Forgeworks uses cedar shingles to update 1960s bungalow in Bath

This article details the Netherton family's journey in revitalizing a 100-year-old Craftsman bungalow located outside of Bolivar, Missouri. Brian and Nikki Netherton acquired the two-acre property, which includes three barns, with the intention of raising their children, Dalia (8) and Paul (6), in a rural setting reminiscent of their own upbringings on farms. Nikki was particularly drawn to the historical details of the house, such as its decorative concrete column bases on the front porch, which evoked a sense of over a century of history. Upon purchasing the home, the Nethertons embarked on extensive restoration efforts focused on preserving the original character of the bungalow. Brian dedicated an entire winter to meticulously removing thick, black carpet adhesive from the original hardwood floors using a heat gun and scraper. The couple also undertook more significant renovations, including replacing windows and adding a half bathroom. A notable project involved the dining room fireplace, which was part of a 1969 addition and did not align with the Craftsman aesthetic. They removed cedar trim and wood panels, replacing them with sheetrock that was painted to match the room, and opted for a minimal brick hearth to allow for a seating area. On the exterior, Brian began peeling away vinyl siding, a material that had obscured many of the bungalow's original features. This process uncovered the home’s authentic white cedar shake siding, a gable with beveled trim above the front porch, and even the original bracket boards, revealing the architectural details that had been hidden for over 50 years. The house's history dates back to 1914 when it was built by Charles and Stella Hood after a tornado destroyed their previous home. Nikki discovered the Hood family's names etched in the concrete of the basement floor, a testament to the home's deep roots. Nikki Netherton's passion for historic homes significantly influences the interior decoration. She favors items with an old-world charm, aiming to create a "fancy-feeling lifestyle" with cloth napkins, tea and coffee serving sets, flower vases, candlesticks, and vinyl records. She frequently sources furniture, wall art, and blue-and-white dishes from local antique shops like Back Road Relics in Bolivar. Her decorating choices reflect a desire to instill in her children an appreciation for architectural history and well-crafted items from the past. The home also serves as a canvas for the family's cherished traditions and the kind of childhood they envision for their children. The living room's built-in bookcase colonnades, originally featuring a curtain rod, were transformed into a stage with a red curtain. This stage now hosts an annual nativity play performed by Dalia, Paul, and their cousins, with Nikki providing piano accompaniment. During the winter months, the family embraces their natural surroundings by foraging pine branches, pine cones, and holly twigs from their property to use as decorations, fostering a cozy atmosphere conducive to reading, baking, and sipping hot tea by the fire. #HomeRenovation #CraftsmanBungalow #HistoricHome #FamilyLife #InteriorDesign #HomeRestoration #RuralLiving #ArchitecturalPreservation

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

In the mountainous region of Bavaria, Germany, a distinctive holiday home known as Haus P offers a contemporary reinterpretation of the traditional chalet. Designed by Stuttgart-based Yonder — Architektur und Design, this 2,680-square-foot residence serves as a rural retreat for a family of seven from Hamburg. The architects, Benedikt Bosch and Katja Knaus, drew inspiration from classic Allgäu chalet-style homes, adapting the form into a modern, sculptural structure. The house is strategically positioned on a gentle slope in the German alpine region of Allgäu. Its exterior features charred wooden siding, which not only provides a natural, weathered appearance but also offers eco-friendly weather protection, contributing to a cool, dark-grey aesthetic. This charred wood contrasts effectively with core-insulated exposed concrete used for the foundations of the basement level, establishing a solid plinth for the timber structure above. The combination of these materials creates a two-toned facade that is both visually striking and functionally robust. The unique geometry of Haus P is a result of maximizing the property’s allowable building envelope. Bosch explains that the design conceptually originates from a classic chalet form with a shallow gabled roof and a full lower level, from which an oblique section was strategically removed along its central axis. This incision effectively divides a single building into two primary components: the main house and a separate storage shed, creating a protected courtyard in the intervening space for outdoor activities. Access to the main entrance is provided by cantilevering stairs along the slanted rear façade, leading to this courtyard. The interior spaces are characterized by their cool, lofty ambiance and an emphasis on pure and simple aesthetics. Wood, a prevalent building material in the region, is extensively used for the home's structural framework and interior finishes. The double-height ground level accommodates the open-plan communal areas, including the kitchen, living, and dining spaces. A large picture window in this area frames stunning views of the surrounding mountains, integrating the natural landscape into the living experience. A modern, minimalistic concrete fireplace is a focal point in the living area. The lower level, or garden basement, is functional and well-appointed, housing two guest rooms, a sauna, and a bathroom, offering practical amenities for a large family or guests. Stairs within the house beautifully blend with the wooden walls, floors, and ceilings, creating a cohesive design. A built-in bench along the stairs provides a quiet spot for reflection, while an upper-level loft serves as an idyllic space for reading or stargazing through its picture windows. The canted shape of the building contributes to these commodious interior spaces with high ceilings, enhancing the overall sense of openness and light within the home. #ChaletInspiredHome #ModernArchitecture #GermanAlps #CharredWoodSiding #ConcreteDesign #HolidayHome #SustainableDesign #ArchitecturalInnovation

