights ten such rooms, each embodying the spirit and humor of a Bridgerton estate. These include a drawing room in a New Delhi home, designed by Jean-Louis Deniot, which, despite being built from scratch, exudes 18th-century elegance with custom sofas, a Collection Deniot table, and period-style wall paneling. Another featured space is the London home of interior designer Alidad, where a hallway is adorned with suede walls and braided detailing, complemented by an antique ceiling lantern and a Roger Oates carpet. Alidad emphasizes timeless design, aiming for his work to remain appealing for decades. Baronscourt, a historic estate in Northern Ireland, decorated by David Hicks in the 1970s, also makes multiple appearances. The primary bedroom at Baronscourt features Edwardian furnishings from the Duchess of Abercorn’s family home in Bedfordshire, England. The mint green orangery, designed by Philip Vergeylen, with its mirror-backed trellis work and a chandelier sparkling with crystals and amethysts, is envisioned as a perfect setting for the kind of social gossip prevalent in Bridgerton. The grounds of Baronscourt also provide a picturesque backdrop, evoking scenes where characters like Kate Sharma and Anthony Bridgerton might enjoy a horseback ride. A London townhome designed by Studio Peregalli boasts a drawing room suitable for any Bridgerton residence, complete with an 18th-century mahogany desk, French chandeliers, and artwork. This home even includes a ballroom, adding to its Regency authenticity. Jean-Louis Deniot’s New Delhi estate further features an enchanting winter garden with custom mirrored trellis walls, continuing the Bridgerton-esque theme. The staircase at Baronscourt, adorned with portraits of the Duke of Abercorn’s ancestors, showcases genuine Regency décor. Another space in Deniot’s New Delhi project is a royal lounge, a sitting room adjacent to the client’s primary bedroom suite, furnished with an English daybed and custom-designed secretary and cocktail tables. Finally, a sitting room at Baronscourt, styled by David Hicks over four decades ago, maintains a fresh appeal with its vibrant orange sofa, while a portrait by Sir Thomas Lawrence adds to its historical richness. These examples from the ELLE DECOR archive offer a glimpse into interiors that capture the lavish and spirited essence of the Regency period, reminiscent of the fictional world of Bridgerton. #Regencycore #BridgertonStyle #InteriorDesign #HomeDecor #LuxuryInteriors #HistoricHomes #DesignInspiration #GeorgianMansion #DavidHicks

The return of Netflix's 'Bridgerton' for its fourth installment prompts an exploration of the series' set design, highlighting how its opulent Regency-era styles align with current interior design trends. The article identifies a growing inclination towards theatrical design, characterized by elements such as tapestries, verdure prints, delicate floral patterns, lace, dramatic drapery, and a resurgence of antique pieces. These design features are prevalent in the high society homes depicted in 'Bridgerton' and can be adapted for modern interiors. One significant design feature is the incorporation of vanity and 'getting ready' areas. These spaces are gaining attention in contemporary interior design, offering an intentional way to utilize empty corners or counter space. To imbue these areas with a 'Bridgerton'-esque charm, the focus should be on wood finishes, craftsmanship details, and antique furniture. The approach involves selecting a statement piece, such as a vintage mirror, an elaborate tray, or a distinctive chair, and building the pamper corner around it. The show itself provides ample inspiration for these stylish preparation zones. Elevated floral prints are another key trend. While floral patterns are projected to be prominent in 2026, the modern interpretation leans towards the chintz florals reminiscent of a more regal period, rather than 1980s styles. The key to modernizing these prints lies in the background color and the intentionality of the design. Mural-style wallpapers are suggested as an elevated option, akin to designs found in palaces and the Bridgerton family residence. Utilizing wallpaper paneling, especially between crown molding, can further enhance a French romantic aesthetic. The article also highlights game corners as a design element. Chic game sets are presented as a sign of sophisticated interiors, moving beyond mere children's entertainment. Queen Charlotte's presence with a chessboard in the series underscores this trend. Integrating a game board, whether a chess set, dominoes, or playing cards, provides an opportunity for digital detox and social interaction. While chess sets are considered highly elegant, other variations can also contribute to a chic aesthetic. Next, theatrical drapery is discussed as a feature with increasing appreciation. This includes using dramatic fabrics and styles to frame windows, doorways, or to enhance dining settings with elements like candelabras and interesting textiles such as moire, rather than plain cotton. The emphasis is on pleats and folds to create a theatrical effect. Even lightweight fabrics, as seen in the sheer curtain trend, can draw attention to various architectural features. The texture introduced by fabric is noted as conveying a regal feel, suggesting applications like curtains behind beds for a royal touch or tented ceilings in dining rooms for a significant style statement. Finally, elaborate crown molding is presented as an essential 'Bridgerton'-style interior feature. While some might question its contemporary relevance, crown molding is regarded as a classic design element, particularly in heritage homes. For those with existing architectural molding, the recommendation is to highlight it through paint techniques. For others, DIY peel-and-stick molding offers an alternative to extend this style. A modern interpretation involves abstract iterations, such as plaster bas-reliefs on walls, which combine the natural essence of crown molding with a minimalist mural aesthetic, offering a blend of classic elegance and contemporary design. The article concludes by encouraging readers to look beyond the narrative of period dramas and draw inspiration from their visual elements to inform their interior design choices. #Bridgerton #InteriorDesign #RegencyEra #HomeDecor #VanityAreas #FloralPrints #GameCorners #TheatricalDrapery #CrownMolding #HeritageTrend

