California casual meets classic Upper East Side charm in this stylish New York apartment

This Upper East Side apartment, designed by S.R. Gambrel, showcases luxurious interiors on 79th Street. Each room is designed to be distinctive while contributing to a cohesive aesthetic, featuring a vibrant color palette, unique wall decor, ornate light fixtures, and distinctive floor textiles. The formal living room, situated at the front of the home, is bathed in natural light from expansive windows. It employs neutral tones for its furnishings, carpet, and fireplace, with an emphasis on uncommon shapes, including an oblong chaise-sofa combination and a pair of Art Deco mirrors framing the fireplace. Adjacent to the formal living room, a sitting area presents a dramatic contrast with shiny deep purple walls and a bright red ceiling. This space is further enhanced by a brightly colored abstract painting positioned above the couch. A second, softer living room maintains a focus on surprising design details but with a more understated approach. This room incorporates marble-like patterns in both the carpet and window treatments. A cool blue sofa provides a focal point, set against elegant gold wallpaper. The dining room, located at the opposite end of the second sitting room, features a modern orange table paired with an Art Deco chandelier, maintaining the apartment's blend of contemporary and classic elements. The kitchen extends the orange color theme from the living room, contributing to a modern and graphic aesthetic. It features Tetris-like floor tiling, which is complemented by a light marble island and a modern light fixture. Additional rooms within the residence continue the theme of unique luxury, including a sitting room adorned with fur and a bathroom finished in marble. The overall design throughout the apartment emphasizes a rich interplay of colors, textures, and forms. #UpperEastSide #LuxuryApartment #InteriorDesign #SRGambrel #VividColors #ArtDeco #ModernDesign #HomeDecor #ManhattanRealEstate

This article highlights the transformation of a 750-square-foot apartment in a 1910 prewar building on the Upper West Side of New York City, designed by Homepolish designer Marissa Bero. The project aimed to update a space previously occupied by a Broadway lighting designer for 50 years, which included a disco ball in the entry, dated track lighting, and wall-to-wall carpeting. Bero's design philosophy for this renovation was an "eclectic Hollywood Regency with luxe fabrics and finishes, a touch of chinoiserie, and just the right amount of kitsch," tailored to the new homeowners, Michael and Luca, and their contemporary aesthetic. The renovation began with addressing the pre-existing outdated elements, such as removing the disco ball and old lighting, and replacing the wall-to-wall carpeting. After creating a clean palette, which involved refinishing hardwood floors and installing new light fixtures, Bero introduced vibrant colors and patterns. The homeowners' passion for collecting unique vintage pieces significantly influenced the design, leading to an interior filled with retro art prints and colorful tchotchkes. Key design elements include a chinoiserie wallpaper accent wall and a deep plum-hued velvet sofa, blending old-school elegance with sleek mid-century lines and whimsical touches. Bero emphasizes her strategy of mixing styles and eras, noting that a cohesive look is achieved through a consistent color palette and by repeating design styles or motifs. For example, if an Art Deco furniture piece is introduced, another one from the same era is included in the room to create unity. She also points out that pieces from different eras can harmonize if they share similar lines, curves, or motifs. In the living room, to maintain an airy feel and capitalize on the natural light from large windows, Bero opted for simple white paint and sheer linen drapes. Color was strategically introduced through vibrant throw pillows and a bookcase adorned with colorful books and plants. The bedroom features a rich blue tone, balancing opulent and contemporary styles. Recognizing Luca's extensive wardrobe, Bero prioritized ample storage solutions while maintaining a cozy and romantic atmosphere. Bero encourages homeowners not to shy away from bold design choices, suggesting that initial intimidation can lead to the most rewarding outcomes. The article concludes by presenting this apartment as a prime example of successful style integration and personalized interior design, demonstrating how a blend of diverse elements can create a uniquely appealing and cohesive living space. #InteriorDesign #ApartmentRenovation #EclecticStyle #HollywoodRegency #NYCDesign #ColorPalette #KitschDecor #HomePolish