Brussels studio Madam Architectuur has completed a renovation and extension project for a 1990s bungalow named Charlotte, located near Aalst, Belgium, on the outskirts of a nature reserve. The primary goal of the project was to enhance the dwelling's connection to its natural surroundings and improve its internal layout, which was previously deemed inefficient. The existing concrete structure was reconfigured, and an extension was added to achieve these objectives. A significant aspect of the renovation involved recladding the exterior with timber painted in a Falu red shade, a color originating from Sweden historically used to emulate red-brick buildings. This choice imbues the house with a distinctive appearance that is described as both striking and modest, contrasting effectively with the green landscape. Originally, the bungalow's bedrooms occupied the areas offering the best views of the landscape. Madam Architectuur strategically relocated these bedrooms into a new, simple extension that maintains the existing facade's outline. This allowed for the transformation of the prime view-facing areas into an expansive open-plan living, dining, and kitchen space. This new arrangement provides dual-aspect views, overlooking both the exterior landscape and a central internal patio, thereby fulfilling the design intent of integrating nature into the living experience. The main living spaces were designed to maximize natural light and views, creating a more engaging and open environment. The three new bedrooms were kept compact, consistent with the typical scale found in modernist bungalows. They are linked to the original part of the house by a wide corridor, which features a window at each end, allowing for light penetration and visual continuity. The interior design adopts a pared-back aesthetic, featuring white walls and pale wood fittings. These elements are deliberately contrasted with industrial touches such as blue-steel beams and exposed concrete ceilings. The decision to keep these structural elements visible was a conscious one, intended to add character to the house, especially after the removal of a suspended ceiling during demolition. Complementing the exterior's red cladding, the window and door frames throughout the interior are also painted in a bright red. This creates a cohesive color scheme that unifies the interior and exterior design and further enhances the visual connection between the home and its red timber facade. Door Smits, co-founder of Madam Architectuur, emphasized that the deep red color harmonizes beautifully with the surrounding greenery, making the house stand out while still being integrated into its environment. Madam Architectuur, founded by Door Smits and Marit Meganck, has undertaken other notable residential projects in Belgium, including an extension to a 1930s home featuring green ceramic tiles and pigmented concrete. The Charlotte renovation project exemplifies the studio's approach to updating existing structures, prioritizing improved spatial organization, enhanced connection with the environment, and a thoughtful balance between striking aesthetics and functional modesty. #ResidentialArchitecture #BungalowRenovation #TimberCladding #MadamArchitectuur #BelgianHouses #RedBuildings #ArchitecturalDesign #HomeExtension

Joelle Bradley and Brad Anderson meticulously renovated their 1968 Burnaby home, transforming it from a 'time-capsule' with green carpeting and a sparkly popcorn ceiling into a modernized mid-century California rancher. The couple purchased the home in 2008, recognizing its strong architectural 'bones' and potential. Situated on an 8,000-square-foot terraced property overlooking Deer Lake Park, the 1,400-square-foot residence also featured a large, unfinished basement with high ceilings and a walkout to the backyard. Bradley, an enthusiast of mid-century modern architecture and collectibles, and an avid follower of retrorenovation.com, collaborated with architect Randy Bens and contractor Alan O’Rourke Construction. Their vision was to create a warm, period-appropriate modern aesthetic rather than a stark, minimalist contemporary design. A key consideration for the renovation, which was completed in stages over three years, was future accessibility; they planned for all essential living spaces to be on the main floor to accommodate potential health changes. The renovation began with the kitchen, which was redesigned as a galley kitchen featuring Nano glass doors that fold open to extend the living space onto the terrace, facilitating easy outdoor entertaining. The kitchen's design prominently incorporates avocado green quartz countertops from HanStone Quartz and cherry wood cabinetry, a nod to the color palettes of the late 1960s and 70s. The original linoleum flooring was replaced with Flexitec vinyl flooring that includes a subtle sparkle, echoing the mica glitter floors popular in the 60s. The open-concept living and dining areas received an environmentally friendly update with bamboo flooring laid diagonally. The original wood-burning fireplace was converted to gas, and natural light floods the space through multiple windows and a patio door leading to the upper deck. The master bedroom, located on the top floor, was transformed into a private sanctuary with bamboo flooring, vaulted ceilings, and an eggplant and buttercup yellow color scheme. The ensuite bathroom, originally a bedroom, was made wheelchair accessible, and a spacious dressing room with built-in storage was added. For their professional and personal pursuits, Bradley and Anderson developed home offices in the finished basement, which also serve as guest bedrooms. Anderson, a business instructor and science fiction writer, now has a dedicated space for writing his novel, 'Duataro,' while Bradley utilizes hers for sewing and gardening. The exterior of the home also underwent a significant renovation, with architect Randy Bens aiming for a long, low, and sleek modern look. This involved removing the gable roof above the carport and extending a new flat roofline. A trellis was incorporated over the kitchen’s terrace to diffuse light and define the outdoor space, while geometric concrete floral breeze blocks were used for partial privacy, a nod to 1960s decorative trends. A subtle ramp-like slope, instead of stairs, leads to the entry, reflecting the owners' forward-thinking approach to accessibility. The owners expressed their profound satisfaction with the renovation, intending to remain in their updated home indefinitely. Bradley also shared renovation advice, including starting early if moving out is necessary, using materials creatively for continuity and cost savings, finding reliable décor sources, and considering future needs during planning. #MidCenturyModern #HomeRenovation #BurnabyRealEstate #InteriorDesign #KitchenRemodel #AccessibilityDesign #SustainableMaterials #ExteriorRedesign #RetroInspired

