John McClain’s moody medley of beaded fabrics, velvet tapes and weathered tiles

The article discusses the new Bedford Park collection from Morris & Co., a textile brand named after the influential British textile artist William Morris. The collection, spearheaded by lead designer Jessica Clayworth, aims to honor Morris's iconic Arts & Crafts designs while introducing a modern and unexpected twist through bold and supercharged color palettes. Clayworth's vision was to disrupt the market by reimagining classic patterns with punchy hues and dramatic color combinations, drawing inspiration from the psychedelic tones of the 1960s and '70s. The development process involved delving into the company's archives to select both well-known Morris bestsellers and lesser-known works by other significant Arts & Crafts designers. The goal was to bring attention to designs that had previously received less recognition and to highlight the contributions of artists like C.F.A. Voysey, Allan Francis Vigers, and J. H. Dearle, who were also impactful during the Arts & Crafts period. The Bedford Park collection features 15 wallpaper designs and 14 fabrics. Clayworth provides insights into several key patterns within the collection. For instance, the popular 'Pimpernel' pattern, originally characterized by soft, muted colors, has been reinterpreted with brighter, stronger colors such as Shamrock and Watermelon. This reinterpretation caters to customers seeking a more vibrant and audacious aesthetic. Another pattern, 'Spring Thicket,' which was Morris's last wallpaper design, has been updated from its original subtle peachy ground to striking bright blues, incorporating a lilac punch to modernize the colorway and enhance the floral and leaf motifs. The collection also introduces designs by C.F.A. Voysey, including 'The Savaric,' which features his signature bird motif. While Morris's designs are often described as structural, Voysey's style is noted for its naivete. The updated 'Savaric' maintains a gentle color palette, such as Garden Green, to align with Voysey's original vision while introducing his work to a broader audience. Voysey's 'Glade' and 'Laceflower' patterns are also part of the collection. 'Glade' stands out with its structural, stylized botanical design and Art Nouveau influence, offering a departure from some of the more elaborate patterns. 'Laceflower' reintroduces Voysey's characteristic birds, integrated within floral stems for a more dimensional effect compared to 'The Savaric.' Allan Francis Vigers' 'Campanula' design, with its dense field of vibrant flowers, is presented in a Sunburst colorway that closely honors the creator's initial vision, with colors slightly enhanced for impact. The wallpaper print for 'Campanula' also pays homage to the wooden printing blocks used during the Arts & Crafts era, reinforcing the collection's authentic origins. Many patterns in the Bedford Park collection are available in both fabric and wallpaper, allowing for maximalist decorating schemes. The collection is designed to evoke a sense of rebellion and statement-making, aiming to impress and inspire awe in observers. #MorrisAndCo #TextileDesign #ArtsAndCrafts #InteriorDesign #Wallpaper #Fabric #WilliamMorris #BedfordParkCollection #ColorCombinations

If a home's interiors appear bland, boring, or monotonous, incorporating layering techniques can transform these spaces into curated, inviting, and stylish environments. Layering involves combining various textures, finishes, and materials to add depth and make a space feel more "lived in" and vibrant. This approach goes beyond mere aesthetics, aiming to create a multi-sensory experience that engages sight, touch, and movement, resulting in a harmonious flow within the composition. One effective method for layering involves grounding the space by utilizing rugs. Since the floor is often the largest uninterrupted surface, it serves as an ideal canvas for introducing texture and depth. This can be achieved by starting with a large, handwoven base rug made from materials like jute, wool, or a silk blend, which anchors the room. To add personality and create a focal point, a smaller, patterned rug, such as a kilim, Moroccan Beni Ourain, or antique Persian, can be layered on top. Furthermore, using an organic-shaped rug over a rectangular base can soften architectural edges and help delineate specific zones within open-plan living areas, contributing to both visual interest and functional organization. Walls also offer significant opportunities for layering to enhance a room's character. Applying various wall treatments can impart a sense of architecture and tactility. Textured wallpapers, including grasscloth, silk, or linen, can introduce subtle richness and visual interest. Panelling, whether in wood, lacquer, or fluted profiles, creates dynamic shadow play and adds depth to the walls. A sophisticated and finished look can be achieved by combining these elements, for example, by framing a silk wallpaper within slim timber panelling, which adds a tailored touch. Textiles can transcend their traditional roles as upholstery or drapery to become striking art pieces. Hanging a vintage suzani, a woven wall hanging, or a contemporary tapestry can bring softness and a narrative quality to a room. To further enhance dimension and establish a dynamic focal point, a sculptural wall light or a floating shelf can be strategically placed in front of the textile, drawing the eye and adding another layer of visual complexity. Sculptural elements also gain presence when carefully layered with other materials. A ceramic, stone, or bronze sculpture can be positioned in front of a textured wall, such as one finished with silk, timber, or polished plaster, to create a compelling contrast. On shelving units, grouping smaller sculptures with books, framed art, and decorative vessels can contribute to a collected, lived-in feel, reflecting a curated aesthetic. Finally, achieving a balanced and cohesive layered look requires intentional contrasts. Pairing smooth materials like marble with open-weave linen, placing a matte clay vase against a lustrous lacquered cabinet, or introducing woven baskets into a room with clean-lined furniture can effectively soften the overall aesthetic and create a harmonious yet dynamic interior. #HomeDecor #InteriorDesign #LayeringTechniques #TexturedWalls #RugsAndThrows #SculpturalElements #TextileArt #VisualDepth #ContemporaryHomes

