Interior Designer Julia Hall Liegeois Shares Her Favorite Global Finds

Holly Hunt, a significant figure in the interior design industry, has been inducted into the 2024 Interior Design Hall of Fame. Born in 1942 in San Angelo, Texas, Hunt initially pursued a career in fashion after majoring in English at Texas Tech. Her early professional experience included an executive training program at Foley’s, a Houston department store, and a role as an assistant buyer in millinery, followed by designing for a costume jewelry company in New York City in 1969. Hunt’s pivotal entry into the design world occurred in 1983 when she acquired R.J. Randolph, a struggling showroom at Chicago’s Merchandise Mart. She rebranded it under her own name, HOLLY HUNT, and embarked on a mission to redefine the showroom experience. Her approach was revolutionary for its time, focusing on elevating customer service, improving product display, and introducing transparency in pricing—a practice that faced initial industry resistance. Hunt curated showrooms that resembled actual living spaces, integrating architectural details, artwork, and a diverse mix of products and styles. She championed established designers like Vladimir Kagan and Rose Tarlow, while also discovering and promoting emerging talents such as glass artist Alison Berger and furniture maker Christian Astuguevieille. The company’s sophisticated branding and marketing materials were developed with the avant-garde graphics studio Thirst, all united by a commitment to superior quality. A key collaboration in the early 1990s was with French furniture designer Christian Liaigre, whose sleek, monochromatic aesthetic resonated with Hunt’s own. Hunt’s company became instrumental in manufacturing and distributing Liaigre’s designs in the U.S., influencing American interior design with rich dark woods and creamy textiles. This partnership gained significant recognition when André Balazs's Mercer Hotel in Manhattan opened with Liaigre-designed interiors in 1997. Hunt’s strategic vision extended to expanding her showrooms, notably opening one in the nascent Miami Design District in 1998. Designed by architect Alison Spear, this showroom deviated from conventional layouts, offering a luxury boutique experience accessible to all. Another Manhattan showroom, intended to open in October 2001, was successfully launched just two months after the 9/11 events, demonstrating Hunt’s resilience and foresight. She navigated the 2008 recession by restructuring her company, which led to the creation of Holly Hunt Modern, a collection that surpassed the profitability of her previous collaborations. In 2014, Knoll acquired HOLLY HUNT for $110 million. Hunt remained CEO for two years, overseeing expansions in Dallas and Los Angeles, and continued as a consultant until 2019. During this period, she undertook design projects such as a penthouse at the Surf Club in Miami Beach. Currently, Hunt leads House of Hunt, a Chicago-based interior architecture and furniture studio, engaging in projects ranging from product design, like the Dune sofa for HOLLY HUNT, to comprehensive home renovations. Her career trajectory is marked by continuous evolution and an adaptability to challenges, consistently eschewing rigid business plans in favor of dynamic engagement. #HollyHunt #InteriorDesign #HallOfFame #FurnitureDesign #ShowroomInnovation #DesignEntrepreneur #LuxuryDesign #ChristianLiaigre #DesignIndustry

ELLE Decor's 10th anniversary A-List compiles 125 of the most influential and innovative interior designers globally, showcasing their unique styles and notable projects. This extensive list has grown significantly from its initial 25 members in 2010, highlighting a diverse range of talent that consistently inspires with their creations worldwide. The featured designers are recognized for their distinct aesthetics, collaborations, and client portfolios, reflecting the broad spectrum of contemporary interior design. Among the distinguished firms is Aero Studios, founded by Thomas O’Brien, known for its warm modernism and collaborative approach, spanning residential lofts, apartments, and commercial projects like the Sixty Thompson hotel. Alberto Pinto Interior Design, led by Linda Pinto, upholds a legacy of lavish elegance, blending traditional and modern cultural influences in projects for private residences, offices, and luxury transport. Alessandra Branca, with her Italian upbringing, integrates classical beauty with vibrant energy and practicality, evident in her eclectic, colorful work and her book, 'New Classic Interiors.' Alex Papachristidis is recognized for his bold patterns, jewel tones, and exotic accents, having recently curated a Christie’s auction and designed numerous residences. Alyssa Kapito brings a fresh perspective to classic design, appreciating antiques and art in her minimalist projects across Manhattan, the Hamptons, and Beverly Hills. Aman & Meeks, comprising James Aman and John Meeks, leverage their backgrounds in store design and fashion to create elegant, tailored luxury rooms for high-profile clients. Amy Lau Design, established in 2001, is celebrated for warm, expressive interiors with meticulous attention to detail, frequently incorporating natural materials. Apartment 48, founded by color wizard Rayman Boozer, offers energetic and original designs for professionals and startups, known for its boho layers. Ashe Leandro, the New York City firm by Ariel Ashe and Reinaldo Leandro, combines contemporary luxury with natural materials to craft open and timeless spaces for celebrity clients. Axel Vervoordt, the Antwerp-based designer and antiquarian, is revered for his wabi-sabi style, mixing antiquities with modern furnishings for an influential aesthetic. Beata Heuman, a London-based designer, is noted for her whimsical, unexpected approach to interiors, characterized by a Scandinavian attention to detail and longevity. Jeffrey Bilhuber of Bilhuber & Associates offers an all-American take on classic decorating, appealing to clients like David Bowie and Anna Wintour. Brad Ford ID, based in New York, is known for his modern yet warm, elegant, and functional residential interiors, also organizing the biannual Field + Supply makers’ fair. Brian J. McCarthy, drawing inspiration from European culture, creates eclectic spaces rooted in history with a focus on functionality and sumptuous materials. Brockschmidt & Coleman, based in New York City, excel at merging historical references with modern sensibilities for their literati and collector clients. Bunny Williams Interior Design emphasizes classic comfort, combining European antiques with mirrored walls and bold artwork, showcasing her signature patinated luxury. Carrier and Company, the husband-and-wife duo Jesse Carrier and Mara Miller, create chic rooms that blend timeless and contemporary design. Champalimaud Design, led by Alexandra Champalimaud, specializes in luxury hospitality design, crafting spaces with individual character globally. Charlotte Moss, with a background in finance, balances classic decorating principles with modern household needs, inspired by pioneering women. Lastly, Commune, with partners Roman Alonso and Steven Johanknecht, are masters of the new California cool, focusing on handcrafted, holistic designs for homes, hotels, and products. #InteriorDesign #ELLEDecor #Designers #LuxuryInteriors #HomeDecor #ArchitecturalDesign #DesignTrends #GlobalDesign #CreativeSpaces