This article highlights the work of Brian Moloney, owner of The Finishing Company, focusing on how small architectural details can significantly enhance a home's aesthetic appeal and perceived value. Since establishing his business in 2007, Moloney has observed that classic architectural elements remain popular among homeowners. His company specializes in installing these finishing touches on-site, primarily in homes constructed within the last decade, often completing projects within one to two days. The services provided are considered "semi-custom," with elements installed primed but unpainted, as approximately 75 percent of clients prefer to handle the painting themselves. The article suggests that while these additions may not always increase a home's actual monetary value, they do contribute to its selling power and enhance the residents' enjoyment of their living space. The article then details several popular products and services offered by The Finishing Company, along with their respective costs and reasons for their demand. Moldings are a key offering, sought after for their ability to define areas, draw the eye upward to create an airy sensation, and protect walls. For instance, adding one-piece crown molding to an entire first floor of a 2,000-square-foot open-plan home is estimated at $1,100, while chair-rail and shadow-crown molding in a 14-foot-square dining room would cost around $1,350. Moloney emphasizes the enduring appeal of moldings, predicting their continued popularity. Wainscoting, characterized by its ridged paneling, is another frequently requested feature, particularly for areas like mudrooms and laundry rooms. Homeowners choose wainscoting for its design element and practical benefits, such as ease of cleaning. The cost for adding wainscoting to a single room or along a stairway is approximately $850. Mantels are also a significant part of Moloney's work, often requested by homeowners looking to cover existing brick fireplaces. These projects require custom sizing and design, as pre-milled materials are not typically usable. A custom mantel installation is priced at about $1,250. Coffered ceilings represent the most elaborate and high-end addition, offering a dramatic visual impact. This complex finish is akin to adding a cabinet to the ceiling and requires a minimum ceiling height of 9 feet for successful installation. Due to the significant amount of joinery involved, coffered ceilings are the company's most expensive project, ranging from $5,000 to $7,000. Lastly, The Finishing Company has expanded its services to include stair renovations. A common request involves replacing original builder-grade balusters with wrought-iron alternatives, and newel posts are often updated for both elegance and structural strength. Replacing 60 balusters with the popular iron twist-and-basket design takes one to two days and costs approximately $2,000. These architectural enhancements collectively contribute to a more distinguished and aesthetically pleasing home environment. #HomeDecor #Decorating #Renovation #HomeImprovement #CrownMolding #Wainscoting #Mantel #CofferedCeilings #StairRenovation

Shane Stratton, owner of Stratton Exteriors and Urban Properties in Nashville, undertook the renovation of a 1930s bungalow-style duplex, transforming it into a 3,100-square-foot single-family home. The project began in late 2013 with the intention for Shane and his fiancée, Paige, to live there after their wedding. Collaborating with architect David Baird of Building Ideas, they developed an open floor plan suitable for entertaining, which involved significantly altering the internal architecture while preserving the front exterior and stone siding. The original 1,800-square-foot duplex was expanded, reflecting a meticulous and unhurried approach to design and construction. A key element of the renovation is the kitchen, which features an island painted in Stratton Blue by Benjamin Moore, a color originally considered for the exterior. This vivid blue island serves as a focal point, complemented by rustic wooden beams salvaged from an old warehouse. The design seamlessly blends a cook's kitchen aesthetic with an open and relaxing atmosphere, offering a view of the fireplace. The couple's collaboration involved Paige directing the floor plan post-marriage, while Shane focused on integrating details that honored the home's history, such as salvaging much of the original flooring. This approach successfully fused traditional elements with modern features like wainscoting and a contemporary fireplace design, keeping the home fresh and updated. After completing the renovation, Shane and Paige decided to sell the home, despite their emotional connection to the project. Shortly after listing, Michael Lohmann, director of photography for ABC’s "Nashville," discovered the property. He was immediately drawn to its exterior, open-living floor plan, large windows, and the kitchen's rustic beams. Lohmann recognized that these features created a unique look that aligned with the personality of the show and its character, Gunnar Scott, a young, successful musician. The home's suitability for filming was further enhanced by its "great depth in every direction," ample spaces, and the newly added garage, which was converted into a recording studio for the show. The renovated home now serves as Gunnar Scott's residence in the third season of "Nashville." Lohmann emphasized that the home's aesthetic fit the character by presenting a realistic aspiration for a successful musician, noting its unique look. The article highlights how the renovation successfully balanced contemporary design with traditional elements, integrating reclaimed materials like original flooring and wooden beams to add rustic charm, while modern features ensured functionality and style. The interior spaces are characterized by natural light, open layouts, and a harmonious blend of textures and colors. Additional details of the renovation include an updated farmhouse look in the bathroom, featuring six-foot tile pieces mimicking barn wood and granite countertops. The first-floor master bedroom is spacious with rich hardwood floors and abundant natural light. The second floor also benefits from an open layout, maximizing living and entertaining areas. The exterior additions increased the home to over 3,000 square feet, offering four bedrooms, two and a half baths, and an outdoor patio space. Resources for mimicking the home's style are provided, including specific brands and paint colors, alongside design tips from Shane Stratton emphasizing the blending of old and new elements, and the strategic placement of architectural details like accent walls, beams, or posts to create eclectic appeal. #HomeRenovation #BungalowStyle #NashvilleRealEstate #InteriorDesign #OpenFloorPlan #KitchenDesign #RusticModern #ArchitecturalSalvage #TelevisionSetDesign

