A Transparent Library Gleams at the Center of a Chinese Mountain Village

Greater Dog Architects has transformed an existing office building into the Li City Study, a government-sponsored public welfare project situated in the Tianmu Lake Resort of Liyang City, China. This renovated facility offers a 24-hour public cultural space where citizens and tourists can access books for free. The architectural team undertook extensive research into the original structure, focusing on its history and adapting it to its new function while prioritizing sustainability. The renovation aimed to create a cultural venue within a limited innovation framework, respecting the existing building's surroundings, construction methods, and rhythmic framing. The Li City Study complex comprises three above-ground levels and one underground floor. The design incorporates a semi-outdoor entrance set back from the main building and an extended circular traffic flow, effectively separating the interior from the bustling street. During the renovation, the architects removed the exterior walls, exposing the original beams and columns. They also strategically cut the existing floor slabs and integrated new setback circular structural beams on the main facade. This design choice emphasizes the modern aesthetic of the original framework, establishing a harmonious dialogue between the old and new elements throughout both the facade and interiors. Window openings were reconfigured to feature frameless inner curved floor-to-ceiling glass, creating a striking contrast with the solid framed structure and accentuating the building's precise architectural contours. Additional viewing angles to the exterior were incorporated around a curved wall, fostering a connection between the renovated space and the natural scenery of Tianmu Lake. The facade's outward-curving arc mirrors the inner curved beams, resulting in a unique exterior appearance that also provides varied and private reading environments indoors. A slender skylight at the apex of the outward-curving arc further enhances the connection to the outdoors, allowing visitors to observe the movement of light and clouds. Internal circulation was significantly improved by introducing spiral staircases within a cylindrical space, linking the main areas of each floor. A circular skylight at the top of the stairwell maximizes natural light penetration, strengthening the relationship between the building's interior and its external environment. The distinct cylindrical outline is visible on the facade, integrated within the original beam and column framework. Gray wooden tiles, created from re-dyed and pressed recycled wood, contribute natural texture and warmth. The exposed beam and column structure are painted in a reddish-brown hue, which is reflected by the glass, subtly blurring the interior's outline and highlighting the natural texture of the wooden shingles. The minimalist interiors are designed to showcase book displays and arrangements, creating a tranquil reading atmosphere. A sloping roof design facilitates connections between floors and accommodates multiple functions, seamlessly blending a coffee counter with book displays. Bookshelves are designed with smaller, cantilevered sections that discreetly incorporate lighting. A comfortable reading corner is defined by glazed ceramic bricks and reddish-brown floor bricks, complementing the building's exterior. In addition to aesthetic and functional upgrades, the renovation included structural enhancements to improve load-bearing capacity and modernization of HVAC, fire safety, and lighting systems. Seismic requirements were also addressed through structural modifications, extending the building's lifespan. While possessing a unique character within the Tianmu Lake area, the Li City Study maintains a balanced proportion, integrating with its urban surroundings while significantly enhancing the local cultural amenities. #LiCityStudy #GreaterDogArchitects #TianmuLakeResort #LiyangCity #ChinaArchitecture #ArchitecturalRenovation #PublicLibrary #SustainableDesign #InteriorDesign #CulturalSpace

Wutopia Lab, led by founder and principal Ting Yu, has designed a parent-child branch of Duoyun Bookstore in Yancheng, China. Despite initially hesitating to take on another bookstore project after completing the award-winning Taizhou outpost, Yu was swayed by Yancheng's historical significance, rich resources, rapid development, and its need for fresh, globally-aligned experiences. Yancheng, whose name translates to 'salt city,' boasts a two-millennia-long history rooted in natural river salt reserves and is home to over 8 million people. Yu recognized the city's potential as a canvas for his creative approach to experiential retail design. The inspiration for the bookstore's whimsical theme stemmed from the work of Italian illustrator Cristina Làstrego, whose extensive collection of over 170 children's books, adapted into films and online media, deeply impressed Yu. He aimed to translate Làstrego's imaginative and moving scenes into a fairy-tale bookstore that could transport visitors, both young and old, to a place of childlike wonder. Duoyun Bookstore, which operates six branches across China, partnered with Jiangsu Spring Blossom Cultural and Creative Town Cultural Tourism Industry Development Co., the owner of the intellectual property rights for Làstrego's characters like Mirò the Cat and her animated films, 'The Creation' and 'The Circus.' While Mirò is well-known in Italy, the design sought to introduce the animation to Chinese