
In Praise of Homes With a Point of View
The article delves into the concept of personal taste in home design, advocating for spaces that are unique and reflect individual preferences rather than conforming to conventional notions of "good taste." The author, Hanya Yanagihara, editor in chief of T Magazine, contrasts her own maximalist, eclectic aesthetic with the warm minimalism favored by T’s design and interiors director, Tom Delavan. While their styles differ significantly—Yanagihara enjoys kitsch, color, and a sense of delightful disarray, even decay, alongside a packed environment that feels like an archaeological dig, while Delavan prefers disciplined, restrained, and elegant spaces with neutral tones and few objects—they share an understanding that memorable homes possess a distinct point of view.
Yanagihara suggests that true memorability in a home doesn't stem from adherence to polite or widely accepted taste, which she considers forgettable. Instead, she champions designs that are interesting, and ideally, even divisive, believing that if a space doesn't elicit strong reactions, it might not be truly distinctive. The piece highlights that the homes featured in T Magazine's Design & Luxury issue, while beautiful, are not designed to appeal to everyone. This intentional unconventionality is presented as a strength, reinforcing the idea that homes should primarily satisfy their inhabitants, regardless of external opinions.
The essay touches upon several specific examples of homes presented in the Design & Luxury issue, showcasing a variety of distinctive approaches to interior design. These examples include a dealer's art-filled home in the Swiss Alps, a modern transformation of a 16th-century castle apartment in Antwerp, a restored midcentury house in Beverly Hills, a Guadalajara home celebrating ceramics, a Manila residence blending global influences, a 300-year-old maximalist manor in the Cotswolds, and a retreat on Shelter Island designed for both entertaining and solitude. Each of these homes, despite their diverse locations and styles, embodies the central theme of personal expression and a bold departure from generic aesthetics. The article concludes by encouraging readers to embrace their own unique taste with "élan," or not at all, emphasizing authenticity over conformity in domestic environments.
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