The article details the renovation of a 1970s split-level row house in Hackney, London, undertaken by Archmongers, the architectural firm led by Johan Hybschmann and his wife, Anita Freeman. The project's primary goals were to modernize the home for contemporary living, enhance its energy efficiency, and introduce more natural light into the interior spaces. The renovation adheres to Archmongers' commitment to using honest, exposed materials and traditional wood joinery, incorporating a palette of brick, galvanized steel, cast concrete, and timber. Before the renovation, the house had remained largely untouched since the 1970s, retaining its original structural elements like masonry, timber framework, and exposed concrete. However, its layout was inefficient, marked by a ground-floor garage that created an awkward entrance and a constricted kitchen/dining area. The original design also featured excessive storage and limited daylight connection to the street, with most rooms facing the rear garden. Archmongers addressed these issues by extending the ground floor and converting the garage into more functional living spaces. A new in-situ cast concrete extension at the rear significantly expanded the kitchen and dining areas on the lower level. This extension's insulated slab not only provides thermal insulation but also forms a new garden terrace, which doubles as a structural foundation to help distribute the load of both the existing and new facades. The flat roof of this extension was designed to accommodate a green roof at the first-floor level, contributing to the home's sustainability and biodiversity. The renovation focused on opening up the three-floor structure to create a more spatially vertical feel. Plasterboard walls were removed to reveal the underlying structural logic of the house, making its various elements more legible. The underside of the stairs was exposed to enhance spatial clarity, and strategically placed internal windows were incorporated to introduce sight lines and flood the interior with natural light. The rear elevation was further opened up with sliding doors at ground level and a large new window on the first floor, offering views of the new green roof from the living room. The design draws inspiration from Northern European modernism, with specific references to architectural works in Hybschmann’s native Denmark, including Wohlert’s Louisiana Museum of Modern Art, Finn Juhl’s house in Ordrup, and Arne Jacobsen’s Søholm houses, as well as Alvar Aalto’s homes in Finland. The interior design features a harmonious blend of gray brick, white-washed walls, and natural timber finishes. These are complemented by bold accents of red in the exposed steel beams, columns, and handrails, and by the terra-cotta tiles used on the lower floor. Repeated rectilinear motifs are consistently applied throughout the material arrangement, contributing to a unified aesthetic. In terms of exterior enhancements, the rear garden and the wildflower green roof were planted with indigenous species. A new, small pond was added to encourage local wildlife. The planting scheme, designed by Anita Freeman, specifically aims to boost biodiversity within the property’s limited footprint. The renovation successfully transformed a dated 1970s house into a modern, energy-efficient home that maximizes natural light and space while maintaining a strong connection to its natural surroundings and modernist architectural principles. #LondonRenovation #SeventiesRowHouse #ArchitecturalRenovation #EnergyEfficiency #ModernistDesign #GreenRoof #ExposedMaterials #NaturalLight #SustainableDesign

