Nine design projects from The New School's Parsons School of Design students

West Dean College, specifically its KLC School of Design, showcases ten interior design student projects covering various real-world issues and creative concepts. The institution emphasizes developing industry-focused knowledge and skills, working closely with employers and design professionals, and integrating design development, technical knowledge, and visual communication. The KLC School of Design operates from a London campus in Bloomsbury, part of the Knowledge Quarter, and a rural Grade II listed campus in the South Downs, offering a diverse educational experience. One featured project is "Offbeat" by Iszi Kelly, a bar designed for youth culture. This multi-functional space reimagines traditional bar features, providing an environment for young adults to exchange ideas. Its design allows for dynamic transformation, with tables and seating that can be rearranged for dancing, and a spherical DJ booth contrasting with the rectilinear layout. A relaxed basement area with conversation pits is included for intimate gatherings. Alexandra Hunt-Dallison's "Radiate Liminally From Department Store to Women's Shelter" addresses social challenges through adaptive reuse. This project transforms a historic department store into a shelter for women and children escaping domestic violence. It incorporates trauma-informed design principles to create a transitional space that supports residents' therapeutic needs, aiming to empower them and break the cycle of violence by offering a safe urban environment without outdoor space to prioritize safety. Mary-Jane Vaughan's "The Courtauld Social Club" is a cultural hub inspired by similar arts projects that revitalized post-industrial areas. Located in Coventry, the design reflects the city's heritage and resilience, drawing on its urban setting through material choices, textures, and a color palette that represents its evolving fortunes. The space includes public gathering areas, exhibition rooms, an open archive, a private members' bar, a library, and workshops, along with essential facilities to meet world-class standards. Natalya Traill's "Vivienne Westwood Bar" pays homage to the designer's legacy, creating a space for connection, creativity, and community. The adaptive reuse strategy ensures the design honors the historic site while incorporating contrasting colors, vivid patterns, and dynamic elements like a moving stained-glass installation and an extruding mezzanine cut-out to create an invigorating environment that encapsulates Vivienne Westwood's essence. "Flux" by Alexandra Buckley explores residential design for "ageing in place" through a modular approach. The design uses 900x900mm modules linked to swiveling base units anchored to the floor structure, offering flexibility and easy reconfiguration of open-plan spaces. This allows for various configurations depending on occasion or season, maintaining structure while enabling continuous evolution and adding interest to daily life. Andrée Cooke's "Chemistry" is a cocktail bar for over 21s, inspired by chemical processes. The theatrical and immersive space features unique areas like the "LAB," an amphitheater-style communal space, and a floating glass bar where staff prepare cocktails. The styling combines solid and fluid-looking sustainable materials, with a focus on locally sourced and recycled elements such as oak, steel, glass, perspex, and sustainable flooring. Camilla Phillips's "The Metropole" is a two-story bar and speakeasy in an English seaside town, designed to evoke the theatrical escapism of the golden age of cinema. The bar positions the bartender as a performer, with the bar as their stage. An illuminated sign and tiled façade greet guests, capturing attention and paying homage to historic theater signs. Kim Kirchner's "M+I+X" cocktail bar blends innovative design with practicality for a Gen Z target market. The striking centerpiece features overlapping M, I, and X forms made of ribbed dichroic acrylic sheets that glow and guide guests through the space, which incorporates mixed secondary colors and textures for a visually impactful experience. Emily Garth's "Kudu Community Restaurant" transforms the historic Asylum Chapel into a restaurant and community kitchen. This adaptive reuse project aims to mitigate food insecurity in Southwark by providing nutritious meals, fostering social inclusion, and combating loneliness. The design balances inclusivity and exclusivity, demonstrating that community kitchens and traditional restaurants can coexist and thrive, shifting away from traditional charitable food access models. Aleksandra Cummings's "Kip Hideaways Asylum Chapel" preserves the Grade II listed Asylum Chapel in Peckham, creating a boutique hotel with a café and bar. The project blends the existing distressed aesthetic with the client's signature style. It engages local artists and makers to create a collaborative interior, promoting local talent and community support, and balancing historical preservation with modern use to create new memories within the space. #InteriorDesign #StudentProjects #WestDeanCollege #AdaptiveReuse #SustainableDesign #HospitalityDesign #ResidentialDesign #CommunitySpace #TraumaInformedDesign

This article showcases ten architectural and design projects developed by students at My ArchiSchool as part of a Dezeen school show. My ArchiSchool, based in Hong Kong, provides architectural education and digital design skills to young people aged six to eighteen, preparing them for future careers in architecture and urban planning. The curriculum ranges from beginner levels to advanced stages, covering 3D modeling, writing, and portfolio development, culminating in an exhibition of student work for the most comprehensive packages. Among the featured projects, Albus Oscar Chung's "The Rage" is a painting inspired by childhood dreams, depicting a landscape with large trees to symbolize the importance of harmony among all living forms. Abigail Shih's "Escape" project, part of her book "Runaway to the Forest," addresses the impact of pollution and advocates for sustainable design, integrating buildings with natural environments like woodlands. Quinten Fan's "Designing a Green Resort" proposes a mountain-based eco-resort with simple geometric structures and transparent glass walls, allowing guests to experience panoramic views while ensuring easy transport and assembly of components in remote areas. The resort features tent-like buildings centered around a communal courtyard. Sean Lee's "Designing my Animal Hotel" envisions a hotel surrounded by wildlife, designed to facilitate learning about animals while providing protection for guests within a tall, reinforced structure. The hotel includes an observation deck, guest accommodations, and a ground floor for management and as a physical buffer. Aidan Chan's "Designing my Futuristic House" presents a modular, pyramidal structure designed for desert environments, built to withstand extreme weather and unstable foundations through a roof's hanging system. Terrance Sun's "Designing my Future House" combines a mobile home with a food truck, reflecting his passion for travel and community engagement through food sharing, aiming to contribute to global food security. Chua Chung Hei's "Designing my Future House" conceptualizes a forest dwelling inspired by lightweight tents, featuring a self-supporting, curved structure that minimizes environmental impact by avoiding deep foundation construction. The design incorporates indirect lighting to prevent disturbance to forest animals. Valerie Zhang's "Designing my Winter Resort" draws inspiration from snowflakes, creating a warm, cozy atmosphere with wooden structures and locally sourced timber to offer guests dramatic views of nature and promote environmental friendliness by reducing transportation of materials. Vivian Tam's "Designing a Green Airport" applies the 15-minute city concept to an airport layout, separating arrival and departure halls with a landscaped waiting area and a glass roof system with shading devices to control natural light and heat. David Ma's "Designing my Winter Resort" utilizes parametric design to create a resort on a snowy, mountainous site. The design features an undulating roof supported by a triangular truss system made of steel and timber, designed to withstand fluctuating temperatures and echo the organic forms of mountains. These projects collectively demonstrate the students' innovative approaches to architectural challenges, their engagement with environmental and social issues, and their development of practical design skills through My ArchiSchool's programs. #MyArchiSchool #ArchitecturalDesign #StudentProjects #SustainableArchitecture #EcoResort #DesertArchitecture #GreenAirport #MobileHome #ForestDwelling #WinterResort

