Meet Hannah Bell Tringham | Interior Designer

Brittny Button, an interior designer and real estate investor, discusses her journey in establishing her own business and her unique design philosophy. Her passion for building, architecture, and design naturally led her to open an interior design firm, where she focuses on transforming spaces. Additionally, she realized a long-held dream by opening Button Atelier, a shop within the Agoura Antique Mart. This venture allows her to showcase and sell her collection of vintage furniture, many of which have been revitalized with new upholstery, alongside a curated selection of decorative accessories. Button's distinctive design aesthetic is deeply rooted in Old World European Classicism, with a particular fondness for Spanish architecture and Art Deco-inspired furniture. Her past projects have garnered significant recognition, being featured in prominent publications such as Architectural Digest, Vogue Living, Homes & Gardens, and Living etc. This acclaim underscores her ability to create aesthetically pleasing and functional living environments. A notable challenge she identifies in her work is the difficulty of assembling a cohesive on-site team, including project managers, contractors, and subcontractors, who fully grasp and align with her design vision. She emphasizes the importance of shared understanding, even suggesting that it is better to disengage from a project if the team is not in sync, to ensure the integrity of the final outcome. Button Atelier is envisioned as an evolving 'workshop' or 'studio,' extending beyond a traditional interior design firm, with various exciting projects anticipated for completion later in the year. When asked about local recommendations, Button suggests visiting the Pacific Design Center in LA to explore new home furnishings. For family outings, she highlights the playground at Malibu Country Mart, often combined with lunch at one of the local restaurants. She also enjoys browsing CB2 Design Shop in Malibu for new arrivals. For unwinding with friends, Soho House and Nobu in the same vicinity are her preferred spots. She acknowledges the significant impact of recent fires on the Malibu area, expressing empathy for affected families and businesses, and offering her design services at free or reduced rates to support those who have suffered losses. Button attributes much of her success and development to the influence of her parents, who fostered her artistic eye from a young age through their shared passion for collecting antiques and architectural history, particularly Art Deco. Accompanying them to flea markets and estate sales instilled in her a joy for discovering and reimagining vintage pieces, a practice she has maintained throughout her life. She recalls acquiring a vintage chandelier and mirror for her bedroom in high school, marking the beginning of her fascination with reclaimed items. Her husband, Jenson Button, is credited as a constant source of support over the past decade, granting her full creative freedom in their home renovation projects and bolstering her confidence in her design capabilities. Her four-year-old daughter, Lenny, also expresses an interest in following in her mother's footsteps, aspiring to design houses. #InteriorDesign #RealEstateInvesting #Entrepreneurship #DesignAesthetics #VintageFurniture #ArchitecturalDesign #SmallBusiness #CreativeProcess

Anna Hackathorn, an interior designer with almost 20 years of experience, shares insights into her journey and the development of her new venture, PLAN + ELEVATE. She explains that PLAN + ELEVATE was conceptualized during the 2020 quarantine as a sister company to her existing interior design business. The primary goal of PLAN + ELEVATE is to democratize interior design, making professional-quality design accessible to individuals who desire a beautifully decorated home but may not have the financial means to hire a full-service professional. Hackathorn identified a significant gap in the online marketplace for resources that empower individuals to undertake interior design projects for their own homes. Many prospective DIY designers feel overwhelmed by the vast array of choices, are uncertain about design principles, and fear making costly mistakes. To address these challenges, PLAN + ELEVATE offers a structured, step-by-step approach through a series of concise video lessons and a wealth of downloadable resources. These resources include worksheets, checklists, and example furniture layouts, guiding users from the initiation of a home decor or renovation project through its completion, culminating in the final touches that create a cohesive and intentional aesthetic. In addition to the self-guided resources, Hackathorn provides one-on-one video consultations. These personalized sessions allow clients to receive direct feedback, explore their design ideas with a professional, hear customized suggestions, and get answers to specific questions about challenging areas of their homes or the general design process. This blend of accessible online learning and personalized support aims to build confidence and competence in individuals tackling their home design projects. Hackathorn also offers a glimpse into her personal recommendations for experiencing Los Angeles, suggesting an itinerary for a week-long visit. Her favored activities include spending a day at Terranea Resort in Palos Verdes, known for its hiking trails, scenic walking paths along the cliffs, and the spectacular views from Nelson’s bar and restaurant. Another recommendation is renting bikes to ride along the beach strand from Redondo Beach to Santa Monica, exploring the distinct personalities and attractions of various beach towns and their piers. She also suggests dedicating a day to Abbot Kinney Blvd in Venice for its unique boutiques, diverse dining options, and vibrant atmosphere. For a day or weekend trip, she recommends taking a ferry to Catalina Island, highlighting the charming town and the relaxing experience at Descanso Beach Club, complete with water activities and beachfront dining. Finally, she mentions her enjoyment of Sunday morning flea markets like the Rose Bowl and Long Beach for sourcing vintage art and decor. Hackathorn extends her gratitude to two key groups: her past clients and her network of local interior designer friends. She acknowledges her clients for trusting her with their home designs and for openly sharing their anxieties, which helped her recognize recurring concerns across diverse budgets, styles, and home types. This understanding underscored the universal need for proper tools and guidance in home design, debunking the notion that only professionals can achieve beautiful spaces. She also credits her fellow small business owners in the interior design industry for their shared support, encouragement, and understanding of the profession's demands, which can often be misperceived as an easy job. #AnnaHackathorn #InteriorDesign #PLANandELEVATE #HomeDecor #DesignConsulting #Entrepreneurship #LosAngelesTravel #SmallBusiness #CreativeProfessionals

