'You could go for it a little bit more in your home' – why this designer thinks we should all be more nervous about our interior design decisions

The article discusses the concept of injecting "weirdness" and personality into home interiors, moving away from overly safe, Pinterest-perfect aesthetics. It is inspired by a viral TikTok video from interior designer Lily Walters, who advocates for making homes more unique and memorable rather than conforming to popular trends. The author, Charlotte Olby, expresses her own fatigue with rigid design rules and homogenous interiors, embracing Walters's mantra to "make homes weird again." The core idea is not to fill a space with random oddities but to strategically integrate elements that reflect personal taste and spark conversation. The article provides six actionable tips to achieve this. The first tip encourages homeowners to stop matching and embrace clashing elements. This involves choosing unconventional patterns, colors, and furniture, such as wallpaper that resembles a forest, clashing curtains, or a striped sofa. The goal is to create a dynamic and lived-in feel that stands out from typical showroom-like spaces, using pattern mixing and unexpected color combinations to add depth and layering. The second suggestion focuses on using unique tiles. Instead of opting for safe, neutral, or trend-driven tile choices, the article proposes selecting tiles that evoke emotion, like fish-themed tiles that make one laugh. Tile is presented not just as a functional material but as an opportunity for personal expression. This can involve bold colors, distinctive patterns, unusual shapes, or even hand-painted murals, particularly in smaller areas like powder rooms, to make a significant impact. The third piece of advice emphasizes thrifting for unique art and sculptural mirrors. The article discourages buying mass-produced wall decor and instead encourages searching vintage stores for one-of-a-kind items. Examples include framed photos of unknown horses or mirrors that look like they came from a haunted antique store. These unique finds are believed to instantly add soul, character, and a sense of history to a space, making it feel personal and intriguing, unlike forgettable, safe choices. The fourth tip is to collect "random" objects that bring joy. The article suggests that homes often lack personality despite being beautiful. The solution is to shop with an open mind for quirky items, such as a funky alpaca sculpture or a vintage sailboat, even if they don't conventionally fit into a design scheme. These personal treasures, whether kitschy or sentimental, contribute to a room's narrative and make it feel authentic to the homeowner. Fifthly, homeowners are advised to display their hobbies, no matter how unusual or fleeting they may be. The article encourages integrating passions into decor, such as hanging a golf club on the wall or using a tennis racket mirror, even for those who rarely play. This approach helps prevent a home from blending in and ensures it reflects the interests, pastimes, and humor of its inhabitants, making it a true extension of their identity. Finally, the article highlights the potential of lighting to spark conversation. Functional lighting fixtures can be chosen for their aesthetic impact, transforming them into art installations. The advice includes using chunky, shiny, or unapologetic lighting fixtures that naturally draw the eye and make a statement. For those hesitant about permanent changes, plug-in table and floor lamps or portable lamps offer flexible options for experimenting with scale, shape, and color. The overarching message from Lily Walters is that homes should be memorable and magic, prompting visitors to stop and engage with their unique elements, rather than worrying about perfect matching. #InteriorDesign #HomeDecor #PersonalStyle #UniqueInteriors #DesignTips #ThriftedFinds #LightingDesign #PatternMixing #TileDesign

The article, written by interior designer Tineke Triggs, emphasizes that many details homeowners stress over in interior design do not significantly impact the overall feel or function of a home. Instead, she advocates for focusing energy on crucial elements like lighting, layout, and layers, rather than getting caught up in minor decisions. Triggs argues that agonizing over small choices, such as the perfect shade of white paint or matching metal finishes, can drain creative energy and lead to unnecessary stress, ultimately detracting from the process of creating a comfortable and authentic living space. Triggs highlights specific areas where homeowners tend to overthink, beginning with metal finishes. She states that there is no need to perfectly match metal finishes, such as cabinet hardware and faucets. Instead, mixing metals by considering their tone and texture (warm vs. cool, brushed vs. polished) can create depth and character, making a space feel more curated and less like a showroom. The key is thoughtful layering to achieve an intentional and unique aesthetic. This approach allows for greater design freedom and personalization without compromising cohesion. Another point of common over-stress for homeowners is paint color. Triggs advises against extensive deliberation over subtle variations of paint, reminding readers that paint is one of the easiest and most reversible design elements. She suggests choosing a few favorite shades, testing them directly on the wall to observe their appearance throughout the day, and trusting one's instincts. The flexibility of paint means that any initial dissatisfaction can be easily remedied, making it an area where excessive worry is unwarranted. Triggs also warns against designing a home to conform to external opinions or current trends, such as those found on Pinterest. She argues that chasing trends or trying to please others can lead to design regret and a lack of authenticity. Instead, she encourages homeowners to create a space that genuinely reflects their personal lifestyle, memories, and individual sense of comfort or humor. The most successful interiors, according to Triggs, are those that are authentic and personal, not necessarily the most fashionable. Furthermore, the article addresses the common desire to complete home decoration all at once. Triggs advises against rushing the process, as this often leads to regrettable choices and unnecessary expenditures. She suggests focusing on high-impact areas, such as the living room or bedroom, first and allowing the rest of the home to evolve gradually. Living in a space before fully furnishing every corner provides valuable insight into functional needs and personal preferences, leading to more deliberate and satisfying design decisions over time. Finally, Triggs identifies three core elements that warrant significant attention: lighting, layout, and layers. Effective lighting is crucial for setting the mood and enhancing the functionality of a room. A well-planned layout ensures optimal flow and usability, while thoughtful layering of textures and tones—through elements like rugs, pillows, curtains, and art—transforms a house into a cohesive and inviting home. By concentrating on these foundational aspects, homeowners can create spaces that are both beautiful and deeply personal, fostering joy rather than stress throughout the design journey. #InteriorDesign #HomeDecor #DesignTips #TinekeTriggs #HomeStyling #PersonalStyle #StressFreeDesign #AuthenticLiving #FunctionalDesign