This blog post showcases ten architectural and design projects by students from My ArchiSchool, featured as part of Dezeen's School Shows. My ArchiSchool, based in Hong Kong, provides architectural education and digital design training for young individuals aged six to 18, aiming to develop their 3D modelling skills for future careers in architecture and urban planning. The program offers both in-person and online courses, ranging from beginner levels to advanced, covering various tools, interfaces, and outputs. Students learn to build and manipulate 3D digital models of cities using platforms like Dassault Systèmes' 3DExperience. The most comprehensive package includes an exhibition of student work after an eight-month study period. Among the featured projects is Alanna Mak's "Designing My Butterfly House," which features a facade system inspired by butterfly wing patterns and an open-plan structure designed as a breeding ground for local butterfly species. The architecture reflects the motion of butterfly wings and incorporates a vibrant color scheme. Oscar Chung's "Designing My Raindrop Tower" is a Natural History Museum inspired by rainforest botanical species, with a tower and rooftop shaped like tree branches and leaves. It is envisioned as a community space offering scenic views of snowy mountains and exhibits that evoke an indoor forest environment. Abigail Shih's "Designing My Natural History Museum" presents a tent-like glass structure for a café within a Natural History Museum, emphasizing community and cultural significance. The design draws inspiration from camping experiences, with exhibits displayed within the glass structure to create an engaging visitor journey. Na Kyung (Arlene) Lee's "Designing My Butterfly House" is inspired by the movement of 'dancing' butterflies, with its skeleton-like structure stretched across a river to create a natural habitat for raising young butterflies, including a central breeding ground for caterpillars. Annecy Hui's "Designing My Boathouse" features a twin-boathouse for a family, dividing private living space from communal areas. The design's form is inspired by mountains, utilizing a laminated timber structure to demonstrate sustainable building materials. Antonia Villet's "Designing My Teahouse" is a vibrant teahouse located in Hong Kong, aiming to establish architecture as 'living art' by surrounding city dwellers with diverse aesthetics. The design process involved reviewing various facade color schemes and experimenting with different building materials for transparency and texture. Heidi Liang's "Redefining Residential Tower for Big Families" addresses Hong Kong's housing challenges by proposing experimental options for city living, focusing on the importance of community wellbeing. Her project includes a mid-rise tower designed for extended families, combining small, fragmented spaces into shared, spacious areas like a communal dining floor. This design aims to increase space efficiency and encourage family interaction. Natalie Lau's "Designing My Natural History Museum" features an open exhibition area with a curved facade that blends into the local environment. A simple, earth-toned color scheme highlights the earth's materiality and history, while living room settings throughout the museum facilitate family time. Serafina Luk's "Designing My Church" incorporates nature by placing the altar on an open side of the church, leading to a woodland path. The church's wooden structure advocates for the use of natural materials to connect people with nature. Finally, Alice Ippolito's "Designing My Exhibition Area" tackles the challenge of designing a spacious digital exhibition within a small area. She proposed an LED display wall against an existing partition and carefully articulated lighting to highlight exhibits and reduce glare on glass panels, ensuring a flexible design through on-site measurements of headroom and electrical systems. #MyArchiSchool #ArchitecturalDesign #StudentProjects #DigitalDesign #ButterflyHouse #NaturalHistoryMuseum #TeahouseDesign #ResidentialTower #SustainableArchitecture #ExhibitionDesign

The article highlights the career and creative inspirations of Matt McKay, an alumnus of Parsons AAS Interior Design (2012). McKay, now an accomplished interior designer, has recently launched his own collection of furniture, expanding his firm's focus beyond residential projects. His work has been recognized in prominent publications such as Architectural Digest, Surface, and Remodelista. McKay draws inspiration from a diverse range of sources, including renowned artists and thinkers like Maria Pergay, Alan Watts, and William Eggleston. Beyond these cultural figures, nature, landscapes, and travel significantly influence his design philosophy. He emphasizes the importance of immersive experiences, such as hiking or walking along a beach, for fostering creativity. International travel is also a key component of his creative process, allowing him to absorb different cultures, art forms, design aesthetics, and culinary experiences, which he describes as a "feast for the senses" that ignites adventure and new ideas. His current projects are varied, with residential designs underway in several key locations including New York, the Hamptons, Connecticut, Miami, and Austin, Texas. The article features a selection of interiors designed by McKay, showcasing his unique approach to space creation. These illustrations provide visual examples of his design aesthetic and how he translates his inspirations into tangible environments. McKay's decision to establish his own practice was a deliberate step towards greater personal and professional growth. He acknowledges having felt comfortable in his previous roles at other firms but recognized the need to challenge himself further. His time at Parsons played a foundational role in his success, providing him with essential technical knowledge pertinent to practical work settings. The curriculum also exposed him to influential interior designers and innovative creatives, which profoundly shaped his educational journey and subsequent career path. For aspiring designers, McKay offers a piece of advice rooted in passion and meticulous study: "Collect, find something to obsess over, study it constantly, and acquire based on this passion." This guidance underscores the importance of deep engagement and continuous learning within the design field. The article also presents a selection of furniture pieces designed by McKay, demonstrating his venture into product design and his ability to create bold, eclectic items, including chairs, tables, and various seating options. This expansion into furniture design complements his interior design work, showcasing his comprehensive creative vision. Overall, the article portrays Matt McKay as a designer deeply connected to his inspirations, both natural and artistic, who leveraged his education at Parsons to build a successful and evolving practice. His story serves as an example of an alumnus making a significant impact in the design world through innovative work and a commitment to continuous creative exploration. #MattMcKay #ParsonsAlumni #InteriorDesign #FurnitureDesign #CreativeProcess #DesignInspiration #ResidentialProjects #TheNewSchool #DesignEntrepreneurship