This article delves into the creative process behind the Ruggable x 'Bridgerton' rug collection, a collaboration designed to extend the fan experience of the Shondaland series into home decor. Zashary Caro, one of Ruggable's textile designers, highlights the intention to imbue the rugs with a sense of history, viewing them as both canvases and historical records. The collection features four distinct rugs, each making a unique 'Bridgerton' statement. Caro designed the “Bridgerton Lady Whistledown Vintage Pink” and “Royal Garden Multicolor” rugs, while Joyce Fontanilla crafted the “Bridgerton Night of Enchantment Deep Teal and Royal Plum” and “Bridgerton Fit for a Queen Soft Rose” rugs, drawing inspiration from the show's elaborate garden parties and wisteria. Caro details her design inspiration, which drew heavily from rococo architecture, European historic textiles, and Baroque-inspired clothing and interiors, aligning with the dramatic and ornamental aesthetic of both the 'Bridgerton' series and the 18th-century rococo art movement. To fully immerse herself in the era's mindset, Caro watched the entire series, allowing her to design for an overall feeling of regal luxury. She also studied the opulent interiors featured in 'Bridgerton,' such as the House of Bridgerton and Hampton Court Palace, to ensure the rugs evoked a sense of luxury and royalty, incorporating florals and scrollwork reminiscent of period clothing. The design process began with collaging, where Caro used inspirational images and her own drawings to create original designs in Photoshop, treating the rug as a canvas with infinite possibilities due to the absence of traditional repeat designs. These collages served as preliminary mood boards. The borders of the rugs were tackled first, setting the template for the overall design. Caro then digitally drew motifs and details, including small bees in the “Royal Garden Multicolor” rug, symbolizing matriarchal power and societal transformation, and crowns in the “Bridgerton Lady Whistledown Vintage Pink” rug, which seamlessly blended with floral and ornate motifs. After concept approval, Caro moved to coloring, creating various colorway options to be sampled and reviewed by the team. The aim was to ensure the collection reflected the wide range of colors seen in the series, from soft pastels to opulent gem-like hues. The “Royal Garden Multicolor” rug, for instance, was inspired by the Featheringtons' preference for bold prints. The final step involved developing texture, a challenging aspect due to the need to balance a historic, distressed look with a modern, lighthearted, and whimsical feel. Caro achieved this through fading and shading colors while maintaining softness and regality. The entire 10-week design process was collaborative, involving digital and physical sample reviews, culminating in a collection that subtly references the show and art history, bringing modern romance into living spaces through each rug. The article concludes with Ruggable tips for choosing a rug, emphasizing starting with existing furniture, opting for larger sizes for cohesion, and considering placement to best showcase the rug's features. #Ruggable #Bridgerton #TextileDesign #RococoStyle #HomeDecor #RegencyEra #ArtHistory #ProductCollaboration #InteriorDesign

This article provides a comprehensive guide to the opulent filming locations used throughout all three seasons of the Netflix series, 'Bridgerton.' The series, known for its lavish Regency-era settings, utilizes a variety of real-world manor houses, palaces, castles, and museums across England to bring its fictional world to life. Many of these locations have also featured in other period dramas, including 'The Crown,' 'Rebecca,' and 'Enola Holmes.' The Livingston Estate, featured in a garden party scene during season three, was filmed at Squerryes Court, a 17th-century manor house in Kent. While the house and gardens are no longer regularly open to the public, they can be visited on specific National Garden Scheme days, and the property also includes a vineyard and dining options. The Kent Estate, which becomes the upgraded residence for Alice and Will Mondrich in season three, is depicted by Kingston Bagpuize House. Location manager Tony Hood chose this setting for its authenticity and lived-in quality. The house and gardens are open to visitors on select days and have also been seen in productions like 'Downtown Abbey' and 'Emma.' Lady Tilley Arnold’s residence, introduced in season three, utilizes the interiors of Basildon Park. This location was previously used for the exterior of the Featherington family’s garden. The article highlights the fantastic interiors and unbelievable staircase of Basildon Park, which were leveraged to convey Lady Tilley's wealth and independence. The Hawkins Residence, home to the eccentric Lord Hawkins, features Grimsthorpe Castle for both its interiors and exteriors. The castle's unique blend of Tudor and Baroque architecture contributes to its slightly quirky appearance. The Vanburgh Hall within the castle served as the setting for a dreamy ball, reflecting Lord Hawkins's unconventional taste. The Cowper Residence, belonging to Cressida Cowper and her family, is portrayed by Pitzhanger Manor, the former country house of architect Sir John Soane. The production team intentionally created a masculine and foreboding