This article provides insights into interior designers' unspoken advice and expectations for their clients, aiming to foster more successful and less stressful decorating projects. The main points are derived from professionals at Decorating Den Interiors, a collective of design firms across the U.S. The first piece of advice is to manage expectations regarding reality TV design shows. Designers note that these shows often misrepresent the timeline, effort, and true costs involved in a renovation. Camila Gusmao, a designer from Plantation, Florida, emphasizes that while transformations are achievable, the shows fail to convey the extensive design work, material procurement, delivery, fabrication, and installation costs that go beyond the on-screen price tag of items like countertops. This can lead to clients experiencing 'sticker shock' when confronted with real-world project expenses. The second crucial tip is for clients to be upfront and honest about their budget. Donna Rich, owner of DL Rich Designs in Maryland, highlights budget transparency as the most common impediment between clients and designers. Barbara Hayman, from Barbara Hayman Designs in Orlando, Florida, reinforces this by stating that knowing the client's budget, even if unrealistic, allows the designer to explain what is feasible. Designers anticipate educating clients about current costs, especially those who haven't redecorated in years, as prices have significantly increased. Clients often keep their finances private, but designers need this information early to curate projects effectively based on vision and investment level. Thirdly, the article advises against treating a designer as a mere personal shopper. Suzan Wemlinger of Suzan J Designs in Milwaukee explains that her role extends far beyond simply finding specific items a client might have in mind from sources like Pinterest. While client input and inspiration boards are valued, designers contribute their expertise in function, size, and scale to create cohesive and practical designs that cannot be achieved by simply replicating images. She emphasizes that designers possess a unique 'superpower' in transforming spaces comprehensively. Fourth, clients are encouraged to incorporate beloved 'old' items into their new decor. Jan Bertin, owner of Bertin’s Interiors in Alexandria, Virginia, assures clients that designers are open to integrating personal pieces to make a home feel more authentic and happier for its occupants. She shares an anecdote where an old copper tray was transformed into a stunning, perfectly sized coffee table, demonstrating how a professional eye can see new potential in existing furnishings. This approach prioritizes sentimental value and personal connection over completely replacing everything. Finally, the article underscores the importance of trust and cultivating it between clients and designers. Barbara Hayman explains that trust is fundamental to the design process, especially with clients who may be absent for extended periods. This trust extends beyond the design choices to the value the designer brings and the willingness of the client to step outside their comfort zone. Hayman believes that a deep personal understanding of a client's personality, dreams, and fears is where the 'magic happens,' leading to a home that serves as a sanctuary and source of well-being. Openness and vulnerability from the client contribute significantly to achieving truly great and personalized design outcomes. #InteriorDesign #ClientRelationships #BudgetTransparency #DesignExpectations #DecoratingTips #DesignerClientMindMeld #HomeRenovation

The article discusses the growing trend of using faux materials in home interiors and explains why designers advocate for a return to natural materials. While faux materials such as fake marble countertops, synthetic stone, and vinyl faux wood flooring offer a seemingly more affordable upfront cost, they come with significant drawbacks. These alternatives often lack the durability of their natural counterparts, being prone to damage like chipping and cracking. Beyond aesthetic and longevity concerns, some faux materials, particularly particleboard and certain types of laminate or vinyl flooring, are known to release harmful Volatile Organic Compounds (VOCs), including formaldehyde, which can negatively impact indoor air quality. Home designer and therapist Anita Yokota emphasizes the psychological and physiological benefits of natural materials, noting that their micro-irregularities and tactile depth activate the parasympathetic nervous system, fostering feelings of groundedness and safety. Materials like real wood, stone, linen, and clay offer subtle variations that are absent in synthetic alternatives. Despite the drawbacks, the market for faux materials, such as particleboard used in faux wood furniture, is projected to continue growing, driven by a demand for affordability. However, the article suggests that there are affordable natural alternatives available. For instance, instead of expensive marble or cheap faux replicas for countertops, real wood butcher block offers a natural, more budget-friendly option that also contributes to a soothing interior aesthetic. Similarly, embracing natural fabrics like cotton, linen, or wool for items such as blankets, curtains, and pillows is recommended over synthetic options. For furniture, vintage real wood pieces can be sourced affordably from thrift stores and given a new life through DIY upcycling. Ultimately, the piece advocates for a mindful approach to material selection in home design, prioritizing the long-term benefits of natural materials in terms of durability, aesthetic quality, and positive impact on well-being and indoor air quality, even when initial costs might seem higher than their synthetic counterparts. The ongoing popularity of faux materials is largely attributed to cost-effectiveness, but designers consistently prefer natural options due to their superior qualities and benefits. #InteriorDesign #HomeDecorTrends #NaturalMaterials #FauxMaterials #HomeDesign #SustainableDesign #IndoorAirQuality #MaterialSelection