The article explores the growing trend of incorporating soft textures and textiles into home interiors to create more comfortable, cosy, and tactile spaces. This movement is seen as a response to the dominance of digital technology, the anxieties of modern life, and a desire to make homes feel like sanctuaries. The shift towards soft textures builds upon earlier interior design trends, such as the resurgence of wallpaper two decades ago and the preference for moodier paint colours, both aimed at creating cosier environments. Today, designers are increasingly utilizing textiles for walls, floors, and furniture, moving beyond mere decorative elements to provide cushioning and a sense of luxury. These contemporary textile designs often feature natural, plant-based fibres like bamboo, jute, coconut waste, and even vegetable waste, emphasizing warmth and sustainability. Designers employ a mix of traditional techniques like embroidery and modern digital technology to achieve diverse textures, from matt to glossy finishes. The use of sustainable materials and dyeing methods also reflects a growing environmental consciousness within the design community. A key advantage of textiles is their adaptability; unlike rigid fixtures, they can be easily repositioned and layered for enhanced comfort. The Covid-19 pandemic significantly boosted sales of throws, cushions, and rugs, as people sought to make their homes more comfortable during lockdown. Charlotte Bastholm Skjold of Kvadrat highlights that textiles counterbalance the pervasive influence of technology by engaging the sense of touch, providing a human quality to spaces dominated by screens. Historically, textiles have played a similar role, with tapestries in medieval times offering portability and insulation, much like modern textiles provide warmth and softness. Textile artist Alan Oliver notes that wall-hangings and rugs evoke feelings of comfort and safety, fulfilling a deep-seated desire to 'nest.' He also points out the perceived impermanence of textiles, which encourages bolder design choices compared to permanent artworks or furniture. Prominent designers like Sarah Campbell, known for her hand-painted fabrics, emphasize how textiles enliven spaces by reflecting light and showcasing human artistry. Her work, along with that of other textile artists, is currently being exhibited, indicating a vibrant market for craft-based textiles. A younger generation of textile designers is also contributing to this trend, with events like London Craft Week highlighting the renewed interest in this craft, particularly for wall-hangings. Artists such as Singaporean weaver Tiffany Loy explore sculptural and three-dimensional textiles that offer translucency, sound absorption, and flexible space division. Ekta Kaul creates bespoke, hand-embroidered maps, drawing inspiration from historical and personal narratives. The appreciation for large-scale textiles has been influenced by exhibitions featuring artists like Anni Albers and the quilts of Gee's Bend. Claire Coles's silk wallpapers, incorporating appliquéd floral motifs, exemplify the demand for textured, non-repeating wall coverings. The trend also includes a preference for rugged, raw-looking textures, as seen in the large-scale tapestries by Crossing Threads, which use unconventional materials like coconut husk and discarded denim. Aiveen Daly's monumental upholstered panels, with their soothing monochrome colours and layered suede, are designed to evoke peace and tranquility, underscoring the role of textiles in making homes feel like sanctuaries in an anxious world. #SoftTextures #HomeDecor #InteriorDesign #TextileArt #CosySpaces #SustainableMaterials #Craftsmanship #TactileAesthetics #ComfortZone

In this installment of 'What I Love,' San Francisco-based textile designer and editor of The Textile Eye, Saana Baker, presents a mood board showcasing her current inspirations in fabrics and wallcoverings. Baker, renowned for her ability to identify exceptional prints and patterns, has curated a selection that emphasizes bold hues and tactile textures, driven by a commitment to diversity in design and a response to contemporary global shifts. Baker’s mood board is a vibrant and eclectic collection featuring samples and swatches from international makers, reflecting a broader discussion within the design industry about ethical sourcing and cultural mindfulness. She explains that the theme is deeply rooted in significant global changes, including the social justice movement and its subsequent influence on design aesthetics. The result is a maximalist-friendly compilation characterized by plush materials, striking graphic motifs, and deeply saturated colors. The chosen palette is described as rich and unusual, utilizing innovative color combinations to convey an optimistic outlook for the future. Baker provides a detailed breakdown of 25 items on her mood board. She begins with the Linyati Fabric in Waterfall by Jiun Ho Textile, a linen velvet praised for its elegant luster and livability, making it an ideal complement for complex patterns. Next is the Hingtham Wallcovering in Clay by Black Artists + Designers Guild for S. Harris, a printed grass cloth inspired by Bhutanese ikat, which achieves visual depth through fine detail and polychromatic layering. The Tiger Nest Fabric in Lake, also from Black Artists + Designers Guild for S. Harris, is a fine embroidery mimicking ikat with feathered edges, noted for its evocative name and fresh palette of chartreuse, cobalt, and pale yellow. Jiun Ho Textile's Seronera Fabric in Thorn was inspired by Jiun Ho's extensive travels in the Serengeti, aiming to evoke a mood rather than literal motifs. The Machakos Fabric in Earth and Sky by Nzuri Textiles is a hand-painted Belgian linen design by Eno Jonah, drawing inspiration from African mask details. Shinto Fabric in Cinnabar by Jiun Ho Textile is a rustic boucle with a wool-blend warp yarn that allows for subtle colorations, supporting diverse palettes. The Anna May Wong Fabric in Midnight/Teal by Makrosha, designed by Esha Ahmed, is a finely woven jacquard inspired by the glamour of the art deco period. Makrosha’s Marci Mohair in Sumac is a classic plush mohair available in a wide range of rich colors, known for its enduring quality and ability to develop character with wear. Anamar’s Lamu Meshi Fabric in Lapis Bluff is a hand-woven, ribbed plain-weave silk fabric created in the Philippines using warp screen-printing. The Lightray Wallcovering in Patina is a collaboration between visual artist Lisa Hunt and Lori Weitzner, showcasing geometric yet subtle designs translated from fine art. The Banda Indigo Flatweave Rug by Eskayel is part of a unique collaboration where designer Shanan Campanaro worked with master ikat artisans in Sumba, Indonesia, to reinterpret her watercolor designs into rugs, wallpapers, and textiles. Malene Barnett’s Heritage Wallpaper for Lulu and Georgia, created by the Black Artists + Designers Guild founder, is inspired by her hand-built ceramics, featuring a raised surface-print technique for tactile dimensionality. Karen J. Revis for A-Street Prints designed the Waves Blue Wall Mural, a flowing watercolor design intended as a wall-sized mural. The Maji Fabric in Peacock by Black Artists + Designers Guild for S. Harris is a jacquard velvet with bright blue and striking gold yarns, creating a complex pattern. Anamar’s Beijing Kikko Fabric in Lazurite Peak features a hand-screen-printed globe pattern on the warp, with each color applied separately before hand-weaving. The Hamaka Textile in Humacao by Breuwen, designed by Grey Lux, is a digital linen print inspired by the weaving legacy of his Taino ancestors. Malene Barnett’s Alaari Wallpaper for Lulu and Georgia offers a sophisticated update to millennial pinks with its tonal spice combination. The Akimbo 5 Indigo Flatweave Rug by Eskayel is another example of collaboration with ikat weavers, noted for its inky depth. Nzuri Textiles' Yankari Fabric in Turkana showcases subtle color gradations and hand-drawn details, preserving the hand-touched imperfection of Eno Jonah’s original artwork. Makrosha’s Marci Mohair in Teal is a second colorway of their luxurious mohair velvet, known for its stunning depth of color. Anamar’s Andorra Meshi Fabric in Milori Crown, an archival pattern depicting dragon scales, is a heavy, hand-woven silk with a hand-screened warp and alternating teal colors in the ribs. The Majani Trim in Brass by Black Artists + Designers Guild for S. Harris features gold-toned beads juxtaposed with stiff raffia, creating compelling material contrast. The Bhavana Desert Fabric by Black Artists + Designers Guild for S. Harris is a decorative panel stripe combining print and embroidery with an antiqued white ink and crewel-like embroidery. The Amboseli Pillow in Maasai Blue by Nzuri Textiles is a special hand-woven textile from West Africa, produced on a strip loom by weavers who commit complex traditional patterns to memory. Finally, the Patu Trim in Bark by Black Artists + Designers Guild for S. Harris is a chic trim reminiscent of Maori incised decorations, embellished with beads and tonal embroidery. #TextileDesign #InteriorDesign #MoodBoard #SaanaBaker #Fabric #Wallcovering #JacquardVelvet #EmbroideredTrims #GlobalInspiration #DiversityInDesign

