Artist in residence: The home of fashion illustrator Megan Hess is as effortlessly elegant as her celebrated line drawings

Lauren Wesley Designs, an Atlanta-based interior design firm founded by Ebonee Clark and Jameelah Watkins, both featured on HGTV's "Married to Real Estate," has transformed a fashion model's historic Roswell loft into a distinctive work of art. The designers aimed to create a bold, passionate, yet comfortable and welcoming space that reflects the client's personality and style. Their approach eschewed monochrome trends, embracing a colorful boho aesthetic characterized by natural elements and striking statement pieces. The designers emphasized the transformative power of wallpaper, noting that modern options offer unique ways to add interest, texture, and artistry to a home, with the added benefit of being removable for versatility. They highlighted that contemporary wallpaper is far removed from its traditional, often dated, perception. A key aspect of the design involved leveraging the loft's architectural features, particularly its breathtaking windows. The designers sought to integrate the outdoors, creating a seamless flow between the interior and the natural environment. A standout space in the home is the "content room," which features large black panel windows providing abundant natural light. This room was specifically designed to serve as a perfect backdrop for fashion hauls and content creation. The application of palm leaf wallpaper throughout this room adds a unique touch, complementing a blush sofa and a beaded blue chandelier, thereby contributing to the room's overall aesthetic and functionality. Ebonee Clark and Jameelah Watkins underscore the importance of taking risks in interior design. They believe that apprehension about selecting bold wallpaper or non-traditional upholstery colors can limit creativity. Instead, they encourage clients and aspiring designers to be adventurous in their choices, asserting that design should be inspiring and enjoyable. This philosophy is central to their work, enabling them to craft spaces that are not only visually appealing but also deeply personal to their clients. Beyond merely beautifying homes, Lauren Wesley Designs aims to inspire their clients to embrace a lifestyle that celebrates individuality and personal well-being. They view their role as interior designers as an opportunity to connect with clients on a deeper level, transforming living spaces into reflections of who their clients are and aspire to be. This holistic approach to design fosters environments that are vibrant, authentic, and conducive to a fulfilling life, moving beyond mere aesthetics to create meaningful and inspiring personal sanctuaries. #InteriorDesign #HomeDecor #AtlantaDesign #HGTV #RoswellLoft #BohoStyle #WallpaperTrends #LaurenWesleyDesigns

This article details the transformation of a 1950s ranch home in Nashville, owned by painter Elizabeth Stern, into a vibrant and personalized living space. The renovation, led by local architecture firm Pfeffer Torode with lead architect Erin Cypress and interior designer Liz Bonesio, focused on enhancing natural light and integrating a distinctive color palette inspired by the homeowner's artistic vision. Initially, the ranch lacked sufficient light and color, presenting a blank canvas for the design team. A primary objective was to open up the internal structure to allow more natural light to penetrate. Cypress achieved this by designing a series of cased openings that connect the private sleeping quarters with the public entertaining areas. These public spaces were conceived to be free-flowing, suitable for parties, pool, and mah-jongg. A significant addition was a sunroom extension off the kitchen, living, and dining rooms, designed with numerous windows and high ceilings to create a seamless connection with the garden and patio, making the outdoors feel like an integral part of the interior. Stern also expressed a preference for minimal recessed lighting. Bonesio addressed this by sourcing various flush-mount fixtures throughout the house, ensuring an even distribution of light without relying heavily on overhead recessed lights, except for a few essential ones in the kitchen. The color scheme played a crucial role in reflecting Stern's artistic sensibility. A recurring earthy, pink-toned terra-cotta, found in the plaster walls of the dining room and reclaimed French _parefeuille_ floors of the sunroom, became a central theme. This warm hue was harmoniously paired with blues, primarily Farrow & Ball Skylight, a pale blue-gray, which served to highlight the warmth of the terra-cotta tones. This deliberate choice of colors created a harmonious and personal atmosphere, aligning with Stern's artistic preferences. The renovation extended to various rooms, each featuring carefully selected details and materials. The living room showcases built-ins painted in a combination of