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

The article explores the growing trend of homeowners replicating successful interior design schemes from their previous residences into new ones, arguing that this practice is not a sign of laziness but rather a clever and confident approach to creating a comfortable and personal living space. The author, Nicky Rampley-Clarke, shares her own experience of moving to a Grade II-listed property in the Cotswolds and consciously choosing to duplicate design elements she loved from her previous home. This includes installing the same textural sisal carpet, selecting Cole & Son wallpaper in similar styles (albeit different shades), and even considering reordering the same Soho Home lighting. Her rationale stems from the extensive time and effort previously invested in curating a look that felt warm, timeless, and uniquely ‘them,’ and she sees no reason to abandon a proven formula. This sentiment is echoed by others, including Jodie Hazlewood of @thehouseupstairs, who, while planning her new home in Bristol, identified ‘nine things’ she would definitely repeat. These range from practical luxuries like a hot water tap and ample electrical sockets to larger design choices such as an upstairs sitting room for unwinding and a preference for non-fitted, vintage kitchen furniture over standard units. Hazlewood emphasizes that these repeated elements contribute to comfort and ease, defining what a ‘home’ truly means to her. Similarly, Steph Nicholson of @houseonthecorner_16, moving to Northamptonshire, found herself gravitating towards the same green and red colour scheme she used in her old Cambridgeshire home. She attributes this to her established love for these colours, regardless of trends, and the sustainability aspect of reusing existing furniture and furnishings. Nicholson also highlights the emotional comfort derived from recreating a familiar environment, particularly after a significant life event. Interiors stylist Sam Grigg provides psychological insight into this phenomenon, suggesting that repetition often stems from the sheer exhaustion of decision-making in the face of numerous decorative choices. Once a successful formula is found, people are reluctant to deviate. Grigg also points out that experience over time helps individuals discern what truly ‘feels right.’ Beyond mere practicality, she notes a sentimental attachment to specific colours, fabrics, or patterns that become integral to one's personal story. This creates a visual thread and a sense of continuity that accelerates the process of making a new house feel like home. Ultimately, the article concludes that repeating successful interior designs is not a lack of imagination but a confident act of self-awareness and intentional design, prioritizing comfort, joy, and a deep understanding of one’s personal aesthetic over constantly chasing new trends. #InteriorDesign #HomeDecor #DesignTrends #PersonalStyle #HomeComfort #Renovation #DecoratingTips #SustainableDesign #PsychologyOfDesign

Rebecca Constable, an interior designer known for creating timeless and inviting homes that also accommodate daily life, recently launched Room by Room Interiors. This new venture offers ready-to-go design schemes, providing an accessible and affordable alternative for individuals seeking design assistance without the commitment of hiring a full-time designer. These schemes include comprehensive guidance, from key design principles to specific recommendations for paint colors, furniture, and accessories. Constable's design journey began after transitioning from a career in management consulting and project management at John Lewis. Following the birth of her children, she sought a more flexible profession, initially redesigning her own home and then assisting friends and family, which organically led to the growth of her interior design practice. She notes the significant overlap between project management and interior design, highlighting the organizational aspects crucial to both fields. Her personal home is characterized by a vibrant and layered approach, incorporating color, pattern, and various textures. Each room is distinct, and Constable frequently uses different fabrics to achieve this variety. She also emphasizes the use of natural materials such as oak floorboards, marble tiles, and quartzite counters, embracing the natural wear and tear these materials exhibit over time. Her favorite room is her and her husband's bathroom, which she describes as a calm and luxurious space for relaxation. Constable's design philosophy is deeply influenced by her Swiss grandmother, whose home featured a rich collection of antiques, self-painted oil paintings, and hand-decorated furniture. This eclectic mix of old and new, combined with a love for color and pattern, defines Constable's style. Her own home reflects this sensibility, blending antique pieces with more modern elements. Regarding her latest endeavor, Room by Room Interiors, Constable explains that the platform addresses the challenge many people face in finding the right design elements for their homes. By curating complete design schemes, the service aims to simplify the decorating process for those who lack the time or inclination to research extensively. This initiative makes professional interior design principles and product selections available to a wider audience. Constable also shared a wish list of ten items that align with her design aesthetic and current preferences. These items include a versatile sofa bed from The House Upstairs, a Folia Scalloped Natural Linen Wall Light from Lights & Lamps for architectural detailing, and a Wilmington Reeded Bedside Table from Alfred Newall, valued for its curves and the timeless quality of limed oak. Other items comprise a Frill Pouffe from Six The Residence for bedrooms or dressing rooms, a Dunes Rug from Pelican House x Lucy Williams, praised for its brown and blue color combination, and an Exton Mirror from Vaughan, considered a timeless piece suitable for various spaces. The list also features Marton Side Tables from The White Company for their utility in small spaces, a Ma Ma Lay Rattan Tray from Kalinko for desk or bedside organization, Brass Wiggle Handles from Bias Editions for a fun and luxurious touch, and a Rosemary Willow Diffuser from Bamford, appreciated for its fresh scent and aesthetic appeal. These selections collectively showcase Constable's commitment to functionality, natural materials, and a balanced blend of classic and contemporary elements. #InteriorDesign #HomeDecor #RoomByRoomInteriors #RebeccaConstable #DesignInspiration #Furniture #HomeAccessories #TimelessDesign #NaturalMaterials