Joy Williams, an interior designer, recently undertook a hallway makeover for the Adler on the Park showhouse in Chicago, demonstrating that even small spaces can be transformed into engaging and vibrant areas. The original hallway was a mere pass-through with gray walls and light wood flooring, lacking character. Williams aimed to create a space that would encourage residents to pause and interact, rather than simply moving through. The Adler on the Park showhouse is housed within a landmark building, a set of four row homes constructed between 1915 and 1917, designed by David Adler and Henry Dangler. The building underwent a comprehensive renovation and partial restoration, allowing designers creative freedom while respecting its historical integrity. Williams embraced a global theme, intricately weaving together elements from West African and Asian design traditions. Her inspiration for the space was deeply personal, drawing from Chicago's diverse immigrant neighborhoods, the captivating cherry blossom season she experienced in Kyoto, Japan, and her appreciation for West African architectural design and structure. This diverse palette of influences culminated in a unique and inviting entrance hall. Williams' transformation of the hallway was extensive, moving beyond the existing flooring and a black unit door. She introduced bold color to the walls using bright pink and red paints from Sherwin-Williams, complemented by a pink patterned wallpaper by Thibaut. A focal point was established at the end of the hall, where she designed a white and gold credenza. This credenza, adorned with brass urns, palms, a statue, and custom art by a local artist, was inspired by her travels through Morocco. The renovated foyer now functions as an inspiring passage, guiding residents to their respective units. Its welcoming and homey ambiance is intended to enhance the residents' experience, encouraging them to linger and enjoy the entrance hall rather than treating it solely as a transitional space. Williams also shared insights into the project's challenges and budget allocation. She mentioned that varying ceiling heights necessitated a change in lighting fixtures, leading to the substitution of a chandelier with a wall sconce from Hubbardton Forge, a change that ultimately integrated seamlessly into the design. The majority of the budget was allocated to artwork and furniture, including the custom rift-sawn oak credenza painted in Benjamin Moore bright white and gold. Cost-saving measures included purchasing plants from Home Depot, which offered a good selection. Williams' favorite aspects of the completed space are the vibrant color combination and the original artwork. #InteriorDesign #HomeDecor #HallwayMakeover #GlobalDesign #WestAfricanDesign #AsianDesign #ColorPalette #Showhouse #ChicagoDesign

This article highlights a sprawling 14,000-square-foot, six-bedroom lakeside villa in Wisconsin, designed by Jessica Jubelirer, which serves as a testament to intricate decorative design and global artistry. The homeowners, having spent a decade traveling globally with their daughters, sought to create a family home that echoed the grand estates and ornate palaces they encountered during their time abroad, particularly in Asia. Their vision was to craft a residence unlike any they had seen, pushing the boundaries of conventional design. The project spanned five years and involved extensive international sourcing trips by Jubelirer and her team. This undertaking allowed for a deep exploration into various artistic realms, from hand-painted Portuguese tiles to midcentury Swedish textiles. The collaboration between the designer and the homeowners was driven by a shared appreciation for history, nature, and artisanship, fostering an environment where creative energy could flourish. Each space within the villa is uniquely conceived and meticulously detailed. For instance, the dining room features a hand-painted mural by Gracie, inspired by classic Americana folklore and the surrounding Wisconsin forest. This mural serves as a rich backdrop to other design elements, such as carved ceiling molding based on Swedish tapestries and quilt-like window treatments custom-fabricated by Penn & Fletcher, echoing the delicate pattern of a beloved dress. The billiard room showcases a fortuitous discovery: wood paneling crafted by Féau Boiseries, a Parisian millworks company. The paneling, made of Cerris white oak and inset with hand-loomed French horsehair, was inspired by a reclaimed piece from a 1930s Jean-Michel Frank project, bridging traditional design with modern execution. Other rooms draw inspiration from diverse cultural aesthetics. The laundry room incorporates elements from traditional Scandinavian farmhouses, while a children's guest bedroom features a bespoke Fromental wall covering depicting local flora and fauna, designed to appear as if raining down from a cupola skylight adorned with custom ceramic subway tiles from Waterworks. The great room evokes a rustic mountain cabin with an exposed beam ceiling and a stone fireplace, and the downstairs entertainment area mimics an Ottoman living room with intricate Suzani wall upholstery. The exterior landscaping, designed by renowned AD100 Dutch landscape architect Piet Oudolf, complements the interior's grandeur, integrating the home with its 40-acre forested lakeside property. This comprehensive project allowed the homeowners to fulfill their mission of being patrons of the arts, resulting in a residence where every detail, from furniture to wall coverings, tells a story of global inspiration and artisanal craftsmanship. #HomeDesign #InteriorDesign #LuxuryHomes #ArtisanCraftsmanship #GlobalInspiration #JessicaJubelirer #WisconsinLakesideVilla #DecorativeArts #CustomInteriors

The thrill of discovering unique furnishings and the regret of missing out on a coveted piece are common experiences for interior designers, as recounted by nine professionals in the field. These designers share their personal anecdotes of both significant acquisitions and elusive 'holy grail' items, offering insight into the passion and pursuit involved in curating exceptional interiors. Will Meyer, a devotee of Danish design, recently acquired a Hans Wegner daybed but continues his quest for the perfect Papa Bear chair, an iconic piece he believes will eternally remain stylish. Amy Lau's 'big find' was a set of sculptural Dommus chairs by Joseph Walsh, which she commissioned for her New York apartment after a studio visit in Ireland, impressed by their handcrafted and expressive design. Pierre Yovanovitch expresses a long-standing desire for a rare and expensive Uno Ahren masterpiece, specifically his 1927 inlaid Mahogany Secretaire, admired for its flawless execution and unique Garden of Eden imagery. Nate Berkus laments multiple missed opportunities to purchase a Picasso ceramic owl. He first encountered one while working at an auction house in Chicago, unable to afford it then, and later saw others in Paris and on 1stdibs, observing its increasing value with each sighting. Miles Redd's most significant discovery is a mirrored bathroom by David Adler, found in a Chicago salvage warehouse. This unique piece, which he uses as both a bathroom and a dining room, holds special value due to its singular nature and the emotional connection it provides, making him feel as though he is 'inside of a diamond' every morning. Alexandra Champalimaud recalls admiring the Mattia Bonetti Rock dining table at a design fair, describing it as extraordinary and full of personality, but ultimately passed on it due to not having a suitable space. Martyn Lawrence Bullard shares an auction disappointment involving a Jacques Adnet Hermès Saddle leather daybed. Despite thorough research and a set budget, he missed the piece by two bids, regretting his hesitation and emphasizing the importance of passionate pursuit in auctions, as he has been unable to find a similar item since. Robert Couturier maintains a detached perspective on objects, viewing himself as a temporary owner and valuing history over intrinsic monetary worth. However, he holds a particular affection for a painting by Jean Baptiste Greuze depicting an angel. This piece, inherited from his great-grandfather and a constant presence in his grandmother's home, evokes profound memories of his upbringing and the love of his grandmother, offering a sense of 'bonheur' and timelessness. Michael Smith expresses his admiration for the Lovö chair, designed by Axel Einar Hjorth in 1932. He had bid on this dynamic and remarkably modern piece at auction but was unsuccessful, wishing he could have incorporated it into one of his classic yet modern projects. #InteriorDesign #FurnitureDesign #HomeDecor #Designers #LuxuryInteriors #ArtAndCollectibles #DesignStories #Acquisitions #LostOpportunities