interior for the Cowper home, using a dark color palette, narrowed spaces, and large columns to visually contrast with Cressida's character and make the characters feel smaller within the opulent but harsh environment. The iconic Bridgerton Residence exterior is Ranger's House, an art museum in Greenwich, London, adorned with added wisteria and ivy for the series. The interiors are largely filmed at RAF Halton. The article also notes the distinct blue-and-white color palette of the Bridgerton drawing room and the blend of Bridgerton and Sharma family colors in Anthony and Kate’s apartment within the residence. The Featherington Residence utilizes multiple locations. RAF Halton provides some dining room interiors, while Hatfield House, a site familiar from many other period productions, also contributes to the interiors. No. 1 Royal Crescent in Bath serves as the exterior for the Featherington home, including Penelope's window. For a new room introduced in season three for Penelope and Colin's wedding breakfast, Claydon House was used, fitting the Featherington aesthetic with its bright hues and ornate carvings. Three country houses combine to form the Duke of Hastings’s residence: Wilton House, Syon House, and Badminton House. Wilton House, a veteran of numerous period dramas, serves as both exterior and interior, while Syon House and Badminton House were used for interiors only. Wilton House is noted for its versatility, often representing multiple locations, including St. James’s Palace and Buckingham House. Lady Danbury’s residence shares interior filming locations with the Duke of Hastings’s home, specifically Badminton House and Wilton House. The exterior is famously played by The Holburne Museum. For season two, the production design team created specific dusty pink and sunset-hued interiors for the Sharma family’s stay at Lady Danbury’s residence. The Queen’s Residence, Queen Charlotte's abode, uses Hampton Court Palace for its exterior. Lancaster House and Wilton House contribute to the opulent interiors. Additionally, Blenheim Palace appears as the Queen's Buckingham House (now Buckingham Palace), making its 'Bridgerton' debut in season three, though it was a significant location in 'Queen Charlotte: A Bridgerton Story.' The Duke and Duchess’s fictional Clyvedon Castle, their post-marriage home, is represented by Castle Howard for its exterior, with interiors filmed at North Mymms Park, Wilton House, and Badminton House. Finally, numerous ballroom scenes, central to the Regency era, are filmed across various grand locations, including Hampton Court Palace, Osterley Park and House, Leigh Court, Guildhall, the Bath Assembly Rooms, and Holburne Museum, each contributing to the lavish backdrop of the series' social events. #Bridgerton #FilmingLocations #RegencyEra #HistoricHouses #EnglishArchitecture #NetflixSeries #PeriodDrama #SetDesign #UKTravel

This article offers an exclusive look into the grand and often-overlooked hallways of various royal residences, highlighting their unique decorative styles, historical significance, and impressive scale. It delves into the interiors of homes belonging to prominent members of the British Royal Family and other European royals, showcasing how these spaces reflect their inhabitants' tastes and the historical context of the properties. The tour begins with Althorp House, the Spencer family home where Princess Diana grew up. The Saloon, serving as a grand hallway, features a large wooden staircase, chandeliers, and walls adorned with gold-framed paintings, maintaining a classic aristocratic aesthetic. Moving to official residences, Buckingham Palace's Principal Corridor, the Queen's primary London residence, is described with lime green walls, red baroque carpet, and high ceilings with gold carvings. The corridor reportedly houses over 3000 pieces of art, underscoring its dual role as a functional passage and an art gallery. Windsor Castle, another significant royal abode, boasts the Grand Corridor, a lengthy space displaying hundreds of artworks and maintaining its appearance since 1846. St George's Hall within Windsor Castle is also featured, known for its vaulted ceilings, wooden wainscoting, and grand red carpet, serving as a connector between rooms and a venue for state banquets. The article then explores Clarence House, the London residence of Prince Charles and Camilla, revealing a corridor with cream walls, red carpets, gilded art, and a distinctive fabric mural overhead, showcasing a blend of elegance and personal touches. Kensington Palace, the home of Prince William and Kate Middleton, presents a more understated hallway with a simple white color scheme and a black lantern-style lampshade, as glimpsed during a documentary filming. Royal Lodge, the residence of Prince Andrew and Sarah, Duchess of York, offers a look at a hallway with cream carpets and green walls filled with family photographs, reflecting a more personal and intimate atmosphere. Further into the royal residences, the temporary Los Angeles home of Prince Harry and Meghan Markle, owned by Tyler Perry, is described with arched ceilings, wooden floors, cream walls, and coordinating glass and wooden lampshades and door frames. The article concludes with Crown Princess Marie-Chantal of Greece's New York home. This 1913 property retains a retro feel in its hallway, featuring patterned stairs and antique furniture, despite modernizations in other areas. Each hallway, while serving a similar function, distinctly reflects the heritage, personal preferences, and official roles of its royal occupants, offering a unique glimpse into their opulent yet functional living spaces. #RoyalResidences #HallwayDecor #BuckinghamPalace #WindsorCastle #KensingtonPalace #ClarenceHouse #AlthorpHouse #RoyalLodge #RoyalInteriors