Interior designer Charlie Ferrer's new Greenwich Village apartment in New York City is a testament to his evolving aesthetic, moving from a "spare masculine" midcentury modernism to a more eclectic, colorful, and "granny feminine vibe." Ferrer sought a pre-war building with a working fireplace in the West Village, a combination he found in a 1931 Bing & Bing condominium on Christopher Street, directly above the Stonewall Inn. This location, described as a "dynamic little intersection of energies," offered a livelier environment than his previous Chelsea residences. His stylistic shift mirrors a personal transformation, having grown up in Greenwich, Connecticut, with a "heteronormative white preppy" aesthetic. After moving to Los Angeles, coming out, and entering the furniture business, his design preferences naturally broadened. As a largely self-taught interior designer, Ferrer has expanded his studio to include luxury condominium model apartments and a vintage furniture collaboration with CB2. He notes that different projects and evolving interests taught him to integrate pattern and color into his designs. The apartment's inherent pre-war character, with its solid proportions and charming details like entry vestibule railings, facilitated this transition towards a layered and collected look. Ferrer, who also operates his own vintage design gallery, furnished the apartment by hand-picking pieces from his inventory. He describes his approach as "iterative or incremental, based on discoveries," rather than a pre-conceived "full vision." This method involved customizing chosen items to ensure they complemented each other. Examples of his unique customization include a sofa with added pleats, cast-bronze animal claw feet, and magenta piping. A swiveling "Elda" chair by Joe Colombo, selected for its "weirdness quotient," was reupholstered in a dark green alpaca-hair fabric. Striking molded acrylic dining chairs were given chartreuse-hued textile cushions to contrast with their rosy-amber bases, a design choice Ferrer playfully admits few clients would approve. These chairs pair with an antique wooden table featuring a figurative bronze sculpture by French artist César. In the bedroom, a 1930s archival print from French textile house Le Manach covers the bed, which Ferrer affectionately calls "grandma, but I think it’s super sexy." Above the bed hangs a collection of small crosses from a Parisian estate sale, recontextualized by Ferrer as an "aesthetic gesture" rather than a religious symbol. Unexpected details also appear in the kitchen, where the cabinet interiors are finished in Hermès-orange, contrasting with a wall lined in textured grasscloth. Ferrer justified the choice of absorbent grasscloth due to his minimal cooking habits. Ferrer continuously refines the apartment's details, even installing a new fireplace mantel just before the photo shoot. This collector's approach to interior design has created a personal sanctuary that balances the vibrant energy of the neighborhood with a distinctively curated aesthetic. The apartment serves as a compelling example of how personal narrative, playful experimentation, and a passion for vintage finds can converge to create a truly unique and evolving living space, demonstrating that personality and character can triumph over larger, more conventional layouts. #InteriorDesign #CharlieFerrer #NewYorkApartment #VintageFurniture #EclecticDecor #PreWarBuilding #DesignEvolution #CustomInteriors #GreenwichVillage

The article presents a detailed tour of Leena Nasser's landmarked Upper West Side apartment in Manhattan, designed by Molly Torres Portnof of DATE Interiors. Leena, a social scientist, writer, artist, and dancer, sought to create a home that truly embodies her imaginative and free-spirited personality, a concept she refers to as her ‘creative womb’. The apartment, built in 1915, initially featured builder-grade finishes but possessed significant potential with its tall ceilings, exposed bricks, and a gorgeous terrace. The collaboration between Leena and Molly began during the closing of the apartment sale, fostering a strong connection from the outset. Leena's international lifestyle, with residences in New York, London, Argentina, and Saudi Arabia, influenced the design, as she frequently sent Molly ideas gathered from her travels. The design philosophy integrated a classic New York aesthetic with Parisian influences, culminating in a space tailored to Leena's unique tastes rather than being moderated for a broader audience. Molly highlighted the freedom of designing for an individual, allowing for a celebration of her client's identity. A significant aspect of the design involved incorporating Leena's interest in the divine feminine, the female form's strength, and her nature as a dreamer. An example of this is the mural in her bedroom, which was inspired by a dream she had about a waterfall cascading over a woman, brought to life to be a daily source of inspiration. This creative synergy enabled the realization of highly personalized elements throughout the apartment. The apartment is described as a 'feminine goddess sanctuary,' with each room possessing its own distinct 'magic' and feeling like a 'jewel.' Comfort and beauty were paramount, achieved through inviting elements like sheepskin armchairs and plump sofas, creating a soft and feminine ambiance. Live-edge wood shelving and terrace foliage were incorporated to bring natural elements indoors. The bathrooms feature zellige tiles, chosen for their unique textures and ability to evoke a spa-like, escapist atmosphere. Leena's passion for Arab history, forgotten Arab queens, and various cultures and fictional worlds also played a crucial role in the design. Historical elements are thoughtfully integrated throughout the apartment. A collection of her fairy tales, framed by Ilana Lobet, creates an arresting display on the exposed brick walls of the dining area, with over 75 unique pieces. The furniture in the main living space was specifically chosen to be light and movable, accommodating Leena's love for tango dancing and large-scale painting. The project not only resulted in a personalized sanctuary but also fostered a firm friendship between the client and the designer. Molly Torres Portnof shared insights into her design choices, highlighting the joy in Leena's appreciation for the apartment. She pointed to enlarging the terrace doors as a small change with a huge impact, significantly increasing light and life within the space. Her preferred color palette includes golden mustard with deep purples and greens, and she draws inspiration from Australian designers like Tali Roth and Flack Studio. Her favorite building, the Empire State Building, even influenced her company's name, 'Designing A Tiny Empire.' She also recommended the Demolition Depot in Harlem as a hidden gem for unique finds, emphasizing her attachment to her rug collection, which she views as 'pieces of art on our floors' that tell stories. #ManhattanApartment #InteriorDesign #ArtistHome #FeminineDesign #CustomInteriors #ExposedBrick #UpperWestSide #DATEInteriors #LeenaNasser