This article highlights seven innovative design studios from across the globe, showcasing their unique approaches to architecture and design. These emerging practitioners are recognized for transcending traditional disciplinary boundaries, from product design blending technology with furniture to architectural firms challenging physical space limitations through virtual installations. Norman Kelley, based in Chicago and New York, is featured for its sly and conceptual approach, often playing with visual expectations. Their "Wrong Chairs" exhibit, for instance, exaggerated elements of the iconic Windsor chair, making them appear "wrong" yet fully functional. Principals Carrie Norman and Thomas Kelley emphasize a rigorous playfulness in their work, valuing impact and gratification over overwhelming designs. Despite being geographically separated, they maintain constant collaboration, blurring the lines between academic and professional practice. Their work extends to residential rehabs and commercial projects, such as their first retail space for Aesop in Chicago, where they utilized reclaimed common brick, and a subsequent project in New York's Tribeca district, using ombré paint to reflect the neighborhood's character. Homeowner Sam Vinz, who commissioned Norman Kelley for a residential project, praises their ability to refresh existing concepts in an accessible manner. San Francisco-based Branch Creative, led by Nick Cronan and Josh Morenstein, specializes in making technology discreet or "invisible." Their product, Plume, replaces traditional Wi-Fi routers with hexagonal pods that blend into home decor, providing efficient wireless connectivity. Both Cronan and Morenstein bring extensive industrial design experience, having worked for notable companies like fuseproject and Ammunition. They ventured into developing futuristic devices, including the modular Google Ara phone and Athos exercise clothing that provides real-time muscle activity feedback, which they refined to be seamless and intuitive. Despite their focus on technology, they are passionate about furniture design, creating pieces for Council's Drift collection that combine classic forms with subtle illusions, emphasizing longevity and sophistication. SIBLING, a young Melbourne-based firm, is recognized for its experimental and participatory approach to design. The five directors—Amelia Borg, Nicholas Braun, Jane Caught, Qianyi Lim, and Timothy Moore—engage in a wide array of projects, including exhibitions, commercial fit-outs, and residential designs. They actively initiate their own research projects, such as the ON/OFF exhibition, which explored the digital and physical worlds by creating a space that blocked smartphone reception. These conceptual investigations inform their commercial work, exemplified by the DUST retail space that integrated a digital commercial platform into a physical setting. SIBLING's freedom from established practice allows them to design a business model that is unique to their founders' processes, clients, and community. Refik Anadol, a media artist based in Los Angeles, explores the intersection of architecture and digital art. Inspired by the Walt Disney Concert Hall, Anadol created large-scale video artworks that transform architectural facades into dynamic canvases. His collaboration with Gehry Technologies and the Los Angeles Philharmonic resulted in immersive experiences like "Visions of America: Amériques," where real-time custom software projected images responsive to music and conductor movements. Anadol's work also extends to public art commissions, such as "Virtual Depictions: San Francisco" for 350 Mission, which uses Twitter data to generate animations on a large LED display, exploring how public art interacts with public data. He envisions a "post-digital architectural future" where media architecture transcends traditional screens and VR. Tropical Space, from Ho Chi Minh City, focuses on eco-friendly and avant-garde architecture that utilizes simple building materials. Founders Nguyen Hai Long and Tran Thi Ngu Ngon specialize in designing porous homes that "breathe" in tropical climates, moving away from conventional closed-off modern Vietnamese housing. Their projects, such as the Terra Cotta Studio and the two-story Termitary House, showcase innovative facades made from traditional red baked bricks, providing both graphic appeal and natural ventilation. They also design custom furniture from recycled materials, emphasizing simplicity and cost-effectiveness while fostering social interaction within living spaces. APRDELESP, a Mexico City-based architecture office, distinguishes itself through a multidisciplinary approach that integrates commercial ventures with design practice. Founders Rodrigo Escandón and Guillermo González operate a variety of "subspaces" including a restaurant, a café that doubles as a furniture showroom, an art gallery, and a print shop. This model allows them to experiment with how space is used and to circumvent traditional design practices. They view these ventures not merely as revenue streams but as experimental projects to foster new thinking and better conditions for their design work. Their unconventional approach to client engagement and public relations emphasizes dynamic interaction over formal style, resulting in a design methodology that documents the full lifespan of a project through casual snapshots and detailed drawings of everyday objects. LCLA, led by Colombian architect Luis Callejas with bases in Oslo and Medellín, integrates landscape, cartography, and botany into architecture. Callejas, who gained prominence through public competitions and his work on the Aquatic Center in Medellín, challenges conventional architectural typologies by blending natural elements with built structures. His conceptual motif of the "island" highlights the potential for unique developments within contained environments. Callejas advocates for cultivating atmospheres rather than prescriptive sequences, using evocative collages as a key representational tool. His work, like "The River That Is Not" study for the Medellín River, proposes integrated strategies for hydrologic remediation and public engagement, demonstrating a political resonance in his designs. His current projects explore topographical sites in the Andes and Norwegian mountains, applying large-scale thinking to residential jobs. #ArchitecturalInnovation #DesignStudios #ProductDesign #SustainableArchitecture #MediaArt #UrbanPlanning #InteriorDesign #ExperimentalDesign #EmergingTalent

The Design for Impact Challenge, a collaborative event bringing together students from George Fox University's interior design program and Portland State University's architecture program, showcased real-world design experience. Held at BORA Architects' Portland office, the event partnered students with industry leaders and higher education design programs. The challenge required teams, each comprising interior design and architecture students, to design a new entry and classroom space for a high school in Southern California. Each team was also paired with an industry mentor, a practicing architect or designer, who provided guidance throughout the five-hour design process. The prompt specified that ideas from the student proposals would be incorporated into the high school's upcoming renovation, adding a significant layer of real-world impact to the exercise. Students engaged in an intensive five-hour session, sketching, modeling, and refining their concepts. The focus was on balancing aesthetic innovation with practical application, demonstrating the students' creativity and problem-solving skills. Following the design period, each team presented their proposals to a panel of professional jurors from the architecture and design industries. This provided students with valuable experience in communicating their design vision and receiving expert feedback. The winning team included George Fox interior design seniors Ava Heflen and Kali Braukmiller, mentored by Shawn from VIDA Design. Their design was lauded for its strong understanding of biophilic design, which integrated native and location-specific plants to promote wellness and environmental harmony within the classroom space. Furthermore, their proposal incorporated trauma-informed design principles. This involved providing choice and flexibility in furniture arrangements and seating, careful attention to classroom acoustics, and the implementation of open sightlines complemented by AI-powered security systems. These elements aimed to create safe and calming environments conducive to learning. The design was further enhanced by curved elements in finishes and furnishings, adding softness and approachability, culminating in a thoughtful and forward-thinking solution. Ava Heflen highlighted the memorable nature of the experience, particularly the opportunity to collaborate with architecture students, which provided valuable insight into real-world design scenarios. She also emphasized the crucial role of the industry mentor in offering helpful feedback and encouragement throughout the process. Heflen noted that the collaborative environment fostered refreshing interactions and sparked numerous creative ideas. The event also served as an inspiration, allowing her to witness the diverse and thoughtful designs developed by other participants in the challenge. Another team, featuring George Fox interior design students Sam Kinsman and Michaela Vega, and mentored by Melissa from Gensler Portland, received the 'Best Concept' award. This recognition acknowledged their visionary approach and compelling presentation. The Design for Impact Challenge provided students with a unique platform for inter-institutional collaboration, direct mentorship from industry professionals, and constructive feedback from respected jurors. For the George Fox students, this experience underscored the practical application of design thinking in real-world contexts and highlighted the transformative power of intentional, human-centered design in shaping future educational spaces. #InteriorDesign #DesignChallenge #GeorgeFoxUniversity #PortlandStateUniversity #BiophilicDesign #TraumaInformedDesign #ArchitecturalDesign #StudentCollaboration #RealWorldExperience