The field of interior design constantly experiences evolving trends, with some looks proving timeless while others cycle in and out of popularity over decades. This overview identifies four significant trends re-emerging in contemporary interior design: a return to vibrant colors, renewed interest in antiques, the resurgence of brass hardware, and the sustained popularity of wallpaper. Historically, the 2010s saw a widespread embrace of neutral interiors, characterized by cool grays, dark hardwood floors, and predominantly white walls. However, current trends indicate a shift back towards more colorful spaces, with a particular emphasis on rich hues. This move away from monochrome palettes suggests a desire for greater visual interest and personalization within residential and commercial settings. Contemporary design previously overshadowed Old-World styles, leading to a decline in the perceived value of antique pieces. Nevertheless, there is now a growing inclination among individuals to integrate both old and new elements, moving beyond solely modern furniture. This trend suggests a renewed appreciation for the historical and aesthetic value of vintage items, with specific mention of Italian glass from the mid-century as being particularly popular among younger generations. This blending of eras adds depth and character to interior spaces. Brass hardware, once strongly associated with the 1980s, has steadily regained prominence over the last few years. Its comeback is partly attributed to its ability to introduce contrast and warmth into cooler, more neutral spaces that were popular in the preceding decade. A notable finish for brass in the current market is the “living finish,” which naturally develops a patina over time, offering an evolving aesthetic. This detail highlights a preference for materials that age gracefully and add authenticity to a design. Wallpaper has maintained its strong presence in interior design for several years, continuing to be a popular choice for adding texture and pattern. Recent applications show wallpaper extending beyond traditional wall coverings to include ceilings and bathrooms. Interestingly, the kitchen remains one area where wallpaper is still largely considered outdated. Current popular wallpaper styles encompass botanicals, geometric patterns featuring metallic accents, textured designs, and trompe-l’œil effects, such as faux wood or tile patterns. Additionally, a creative application involves framing wallpaper panels to serve as distinct art pieces, demonstrating versatility in its use. These four trends collectively reflect a broader movement in interior design towards more personalized, character-rich spaces that draw inspiration from various historical periods and embrace diverse material palettes. The reintroduction of these elements offers opportunities for homeowners to infuse their personal style without concerns about dating their decor. #InteriorDesignTrends #HomeDecoration #Antiques #BrassHardware #ColorfulInteriors #Wallpaper #DesignRevival

The return of 'The Crown' for its fourth season on Netflix, covering the late 1970s to the 1990s, reintroduces a series of opulent interior design trends inspired by the British royal family's lavish lifestyle. Interior designer Benji Lewis has identified seven key design elements from this era that viewers can incorporate into their homes to achieve a regal aesthetic. The first trend highlighted is the use of frills and flounces, which were prominent during this period, mirroring Princess Diana's fashion choices like layered frills, pie-crust collars, and puff sleeves. These elements translated into home styling through soft furnishings, with a preference for larger and more voluminous designs. Floral prints are another significant trend from 'The Crown' era. Homes were often adorned with chintz sofas and armchairs featuring floral patterns, with Colefax and Fowler being a popular choice. For those looking to integrate this timeless design, the recommendation is to opt for classic floral prints in subdued color palettes. Large blooms are favored over small repeat patterns, and realistic designs contribute to an elegant finish, suitable for traditional country cottages or period properties. This approach ensures the longevity and enduring appeal of the style. Country house style emerged as a dominant aesthetic, moving away from the shagpile carpets and geometric patterns of the 1960s. Brands like Laura Ashley and Jane Churchill became synonymous with this trend, offering chintz cotton prints that defined the sophisticated country look. Complementing this style were specific flooring choices: Brussels Weave carpets and Aubusson rugs. These were considered hallmarks of good taste, typically featuring shades of gold, tan, green, and red, and were commonly found in drawing rooms across the country. This particular trend is experiencing a resurgence, albeit often incorporated in more subtle ways. Bold colors characterized the period, with vibrant hues such as tomato red, various greens, and Tiffany blues being popular. While painting an entire room in a bold shade might seem daunting, the article suggests incorporating color through highlights. This approach allows for the introduction of energetic shades that can transform spaces without overwhelming them, making a home stand out. Maximalist wallpaper is another feature of the era. Patterned wallpapers were widely used, and this look remains relevant today. For a modern take, combining different scales of patterns, such as a narrow stripe with a bold floral, is advised. A classic combination involves a solid color, a geometric design (like checks or stripes), and a freer pattern (such as floral or paisley). Ensuring all patterns use complementary colors helps create a cohesive look. Alternatively, textured wallpapers offer a way to introduce solid color with added interest and depth. Finally, the popularity of antique emporiums grew significantly during this time, partly fueled by the success of 'Antiques Roadshow.' Items like Georgian mahogany chests of drawers or English oak dressers with mother-of-pearl details or brass swan necks were highly sought after. Incorporating such antique pieces can add character and a sense of history to a space, reflecting the period's appreciation for vintage finds. These seven trends offer a comprehensive guide to re-creating the extravagant, royal-inspired interiors seen in 'The Crown'. #InteriorDesign #TheCrown #RoyalInteriors #FrillsAndFlounces #FloralPrints #CountryHouseStyle #BrusselsWeave #AubussonRugs #BoldColors #MaximalistWallpaper #Antiques #HomeDecorTrends