A 1920s bungalow in Sydney’s southeast underwent a significant transformation, evolving from a subdued, white-on-white aesthetic into a vibrant and highly functional family home. The renovation, spanning 18 months for the main house and an additional year for the backyard pool and dwelling, was spearheaded by interior designer Gemma Gillett of Studio Gemma, with Bianca and Josh Orr as the homeowners. The couple, with two young children, Alfie and Zoe, and three French bulldogs, aimed for a design that prioritised personality, storage, and family-focused functionality. The initial design challenge involved moving from Bianca’s original preference for an all-white interior to embracing a bolder color palette. This shift is evident from the exterior, where the house is painted in Dulux Black Caviar with a glossy Wattyl Charmed Forest front door, chosen for ease of maintenance under a flight path. Throughout the home, custom joinery by Studio Gemma and East 2 East Joinery plays a crucial role, providing extensive storage solutions and a tailored aesthetic. This was a deliberate choice to accommodate the needs of a growing family, ensuring that clutter could be managed effectively. The renovation strategically retained a traditional character in the front section of the house, which houses the four bedrooms and two bathrooms. This area features hand-poured plaster cornices, detailed timber window frames, and Shaker-style cabinetry, all designed to appear original to the 1920s bungalow. Each bedroom is equipped with custom joinery, contributing to the home's integrated storage philosophy. The color-blocked bedrooms create a cozy atmosphere, with one bedroom featuring Dulux Remote Control on the walls for a serene feel, and Zoe's room in Dulux Warm Neutral, accented with Beata Heuman bow handles and a yellow 'Aalto Chair 69'. Moving towards the rear, the home transitions into a modern, open-plan extension encompassing the kitchen, living, and dining areas. This section is characterized by a soaring pitched roof and expansive glass sliding doors that fill the space with natural light. While white walls dominate here, rich timber accents, a microcement-finished curved fireplace, and a sage green kitchen with subtle organic patterns introduce depth and texture. The kitchen's island, for example, features an oak veneer sprayed with color, allowing the wood grain to show through and add warmth. Calacatta Monet marble benchtops and Porter’s Paints Olive Grove cabinetry further enhance the kitchen’s sophisticated appeal. The living area includes thoughtful details like a built-in walnut drinks cabinet, which opens to reveal a Calacatta Monet marble interior and Dulux Rusted Crimson accents, and a window-seat with hidden storage, designed to keep toys and clutter out of sight. The back of the property is designed for entertaining, transforming the old yoga studio and leather workshop into a cabana with an outdoor kitchen, a hotel-style bar overlooking the pool, a European laundry, and an emerald-green powder room. The converted studio above serves as a guest retreat. Environmental considerations were also integrated into the design, with windows positioned for cross-ventilation, concrete flooring for thermal mass, and solar power for renewable energy. The outdoor areas feature a pool with a metal fence in Dulux Deep Brunswick Green, chosen for practicality over glass, and an outdoor shower with checkerboard tiles by the back door. The overall design embraces a blend of colors, eras, and styles, reflecting a courageous approach to decision-making during the renovation process. The homeowners, Bianca and Josh, credit Gemma Gillett for guiding them through the transformation, resulting in a meticulously shaped home that functions as both a sanctuary and a vibrant space for entertaining. #BungalowRenovation #ColorfulInteriors #FamilyHomeDesign #CustomJoinery #ModernExtension #SydneyHomes #InteriorDesign #OutdoorEntertaining #SustainableDesign

The Pitcombe’s Old School House Renovation, a project by Bindloss Dawes, involves the transformation of a Grade-II listed property located in a picturesque Somerset valley, United Kingdom. The renovation focuses on blending the building's historical character with contemporary architectural elements. The project is a collaboration with Joa Studholme, a color curator for Farrow & Ball, and her husband, Andrew Studholme, reflecting Bindloss Dawes' expertise in rigorous detailing and material compositions that balance urban and rural aesthetics. Built in 2023, the renovated house has an area of 120 square meters. Key contributors to the project include Francesca Iovene for photography, Momentum for structural engineering, and Gregory Renovations for contracting. Manufacturers involved in the project include Andrew Cooke, English Woodland Timber, Farrow and Ball, and Oakwrights Joinery. The design team from Bindloss Dawes included George Dawes and Fawn Ma. The architectural approach highlights the preservation of the existing structure while introducing modern extensions. A notable feature of the renovation is the new timber extension, which complements the original building without overshadowing its historical significance. This extension is a testament to the architects' ability to integrate new design seamlessly into an older context, creating a harmonious living space that respects its heritage. The interior design, also managed by Bindloss Dawes, reflects a careful consideration of color and texture, influenced by Joa Studholme's expertise. The project aims to create a comfortable and functional home that meets the modern needs of its occupants while maintaining a strong connection to its past. The use of high-quality materials and craftsmanship is evident throughout the property, ensuring durability and aesthetic appeal. The project showcases a balance between old and new, demonstrating how historic buildings can be adapted for contemporary living through thoughtful renovation. The successful integration of the timber extension and the meticulous attention to detail in both the interior and exterior elements contribute to the overall success of the Pitcombe’s Old School House Renovation, positioning it as a significant example of architectural preservation and modern design. #ResidentialArchitecture #HouseRenovation #HistoricPreservation #ContemporaryDesign #TimberExtension #GradeIIListedBuilding #UnitedKingdomArchitecture #BindlossDawes