This article celebrates the ninth annual "Design Masters" feature by New Orleans Homes & Lifestyles, highlighting a dozen creative professionals across nine categories in the New Orleans design scene. These masters are recognized for their contributions to various aspects of home and landscape design, showcasing their unique backgrounds, inspirations, and the ways New Orleans influences their work. The Masters of Architecture, Kim Payne Allen and Ben Allen of Studio BKA Architects, both hold degrees from LSU and UT-Austin, respectively. They bring diverse experiences, from large real estate developments in NYC to urban historic renovations, to their practice in New Orleans. They find the city's rich urban framework stimulating for design but acknowledge the complexity of converging voices and ideas. They are inspired by Francis Kéré's work for its simplicity and social message. Amanda Talley, the Master of Textiles and proprietor of Studio Amanda Talley, earned her BA in studio arts and an MFA from Savannah College of Art and Design. She transitioned from working as an assistant at Gerrie Bremermann Designs to establishing her own studio, specializing as an abstract painter. New Orleans' creative culture and everyday experiences provide abundant inspiration, while the weather presents the biggest challenge. Her inspiration comes from Lee Krasner's ideas, particularly the concept of adding beauty to abstract expressionism. Alex Geriner, Master of Furniture Design and founder of Doorman Designs, initially built his own furniture after realizing his dorm room pieces didn't suit his New Orleans apartment. This led him to create a business focused on handcrafted, original furniture using local materials and artisans. The city's colorful vibe inspires unique designs that blend fresh aesthetics with an aged feel, though the humid climate poses a challenge for furniture construction. BDDW, a handmade furniture company, is a significant inspiration for him. Joe Evans and Barney Lighter, Masters of Landscaping from Evans + Lighter Landscape Architecture, established their firm in 2014 with a focus on elegant, sustainable, and regenerative environments that respect historical context. They specialize in integrated stormwater management and ecological systems design. New Orleans offers cultural and ecological richness, but also critical challenges like stormwater flooding and coastal erosion, which add urgency to their work. They draw inspiration from the communities, non-profits, and professionals they collaborate with. Katie Logan Leblanc and Jensen Killen, Masters of Interior Design from Logan Killen Interiors, are long-time friends who met in Baton Rouge and studied Interior Design at LSU. After a decade in architecture and production design, they founded their firm in 2012, later opening Sunday Shop. New Orleans serves as a constant source of inspiration due to its architecture and eccentric residents, allowing for creative freedom. However, specific architectural features like shotgun layouts and high ceilings present unique design considerations. They are inspired by designers such as Ilse Crawford, Studio Ashby, Nickey Kehoe, and Kelly Wearstler for their diverse approaches to design. Prisca Weems, Master of Green Design at FutureProof, has a background bridging architecture and science, exploring the interplay between built and natural environments. Having made New Orleans her home, she emphasizes the city's role as a leader in climate adaptation. The challenges presented by New Orleans' environment have expanded her work from green building to urban water infrastructure and international coastal community design. Her inspiration comes from individuals who envision and act on future possibilities, including local figures like Robert Tannen, Oliver Houck, David Waggonner, Robert Miller, and John Barry. Maria Barcelona, Master of Kitchen Design from Maria Bar, co-founded her firm in 2000 with Paul Dodson. Their collaboration combines her artistic vision with his detailed technical approach. New Orleans' rich architectural history is a constant inspiration, though they find the scarcity of local design resources challenging. They are currently inspired by Aviva Stanoff's ability to transform natural materials into luxurious textiles and home accents. Whitney Jones, Master of Home Accents and founder of Whitney J Décor, initially pursued physical therapy before realizing her passion for a creative field, leading her to interior design. She runs her firm as the principal designer, with an assistant managing projects and sales for her online shop. She finds unique homes and architecture in New Orleans inspiring for her design projects, but desires a wider variety of local showrooms. Kelly Wearstler is her greatest inspiration for her glamorous, boundary-pushing design style. Renee Lejeune Laborde, Master of Drapery, is a New Orleans native who studied Interior Design at LSU. She self-taught drapery making, which evolved into her sole proprietorship. New Orleanians' pride in their homes and the city's architecture with high ceilings and tall windows create a constant demand for custom draperies, offering a steady flow of work. Her inspiration comes from Ann Dupuy, who was known for her neutral palettes, mixing modern and antique elements, and beautiful curtains in her designs. #DesignMasters #NewOrleansDesign #Architecture #InteriorDesign #LandscapeArchitecture #FurnitureDesign #TextileArt #GreenDesign #HomeAccents #Drapery

Metropolis, a prominent design publication, has announced its 2024 Future100 Interior Design Graduate Winners, recognizing 17 outstanding graduate students from universities across the United States and Canada. These individuals were selected by the Metropolis team for their exceptional talent, innovative design concepts, strong technical knowledge, and forward-thinking approaches to interior design. The recognized students demonstrate a profound understanding of design principles, a commitment to research, and an ability to create impactful and sensitive spaces. The featured winners include Helia Amini from Marymount University, whose design concepts are noted for superb technical knowledge and a strong research foundation. Lari Bittman, also from Marymount University, is recognized for her remarkable combination of raw talent, technical ability, and perseverance, evident in projects ranging from a playful daycare to a meticulously designed multi-use refuge community center. Brooke Bower from The University of Texas at Austin is highlighted for her imagination as a visual artist and embodied understanding of space, developing a portfolio reflecting an inspiring point of view poised to positively impact the built environment. Christa E. Gorman from Kansas State University is praised for her intensely creative and iterative design process, focusing on producing thoughtful and complete solutions. Sanjana Gopalakrishnan from The New School, Parsons School of Design, possesses a rare sensitivity toward playful design while remaining committed to circular economies. Henry Hammes, also from Kansas State University, is recognized as a talented and motivated student who creates carefully choreographed solutions through deep research and concept development. Kile Hotchkiss from The New York School of Interior Design exemplifies great promise with meticulous research and an insightful approach, integrating architectural details and clever interpretations of history. Pavitra Jairaj from the University of Oregon demonstrates a clear connection to client and user experience, grounded in research, precedent, and empathy. Malik Lovette, also from the University of Oregon, combines a background as a college athlete and artist into his design work, showcasing strong graphic communication and natural collaboration. Madina Masimova from The New School, Parsons School of Design, brings a global perspective to interiors and technology, leading with optimism on the future of design within the context of AI, design, and belonging. Eva Neri from Florida State University is described as a bright, free-spirited, and talented designer who weaves diverse research interests, including ambient sound and music, into multilayered designs focused on physical and emotional well-being. Tasha Singh from Drexel University is commended for her skill, enthusiasm, and consideration for people and place, possessing noteworthy design talent in both digital and hand-drawing mediums. Nihitha Sreenath, also from Drexel University, has a deep set of talents for communicating ideas across various mediums, demonstrating strong material sensibility and sensitivity to human needs. Melida Valera from the New York School of Interior Design is passionate about the design industry, with a deep respect for how things work and a diligent approach to learning. Nicolle Villa from Boston Architectural College is an attentive, detail-oriented student with fantastic interpersonal skills and a great eye for design and materiality. Jessica Wilsey from The University of Texas at Austin is an outstanding graduate student whose work has been repeatedly awarded for its design excellence, bringing remarkable sensitivity to extensive design research and the study of human behavior. Finally, Mingming Zhao from the Savannah College of Art and Design has chosen interior design to create beautiful and functional living environments that positively impact individuals and communities, with a design philosophy rooted in cultural context and locality. #Future100 #InteriorDesign #GraduateWinners #DesignExcellence #StudentDesign #ArchitecturalEducation #MetropolisMagazine #DesignInnovation