mineral paint and fine paints, flanking an original marble mantel. Custom elements like a Remains Lighting Company flush mount, a Materia's Forchette 24 Chandelier, custom Lee Jofa fabric curtains, and an Erden custom rug contribute to its unique character. The kitchen features an oak island designed without plumbing, along with cabinets painted in Domingue Architectural Finishes' Chapel and Cristallo Azul quartzite countertops. Barber Wilsons & Co. faucets and Balsamo pendants complete the look. The butler's pantry, converted from a storage room, includes a deep Kohler sink for flower arranging, complemented by pendants from Remains Lighting Company and London Silk quartzite countertops. Its cabinets are painted in Benjamin Moore Sandblast and Sherwin-Williams Blustery Sky, with Zak + Fox wallpaper backing Stern’s ceramic collection. The sunroom, referred to as the “catbird seat,” is an idyllic dining area with a Soane pendant, Zak + Fox fabric shades with Bruder trim, and a custom banquette. The dining room, intended for parties, features paneling painted in Farrow & Ball Skylight, allowing for art salon-style displays, and includes a dining table that doubles as a pool table, alongside a piano. The mudroom incorporates a vintage Facebook Marketplace sink with de-plated Chicago Faucets, and walls painted in Benjamin Moore's Seapearl, Pilgrim Haze, and Blue Note, with Currey & Company pendants. The primary bedroom features a Dennis Miller bed upholstered in Rose Tarlow fabric, a Brett Design nightstand, a Soane sconce, and Libeco Home bedding. The guest room uses Peter Fasano wallpaper to inspire a natural palette, with custom beds lacquered in Fine Paints of Europe GC603, Made Goods nightstands, and custom Osborne & Little fabric coverlets. Bathrooms are equally detailed; the primary bathroom includes a gilded papier-mâché Fisher Weisman chandelier, a Victoria + Albert bathtub with Barber Wilsons & Co. tub filler, custom Etamine fabric café curtains, and an Eliko Rugs rug. The guest bathroom, a jack-and-jill style, features a Lacava trough sink, Farrow & Ball De Nimes paint, Tabarka Studio wall tile, a Remains Lighting Company ceiling light, and a Circa Lighting sconce. Lastly, a Hartley Botanic Victorian plant house serves as a greenhouse and potting shed for garden herbs, reflecting Stern's personal touch throughout the entire property. #HomeRenovation #InteriorDesign #NashvilleHomes #ColorPalette #SunroomDesign #KitchenDesign #ArtistHome #HistoricRanch #PfefferTorode

The article explores the West Hollywood apartment of multidisciplinary artist and designer Hannah Polskin, known for her distinctive black and white diptychs and triptychs. Polskin deliberately chose her current loft for its expansive, 17-foot-high walls, which accommodate her large-scale artistic endeavors. Prior to this, her smaller living space often required her to move furniture into the hallway to create enough room for her ambitious art projects. The current apartment serves as both her living space and a personal gallery, allowing her to immerse herself fully in her work, a concept she refers to as not doing the "work-life balance thing." She believes the home setting is crucial for her creative process, enabling her to constantly interact with her art and understand how it integrates with other objects. Polskin has incorporated her artistic vision into the apartment's permanent fixtures. For instance, she transformed the kitchen's single-wall layout by constructing a Donald Judd-inspired island from Baltic birch plywood. This island features her characteristic undulating lines, coated in a food-safe resin that enhances the natural glow of the exposed wood. A unique challenge arose in finding appropriate barstools, leading her to acquire three Arthur Umanoff seats via OfferUp, which she then customized by using an angle grinder to adjust their heights. This hands-on approach extends to a private garage woodshop, dubbed "scraptopia," where she undertakes larger commissions, intricate carvings, and stores prototype parts, many of which serve as inspiration for future works like amorphous mirrors. Her bedroom's direct view into this workspace ensures she is constantly connected to her craft. Another example of her integrated art and living space is her bedroom's mural, which functions as a headboard. This mural, a challenging project due to its vertical application, extends across adjacent walls, creating a cocoon-like sleeping environment. The wavy, organic shapes prevalent in her work are a consistent motif, deeply ingrained in her artistic identity since childhood. She finds the creation of these free-flowing forms liberating and self-nurturing. Polskin is also expanding her artistic exploration into new materials, such as burl wood, which she considers highly valuable due to its unique knots formed by natural trauma. Inspired by a trip to the Venice Biennale, Polskin plans to experiment