Many homes feature awkward, unusable spaces or unreachable landings that often sit dormant, leaving homeowners perplexed about their purpose. However, these areas can be transformed into functional and beautiful parts of a home with some creativity and strategic design. Several designers offer insights and examples of how they've tackled such challenges, turning seemingly useless spots into valuable features. Erin Myers, founder of Erin Myers Design, recounts a project involving an awkward niche in a powder room, which she dubbed a "builder special." Instead of using it for typical powder room storage or dried flower arrangements, Myers collaborated with a client who collected perfume bottles. They installed custom glass shelves and lighting within the niche, effectively transforming it into an illuminated display case that highlighted the client's collection. This not only utilized the space but also added a unique and personalized aesthetic. Philip Consalvo, founder of PJCArchitecture, faced a similar challenge in a three-story Brooklyn townhouse, where a small closet containing a ladder to the rooftop was largely unutilized. Consalvo and his team reoriented the opening of this space by 90 degrees to align with the main staircase. They replaced the existing ceiling hatch with an operable skylight hatch, introducing natural light. The most innovative transformation involved converting the ladder into custom millwork with integrated shelves and drawers for books and storage. The design was clever, allowing the shelves to serve as steps for rooftop access, thereby giving the space two practical functions and making it a focal point flooded with natural light. In another project, Consalvo's team merged two apartments on Manhattan's Upper West Side. This created an extra entry door and hallway that were no longer needed. To maximize this leftover square footage, they ingeniously converted it into a spacious kitchen pantry. The design integrated this new pantry seamlessly into the existing cabinet layout, making it appear as a typical cabinet rather than a separate walk-in area, thus utilizing the awkward space for essential storage without disrupting the kitchen's flow. Guillaume Coutheillas, founder of frenchCALIFORNIA, encountered a small, seemingly useless closet in a penthouse. Instead of conventional storage, he saw an opportunity for a unique feature. Coutheillas transformed the closet into a custom coffee station, complete with shelving and decorative wallpaper. He further personalized the space with artist and coffee table books and decorative objects, turning an otherwise overlooked area into an intentional and charming coffee nook. This approach demonstrates how awkward spaces can become personalized showcases reflecting the homeowner's style. Beyond these specific examples, the article suggests that the internet is a rich source of ideas for dealing with unusable spaces, such as unreachable landings. Coutheillas emphasizes that these spots can be opportunities to display personal items or create gallery walls, sharing stories about personal aesthetics and experiences. Social media platforms like Instagram and TikTok also feature creative solutions, from transforming ledges into cat getaways to building reading nooks. Consalvo advises thinking unconventionally, examining the space's adjacencies, and envisioning potential functions. He stresses that embracing the unique quality of these awkward spaces can ultimately enhance the entire home, turning a design flaw into a distinctive advantage. #HomeDesign #InteriorDesign #SpaceUtilization #HomeRenovation #CreativeSolutions #ArchitecturalChallenges #DesignInspiration #FunctionalDesign

The article discusses ten common interior design mistakes that professionals deliberately avoid in their own homes, emphasizing the importance of creating personalized, functional, and timeless spaces over blindly following trends. Interior designers, unlike many DIY enthusiasts, prioritize authenticity and practicality, opting for curated aesthetics that reflect personal stories rather than fleeting fads. One significant mistake highlighted is perfectly matching furniture sets. Designers like Ryan Saghian and Amy Switzer argue that such perfection can lead to sterile and uninviting spaces. Instead, they advocate for a mix of styles, textures, and eras, believing that a home should feel lived-in and personal, evolving naturally with collected pieces. This approach allows for a certain “rawness” and tension, blending high and low, old and new, and refined finishes with unexpected elements to create a space with soul. Another pitfall is blindly following trends. While social media trends like “Cowboy Core” or “White Lotus Core” gain popularity, experienced designers focus on timeless design. Saghian stresses that a home should tell a personal story, not just reflect current moments. Timeless design, rooted in thoughtful curation and layered textures, creates authentic and lasting spaces, where elements resonate with one’s aesthetic rather than being chosen purely for their popularity. Leather sofas are identified as a poor choice due to their susceptibility to wear and tear, such as peeling and puddling. Designer James Pearse Connelly specifically notes that leather can show scratches easily and feels uncomfortable in hot weather. For homes with children or pets, performance fabrics and commercial-grade furniture are recommended to ensure durability and longevity, prioritizing quality over budget-friendly options that may not last. Neglecting function for aesthetics is another major mistake. Amy Switzer emphasizes that beautiful spaces must also be practical for real life. In a family home, functionality is paramount, as demonstrated by her need for living room furniture that can withstand children’s play. A well-designed home achieves a balance where practicality complements beauty. Skipping personal touches also detracts from a home’s character. Switzer highlights that personal items like art, vintage finds, and sentimental pieces make a space truly unique. Designers incorporate family heirlooms, travel souvenirs, and even professionally framed children’s artwork to infuse a home with individuality and narrative. Open showers without doors or ledges, while trendy, are deemed impractical by Switzer due to discomfort and the risk of water spillage. This points to the need for practical design elements that enhance comfort and prevent inconvenience. Painting walls red is strongly advised against by interior designer Shay Holland. Red is known to overwhelm spaces, raise blood pressure and heart rate, and stimulate appetite, making it unsuitable for creating a relaxing atmosphere. Holland suggests using red sparingly as an accent color if desired. Recliner chairs are considered dated and unattractive due to their bulky nature and space requirements. Holland recommends more visually appealing and versatile alternatives like plush swivel armchairs with ottomans or sofas with chaise lounges, which offer comfort without dominating the room. Wall-mounted nightstands are another avoided item due to their fixed position, which limits flexibility for redecorating. Holland, a minimalist, prefers compact freestanding pieces with storage, allowing for easy rearrangement and adaptation of the bedroom layout. Finally, using satin sheets is discouraged. Holland describes them as “sleazy,” prone to wrinkles and stains, and lacking breathability, leading to discomfort. Organic silk or high thread count sateen (coated cotton) are suggested as luxurious and more practical alternatives that offer similar benefits without the drawbacks of satin. #InteriorDesign #HomeDecor #DesignTrends #HomeImprovement #PersonalizedHome #FunctionalDesign #TimelessDesign #InteriorDesignMistakes #ExpertAdvice