The article details the transformation of an Upper West Side apartment by GACHOT, a New York City-based design studio, to accommodate a client's evolving needs from a bachelor pad to a family home. The initial brief for a bachelor pad evolved as the client's lifestyle changed, necessitating a four-bedroom modern home suitable for a growing family while still catering to a vibrant social life and a collection of contemporary art. The project, led by Christine Gachot, aimed to retain the building's 19th-century heritage features such as high ceilings, generously proportioned rooms, and large windows with views over the Museum of Natural History, while implementing a refreshed, modern aesthetic. GACHOT's design approach centered on creating a serene and calm environment, which they dubbed 'warm modernism,' blended with 'California cool style.' The design team opted for subtle design elements and a neutral color scheme punctuated by deliberate doses of deep color. Custom and vintage furniture pieces were integral to this vision, adding rich personality without disrupting the overall sense of ease within the space. A key aspect of the renovation involved enhancing the flow between the kitchen, family room, and living areas. This was achieved by respecting the original layout but updating transitions and architectural details. Dark carpeting was replaced with herringbone oak floors, and white oak millwork elements were introduced to infuse warmth. Architectural openings were redesigned with softer lines and custom casings, ensuring that the building's period details were preserved while integrating a modern, timeless feel. The entryway serves as an example of concentrated design moments, featuring a wood-lined niche that houses striking decor pieces. This area is designed with clean lines and a calm energy, using white oak millwork and custom cabinetry to create a cohesive and architectural introduction to the apartment. This curated space includes a silver-plated vessel by Emiliano Céliz, a deep blue 'Vertical Stacked' table lamp by Niamh Barry, and a square mirror by WYETH reflecting a neon-colored geometric artwork by Beverly Fishman, all carefully balanced. In the kitchen, a strategic use of color is evident, where light oak floors and soft walls provide a neutral backdrop. Deeper tones, such as a rainforest green tiled countertop and bold blue-green leather stools, were incorporated to add richness and personality without overwhelming the calm atmosphere. Tiles from Mercury Mosaics add personality while maintaining balance within the interiors, making the kitchen a gathering space rather than solely for cooking. The open dining area continues the color story with glazed ceramics clustered on a custom European white oak table, creating a darker focal point. These ceramic pieces, particularly the green and silver Wilhelm Kåge objects, were chosen for their deep colors and texture, adding sophistication. The client's contemporary art collection also contributes significantly to the interior's color palette. In the library, a dynamic space featuring a lively painting by Sam Friedman, GACHOT balanced the artwork's vibrant colors with oak-paneled walls and custom furnishings in contrasting textures, using rich materials like warm walnut and soapstone. The primary bedroom contrasts with the more social living areas, designed as a tranquil retreat with soft plaster walls, neutral tones, and tactile comfort. Linen bedding by RW Guild and a custom wool rug by Groundplans, alongside brass accents in the bathroom, contribute to a soothing material palette. The overall design achieves an easy elegance, creating an environment that is both elevated and comfortable, timeless yet modern, perfectly suited for a growing family that values both serenity and social engagement. #UpperWestSideApartment #GACHOTDesign #ModernHome #FamilyFriendlyDesign #NeutralColorScheme #ContemporaryArt #ArchitecturalRenovation #InteriorDesign #NewYorkCity