Samantha Tannehill of Tannehill Interiors designed a sophisticated pied-à-terre in West Chelsea, New York City, demonstrating a contemporary approach to residential design. This project highlights how global craft languages can be authentically integrated without cultural appropriation, fostering a space that reflects the client’s international travel and service experiences. The design focuses on intentional material curation to create a cohesive connection between local and global aesthetics within the apartment. The living area is characterized by the anchoring presence of bouclé chairs, complemented by handwoven textures. Velvet cushions and linen wallpaper from Dedar contribute to a layered tactile experience. The entryway sets the initial tone with Farrow & Ball’s Dimity 2008 paint, chosen for its ability to subtly shift in appearance throughout the day due to its rich pigmentation and complex undertones, thereby enhancing the living quality of the color as a material. The renovation of the apartment began after a flood prompted the owners to consider updates. Having a prior neighborly relationship with Tannehill, the conversation evolved from initial inquiries about flooring and contractors to a comprehensive redesign aimed at personalizing the home to the owners' personalities and lifestyle. This collaborative process underscores the importance of a strong client-designer relationship. A central feature of the apartment is a gallery wall displaying African art pieces. These artworks are not merely decorative but are positioned as fundamental elements that inform the overall spatial narrative, acting as cultural bridges. This approach avoids superficial exoticism, instead integrating global influences as meaningful components of the design. The apartment also incorporates natural fibers through baskets and various decorative objects, contributing to an eclectic, bohemian aesthetic. Tannehill describes the space as having both deliberately curated elements and pieces that have been accumulated over time, reflecting a lived-in and personal quality. Key design elements and brands utilized in the project include bouclé for seating, velvet for soft furnishings, Dedar for linen wallpaper, and Farrow & Ball for paint, specifically Dimity 2008. The inclusion of African art and natural fiber objects further defines the apartment's unique character. The project successfully blends modern design principles with culturally rich elements, resulting in a residence that is both contemporary and deeply personal. Photography for the project was provided by Patrick Xiong. #InteriorDesign #WestChelsea #PiedATerre #SamanthaTannehill #TannehillInteriors #GlobalInfluence #CulturalCraft #ContemporaryDesign #NewYorkCity

Holly Hunt, a significant figure in the interior design industry, has been inducted into the 2024 Interior Design Hall of Fame. Born in 1942 in San Angelo, Texas, Hunt initially pursued a career in fashion after majoring in English at Texas Tech. Her early professional experience included an executive training program at Foley’s, a Houston department store, and a role as an assistant buyer in millinery, followed by designing for a costume jewelry company in New York City in 1969. Hunt’s pivotal entry into the design world occurred in 1983 when she acquired R.J. Randolph, a struggling showroom at Chicago’s Merchandise Mart. She rebranded it under her own name, HOLLY HUNT, and embarked on a mission to redefine the showroom experience. Her approach was revolutionary for its time, focusing on elevating customer service, improving product display, and introducing transparency in pricing—a practice that faced initial industry resistance. Hunt curated showrooms that resembled actual living spaces, integrating architectural details, artwork, and a diverse mix of products and styles. She championed established designers like Vladimir Kagan and Rose Tarlow, while also discovering and promoting emerging talents such as glass artist Alison Berger and furniture maker Christian Astuguevieille. The company’s sophisticated branding and marketing materials were developed with the avant-garde graphics studio Thirst, all united by a commitment to superior quality. A key collaboration in the early 1990s was with French furniture designer Christian Liaigre, whose sleek, monochromatic aesthetic resonated with Hunt’s own. Hunt’s company became instrumental in manufacturing and distributing Liaigre’s designs in the U.S., influencing American interior design with rich dark woods and creamy textiles. This partnership gained significant recognition when André Balazs's Mercer Hotel in Manhattan opened with Liaigre-designed interiors in 1997. Hunt’s strategic vision extended to expanding her showrooms, notably opening one in the nascent Miami Design District in 1998. Designed by architect Alison Spear, this showroom deviated from conventional layouts, offering a luxury boutique experience accessible to all. Another Manhattan showroom, intended to open in October 2001, was successfully launched just two months after the 9/11 events, demonstrating Hunt’s resilience and foresight. She navigated the 2008 recession by restructuring her company, which led to the creation of Holly Hunt Modern, a collection that surpassed the profitability of her previous collaborations. In 2014, Knoll acquired HOLLY HUNT for $110 million. Hunt remained CEO for two years, overseeing expansions in Dallas and Los Angeles, and continued as a consultant until 2019. During this period, she undertook design projects such as a penthouse at the Surf Club in Miami Beach. Currently, Hunt leads House of Hunt, a Chicago-based interior architecture and furniture studio, engaging in projects ranging from product design, like the Dune sofa for HOLLY HUNT, to comprehensive home renovations. Her career trajectory is marked by continuous evolution and an adaptability to challenges, consistently eschewing rigid business plans in favor of dynamic engagement. #HollyHunt #InteriorDesign #HallOfFame #FurnitureDesign #ShowroomInnovation #DesignEntrepreneur #LuxuryDesign #ChristianLiaigre #DesignIndustry