Textiles, whether brought back from international travels or sourced from local designers, offer a unique way to introduce narrative and texture into home decor. Beyond their aesthetic appeal, textiles carry the stories of different times and places, making them cherished keepsakes. The article explores various methods for displaying these pieces, moving beyond common applications like pillows to highlight more creative and impactful design solutions. One effective approach is framing. Designer Christina Bryant, founder of St. Frank, advocates for framing textiles, particularly in acrylic box frames, which accentuate the handwork, three-dimensionality, and texture of the piece. This method also encourages sharing the textile's history and craftsmanship. An example showcases a framed scarf in a Houston living room designed by Meg Lonergan, demonstrating that not all textiles are raw fabric swatches. Another innovative use is transforming a textile into a headboard. Frances Merrill of Reath Design illustrates this by backing and upholstering an African textile with light padding, creating a comfortable and visually striking headboard. This method offers a distinctive alternative to traditional headboard designs, adding a personal and artistic touch to a bedroom. For those seeking a less permanent or upholstery-intensive solution, spreading a textile across the seat or back of a couch offers significant visual impact with minimal commitment. Textile designer Nathalie Farman-Farma of Décors Barbares, for instance, uses a vintage curtain to adorn her couch, achieving a dramatic effect without the need for professional upholstery. Similarly, Rebecca Atwood uses one of her original designs to enhance the back of a sofa, contributing to a calming room aesthetic. Smaller textile pieces can be repurposed into functional and decorative items such as poufs. Sally Breer of Co-Mingle Design utilizes kilims to create plush poufs, serving as additional seating and injecting color and pattern into a living room. Other small-scale upholstery projects mentioned include covering the seat of a chair, the front of a dresser, or the top of a bench. Textiles can also function as unique window treatments. Sally Breer suggests using vintage textiles for windows, especially those with unusual shapes or walls that need artistic enhancement, given their often-idiosyncratic sizes. This approach turns functional elements into decorative focal points, as seen in a stately living room with black and white Roman blinds. Finally, a simple yet impactful method is to hang textiles directly on the wall. British interior designer Abigail Ahern recommends draping a textile over a pole and mounting it, instantly transforming it into a piece of art. This technique, she explains, can make a space feel warm and cozy by elevating the textile to an artistic display. These diverse strategies allow textile enthusiasts to integrate their cherished pieces into their homes in creative and personalized ways, enhancing both the aesthetic and narrative of their living spaces. #TextileArt #HomeDecor #InteriorDesign #TextileDisplay #FramedTextiles #HeadboardDesign #FurnitureAccents #WindowTreatments #WallHangings

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco

The article offers four key steps to transforming a home dining room into a space with a Michelin-worthy atmosphere, even if the culinary skills aren't quite at that level. The goal is to elevate the dining experience through thoughtful interior design, drawing inspiration from New York designers. First, the importance of warm and soothing lighting is emphasized. Clinical or harsh lighting should be avoided in favor of multiple soft light sources. Rebecca Robertson of Rebecca Robertson Interiors suggests using a combination of overhead pendant globes and table lamps on buffets or sideboards to create a gentle glow. The dining area should be treated as a respite from daily work, encouraging a clear and inviting space, free from clutter like work papers. Second, the article delves into the strategic use of art and mirrors. Vian Abreu, a Senior Interior Designer at Interior Marketing Group, highlights that not all art needs to be confined to walls. Incorporating sculptures on pedestals can introduce an elevated and curated feel to otherwise unused corners or spaces, especially since dining furniture is often centrally located. Additionally, placing a large mirror above a sideboard is recommended. This not only creates a reflection of the surroundings or outdoor views but also effectively amplifies natural light, adding visual height and depth to the room. Third, the significance of textiles and textures in adding softness and contrast is discussed. Abreu notes that dining room furniture often consists of solid wood and metal. To counteract this, incorporating upholstered dining chairs is suggested over plain wooden or metal options. Furthermore, adding window treatments is advised to softly frame views and contribute to visual height, thereby enhancing the room's overall aesthetic and comfort. Finally, the article advocates for the use of statement lighting. A grand, eye-catching light fixture can serve multiple purposes: it can naturally separate areas in an open-plan layout or anchor the dining table in a traditional dining room. Abreu explains that such a piece not only defines the dining space but also acts as an elegant source of ambient lighting. Examples from actual residential designs, such as a model residence at 180 East 88th Street where a sculptural chandelier defines the dining area, and Beckford House & Tower where ceiling cut-outs perfectly frame grand chandeliers, illustrate how statement lighting contributes to a distinct and sophisticated dining experience, offering a peaceful and refined atmosphere for meals. #MichelinDiningAtmosphere #HomeDecor #DiningRoomDesign #InteriorDesign #LightingDesign #ArtPlacement #TextileSelection #StatementLighting

Meredith Heron, a Toronto-based maximalist designer, consistently integrates a diverse range of patterns and color combinations into her projects. Her design philosophy revolves around the idea that "more is more," prompting her to incorporate multiple fabrics within a single room while consciously avoiding a "matchy-matchy" aesthetic. Heron also embraces challenging color palettes, often selecting hues that initially intimidate her, such as contrasting reds and greens, to push her creative boundaries. To harmonize these bold elements, Heron strategically employs a nuanced spectrum of gradient blues. This approach prevents her vibrant selections from clashing, instead creating a cohesive visual experience. A key technique she utilizes involves incorporating the same pattern in various colorways throughout a space. Additionally, she often chooses paint colors that are slightly off from fabric shades to achieve a more lived-in and organic feel, viewing this deliberate mismatch as an enjoyable design puzzle. Heron's mood board, which serves as a visual representation of her current inspirations, exemplifies her eclectic style. It features a blend of striking motifs, including multitonal stripes, flame-stitched chevrons, and animal prints. Each element is carefully chosen to contribute to her signature maximalist aesthetic, without overwhelming the space. She thoughtfully curates each component, demonstrating how disparate patterns and colors can coexist in a harmonious and sophisticated manner. Among the specific items highlighted in her mood board are the Handsart Key Rug in Merlot, which she appreciates for its meandering design that helps open up a space. The Camber Stripe Fabric in Green and Blue by Jane Churchill is noted for its mint hues, allowing her to integrate other mutable greens into her palette. The Inferno Fabric in Sapphire by S. Harris, a flame stitch, is a favored choice for sofas due to its distinctive texture and pattern. She also features the Regal Fancy Fabric in Verdant by S. Harris, an Art Deco-inspired green with a shimmering sheen, and the Midori Fabric in Verdure by Clarence House, which she describes as textural and luxurious, particularly when paired with leather. Heron also incorporates unique accent pieces, such as an antique cloisonné vase, which she sources from auctions to add a sense of history and a richer narrative to her designs. The Fissure Rug in Azure, from her own Meredith Heron Collection, showcases her passion for ombres, a design element she frequently includes in her rugs and fabrics. For hardware, she selects the Pyra Mitered Handle in Bright by Shayne Fox Hardware, appreciating the craftsmanship of a fellow Toronto designer. An animal print is almost always a staple in her projects, represented here by the Darwin Fabric in Blue by Jane Churchill, which, despite being a dotted pattern, evokes the texture of a stingray or shagreen. Wallpapers also play a significant role in her designs, with the Marble Tile 1 Wallpaper in Pebble by The Vale London being a choice for creating a faux marble effect on ceilings or within decorative molding. Another selection from The Vale London is the Bagan Wallpaper in Deep Sea, a pearlescent paper that caught her attention for its unique finish. For anchoring her color schemes, she uses the Giles Embroidery Fabric in Red/Blue by Lee Jofa, which incorporates the majority of colors present in a room. Finally, the Cleo Fabric in Copper and Red by Jane Churchill is chosen for its feathery, animal print-like qualities, contributing to the "well-traveled" ambiance she aims to achieve in her interiors. #MeredithHeron #MaximalistDesign #InteriorDesign #FabricPatterns #ColorPalettes #HomeDecor #DesignInspiration #LuxuryInteriors #TextileDesign