The internet has become a pervasive source for design trends and styles, with phrases like 'chronically online,' 'screen fatigue,' and 'brain rot' describing the exhaustive nature of constant digital consumption. While online platforms offer a wealth of creative ideas, the sheer volume can be overwhelming for both editors and designers. This over-saturation underscores the importance of disconnecting from the digital world to find inspiration in real-life experiences. Six interior designers were interviewed to reveal their alternative sources of inspiration. Leanne Ford draws her aesthetic from the Deer Valley YMCA Family Camp, which she attended growing up. The camp, established in the fifties, features mid-century touches and Quonset huts. Ford emphasizes the mental clarity and creative boost gained from being outdoors, turning off devices, and sitting by a lake without Wi-Fi. This connection to nature and a simpler environment deeply influences her designs. Garrow Kedigian finds endless inspiration in the Paris flea markets, particularly Marché Serpette and Marché Paul Bert. He describes each booth as a 'miniature vignette,' admiring how vendors meticulously display their pieces. Kedigian's long-standing tradition of shopping there, often with clients, allows him to observe the curated arrangements and sometimes purchase items that complement each other, demonstrating a holistic approach to design inspiration. Ariel Okin's primary source of inspiration comes from collecting vintage design books, which she considers invaluable. She actively searches for these books on platforms like ThriftBooks and Cape Fear Books on Etsy. Okin refers to her extensive library to study historical design elements, such as Swedish interiors' use of paint on furniture or the emphasis on quality upholstery in classic English interiors. This method allows her to derive patterns and design principles that she then applies to her own projects. Noz Nozawa highlights Nozawaonsen, Japan, as a magical place that profoundly influenced her work. This 13th-century mountain village, with its unique architecture blending Studio Ghibli aesthetics and modern Japanese conveniences, inspired her approach to interior design. Nozawa appreciated that the town was primarily designed for its residents, not just tourists, which shaped her philosophy of creating spaces that cater to the inhabitants' needs first, even while acknowledging the importance of guests. Tara McCauley emphasizes the impact of travel on her creative process. Experiencing everyday environments in different parts of the world, such as Rome, provides fresh perspectives. She notes Rome's historical richness, where modernity and antiquity coexist, as a significant influence. McCauley's practice of exploring side streets led her to discover apartment lobbies with bold terrazzo flooring, which she later incorporated into her own kitchen design. This demonstrates how unexpected observations from travel can translate into unique interior solutions. David Quarles IV finds refuge and inspiration in the Cannon Club in San Juan, Puerto Rico, part of the Gallery Inn. He describes the location as a blend of 'old world meets new,' with an atrium featuring a pool and lush plant life that gives the impression of a jungle reclaiming an old castle. The ambiance, complete with music from old Steinway pianos and overflowing water, inspires him to integrate natural elements and a sense of history into his designs. #InteriorDesign #DesignInspiration #CreativeProcess #DigitalDetox #TravelInspiration #FleaMarkets #VintageBooks #CulturalInfluence #Architecture

Judy Dunne, a New York designer and founder of Butter and Eggs, presents her current mood board, which draws inspiration from her extensive international travels to places like Paris, Egypt, Italy, and Mexico. Her design philosophy is rooted in curiosity, leading her to explore and learn from diverse cultures and their aesthetic traditions. The resulting mood board reflects a fusion of colors and materials observed in these locations, encompassing centuries-old metalwork and pottery practices, striking desert sunsets, and rich textiles. Dunne describes her final design as "peaceful and warm," achieved through the integration of organic elements, vibrant earth tones, and luxurious natural finishes. She emphasizes that the flat lay design is a tribute to the colors and textures found in nature, highlighting those "magical moments where we slow down and see something special." The selection features a variety of materials and products, each chosen for its unique contribution to the overall aesthetic. These include the vibrant and cozy Nestor fabric in Plaine by Pierre Frey, which evokes a winter sky at dusk, and the luxurious, tailored Rune fabric in Howlite by Holland & Sherry, noted for its playful yet sophisticated pattern. Another textile, the FE Karoo Cent-Trois fabric by Toyine Sellers, is highlighted for its rich color, texture, and durability, with a specific application mentioned for upholstering a wall in a client's room. For flooring, a custom Ombre rug by Art + Loom, made of 100 percent wool, is detailed as both durable and soft, designed as a stair runner to create visual consistency and drama while strategically using darker tones to minimize the appearance of wear. Decorative elements include a vintage brass flower ashtray from The 1818 Collective, valued for the unique character it brings to a space. Wallcoverings feature prominently with the Enlightenment wallcovering in Rosy Meditation by Phillip Jeffries, chosen for its painterly quality, texture, and shimmering effect in a vestibule, and the whimsical Pollensa Spring wallpaper by Coordonné, suggested for powder rooms or closet interiors. The mood board also incorporates distinctive finishes such as a copper and resin panel with a black oxidized patina by Wüd, admired for its depth and dimension, ideal for a showstopping bar backsplash. A bronze and resin panel with a dusted medium patina from Wüd is also noted for its subtle visual texture and suitability for custom credenzas. Stone and tile selections include Blue Grigio Onyx from NY Stone, envisioned as an impressive fireplace surround, and a Labradorite stone finish sample, appreciated for its grounding energy, iridescence, and healing properties. The Labradorite is specifically linked to a "Turtle table" by Young Projects at Verso. A Molten Bronze Field Tile by Michael Aram at Artistic Tile is chosen for its "wow factor" as a kitchen backsplash or accent wall. Hardware is represented by a custom fluted antique brass pull by E.R. Butler & Co., described as adding rhythm and serving as jewelry for cabinetry. A unique ceramic piece, the 696 Vase by Karen Gayle Tinney, showcases the artisan's surprising juxtaposition of textiles and ceramics. Finally, cowhide color samples by Kyle Bunting are included for their rich colors and durability, particularly in homes with children and pets, with the studio's ability to customize designs being a key highlight. The Nuances fabric in Pampa by Pierre Frey is also noted for adding playfulness and color, with a recent application as a custom shower curtain. These selections collectively form a design narrative that is both globally inspired and deeply personal, emphasizing natural elements and unique craftsmanship. #InteriorDesign #MoodBoard #GlobalInspiration #Textiles #NaturalMaterials #HomeDecor #LuxuryFinishes #DesignProcess #TravelInspired