Tali Roth, a Melbourne-born interior designer, has carved out a unique niche in New York's design scene, bringing a fresh, personal touch to interiors, particularly within the city's prevalent rental market. After moving to New York in 2013 with her husband and limited funds, Roth initially faced challenges in securing a traditional design role. Leveraging her background in psychology and fashion, she found an opportunity with a start-up agency that facilitated freelance designers, allowing her to utilize social media to build her own brand. This ultimately led to the establishment of her independent design business and the launch of 'The Playhouse,' her innovative 'shoppable office.' Roth's design philosophy is significantly shaped by New York's renting culture, which contrasts with Australia's emphasis on home ownership. She believes that living in a rental for decades necessitates making it comfortable and personalized, demonstrating that extensive decoration and even reversible renovations are achievable. For instance, she transformed her own Chelsea loft by applying a faux concrete finish to the walls and adding wainscoting in a previous apartment, all with the understanding that these changes could be reversed without issue. Her approach challenges the conventional limitations of decorating rental properties, emphasizing comfort and personalization over strict adherence to original conditions. Over six years in Manhattan, Roth has refined her signature aesthetic, describing it as 'pretty but not overly feminine, clean-lined but with a warm, mid-century edge.' Her design rule dictates that every interior should incorporate a mix of vintage, custom, and affordable or retro-fitted pieces, creating a harmonious and layered look. For artwork, she often draws inspiration from Australia, featuring pieces from artists like Minnie Pwerle, Adam Pyett, Stephen Baker, and Leila Jeffreys, and introducing clients to Australian brands such as Dinosaur Designs and Contemporary Editions, as well as glass artist Amanda Dziedzic. Currently, Roth is engaged in diverse projects, including the design of a flagship coffee venue for Bluestone Lane in SoHo, the offices for AWAY luggage, a multi-residential development in Brooklyn, and numerous private apartments, including one for a high-profile couple in the entertainment industry. Her material preferences lean towards glass, wood, and marble, favoring natural states and avoiding overly stained timber. While clients seek her distinct style, Roth prioritizes integrating their personalities into the space. She avoids being prescriptive, preferring to incorporate client-provided items, such as a grandmother's vase, even if they don't align with her personal taste, believing that these sentimental pieces bring joy and contribute to the overall balance and unique character of a home. #InteriorDesign #NewYork #RentalDecorating #HomeDecor #DesignPhilosophy #TaliRoth #MidCenturyModern #AustralianDesignInfluences #PersonalizedInteriors

Tiffany Clark, an interior designer, shares her journey, insights into managing social media for her business, and how she funded her venture. Clark emphasizes the significant role social media plays in her business, noting that 95% of her clientele comes from these platforms without direct advertising costs. She personally manages her social media, which involves content strategy, customer relations, responding to supporters, and brand promotions through high-quality visual content. Understanding platform algorithms and optimal posting times is crucial for visibility and audience engagement. Clark advises aspiring entrepreneurs to start immediately, even if it means creating a new account to attract a targeted audience with business-related content and a visually appealing page. Clark discusses her lifelong passion for interior design, which she discovered as a child while decorating her own room and later extended to family and friends. Her love for design was further nurtured by playing "The Sims" and watching HGTV shows like "Design on a Dime" and "Property Brothers." After serving nine years in the military, Clark decided to pursue interior design professionally in 2018. Despite initially struggling with self-doubt and fear of leaving a stable corporate job with good benefits, she enrolled in "The Interior Design Institute" to expand her knowledge. A pivotal moment for her was reading "Woman Evolve" by Sarah Jakes Roberts, which helped her overcome her fears and fully commit to her design career. This decision led to significant positive changes in her life, freeing her from previous anxieties. Funding her business began with "zero dollars" and a strong belief in her vision. Clark stresses the importance of faith and self-confidence for any entrepreneur, especially when seeking investors. She advises against waiting for the "right moment" to start a business, as there will always be challenges; instead, one should have a plan, a vision, and trust in divine guidance. Her journey highlights that achieving significant goals requires hard work, dedication, determination, and unwavering faith. Clark also shares a story of resilience, recalling her initial attempts to find employment with design firms after completing her studies. Despite curating a portfolio, she faced numerous rejections due to the close-knit nature of the industry and limited hiring opportunities. This period was discouraging and led her to temporarily stop designing for others. However, she eventually realized that these rejections were a redirection, guiding her towards starting her own business. Believing that a higher power had bigger plans for her, she launched her own company, allowing faith to lead the way. This leap of faith transformed her professional life, empowering her to become her own boss and find fulfillment in her purpose. Her contact information, including her website, Instagram, and Facebook profiles, is provided for those interested in connecting with her work. #InteriorDesign #Entrepreneurship #SocialMediaMarketing #BusinessFunding #CareerTransition #PersonalGrowth #Resilience #SmallBusiness #CreativePursuits