Medallion patterns, a timeless motif characterized by their symmetrical, spherical, and repeating designs, are undergoing a contemporary re-imagining in today's marketplace. This trend sees these classic designs infused with modern aesthetics, appearing across a variety of home decor items from rugs to tiles and fabrics. The enduring appeal of medallions, rooted in historical art and architecture, is being revitalized to suit current design sensibilities, offering a blend of tradition and novelty. Jaipur Living introduces the Aakar rug by Kavi, a hand-knotted piece crafted from bamboo and wool. This rug draws inspiration from the intricate architectural details of old-school carved lattice screens, showcasing how historical elements can be translated into modern home furnishings. Its design reflects a sophisticated approach to pattern-making, bringing a sense of heritage and artistry to contemporary interiors. Vaughan offers the Maritsa Printed Linen, a fabric inspired by a 17th-century Turkish Ottoman design. This printed linen features multicolored stripes and a striking graphic motif, providing a vibrant and historically rich textile option for interior decorators. The fabric's design is a testament to the lasting influence of global artistic traditions on modern decor. The Tile Shop presents the Zara Blue Porcelain Tile, a high-contrast floor design with a matte finish. This tile showcases a bold deep blue floral pattern set against a soft white background, offering a dramatic and eye-catching option for flooring. Its design merges traditional floral motifs with a modern color palette, creating a versatile aesthetic. Mariaflora's San Ysidro Medallion Fabric is a performance fabric that belies its intricate woven pattern with exceptional durability. Made from stain- and water-resistant acrylic fibers, this fabric is suitable for both indoor and outdoor use, making it ideal for throw pillows and seating. Its design combines intricate detailing with practical resilience, catering to both aesthetic and functional demands. TSAR Carpets features the Spring Blue rug, a piece crafted from pure New Zealand wool and Tencel. This rug uniquely combines two contemporary trends: asymmetrical silhouettes and 1990s-style daisy prints. The juxtaposition of these elements creates a dynamic and fresh interpretation of traditional rug design, highlighting a playful yet elegant approach to home textiles. Élitis introduces Moda Fabric, available in 10 distinct colorways. The silky satin threads of Moda give it a flowing drape and a shimmery sheen, making it an excellent choice for elegant window treatments. Its luxurious texture and wide range of colors allow for diverse design applications, enhancing the sophistication of any space. The Tile Shop also offers the Laura Ashley Sunflower Tile, a porcelain wall and floor tile that provides a contemporary twist on a nostalgic pattern. This tile is adorned with a two-toned sunflower motif based on an original Laura Ashley print, celebrating a classic design with a fresh, modern appeal. It exemplifies how beloved patterns can be reinterpreted for new generations. Marcus William's Dubonnet Fabric is a versatile jacquard with a botanical twist, available in four earth-toned colors. This fabric features an elaborate lotus motif, offering a rich and intricate pattern that can add depth and elegance to various interior applications. The botanical theme, combined with the jacquard weave, creates a refined and timeless aesthetic. #MedallionMotifs #HomeDecor #InteriorDesign #TextileDesign #RugDesign #TileDesign #FabricDesign #ModernSymmetry #ProductShowcase

Pattern drenching is an interior design trend that involves layering multiple prints and patterns within a single space to create a maximalist, yet cohesive, aesthetic. This approach goes beyond simply adding a few patterned items; it encompasses covering various surfaces, including walls, upholstery, and soft furnishings, with a mix of designs such as florals, animal prints, stripes, and geometrics. The ultimate goal is to achieve a room that feels vibrant, expressive, and harmonized rather than chaotic. This style has gained popularity as people seek more joyful and personalized interior spaces, moving away from minimalist trends. The successful execution of pattern drenching relies heavily on a thoughtful consideration of color palettes and pattern scales. Interior designers and pattern specialists emphasize that while the style embraces abundance, it requires a degree of restraint and strategic planning. A key principle is to maintain a cohesive color story across all chosen patterns. This doesn't necessarily mean exact matches but rather selecting prints that share underlying hues or a similar tonal quality. For instance, pairing a bold floral with a subtle stripe can work well if both patterns incorporate a shared color, tying them together visually. Another crucial aspect is varying the scale of the patterns. Mixing large, dominant prints with smaller, more intricate designs helps create visual interest and prevents any single pattern from overwhelming the space. This variation introduces rhythm and movement, transforming a potentially simple room into one filled with character and dynamism. Additionally, incorporating solid blocks of color serves as a 'breathing room' for the eye, acting as punctuation marks that prevent the overall look from becoming too busy or fussy. These solid elements provide visual grounding and allow the patterns to truly shine, ensuring that the maximalist approach remains elegant and curated. Expert advice suggests that certain rooms are more conducive to pattern drenching than others. Living rooms and bedrooms, with their ample surfaces for layering textiles and wallpapers, are ideal candidates. In open-plan layouts, patterns can also be strategically used to define distinct zones, such as a bold rug delineating a seating area or a statement wallpaper highlighting a dining nook. However, designers caution against combining too many clashing prints without a common thread, as this can lead to a messy and uncurated appearance. The texture of fabrics also plays a role in enhancing the layered effect, adding another dimension to the visual richness. For those new to pattern drenching, a practical starting point is to select a standout pattern or a key item that resonates with personal taste, such as a favorite rug or a piece of bedding. This chosen item can then serve as the foundational element around which the rest of the room's patterns and colors are built. Identifying one or two dominant tones from this initial piece and echoing them throughout the room in other elements like cushions, curtains, or art can establish a natural flow. The philosophy underpinning pattern drenching, as highlighted by experts, is to go by feeling rather than strict formulas, trusting one's confidence and personal expression to create a space that feels authentic and lived-in, rather than overly styled or contrived. #InteriorDesign #PatternDrenching #MaximalistDecor #HomeDecor #TextileLayering #ColorPalette #DesignTips #WesAndersonAesthetic #RebeccaHughesInteriors