The article outlines ten essential traits that contribute to a successful career in interior design, emphasizing that it takes more than just good taste or an innate flair for aesthetics. According to Neal Beckstedt, founder of Neal Beckstedt Studio, successful designers often possess a blend of seemingly opposing characteristics, such as being creative yet practical, free-thinking yet organized, and a good listener yet opinionated. One crucial trait is an appreciation for everyday beauty. Cheryl Luckett, founder of Dwell by Cheryl, highlights that recognizing potential in every space and noticing small details can elevate a room from good to truly special. This deep sense of beauty guides designers in creating functional, inspiring, and joyful spaces. Natural curiosity is another key characteristic. Linda Hayslett of LH.Designs notes that successful designers are often inquisitive about their surroundings, possessing a heightened awareness of how spaces feel and function, and noticing details others might overlook. Developing a discerning eye is also vital. Michelle Gage of Michelle Gage Interiors advises actively seeking opportunities that expand one's visual experience, such as visiting museums, home shops, and traveling, rather than solely relying on social media for inspiration. A defined sense of personal style provides clarity and confidence, enabling designers to create cohesive spaces that clients can trust. However, this style should not be rigid, allowing flexibility to blend expertise with client needs. Strong gut instinct is another trait mentioned, with Amy Studebaker of Amy Studebaker Design explaining that trusting one's intuition in decisions like fabric selection, client interaction, and team building often leads to the right direction. Problem-solving skills and adaptability are critical, as no design project is entirely smooth. Hayslett points out that skilled designers embrace obstacles as creative challenges. Sarah Lederman of Sarah Lederman Interiors adds that a client-centric approach requires openness and willingness to try different methods to achieve diverse client outcomes. A love of learning ensures designers stay current and informed. Lederman shares her continuous effort to educate herself about vintage items, antiques, and new showrooms. Empathy is highlighted by Phil Norman of Norman Design Group as a trait that helps designers understand clients' unspoken needs, distinguishing good designers from others. Furthermore, understanding how elements come together is paramount. Luckett explains that it involves comprehending how colors, textures, and layouts create harmony and emotion, along with a strong grasp of scale, proportion, and flow. Taniya Nayak of Taniya Nayak Design emphasizes the ability to accurately judge scale and size visually. Finally, the ability to communicate a vision is essential. Designers must be able to visualize a room's potential and effectively convey that vision to clients. Sarah Fleischer of SRF Interiors states that confidence in communicating one's design sense and opinions is crucial for project success. Cheri Etchelecu Martin of Cheri Etchelecu Interior Design underscores that strong communication skills are necessary to sometimes push clients beyond their comfort zones and ensure project success. Attention to detail, including small elements like screw finishes or light bulb placement, is also a common trait among skilled designers, often associated with Type A personalities who value precision and control. #InteriorDesign #DesignSkills #CreativeProfessions #HomeDecor #ProblemSolving #ClientRelations #AestheticAppreciation #LifelongLearning #AttentionToDetail

This article highlights common interior design mistakes, referred to as "pet peeves" by professional decorators, offering insights into subtle details that significantly impact a space's aesthetic and functionality. Drawing expertise from several renowned interior designers, the article identifies ten specific issues that can detract from a well-designed home. The first common error discussed is the use of curtains that are too short or curtain rods installed too low. Designers emphasize that curtains should hang high, close to the ceiling, and gently touch the floor to create a sense of height and elegance. Proper curtain placement contributes to a polished and integrated look, preventing windows from appearing disproportionately small. Another significant pet peeve is the improper mixing of metal finishes, specifically the combination of polished chrome and polished nickel. While mixing metals can be an intentional design choice, experts caution against certain pairings that clash rather than complement. The article also addresses ill-fitting rugs, stressing that a rug's size is crucial for grounding a space. A rug that is too small can make a room feel disjointed and smaller than its actual dimensions. Conversely, a larger rug typically enhances the overall cohesion and scale of a living area. The placement of art is another point of contention; art hung too high can disrupt the visual balance of a room, making it feel out of proportion. Designers recommend hanging art at eye level to ensure it harmonizes with the surrounding decor and furniture. The article further advises against furnishing an entire space from a single store, advocating instead for a curated approach that involves collecting pieces over time from various sources. This method allows for a more personalized and eclectic look, avoiding a showroom appearance. Inconsistent light bulbs within a single room are also identified as a design flaw, as they can create an unharmonious lighting scheme. The recommendation is to choose a consistent color tone and wattage for all bulbs in a room to maintain a cohesive ambiance. Excessive recessed lighting, often likened to an "airport runway," is criticized for creating harsh, unflattering illumination. Designers suggest incorporating multiple light sources, such as flush-mount fixtures and lamps, to achieve softer, more layered lighting. Plantation shutters are surprisingly listed as a pet peeve by one designer, who argues that they offer less warmth and ambiance compared to drapes or shades, despite their cost. The article also points out the common mistake of using white trim on colorful walls, which can undermine the intended sophisticated statement of a bold color choice. Instead, designers propose tone-on-tone or complementary hues for trim to enhance the wall color. Lastly, prominent microwaves are highlighted as a functional eyesore. Designers prefer to conceal these appliances, either by integrating them into cabinetry on an island or within a pantry, to maintain a clean and streamlined kitchen aesthetic. These expert opinions collectively underscore the importance of attention to detail in creating a truly well-designed interior. #InteriorDesign #HomeDecor #DesignTips #ExpertAdvice #HomeStyling #DecoratingMistakes #RoomDesign #Aesthetic