with unconventional wood types, intending to use an antique, distressed cheese board as a canvas. She also aims to translate her designs onto stone and metal. Her ingenuity is evident in her custom-built aluminum cabinet designed to conceal her television, though she humorously recounts an ergonomic flaw where the hardware obstructed the remote control signal, requiring her to stand up to change channels. The article also provides a brief shopping guide for pieces inspired by Polskin's home, including her own art mirrors and diptychs, as well as a burl rotating side table and an Isamu Noguchi Akari ceiling lamp. She shares insights into her vintage shopping habits, mentioning @shopNFS and the Santa Monica Airport Flea, and discusses her splurges and saves, emphasizing the personal effort invested in her custom furniture. #ArtistHome #HomeTour #AbstractArt #HannahPolskin #InteriorDesign #CustomFurniture #DIYHome #ArtisticLifestyle #DesignInspiration

Daniel Fletcher, a renowned fashion designer, showcases his unique four-storey flat in a converted warehouse in Southwark, London. His home, a former hops factory from the late 19th century, was originally two separate flats that were combined when the top floor owners acquired the lower unit, integrating the communal staircase into their living space. The residence boasts two kitchens, three bedrooms, and three bathrooms, providing ample space for Fletcher, who meticulously curates his surroundings. Fletcher, known for his wearable yet subtly subversive fashion aesthetic, launched his label after graduating from Central Saint Martins in 2015, quickly gaining recognition with Harry Styles as his first customer. He was nominated for the LVMH prize in 2017 and was a finalist on Netflix's 'Next in Fashion.' More recently, he was appointed Royal Ascot's inaugural creative director, overseeing their annual Lookbook and Millinery Collective. His design philosophy, which he applies to both fashion collections and his home, starts with a neutral base of cream, black, or navy, accented with pops of color. Despite the industrial nature of the warehouse, characterized by exposed brick, Fletcher has successfully created a "minimalist cosy" atmosphere. He incorporates soft textures like bouclé and traditional tailoring fabrics such as canvas and calico to soften the raw elements. Key furniture pieces include a fuzzy cream sofa, a low-slung, mid-century-style chair from Bali, a walnut dining table from Habitat, and a three-legged marble table from Soho Home. These blend seamlessly with reclaimed wood featuring rusted nails, repurposed by architects for beams and drawer fronts. Fletcher's creative endeavors extend beyond fashion and interior design. His kitchen shelves display ceramics he crafted during a six-week course in Hackney, demonstrating his versatility and hands-on approach. Large canvases, painted after intense work periods, adorn his living space, reflecting his artistic heritage inherited from his art teacher grandmother, whose works also grace his walls. These include a line drawing of a cow and a landscape of Arizona painted in 1990, given to him on his 21st birthday. The home is filled with items of significant sentimental value. A giant photograph of an iceberg by Andrew Irwin commemorates Fletcher's trip to Antarctica. In his bedroom, a framed LP sleeve of the Rolling Stones’ 'Goat’s Head Soup' serves as a tribute to his late father and inspired his autumn/winter 2022 collection. Pieces from the Royal Academy’s Summer Exhibition further personalize the space. The flat also functions as a relaxed setting for client fittings, offering a more personal experience away from the bustling studio, attended by notable figures like Nick Grimshaw, Douglas Booth, James McAvoy, and Marcelino Sambé. Fletcher's home is a testament to his comprehensive design vision, blending industrial architecture with personal touches, art, and sentimental objects to create a harmonious and inviting living environment that reflects his creative journey and personal history. #DanielFletcher #FashionDesigner #WarehouseConversion #MinimalistCosy #InteriorDesign #HomeDecor #SouthwarkFlat #ArtisticHome #ReclaimedMaterials

The article highlights how interior designers are increasingly embracing eclecticism and individualism by incorporating vintage and antique decor into their projects to add character to homes. Decorating with art is presented as a classic and effective method to infuse personality, showcasing individual tastes and styles while adding color, pattern, and texture to a room. Emily Henderson, a prominent designer, recently shared her passion for vintage art on Instagram, revealing her collection of eleven pieces and offering insights on how to select and place art within a home. Henderson demonstrates that shopping secondhand for art can be a cost-effective yet impactful way to introduce unique character. Her collection includes a cubist-style