Designers and decorators are increasingly challenging the long-standing tradition of plain white ceilings, advocating for the integration of color and texture on the "fifth wall" to enhance interior spaces. This shift moves beyond the conventional belief that white ceilings universally make a room appear more spacious or are a safe choice for future resale. Instead, experts suggest that a thoughtfully decorated ceiling can significantly impact a room's atmosphere, making it feel grander, more intimate, or more visually engaging. One prominent approach, championed by designer Abigail Ahern, is "color drenching," where the ceiling is painted the same hue as the walls. This technique blurs the lines between walls and ceiling, creating an illusion of expanded space and a cohesive, enveloping feel. Ahern notes that this method is transformative for rooms of all sizes and styles, from small and quirky to large and modern, fundamentally altering the room's atmosphere and making design elements "pop." Beyond matching wall colors, some designers advocate for using contrasting or complementary colors on the ceiling. Betsy Smith, a color consultant, advises selecting a ceiling color with the same undertone as the walls to achieve a subtle, harmonious gradation. She suggests that a paler tone can visually lift the ceiling, enhancing the perception of light, while a darker shade can bring the ceiling down, fostering a sense of intimacy—particularly effective in bedrooms where warm, earthy tones like terracotta or cinnamon can create a soothing, cocooning environment. A saturated ceiling color can also introduce a modern, dramatic statement without being overwhelming, as it's not constantly in the direct line of sight but offers intriguing glimpses from various angles. This approach adds an unexpected element of sophistication and character to a room. Furthermore, ceiling design is not limited to paint. Textile artists and designers are exploring rich textures and intricate patterns. Aiveen Daly, for instance, creates decorative panels from hand-punched suede petals, arranging them in swirling patterns to evoke a sense of movement and luxury. These artistic installations offer a sophisticated alternative to paint, transforming the ceiling into a bespoke artwork. However, the article emphasizes that ceiling design requires careful consideration. Geraldine Larkin, an embroidery specialist, highlights the delicate nature of ceiling decoration. An incorrectly designed ceiling can create an oppressive sensation, making it feel as though it's "falling on your head." This risk is why many designers historically opt for white ceilings—it's perceived as the easiest and safest route. Nevertheless, Larkin's own work, such as a six-meter-long floral embroidered ceiling for a European villa, demonstrates that intricate and well-executed designs can be stunning, offering an ultimate understated luxury. The unexpected beauty of a meticulously designed ceiling can be a delightful surprise, filling a traditionally overlooked surface with artistry and enhancing the overall design narrative of a space. #InteriorDesign #CeilingDecor #ColorDrenching #HomeRenovation #DesignTrends #TextileArt #LuxuryInteriors #HomeDecoration

The master bathroom serves as a space where designers leverage color and finishes to cultivate a specific mood, tone, style, and personality. While white and gray palettes continue to be prominent, designers are increasingly incorporating color to create unique and personalized spaces. Roshele Allison, CMKBD, CLIPP, NW Home Designers, notes the continued popularity of white and gray, viewing them as the 'new neutral' that offers a spa-like and tranquil ambiance. Karen King, architectural designer at Transitions Kitchen & Bath, echoes this sentiment, observing that these shades remain a benchmark for timeless and classic aesthetics, particularly in painted cabinetry. Richard Ryder, designer/builder at Clearcut Construction, often bases his projects on warm whites, allowing for strategic 'pops' of color to add interest. His clients frequently present inspiration images featuring warm white walls and low contrast between trim and walls. Chelsea Newton, of Chelsea Lauren Interiors, notes that her Southern California clients often prefer neutral colors inspired by nature, emphasizing natural materials like wood and stone. Michelle Fee, a designer at Change Your Bathroom, also finds her clients drawing inspiration from nature, moving away from purely monochromatic white and gray towards warmer tones and earth-friendly colors. Fee observes a growing interest in wood, particularly walnut and teak for furniture and cabinetry, as well as incorporating greenery, either through actual plants or nature-inspired accents like blues and greens, to evoke a restorative and calm feeling. When clients do opt for color beyond white or gray, blues and greens are frequently chosen. These hues are often introduced as easily changeable accessories, but also as more permanent features in cabinetry, tile, or semi-permanent paint applications. Allison highlights the tranquil quality of softer blues and greens, citing an example of a master bathroom with bamboo cabinetry, a green glass countertop resembling water, and green subway tile. Another project incorporated various shades of blue through a custom mosaic on vanity walls and accent walls, illuminated by LED-backlit niches, allowing the client to display international artifacts. Allison encourages clients to infuse personal elements into their designs, even with specific color preferences, ensuring the chosen hues harmonize with the space without being overwhelming. Newton's projects also feature green and blue, utilizing glossy handmade tiles with crackled detailing in master and children's bathrooms. She emphasizes that color and finishes can act as focal points, elevating a room's aesthetic. King notes that clients willing to be bolder are selecting deeper blues and greens, such as the dark navy cabinetry paired with warm gold hardware in a recent bathroom, providing a strong contrast to softer neutrals. She suggests that bathrooms, being more private and enclosed, allow for more daring color choices compared to open-concept kitchens. Ryder's clients also gravitate towards darker shades like dark blue, green, and black for pops of color, often maintaining a 75/25 neutral base-to-color ratio for balance, as demonstrated by a tall black cabinet against a white backdrop in a recent bathroom design. Beyond color, finish selections significantly influence a space, particularly in monochromatic schemes. Allison used large-format dimensional porcelain tile in a white and gray palette to create a focal wall in a 'bathing room' and a unique plumbing fixture to add interest. The increasing availability of tiles with varied finishes, textures, and dimensionality allows designers to personalize spaces. King points out the evolution of subway tile beyond traditional sizes, with options like 4"x12" or 5"x22" and creative finishes such as crackled or inverted bevels. Glossy finishes remain popular for their light-reflecting qualities. Grout color variations can also alter the look, from subtle gray for a refined trim to dark gray for a rustic farmhouse aesthetic. Contemporary designs often feature large-format tiles like 12"x24" or even 13"x40", laid horizontally and stacked with minimal joints to create a simplified, textural, and often multi-dimensional appearance. Allison and Fee's clients appreciate large-format tiles, especially those mimicking natural stone like travertine or marble, offering durability and easier maintenance while making rooms feel more expansive. Fee frequently combines natural and faux materials, such as marble shower floors with porcelain tile walls and floors, to achieve a nature-inspired theme. Matte finish plumbing fixtures, including matte black, brushed nickel, and brushed gold, are also popular for their aesthetic appeal and ease of cleaning, with Newton's clients favoring matte black and patinaed brass, and Ryder often incorporating mixed metals for a sophisticated, complementary look. #BathroomDesign #InteriorColorTrends #HomeFinishes #TileDesign #ColorPalette #NatureInspiredDesign #ModernBathrooms #LuxuryBathrooms