The world is home to an incredible array of diverse buildings, with some standing out for their vibrant hues. This article explores 38 of the most colourful homes across the globe, showcasing how cultural, architectural, and social circumstances contribute to their striking appearances. From candy-striped huts in Portugal to hillside neighbourhoods in Mexico transformed with murals, these properties demonstrate that personality can be expressed boldly on the exterior of a home, not just within its interiors. Key examples include Zhengbin Fishing Port in Keelung, Taiwan, where 16 vibrantly-hued houses line the river bank, and Rainbow Row in Oklahoma City, USA, featuring six three-storey, candy-coloured homes designed by architect Sam Day. Indonesia's Kalisari Rainbow Village, or Kampung Pelangi, received a government-funded glow-up in 2017 to attract tourists, transforming buildings and bridges into multi-coloured murals. In New York, USA, artist Katwise and her partner transformed a rundown farm into a psychedelic wonderland with every colour imaginable, funding their renovations by making patchwork coats from old sweaters. The Bo-Kaap neighbourhood in Cape Town, South Africa, is known for its brightly painted houses, a tradition that began when freed enslaved people painted their homes in celebration after being allowed to purchase them. Jodhpur, India, is nicknamed the 'Blue City' due to its many blue homes, a colour believed to help keep interiors cool and deter termites. Italy’s Cinque Terre region features vividly decorated houses cascading down steep hillsides, where fishermen reportedly painted their homes in bright tones to spot them from sea. Las Palmitas in Pachuca, Mexico, saw a community project by the 'German Crew' transform a downtrodden area into a living art mural with rainbow-hued homes. Yves Saint Laurent’s Villa Oasis in Marrakesh, Morocco, is a vivid celebration of colour, Art Deco, and Moorish design. Poznań, Poland’s Old Market Square boasts Renaissance-style merchant houses, each unique with mismatched colours and patterns, rebuilt after World War II. Venezuela features old, traditional houses resembling abstract paintings, with strong colour pairings and bold lines. In Pattaya, Thailand, the Xanadu Beach Resort showcases elaborately painted accommodations. Burano, Italy, one of Venice's islands, is known for its rainbow-painted homes, a tradition thought to help fishermen locate their houses in the fog. Valparaíso, Chile, has houses painted with leftover ship paints, creating a vibrant, colourful town. Vienna, Austria, features the Hundertwasserhaus, an unusual apartment building designed by artist Friedensreich Hundertwasser, with an art-like quality and colourful exterior. Portland, Oregon’s Nob Hill neighbourhood is filled with historic Victorian and Craftsman homes painted in pretty hues. Singapore's Little India district is home to many bold structures, including a multicoloured, century-old Chinese villa. Ilulissat, Greenland, features brightly painted buildings where colours historically indicated function, and now serve as decoration. Guatapé, Colombia, is dubbed the world's most colourful town, with everything from doorways to balconies painted in eye-catching colours. London’s Primrose Hill and Notting Hill boast pastel-hued and brightly coloured terraced houses, respectively, with trends starting in the 1960s. Muizenberg, South Africa, has colourful bathing boxes along its beach. Caminito in Buenos Aires, Argentina, is a street museum revitalized by artist Benito Quinquela Martín, featuring brightly hued houses. Varanasi, India, has chaotically structured, radiant houses on the Ganges, with colours reflecting Hindu symbolism. Tenerife, Spain, shows coastal houses painted in bold colours, likely to help fishermen see them from afar. Bristol, UK, is known for its vibrant buildings, with theories ranging from sailors' navigation aids to a mayor's influence. Innsbruck, Austria, features buildings painted in every imaginable shade against its mountain scenery. Stockholm, Sweden’s Stortorget public square showcases Renaissance-style buildings with uniquely painted façades. Getsemani in Cartagena, Colombia, highlights colourful colonial homes, reflecting its diverse cultural history. Diessenhofen, Switzerland, has adorable painted houses in its main street, thought to welcome visitors. Stykkisholmur, Iceland, and St. John's, Canada, feature unique, bright structures, with traditions rooted in individual expression and making homes visible in fog, respectively. Lüderitz, Namibia, displays colourful Art Nouveau buildings in a Bavarian style, a relic of its German colonial past. Finally, Istanbul, Turkey’s Balat district is recognized for its vibrant, historic wooden homes, and Costa Nova, Portugal, is famous for its candy-striped huts, originally built to shelter fishermen and later painted to attract tourists. #ColorfulHomes #Architecture #GlobalDesign #HomeExterior #TravelInspiration #CulturalHeritage #UrbanArt #VibrantCities #CoastalHomes