Metropolis Magazine has announced its Future100 Interior Design Undergraduate Winners, recognizing the top interior design undergraduate students across the United States and Canada for 2025. This annual initiative highlights emerging talent in the field, showcasing students who demonstrate exceptional creativity, technical skill, and innovative thinking in interior design. The selection process involved nominations from program chairs and professors, who lauded their students' dedication, leadership potential, and unique design philosophies. The featured students come from various prestigious institutions, each bringing a distinct approach to interior design. Irina Alturmessova from Yorkville University is recognized for her strong academic performance, ethical conduct, and volunteer service. Chloe Bartek from the University of Nebraska-Lincoln is noted for her motto, 'Think gardening, not architecture,' emphasizing sustainability, adaptability, and community-focused design. Betty Christianson from Colorado State University is celebrated for transforming spaces into immersive stories and her commitment to inclusivity, balancing aesthetics with practicality. Ewura Esi Eghan from Virginia Commonwealth University integrates her sculpture background into her designs, pushing boundaries to create magical and unexpected spaces. Lené Fourie from the University of Houston is described as a bright, hardworking, and eager-to-learn individual with significant leadership potential, consistently impressing her professors with her capacity as both a designer and a thinker. Olivia Grote from Columbia College Chicago stands out for her empathic approach, blending artistic vision with designs that support and engage, challenging the status quo. Louisa Gutenberger from the School of Visual Arts is on a mission to advocate for unheard communities, valuing cultural heritage, community, and context in her designs. Daria Hall from the University of Arkansas, Fayetteville, exemplifies hard work, exceptional talent, curiosity, and craftsmanship, demonstrating a determination to creatively solve problems in interior architecture. Elly Hallack, also from Columbia College Chicago, is praised for her unique blend of creativity, technical expertise, and commitment to innovative design, balancing imaginative ideas with practical solutions. Keeleigh Johnson from the University of Central Oklahoma combines creativity with practical design solutions, approaching projects thoughtfully and producing high-quality, refined work. Morgan Jourdin from the School of Visual Arts is noted for her extraordinary talent and commitment to innovating for the underserved, creating designs that foster positive behavioral change. Jin Liao from Pratt Institute is an exceptional student with a passion for design, consistently going beyond course requirements with her commitment to excellence. Emilie Luce from the University of Arkansas demonstrates a quiet confidence and determination to achieve excellence, actively seeking feedback to strengthen her work and taking on leadership roles. Anna Maris from Columbia College Chicago shows innate design sensibility and maturity, translating narratives into sophisticated and creative spaces. Tomis Phuong Nguyen from the University of Central Arkansas exhibits a bold aesthetic and strong sense of self, with work that surpasses his schooling. Kate O’Neil from the University of Tennessee, a Gensler Brinkmann Scholarship Recipient, is recognized for her dedication to addressing emerging societal needs through thoughtful design solutions and diverse global experiences. Isabela Rasmussen from The George Washington University displays an exceptional blend of creativity, technical skill, and understanding of design principles, marked by her curiosity and attention to detail. Kiera Rupp from the University of Tennessee integrates creativity with empathy, valuing feedback and collaboration. Monica Samaniego from the University of Nebraska-Lincoln challenges assumptions with her wonder-filled ideas, actively engaging in expanding her understanding of the profession. Juliana Sanchez Duran from Savannah College of Art and Design possesses a rare combination of natural talent and willingness to take creative risks, with a notable dedication to inclusive design. Elina Singh, also from Savannah College of Art and Design, combines technical excellence with creative vision, producing beautifully crafted and inspiring spaces through thoughtful execution. Sydney Slaughter from the University of Arkansas has a keen eye for aesthetics and a remarkable ability to absorb and apply new knowledge. Jesse-James Smith from Purdue University is committed to high-quality craftsmanship and dedicates long hours to design problems, driven by a quest for excellence. Ashley Sparks from The University of Texas exhibits a natural finesse in design development, seamlessly blending digital and analog techniques. Martina Terry from Virginia Tech showcases masterful use of color and impactful diagrams, creating a consistent narrative throughout her projects. Cecilia Torres-Panzera from the University of Tennessee stands out for her academic rigor and creative vision, merging technical skill with poetic narratives. Kiara Villa from The New School, Parsons School of Design, embodies an empathetic and forward-thinking design philosophy, fostering connections through cultural narratives and sustainable practices. Troa Vimahi from Rochester Institute of Technology immerses himself in design culture and current events, demonstrating capability in challenging subjects. Lufan Yang from California College of the Arts creates innovative solutions to complex design challenges with careful attention to detail. Jiuyu Zhou from the University of Oregon presents thoughtful, well-considered design solutions with a keen eye for detail. Finally, Zining Zhu from Colorado State University, an international student, integrates cultural philosophies and aesthetics into innovative design solutions, driven by self-motivation and high ethical standards. #Future100 #InteriorDesign #UndergraduateWinners #StudentShowcase #DesignExcellence #EmergingTalent #ArchitecturalDesign #CreativeThinking

This compilation showcases ten architectural projects by students from the City College of New York's Bernard and Anne Spitzer School of Architecture. The Spitzer School emphasizes social and sustainable concerns in design, aiming to provide a diverse student body with a top-tier education in architecture, landscape architecture, and urban design. The featured projects address a range of contemporary urban challenges and design concepts. One project, "Growing Little Caribbean" by Ornella Bonhomme, Evelyn Krutoy, and Nicole Girdo, focuses on revitalizing a Brooklyn neighborhood, particularly the intersection of Church and Bedford Avenue and the Flatbush African Burial Ground. This urban design proposal includes accessible cultural spaces for youth, food vendors, art displays, and a community center, honoring ancestral histories while fostering new generations of creativity. "Thermodynamic City" by Carlos Rueda, Zhenhao Huang, and Sara Abousaid explores urban ecology and the mitigation of urban heat islands. This project integrates technological and ecological protocols to combat heat island effects, enhance biodiversity, and improve urban health. Strategies involve sun and wind analysis, creation of green spaces, and recycling excess heat for urban power. Tyler Hernton's "The Crux" is a design for a climbing gym in Harlem, Manhattan. The project emphasizes verticality, typical of climbing gyms, to create soaring interior spaces that extend beyond climbing to community engagement. Situated on 125th Street, it bridges a public housing project and a new laboratory building. Valeska Abarca and Lorraine Colbert's "In Heritage Heights: Urban Infilling Strategies for Dense Living" proposes mixed-use developments for New York Police Department parking lots and housing prototypes for Jackson Heights, NYC. These "mini towers" are designed for co-living and intergenerational arrangements, integrating into existing urban fabric while ensuring adequate ventilation, natural light, and vertical circulation. The urban proposal also includes a ground-floor marketplace to foster community. "Capturing the skyline: Re-Envisioning the Garment District" by Noor Muzahid, Jaydin Parker, and Taseen Rahman investigates the transformation of Manhattan's office real estate into residential communities with amenities. This project addresses the evolving needs of modern workers and urban demands, focusing on architectural reinvention, sustainable integration, and dynamic city rhythms. Kingsley Chong and Philip Lee's "Tree House 128" is a community project in Manhattanville, New York City, aiming to address generational challenges such as educational opportunities and financial constraints. It includes a public library, skill training facilities, and a daycare center. The design is inspired by the elements of a forest, specifically the Japanese concept of Komorebi (scattered light filtering through trees), influencing light well placement and facade design. "Blurred Edges" by Christopher Martinovic and George McCracken proposes to soften the boundary between land and sea in the Flushing Bay estuary by establishing a tidal marsh. The vision is for a new way of life where coastlines become dynamic coast zones, fusing soft estuarine landscapes with urban structures through strategic breakwater installation and tidal gate removal. The "Mach Spāß" project by a large group of students from the Bachelor of Architecture Advanced Studio involved designing and constructing an experiential learning space within an existing campus building. This space was intended for students from various programs to collaborate and participate in conversations, resulting in a design approved by the Dean of Humanities and Arts. Anthony Thayer and William Moffett's "Gem Cool House" is an accessory dwelling unit (ADU) in Portland, Maine, designed as a transitional home for a college student studying astronomy and geology, later converting to his parents' home. The open ground floor plan offers flexibility, with large skylights and clever openings balancing daylighting and thermal comfort. The material palette emphasizes low environmental impact and durability, using wood, earth, stone, cork, and plaster against matte stainless steel. Finally, "P.A.T.H.S" by Shiva Abbaszadeh, Leora Santoriello, and Nily Baratian is a building designed to provide holistic assistance in Hunts Point, Bronx. Based on demographic research, the project offers supportive programming for career, health, general guidance, and housing, catering to residents from birth to retirement and addressing identified community needs. #ArchitectureProjects #UrbanDesign #SustainableArchitecture #CommunityDevelopment #NewYorkCity #StudentWork #ArchitecturalEducation #MixedUseDevelopment #ClimateResilientCities