This article explores a Washington, D.C., home designed by Zoe Feldman, which showcases a maximalist yet restrained approach to interior design. The residence, owned by a young, fashion-forward couple with an affinity for British style, particularly House of Hackney, challenges conventional design norms by seamlessly integrating bold patterns, vibrant colors, and diverse textures. Feldman emphasizes that despite the eclectic mix of elements, the home maintains a cohesive and surprisingly neutral feel. The dining room, for instance, features a large, square layout adorned with striped Farrow & Ball wallpaper. This bold pattern, rather than being overwhelming, is described as soothing. The space offers a view into a floral-covered foyer, which in turn leads to a chartreuse-colored living room where various animal prints are harmoniously incorporated. Feldman explains that the striped wallpaper in the dining room naturally complements the William Morris Pimpernel print found in the stairwell, with both areas utilizing tame color palettes that subtly prepare visitors for the vibrant chartreuse living room. A key design philosophy employed by Feldman is balancing quirky and traditional elements, ensuring that "everything can’t be the star." This approach is evident in the inclusion of a vintage landscape tapestry in one corner and a human hand-shaped catchall for keys, a signature touch in Feldman’s projects. She stresses the importance of natural relationships between design elements, rejecting the idea of simply throwing disparate items together. The leopard stair runner is highlighted as an example of a seemingly bold choice that functions as a neutral, according to Feldman, who believes animal prints are inherently neutral and can coexist in nearly any space. The living room further exemplifies this adventurous design, featuring nude sketches by a team designer, antique glass mirror panels, and a 1970s tiger-print daybed. The striking chartreuse walls and window trim, painted in a Benjamin Moore hue matched by Fine Paints of Europe’s Hollandlac finish, create the illusion of lacquer without the associated cost and labor. In contrast to the vibrant communal spaces, the kitchen acts as a palette cleanser with its gradient blue cabinetry. Feldman applied various shades of Farrow & Ball paint—Pale Powder for the walls, Light Blue for medium door fronts, and De Nimes for pantry cupboards—to create a calming, smudged effect. The Donatello marble countertops, integrated sink, and backsplash, with their subtle blue veining, enhance this optical illusion. The adjacent family room, described as the "heartbeat of the house," is designed for both the couple and their young children. A TV is concealed behind bifold cabinet doors, painted in Farrow & Ball’s Stone Blue to match the walls and baseboards, allowing for a versatile space that can be active during the day and serene at night. Feldman’s use of antique brass grilling to disguise lower cabinet panels, a technique often used for radiators and AC returns, adds a functional yet decorative touch. The primary bedroom features an upholstered bed frame that is complemented by speckled Matouk Margot print pillows and duvet, chosen to play up the pattern rather than mute it. Feldman argues that small-scale prints can complement larger ones in ways solids cannot. The children’s bedroom incorporates playful pink dinosaur wallpaper from House of Hackney, with the border painted in an icy blue-green, a tone present in the motif, to ensure a cohesive and impactful design. This careful consideration of trim, doors, and ceiling colors maximizes the effect of the wallpaper, avoiding a stark white that would feel out of place. #InteriorDesign #HomeDecor #MaximalistDesign #PatternMixing #ColorPalette #ZoeFeldmanDesign #WashingtonDCHome #TextileTrends #EclecticStyle

The collaboration between Harlequin and Henry Holland introduces a new collection of fabric and wallpaper that merges Harlequin’s expertise in color with Henry Holland’s distinctive clay work. The collection, launched recently, aims to create effortlessly curated interior designs that bridge the gap between ceramics and home furnishings. Henry Holland’s artistic background, particularly his work with Nerikomi, a Japanese pottery technique, heavily influences this collection. The designs also draw inspiration from Harlequin’s extensive archives, resulting in a range of textiles and wallcoverings that emphasize texture and organic forms. The color palette predominantly features grounded, chocolatey hues, aiming to evoke an artisanal and natural aesthetic. Key elements of Holland’s ceramic art have been translated into functional interior products. The collection features statement wallpapers and richly textured fabrics suitable for drapery and upholstery, designed to envelop interiors in layers of organic design. This approach aims to bring a unique, tactile dimension to living spaces. Among the notable designs is Southborough, an embroidered chevron ombre fabric. This design incorporates a gradient of tones found in Holland’s clay work, with colors such as Rose, Chocolate, Matcha, and Pacific intensifying across the ombre. The effect creates a dynamic, stepped chevron pattern that adds depth to interior settings. Elsworthy, a moiré-style wallpaper, is another significant piece in the collection. It features a silk emboss that mimics the feel of fabric, revealing subtle and organic formations. This design offers a sophisticated backdrop that contributes to the collection's overall organic and textural theme. The collection also includes Blenets Check Mini, a checkerboard weave designed for its versatility as both a grounding coordinate and a standalone statement. This fabric features interlocking yarns that form tightly woven blocks of color, offering an earthy yet refined feel across various colorways. Completing the collection is Great Hey, a ladder design crafted from Jacquard cotton velvet. This piece subtly integrates Holland’s signature ‘h’ motif within the cloth, appearing almost hidden. Holland emphasizes the collection’s cohesive and versatile color palette, designed to allow individuals to create interiors that reflect their personal style, highlighting its universal appeal and usability in diverse settings. #Harlequin #HenryHolland #FabricDesign #WallpaperDesign #InteriorDesign #CeramicInfluence #TextileCollection #HomeDecor #Collaboration