The article explores eleven distinct British interior design styles that interior designers appreciate and often incorporate into their projects. British interior trends have consistently inspired global designers and significantly influenced interior design throughout history. The country's architectural heritage, from Regency townhouses to country cottages and Midcentury Modern homes, showcases a variety of beautiful, distinctive properties that continue to be referenced and reimagined by contemporary designers. Furthermore, Great Britain has a rich tradition of furniture, fabric, and wallpaper manufacturing, with iconic brands like Morris & Co, Sanderson, Ercol, GP & J Baker, and Liberty maintaining their founding principles of exceptional craftsmanship. One prominent style discussed is the elegant English country aesthetic, characterized by its eclectic layering of periods, patterns, and collected treasures. Designers Sean Symington and Meg McSherry highlight its unpretentious yet refined nature, emphasizing the use of color and pattern, mismatched furniture, and antiques to create cozy and charming spaces. Expert layering of patterns is another key element, demonstrated by designs that combine florals, stripes, and neutrals with traditional furnishings like Howard-style sofas and skirted ottomans to evoke a British country vibe. Chintzy florals, with their flamboyant blooms, are experiencing a revival, offering timeless elegance when used thoughtfully to avoid appearing dated. Brands like Colefax & Fowler are noted for their enduring floral designs, which are now being adapted for modern applications like sisal wallcoverings. GP & J Baker's Magnolia fabric is also cited as an iconic British design admired for its versatility and vibrant color palette. Traditional Georgian-style joinery, exemplified by bespoke cabinetry companies like Plain English, showcases Britain's rich heritage of craftsmanship. This style draws inspiration from the simplified yet harmonious proportions found in the service quarters of grand Georgian houses, creating a timeless and functional aesthetic. William Morris prints, featuring stylized flora and fauna motifs, have seen a resurgence due to their decorative nature and deep roots in British craft tradition, adding a classic touch to interiors. Heritage paint colors, inspired by traditional 18th and 19th-century formulations, provide a mellow, timeless quality that complements British homes, as seen in projects utilizing warm earthy browns. The cottage look, whether from the Cotswolds or the Scottish Highlands, is cherished for its collected and layered personality, incorporating nature-inspired prints, natural materials, and antiques. This style values individuality and liveability over perfect styling. Decorating with antiques is fundamental to classic British interiors, bringing a sense of permanence, character, and eccentricity. Designers often blend different ages and styles of antiques, sometimes incorporating dark wood pieces, to create a relaxed, evolved feel. Unexpected uses of antiques, such as transforming an antique chest into a bathroom vanity, are also explored. The library aesthetic, with its floor-to-ceiling bookshelves, offers a comforting and intellectual ambiance, reminiscent of traditional country homes and academic institutions. Butler's pantries, once functional service rooms, have re-emerged as popular hardworking areas in modern homes, with companies like Artichoke drawing inspiration from historic examples for their designs. These spaces provide additional storage, preparation areas, and a seamless flow for entertaining. Finally, textural tapestries, historically a sign of wealth, are making a comeback. Interior designers are not only sourcing antique tapestries but also using modern wallpapers inspired by tapestry designs to introduce elegance and grandeur into contemporary interiors. These eleven styles collectively encapsulate the diverse and enduring appeal of British interior design. #BritishInteriorDesign #InteriorTrends #EnglishCountryStyle #PatternLayering #ChintzyFlorals #GeorgianJoinery #WilliamMorrisPrints #HeritagePaintColors #CottageDecor #AntiquesInDesign #LibraryAesthetic #ButlersPantry #TexturalTapestry

This article highlights some of the leading interior designers in Britain who excel in blending the classic English Country House style with modern living requirements. The designers featured are known for their distinct approaches, ranging from opulent traditional designs to fresh, contemporary interpretations. Alidad Mahloudji, known professionally as Alidad, specializes in grand country-house aesthetics, as showcased in his Legend Room at WOW!house, which featured richly layered and inviting styles. Eadie & Crole, founded by Sophie Eadie and Fi Crole, create elegant interiors using subtle hues, natural textures, antiques, and contemporary art, also offering a collection of furniture, fabrics, and wallpapers. Edward Bulmer, an interior designer and architectural historian, focuses on heritage building restoration and environmental sustainability, using his own natural paint line. His projects include his Queen Anne home and work at Pitshill and Althorp. Nels Crosthwaite Eyre of Eyre Interiors is praised for her light and bright interpretation