painting in a kitchen nook and a small framed dog painting unconventionally placed on a bathroom window. This particular placement is highlighted as a clever strategy to accessorize an otherwise empty space and bring a pop of color. She also features a pair of flower still lifes, bought for only $75, which she hung one above the other, transforming a blank wall into an eye-catching display. These pieces are complemented by gold tarnished frames and a matching gold reading light, creating an antique-inspired setup. The article emphasizes that antique and flea markets are excellent sources for art. Henderson showcases a statement piece in her dining room and a scenic seascape above a chest of drawers in her hallway. A notable flea market find is an Expressionist painting depicting a woman's side profile, rendered in bright primary colors. Henderson invested in a gold frame to enhance its vibrancy, pairing it with an antique-style gold sconce to create a sophisticated and timeless display. Art is presented as a simple yet powerful tool for decorating with antiques, capable of elevating any empty surface. Still-life paintings, often simple in subject matter, are shown to convey a classic and high-end aesthetic. Henderson places another still-life painting on her kitchen countertop, infusing the area with color and warmth. Her ninth vintage piece, a geometric, cubist-style artwork, is positioned above her fireplace mantel, providing character and rustic charm to a living room, especially when contrasting with minimal white walls and neutral decor. Emily Henderson's approach to art placement is noted for its unconventionality, as she isn't afraid to utilize overlooked areas. A small painted landscape, set in an antique wood frame, is placed within her kitchen shelves. This charming addition brings warmth and character to the kitchen, elements that are often neglected in kitchen design. With a total cost of $80 for this framed picture, Henderson exemplifies how secondhand shopping can effectively refresh dull areas. Ultimately, Henderson’s collection serves as inspiration for adopting the vintage trend for 2025, demonstrating that an eclectic and charming space can be achieved even on a limited budget through thoughtful art acquisition and placement. #EmilyHenderson #VintageArt #HomeDecor #InteriorDesign #SecondhandFinds #ArtPlacement #EclecticStyle #AffordableDecor #FleaMarket

Amy Mitchell, a New Hampshire-based interior designer and owner of Home Glow Design, discusses her unconventional path into the design industry and her unique business approach centered around the concept of a 'forever home.' Initially pursuing a career as an opera singer, Mitchell transitioned through PR and marketing before discovering her passion for interior design, inspired by her childhood home's emphasis on quality and lasting design. Her parents, despite a blue-collar budget, invested in well-made furniture, instilling in her a belief that one's environment significantly impacts emotional well-being and that thoughtful purchases should endure. Mitchell's personal journey of decorating her own 'forever home' in New Hampshire highlighted a gap in the market: clients who desire quality and character in their interiors but aren't looking to spend exorbitant amounts or engage in frequent, trendy makeovers. She observed that many homeowners, particularly those in their 30s and 40s in her region, become disillusioned with disposable furniture as their families grow. These clients are ready to invest wisely but often lack the guidance to create cohesive, high-quality spaces. This realization led her to establish Home Glow Design, catering to this mid-priced market segment. Her services are designed to help clients make informed, long-term decisions about their homes. One notable offering is the 'Forever Home Road Map,' an online consultation service. This program helps clients align their personal style with their home's architectural style, especially when the two might seem disparate. It also addresses budget constraints by assisting clients in prioritizing spaces and creating a multi-year spending plan to achieve their design goals without feeling overwhelmed. This approach reflects Mitchell's own experience of renovating her home room by room over several years, guided by a clear vision. The Road Map aims to provide clients with a solid foundation and initial ideas for their priority spaces, enabling them to confidently tackle subsequent rooms. Mitchell also offers 'Forever Room Design Master Plans,' which she describes as a more personalized version of e-design, moving beyond the 'cookie-cutter' aesthetic often associated with such services. She emphasizes sourcing from a diverse range of suppliers, including trade brands and online resources, and provides detailed presentations and source lists. For clients who prefer hands-on project management, this service offers comprehensive guidance. For