In a period marked by global confinement and escalating concerns over environmental destruction, a new wave of visual artists is leveraging 3D rendering to construct utopian and fantastical environments. These digital creations, ranging from ethereal seaside homes to surreal, pastel-hued dreamscapes, have gained considerable popularity as individuals seek imaginative escapes from their daily realities. This trend is further fueled by the pervasive influence of the coronavirus pandemic, which has amplified the desire for alternate realities and a change of scenery, even if purely fictional. These digital spaces are not merely aesthetic exercises; they serve as a powerful outlet for imagination and a response to the contemporary need for escapism. Prominent figures in this emerging field, such as Paul Milinski of Vaulter and interior designer Charlotte Taylor, highlight the growing demand for these imaginative renderings. Taylor, who often collaborates with 3D artists to actualize her conceptual spaces, notes that these utopian settings tap into a fundamental human desire for novelty and wonder. This sentiment was evident during events like Offsite Online, a virtual design fair where designers, unable to physically produce and photograph their work, collaborated with visualizers to create digital photoshoots. This collaboration led to the emergence of highly imaginative and fantastical spaces, demonstrating the adaptability and creative potential of digital visualization in the design industry. The featured artists showcase a diverse range of approaches to creating these fantasy worlds. Charlotte Taylor, in collaboration with Riccardo Fornoni of Cream Atelier, envisions Villa Saraceni, an oceanside home seemingly carved from chalky white stone, blending realistic details with fictional architecture. Andrés Reisinger's work explores dreamlike spaces, such as a lilac room with an eye-shaped portal, emphasizing emotional connection over strict realism, and demonstrating how digital concepts can manifest in physical forms, as seen with his Hortensia Chair. Alexis Christodoulou, influenced by video game aesthetics, crafts sophisticated sun-dappled scenes with circular pools and craggy boulders, seeking to evolve the genre beyond conventional fantasy and sci-fi tropes. Barcelona-based Six N Five studio draws inspiration from Japanese culture to create tranquil tatami mat-lined rooms overlooking meticulously pruned gardens, designed to invite relaxation and meditation. Stefano Giacomello presents a striking living room against a rugged rock face, where furnishings appear bathed in intense desert sunlight, reflecting his minimalist and evolving aesthetic. Mue Studio's "Somewhere in the World" series offers idyllic, potentially nonexistent global locations, aiming to provide a peaceful 'rest stop' for viewers navigating a digitally saturated world. Kefan Weng, drawing inspiration from cinematic architecture and dreams, creates oddly scaled buildings hovering over dark waters, emphasizing the audience's individual interpretation. Paul Milinski designs whimsical scenes like "Work Party," filled with playful elements such as oversized balls and a blush pink sofa, intending to evoke infectious high spirits and transport viewers to potential future inspirations. Lastly, Davit and Mary Jilavyan's Sonora Art Village project features vibrant, geometric buildings and spiky cacti under blue skies, presenting an imaginary community in Mexico that offers a vivid contrast to the 'grey reality' of the pandemic. These artists collectively demonstrate the power of 3D rendering to fulfill the contemporary need for escapism, imagination, and utopian visions in design and art. #DigitalArt #3DRendering #FantasyInteriors #UtopianDesign #EscapistArchitecture #VisualArt #ArchitecturalVisualization #InteriorDesign #CreativeRendering

The Design School at Xi'an Jiaotong-Liverpool University, established in 2020, stands as a premier interdisciplinary English-speaking higher education institution within the creative fields, both in China and internationally. The school comprises four distinct departments: Architecture, Civil Engineering, Industrial Design, and Urban Planning and Design. It provides a research-informed learning environment that integrates art and design principles with technical and management education, preparing students for dynamic careers. A core aspect of the Design School's philosophy is its commitment to global thinking combined with local action, exemplified by its Bachelor’s in Urban Planning and Design program. This unique approach ensures that graduates are well-versed in international design practices while also understanding and addressing regional contexts. The school takes pride in the international accreditation achieved by its Architecture, Civil Engineering, and Industrial Design programs. This accreditation underscores the high quality of its educational offerings and significantly enhances the global recognition and competitiveness of its graduates in the professional job market. Innovation is a cornerstone of the Design School's curriculum. All programs are designed to incorporate the latest technological advancements, including Artificial Intelligence (AI), the Metaverse, Blockchain technologies, Robotics, and other emerging fields. This integration ensures that students are equipped with cutting-edge skills relevant to the evolving landscape of design and engineering. Furthermore, the school offers considerable flexibility in its learning experiences, allowing students to customize their academic paths through tailored specializations and pathways. This includes optional modules, participation in the Extended Study Scheme, summer programs, specialized workshops, and a wide array of extra-curricular activities, all aimed at enriching the student experience and fostering diverse skill sets. Sustainability is a central theme driving the Design School's research and educational initiatives. The school hosts several leading research institutes, centers, and laboratories that focus on sustainable and digital design. These entities actively engage in significant collaborations, entrepreneurial ventures, and projects with both local and international industrial partners. This focus enables the school to contribute meaningfully to sustainable practices in the built environment and beyond. Key research areas within the Design School include sustainable regeneration and revitalisation, the development of green and smart cities through concepts like Digital Twin, promoting Circular Economy principles in the Built Environment, exploring digital design and fabrication techniques, researching sustainable and advanced materials, and fostering design for social innovation. In addition to its strong academic and research profile, the Design School offers a range of undergraduate, master's, and doctoral programs across its four departments. Undergraduate programs include BEng (Hons) in Architecture, Civil Engineering, and Industrial Design, and BA (Hons) in Urban Planning and Design. Master's programs cover Architectural Design, Civil Engineering (full-time and part-time), Construction Management (full-time and part-time), Industrial Design, International Professional Practice in Architecture (full-time and part-time), Sustainable Building Design and Engineering (full-time and part-time), and Urban Planning. Doctoral degrees are available in Architecture, Civil Engineering, Industrial Design, and Urban Planning and Design, reflecting the school's comprehensive commitment to advanced study and research in these fields. The Extended Study Scheme further allows students to broaden their academic horizons by selecting additional modules, enhancing their academic and career potential with a named ESS Certificate upon completion. The school also regularly engages in current events and research showcases, such as explorations in 3D concrete printing, transnational dialogues in architecture, and achievements by its PhD students, highlighting its dynamic and forward-thinking academic community. #DesignSchool #Architecture #CivilEngineering #IndustrialDesign #UrbanPlanning #SustainableDesign #DigitalDesign #HigherEducation #XJTLU