This article details the interior design of poet Heather Gluck's 3,000-square-foot SoHo apartment in New York City, a project undertaken by Brittany Marom Interior Design. The design philosophy behind the home is described as a 'high-low mix,' combining affordable furniture with unique investment pieces to create an elegant yet eclectic bohemian style. Brittany Marom, drawing from her Israeli roots and New York upbringing, aimed to create a space that would inspire Gluck's artistic spirit. The design emphasizes layers, soft curves, and vibrant color combinations. The open-plan living and dining areas showcase jewel tones like emerald green and sapphire blue in the sofas, complemented by bold lipstick red and soft pinks in the dining area. Throw pillows in amethyst purple, gold, and floral prints from House of Hackney add vibrancy, while natural wood elements in the coffee and dining tables provide balance. A whimsical touch is added with pale pink sheer curtains that filter light and offer views of the NYC skyline. Seating arrangements are abundant to accommodate frequent entertaining, with each piece selected for both comfort and aesthetic appeal. The article highlights that affordability was a key consideration, with furniture sourced from various retailers including ModShop for sofas, Sixpenny for coffee tables, and Soho Home for floor lamps. The dining room, featuring a 10-seater table, is designed for both large and small gatherings. The Athena Calderone for Crate & Barrel dining chairs were reupholstered in a vibrant mix of red, pink, and autumn brown, and a jewel-toned chandelier from Galerie Glustin ties the space together with a cohesive flair. The kitchen fully embraces a deep green shade, Benjamin Moore's 'Martha's Vineyard,' creating a crisp and contemporary look. It features green quartzite, custom cabinetry, and an Ilve stove, warmed by touches of wood. The bathroom, described as a 'dainty jewel box,' uses soft pink and white to create a calming atmosphere. A nature-inspired wallpaper with cranes and foliage adds an unexpected touch, while white Thassos subway tiles provide a practical and visually grounding element. The bedroom, a sanctuary drenched in calming pink, showcases the 'high-low' aesthetic most prominently. It combines a vintage Murano glass chandelier and Soho Home bedside tables with more accessible table lamps from West Elm. An emerald green velvet headboard provides a focal point against the soft pink monochrome scheme, and oxblood red bedside lamps add warmth. Heather Gluck expresses that the meticulous attention to detail in the home reflects her own sensitive and obsessive approach to her poetry, ensuring every item serves a purpose and contributes to the overall coherence of the space. #InteriorDesign #HomeDecor #EclecticStyle #BohemianDesign #NewYorkHome #LuxuryLiving #AffordableDecor #ColorPalette #SpacePlanning

Kristina and her husband, Mark, acquired a 92-square-meter apartment in Brooklyn Heights, New York, within an Art Deco building designed by architect Emery Roth. This building, formerly the St. George Tower hotel, holds historical significance, having hosted movie sets and presidential guests, and once featured the largest indoor saltwater pool in the United States before its conversion to a co-op in the late 1970s. The couple, with their then-6-month-old daughter, purchased the apartment and lived in it for a year to understand its existing flaws and their desired improvements. During this initial period, they identified several issues: deteriorating parquet flooring, squeaky kitchen cabinets, a dishwasher that couldn't fully open due to a radiator obstruction, a doorless closet in their daughter’s room leading to items falling out, and bathrooms with original pastel pink tiles that were difficult to keep clean. These challenges prompted them to seek professional help to transform the space into a comfortable and functional home. They enlisted interior designer Claire Hung, founder of Claire Hung Design, whom they connected with through a neighborhood group focused on Brooklyn renovations. Hung’s background in Scandinavian design and Japanese influences resonated with the couple’s vision, leading to a synergistic partnership. Hung's renovation focused on maximizing the apartment's limited 92-square-meter space through integrated built-ins and a redesigned spatial layout. She addressed the visual impact of structural beams by incorporating them into the interior design, contributing to a lighter and more open atmosphere. The galley kitchen was opened up to the living area, expanding its footprint. This was achieved by elongating the countertop into an eat-in peninsula and connecting storage to the kitchen through seamless millwork, enhancing both functionality and aesthetics. Initially, the apartment, with its northern exposure, felt cold due to sterile white paint. Hung introduced warmth and sophistication by blending contemporary styles with a touch of modernism. The original floors were replaced with a honey/wheat-colored wood, while natural oak was used for doors and trim. Dark chocolate oak cabinetry was installed in the living space, complemented by Italian marble—Macchia Vecchia for the backsplash and Paonazzo for the countertop—adding a luxurious touch. The main suite also underwent significant changes. The closet was expanded, and the compact, Japanese-inspired primary bathroom was transformed with a slab of Breccia Romana for the floor and a continuous shelf extending from the shower to the vanity. For their daughter's room, Hung opted for vibrant, colorful linens that harmonized with the existing midcentury furniture, fulfilling the parents' desire for a cozy, sophisticated, and stylish environment suitable for a child to grow up in. The renovation successfully converted the relatively small apartment into a highly functional and aesthetically pleasing space, maximizing every square meter. #ApartmentRenovation #BrooklynDesign #SmallSpaceLiving #InteriorDesign #EarthyInteriors #ScandinavianInfluence #JapaneseDesign #ArtDecoBuilding #FunctionalDesign