This blog post details a significant renovation of a 1970s South County residence, focusing on how lighting fixtures from Metro Lighting, in collaboration with KH Interiors, transformed the home. The project was led by interior designer Krista Howard of KH Interiors and Heidi Sanders of Metro Lighting, aiming to create a practical yet elevated space for a busy family of five. The renovation extended beyond a simple kitchen update, evolving into a two-story expansion that now includes a spacious cooking and dining area, along with a covered outdoor porch. Each design element was meticulously chosen to accommodate the family's active lifestyle, encompassing sports schedules, entertaining needs, and daily functionality. The team involved architect William Cover, Lurk’s Custom Cabinets, and photographer Anne Mathias, with Metro Lighting playing a crucial role in curating the home's lighting. In the reimagined kitchen, two large orb pendants are prominently featured above dual islands, one dedicated to storage and the other to function. These orbs are complemented by onyx stone cylinder fixtures that not only echo the kitchen's stone details but also cast a soft, sculptural glow. Above the breakfast table, a sleek gold fixture introduces a contrasting element, its simplicity providing a calm balance to the kitchen's more dynamic design features, creating a cohesive and visually appealing central gathering space. The lighting design extends thoughtfully into other areas of the home, transforming even transitional spaces. A hallway adjacent to the kitchen, referred to as the “kitchen hall,” connects bedrooms to public areas. Here, lighting is strategically used to gently illuminate stone accents, turning a functional corridor into a refined and welcoming passage. This attention to detail ensures that lighting serves both an aesthetic and practical purpose throughout the residence. The powder room and the adjacent lower-level pool changing area draw inspiration from the past, featuring brass vertical sconces reminiscent of 1940s design. These fixtures are paired with playful wallpaper to create an inviting retro-modern ambiance. The lighting in these areas is described as “quiet and classic,” designed to support the functionality of the space without becoming the dominant focal point, allowing other design elements to shine while providing adequate illumination. Beyond its aesthetic contributions, the home incorporates smart lighting and automated window treatments, enhancing both convenience and energy efficiency. These modern features allow the family to easily adjust their living environment, whether for hosting guests, relaxing in the evening, or quickly departing the house, all without compromising the home's timeless design integrity. Lurk’s Custom Cabinets further anchored the space with exceptional craftsmanship, coordinating finishes and cabinetry details with the overall lighting plan to ensure a harmonious visual flow between the kitchen and adjoining rooms. Ultimately, this South County residence represents more than just a renovation; it is a testament to thoughtful design, sustained collaboration, and the transformative power of architectural lighting. The project effectively elevates not only the home’s structure and aesthetics but also significantly enhances the family’s daily living experience. Through the combined expertise of Metro Lighting and KH Interiors, a once-dated kitchen has been revitalized into a radiant and central hub for connection and comfort within the home. #HomeRenovation #InteriorDesign #LightingDesign #KitchenRemodel #SmartHome #ArchitecturalLighting #KHInteriors #MetroLighting

The decision of whether to paint original woodwork in old homes, particularly brownstones and row houses, is a common dilemma for homeowners, architects, and designers. This choice is influenced by factors such as the owner's personal preference, the architectural style and era of the house, and the inherent quality and condition of the wood itself. While design trends fluctuate, with fads like all-white interiors giving way to bold colors such as navy blue or hot pink, natural wood finishes and neutral painted options like cream or gray remain popular in Brooklyn. Interior designer Louisa Roeder, for instance, opted to paint the well-preserved mahogany woodwork in her 1870s Prospect Heights brownstone white during a 2014 renovation. Her goal was to achieve a modern kitchen aesthetic, and she found that extending the white paint to the parlor floor and hallway woodwork significantly modernized the space, moving away from a Victorian feel. She acknowledged the decision as a "big gamble" due to its permanence. Fellow interior designer Tamara Eaton bases her decisions on the quality of the craftsmanship. She meticulously preserves elaborate, high-quality woodwork, such as mahogany with mother-of-pearl inlays, but is more liberal with painting lower-grade wood, as demonstrated by her choice to paint an entire parlor level with less distinguished woodwork a dark gray. Eaton emphasizes that owning a townhouse means embracing its history while adapting it for modern living, highlighting the constant negotiation between preservation and modernization. Preservationists, including Andrew Dolkart, a notable author and former director of Columbia University's Historic Preservation program, often consider painting original, unpainted woodwork as sacrilegious. Dolkart argues that if the intention was for the wood to be painted, less expensive materials like plaster would have been used. He points out that before the 1870s, woodwork was commonly painted, often with faux graining. In the late Victorian era, elaborate, natural woodwork on main levels was a status symbol. Pine and poplar in secondary spaces were typically meant for painting. The early 20th century saw a rise in white-painted woodwork with the Colonial Revival and natural oak in Arts & Crafts interiors. The mid-to-late 20th century 'brownstoning movement' led to stripping paint to reveal original wood beauty. Dolkart asserts that painting over beautiful original wood destroys the character of an old house, questioning the purpose of buying such a home if its historical artistry is not appreciated. Conversely, architect Jeff Sherman of Delson or Sherman often recommends painting woodwork, even if his clients frequently prefer restoration. He suggests that old moldings often require patching and replication, and sometimes stripping reveals inferior wood species like poplar. Sherman believes that painted molding can unify a home's aesthetic, especially in shades of white or pale gray, which can lighten and authenticate dark, wood-heavy rooms. Interior designer Fawn Galli embraces color, sometimes painting both woodwork and walls the same hue for a modern look or using contrasting colors. She famously painted a newel post in her Carroll Gardens brownstone hot pink, viewing it as an opportunity to inject fun and even shock into a space. Galli acknowledges that while townhouses tend to be dark, beautiful wood should be left natural, with an icy gray paint on the walls to brighten the space. #InteriorDesign #Woodwork #HomeRenovation #Brownstones #ArchitecturalPreservation #BrooklynHomes #DesignTrends #HistoricHomes