A family seeking a unique summer retreat in Southampton commissioned a home that deviates from the typical Hamptons shingle-style aesthetic. They collaborated with local architect James Merrell to design a modern structure on a four-acre plot, which successfully balances 21st-century design with traditional Hamptons village vernacular. The resulting H-shaped house, oriented east to west, maximizes natural light throughout the day, with careful placement of windows and plantings by AD100 landscape architect Edmund Hollander ensuring views of the outdoors from every room. To infuse the Zen-inspired interiors with personality and vibrancy, AD100 designer Kelly Behun was enlisted. The homeowners expressed a desire for both playful and sophisticated elements. Behun curated a space filled with distinctive furniture and art, leveraging her network of artisans. Notable pieces include a Shape Up chandelier by Ladies & Gentlemen Studio, colorful rugs designed by Kinder Modern and Behun for the Rug Company, and a collection of Memphis Group ceramics alongside contemporary vessels by Erica Prince and Manal Kara. Behun approached furniture as sculptural elements, prioritizing both comfort and functionality. The outdoor spaces were also integrated into the design, with Behun collaborating with Hollander to strategically place and light outdoor art installations. These include a stainless-steel zipper sculpture by Mark Richard Hall and an eight-foot-tall painted-fiberglass sculpture by Chiaozza. For the children, a supersized chessboard and Thomas Heatherwick's Spun chairs were added to the yard, creating whimsical and engaging elements. Despite the playful additions, Behun maintained a refined aesthetic by anchoring the interiors in neutral tones, luxurious materials, and stained white oak. The living room features a modular Francesco Binfaré sofa, complemented by brass and stone furnishings. The master bedroom, designed with a 1970s chalet-by-the-sea ambiance, incorporates fuzzy wool carpet, a vintage ribbon-like chair, and a channel-tufted headboard. Reading nooks and a library were also key considerations, reflecting the homeowner's profession as a novelist. The home's central, double-height library serves as a family gathering space, complete with Vladimir Kagan sofas. A shared "bunkroom" for the children includes capsule-like beds and cozy wall nooks for reading. A less conventional request, a bowling alley in the basement, was designed by Behun with inspiration from French artist Jean Dubuffet, featuring a graphic black-and-white pattern on Élitis wallpaper, creating a perception-bending effect. The finished home successfully provides a fun-filled, non-electronic environment for the family and their children's friends. #HamptonsDesign #ModernArchitecture #InteriorDesign #KellyBehun #LuxuryHomes #LandscapeDesign #ArtisticInteriors #CustomFurniture #FamilyHome

The article presents an interview with Kristin Gray, an interior designer based in Los Angeles. Gray shares insights into the interior design industry, emphasizing that owning a design business extends beyond creative design to encompass business processes, marketing, logistics, and human resources. She highlights the importance of building personal connections and trust with clients, stating that successful interior design is ultimately about providing high-level client service with integrity. Gray recounts her professional journey, beginning in 2005 when she moved to Los Angeles after college with aspirations of working in design or architecture. Her first role was as an office manager at an architectural firm, where she acquired skills in AutoCAD and blueprint reading. During this time, she pursued further education, enrolling in a Design Psychology class at UCLA Extension, which combined her undergraduate background with her interest in design. This marked the start of a seven-year endeavor to earn her Master's in Interior Architecture, a period during which she simultaneously gained practical experience in the design field through various work opportunities. She reflects on her growth as a designer, stressing the value of self-belief, confidence in her abilities, and her commitment to creating homes that serve as havens for her clients. Gray also offers a suggested itinerary for a week-long visit to Los Angeles, focusing on diverse experiences. Her recommendations include spending an afternoon in the Downtown Arts District, particularly The Row, to explore Smorgasburg's food offerings, browse shops, and enjoy coffee at Go Get Em Tiger. Another day would involve a visit to Terranea in the South Bay for a stroll along the coastal walking path, a meal, and potentially a massage. For dining, she suggests Planta Cocina in Marina del Rey, noting its delicious food and appealing design. The itinerary also features exploring South Bay beach towns like Redondo and Manhattan Beach, complete with shopping, coffee or acai bowls at BlendzUp, food and drinks at Salt & Pearl, and dinner and entertainment at Belle Epoque. Cultural activities include visiting the Huntington for art and gardens and attending a show at the Hollywood Bowl. A relaxed day at the beach is also included in her ideal Los Angeles experience. In her 'shoutout' section, Gray expresses gratitude to the many individuals who have supported her career. She acknowledges past colleagues, friends, and her husband for their encouragement during challenging times, their motivation for professional advancement, their support for her education, their recommendations for new projects, and their trust in her work. Her website, 'kdgrayinteriors.com,' is provided as a resource for those interested in her work. The article encourages readers to nominate others deserving of recognition within the community, aligning with the platform's mission to highlight 'hidden gems' and foster community interaction. #InteriorDesign #BusinessOwnership #ClientRelationships #ProfessionalJourney #LosAngeles #TravelItinerary #LocalRecommendations #Gratitude