Gilles Clement, an acclaimed designer and art dealer based in Greenwich, transformed a Colonial-style home in Purchase, New York, for a family of five. Clement's design philosophy challenges the conventional idea of aligning interior aesthetics with exterior architecture, emphasizing that personal identity and taste should dictate home design rather than architectural style or geographical location. His approach incorporates a bold, internationally inspired aesthetic, drawing from European flair and global influences, which is also reflected in his eponymous art gallery. The project began unexpectedly when Clement's future client purchased a distinctive and expensive Visionnaire console from his gallery. This uncommon purchase, made without Clement's direct sales involvement, piqued his interest, leading to a meeting that revealed the client's desire for a full home renovation. The client, who had lived in Manhattan, traveled extensively, and developed a strong appreciation for design and aesthetics, proved to be an ideal muse for Clement's distinctive style. She resonated deeply with his gallery's curated collection, which blends old and new elements and features art from international artists like David Datuna, Debra Franses Bean, Clement Kamena, Devorah Sperber, and Curtis Cutshaw. Clement characterizes his design style as "transitional and contemporary," opulent and luxurious, a sensibility that extends to the art, furniture, and decor showcased in his gallery and, ultimately, in his clients' homes. The Purchase home's transformation is anchored by its art collection, beginning with the Visionnaire console in the hallway, an Italian piece with a bold design featuring black beveled glass and cascading chains. Above it hangs a three-dimensional rendition of Vermeer's 'Girl with a Pearl Earring' by Clement Kamena, a creative duo composed of Clement's parents. This piece is part of their 'Jar Memory' series, which reinterprets art history masterpieces within jars, aligning with Clement's vision of making art accessible and collectible. The hallway is further enhanced by two Italian Terzani pendants, each crafted with seven handblown crystal balls. In the living room, an Il Pezzo Mancante lighting fixture, another Italian creation, acts as a central sculptural element, featuring handblown crystal balls and polished nickel and black powder-coated lacquer rods. The room also showcases another Clement Kamena 'Jar Memory' piece, a representation of Jeff Koons' 'Diamond,' chosen for its scale, color, and vibrant presence. Additional artwork includes a mixed-media piece by Natalia Kldiashvili, celebrating Coco Chanel's life through historical clippings and fashion collages. The space is completed with a luxurious silk rug from Nepal, distinctive Klismos chairs in black piano lacquer, and Clement's signature feather-adorned pillows. The powder room, curated around the homeowner's photograph of a woman with ostrich feathers, demonstrates Clement's commitment to integrating existing art into new designs. Despite its small size, the room achieves a "jewel box" aesthetic with dark paint, a mosaic brass-tile floor, a Maison Valentina vanity from Portugal, and a black toilet, an unconventional choice that Clement defends for its ability to blend seamlessly with the gold-leaf Japanese wallpaper and diamond-shaped lighting fixture from Holland. Clement emphasizes the critical role of lighting, often choosing sculptural, artistic fixtures from Europe that also serve as art statements. The kitchen, previously outdated, was expanded and reconfigured to accommodate the family of five and visiting grandparents. Clement personally designed the custom chandeliers, inspired by Brand van Egmond, to mirror the client's love for jewelry and glamour. The cabinetry, custom-built in Clement’s workshop, features piano lacquer with brass inserts. A backsplash combining solid brass and Nero Marquina marble, along with two angled Calacatta Gold Ultra Quartz islands, provides both luxury and functionality. The breakfast nook, an extension of the kitchen, features a Paolo Castelli chandelier, a custom silver-leaf ceiling, and Portuguese brass furniture. The dining room continues the opulent theme with Terzani lighting, Elitis wallpaper, custom furniture with Romo Zinc fabric, a custom rug, and a unique video artwork by MARCK from Switzerland. Throughout the home, Clement's design ethos is to create environments that are not only aesthetically pleasing but also mood-enhancing, viewing art as the "soul of the home" and a vital element in improving daily life. #HomeDesign #InteriorDesign #ArtCollection #LuxuryLiving #GillesClementDesigns #ContemporaryDesign #InternationalInfluence #CustomFurniture #WestchesterHome

This article highlights several Latinx-owned interior design studios, showcasing their unique approaches and contributions to contemporary home design. It emphasizes how these designers integrate cultural heritage, local materials, and traditional techniques with modern aesthetics to create distinctive and meaningful spaces. The piece begins by noting a common desire among Latin American designers to blend a sense of local belonging with cosmopolitan and international influences, a trend observed since the 1940s. This approach allows them to adapt modern design vocabularies to local contexts, materials, and production systems. Bravo Studio, founded by Rodrigo Bravo in Santiago, Chile, is presented as an example of this innovative spirit. Since its establishment in 2005, the studio has explored various mediums and materials, experimenting with modern methods. Bravo's "Monolith Series," which uses Chilean volcanic rock to create unique home décor pieces, exemplifies his ability to transform natural elements into contemporary art. His work, including designs for Fintual headquarters and the Neruda family office, showcases an alluringly minimalistic yet stylish approach, often leveraging the natural beauty and versatility of materials. The studio's collaborations, such as with WeWork, further demonstrate its versatility in both residential and commercial projects. Estudio Persona, led by Uruguayan designers Emiliana Gonzalez and Jessie Young in Los Angeles, focuses on chic and sleek interior design. Their philosophy centers on the subversive quality of minimalism, where seemingly simple designs are in fact incredibly complex and thoughtfully constructed. They prioritize unique shapes, distinctive lines, and unexpected accents, utilizing natural materials and traditional techniques without imposing creative boundaries. Their work, seen in projects like the H Bench at CDMX Design House and the UNA counter stools for Studio Fauve, reflects a subtle yet impactful aesthetic that questions perspectives without being overtly flashy, resonating with their preference for understated elegance. Casa Marcelo, founded by Abigail Marcelo Horace, an American interior designer with Dominican and Panamanian roots, integrates classic pieces, traditional styles, and natural accents. Horace draws inspiration from artisans and hand-woven objects, particularly the Mola art of Panama's Guna tribe, highlighting her appreciation for custom, handcrafted elements. Her studio, established in 2018, creates spaces that range from moody modern looks to those incorporating natural touches in contemporary interiors. Casa Marcelo’s designs are often characterized by vibrant colors, comfort, and chic elements, with Horace emphasizing the importance of creating peaceful and well-designed environments that nurture clients' passions and offer a safe escape from daily life. Blooming Home Society, led by Brazilian-born designer Ju DePaula, brings a vibrant and feel-good approach to interior design. DePaula, based in England, emphasizes the significant impact of home on well-being, advocating for spaces that allow individuals to relax, express themselves, and be authentic. Her entrepreneurial endeavors extend to a design school, offering online classes for individuals to learn how to create stylish spaces. Her signature style, evident in a colorful office space with bold floral wallpaper and a lively living room, incorporates bright shades, unique ideas, and pleasing touches, often featuring a blend of vibrant colors and black-and-white contrasts. Agnes Studio, a husband-and-wife duo comprising Estefania de Ros and Gustavo Quintana-Kennedy from Guatemala, focuses on future-inspired concepts and unrestrained techniques. De Ros, with a background in interior and furniture design, and Quintana-Kennedy, with expertise in architecture, launched their studio in 2017. Their artistic approach to design, drawing inspiration from the world around them and exploring potential existences, results in stunning spaces. Examples include a wood-filled area featuring their own Lana Chair and Códice Side Table, as well as a light-filled studio that combines natural materials, comfortable furniture, and modern accents, showcasing their ability to blend traditional influences with contemporary design. #LatinxDesign #InteriorDesignStudios #HomeDesignTrends #CulturalInfluences #MinimalistDesign #SustainableDesign #ArtisanCraftsmanship #ModernAesthetics #GlobalDesign