those seeking a fully managed experience, her 'Full-Service Design' option handles all aspects of a project. Operating in a rural New Hampshire setting presents unique challenges, such as limited access to design centers and manufacturer representatives. Mitchell compensates for this by relying on self-education, networking with metropolitan designers, and her blog, 'The Saturday Blog.' The blog, which she consistently updated for four years, has been instrumental in establishing her authority, sharing tips on investing in quality, and fostering a 'forever mentality' among readers. She uses it to address common homeowner dilemmas, such as updating knotty pine paneling without erasing a home's history, encouraging readers to balance personal style with architectural integrity. Mitchell also navigates the local 'Yankee frugality' mindset, where people often prioritize cost-saving over quality or aesthetic appeal. She combats this by emphasizing the long-term value of investing in durable, well-designed pieces and the positive impact a thoughtfully curated home has on emotional well-being. She advises clients to overcome 'money guilt' associated with discarding old, unloved items, viewing such decisions as sunk costs that free them to create a home they truly enjoy. Her pricing model, involving an hourly rate and a markup on products, is explained as a way to provide clients with high-quality results within their budget, while also covering the inherent risks and administrative efforts involved in sourcing and managing design elements. She reflects on her personal growth, prioritizing her family life and client satisfaction over an endless pursuit of more credentials or industry accolades, finding contentment in helping clients create homes they love. #InteriorDesign #HomeGlowDesign #ForeverHome #NewHampshireDesign #DesignBusiness #Edesign #HomeRenovation #YankeeFrugality

Contemporary artist Kiki Slaughter has launched her inaugural collection of textiles and wallcoverings, translating her original painted works into designs for home interiors. This endeavor stems from her belief in integrating “art everywhere,” a philosophy she first implemented in her own Dutch Colonial-style home in Richmond, Virginia, built in 1967. The house, acquired from its original owners, provided a robust foundation for her artistic expression, offering 3,886 square feet across four bedrooms and four bathrooms to infuse with color and unique patterns. Slaughter's approach to home decoration mirrors her painting process, focusing on layers of color, texture, and composition to achieve balance and individuality. Her artistic vision extended to personal touches, such as transforming her children’s doodles on bedroom curtains into a wallpaper pattern called ‘Scribble,’ which became a cornerstone of her collection. This collaborative effort with her children not only fosters their creativity but also contributes to their future education fund through proceeds from their designs, which also include a pattern based on her son’s watercolors named ‘Marks.’ Her home showcases an eclectic blend of styles, from contemporary art and family heirlooms to antique finds, creating a narrative of cherished possessions rather than perfectly matching items. Slaughter describes her aesthetic as “buttoned-up bohemian,” integrating diverse furniture pieces like Chinese screens, Swedish chairs from her husband's grandparents, and a custom table crafted by a friend. She also values trading her art with fellow contemporary artists, enriching her personal collection with works from individuals like Sally King Benedict, Kathleen Jones, Abby Kasonik, and Blackwell Botanicals, including meaningful pieces from her mentor, Karen Shea Silverman. The renovation of her home primarily involved painting the interior and exterior, a facelift for the kitchen, and updates to the main, kids’, and basement bathrooms, alongside the addition of a laundry room. While no walls were moved, the extensive application of her custom wallpaper throughout three bedrooms, two bathrooms, and the dining room significantly transformed the space. Slaughter was strategic with her budget, prioritizing specific projects and opting for cost-effective solutions such as incorporating handed-down furniture and antique store finds rather than new purchases. Her collection aims to inspire homeowners to embrace creativity and design outside conventional norms, making art accessible for everyday living. Slaughter plans to expand her collection with new patterns and collaborations, including custom lampshades designed to complement light sculptures by Abby Kasonik. She encourages a personalized approach to home decor, where each item contributes to a unique and meaningful story within the living space. #KikiSlaughter #HomeDecor #TextileDesign #Wallcoverings #ArtInspiredInteriors #RichmondVirginia #CreativeHome #DIYDecor #ArtisticCollaboration