Moniomi, the Miami-based design firm led by husband-and-wife team Monica Santayana and Ronald Alvarez, embraces a fashion-forward approach to interior design, blending avant-garde pieces with traditional motifs to craft spaces that are both artistic and elegant. Their current mood board, part of Business of Home's "What I Love" series, draws inspiration from the colors of sunset and dusk, utilizing a harmonious mix of eye-catching linework and soothing blush tones. The design aims to evoke the serenity, transient beauty, and peace associated with watching the sun set. The flat lay features a variety of luxurious finishes, including ceramic zellige tile and concrete terrazzo, alongside vibrant graphic prints and bold silhouettes. Santayana and Alvarez emphasize that geometry, playful pattern interaction, and saturated colors unify the design, creating a sense of modernity, sophistication, and artistic flair. They offer a detailed breakdown of the 18 elements that constitute their mood board, each contributing to the overall aesthetic and emotional impact. The selection begins with Portola Paints' Etcetera Limewash Paint, chosen for its soft blush tone that creates a serene and elegant atmosphere, and its unique texture that adds warmth and sophistication. Concrete Collaborative's Pacifica Slice Concrete Counter Slab in Pink is another key element, valued for its ability to introduce character with its blend of blushes and burgundies, suitable for both flooring and countertops. Zia Tile's Radian Inline 1 Mosaic Zellige Tile, with its geometric patterns, is incorporated to add a dynamic and modern statement. Accent pieces include Reinaldo Sanguino’s Metallic Sculptural Chair, a vibrant ceramic stool with a multicolored finish and gold accents, serving as a chic and functional design enhancer. Moniomi's own Umpire Locker Dry Bar Cabinet, available at 1stDibs, is highlighted for its seamless integration into any space, featuring mirror art, contrasted wood veneer, and hair hide inserts that make it a standout for entertaining. Prateek Jain & Gautam Seth's Goa House Chandelier from Studiotwentyseven is admired for its tropical foliage design, which infuses any room with glamorous and exotic elegance through intricate craftsmanship. Textiles and floor coverings play a significant role, with Mohebban's Tactile Rose Rug, a hand-carved piece, adding an artistic and luxurious touch with its gradient of purples, blushes, and neutrals. Métaphores' Nomade Fabric in Nymphe, featuring a subtle micropattern, is selected for its ability to introduce sophistication and refined texture without overwhelming the design. Custom Hide Rug Samples by Kyle Bunting, particularly in Mango, Mauve, Periwinkle, and Oink, are celebrated as masterpieces of saturated color, intricate design, and luxurious material, providing a lavish element to any space. Smaller decorative items include Moniomi’s 10 Anniversary Candle from Sensual Candle Co., valued for its delightful grapefruit fragrance that elevates a room's ambiance. Gaetano Pesce's Nugget Vase in Amber & Salmon by Fish Design, available at Corsi Design, is praised for its aesthetic appeal and practicality as a flexible resin vase, offering a modern, playful touch without the fragility of glass. Chris Wolston's Kimora Chair, a woven rattan piece from The Future Perfect, brings a whimsical yet refined vibe to any interior. Room dividers and wall treatments further enhance the curated space. Draga & Aurel's Red Violet Reverso Partition Screens from Artemest are described as functional art, saturating the room with vibrant colors while providing beautiful separation. Porter Teleo's Refracted Hand-Painted Wallcovering in Cadmium, with its graphic qualities and customization options, creates a dynamic and personalized backdrop. Finally, two fabrics from Toyine, Phinda Ré Vingt-Cinq in Ivory and Rose, and Phinda Ré Dix-Huit in Peach and Mauve, are chosen for their ability to add softness, depth, richness, and coziness to upholstery projects, enhancing both visual appeal and tactile experience. The collection also includes unique items like Moniomi's Lux Mini Basketball Hoops, crafted in Italy from onyx and marble with copper-plated rims and hemp nets, representing a blend of art and function. Their Small Ottoman in Raptor Onyx & Pink Mohair, with its four-tiered design, scalloped fringe, and swivel capability, is perfect for conversation areas, adding a luxurious and dynamic touch. Overall, Moniomi's flat lay is a testament to their philosophy of balancing avant-garde and traditional elements to create spaces that are both visually captivating and emotionally resonant. #InteriorDesign #Moniomi #MoodBoard #HomeDecor #LuxuryFinishes #DesignInspiration #TextileDesign #FurnitureDesign

The article details an unexpected collaboration between interior designer Kerry Joyce and artist Marian McEvoy, sparked by a social media connection. Joyce, known for his interior design work, discovered McEvoy's intricate collages of natural elements on Instagram, specifically under the handle @gustthepoodle. Intrigued by her unique artistic style, Joyce researched McEvoy and learned about her prominent background as a former editor-in-chief of ELLE DECOR and House Beautiful, as well as an editor for Women’s Wear Daily and W. This discovery led to a personal visit to McEvoy's home and studio in Wappingers Falls, New York. During this visit, Joyce recognized the potential to translate McEvoy's distinct artistic vision into fabric designs. He expressed his admiration for her creative energy and his conviction that her designs would be ideal for textiles. The collaboration materialized into a collection featuring five black-and-white botanical watercolors by McEvoy, which were then printed onto linen in ten different colorways. The collection showcases various nature-inspired motifs, including dotted leaves, whimsical vines, and striped florals, all stemming from McEvoy's imaginative work. McEvoy shared her perspective on this new chapter in her career, attributing her refined sense of color, style, and quality to her extensive experience in the fashion industry, particularly her 17 years spent in Paris working with couturiers like Yves Saint Laurent. She expressed gratification at the current level of interest in her work, especially at 73 years old, and highlighted the positive experience of collaborating with someone who genuinely appreciates and acts upon her artistic contributions. The success of this initial collection has already paved the way for a second collaboration between Joyce and McEvoy, scheduled for 2022, underscoring the fruitful nature of their partnership. The story, originally published in the September 2021 issue of ELLE DECOR, exemplifies how digital connections can evolve into tangible and impactful creative endeavors within the design world. #FabricDesign #DesignCollaboration #InteriorDesign #MarianMcEvoy #KerryJoyce #SocialMediaInfluence #TextileArt #BotanicalPrints #ELLEDECOR

Framed textiles are gaining popularity among interior designers as a versatile and impactful decorative element. Unlike traditional framed paintings or photographs, textiles offer a unique softness and textural depth to a room, which glass-covered artworks cannot provide. This tactile quality is particularly effective in creating a layered aesthetic within an interior space, contributing to a sense of warmth and inviting ambiance. Designers such as Brandon Schubert emphasize that textiles, especially those stretched onto a frame or hung on a rod without glass, offer a distinct visual and physical texture that enhances the overall design scheme. Beyond their aesthetic contributions, framed textiles also serve as a practical and economical solution for filling large wall spaces, particularly behind furniture like sofas or beds. They can be a more budget-friendly alternative to large-scale artwork, providing significant visual impact without a substantial financial outlay. While fine tapestries or historic weaves can be expensive, many types of textiles, from antique fragments to contemporary geometric patterns, can be acquired at reasonable prices. This accessibility allows for greater flexibility in decorating, enabling individuals to achieve a high-end look on a more modest budget. The versatility of framed textiles extends to their ability to complement various interior styles. Textiles with geometric or repetitive patterns often possess a naturally contemporary feel, making them suitable for transitional interiors where designers aim to avoid overtly specific historical aesthetics. For instance, an Alexander Girard textile, with its inherent modern design, can integrate seamlessly into a Victorian villa without emphasizing its age or pushing the room into a mid-century style. This 'anonymous touch,' as described by Brandon Schubert, allows the textile to blend harmoniously, preventing the room from appearing clichéd. The market for framed textiles is diverse, offering options for every taste and budget. Sources range from antique shops, markets, auctions, and car boot sales, where unique and often affordable pieces can be discovered. For those seeking ready-to-hang options, specialized retailers like Houlston provide antique textiles that are already framed, including needlework and felt pieces. Renowned dealers such as Katharine Pole are a go-to for antique textiles, while Francesca Gentilli offers a wide selection of framed suzanis and antique fragments, bringing vibrant color and pattern into any room. Contemporary options like Porthia Prints and Loom provide bold, modern designs specifically intended for framing. Additionally, platforms like The Fabled Thread offer kits for creating personalized embroidered or needlepoint pieces, allowing for a bespoke approach to textile art. The growing trend of framing textile fragments, even leftover fabric pieces, as exemplified by Sarah Peake of Studio Peake, underscores the creative potential and decorative appeal of this medium, transforming even small swatches into significant artistic statements. In conclusion, framed textiles are a favored decorative choice due to their ability to introduce softness, texture, and warmth into a room. They offer an economical solution for impactful wall decor, adaptable to various design styles and budgets. The wide array of sources, from antique finds to contemporary creations and DIY kits, ensures that framed textiles can be incorporated into almost any interior, elevating the space with their unique charm and character. #FramedTextiles #InteriorDesign #HomeDecoration #TexturalElements #AffordableDecor #AntiqueTextiles #ContemporaryDesign #WallDecor #FabricArt