of English country-house style, suitable for new generations. She integrates practicality for family life with vintage textiles, art, and antique furniture. Guy Goodfellow, with over two decades of experience, designs classic interiors by combining heritage architecture knowledge with an eye for color and comfort, now collaborating with creative director Steven Rodel. His collection of fabrics and wallpapers is inspired by historic textiles. Isabella Worsley, based in London, runs a studio known for its confident use of color and pattern, celebrating British artists and craftspeople in both residential and commercial projects. Janine Stone & Co. offers a comprehensive service encompassing architecture, interior design, construction, and project management for private residences, focusing on timeless designs tailored to client lifestyles. Kit Kemp, co-founder of Firmdale Hotels, is admired for her colorful and inviting interiors. Her design studio, which includes her daughters, undertakes residential projects globally and collaborates with various design brands. Lonika Chande specializes in multi-faceted interiors for young families, blending color, texture, and pattern with practicality, often incorporating antiques and modern elements. Lucy Cunningham brings new life to classic English country-house style through pattern, color, interesting textiles, and antiques. Lucy Elworthy, a former decoration editor, designs timeless rooms that appear to have evolved over time, often collaborating with architect John Comparelli. Max Rollitt, an interior designer, furniture-maker, and antiques dealer, is recognized for his distinctive style that combines antique originals with his bespoke furniture. Nina Campbell, an OBE recipient, is involved in diverse projects including care homes and pubs, and has ongoing collaborations for rugs, tiles, fabrics, and homewares. Her eponymous shop offers chic tableware and accessories. Oliver Laws, led by Guy Oliver, focuses on elegant and timeless interiors that highlight bespoke craftsmanship, with projects including the Connaught hotel renovation. Bee Osborn of Osborn Interiors creates restful interiors that emphasize natural materials and an 'organic luxury' aesthetic. Pippa Paton Design is known for transforming historic properties in the Cotswolds into inviting modern spaces by combining spatial planning with natural beauty. Rita Konig blends traditional decoration with a fresh, modern verve, working in the UK and US, and has launched a fabric and wallpaper collection. The practice of Robert Kime, now headed by Orlando Atty, continues to create traditional yet unstuffy interiors filled with antiques and colorful textiles. Sean Symington, a rising designer, blends a building's character with elegant style, often mixing antiques with modern pieces. Sibyl Colefax & John Fowler, a venerable firm founded in the 1930s, is known for quintessentially English style and undertakes diverse projects worldwide. Sims Hilditch offers a fresh take on English country-house style, working on projects including show apartments and country estates. Lady Henrietta Spencer-Churchill of Spencer-Churchill Designs specializes in grand English country-house style, drawing inspiration from Blenheim Palace. Susie Atkinson of Studio Atkinson creates contemporary interiors with understated luxury for private houses and boutique hotels. Thorp, celebrating its 40th anniversary, provides full architecture, interior design, and project management services for an international clientele. James Thurstan Waterworth of Thurstan brings history to life through antique finds and aged materials, creating atmospheric interiors. Todhunter Earle Interiors, led by Emily Todhunter and Kate Earle, is highly regarded for imaginative designs that balance contemporary living with historic houses. Turner Pocock, led by Bunny Turner and Emma Pocock, is admired for its creativity and confident use of color and pattern in various residential projects. Veere Grenney Associates' interiors are rooted in classical tradition, with projects spanning the UK, Switzerland, Italy, and the Middle East. Henriette von Stockhausen of VSP Interiors is known for designing large country properties with a classic, colorfully eclectic style. #InteriorDesign #BritishDesigners #CountryHouseStyle #LuxuryInteriors #ArchitecturalDesign #HomeDecoration #TimelessDesign #Renovation #SustainableDesign

This article explores interior design and architectural styles prevalent in American homes approximately 100 years ago, coinciding with the country's entry into the Roaring '20s. This period marked a transition with a growing emphasis on interior design, blending various styles. For example, a home in upstate New York showcased rustic features alongside Colonial Revival furniture, indicating a mixture of aesthetic influences. The Arts and Crafts movement also left its mark, as seen in a 1916 writing desk, while other pieces, such as a chair, leaned closer to the Victorian period. Unique elements like patterned wood walls and chintz-patterned chairs were also noted, with chintz gaining broader popularity later. Dining rooms, such as one in Olean, New York, often featured Victorian-style tables complemented by cane-seat chairs, which became mass-produced and popular following the Industrial Revolution. Presidential homes also offered insights into the era's design. Sagamore Hill, Teddy Roosevelt's Queen Anne style home in Oyster Bay, New York, built in the 1890s, received electricity in 1918. It featured big game trophies, and while wallpaper was initially restricted due to toxic agents, it became more common after 1919. The home incorporated pine woodwork, cork tile flooring, and a Classical Revival mantelpiece in its Trophy Room. Roosevelt's library, famous for its mahogany woodwork and stained-glass windows, also exhibited the Queen Anne style. Colonial Revival homes, like