customers through simplified, whimsical interpretations of Làstrego's meticulous details, focusing on playing with scale to evoke a sense of innocent delight. The three-story bookstore, situated near a wetland park, features an exterior designed to evoke a fantastical maritime landscape, with yellow elements representing waves and a red structure resembling a docked ship. Two enclosed balconies, adorned with lilac perforated-aluminum, are laser-cut with pared-down bird or cat shapes. The interior journey begins with an elongated tunnel of perforated red aluminum, leading into the skylight book tower—an octagonal space with a red spiral staircase ascending to a cupola-like nook. Both levels of the tower are lined with built-in shelves displaying adult books and Duoyun merchandise. Adjacent to the tower is the double-height Cloud Terrace café, characterized by interlocking circular spaces and a brushed aluminum ceiling. Three distinct lighting systems—round ceiling lights with luminous film, concealed LED strips, and trough-embedded LEDs—contribute to an otherworldly ambiance. A second spiral staircase connects the café to the third floor, where a terrace is fronted by a perforated white balcony. On the opposite end of the café, the Oceania Drawing Library serves as a large open activity space for children, also hosting workshops and exhibitions. This area contains four smaller, stand-alone 'illustrated book houses,' each filled with children’s books and featuring unique laser-cut animal entries inspired by Làstrego’s 'The Creation.' These structures, each with different-colored perforated panels, offer uniformly white interiors with built-in benches, providing tranquil reading environments. A terrace on the second floor is distinguished by a red aluminum tent, a nod to one depicted in 'The Circus,' with Wutopia Lab’s version incorporating a custom carousel inside. Duoyun Bookstore is recognized as a pioneer in China’s retail book market for its integration of sales with food and beverage, education, and exhibitions. To unify these diverse elements, Yu drew inspiration from the literary character Peter Pan, aiming to create a 'Neverland' where older customers could momentarily escape the stresses of adulthood and reconnect with a sense of purity. #WutopiaLab #DuoyunBookstore #YanchengChina #ExperientialRetail #InteriorDesign #ChildrensBookstore #ArchitecturalDesign #CristinaLastrego #ThemedArchitecture

Shulin Architectural Design has created a serene reading space for the residents of Liangjiashan Village, located in an ancient mountain forest in China's Wuyi County, Jinhua, Zhejiang Province. The project, named 'Liangjia Mountain, Wuyi · Mountain House in Mist,' serves as a community book house aimed at providing a calm and quiet environment for children, young people, and the elderly. The 156 square meter structure utilizes a steel-wood frame and features a semi-outdoor open space on the ground level, while the upper floor houses the main reading areas and bookshelves. The book house is designed to integrate seamlessly with its natural surroundings, sitting close to the village square and traditional rammed earth courtyard houses. Ten columns support the building, creating a semi-outdoor patio on the ground floor. This patio includes a water surface designed to reflect the surrounding nature, sunlight, and weather, fostering a harmonious coexistence between people, space, and nature. Lead architect Liu Dongying emphasizes that this patio is conceived as a special space that awaits the creation of its significance through the interplay of natural elements like sun, rain, and breeze. The second floor, accessible via an outdoor staircase, is dedicated to reading and features two rounds of back-shaped bookshelves and various reading nooks. A one-meter-wide corridor allows readers to move around the space. The location of the book house is strategic; situated in a triangular area, it has a main walkway to the south and a three-meter stone wall to the north. On top of this wall is a children’s playground, which is at the same level as the book house's second floor, providing easy access for children to read or play while parents can supervise from within the reading areas. A key architectural feature is the facade, clad in relatively rare translucent sun panels for the village. These panels render the entire house translucent, allowing natural light to filter gently into the interior, creating a comfortable and luminous reading environment. The translucent material also offers glimpses of the external landscape, achieving a semi-transparent spatial experience that connects the indoors with the outdoors. Inside, the bookshelves are crafted from three-centimeter thick pine wood, adhering to a unified modular scale. Shulin Architectural Design's approach involved extensive research and experimentation, particularly concerning morphological type and material application. The closed space of the book house is elevated, incorporating a double-sloping roof form and pitch similar to local dwellings, complete with traditional roofing and grey tiles. A subtle adjustment was made to the roof ridge, deflecting it by 6.5 degrees. This slight alteration brings a nuanced morphological change to the roof, making one side higher than the other and allowing for spatial variations through the inclination of the roof and shelves. The choice of materials, including imported pine, sun board, and terrazzo, further contributes to the building's aesthetic and functional qualities. #ShulinArchitecturalDesign #BookHouse #TranslucentPanels #RuralArchitecture #ChineseArchitecture #ZhejiangProvince #SustainableDesign #CommunitySpace #ArchitecturalInnovation