Melanie Sramek-Bennett's passion for 1960s design is evident throughout her converted chalet on the Sussex coast. Inspired by her parents' glamorous 60s lifestyle, she sought out a 60s house to infuse with her love for vibrant colors and crisp Scandi style. The current four-bedroom detached property in Hove, though initially unappealing, captured her interest due to its proportions, large garden, and potential for expansion. The previous owners had done a quick renovation for sale, allowing Melanie and her husband Darren to move in while planning their extensive transformation. The couple designed the layout themselves, then hired an architect to finalize the plans. The initial goal was a contemporary double-storey extension with a large living space for entertaining and location shoots, and bigger bedrooms. However, they faced a three-year battle for planning permission, with the local authority objecting to the double-storey extension due to its perceived conflict with the chalet's low roofline and the character of the neighborhood. Eventually, they compromised on a single-storey extension and an enlarged rear dormer to improve the existing bedrooms, a decision Melanie now feels was not a compromise at all. During the renovations, the family rented another property, allowing Melanie to focus on the interior design. Her aesthetic combines mid-century and 60s influences with minimalist contemporary Scandi style, characterized by bold colors and expressive art. One notable piece is an Italian 1960s modular sofa sourced from a German vintage site. The new extension features a pale grey kitchen and white composite worktop, complemented by a white plywood dining table. Melanie initially wanted a yellow kitchen but agreed with Darren that a neutral base would better allow her to layer in colorful art and furniture. Subtle grey walls and cork flooring also contribute to a neutral backdrop, directing attention to the artworks. Upstairs, color blocking defines the rooms, with Melanie employing leftover paint and asymmetrical designs, such as angled walls and off-center art, to create unique spaces. Melanie's resourcefulness extended to sourcing furniture and decor. She found vintage yellow lecture chairs locally and imported mid-century armchairs by Czech designer Jaroslav Smidek from the Czech Republic, leveraging her father's connections there for cost-effective shipping. Budget-consciousness was a priority throughout the project. She acquired an imperfect Tom Raffield light from eBay, had her mother upholster some chairs, and spray-painted sale pendants grey to match colorful electrical cords. She also discovered graphic prints for £5 each at Brighton & Hove’s Phoenix Gallery. Melanie emphasizes that significant spending is not necessary for a beautiful home, and creative solutions can lead to deeply satisfying results. The house now offers flexibility for rearranging furniture and art, serving both as a happy family home and a successful location for photo shoots. #HomeRenovation #MidCenturyModern #InteriorDesign #ScandiStyle #ChaletConversion #SussexCoast #ColorfulInteriors #VintageFurniture #BudgetDecor #HomeMakeover

The home of Dr. Srikant and Ruta Gir, located in the gated Nottoway subdivision near Poplar and Kirby, is presented as an evolving work of art, meticulously designed and crafted. The Girs, both born in India, drew inspiration from Srikant's childhood estate in Hyderabad, an architectural wonder with 30-foot ceilings, mosaic tile work, a fountain, and European chandeliers. This early exposure motivated Srikant to imbue his own home with similar architectural grandeur and detail, including custom-made chandeliers from Hong Kong that replicate those from his grandfather's home, and traditional Indian imagery throughout the decor. Beyond Indian influences, the Girs incorporated elements from their extensive travels to Europe and Southeast Asia. Srikant, an engineer and co-director of the University of Memphis’ Biofuel Energy and Sustainable Technologies Center, spent over three years conceptualizing floor plans and acquiring pieces for their nearly 7,000-square-foot residence. In 2008, construction began with the help of Memphis builders Millard and Bonnie Townsend, bringing their vision to life. The exterior and interior design prominently feature Balinese influences, a result of Srikant's annual visits to Bali to source artists and materials. The front entrance is framed by a hand-carved sandstone border and pillars, a direct reflection of Balinese design. Inside, similar hand-carved sandstone Corinthian columns and a large wall art panel depicting cranes and lotus flowers reinforce this theme, reminiscent of his grandfather's home. A focal point upon entering is the flowing steel stairway banister and second-floor railing, a creation by renowned Memphis artist Yvonne Bobo. This piece, which took nearly eight months to complete, features creeping vines, gold leafing, and