Interior designer Traci Connell, recognized as a 2022 Best Designer, shares insights into her personal home, which she inhabits with her husband, Michael McDonald. Their residence, marked by distinctive architectural features like a C-shaped floorplan, triangular windows, and angled ceilings, previously housed a series of architects. Connell's design philosophy for her own living space prioritizes a "neutrals and natural" aesthetic, diverging from the vibrant palettes she often employs in her professional work. She describes her home as a place that "breathes a sigh of relief," filled with blacks, whites, creams, and subtle hints of greens and camel tones. This approach allows her to unwind from the constant creative demands of her profession, where she is frequently surrounded by color. A core aspect of Connell's design strategy involves a strategic blend of high-end, custom-made pieces with more affordable, ready-made items from large retailers such as Crate & Barrel, CB2, and Ikea. She emphasizes that while her clients seek custom designs, certain foundational and utilitarian items can be sourced from big-box stores without compromising the overall sophisticated look. This combination prevents the space from feeling overly formal or "stuffy," creating an environment that is both visually appealing and highly practical. Connell explains that everything in her home is meticulously curated, showcasing how accessible items can be elevated when paired with bespoke elements. The couple moved into their home four years prior, just before their wedding. Following a house fire, they embarked on a multi-phase renovation, transforming the adversity into an opportunity for fresh design. Despite the fire, Connell preserved original elements like the brick floors. She maintained her neutral color scheme, selectively introducing rich pops of color, such as deep greens or aubergines, in unexpected areas. Her rationale for a predominantly neutral interior is that the vibrant personalities and attire of guests often introduce enough color, aligning with her desire for a relatively quiet and serene backdrop. Connell highlights several specific design choices throughout her home. In the kitchen, original features like the hood, range, and silestone countertops were retained, while cabinetry was redone and striking rift-cut wood details were added. She incorporated Olympia white marble for the islands and backsplash, a personal indulgence. The dining room, in contrast to the overall neutral theme, features a dramatic grasscloth wallpapered ceiling, reflecting Connell's inclination to "push limits a little bit" as a designer. The family office embraces all-black walls, made possible by abundant natural light, and includes colorful original art, a vintage Sutherland desk, and lacquered green bookcases from Scout Design Studio. The master bedroom showcases a black-and-white aesthetic with bedding from Peacock Alley and Harlequin fabric accent pillows, alongside nightstands from Currey & Co. and lamps by Arteriors. The bathroom features a distinctive wallcovering that mimics tile and a durable porcelain flooring, completed with a Stone Forest sink and a Made Goods mirror. The family room, a testament to her love for nature and neutrals, is bathed in warm ivory tones, complemented by exposed brick floors and various plants. It features a custom sectional by Hickory Chair, swivel chairs from Four Hands, and a Feizy rug, along with a beloved bar area where Connell and her husband enjoy their "Martini Friday" tradition. The article includes a Q&A section where Connell elaborates on her philosophy of mixing high and low-priced pieces, stressing the importance of removing overly popular mass-market items from design presentations to maintain a unique, custom aesthetic for her clients. #InteriorDesign #HomeDecor #TraciConnell #DallasHomes #NeutralPalette #LuxuryDesign #AffordableDecor #HomeRenovation #DesignPhilosophy

This article features an interview with Grania Murray, an interior designer with over 25 years of experience, originally from Ireland and now based in Los Angeles. Murray emphasizes that clarity is the most crucial factor behind her success. She specializes in guiding clients through complex design decisions with a sense of calm and clear direction, helping them navigate the often overwhelming process of building or renovating spaces. Her professional approach focuses on simplifying complicated choices, allowing clients to move forward with confidence in their projects. Murray's dedication to providing clarity in design became deeply personal after the devastating LA wildfires, which led to her daughter and daughter-in-law losing their home. Witnessing their struggle with loss, bureaucratic hurdles, and a multitude of decisions highlighted the critical need for guidance during such challenging times. This experience inspired her to create "The Design Align," a service that offers high-level, strategic support to clients before they commit to potentially costly decisions. This initiative focuses on helping clients understand the broader picture and establish a clear foundation for their projects, demonstrating her commitment to making design accessible and less daunting. While she continues to run a full-service interior design studio, The Design Align represents a significant and proud expansion of her work, driven by a desire to share her extensive knowledge and experience. Murray credits Jane McDonnell, Co-Founder and Publisher of The Gloss Magazine and Co-Founder of DESIGN WEEK DUBLIN, for playing a pivotal role in her career. McDonnell saw Murray's home design in Ireland, suggested she pursue interior design professionally, and subsequently featured her work in an article. This feature led to Murray acquiring her first clients, effectively launching her career in the field. Murray reflects on her childhood passion for rearranging furniture, highlighting an innate inclination towards understanding how spaces feel. She views design as a means of making sense of the world, emphasizing the blend of form and function to create spaces that evoke a sense of "home at last." Her design philosophy involves mixing old and new elements, incorporating art, vintage finds, handmade pieces, and clients' existing treasures to achieve unique and personal interiors. What truly distinguishes Murray's work is not just the aesthetic but the comprehensive client experience she provides. Her approach is described as strategic, empathetic, and deeply attuned to fostering comfort and stability within a space. She prioritizes listening to her clients and making choices that align with her values, particularly concerning sustainability. She acknowledges facing challenges like dry spells, unsuccessful detours, and the difficulties of relocating to Los Angeles and starting over. However, her resilience and quiet determination have been constant driving forces. Murray advises that one does not need all the answers but rather needs to focus on what matters most and act accordingly. She believes that great design stems from clarity—understanding a space's purpose, aligning it with practical considerations like budget, timing, and emotional connection, and allowing beauty to emerge naturally. She also shares a favorite quote by Paulo Coelho: "When you want something, all the Universe conspires in helping you achieve it," reflecting her belief in universal support for one's aspirations. Murray concludes the interview by sharing recommendations for visitors to Los Angeles, drawing from her diverse experiences living across the city. Her suggestions include day trips to Lake Arrowhead for its lake and brewery, and Santa Ynez for wine tasting, with Buttonwood being a favorite spot. She also recommends scenic drives along the Pacific Coast Highway to experience classic LA coastal vibes. For morning or afternoon activities, she suggests visiting The Huntington Gardens and The Norton Simon Gallery in Pasadena, and taking a clay class at Green & Bisque in Pasadena. For dining, she highlights Star Leaf (Asian Fusion) and Redbird (Downtown LA), and mentions Los Felix as an all-time favorite. For drinks, The Pasadena Hotel is recommended, and for entertainment, she enthusiastically suggests Blah Blah Karaoke and any show at The Pantages. #InteriorDesign #GraniaMurray #DesignPhilosophy #ClientClarity #TheDesignAlign #CareerJourney #LosAngelesDesigner #Resilience