The Yangjiang Cultural Center, designed by the Architectural Design & Research Institute of SCUT + Yifang Design Group, is a prominent cultural landmark located on the north side of Moyang Lake Park in Yangjiang City, China. Completed in 2023, the expansive 35,634 square meter facility integrates various cultural institutions, including an Archives Center, Party History Museum, Local Records Museum, Hall of Fame, a general museum, a planning exhibition hall, and a Workers' Cultural Palace. This comprehensive approach aims to inject vitality into the surrounding communities and establish a central hub for cultural activities within Yangjiang's new urban area. The project was led by architects Qiu Jianfa and Bao Ying, with photographs by Xu Mian, and interior design by Dongsan Interior Design Studio, and curtain wall design by Yazhong Curtain Wall Technology Co., LTD. The architectural design of the Yangjiang Cultural Center draws inspiration from both local cultural heritage and the natural landscape. Yangjiang, a coastal city, has a rich history associated with the "Maritime Silk Road" and boasts traditional art forms such as kite culture. The design concept is rooted in the imagery of a "sea wave" or "sail," reflecting the city's maritime identity. The building complex is organized around a central axis that connects Moyang Lake Park to the north with the city's urban area to the south, integrating the cultural center into the broader urban fabric. The architects adopted a scattered, block-like layout for the various functional components, ensuring sufficient open space and fostering a sense of urban integration. A key design feature is the use of a continuous, undulating roof, which visually unifies the diverse building functions. This roof is characterized by its curved surfaces and varying heights, creating a dynamic silhouette that evokes the movement of ocean waves. The roof is supported by a large-span steel structure, ensuring both structural integrity and architectural expression. The exterior facade primarily utilizes fair-faced concrete, a material choice that emphasizes the geometric qualities of the building and resonates with traditional Lingnan architectural elements. Large glass curtain walls are strategically incorporated to maximize natural light and offer panoramic views of Moyang Lake Park, blurring the lines between indoor and outdoor spaces. The interior layout prioritizes flexibility and accessibility, allowing for seamless transitions between different exhibition and activity areas. Public spaces such as lobbies, exhibition halls, and corridors are designed to be open and inviting, encouraging interaction and circulation. The design team focused on creating a comfortable and engaging environment for visitors, with careful consideration given to lighting, acoustics, and material selection. The center's various functions are distributed across multiple levels, connected by staircases and elevators, providing a diverse range of cultural experiences. The project aims to serve as a catalyst for cultural development, promoting local history, art, and community engagement in Yangjiang City. #CulturalCenter #Yangjiang #ChinaArchitecture #ArchitecturalDesign #PublicArchitecture #UrbanLandmark #LingnanArchitecture

The Mirikaroden Nakagawa Cultural Complex, designed by Furumori Koichi architectural design studio, is a renovation project in Nakagawa City, Fukuoka Prefecture, Japan. The facility integrates a public library, a multi-purpose hall, and a lifelong learning center, serving as a significant civic and community hub. The architectural design was led by Koichi Furumori, Kohei Hashisako, and Kenichi Anai, with structural engineering provided by Fukuoka Kozo and additional engineering by Tokyo Denki University, Sasatani Laboratory. The project, completed in 2025, covers an area of 8843 square meters. This project addresses a contemporary perspective on the role of libraries and cultural complexes, moving beyond traditional functions to create dynamic, interconnected spaces that foster community engagement and diverse activities. The design of the Mirikaroden Nakagawa Cultural Complex emphasizes creating an environment that supports varied learning experiences, community interaction, and cultural activities. The integration of a library, a multi-purpose hall, and a lifelong learning center within a single complex reflects a modern approach to public infrastructure, where facilities are designed to be versatile and cater to a broad spectrum of age groups and interests. The strategic location within the city, surrounded by complementary amenities like a children's center and an indoor swimming pool, further enhances its accessibility and utility as a central gathering place. The renovation aimed to modernize the facility while maintaining its core purpose of serving the community. Architectural choices, such as the prominent use of wood in the interior, contribute to a warm and inviting atmosphere. Wood is utilized for various elements, including shelving, seating, and other design features, promoting a sense of comfort and natural aesthetics. Lighting design plays a crucial role in enhancing the ambiance, with thoughtful integration to illuminate spaces effectively and create different moods for various functions. The interior photography highlights areas like the entrance, library zones (including magazine corners, kids' gardens, and