Interior designer Kara Mann's Chicago apartment showcases a deliberate blend of high and low elements, characterized by a sophisticated palette of black and brown tones, complemented by various textures and materials. The design ethos is rooted in elegance, a value Mann inherited from her mother, and a preference for subtlety and richness over vibrant colors. This approach is evident throughout her personal style and her professional interior design work. The apartment is situated in a unique vintage co-op building in Chicago, designed by Andrew Rebori, where each unit possesses distinct characteristics. Mann specifically sought out a property that had been untouched for an extended period, allowing her the creative freedom for a comprehensive renovation project. The previous occupant resided there for approximately 40 years, making it an ideal canvas for her design vision. Mann's design philosophy extends to her personal fashion choices, which mirror her interior aesthetics. She embraces a 'high-low' style, favoring durable, beloved items worn repeatedly, and prioritizing texture, richness, and subtle details. This is reflected in her interiors through materials like marble, patinated leather, brass, wood, and grayscale photography, creating a 'muddy rainbow' of complementary hues. A key aspect of her design is the incorporation of animal prints, specifically leopard and tiger patterns, which provide a foundational layer to the textured and layered aesthetic. These prints are integrated in a way that emphasizes materiality rather than bold statements, contributing to the overall elegance. Mann believes in collecting items over time that resonate personally, rather than curating a space all at once. This organic approach is evident in the apartment's collected feel, where each piece, from a Rick Owens chair (a gift) to an Ann Collier art piece, holds personal significance and a story. The renovation of the apartment involved thoughtful restoration and strategic additions. The original checkerboard flooring in the living/dining room was preserved and became a central visual element around which other design choices, such as the terracotta rug, were made. The fireplace, also original, was restored with fire brick, and the plaster was refreshed. A significant modification included redesigning the kitchen from a galley layout into a more expansive and functional space, incorporating a powder room and utility closet. The kitchen features artwork by Alex Prager, chosen for its personal connection to Mann and her sister. Mann's sourcing strategy is eclectic, drawing from diverse places such as Paris flea markets, antique and vintage stores, and design resources like 1stDibs. She also procures rugs from New York and Los Angeles. She emphasizes that design should be lived in and not too precious, advocating for comfort and allowing spaces to evolve with the lives of their inhabitants. This perspective is particularly highlighted by the presence of her daughter's belongings, such as stuffed animals and books, which contribute to the lived-in feel of the space, even influencing the design of her daughter's room. The apartment, in its entirety, represents Mann's unique architectural and decorative style, a harmonious blend of collected treasures and personal narratives. #InteriorDesign #KaraMann #ChicagoApartment #HomeTour #HighLowDesign #TexturalDesign #VintageInteriors #PersonalStyle #ArchitecturalRenovation

Designer Marshall Watson and his husband Paul Sparks reside in an exquisite Edwardian five apartment on Manhattan’s Upper West Side, which they have meticulously transformed into a haven of traditional elegance and sophistication. Having lived in the apartment since the 1990s, Watson, with his theater and film background, designed the space to be a sanctuary from the bustling energy of New York City. The apartment, situated in a 1912 building, initially appealed to Watson for its impressive ceiling height and abundant natural light, elements he considered irreplaceable. The recent renovation, only the second since they acquired the property, reflects Watson's thoughtful approach to design, blending historical influences with personal touches. To amplify the sense of spaciousness and light, Watson drew inspiration from Scandinavian design, incorporating a palette of cream and blue. This is complemented by wide-plank oak floors, graceful antiques, and strategically placed mirrors. Doorways were enlarged and aligned to enhance flow, while others were ebonized or cleverly concealed with paneling. A pair of elaborately carved 19th-century French doors, left unpainted, provide a rustic contrast at the bedroom entrance, and an open archway to the study allows light from three exposures to permeate the living area. The entry vestibule, lined with silk velvet, creates a jewel-box effect. The hall and kitchen doors are upholstered in leather with nailhead trim, and the kitchen door features a portal window salvaged from an old submarine. The kitchen ceiling is adorned with burnished-gold paper, harmonizing with the deep, glossy cabinetry. Watson notes that dark colors can paradoxically make a space feel larger, especially at night when shadows minimize boundaries, lending a glamorous ambiance. Lacquered ceilings in the living area further contribute to this illusion by reflecting light, making rooms appear double-height. The apartment showcases treasured items collected over time, including Gracie wallpaper from the 1980s, which now graces the study and complements a Regency desk. An enormous solid iron pediment, rescued from a demolished bank building, is artfully integrated above a built-in closet in the study, providing both aesthetic appeal and practical storage. Decades-old bath tiles, once stored, are now finally installed, illustrating Watson's patient and considered approach to his home. Furnishings acquired from auctions and sales, such as Billy Baldwin-designed étagères from Mario Buatta's estate, are interwoven with personal family heirlooms, including Watson’s mother’s bouillotte table, a grandfather’s violin, and a bronze clock from his great-great-grandfather. These elements imbue the space with a rich sense of history and personal connection, reflecting Watson’s belief in a home as a place of nurture and comfort. Each room exhibits unique design elements. The study, featuring the Gracie wallpaper, showcases floral motifs that echo the carvings of the Regency desk. The dining area highlights a beloved pedestal table, described by Watson as a testament to perfect proportions. The kitchen, designed as a butler’s pantry, incorporates modern mirrored finishes to brighten the dark cabinetry, while a late-19th-century lantern connects to William Morris wallpaper. The bedroom, adorned in shades of periwinkle blue, features a Suzanne Tucker print on the walls and curtains, alongside Persian temple doors that belonged to Watson’s mother. The bathroom subtly honors Watson’s grandfather with a violin silhouette repeated in the marble backsplash, demonstrating his continuous experimentation with design. These thoughtful details reflect a deeply personal and elegant approach to interior design. #InteriorDesign #NewYorkApartment #MarshallWatson #HomeDecor #LuxuryLiving #TraditionalElegance #GracieWallpaper #ScandinavianInfluence #ArchitecturalDetails