the Franklin McFadden home in Radnor Valley Farm, Pennsylvania, showcased terraced gardens and elements of Greek Revival with their columns. This architectural movement, part of the Eclectic movement, aimed for precise renditions of earlier styles but began to wane by the 1960s. Insights into construction and living conditions were also provided by examples such as the radio operators' residence at the U.S. Navy Yard in Norfolk, Virginia, and the four-family quarters built for Panama Canal workers in the Canal Zone, which featured plate rails and decorative swag. The French Colonial-style Hotel Aspinwall on Taboga Island, initially built for canal workers, later became a vacation resort before its disappearance. Post-World War I Europe saw refugees returning to simple brick homes, a common sight in war-torn areas like the Somme region of France. American soldiers returning from the war brought French architectural influences back to the U.S., notably seen in Jacqueline Kennedy's remodeling of the White House. Wallpaper, particularly designs resembling William Morris patterns, was popular, as evidenced in a photo of composer Sidney Hormer's family with their hand-carved dining room table. Another historical residence highlighted was Bullock Hall in Roswell, Georgia, Teddy Roosevelt's mother's birthplace, a Greek Revival home from 1839. The early 20th century also saw the rise of bungalows, accommodating the working class and those seeking summer retreats, with some Adirondack homes showing early bungalow characteristics. Log cabins, like one in the Adirondacks, sometimes retained bark on their pine logs for a rustic look, though this presented construction challenges. Rustic vacation homes in New York often featured stone fireplaces and vertical wood paneling. Interior design also embraced "simple elegance" with Arts and Crafts furniture, border wallpaper, and distinctive lamps. Cozy cabins frequently incorporated natural elements, such as knotty pine paneling. The Rumford fireplace, characterized by its shallow design to reflect heat, was also a notable feature, often paired with beadboard paneling. Finally, the Maltese Cross Cabin, Teddy Roosevelt's former residence in North Dakota, demonstrated dovetail square log construction using ponderosa pine logs and wooden floors, showcasing an example of early American cabin design. #HomeDesignHistory #InteriorDesign #ArchitecturalStyles #Early20thCenturyHomes #QueenAnneStyle #ColonialRevival #ArtsAndCraftsMovement #RusticHomeDecor #BungalowStyle #HistoricalHomes

The 'Modern Heritage' interior design style, coined by designers Barry and Jordan of The Brownstone Boys, is predicted to be the most popular trend in 2026. This style emphasizes creating spaces that feel rooted in history while embracing modern living. It combines elements from various eras, allowing for a personal and collected aesthetic rather than a staged one. This approach balances preservation with contemporary comfort, color, and personality, maintaining the architectural soul of a space while layering it with modern conveniences. This trend has gained traction among homeowners and designers seeking unique spaces that reflect individual stories. Betty Ann Gilrain of Betty Ann Gilrain Studio notes that this style has existed for decades, but the accessibility of vintage and antique pieces through online retailers like 1st Dibs and Chairish has made it more attainable. Maryline Damour of Damour Drake believes that Modern Heritage encourages homeowners to develop distinctive, personal spaces, suggesting it is more than a fleeting trend but a lasting design philosophy that connects people to their surroundings and identity. The longevity of Modern Heritage is attributed to a renewed appreciation for imperfection, craftsmanship, and history, following years of minimalism. It focuses on carrying the past forward rather than merely replicating it, offering flexibility and emotional connection in design. Designers offer several practical tips for incorporating Modern Heritage into a home. One key recommendation is to preserve original architectural features such as trim, moldings, or tiles, allowing them to serve as the foundation for the design. Homeowners are encouraged to utilize existing heirlooms or personal items, giving them a modern twist, such as pairing a grandmother's brass lamp with a contemporary shade. Thoughtful layering is also crucial, involving the combination of antique pieces, like an antique mirror, with modern fixtures or furniture, such as a streamlined sofa with vintage art, to achieve balance rather than perfect matching. Adding color and pattern with confidence is another tip, using rich, unexpected hues like moss green or oxblood, and statement wallpapers to create warmth and depth, making a space feel lived-in and personalized. Finally, designers suggest exploring online marketplaces like Facebook Marketplace and Etsy for unique vintage and antique finds, though they advise being prepared to search thoroughly for suitable items. #ModernHeritage #InteriorDesign #HomeDecor #VintageStyle #AntiqueFinds #HomeTrends #BrownstoneBoys #PersonalizedSpaces