The October 2025 issue of Wallpaper* magazine is now available, featuring a comprehensive collection of long-form stories designed to leverage the unique advantages of print media. In an era dominated by multiplatform content creation, this issue dedicates significant space to in-depth articles, aiming to offer rich visual experiences, expansive reporting, and a thoughtful juxtaposition of diverse topics and projects. This approach seeks to provide pertinent insights into broader cultural and life shifts. The 300-page October issue delves into the methodologies and motivations of a variety of global creatives. Readers will encounter Bas Smets, a landscape architect focused on reconnecting humanity with the natural environment. The visionary fashion designer Craig Green is profiled, with an exploration of his London atelier to understand his creative process. Irma Boom is also featured, highlighting her commitment to reinforcing the importance of print through her exceptional book designs. The magazine extends its geographical scope with visits to distinct locations. A report from Tbilisi examines the city’s robust entrepreneurial spirit as it navigates an increasingly authoritarian state. In Lagos, Nigeria, the informal architecture of street markets is presented as a source of inspiration for a new generation of designers adapting indigenous building structures. A significant section broadens the understanding of "home" by exploring Le Corbusier’s Unité d’Habitation in Marseille. Here, residents share their experiences and reflections on the enduring legacy of this landmark housing project. Further exploration of the concept of domesticity is provided through the perspectives of contemporary artists who contemplate the home as a symbol of selfhood. The interiors section focuses on objects that exemplify lasting design, demonstrating the remarkable longevity of certain pieces. The issue also includes reflections on technology and travel, two dynamic aspects of the modern world that are constantly evolving and subject to continuous renewal. The production of this issue involved the collaborative efforts of many individuals. Special acknowledgments are extended to Clara Perrotte, Anne-France Berthelon, Ora-ïto, and Raphaëlle Caldaguès for their contributions to the Unité d’Habitation story. Photographer Kalpesh Lathigra is recognized for capturing the backstage world of Craig Green’s Paris show, while Devashish Gaur is thanked for remotely photographing ten portraits for the Landscape Architects’ Directory 2025. London Art Makers also provided assistance in creating the monumental interiors story. The October 2025 issue is accessible in print on newsstands, via the Wallpaper* app on Apple iOS, and for Apple News+ subscribers from September 4, 2025. The newsstand cover features a prototype ‘Bibendum’ chair and ‘Helia’ fabric, while the limited-edition subscriber cover is an artwork by Gabriel Annouka. #magazine #designInteriors #architecture #culturalExploration #printMedia #designers #urbanLiving #travel

The October issue of Architectural Digest, themed 'City Living,' delves into urban dwellings that emphasize historical character and original detail, challenging the conventional notion of city residences dominated by skyscrapers and uniform apartments. The global editorial director introduces a curated selection of homes across various global cities, including Toronto, Paris, London, Brooklyn, and Manhattan, each showcasing a unique approach to sophisticated urban living. The feature highlights the diversity of city homes, moving beyond the perception of dense, high-rise environments to explore spaces rich in personal history and bespoke design. The cover story centers on a historic Toronto house, one of the city's oldest, meticulously updated by Giancarlo Valle and Jane Keltner de Valle of the newly re-christened AD100 firm, Studio Valle de Valle. The couple, known for their collaborative work on their own homes and their gallery, Casa Valle, have formalized their partnership, bringing their distinct storytelling approaches to one of New York City's burgeoning design firms. Their project exemplifies how historical structures can be thoughtfully modernized while retaining their intrinsic charm and character, illustrating a blend of classic and contemporary aesthetics. Further into the issue, readers are transported to New York City to explore the recently refurbished loft of tastemaker Amanda Brooks, located in the Lower East Side. Brooks has skillfully adapted her signature sophisticated country style, typically associated with her Cotswolds farm, to create a unique city sanctuary. This feature showcases the versatility of design, demonstrating how personal style can transcend geographical boundaries and be seamlessly integrated into diverse urban settings. Her ability to infuse rustic elegance into a gritty city environment provides inspiration for blending seemingly disparate design elements. The journey continues to Brooklyn, where the home of chef Melia Marden and artist Frank Sisti Jr. is presented as a vibrant and unconventional space, reflecting their creative personalities. This residence challenges traditional design norms, offering a glimpse into a dwelling that embraces individuality and artistic expression. Following this, the article moves across the Atlantic to London, featuring the charming and updated Victorian house of actor Michelle Dockery. Her home offers a look into how historical European architecture can be revitalized with modern sensibilities while preserving its inherent charm and elegance. The global tour concludes in Paris, at the exceptionally chic and feminine pied-à-terre of New York-based AD100 designer Sara Story. Story describes her Parisian apartment as an opportunity to embrace a more decorative style than she typically employs in the United States, highlighting the influence of location on design choices. This Parisian residence embodies a sophisticated elegance, reflecting Story’s creative interpretation of classic French design. The issue collectively emphasizes that city living is not a monolithic experience but a diverse tapestry of styles, histories, and personal expressions, demonstrating how designers and homeowners alike can create unique and character-rich urban spaces. The editorial director concludes by noting the ongoing pursuit of innovative design while building upon established successful elements, akin to refining a recipe with new spices and sauces, allowing for both adherence to and breaking of conventional design rules. #CityLiving #ArchitecturalDigest #HomeDesign #InteriorDesign #UrbanHomes #DesignInspiration #GlobalDesign #HistoricalHomes #ContemporaryDesign

This article offers a virtual tour of 14 spectacular homes belonging to renowned artists and architects around the world. These residences, usually open to the public but now virtually accessible, provide a glimpse into the personal spaces and creative environments that shaped these influential figures. The article highlights unique architectural styles, interior designs, and personal touches that reflect each artist's personality and work. The tour begins with Frederic Church's Olana in New York's Hudson Valley, a 19th-century landscape painter's home that blends Victorian and Middle Eastern motifs. Oscar Niemeyer's Casas das Canoas in Rio de Janeiro showcases his signature curves and reinforced concrete, with organically positioned boulders integrated into the design. Frank Lloyd Wright’s Taliesin in rural Wisconsin is described as his architectural autobiography, an 800-acre estate that is now a UNESCO World Heritage site. Philip Johnson’s Glass House in New Canaan, Connecticut, features wraparound windows designed to integrate with the surrounding landscape, a meticulously sculpted environment inspired by a 17th-century painting. Duncan Grant and Vanessa Bell’s Charleston House in Sussex, United Kingdom, embodies bohemian charm with hand-painted cupboard doors, patchwork chintz curtains, and stenciled paisley walls, complemented by a vibrant garden. Frida Kahlo’s Casa Azul in Mexico City, the site of her birth, death, and many years of her life, is a cobalt-washed residence with chartreuse floors and bright white walls, showcasing local folk art, handmade ceramics, and pre-Columbian sculptures. Auguste Rodin’s La Villa des Brillants in Meudon, France, served as his workshop, business place, and home, filled with dazzling white sculptures. Jackson Pollock and Lee Krasner’s East Hampton home has remained untouched since Krasner’s death, featuring paint-splashed floors in the studio and an eclectic interior with a broken anchor and Krasner’s seashell collection. Georgia O’Keeffe’s home and studio in Abiquiu, New Mexico, radiates natural light and includes surprises like a rattlesnake skeleton, along with an extensive potager garden. Clementine Hunter’s modest cabin at Melrose Plantation in Louisiana showcases her prolific artistry, with thousands of paintings depicting daily life. Frederic Church's Olana, a Persian-inspired fortress, is rich with hues of mustard, cherry, and clay, lavishly draped in Turkish rugs and ornate frames. Jim Thompson’s teak Thai-style home in Bangkok, though not an artist's own work, houses an extraordinary collection of traditional Thai art. Sam Maloof’s 1952 California ranch-style home, relocated to Pomona, features treehouse vibes with redwood walls, a hand-carved spiral staircase, and whimsical stained-glass windows. Irma Stern’s The Firs in Cape Town, South Africa, is a colorful collage of portraits and tribal artifacts, painted in mint green, sunny yellow, and and vivid corals. Finally, Claude Monet’s home in Giverny, France, is famous for its poetic interior with a stream of copper pots in the kitchen and lemony yellow dining room, alongside his collection of Japanese art. #ArtistHomes #ArchitecturalDesign #InteriorDesign #CulturalTourism #VirtualTours #ArtHistory #HistoricHomes #TravelInspiration #GlobalArt