This blog post compiles a list of the top ten interior design pet peeves, as identified by a panel of professional interior designers. The article aims to guide readers in making informed design choices to create more aesthetically pleasing and functional spaces by highlighting common mistakes. The insights are drawn from various designers, including Francesca Grace, Joelle Kutner and Jesse Rudolph of OME Dezin, Jessica Risko Smith of JRS ID, Tamarra Younis of Union of Art Interiors, Andi Morse of Morse Design, Shannon Eddings of Shannon Eddings Interiors, Ashley Macuga of Collected Interiors, Lauren Sullivan of Well x Design, and Annie Downing of Annie Downing Interiors. The first pet peeve discussed is the use of curtains that are too short or curtain rods installed too low. Designers emphasize that curtains should hang high, close to the ceiling, and lightly touch the floor to create a sense of height and completeness. Custom curtains are highly recommended for achieving the perfect length, though proper hardware installation can help. Another common error is mixing polished chrome and polished nickel metal finishes, which is seen as a subtle but significant design flaw. Interior designers suggest maintaining consistency in metal finishes to ensure a cohesive look. Ill-fitting rugs are also identified as a major design faux pas. Rugs that are too small make a room feel disproportionate and smaller than it is, failing to ground the space. The consensus among experts is that a larger rug is almost always better, as it helps tie the room together and provides a finished appearance. Hanging art too high is another common mistake that can disrupt the balance and proportion of a space, making it feel unbalanced. Art should be hung at an appropriate eye level to integrate seamlessly with the rest of the decor. The article also advises against furnishing an entire space from a single store. Designers recommend a more patient approach, collecting pieces over time from various sources, including online retailers and flea markets, to achieve a unique and eclectic look. This method ensures that each item is thoughtful and special, contributing to a curated collection rather than a mass-produced feel. Inconsistent light bulbs within a single room are highlighted as another pet peeve. Designers suggest choosing a consistent color tone and wattage for all bulbs in a room to avoid a disjointed and unappealing ambiance, especially in dimmable settings. Excessive recessed lighting, particularly when installed in a linear fashion like an "airport runway," is discouraged. Instead, designers propose using flush mount fixtures or monopoints and incorporating multiple lighting sources to create a more inviting and layered lighting scheme. Plantation shutters are another item designers recommend avoiding, especially in favor of drapes or other shades that offer more warmth and ambiance. This preference is particularly strong among designers in regions where plantation shutters are common. Furthermore, using white trim on colorful walls is seen as undermining a sophisticated design statement. Designers advise committing to color by opting for tone-on-tone or complementary hues for trim to enhance the overall color scheme. Finally, prominent microwaves are a significant pet peeve. Many designers prefer to conceal microwaves within cabinetry, pantries, or even on the back of an island, as they believe the range is the focal point of a kitchen and should be enhanced with a decorative range hood, not overshadowed by a microwave. #InteriorDesign #HomeDecor #DesignTips #ExpertAdvice #DecoratingMistakes #HomeStyling #Aesthetic

The decision to engage an interior designer often lacks a definitive starting point, yet the article emphasizes that the ideal time to bring a professional designer on board is always sooner rather than later. This is illustrated through three case studies handled by designers from Decorating Den Interiors, a network of independently owned and operated design firms across the U.S. The first scenario involves a complete reimagining of an entire space. Krista Shugars of KD Designs Custom Interiors transformed a historic 1880s home in Baltimore. Her project began not with aesthetic details like paint colors or fabric swatches, but with a significant structural overhaul. This involved knocking down two brick walls and relocating an entire kitchen. KD Designs functioned as a project manager, overseeing the renovation and assessing the feasibility and cost of the complex undertaking. A key challenge was integrating a contemporary feel while preserving the home's historic features, including 10 solid marble columns. Shugars and her team not only reconfigured the layout by demolishing walls and moving an unused kitchen, bathroom, pantry, and laundry area, but also reframed windows and added a skylight to enhance natural light. A built-in beverage bar was introduced to modernize and add versatility to the space, with the aesthetic details of paint and fabrics addressed later in the process. The second case highlights how designers can transform an underutilized room. Kimberly Paulus, owner of Monarch Designs in Sienna, Texas, often encounters clients who express not knowing what to do with a particular room. For one family with two daughters, a high schooler and a college student, Paulus initiated the design process by conducting a comprehensive interview to understand their lifestyle, hobbies, and activities not supported by their current living spaces. The family's shared interest in coffee and hanging out led to the conversion of an unused formal dining room into a European-inspired coffee bar and internet café. This involved replacing the traditional dining setup with a coffee station and bistro tables, and incorporating design elements such as stonework, ceiling beams, and hand-painted tiles to evoke the ambiance of a European coffee shop. Paulus underscores that a designer's role extends beyond superficial preferences for colors or styles, delving into personal habits and desires to ensure the space truly reflects the client's identity. The third scenario addresses adapting a space to changing life circumstances. A couple with a vacation home in Naples, Florida, decided to make it their permanent residence due to the pandemic, rendering their existing casual home office in a detached cabana inadequate. Claudia Leah of Claudia Leah Design identified several functional deficiencies in the original setup, including poor acoustics causing echoes, an unsuitable backdrop for video calls, and a general lack of functionality. Leah proposed a custom-built office solution within an enclosed dining area, meticulously considering the couple's specific work needs. This involved installing acoustically backed walls for soundproofing, adding adjustable-louver shutters to existing French doors for light control and privacy, and designing the overall layout to provide an aesthetically pleasing background for video conferences. The new office quickly became the most frequently used room in their home. Leah concludes by explaining that a designer’s expertise lies in identifying overarching themes in a client’s preferences for furniture, colors, room arrangement, and lighting, and then guiding them through a process of exploration to achieve a functional and aesthetically cohesive outcome. #InteriorDesign #HomeRenovation #SpacePlanning #DesignConsultation #LifestyleChanges #HomeOffice #ResidentialDesign