silent rooms), and the lifelong learning center, showcasing how light and materials are combined to define each space's character. The project incorporates diverse functional zones within the library, such as an information desk, a knowledge garden, and a dedicated teens' garden, indicating an effort to tailor spaces to specific user needs and age demographics. The presence of a cafe within the complex suggests an emphasis on creating a comfortable, social environment beyond mere academic or cultural pursuits. The multi-purpose hall is designed to accommodate a range of events, adding to the complex's versatility. Conceptual diagrams and layout drawings provide insight into the spatial organization and the architectural vision behind integrating these distinct functions harmoniously. Overall, the Mirikaroden Nakagawa Cultural Complex exemplifies a contemporary architectural response to the evolving needs of public cultural institutions. It aims to be more than just a repository of books or a venue for events, but rather a holistic environment that encourages lifelong learning, community bonding, and cultural enrichment through its thoughtful design and integrated facilities. The emphasis on natural materials, strategic lighting, and varied functional spaces supports its role as a dynamic community asset in Nakagawa City. #CulturalComplex #LibraryDesign #LifelongLearningCenter #ArchitecturalRenovation #JapaneseArchitecture #CommunityHub #WoodArchitecture #IntegratedFacilities #PublicSpace

Wutopia Lab, an architectural firm, has designed and constructed the 'Emerald Screen Pergola' on Bogong Island in Wuxi, China. This serpentine structure spans 3,937 feet and is intended to merge traditional Chinese garden aesthetics with modern architectural approaches, transforming a conventional park pathway into an ornate leisure area. The design draws inspiration from classic Chinese garden pergolas, which traditionally featured wood or bamboo frames that were later overgrown with climbing plants and flowers. Yu Ting, the founder and chief architect of Wutopia Lab, articulated that the concept originated from ancient Chinese practices of creating structures with fresh flowers. The contemporary iteration uses steel trusses as its framework, anticipating a future where wisteria and other green plants will cover the pergola, blossoming into a vibrant spectacle and thus embodying a 'contemporarizing traditional Chinese culture.' A distinctive feature of the Emerald Screen Pergola is its dynamic and varied design, which departs from the uniformity often seen in traditional park structures. Yu Ting emphasized the intention to break this monotony by incorporating elements that open, close, stand alone, overlap, and even appear to disappear, creating an engaging and playful experience for visitors. The pergola's construction utilizes steel panels covered with mesh, providing a suitable surface for wisteria to climb and flourish. The abstracted leaf-like, or feather-like, forms were chosen for their simplicity in shaping and ease of construction, which allows them to cascade into diverse enclosures and visually resonate with arch structures. Initially painted white, these elements are poised to burst into color once the plants fully mature. The design's manipulation of light and shadow is a crucial aspect, echoing traditional Chinese paintings where flower corridors, solid walls, stones, mountains, and water interact to create varied visual effects. The feather-like units are designed to close, unfold, and vanish, producing a continually changing pattern of light and shadow along the pathway. This dynamic interplay is what led observers to perceive the structure as a 'wandering dragon.' Initially, the dragon motif was not a conscious design choice for the architects. However, after noting the winding path and the distinctive crowning structure at its end, a team member highlighted its resemblance to a dragon, leading to its adoption as a symbolic representation of how nature influences the structure. The project was subsequently titled the 'wandering dragon-like Emerald Screen Pergola.' For Yu Ting, the Emerald Screen Pergola represents more than just a physical structure; it signifies a bridge between the past and the future, aiming to preserve and modernize classical traditions. The architect expressed anticipation for the pergola to be enveloped in flowers, foreseeing a dramatic presentation of modernized classical poetry and a 'mini-epic' characteristic. This outcome would underscore the continued relevance and vitality of tradition within contemporary life. The Emerald Screen Pergola stands as a testament to innovative architectural design that respects historical context while embracing modern techniques, ultimately creating a unique and evolving public space that celebrates both natural beauty and cultural heritage. #Architecture #Pergola #WutopiaLab #ChineseArchitecture #BogongIsland #WuxiChina #PublicSpaceDesign #CulturalRevival

