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The Midcentury-Modern Colored Tile Bathroom Is Back, Thank God
The article explores the resurgence and enduring appeal of midcentury-modern colored tile bathrooms, primarily through personal anecdotes and expert insights. The author recounts her experiences with vibrant, coordinated bathrooms in Los Angeles, noting the prevalence of matching colored tiles, sinks, and toilets in various shades like celadon green and atomic orange. This trend, she observes, is a distinguishing feature of Southern California's midcentury housing stock.
Alan Hess, an architect and authority on Southern California Modernism, explains that colorful tiled bathrooms were a significant selling point in midcentury houses, a stark contrast to the black and white, hospital-like aesthetic popular before WWII. After 1945, luxurious bathrooms embraced flashy, coordinated colors. Hess also points out that Los Angeles has shown a greater inclination to preserve midcentury-modern architecture, including these unique bathrooms, compared to other cities. Katie E. Horak of the Architectural Resources Group adds that Southern California's robust tile manufacturing industry, with companies like Pomona Tile and B&W; Tile, contributed to the widespread availability of these colored tiles. While acknowledging that other cities with similar postwar economic prosperity, such as Detroit and Minneapolis, also boast impressive tile bathrooms, the article emphasizes L.A.'s particular abundance.
The author details her affection for these bathrooms, particularly those with unique features like secret compartments and built-in vanities. Ariel Norling, a designer and writer, highlights the iconic midcentury bathroom as one where the entire room, including the built-in vanity and shower, is tiled in the same color, with matching glazed fixtures. The article notes the diversity of color schemes, from pastel baby-blue-baby-pink patterns to bold monochromes in shades like margarine, cherry blossom pink, and honeydew green, often trimmed with onyx black accents.
The author critiques the sterile, clean lines of modern white subway tile bathrooms, suggesting that brightly colored ones offer a sense of individuality and whimsy, often featuring more adventurous layouts like curvy arches. The piece also references a current initiative by Kohler, a plumbing and tile company, to reintroduce two archived vintage colors based on a customer poll, indicating a public demand for these nostalgic hues. This desire, the author posits, stems from the intense, immersive feeling of being entirely contained within a single color in a smaller space like a bathroom, offering a distinctive character that a neutral bathroom lacks. The author concludes by expressing her longing for the colorful, coordinated midcentury aesthetic, contrasting it with the 'neutral' gray bathroom in her current Victorian home, which she finds lacking in the charm and uniqueness of the vintage designs.
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