The author explores the concept of "Design with a capital D," a term coined by T magazine editor Pilar Viladas, which refers to high-end, statement-making interiors. While admiring such designs, the author questions the necessity of always making a bold statement in a room, noting that rooms can become "rudderless" if too safe. The author's personal approach is to seek an "anchor" rather than a "statement" in design. The author discusses the pitfalls of the "statement wall," suggesting it can lead to a sense of completion prematurely. An experience is recounted where a client had invested heavily in De Gournay wallpaper for a dining room, leaving the rest of the apartment undone. The author's solution was to elevate the surrounding decor to match the grandeur of the wallpaper, emphasizing that complete overhaul isn't always necessary to transform a space. The author also touches on situations where decor becomes too tasteful, requiring a "punch" to disrupt the complacency. A personal anecdote illustrates this: while designing her own sitting room with elegant, understated elements, she introduced a zebra linen fabric to add an unexpected jolt. The author reflects on the influence of style icons like Lee Radziwill, whose tiger silk velvet sofa served as an inspiration, but also cautions against "statement seating" becoming a design cliché. The author advocates for introducing bold elements later in the decorating process, after a sense of balance has been established, to prevent them from dominating the entire space. Balance is highlighted as crucial, comparing it to cooking, and a trick for achieving harmony between rooms with strong patterns involves using a complementary color from the wallpaper in the adjacent room. The author admits to a lack of restraint in her own decorating preferences, contrasting it with the admired minimalist approach of interior designer Joanna Plant, who expertly curates a few perfect items. This personal struggle stems from a desire to possess many beloved items. Ultimately, the author emphasizes that rooms are not meant to be static but should evolve, bringing life to otherwise inoffensive interiors. The author dismisses the worry of rooms becoming boring, stating that their primary purpose is to serve as a backdrop for living, not to constantly entertain. The underlying message is to have fun with decorating, allowing for playful elements without overthinking cleverness, as seen in the September 2025 issue of Elle Decor. #InteriorDesign #Maximalism #DecoratingTips #HomeDecor #DesignPhilosophy #RitaKonig #StatementDecor #RoomBalance

The article explores how to prevent interior design from becoming "boring" by incorporating character and personality into spaces, moving beyond transient trends. Monica Santayana, co-founder of MONIOMI Design, emphasizes that predictability is detrimental to interesting design, advocating for spaces that evoke feelings of joy, nostalgia, or curiosity. Designers are encouraged to stay true to their personal preferences rather than strictly following current trends. One key strategy discussed is to "disrupt harmony just enough." This involves introducing unexpected elements, such as mixing patterns, placing bold items in subtle rooms, or exaggerating proportions to maintain visual engagement. Santayana explains that each room should be treated as a unique chapter in a larger story, ensuring movement, surprise, and discovery throughout a home. Ronald Alvarez, also from MONIOMI Design, stresses that a space should never feel generic but instead possess personality and purpose, asserting that designs feel dull when everything matches perfectly. Another crucial tip is to contrast textures and tones. Camilla Masi, an interior designer at Otto Tiles & Design, suggests using a calm, neutral palette as a base and then adding unexpected pops of color, unique patterns, or richly glazed tiles. This approach prevents a space from appearing flat or predictable. Alvarez reinforces this idea, highlighting the creation of tension through contrasts such as hard and soft, organic and graphic, or vintage and new elements. He notes that even in monochromatic schemes, depth can be achieved through intentional variations in light, material, and form. Incorporating bold art pieces is identified as a direct method to inject soul and individuality into a room. Art can set the overall tone and is often considered by designers as the most essential item to retain in a space. Manuela Hamilford, founder of Hamilford Design, explains that art elicits emotion and conversation, reflecting the inhabitants' identity. A home that authentically mirrors its occupants’ lives will inherently avoid being boring. The article also advocates for playfulness in design. Overlooked transition areas, such as doorways, can be transformed into design statements. Raili Clasen of Raili CA Design suggests painting archways in vibrant colors, tiling them, or using contrasting wallpapers to create impact and a sense of fun. These playful interventions frame the room and establish memorable "moments." Finally, the most significant advice is to embrace experimentation and avoid "playing it safe." Genevieve Bennett, Head of Design at Liberty Interiors, encourages designers to be bold and brave, freeing themselves from concerns about external opinions. She recommends experimenting with unexpected color and pattern pairings, like juxtaposing graphic stripes with traditional florals or adding vibrant colors to minimalist spaces. Bold prints, she suggests, can introduce a sense of fun, starting with a lead textile and building the design from there. This approach of "pattern sprinkling" fosters both interest and balance, ensuring that a space designed with passion and creativity will resonate with others.