This article details the transformative design of an East Harlem townhouse owned by Gordon Espinet and Jonathan Ledoux, emphasizing the strategic use of color and a collaborative design approach. The project was led by Melissa Miller and Helen Lazic of LAMILL Design, who leveraged their shared professional history with Espinet from the beauty industry, particularly MAC Cosmetics, to establish a foundation of trust and a collective visual understanding. This shared background facilitated an intuitive design process, aligning their aesthetic sensibilities from the outset. The clients' vision for their home was clear: a tranquil yet playful space characterized by simple, clean details, and abundant natural light. They also sought a residence suitable for entertaining, capable of showcasing their art collection and travel-acquired furniture, while maintaining a sense of connectivity and layered design. Gordon Espinet, drawing from his expertise in makeup artistry, played a pivotal role in the thoughtful placement of vibrant color accents, which were carefully balanced against natural wood, neutral finishes, and incoming light. This approach ensured that color, while prominent, integrated harmoniously into the overall scheme. Prior to the renovation, the townhouse was segmented into numerous small, dimly lit rooms. A primary objective of the design team was to open up these spaces, linking them with natural light filtering from both the front and back of the house. This reconfigured layout aimed to create a unified, single-family home ambiance. Given the narrow footprint of the property, structural partitions were minimized. Instead, transitions between rooms were subtly defined through variations in texture, material, and color. Examples include the soft lighting and wood elements in the kitchen, contrasted with high-gloss paint surrounding a sliding door in the dining room. The design strategy extended to the upper levels, where each room was assigned a distinct mood tailored to its function and desired level of privacy. Guest rooms were conceived as more open and expressive, featuring lively tile accents and visual continuity with the hallways. In contrast, the back library and the primary suite were designed as more introspective retreats, characterized by quieter, more focused energy. Lighting received meticulous attention, with the owners expressing specific preferences for its application. The design incorporated a minimal number of recessed lights, prioritizing the strategic placement of decorative pendant fixtures and task lighting. The intention was for the lighting to serve as a complementary backdrop, enhancing the architectural features and finishes rather than dominating them. Additionally, the design team created a series of distinct zones throughout the home, catering to gatherings of various scales. These zones, unified by the natural light from the north and south ends of the property, contribute to a home that is both open and thoughtfully attuned, reflecting its history while being reinterpreted through light and color. #EastHarlem #TownhouseDesign #ColorPalette #CollaborativeDesign #LAMILLDesign #InteriorRenovation #StrategicLighting #ArtIntegration #ModernDesign

Hilary Matt Interiors undertook the design of a traditional Manhattan apartment for a family of four, including two young children. The primary objective was to infuse the space with a unique and stylish atmosphere that reflects the family's personality while transforming it into a more inviting home. Given the presence of children, the design approach focused on an elevated yet playful aesthetic, strategically incorporating black accents throughout the apartment to conceal signs of wear and tear while maintaining sophistication and boldness. The project spanned less than a year, with the design firm primarily focusing on cosmetic enhancements rather than extensive renovations. A key aspect of the process involved the integration of custom millwork elements, which significantly contributed to the warmth and character of the space. The efficiency of the project was largely attributed to the high level of trust extended by the clients to Hilary Matt Interiors, fostering a collaborative environment that was deemed crucial to the project's success. Addressing the limited natural light, Hilary Matt opted for a predominantly neutral color palette, strategically punctuated with vibrant color accents. The dining area exemplifies this approach, featuring sleek black chairs that complement a custom dining table and artworks sourced from Voltz Clarke Gallery. The artwork selections throughout the apartment lean towards graphic and geometric designs, a theme echoed in the silhouettes of the furniture and the choice of wallpaper patterns. A soft gray couch is paired with an ottoman that seamlessly integrates with a custom built-in television unit. The use of custom furniture proved to be an effective solution for optimizing space within the apartment. Bespoke pieces such as the custom TV built-in in the living room, the custom desk and shelving unit in the office, and the custom bed in the primary bedroom were all designed and produced to precisely meet the clients' specific needs, eliminating the need to compromise with ready-made alternatives. In the children's rooms, twin daybeds with trundles were incorporated, maximizing floor space for play, especially during sleepovers. The final design outcome successfully blended elements of funk and vintage flair, notably through the inclusion of burnt '70s orange hues and various velvet textures, culminating in a distinctive and personalized home. #InteriorDesign #UpperEastSide #ManhattanApartment #FamilyHome #CustomFurniture #NeutralColorPalette #BlackAccents #ModernLuxury