Tiffany Howell, founder of Night Palm Interiors, discusses her unique approach to interior design, which prioritizes the 'feel' of a space over traditional design starting points. Her background in producing and directing music videos significantly influences her current work, leading her to often begin projects by creating a playlist or drawing inspiration from fashion. For instance, she is currently designing a house based entirely on a 1970s Missoni ad campaign, using its color palette as a foundational element. Howell emphasizes that her design aesthetic often involves a 'rock-and-roll romantic' style, with approximately ninety percent of her projects incorporating vintage pieces. She describes herself as an emotional designer, focusing on the emotional impact and atmosphere of a space before diving into its aesthetics. Howell’s studio in central Los Angeles, which she had coveted for years, plays a crucial role in her creative process. The building's inherent Parisian architectural features, such as parquet wood floors, intricate molding, and wrought-iron details, provided a strong foundation. Howell enhanced these existing elements by introducing modern whimsical touches, including sculptural furniture, dedicated music and bar areas, and a carefully curated art collection. The space is intentionally designed to feel more like a comfortable living room than a typical office, fostering a creative and inspiring environment for her team. This atmosphere is further cultivated by the presence of a record player, encouraging team members to play music that inspires them. The studio serves multiple functions beyond a typical workspace; it also houses a material library for client consultations and large-scale mood boards, allowing for a highly visual and collaborative design process. Howell intentionally avoided major renovations, opting instead to focus on decor to maintain the building's original charm. She updated the lighting with chrome French-style sconces, appreciating the juxtaposition of modern and classic elements. Sourcing for her projects often involves supporting local vintage dealers in Los Angeles, complemented by purchases from online platforms like 1stDibs and Chairish, with pieces frequently reupholstered to align with her vision. The studio's art collection is a reflection of her personal taste and influences, featuring works by artists like Warhol, Newton, and Cohen, further emphasizing the blend of fashion and music that underpins her design philosophy. The building's exterior, with its beautiful tile work and European style, along with its courtyard and rooftop deck, contributes to the overall inspiring ambiance of the studio, making it a space where creativity thrives. #InteriorDesign #TiffanyHowell #NightPalmInteriors #ParisianStyle #LosAngelesDesign #VintageDecor #CreativeProcess #DesignStudio #FashionInfluence

This article features an interview with Jennifer Harkavy, an interior designer and founder of J. Harkavy Interiors, focusing on her career journey, business philosophy, and personal recommendations for Los Angeles. Harkavy discusses the pivotal role of risk-taking in her life, particularly her decision to move from New York to Los Angeles in 2009 during the mortgage crisis. This move, initially driven by a desire for a fuller life, eventually led to her establishing her own interior design firm in 2020. She acknowledges the intimidation of starting a business without prior experience in entrepreneurship but emphasizes that taking the risk was crucial to avoid future regrets. J. Harkavy Interiors specializes in residential design, creating coastal-inspired interiors in Los Angeles. The firm's distinguishing characteristics include meticulous attention to detail and a client-first philosophy, aiming to craft stunning yet functional spaces uniquely tailored to each client's vision. Harkavy expresses pride in clients who embrace bold design choices and fully trust her expertise. She also highlights the collaborative nature of interior design, acknowledging the vital contributions of contractors, carpenters, window installers, and various vendors to the success of a project, underscoring the importance of showing appreciation to these team members. Beyond her professional life, Jennifer Harkavy shares a personalized itinerary for a week-long visit to Los Angeles, filled with her favorite local spots and activities. Her recommendations include a day trip to Lido Beach and Corona Del Mar, biking along the strand to Manhattan Beach with lunch at Esperanza, and enjoying a picnic dinner at Torrance Beach to watch the sunset. For cultural and entertainment experiences, she suggests a morning at the Getty House, an afternoon in Malibu followed by dinner at Nobu, attending a show at the Pantages Theatre, and visiting the Broad Museum. Culinary recommendations feature lunch at Langer’s Deli and dinner at Bottega Louie after shopping in the jewelry district. The interview also delves into the influences behind Harkavy's creativity and passion for interior design. She attributes much of her inspiration to her father, recalling childhood memories of visiting antique shops with him since the age of 10. A particularly cherished memory involves a flea market visit outside London in her early twenties, where she purchased a brass gong, an item she still treasures today. Her father consistently encouraged her to pursue her dreams and take chances, celebrating her successes as if they were his own, which significantly fostered her journey into interior design. This support highlights the importance of mentorship and encouragement in her personal and professional development. #JenniferHarkavy #InteriorDesign #LAInteriors #CoastalInspiredDesign #Entrepreneurship #RiskTaking #LosAngelesLifestyle #BusinessJourney