This article showcases a collection of outstanding projects from prominent local interior designers, each highlighting a unique approach to creating captivating spaces. Scott Sanders' cabana exemplifies 'Island Style,' blending 1970s inspiration with contemporary pieces and vibrant colors like cobalt blue and turquoise. The design incorporates natural elements such as bamboo, wicker, and rattan, contributing to a tropical yet sophisticated ambiance. Gil Walsh Interiors presents a living room themed 'Among the Stars,' characterized by a harmonious blend of turquoise, citron, lighter blues, ivories, and grays. Walsh's design focuses on brightening the space and integrating modern fixtures with a mid-century feel to complement the architectural geometry, featuring glamorous starburst motifs. Katherine Shenaman Interiors crafted a 'Pretty in Pink' nursery, embodying a fresh and modern aesthetic while retaining youthful charm. The room is dominated by rosy pink, with a Bradley USA wallpaper and a Wendy Clark Designs rug. Whimsical elements, such as rabbit chairs by Stefano Giovannoni, cater to children's playfulness. Sara McCann Design Group redefines game rooms with 'Playing Favorites,' proving they can be both fun and stylish. The design for a family game room lounge uses brilliant greens and rich caramels against white cypress walls and ceilings, inspired by Palmetto fabric and enhanced by viridian Winnie lamps, creating a luxurious and comfortable tropical atmosphere. Krista Watterworth Alterman of Krista + Home introduces a 'Feast for the Eyes' with a Bali-inspired contemporary kitchen that deviates from typical all-white designs. It features dark woods, natural materials like banana bark chandeliers, gold upholstered stools, and integrated appliances, presenting an earthy yet modern aesthetic with a global and moody vibe. Angela Reynolds Designs, in collaboration with Smith Architectural Group and Davis General Contracting, showcases 'Contemporary Glamour' in a dining room. This design merges classic architecture with contemporary elements, including black fluted lacquer columns and a custom dining table with silver-leaf banding. The room's focal point is a pair of John Pomp chandeliers, whose handblown glass clusters illuminate the space while preserving ocean views. Lorraine Rogers-Bolton of Rogers Design Group, with Amanda Wyant-Binns, created a 'Dream Weaver' bathroom that fulfills a client's vision of tranquility. The space features a silver and crystal chandelier, calming grays and whites in the wall covering, snowy stone with gray veins, and an oval tub, all contributing to an ethereal, airy, and contemporary feel. Finally, Jim Dove Design’s 'Letting in the Light' kitchen in a Hobe Sound home emphasizes natural illumination. Dove integrated three windows to maximize light, which enhances crisp white accents, high-gloss white cabinetry, and countertops. Serene azure blues in the Sub-Zero refrigerator and custom cupboards create a calm ambiance, blurring the lines between indoor and outdoor spaces. #InteriorDesign #HomeDecor #LuxuryInteriors #DesignTrends #PalmBeachDesign #ResidentialDesign #ContemporaryGlamour #IslandStyle #KitchenDesign

Sarah Peake, founder of Studio Peake, showcases one of her most cherished interior design projects: a double-fronted Georgian cottage in South London. This project was particularly significant as it marked her first solo endeavor after establishing her studio. The cottage, located on a wisteria-filled terrace, previously featured an industrial aesthetic dominated by black and grey, and an unsympathetic 1980s rear extension. The initial phase of the project involved extensive renovation to restore original architectural elements such as architraves, doors, skirtings, cornices, and radiators, which had been lost or altered over time. The clients, who had moved into the house after their honeymoon, lived there for six months to understand its nuances before commissioning Peake. Their brief was to create a vibrant, distinctive, yet comfortable and cozy home. The kitchen, rather than being completely replaced, underwent a significant refresh to combine existing features with new additions. A new limestone floor, Lanyan Limestone by Artisans of Devizes, was installed, and the existing joinery was painted in a custom green matched by Dulux. Carrara marble replaced the laminate countertops, and new drawer handles were sourced from Lassco reclamation yard. A French polisher from Portobello Painters restored the timber cupboards, while a custom floor paint from Papers and Paints and 'Stone I' from Paint and Paper Library were used for the walls. To introduce coziness, soft furnishings were added, including curtain fabric from Namay Samay with a Samuel & Sons fringe, an A Rum Fellow rug, an embroidered cushion from William Yeoward, and a white lamp from Porta Romana, effectively balancing the hard surfaces. In the main living space, a bespoke yellow paint color, mixed by Papers and Paint, was chosen for the walls, extending the painted wooden floor from the kitchen. A colorful rug from Ornate Rugs complemented the vibrant walls. A fireplace surround made of Bardiglio marble from Jamb and a chandelier from The English House were key features. The client's appreciation for art was evident with a William Crozier painting from Piano Nobile displayed above the fireplace. The design aimed for an interesting yet unoverbearing space through a mix of patterns, plains, and finishes. A small, low-ceilinged area at the back was transformed into a cozy nook with bespoke TV and bookcase joinery by Billy Crawshaw, carpeted with Tim Page Claremont, and featuring a David Seyfried chair upholstered in Fermoie fabric with Besselink & Jones wall lights. The master bedroom, described as Peake’s favorite, achieved a balance of color and tranquility. The walls and joinery were painted in Fencing Blue by Papers and Paint Library. Curtain fabric from Lasso by Pierre Frey and a Kelly Wearstler headboard with Romo Linara piping were incorporated. A painting by Venetia Berry, already owned by the client, served as the color palette's foundation for the room. Bed linen from Gayle Warwick Siena, a throw from Once Milano, and a custom cushion made from Guy Goodfellow fabric with a Samuel and Sons fringe completed the space. Moving to the landing and stairs, the entrance hall was designed as a crucial introduction to the house. Sanderson ‘Hemp’ wallpaper provided a muted backdrop, contrasting with the more defined colors in adjacent rooms. The French polisher from Portobello Painters restored the handrail, and Edward Bulmer’s Celadon paint was used on architraves and doors. An antique chair, a Sarah Balme painting, a mid-century chandelier from Pamono, and a white lamp from Porta Romana adorned the half-landing. For the guest bedroom, situated opposite the main bedroom, the focus was on the view of the bed. A shaped headboard by Pat Giddens Ltd, upholstered in Holland and Sherry fabric, was a central element, complemented by Afghan hats from Etsy above the bed. Hand-dyed velvet cushions by Kirsten Hecktermann and a custom-embroidered rectangular cushion from A Rum Fellow added luxurious touches. An antique pedestal desk was brightened with modern pieces, including a Benchmark chair upholstered in Vaughan and Holly Hunt fabrics, a raspberry lacquered lamp from Salvesen Graham, and a gathered silk shade by Penny Morrison. Finally, the tiny box room underwent a significant transformation. Previously painted black with acid green wallpaper and a low, angled ceiling, it was re-envisioned with a ‘bed nook’ to maximize standing height. Billy Crawshaw paneled the walls with MDF, painting them in Edward Bulmer’s Fair Blue. Ottoline Devries’ wallpaper and fabric were used within the bed nook, along with Samuel and Sons contrast piping and Colefax and Fowler roman blind borders. A bookcase above the headboard and a wall light replaced a traditional bedside setup. The bathroom, largely preserved due to its existing good condition, received subtle enhancements using leftover stone and marble, Edward Bulmer Celadon paint on woodwork, a touch of Soane wallpaper, and a rattan mirror from Kempton Racecourse, demonstrating that minor changes can have a major impact. #InteriorDesign #HomeDecor #GeorgianCottage #StudioPeake #SouthLondon #Renovation #ColorfulInteriors #CozyHome #ArchitecturalRestoration