Swarovski crystals that refract light. The sitting room showcases a magnificent collection of hand-carved Louis XVI-style chairs, crafted over two years by French artisan Jean Phillips in teak wood, featuring intricate details and gold leafing. The dining room table, a custom creation, features an old European marquetry look. The Girs spent seven months acquiring a 5-foot by 13-foot solid mahogany piece for the tabletop and then enlisted skilled artists in Bandung, Indonesia, for the marquetry work, which involved carving veneer organic patterns inlaid into the table's top and sides. The final wood finishing was done by Furniture Medics in Memphis. Another distinctive feature is an abalone shell sink in one of the bathrooms, with the abalone sourced from New Zealand and then crafted into a unique basin in Bali. The home boasts two kitchens: a spice kitchen for Ruta's Indian cuisine and a second for dining and entertaining. The European-style cabinetry in the main kitchen was hand-carved in Bali with an ivory marble finish, complemented by speckled Brazilian granite countertops sourced locally. Local handymen Bill and John Rush were responsible for cabinetry installation, trim work, and other finishing touches. The Girs are also planning an addition: an eighteenth-century sitting area, styled after traditional Indian homes, adjacent to the kitchen. This project underscores the Girs' belief that patient effort and collaboration with skilled artisans from around the world can transform ideas into tangible, artistic living spaces. #HomeDesign #ArtisanCraftsmanship #GlobalInfluences #CustomFurniture #ArchitecturalDetail #InteriorDesign #MemphisHomes #BalineseDesign #IndianCulture

Hailey Marie Losselyong, a self-taught, multi-disciplinary visual artist based in Pilsen, operates under the name HML Art & Design, focusing on bold murals, illustrations, and clothing designs that feature abstract female portraits. Her latest project, HML Home, is an installation housed at Vault Gallerie in Pilsen, transforming the gallery space into an IKEA-style apartment. This setup, featuring pieces from her past work including wall art, furniture, and clothing, serves to commemorate her artistic development and her commitment to creating intentional and accessible art. The installation is designed to give visitors the feeling of exploring a friend's apartment, encouraging them to examine various items like a closet rack, stickers, and prints. Throughout the exhibit, a recurring motif of stylized, unbothered women with closed eyes and colored lips appears. Many of these figures incorporate the slogan “Leave Me Alone,” either stenciled on their earrings or positioned alongside them, conveying a message of self-assertion: “Do no harm, but take no shit!” This phrase is integrated into various objects, such as jacket backs, shoes, framed images, flower pots, coffee tables, and drink coasters, and even extends to a bathroom wall, prompting reflection on the women's internal thoughts. Losselyong describes herself as a multi-disciplinary visual artist whose work primarily centers on portraits that highlight femininity and its dualities, exploring various strengths and weaknesses within female identity. Her artistic journey began in college in 2014, where she initially studied business but discovered her passion for painting and developed her unique style after a couple of years. Her art aims to be impactful and recognizable, often featuring large, bold elements and focusing on conveying emotion and movement. Inspiration for her projects often stems from women, particularly women of color. Losselyong prioritizes placing murals of women of color in spaces where they have historically been underrepresented, emphasizing the importance of representation for all individuals in art. The "Leave Me Alone" series specifically originated from her experiences with street harassment. She began incorporating the phrase on clothing after an incident where, despite wearing pants with the slogan, she was followed into a store, highlighting the persistent issue of boundaries being crossed and safety being compromised. This personal experience evolved into an artistic statement, inviting viewers to reflect on their own actions and how they might affect others, promoting mutual respect. Losselyong enjoys working across various mediums, viewing it as a way to challenge herself and foster creative growth, rather than limiting herself to a single form of expression. She values her freelance career for the autonomy it provides in selecting projects. Among her favorite projects is her involvement with the Mural Movement, founded by Delilah Martinez of Vault Gallerie. This initiative, born in 2020 during protests, aimed to beautify boarded-up storefronts with murals supporting Black Lives Matter and Black and brown unity. The movement has facilitated nearly 200 murals, providing opportunities for artists to showcase their