In 2001, Marion and Jeffery Barker purchased a 1960s brick ranch home on 18 acres in Virginia's Northern Neck, overlooking Nomini Creek, a tributary of the Potomac. Despite the house being outdated and the timing of the purchase—just a week after 9/11—being uncertain, the couple was drawn to the property's prime waterfront location and its manageable two-hour drive from their Bethesda residence, making it ideal for weekend escapes. At the time, Marion owned the consulting firm Palladian Partners, and Jeffery was a scientist at the National Institutes of Health. They envisioned transforming the modest ranch into a modern dream home but knew it would require significant time and resources. After saving for 15 years, the Barkers initiated a gradual redesign in 2016, enlisting Jeffery’s daughter, Brooklyn architect Alexandra Barker, for the project. A key challenge was environmental regulations, which mandated that the new structure adhere to the existing foundation and original footprint due to its proximity to the water. Despite these constraints, the renovated home represents a dramatic transformation from its original, cramped layout. The new design emphasizes an open floor plan, extensive walls of windows, and expansive water views, creating a stark contrast to the previous structure. Alexandra Barker's design strategy focused on maximizing the property's natural surroundings. She incorporated oversized storefront glass instead of standard residential windows to offer uninterrupted vistas, a feature she considers the home's most special detail. The architect also prioritized the use of locally sourced materials where possible, including granite for the kitchen backsplash from Richmond, reclaimed-oak floors, and bluestone around the pool area. This approach not only supported local businesses but also integrated the home more deeply with its regional environment. The homeowners, Marion and Jeffery, were described by Alexandra as highly collaborative and flexible clients, contributing to a smooth design process. An added benefit for Alexandra was the prospect of personally enjoying the finished product with her family. The redesigned home includes three guest rooms, each with an en suite bathroom, providing comfortable accommodation for visiting family members, including Alexandra and her siblings. The primary suite, located on the second floor, is a highlight, featuring 365-degree views and access to a private roof deck. This rooftop space, initially intended for an office, was repurposed due to budget considerations and ultimately became one of the owners' favorite features. The renovation was completed in 2021, and the retired couple, Marion and Jeffery, expressed that the two-decade wait was worthwhile. They now share their property with local wildlife, including bald eagles, deer, ospreys, and otters. The constant natural beauty, particularly the sunrises and sunsets over Nomini Creek, provides immense satisfaction, with Jeffery reportedly having captured hundreds of photographs of these daily spectacles. The project successfully converted a dated ranch into a modern, waterfront marvel that harmonizes with its natural setting. #HomeRenovation #ModernDesign #WaterfrontProperty #ArchitecturalTransformation #VirginiaRealEstate #SustainableMaterials #BeforeAndAfter #FamilyProject #NorthernNeck

Ashley and Max, newlyweds, recently transformed their 1,068-square-foot 1920s bungalow in Madison, Wisconsin, into a cozy and personalized home. The couple moved from Boston, where homeownership was financially challenging, to Madison for Max's PhD studies at UW Madison. Inspired by Ashley's father, a civil engineer with a construction background, they sought an older home with character that they could renovate themselves. They purchased the bungalow, which, despite being livable, was in need of significant updates. The kitchen, in particular, was outdated and poorly designed, with an illogical layout that included the refrigerator obstructing a bedroom doorway. The outdoor space was also overgrown, and the interior walls featured bright orange and yellow paint. Their renovation journey began with gutting and revamping the kitchen. Max personally laid the new tile, while Ashley's father and uncle assisted with painting and assembling ready-to-assemble cabinets. This collaborative family effort resulted in the kitchen becoming one of their favorite rooms. Beyond the kitchen, they meticulously repainted all interior walls and the exterior siding and trim. Ashley also worked with a local nursery to select native plants for the yard and uncovered a hidden patio and fire pit, which they later used as the venue for their wedding in July 2022. This personal connection imbued the home with significant sentimental value, symbolizing their shared commitment and teamwork. The couple's personal interests are visibly integrated into the home's aesthetic. Ashley, with a background in art and poetry, and Max, a PhD student in U.S. history and education policy, appreciate older items, which aligns with the bungalow's 1920s architecture. Original features like scalloped arches, a large multi-panel dining room window, and 1920s bathroom tile were preserved and highlighted during the renovation. Ashley curated a gallery wall from her extensive collection of personal artwork, travel photographs, old maps, and souvenirs, creating a deeply personal and meaningful display. Their furniture selections reflect an eclectic approach, combining sentimental family heirlooms, such as a leather chair from Ashley's grandmother, with self-built pieces like a bookcase/TV stand, and budget-friendly finds from IKEA and Facebook Marketplace. This mix of textures, colors, and styles, featuring pops of orange and green against neutral tones, contributes to the home's warm and personal ambiance, with each item holding a unique story. The dining room, open to the living space, stands out as Ashley's favorite area. She envisioned it as a versatile space for work, reading, art, hosting, and games, appreciating the abundant natural light from the large window and the conversational appeal of the gallery wall. A bright yellow front door further adds to the home's charm. Their latest acquisition was an Art Deco mirror, a $20 Facebook Marketplace find, placed above an IKEA bar cart, highlighting their knack for discovering unique pieces affordably. Their advice for creating a beloved home centers on choosing items that bring joy, rather than strictly adhering to matching aesthetics, and experimenting with various colors, materials, textures, and furniture styles to achieve a cohesive and personal space. #HomeRenovation #Bungalow #DIYHome #EclecticDecor #HistoricArchitecture #CoupleGoals #PersonalizedHome #MadisonWisconsin #HouseTour