Mr. Chow, an entrepreneur in Jinhua City, China’s Zhejiang Province, acquired a spacious 5,381-square-foot four-level home, which, despite its ample balconies and courtyard, suffered from a significant lack of natural light. To address this, he commissioned Liang Architecture Studio for a comprehensive renovation, completed in December 2019. The core of the renovation involved transforming the home’s central space. The design team removed the second and third-level floor slabs in the foyer, creating a dramatic, voluminous atrium that extends from the basement to the roof. This open core now serves as the central focal point of the residence, significantly improving light penetration. Structural beams within this soaring space were deliberately retained to honor the building’s history, while footbridges on the second and third levels connect the two sides of the building, maintaining continuity and flow across the expanded void. To maximize natural light and introduce dynamic visual effects, the entire interior volume was crowned with a perforated aluminum panel situated beneath a glass roof. This innovative addition allows for a captivating interplay of natural light and shadow throughout the day, constantly shifting and animating the interior spaces. Furthermore, new perimeter window openings were strategically added to further enhance light distribution throughout the home. The layout of the home was reconfigured to optimize functionality and foster a more convivial atmosphere for the family. The main floor now accommodates the living spaces and a bedroom, providing a central hub for daily activities. The second floor is dedicated to the children’s bedroom and bath, a secondary living room, and a study, offering private and communal spaces for the younger residents. The third floor features an expansive master suite, an additional study/bedroom suite, and a terrace, providing luxurious and private retreats. The basement was transformed into a recreational area, equipped with a home theater, gym, tearoom, and a sunken courtyard at the base of the new atrium, offering diverse options for relaxation and entertainment. Mr. Chow's primary objective for the remodel was to cultivate a more casual and interactive environment for his family, facilitating both shared moments and individual pursuits. The renovation successfully achieved this goal, with Chow noting that the family now has more opportunities to engage in activities together, such as cooking, watching movies, and enjoying tea. The architectural changes have dramatically improved the home's connection to natural light, transforming it from a dimly lit dwelling to one filled with dynamic, dappled light throughout the day and year. This constant interaction of light and shadow creates an ever-evolving visual experience for the occupants. The successful integration of light and space has profoundly impacted the family's lifestyle, fostering a newfound appreciation for their home and encouraging more time spent together within its revitalized walls. #homeRenovation #architecturalDesign #naturalLight #atrium #perforatedRoof #JinhuaCity #LiangArchitectureStudio #modernHome #interiorDesign

This blog post highlights a third-floor co-op located at 291 Garfield Place in the Park Slope Historic District, which is currently on the market for $1.145 million. The unit is situated within a neo-Classical townhouse built in 1899 by William Flanagan. The building is part of a series of five townhouses featuring alternating brownstone and limestone facades, showcasing an eclectic mix of architectural details. The co-op unit boasts distinctive architectural features that contribute to its appeal. These include plaster garlands in the parlor, original interior wood shutters, restored window trim, and French doors in the bedroom. A notable element is a stained glass window found in the bathroom, adding a unique aesthetic touch. The interior design incorporates dark stained woodwork and oak parquet floors throughout, providing a classic and sophisticated feel. Functionally, the apartment is well-equipped with dedicated spaces. An office nook, featuring built-in bookshelves, is strategically placed within the front living room alcove, making efficient use of the space. Additionally, a well-appointed library serves a dual purpose, acting as both a reading area and a passage connecting the bedroom to the kitchen and subsequently to the bathroom. This thoughtful layout enhances the flow and utility of the apartment. The kitchen is designed with a blend of traditional and contemporary elements. It features white cabinetry and modern appliances, including a steel dishwasher, which offer a contrast to the darker wood finishes found in other parts of the apartment. While currently advertised as a large two-bedroom, the listing notes that it is essentially a one-bedroom unit, with a suggestion that the living room could be divided to create an additional bedroom, a conversion seen in other units within the building. Exterior details of the building at 291 Garfield Place are also emphasized. The entrance is marked by a grand arched portico adorned with fluted Corinthian columns. The facade further exhibits a row of egg and dart molding topping the first-story lintels, followed by foliate friezes, more Corinthian columns around the window bays, and a cornice embellished with square brackets and acanthus leaves. These details reflect the neo-Classical style and the craftsmanship of the period. The property has a monthly maintenance fee of $1,080. An open house was scheduled for Sunday, January 6, from 1 to 2:30 p.m. The listing agent is Eve Scott of Corcoran. The historical context of the building is briefly mentioned, noting that an owner in 1902 appeared eager to sell the property, possibly indicating a speculative purchase from that era. The article does not speculate on whether the asking price of $1.145 million is likely to be met but provides essential information for potential buyers. #ParkSlope #CoopApartment #HistoricDistrict #RealEstate #BrooklynHomes #InteriorDesign #ArchitecturalDetails #LimestoneFacade