Textile designer Aelfie Oudghiri's Brooklyn townhouse, shared with her husband, Hicham, and daughter, Mirah, serves as a living showcase for her eponymous line of bedding, soft goods, rugs, and furniture. Housed in a former industrial pencil factory, the 1,800-square-foot space reflects an easy, comfortable, and effortlessly stylish aesthetic deeply rooted in Oudghiri’s upbringing. Her parents, both builders and developers, introduced her to the transformative power of design early on, and an oversized Kerman rug from her childhood ignited her passion for textiles, inspiring her eventual career. Many pieces in her home are samples from her company, allowing her to live with and test products before their official launch, ensuring they are practical and durable. Oudghiri's journey into design began with an e-commerce store in her teens, focusing on products made by other young women, which taught her the foundations of design. Her childhood dream, however, was to design bedding, driven by frustration with the gendered, corny, or poor-quality synthetic options available at the time. Her early sketchbooks are filled with bedding concepts, foreshadowing her future in textile design. When designing her home, the living room was the starting point, prioritized for its comfort, openness, and suitability for entertaining. Her Moroccan husband influenced the layout, seeking a space reminiscent of a Moroccan salon with ample seating for guests. This led to the inclusion of a mint green sofa from CB2, praised for its durability, and another from ABC Carpet & Home. Oudghiri approaches home design with a lack of inherent attachment to spaces, a common sentiment in New York, preferring to evolve the design slowly. Her access to her own home decor line means her apartment is filled with a complementary array of her designs, from bath mats and pillows to poufs and tables, all serving as practical testaments to their wear and tear resistance. A key design element for Oudghiri was baby-proofing and creating a kid-friendly environment for her daughter, Mirah. The massive, open layout allowed for a play-friendly space free from hard obstacles or fragile items. The open and industrial nature of the former factory presented challenges in making the space feel cozy and welcoming. Oudghiri overcame this by strategically using rugs and artwork to soften the industrial brick walls and warm up the cold aesthetic. Her favorite aspects of the home include the exposed beams, high ceilings, abundant wall space for art, and the intricate texture of the floors. A design element she recommends for readers is foregoing a traditional coffee table in favor of side tables and poufs. This decision, initially driven by an inability to find a beloved coffee table, later proved invaluable for creating a large, open play area for her daughter. Visitors often comment on the home's established feel, assuming Oudghiri has lived there for a long time, despite only a few years passing, indicating the successful integration of her personal style and products. #TextileDesign #BrooklynHome #HomeTour #InteriorDesign #ColorfulDecor #PatternMixing #KidFriendlyDesign #IndustrialConversion #DesignerHome

The Whistling Well, led by founder and principal designer Milena Bica-Shibata, undertook the task of transforming an expansive yet outdated Manhattan apartment into a modern sanctuary for a family of three. The design focused on creating a home that supports the family's lifestyle, which includes frequent hosting and communal meals. The 1,800-square-foot apartment now features three bedrooms and baths, alongside generous communal areas such as a lounge and living room, all designed to foster tranquility and connection. Bica-Shibata emphasized the careful selection of natural materials to achieve harmony and a variety of textures and temperatures throughout the space. The chosen materials include stained oak, ash, leathered quartzite, linen, leather, wool, brass, artisan ceramic tile, marbles, and warm tinted glass. This diverse material palette is complemented by a balanced scheme of cool and warm colors, creating a dynamic yet serene aesthetic. The design incorporates clean lines and rounded edges, contributing to a soft and inviting atmosphere. A custom wood ceiling trim in the living room serves to balance the space and draw the eye upwards, adding architectural interest. This wooden element extends into the kitchen and a custom-designed bar area. The bar was specifically conceived as a continuation of the perimeter millwork, seamlessly transitioning into the eat-in area, which features an operable partition. The design team meticulously studied proportions and materials to ensure a cohesive and visually appealing composition for these integrated spaces. The kitchen itself is a multifunctional tranquil zone, complete with a breakfast nook and the aforementioned bar, catering to the family's culinary and social needs. The inclusion of playful wallcoverings adds a vibrant touch to various areas, such as the children's room where a bold pink and orange wallpaper creates a focal point behind a daybed, and the bathrooms, which also feature lively patterns. Subtle neutrals anchor the main bedroom, promoting a sense of calm and restfulness. Layers of natural materials and earthy hues are consistently applied throughout the home, imbuing it with an overarching sense of peacefulness. This careful curation of design elements and materials successfully transforms the apartment into an oasis, offering a serene escape for the family and their guests amidst the bustling environment of Manhattan. #ManhattanApartment #InteriorDesign #LuxuryLiving #NaturalMaterials #CustomMillwork #ResidentialDesign #Wallcoverings #ModernHome #TranquilSpaces