This article details the renovation of a 19th-century Newton home, transforming it into a luxurious yet family-friendly space for a family of six. The homeowners, moving from a condo, were drawn to the original charm of the 1848 abode, including its authentic millwork, curved staircase, and glass-etched double front doors. Their vision was to infuse the historic property with a fresh, modern energy while preserving its inherent character. Interior designer Cara Fineman spearheaded the "glow up" primarily focusing on the first floor. This involved minor modifications to improve livability in the kitchen, pantry, and three bathrooms. Key updates included new countertops, tile backsplashes, brass hardware, and modern fixtures. Notably, the existing custom Kochman Reidt + Haigh kitchen cabinetry was in excellent condition, necessitating only a fresh coat of wispy white paint. The adjacent pantry and wet bar received a more dramatic makeover with bold new color schemes on existing cabinets, complemented by Aux Abris grasscloth and Ferrick Mason wallcoverings, along with linen window treatments, enhancing both functionality and aesthetic appeal. Fineman's design strategy for the study, family, and living rooms centered on integrating soft furnishings crafted from family-friendly textiles and contemporary lighting. In the family room, a spacious and plush sectional, ottoman, and lounge chairs were installed to create a comfortable gathering space. The living room now features a sleek game table made of lacquered swirl resin, designed to encourage board games and social activities. A significant design element across the communal spaces was the strategic incorporation of color and pattern, particularly through wallpaper, fulfilling the clients' desire for a vibrant and dynamic interior. The home boasts a sophisticated yet serene atmosphere, achieved through a diverse material palette including silk, grasscloth, antique brass, velvet, and rattan. A personalized sanctuary was created for the mother of the house in the first-floor study. This feminine space, designed for quiet reading, features an opal wall color, warm artwork, and bookshelves filled with books, accompanied by an overstuffed sofa for relaxation. Despite having four young children under the age of six, the first floor was intentionally designed to feel luxurious and mature without being overly precious or inaccessible to the kids. The design philosophy emphasized materials that were not easily damaged and the rehabilitation of existing elements rather than complete replacement, such as using natural fibers and updating existing cabinetry. This approach allowed for the preservation of the home's originality while adapting it to the contemporary needs of a young family. The playroom, adjacent to the boys' bedroom, features a lively Serengeti wallpaper, beanbags, storage baskets, and wall shelves, designed to be age-appropriate yet durable for a growing family. #HomeRenovation #InteriorDesign #NewtonHome #HistoricHome #FamilyLiving #ModernDesign #LuxuryInteriors #ResidentialDesign

Designer Sarah Weichel of studio Swike successfully transformed her Los Angeles office’s builder-grade bathroom, converting a cold, uninviting space into a serene retreat for under $5,000. This renovation project focused on upcycling and strategic budgeting, moving away from the existing cobalt blue four-by-four porcelain tiles that previously dominated the bathroom's aesthetic. Weichel's inspiration for the new design, particularly the warm wood paneling, came from Eltham Palace in the U.K., aiming to infuse a traditional British feel into the powder room. The initial phase of the renovation involved removing the old tiles and painting the room a creamy white, establishing a neutral base for the subsequent additions. Key elements introduced into the refreshed space include salvaged wood paneling from a previous Swike project, a vintage mirror sourced from Counter Space, and a tansu cabinet acquired from Nickey Kehoe, all contributing to the budget-conscious yet sophisticated outcome. To maintain the project within the stipulated budget, Weichel made a deliberate decision to retain the existing sink and toilet, avoiding the significant costs associated with relocating or replacing these fixtures. The sink was given a fresh look with a pleated skirt, a design choice that not only added a traditional touch but also ingeniously concealed storage for items like extra toilet paper, costing approximately $700 for the fabric and fabrication. The most prominent feature, the wood paneling, was repurposed from leftover materials, precisely measured and cut to fit the bathroom walls before being nailed into place. Weichel noted that for a powder room, moisture is less of a concern, but advised the installation of an industrial exhaust fan for similar applications in a full bathroom to mitigate moisture-related issues. The process of staining the wood paneling initially presented a moment of doubt for Weichel, as the first application appeared too dark compared to her rich mahogany reference photos. Drawing parallels to painting, Weichel emphasized the importance of a 24-hour processing period to form an objective opinion on the stain's appearance. She explained the common "jump scare" moment when applying stain to wood that already looks good unfinished, questioning if the application is too heavy-handed or excessive. However, after allowing a day for the stain to settle and for her perception to adjust, she concluded that the final result was indeed satisfactory and aligned with her vision. This anecdote highlights the psychological aspect of design decisions and the need for patience during the creative process. The renovation demonstrates how thoughtful design choices, strategic material sourcing, and a clear vision can lead to a significant transformation of a space, even under stringent budget constraints. The project effectively showcases the potential of upcycling and careful planning in achieving a high-end aesthetic without incurring prohibitive costs, turning an ordinary builder-grade bathroom into a unique, British-inspired sanctuary. #BathroomRenovation #DIY #BudgetDesign #Upcycling #InteriorDesign #WoodPaneling #BritishInspired #HomeMakeover