Meredith Stern, an interior designer and home stylist, defines her legacy through the relationships she cultivates with clients and the personal, transformative spaces she designs for them. Her design philosophy extends beyond aesthetics, focusing on understanding each client's lifestyle, preferences, and aspirations to create spaces that are not only visually appealing but also uniquely tailored to their individual needs. Stern limits the number of large-scale projects she undertakes to ensure each receives her full attention and commitment. Her undergraduate background in psychology significantly influences her design approach, enabling her to create homes that positively impact her clients' mood, productivity, and overall well-being. She emphasizes that the functionality and appearance of a home profoundly affect happiness and quality of life, aiming for her projects to leave a lasting impression of joy, comfort, and inspiration. Meredith Stern Interiors is characterized by its meticulous approach to client understanding, eschewing 'cookie-cutter' designs for personalized spaces that enhance daily life. Stern's psychological background provides a unique insight into how environments shape emotions and well-being, which she integrates into every project. She takes pride in the trust clients place in her to actualize their visions, finding immense reward in transforming homes and the lives within them. The human connections forged during projects are as meaningful to her as the design itself. Starting her own business, Meredith Stern Interiors, was a significant life transition initiated during the COVID-19 pandemic after renovating her own home in Florida. This experience rekindled her passion for design, though the entrepreneurial journey presented challenges such as client acquisition, balancing creativity with business operations, and establishing her brand in a competitive industry. Perseverance, hard work, and the support of her husband, family, and the design community were crucial to her success. She learned the importance of patience, resilience, and maintaining her vision, along with prioritizing quality over quantity by selectively choosing projects to ensure dedicated attention to each client. Stern articulates that Meredith Stern Interiors is more than just about creating beautiful spaces; it is about designing homes that genuinely reflect their inhabitants. Her overarching goal is to craft spaces that are aesthetically pleasing, highly functional, and transformative, ultimately bringing joy, comfort, and daily inspiration to her clients. She views design as a service that profoundly impacts lives by shaping the environments people inhabit. The interview also delves into a personal anecdote, outlining a hypothetical week-long itinerary for a best friend visiting Florida, filled with activities centered around thrifting, vintage hunting, and design inspiration. This includes visits to World Thrift in Lake Worth Beach, various thrift stores in Delray Beach, followed by dinner at The Grove. The itinerary extends to Miami to explore vintage and antique shops on Biscayne Boulevard, particularly mentioning Avra Art, Robert Massello, Cur8ed Studio, Iconic Design Gallery, CastellArts, and Michel Contessa. Meals at Mandolin in the Design District are suggested, alongside exploration of Wynwood's street art and the Design District's architecture. A visit to the Morikami Museum and Japanese Gardens in Boca Raton is also included, highlighting its serene beauty and intentional design. Stern attributes much of her success and confidence to her husband, who has been her biggest supporter and cheerleader since the inception of Meredith Stern Interiors, providing unwavering belief and encouragement throughout the challenges and triumphs of entrepreneurship. #InteriorDesign #HomeStyling #MeredithStern #ClientRelationships #PsychologyInDesign #Entrepreneurship #FloridaDesign #PersonalizedSpaces

The article highlights Anne Hathaway's living room design, specifically focusing on her unconventional color pairing of purple and yellow in the seating area. Traditionally, color theory suggests that complementary colors like yellow and purple, which are opposite each other on the color wheel, can be too vibrant and jarring when used together in interior design. However, Hathaway's interior designer, Pamela Shamshiri, has skillfully integrated these shades in a way that is both striking and harmonious. The design features two purple sofas complemented by a mustard yellow armchair, with an additional cobalt blue chair placed between them. This arrangement defies conventional wisdom regarding color combinations, yet it achieves a dynamic and aesthetically pleasing effect. The author, a celebrity style editor, notes that this particular application of contrasting colors is one of the most effective she has encountered in celebrity homes. The success of this rebellious color scheme is attributed to two key factors. First, the chosen shades are subtle rather than overtly bright. Instead of neon yellow and royal purple, the designer opted for softer tones like lilac and mustard. This nuanced selection prevents the colors from clashing or appearing clownish, lending an air of sophistication to the space. Second, the colors are strategically broken up and distributed throughout the room, avoiding a concentrated or overwhelming display. The purple is contained within the sofas, while the yellow is allocated to a separate armchair, positioned a few feet away. This dispersion prevents a direct, intense confrontation between the colors. Further contributing to the cohesion of the design, Shamshiri has woven elements of both purple and yellow into other aspects of the room's decor. For instance, the wall paint incorporates subtle purplish undertones, and the coffee table books feature yellow spines. These small details create a visual link between the main seating pieces and the surrounding environment, fostering a sense of unity despite the bold color choices. The article emphasizes that this design serves as a compelling reminder that breaking traditional design rules and taking calculated risks can often lead to unexpectedly successful and stylish outcomes, suggesting that the most innovative design decisions often emerge from exploring the unknown. The author concludes that Hathaway's living room has fundamentally altered her perception of the purple and yellow color combination in interior design. #AnneHathaway #InteriorDesign #ColorTheory #LivingRoomDesign #CelebrityStyle #HomeDecor #PamelaShamshiri #DesignInnovation