When Kate Yearwood Young and her husband acquired a 2013 Georgian-style townhouse in Boerum Hill, Brooklyn, they enlisted Frederick Tang Architecture for a design refresh. The 3,500-square-foot home, while livable with high ceilings and two terraces, suffered from a vexing layout and bland, new-build finishes, including faux-Colonial detailing, an Italianate-style iron staircase, and chrome hardware. The clients sought a modern aesthetic, a stark departure from the existing colorless palette. The architects, Frederick Tang and Barbara Reyes, approached the project as a cosmetic refresh rather than a gut renovation, allowing for more focus on design-oriented elements and a personalized budget allocation. Upon closing in November 2020, Tang and Reyes began transforming the five-story house and cellar into a cohesive, multi-hued environment. Their vision drew inspiration from the organic forms of late ceramicist Valentine Schlegel, evident in the sculptural modifications made throughout the home. The builder-grade stair rails were replaced with curved plaster masses, reeded glass, and brass trims, creating a sinuous, tactile staircase. Similarly, the fireplace in the foyer was reimagined in plaster, serving as a sculptural anchor that visually connects to the colossal ceiling height. These dramatic architectural interventions allowed each floor to develop its unique character. The design incorporates a rich color palette of black, cream, peacock blue, rust, oxblood, mulberry, wine, and blush, complemented by brass fixtures. The client, Kate Yearwood Young, known for her keen sense of style and appreciation for color, specifically requested a deep, not-too-bright red. Beyond significant structural changes, the project involved more minimal spatial adjustments and aesthetic enhancements. The small fifth-floor penthouse was converted into a dedicated home office, flanked by terraces, and custom millwork featuring a wet bar and bench was added to the second-floor landing. Further bespoke details include the dining room's inset ceiling, which was rounded into a curved cove, housing an Art Deco brass and marble chandelier. This chandelier overlooks a large painting inherited from the clients' grandmother, highlighting the integration of personal heirlooms. Other furnishings, such as their grandmother's L-shaped Selig modular sofa, were reupholstered in Knoll's Rebel fabric, retaining sentimental value while updating the aesthetic. Antiques, including a stone and brass dining table, a 1960s Italian chandelier in the powder room, and a 1970s DIA glass and brass swivel table, were sourced to contribute to the home's layered character. The architects also procured pieces from local Brooklyn vendors, as well as from Mexico and Portugal, resulting in a design that artfully blends global and historical influences into a contemporary and cohesive space. The kitchen's existing cabinetry was retained, but the island was replaced with a custom piece by Casa Quieta, and a Hurricane Black marble backsplash was installed against the crème millwork. The five-story home's vertical organization is emphasized by the bold staircase. The fifth-floor landing, which leads to the work-from-home space and rooftop gardens, features hand-painted botanical wallpaper from Artemest and an Anna Karlin Arc pendant. The penthouse bar and powder room are clad with Breccia Pernice marble from Verona, Italy, which offsets the painterly wallpaper, contributing to the home's dramatic and moody interior design. #BrooklynBrownstone #InteriorDesign #FrederickTangArchitecture #ResidentialDesign #DramaticInteriors #MoodyInteriors #PlasterSculpture #CustomMillwork #VintageAccents

CB2's new "Design Legends" collection offers authentic reissues of significant midcentury design works, making iconic pieces from designers like Gianfranco Frattini, Paul McCobb, Evelyn and Jerome Ackerman, and Bill Curry accessible to a wider audience. This collection differentiates itself from mere "inspired by" pieces by meticulously recreating designs based on unprecedented access to original archives and specifications, working directly with the designers' estates and families. Each item is crafted to the exacting standards of the originals, ensuring both aesthetic fidelity and the preservation of the designers' original intent. Key reissues include Gianfranco Frattini’s Portofino desk and Memoria lamp. The Portofino desk, a rare design potentially only produced for a private commission, has been recreated from a black-and-white archival photo with features like richly grained walnut, black powder-coated iron legs, and a champagne brass crossbar. The Memoria lamp, a 1961 design, is also reissued, addressing its prior elusiveness in the vintage market. Frattini’s Marconi tufted saddle leather sofa, originally designed for Restaurant St. Andrews in Milan, is also part of the collection, reimagined in full-grain saddle leather with period-authentic details. The collection also features Paul McCobb's Model 1201 Director white boucle accent chair, originally designed in 1950 and featured in MoMA’s 1952 "Good Design" exhibition. This chair embodies American modernism with its sharp angles and minimalist silhouette, now updated with rich Italian ivory boucle and a warm oak frame. McCobb’s Irwin 72" White Marble and Natural Oak Coffee Table Model C7806, designed in 1952, also sees a reintroduction, maintaining its straightforward design philosophy. For those who appreciate more playful midcentury designs, the collection includes contributions from Evelyn and Jerome Ackerman. The Corvo dinnerware collection reproduces Evelyn Ackerman’s distinctive "Stallion" pattern from a 1965 woven tapestry. These ceramic pieces feature reactive glazes applied by Portuguese artisans, creating subtle variations in each item. Bill Curry’s Space Age-inspired designs are represented by the Pill High Gloss Oxblood Red Iron table lamp, which captures an optimistic futurism. CB2's approach to these reissues combines rigorous attention to material authenticity, such as the semi-aniline cowhide on Frattini’s sofa, with contemporary environmental standards, like the use of FSC®-certified sustainable oak for McCobb’s chair. These updates enhance the original concepts without compromising their integrity. The collection aims to democratize design, making these historical artifacts accessible to design enthusiasts without requiring participation in exclusive auctions, allowing individuals to explore and acquire pieces of design history. #MidcenturyDesign #FurnitureReissues #CB2 #DesignLegends #GianfrancoFrattini #PaulMcCobb #EvelynAndJeromeAckerman #BillCurry #HomeDecor