This page functions as a comprehensive job board specifically tailored for the interior design and broader home industry. It presents a wide array of job openings from various companies, catering to different experience levels and specializations within the field. Users can filter job listings by several criteria, including location (ranging from specific states and cities in the US to international and remote options), job category (such as Interior Design, Architecture, Graphic Design, Sales & Marketing, and more), employment type (full-time, part-time, freelance, internship), and compensation range. The job listings provide detailed descriptions of the roles, responsibilities, and required qualifications. For instance, WECSELMAN DESIGN is seeking an Interior Designer with strong design sensibility and a curated eye for residential interiors, emphasizing ownership and collaboration within a fast-paced environment. Jeremiah Brent Design has multiple openings, including a Senior Design Documentation Specialist for a historic estate renovation, requiring talent in bringing timeless architecture and refined interiors to life, and a Senior Designer (FF&E;) to lead design, sourcing, and execution for the same project, focusing on blending timeless character with modern functionality. Mia Todd Studio is looking for a Designer/Senior Designer to support and lead high-end residential projects from concept to installation, requiring detail orientation and project management skills. Downey seeks a Senior Interior Designer with a strong background in architectural design and project management for a boutique residential firm known for refined interiors. Bruce Fox Design is hiring a Senior Interior Designer who is highly motivated, mature, and creative, with a refined design sensibility and background in both conceptual and technical aspects of design. CarbonShack is looking for a Multi-Line Sales Representative for a new sustainable textile brand, Sunthreads, offering commission-based compensation and performance bonuses. Marc Phillips Decorative Rugs needs a Los Angeles Rug Sales Account Manager to cultivate relationships with designers and architects, requiring strong communication and a refined eye for design. Studio Michael Ellison is searching for a Senior Designer passionate about luxury interior design and experienced in delivering private residential projects, taking full accountability for all details. Chused & Co. seeks a Senior Interior Designer/Project Manager to lead residential projects, emphasizing architectural knowledge, technical drawing ability, and refined design sensibility. Jennifer Messina Interiors is looking for an Interior Design Project Manager to oversee all phases of projects, balancing creative vision with logistical precision. Ashli Mizell Inc. requires an experienced Senior Interior Designer to lead projects from concept to completion for a high-end residential firm. Jerry Pair is seeking a Marketing Specialist for the luxury interior design industry, involving e-commerce management, content creation, and digital strategy. Julie Hillman Design, an AD100 firm, is hiring an Interior Architect with at least four years of experience in high-end residential architecture to work across all design phases. Studio MRS, an Elle Décor A-List firm, is looking for an Interior Architectural Drafter for high-end residential renovations and interior design projects. The platform also offers resources for job seekers, including a resume board, and for employers, including the option to post jobs. The overarching mission of Business of Home is to serve as a media record for the home industry and a voice of authority for interior design professionals, providing industry news, analysis, and job opportunities. #InteriorDesign #JobBoard #HomeIndustry #CareerOpportunities #ArchitecturalDesign #SalesAndMarketing #ProjectManagement #LuxuryDesign #DesignJobs

A new exhibition titled 'Exhibition in Rennes: Ronan & Erwan Bouroullec' showcases the extensive work of French design duo Ronan and Erwan Bouroullec in their home region of Brittany for the first time. The exhibition is split across three venues: Les Champs Libres, the Frac Bretange contemporary art museum, and Le parlement de Bretagne, and is conceptually divided into two main parts. The first part is a 20-year retrospective focusing on the brothers' industrial design projects. This segment features collaborations with prominent design manufacturers such as Alessi, Magis, Kvadrat, Vitra, Artek, and Samsung. Notable inclusions are their furniture and domestic items, alongside an array of archival materials. These materials provide insight into their design process, including development notebooks and scale models, offering a comprehensive look at their evolution in industrial design. One such collaboration highlighted is the 'Serif' TV with Samsung, which received the Wallpaper* award for 'Best Domestic Design'. The second part of the exhibition, titled 'Urban Reveries' and installed at Les Champs Libres, delves into the duo's foray into municipal landscape design. This section presents a collection of dioramic architectural models that envision new public spaces. These models depict unique urban patterns, including rocky outcrops, elevated sculptural streams, and meticulously designed gardens, reflecting what the studio describes as 'a wandering or urban dreaming based on a reflection of the city layout'. The exhibit aims to explore innovative approaches to public urban environments. Further installations include 'Le Kiosque' from 2015, positioned in the parliament courtyard. This modular structure, constructed from powder-coated steel with an oak interior and an overhanging roof, first appeared in Paris' Tuileries. Conceived as a movable tool to integrate art into public spaces, in Rennes, it is paired with 'Palissade', a collection of outdoor furniture developed in collaboration with Hay. The exhibition also features '17 Screens', an abstract display that explores the convergence of 3D printing with traditional production methods. Previously exhibited at the Tel Aviv Museum of Art, this installation showcases futuristic constructions utilizing diverse materials such as glass, ceramic, wood, and aluminium rods. It also incorporates curtains made from cup-like mouldings by ceramics innovator Mutina and patterned textiles. This segment is characterized as an experimental and atmospheric exploration, blurring the lines between design and art. Overall, the exhibition is presented as a carefully curated blend of their established works and new, more experimental directions. It offers an opportunity to re-evaluate the Bouroullecs' classic designs while also providing glimpses into their evolving artistic and design philosophies. The show aims to offer visitors a comprehensive understanding of the duo's influential and multifaceted practice. #BouroullecBrothers #DesignExhibition #IndustrialDesign #UrbanPlanning #ContemporaryArt #FurnitureDesign #ArchitecturalModels #PublicSpaceDesign #3DPrinting #RennesExhibition