This blog post highlights a meticulously gut-renovated apartment, #14J, located within the Century Condominium at 25 Central Park West, offering stunning views of Central Park. The apartment, with its triple exposures and expansive windows, provides a sense of walking on the treetops of New York City's urban oasis. The Century, an Art Deco building dating back to 1932, stands out among its Beaux-Arts neighbors and is part of the Central Park West historic district. The apartment itself spans 2,229 square feet, featuring 3 bedrooms and 3.5 bathrooms. Its design emphasizes spaciousness, with windows extending across entire walls, creating an illusion that the park is an additional room. The interior design of the apartment is as remarkable as its views. An oversized entry gallery leads into a combined living and dining area, boasting an impressive 34 feet of frontage directly overlooking Central Park. The kitchen is described as a spectacular chef’s kitchen, designed to inspire culinary activities. Beyond the main living spaces, the apartment includes a luxurious private master suite, complete with an oversized walk-in closet and a marble bathroom. Additionally, there are two more bedroom suites, each featuring its own new bathroom. The Century Condominium holds a unique position as the only prewar condominium south of 88th Street on Central Park West. Residents benefit from comprehensive services, including a full-time doorman and a concierge. The building also features a charming central courtyard. Its prime location places it just minutes away from cultural landmarks such as Lincoln Center, the shopping options at Time Warner Center, and a diverse array of restaurants. This combination of historic charm, modern renovation, luxurious amenities, and an unparalleled location makes the $10.9 million residence an exceptional offering, perfectly blending interior elegance with exterior beauty. #LuxuryRealEstate #CentralParkViews #ArtDecoArchitecture #ManhattanLiving #PrewarApartment #UpperWestSide #CenturyCondominium #InteriorDesign #RealEstateNYC

Maria Santos, founder of a renowned interior design studio established in 2015, presents a tour of her personal apartment in Madrid. Known for a timeless design approach that honors classical architecture while integrating modern elements, Santos emphasizes the use of natural materials to craft bright, functional, and relaxed spaces. Her Madrid residence serves as a prime example of her signature style, characterized by a harmonious blend of classic and contemporary aesthetics. The apartment, originally an old and dimly lit property with numerous small rooms, underwent a complete renovation. Santos describes the process as challenging, particularly the decision-making for her own home, which she found more difficult than designing for clients. The extensive renovation involved new installations throughout and a significant re-arrangement of rooms; for instance, a former bedroom now functions as the kitchen, and the previous kitchen has been transformed into a bedroom. The completed apartment now boasts four bedrooms, two living rooms, a dining room, a kitchen, and a dressing room. A central challenge during the renovation stemmed from the property's age and poor condition of some walls. The kitchen, in particular, presented difficulties as it was initially a small, dark bedroom lacking any existing fittings. This transformation highlights the designer's ability to reimagine and restructure a space entirely. The chosen color palette reflects Santos's classic-modern style, with a predominantly white base punctuated by green accents to ensure continuity across the rooms. Texture is introduced through natural materials such as wood and stone, while textiles, furnishings, and accessories add splashes of color. The furnishings represent a mix of pieces from her previous home, new antique acquisitions, and custom-made items. Santos's forthcoming antique shop, Bingutti, is the source for many of the antique furnishings. She intentionally contrasts furniture from different eras, incorporating original Saarinen tulip chairs, Joe Colombo chairs, and a large antique French dining table. Key areas of the apartment are meticulously detailed. The entrance hall features an antique French table adorned with Chinese blue porcelain vases and a painting by Hugo Alonso, designed to ground the transient space. The kitchen, a favorite room, seamlessly connects to the dining area. Notable discoveries during renovation include two columns near the kitchen island, which were integrated into the design. The living room showcases a custom white linen sofa, an Italian antique marble coffee table, a painting by Zobel, and an antique French table, complemented by Joe Colombo's bold green chairs and a zebra carpet. In the dining room, personal paintings from Santos's architecture studies adorn the wall, alongside a French antique crystal chandelier and wall lights, contrasting with the Saarinen tulip chairs. The main bedroom is furnished with a gold metal chair and a French antique chandelier, creating a glamorous boudoir feel, balanced by Daphine table lamps by Lumina and a painting by Eduardo Lalanne. The children's bedroom features a distinctive wooden bed, adding grandeur and warmth. The photography for the feature was done by Montse Garriga. #MadridApartment #InteriorDesign #MariaSantos #HomeRenovation #ClassicModernStyle #AntiqueFurniture #NaturalMaterials #EuropeanDesign