This article explores the most popular countries influencing interior design trends in 2022, based on research conducted by Secret Linen Store. The study cross-referenced social media data, including TikTok views, Instagram hashtags, Google searches, and Pinterest boards, related to the interior design of over 150 countries to identify global trends. The research aims to provide insight for individuals seeking inspiration for their home decor. The top ten countries identified as significant trendsetters are: Japan, France, Denmark, Brazil, Mexico, California (as a distinct region), Australia, Malaysia, Morocco, and Sweden. Japanese interior design emerged as the leading influence, driven by its principles of minimalism, simplicity, and organic silhouettes. Japanese homes emphasize balance between indoor and outdoor spaces, incorporating neutral colors and natural materials to foster serenity. The design philosophy avoids 'noisy' elements in favor of pared-back spaces, understated color palettes, wooden furniture, and abundant natural light. Order and organization are also key, with a preference for clutter-free environments over overly decorative elements. French interiors, ranking second, are characterized by an eclectic style that blends bold decor with rustic farmhouse aesthetics. This approach encourages a playful use of color and a highly personalized decorating philosophy. The essence of French interiors lies in mixing and matching diverse pieces, such as antique furniture with modern art or flea market finds, creating a unique and lived-in feel. This style celebrates individuality and the integration of items with personal history. Danish interiors secured the third spot, primarily due to their emphasis on functionality, simplicity, and efficient use of space. Rooted in the Scandinavian concept of hygge, Danish design promotes a welcoming and cozy atmosphere, ideal for relaxed entertaining and home life. Key features include streamlined shapes, simple designs that ensure timeless quality, and a significant use of wooden furniture. Rustic textures and neutral tones form the foundation, allowing for personalization with bolder decorative accents and colors. The research highlights a contrast in inspirational styles, with the vibrant patterns of Morocco and Mexico also making a notable appearance in the top ten, alongside the more subdued aesthetics of the top three. #InteriorDesignTrends #GlobalInfluence #JapaneseDesign #FrenchInteriors #DanishDesign #HomeDecor #Minimalism #EclecticStyle #Hygge

The "Jolie Laide" trend, translating to "pretty-ugly," is gaining significant traction in interior design, offering an antidote to overly curated and impersonal home aesthetics. This approach encourages the incorporation of unconventional, quirky, or even initially jarring pieces that evoke a strong emotional response, ultimately injecting personality and promoting authentic self-expression within a living space. It moves away from the pursuit of aesthetic perfection and embraces elements that might initially raise eyebrows but ultimately contribute to a more distinctive and meaningful environment. According to designers like David Lucido, the inclusion of "ugly" pieces sparks conversation and brings energy to a space, preventing it from feeling too serious or sterile. Design expert Virginia Chamlee emphasizes that "ugly" in this context is a term of affection, signifying items that are unconventionally beautiful and, when paired with more traditional elements, create a balanced and intriguing dynamic. She offers a litmus test: if a piece makes one question or ponder, it likely fits the 'jolie laide' philosophy, drawing parallels to historical art movements like Jackson Pollock’s abstract work or even popular yet polarizing items like Crocs. Interior designers, including Joyce Huston of Decorilla, have observed a growing client demand for unique and personalized elements in their homes, a departure from previously popular "magazine-ready" aesthetics. Designers find excitement in helping clients embrace this unconventional approach, viewing it as a means to create original and authentic spaces that move beyond predictable design solutions. This trend serves as a refreshing counterpoint to the prevalence of algorithm-driven design, which often promotes homogenous, "greige" aesthetics, as noted by Chamlee. Darlene Molnar highlights that algorithmic influences make it challenging to deviate from popular looks, underscoring the importance of 'jolie laide' in encouraging designers and clients to challenge conventional choices. The trend manifests in various forms, from unique art pieces to bold pattern combinations, all contributing to a space's distinctiveness. Molnar suggests that the most successful designs are those that may not appeal to everyone, emphasizing the subjective nature of beauty in this context. Shannon Askinasi of Ash & Pine Interiors sees the 'jolie laide' philosophy emerging naturally through clients' desires to incorporate sentimental or avant-garde items. She considers these "ugly-pretty" pieces as strong starting points that inspire and challenge the design process. Molnar views 'jolie laide' as a deeply rooted design philosophy rather than a fleeting trend, focusing on creating spaces that narrate personal stories through cherished, unconventional objects. This perspective is echoed by Ghislaine Viñas, who believes the trend fosters confidence in one's own taste and encourages a non-judgmental appreciation for diverse forms of beauty. To adopt the 'jolie laide' aesthetic, Askinasi recommends starting small with decor or accessories, encouraging individuals to revisit sentimental family pieces or seek out unique finds at antique markets. Christie Ward suggests exploring obscure websites and estate sales for statement pieces. The core idea is to select items that create a "good WTF moment," adding interest and personal meaning to a space. Even bold wallpapers that initially seem jarring can become beloved elements, demonstrating that true personalization often lies in embracing the unexpected.