This article compiles a selection of notable design achievements and trends from the 2013 Design Awards, showcasing innovation across various categories from interiors and architecture to fashion and technology. The presented works highlight a period of design marked by updated traditional techniques, reissues of classic pieces, and forward-thinking concepts. In the 'Best Trend' category, a focus on "puzzle-like" designs emerged, featuring random patterns and asymmetric forms that updated traditional inlaying and overlaying. Materials like stone, wood, leather, acrylic, and ceramic were combined in unexpected ways to create decorative geometry. Examples include Patricia Urquiola's 'Azulej' tiles for Mutina, which blend ancient majolica with modern digital printing to allow for complex patterns. Massimo Morozzi's 'Bois de Rose' cabinet for Edra reimagined woodworking traditions with random rosewood veneers and innovative piano pedal openings instead of handles. Urquiola's 'Fishbone' coffee table for Moroso utilized Alycrite to mimic natural materials in a herringbone pattern, while Form Us With Love's 'Slab' vases for Cosentino/Silestone demonstrated the versatility of quartz compound beyond conventional surfaces, forming sculptural pieces through interlocking rings. The 'Best Reissues' section celebrates the successful reintroduction of classic designs. The 1951 'Calvert' coffee table by Bauhaus architect Ferdinand Kramer was re-released by E15, maintaining its original flat-pack design. Sambonet produced stainless-steel tableware based on unmanufactured 1951 sketches by Giò Ponti, including asymmetric flatware and a unique two-bowl centrepiece. Arne Jacobsen's 1939 'Mayor' sofa, initially designed for Søllerød City Hall, was reissued by &Tradition; featuring a solid oak frame and Kvadrat upholstery. Le Corbusier's 1954 'Projecteur 365' industrial lamp was updated by Nemo Cassina, offering wall, floor, and ceiling models with modern elements developed in collaboration with the Le Corbusier Foundation. Muriel Grateau was recognized for 'Best Reinvention,' transforming her Parisian gallery into a pristine white space that highlighted her bold ceramic, glassware, and linen collections. Starting as a fashion designer, her work across homeware and jewelry, often in collaboration with figures like Peter Marino and India Mahdavi, continues to define Parisian elegance. Chanel Fine Jewellery's 'Clair-obscur' ring received an award for 'Best Use of Material,' for its innovative juxtaposition of diamonds with blackened titanium, an industrial material often used in aerospace. This reinterpretation of Gabrielle Chanel's 1932 high-jewelry collection played on celestial themes, echoing the discovery of titanium in meteorites. Qusamura in Hiroshima was named 'Best Plant Shop' for its unique approach to botanical sculpture, pairing unusual cacti sourced from across Japan with distinctive pottery. Kohei Oda's vision transforms these plants into sculptural art for the home, emphasizing their unique character. Minotti's 2012 collection was lauded as 'Best Collection' for its blend of innovation and continuity, showcasing traditional workmanship, sumptuous materials, and a contemporary aesthetic with subtle nods to mid-century and Scandinavian styles. The collection introduced more color and pieces adapted for compact living, such as the 'York Lounge' armchair and 'Sherman 93' sofa. Cartier's 'ID Two' concept watch was celebrated for 'Best Future Vision.' This unique, not-for-sale timepiece featured a transparent case made from a single block of new-generation ceramic, vacuum-sealed to enhance reliability. It represents Cartier's commitment to pushing technological and aesthetic boundaries, with its innovations expected to influence future watch designs. The 'Best Finishing Touch' category recognized beauty essentials: Comme des Garçons' 'Amazingreen Eau de Parfum' for its green and spicy scent, Chantecaille's 'High Definition Perfecting Powder' for creating a flawless complexion, Matylda Krzykowski's 'Borste & Horne' brushes and pans for their contemporary design, and Shu Uemura Art of Hair's 'Essence Absolue Nourishing Protective Oil' for hair care. The Faculty of Pharmaceutical Sciences at the University of British Columbia by Saucier + Perrotte Architects and Hughes Condon Marler Architects won 'Best Lab.' Its design, inspired by a cubist tree, features a façade of variegated glass boxes and a central atrium, creating a striking and functional space that connects with its natural surroundings. 'Best Comfort Food' was awarded to Jacob's Pickles in New York for its blend of Southern soul food and East Coast pickle culture, and Häagen-Dazs' limited-edition 'Ice Moons' created in collaboration with London designers Doshi Levien, which featured moon-shaped, layered ice cream bombes. The 'Best Cover-up' category highlighted power outerwear brands: Herno, Sealup, CP Company, and Hancock, all recognized for their technical innovation, sharp silhouettes, and quality materials. 'Cartesia' by Nosigner for MSY, a chest of drawers named after René Descartes, was recognized as 'Best Bottom Drawer' for its effortless mechanics, graphic design, and two-directional opening. The 'Best Groom' products included Baxter of California's cut-throat razor, Ursa Major's 'Stellar Shave Cream,' Blind Barber's '90 Proof Pomade,' and Yang Ripol's innovative shaving brush with a magnetised stand. Piaget's 'Altiplano' hard-stone dial watches received 'Best Test of Time,' celebrating the revival of its 1960s and 1970s psychedelic-luxe designs. These timepieces, featuring gem-hued dials, were praised for their blend of fine jewelry and innovative engineering. The Franklin D Roosevelt Four Freedoms Park in New York City, designed by Louis Kahn, was named 'Best Day Out.' This park, completed decades after Kahn's death, offers spectacular views of the Manhattan skyline and serves as a tribute to Roosevelt's vision. Trevor Paglen's 'The Last Pictures' project earned 'Best Mission,' an ambitious artistic endeavor involving 100 photographs etched onto a silicon wafer and attached to a satellite, intended as a message to extraterrestrial life. Daikanyama T-Site in Tokyo by Klein Dytham and Kenya Hara was celebrated as 'Best Bookshop,' a multi-pavilion complex designed to appeal to an older demographic but attracting a broad audience with its extensive collection and unique lounge bar. Bulthaup's 'B3' drawer fitting system won 'Best Storage' for its customizable inserts and organizational features within kitchen drawers. Roca's 'In-Tank Meridian Toilet' and CEA's 'Hydroplate' were jointly awarded 'Best Loo' for their innovative, space-saving, and hygienic designs. Le Sergent Recruteur in Paris, redesigned by Jaime Hayón, received 'Best Fixer-Upper' for its transformation into a modern European rural restaurant. Piquadro's 'Coleos' backpack was named 'Best Bag' for its advanced compartmentalization and expandable design, catering to the needs of the urban individual. The Alpina Gstaad in Switzerland was recognized as 'Best Winter Retreat' for its luxurious blend of traditional and contemporary design, including its Six Senses Spa and Japanese restaurant. Finally, the Shenzhen Stock Exchange by OMA and Cais Das Artes in Brazil by Paulo Mendes da Rocha and Metro Arquitetos were highlighted as 'Best Building Sites' for their architectural audacity and cultural significance. Casa Till in Chile by WMR Arquitectos received 'Best Getaway' for its remote location, minimalist design, and breathtaking sea views. #DesignAwards #InteriorDesign #Architecture #ProductDesign #Fashion #Technology #Watches #Jewellery #UrbanPlanning #Travel #FoodDesign