The article discusses seven key items interior designers consistently recommend to clients to create a polished and cohesive living space. It emphasizes that a well-designed home is not just about individual elements but about expert curation. The insights are drawn from designers Martha Mulholland and Nicky Mudie, who share their 'secret sauce' for achieving a harmonious and complete look. The first recommendation is the strategic use of pillows and throws. Soft textiles are essential for adding warmth, texture, and a cohesive feel to any room, including the kitchen. They offer an opportunity to introduce color and pattern, preventing spaces from appearing stark or unwelcoming. Nicky Mudie highlights their role in providing comfort and a unified aesthetic, while Martha Mulholland notes their importance in adding character and making a space feel complete. The article suggests coordinating fabrics with existing elements, such as area rugs or curtains, and mentions the flexibility of changing them with seasons or evolving styles. Secondly, an area rug is deemed a non-negotiable for hard floors. Designers stress that rugs anchor the space, define different zones, and introduce texture and color. The selection of a rug should be intentional, considering how it aligns with the overall decor style and whether it needs to incorporate patterns. The rug is presented as a foundational element around which the rest of the room's design, including furniture and complementary decor, can be built. Emphasis is placed on proper rug placement, ensuring it extends under major furniture pieces for a balanced and considered look, with a recommendation to choose larger sizes than initially perceived necessary. Antiques are the third item on the list, serving as a unique conversation piece that draws the eye and injects character into a room. Incorporating vintage or antique heirlooms is advised to create a more eclectic and personal interior, moving away from a homogenous, mass-produced aesthetic. Nicky Mudie explains that a carefully chosen vintage piece, whether a chest, side table, or lighting fixture, grounds the room and adds 'soul.' Even small decorative objects can complete a vignette, imbuing the space with personality and inspiring broader decorating themes. Accent lighting is highlighted as the fourth crucial element. Beyond its functional purpose, lighting is presented as a powerful tool to pull a room together. Designers consistently advocate for layered lighting, combining ambient, task, and accent lights such as ceiling lights, floor lamps, and table lamps. This approach creates a warm, inviting atmosphere with visual depth. For living rooms and bedrooms, side lighting with warmer, dimmable bulbs is preferred over harsh overhead lights, transforming a simple room into an atmospheric one. Matching finishes in lighting elements further contributes to a cohesive design. Artwork and mirrors constitute the fifth recommendation. Bare walls are noted as detrimental to a room's aesthetic, making it feel incomplete. Artwork, strategically placed where the eye naturally rests, acts as a focal point and enhances a polished appearance. Vintage paintings are often suggested to engage guests. The article advises considering the size and scale of art, whether a single large piece, a gallery wall, or a tapestry. Mirrors are presented as an alternative or complementary option, bringing in light and creating an illusion of expanded space, particularly beneficial in smaller rooms. An accent chair is the sixth piece designers recommend. It offers more than just additional seating; it creates a distinctive design moment that unifies the room. The article posits that while cohesive interiors often rely on common threads, an unexpected accent chair can introduce an element of surprise and intrigue. A single, sculptural, or characterful chair can balance the room and add personality, such as a mid-century leather chair in a textile-rich bedroom or a plush, patterned armchair in a neutral living space. Finally, scent, though not a tangible decor item, is emphasized as the seventh and often overlooked detail that ties a room together. Designers advise clients to select a home fragrance that complements the room's mood, adding an extra layer of sensory detail. Martha Mulholland explains that a truly cohesive room is a multi-sensory experience, where fabrics feel luxurious, lighting is soft, and the air smells pleasant. Designing with all five senses in mind is presented as the ultimate art of interior design, completing the overall ambiance of the space. #InteriorDesign #HomeDecor #DecoratingTips #AccentPieces #Textiles #AreaRugs #Antiques #LightingDesign #Artwork #HomeFragrance

This article, part of the "What I Love" series, features New York designer Tara McCauley's current mood board, which she developed while designing her new Nolita apartment. McCauley, known for her eclectic and unexpected design approach, draws inspiration from fashion, art, and travel. Her latest project aims for a more sleek and subdued palette compared to her previous colorful and exuberant apartment, focusing on luxurious materials in neutral tones while retaining her characteristic sense of humor. The mood board showcases a diverse collection of glamorous materials, intricate patterns, and treasured antiques. McCauley's design philosophy is evident in her selection of items, blending old-school charm with modern sensibilities. Her mood board includes a range of textiles and wallcoverings that reflect a sophisticated yet playful aesthetic. Among her choices are vintage yellow sateen curtains with scalloped pelmets found in Berlin, and an antique velvet ecclesiastical pelmet from a Parisian flea market featuring crewelwork daisies. She plans to hang an antique embroidered silk square, also from Paris, from a dowel to highlight its craftsmanship. Wallcoverings play a significant role in her vision, with selections like Porter Teleo's Kintsugi hand-painted wallcovering in polished bronze, which mimics the Japanese kintsugi technique on a larger scale, and their Geo hand-painted wallcovering in pale gold, characterized by a mix of matte and shiny finishes in neutral tones with warm accents. She also includes a Kravet Couture wallcovering coated in silvered glass beads, which she envisions covering entire surfaces in a fantasy room. For fabrics, McCauley embraces a variety of textures and patterns. Schumacher's Trento beaded tape in platinum is seen as a "jewelry" element for soft furnishings, while Lelièvre's Kasai fabric in Soleil marks a shift from organic prints to graphic geometric designs inspired by Art Deco. Other fabric choices include an antique silk patchwork blanket, Kravet Couture's sheer Party Favors fabric in Sterling for window treatments, and Nobilis's Prelude flocked satin, which combines glamour with a playful tactile quality. Jean Paul Gaultier at Lelièvre's Illusion fabric in Graphite, known for its trompe l'oeil effects, also features in her selections. The mood board incorporates unique decorative elements such as a custom art box by Thomas Engelhart, wrapped in a hand-painted porphyry design with a fantastical color combination resembling faux terrazzo. For flooring, she selected Makrosha's Khola rug, an ivory carpet with texture and movement from black and silver accents, and their Sonali rug, a soft wool rug with gold silk streaks. Decorative fabrics like Scalamandré's Tigre in silver and black, a grayscale version of a 1960s classic, and Dedar's Lira fabric in Oro with its gold embroidery, further contribute to her luxurious and romantic vision. The collection is rounded out with vintage accessories like a Tuliperie by Ginori 1735, providing continuity from her previous home. #TaraMcCauley #InteriorDesign #MoodBoard #HomeDecor #LuxuryMaterials #VintageFinds #Wallcoverings #TextileDesign #NolitaApartment