Susanna Salk's eighth book, "Decorate Fearlessly: Using Whimsy, Confidence and a Dash of Surprise to Create Deeply Personal Spaces," serves as a comprehensive guide for individuals seeking to inject personality and boldness into their interior design choices. The book, released by Rizzoli, compiles the work of 83 prominent designers, showcasing a diverse array of styles from modern and traditional to casual country and city chic. Salk's philosophy revolves around the idea that decorating should be a fearless and enjoyable process, encouraging readers to draw inspiration from various sources and adapt design concepts to their own spaces. The book is structured by room type, covering living rooms, dining areas, bedrooms, bathrooms, kitchens, and entryways. This organization allows readers to focus on specific areas of their homes and discover relevant design solutions. Salk, who considers herself more of a stylist than a professional designer, has a background working for notable publications like Elle Décor and House & Garden. She emphasizes the importance of training one's eye to recognize and appreciate different design elements, akin to a "triathlete's muscle." In her research for "Decorate Fearlessly," Salk extensively utilized platforms like Pinterest to collect inspiring images. She highlights the work of designers such as Alex Papachristidis, whose vibrant and layered Manhattan apartment interiors are featured. Papachristidis's design, including a library with dark walls and an all-over chevron pattern rug, exemplifies Salk's message of confidence in layering textures and patterns. Salk personally adopted Papachristidis's dark wall concept in her own bathroom, demonstrating the practical application of her "copying is acceptable" philosophy. The book also showcases the sleek and uncluttered aesthetic of New York-based architect Annabelle Selldorf, particularly her work in fashion designer Jill Stuart’s penthouse. Selldorf’s design, featuring custom tables, classic Thonet bentwood chairs, and vintage light fixtures by Carlo Scarpa, illustrates how a mix of modern and formal elements can create a sophisticated yet warm environment. Salk points out that the interplay of spirals in a Sue Williams painting and the chair backs, along with the unexpected light fixtures, demonstrate a fearless approach to combining elements that don't traditionally match. Marian McEvoy, former editor-in-chief of Elle Décor and House Beautiful, provides another perspective on fearless decorating. Known for her DIY approach and use of a glue gun, McEvoy's Hudson Valley cottage is filled with her handiwork, including custom upholstery trim, curtains, and lampshades. Her living room, featuring a Ralph Lauren Home sofa enhanced with black and red trim and mirrors reflecting a bold color scheme, underscores the idea that decorating should bring happiness and delight. She advocates for personalization and the creative use of color, demonstrating that fearlessness can be achieved through hands-on involvement and a confident use of color. The work of New York decorators Miles Redd and Jonathan Adler is also featured, highlighting their chic and bold use of color. Salk specifically praises Adler's fearless use of color, exemplified by a child's bedroom design that features a single magenta wall contrasted with white walls. This approach offers a manageable solution for parents who want to incorporate bold colors without committing to an entire room. Ultimately, Salk's book aims to empower readers to overcome paralysis in redecorating by encouraging incremental changes, such as painting a wall or adding a patterned pillow, rather than feeling pressured to undertake a complete overhaul. She believes that small, confident steps can lead to deeply personal and rewarding spaces. #InteriorDesign #HomeDecor #DecorateFearlessly #SusannaSalk #DesignInspiration #BoldInteriors #AlexPapachristidis #AnnabelleSelldorf #MarianMcEvoy

Sheena Murphy, founder of nune studio, offers insights into her approach to interior design, emphasizing that thoughtful design enhances overall wellbeing. Her style is characterized as modern, eclectic, layered, and planet-aware, reflecting her belief in creating comfortable and livable spaces. Murphy has completed projects in both London and the US, currently basing her operations in London while incorporating a distinctive "Stateside cool" into her designs. She identifies her 8th Street Townhouse and Charles Street projects as personal favorites, highlighting the collaborative process involved in their creation, whether with architects or directly with contractors. Murphy primarily uses neutrals, particularly warmer tones, as foundational backdrops, citing Farrow & Ball's Purbeck Stone, Ammonite, Elephant’s Breath, and Jitney, along with Atelier Ellis’s Stony Plaster, as preferred choices. She expresses a particular enjoyment in designing children's rooms, which she finds allow for a more playful and whimsical approach, demanding multi-functionality and adaptability due to children's rapid development. These spaces often push her to experiment with color and pattern more extensively. Her creative process is also significantly influenced by the simplicity and natural beauty of the British countryside, which she finds invigorating. For timeless interiors, she admires Vincent Van Duysen and Axel Vervoodt, while for contemporary and layered designs, she looks to Decus Interiors, Templeton Architecture, and Ashe Leandro. She also keeps an eye on the distinctive work of designers like Brian Paquette, Rose Uniacke, and Disc Interiors, and draws inspiration from Instagram accounts such as Sarah Elliott, Rebecca Wakefield, The Modern House, and Genevieve Lutkin. When initiating a room design, Murphy prioritizes surveying the space and taking detailed measurements of existing architectural elements. For small spaces, she recommends investing in lighting, window treatments, and sofas, noting that curtains or roman shades and sculptural lighting can significantly transform a room. Sofas are considered a crucial investment due to their frequent use. In large open-plan areas, her strategy focuses on creating defined zones through furniture and textiles, emphasizing the importance of space planning, furniture layouts, rugs, lighting, and storage to provide division and definition. Regarding decorating, Murphy's color scheme and mood board development are informed by the property’s external environment, the client’s lifestyle, and the home’s architecture. This comprehensive approach guides the selection of color palettes, forms, and materials, influencing shapes and styles. For a single room, she typically uses one wall color, accentuating architectural details with tonal variations. She appreciates mixing patterns but stresses the importance of scale to allow each pattern to stand out, with the number of patterns varying based on room size and type. For eclectic furniture arrangements, a unifying color palette is essential to prevent a chaotic atmosphere. Murphy advises against chasing trends, advocating for timeless designs and planet-friendly, natural materials that ensure longevity. She encourages purchasing items loved and intended for long-term use, ensuring they serve a purpose and connect with other aesthetic elements. Functionality is paramount in kitchen design. While she favors wood and limestone for flooring, she cautions against wood for messy cooks due to maintenance. Limestone is highlighted as a durable, cost-effective, and easy-to-maintain natural alternative. For worktops, marble is her preferred choice, although she suggests limestone or quartzite as natural alternatives for those hesitant about marble's cost or perceived delicacy. She avoids porcelain or quartz, favoring natural stones, but acknowledges stainless steel for its utilitarian appeal in avid cooks' kitchens. Paint colors are always selected in natural daylight, with attention paid to bulb temperature to avoid distortion. Finally, Murphy advises splurging on lighting and vintage pieces, while saving on occasional items like side tables, secondary chairs, and accessories. For budget-conscious projects, prioritizing paint and lighting is key. She concludes by listing her preferred vendors for various interior design elements, including furniture, fabrics, joinery, kitchens, bathrooms, wallpaper, paint, lighting, flooring, tiles, and kitchen hardware. #InteriorDesign #SheenaMurphy #NuneStudio #HomeDecor #DesignTips #EcoFriendlyDesign #NeutralPalette #SpacePlanning #KitchenDesign