The article provides an intimate look into the Sunfish Lake home of antiques dealer Robert Riesberg and his wife, Christine Hartman, which doubles as both their residence and a by-appointment-only gallery for Riesberg's business. Their Federal-style house, built in 1925, is characterized by a blend of traditional design and warm hospitality, furnished with museum-quality 17th, 18th, and early 19th-century antiques, art, objects, and rugs. Riesberg, with over 50 years of experience, emphasizes buying pieces he would personally want to keep, noting that this passion drives his successful career. The home features a series of formal rooms, including a front parlor with a mahogany drum table, sideboard, and a 1760 cherry New England flip-top secretary desk, with walls painted in Benjamin Moore’s Rosy Apple. A light-filled formal dining room and gallery, added by Riesberg, is used for parties and family gatherings, showcasing French Louis XV rococo console tables with rare brèche d’alep marble from approximately 1760. The exterior of the home maintains its Federal-style architecture, while the kitchen, though the least formal space, is adorned with 18th-century Windsor chairs and Delft tiles depicting manganese figures from the same period. Creative design solutions are evident throughout, such as a small closet ingeniously converted into a walk-in bar with a Dutch door. The sunporch, featuring terrazzo floors and shelves filled with Delftware, opens to a grape arbor, offering a serene space. The fireplace mantel and paneling were custom-designed based on Connecticut fireplace patterns, symmetrically decorated with blue-and-white 18th-century Delftware. The central hallway boasts ash and walnut flooring modeled after traditional French parquetry, complemented by 19th-century oil landscapes, a late 18th-century portrait, and a Regency commode from around 1710. Riesberg’s study, designed with Connecticut inspiration, features millwork painted in a custom green and houses a substantial collection of books and catalogs on antiques, art, landscaping, and architecture. The article also includes five tips from Robert Riesberg and Christine Hartman for incorporating antiques into one's home. These tips encourage individuals to discover their personal taste by visiting various sources like museums and antique shops, and building a file of preferred items. They suggest taking inventory of existing belongings to identify pieces that don't align with one's aesthetic or function, thereby creating space for new acquisitions. The couple advocates for broadening one's scope beyond furnishing a room strictly by a singular period, encouraging the mixing of contemporary furnishings with antique gems to create a space that reflects individual taste and personality. Riesberg advises understanding the craftsmanship of antiques, particularly those made before the machine age (pre-1840), to appreciate their design details and value. Finally, they recommend taking a slow approach to building a collection, emphasizing that a few beautiful, well-chosen pieces are more valuable than a multitude of mediocre ones, and that truly beautiful homes evolve in stages. #HomeDesign #InteriorDesign #Antiques #FederalStyleHome #VintageDecor #HomeTours #LuxuryInteriors #CollectingAntiques

Tina Norden, the Interior Designer of the Year at The Brit List Awards 2021 and a partner at Conran and Partners, recently discussed her career and design philosophy. Norden's consistent presence and influential voice in the industry throughout the pandemic, addressing emerging trends, the impact on hospitality, inclusive design, and quality craftsmanship, earned her this prestigious recognition. Her dedication extended to mentoring junior team members and managing large-scale projects remotely, maintaining a positive and productive environment. Norden's passion for interior design and architecture stems from both her upbringing and personal interests. Her father, a landscape architect, and her formative years in Hamburg, Germany, a city known for its creativity, significantly shaped her career path. At 18, she moved to London, drawn by its vibrant music scene, and pursued higher education in architecture and design. A pivotal year-out placement at Conran and Partners solidified her belief that it was the ideal environment for her. During her time at the Royal College of Art (RCA), where she completed her Part II, Norden further developed her interest in interior architecture through a course that uniquely combined design and architecture. She continued her involvement with Conran and Partners throughout her studies and beyond, relishing the creative freedom and collaborating closely with Sir Terence Conran on notable projects. Her design approach emphasizes enduring style over fleeting fashion, a principle she attributes to Sir Terence Conran himself. This philosophy ensures that her projects are both aspirational and long-lasting. Over her career at Conran and Partners, Norden has revitalized numerous projects and led her team with an empathetic style. Her impressive portfolio includes the German Gymnasium, Skylon, South Place Hotel, Finsbury, and the Maximilian Hotel in Prague. More recently, she completed the new Park Hyatt hotel in Auckland, FEAST within Hong Kong’s EAST hotel, a new dining destination and members’ club at London’s Taj Hotel, and the Peninsula Boutique and Café in Hong Kong. Norden and her team also played a significant role in the HIX Event 2021, where they designed the WFHotel installation. This collaborative project explored how changing consumer attitudes towards working from home/hotel could reshape conventional lobby designs. Norden’s contribution focused on fostering community-focused interactions within these spaces, reflecting her commitment to human-centric design. This interview is part of an editorial series sponsored by GROHE, the Broadcasting Partner of The Brit List Awards 2021. #InteriorDesign #HotelDesign #Architecture #ConranAndPartners #TinaNorden #BritListAwards #HospitalityDesign #DesignTrends #LuxuryInteriors