work, particularly in Black and brown communities and for small businesses that might not otherwise afford such art. Losselyong advocates for art as a tool for social justice, believing it helps young people see themselves positively and enriches communities by replacing blank walls with vibrant artistic expressions. The HML Home installation is directly inspired by IKEA, reflecting Losselyong's interest in accessible art and functional design. She aims to demystify the art world by integrating art into everyday objects and furniture, allowing people to envision art in their personal spaces. She believes the home is a crucial space for self-expression and that art should not be confined to traditional canvases but can be incorporated into any functional item. Losselyong expressed gratitude for Vault Gallerie and Delilah Martinez's support, highlighting how Martinez provides artists with space and opportunities without imposing creative limitations. For aspiring artists, Losselyong advises early experimentation, learning from professionals, and understanding the business aspects of art, emphasizing that failure is a part of the learning process. She takes pride in the community her art has fostered and plans to continue exploring installations, collaborations, and expanding her artistic reach. #HMLArtAndDesign #HaileyMarieLosselyong #VisualArt #AbstractPortraits #PilsenArt #VaultGallerie #FeminineArt #LeaveMeAloneSeries #MuralMovement

The article details the collaboration between interior designer Lynn Biase and mixed media artist Jenn Lewis to transform Lewis' new West Harrison home into a vibrant, family-friendly space that seamlessly integrates her distinctive artwork. Lewis, known for her bold, graffiti-style paintings and collages, sought Biase's expertise to create a fun and comfortable environment for herself, her two teenagers, and for hosting social gatherings. Biase had previously worked with Lewis on her former residence, indicating a pre-existing professional relationship built on trust and a shared aesthetic understanding. The design approach prioritized integrating Lewis's artwork, which the artist noted felt organic due to Biase's color choices throughout the home. The house's open layout, high ceilings, and large windows were naturally conducive to displaying art, creating a bright and airy atmosphere. Biase employed a 'high/low' design philosophy, combining custom-made elements with existing features and sourced items to achieve a cohesive yet unique look. An example of this is seen in the foyer, where the existing natural grass cloth wallpaper was complemented by a custom graphic stair runner that extends to the upstairs landing, establishing a striking entrance. The upstairs landing was transformed into a dedicated family area, featuring a game table with a built-in chess board to accommodate Lewis's son's hobby. Sculptural accessories from Current Home further adorned the shelving in this space, adding visual interest. In a previously neutral powder room off the foyer, Biase introduced an arched Arteriors mirror and patterned wallpaper by Kelly Wearstler, significantly enhancing its character. The kitchen saw minor yet impactful updates, including a black and brass faucet, modern black hardware, and pendant lights over the island, all contributing to a contemporary feel. Biase also introduced a pop of color with bright yellow chairs in the kitchen's breakfast area, a departure from Lewis's usual preference for grays. This sunny hue was echoed in the adjoining family room through throw pillows, connecting the spaces visually. For comfort, a custom coffee table with a fabric center was designed to match a large cream-colored sofa from RH, fulfilling Lewis's desire for a soft place to relax. The dining room features watercolor-inspired wallpaper from Emma Hayes, which harmonizes with the gray tones of the dining table and light fixture, while Arhaus dining chairs with antique brass accents add a touch of sparkle. The living room's design began with another bold wallpaper selection, complemented by a rust-colored sectional for visual contrast. In Lewis's office, Biase opted for a cool gray paint, providing an ideal backdrop for the artist's work and highlighting the walnut desk and wool patterned rug. A sitting room adjacent to the primary bedroom showcases one of Lewis's paintings of a bookshelf, seemingly custom-made for the space. The overall design successfully brought Lewis's artistic vision into her living environment, creating a home that feels both fresh and welcoming, according to the artist.

This article highlights the design philosophy and personal home of Katie Kath, an interior designer and partner at Jkath Design Build + Reinvent. Kath embarked on building her dream home with her husband, Jesse, on a double-wide lot along Minnehaha Creek, aiming to create a space that prioritizes timeless interiors, exceptional quality, and impeccable craftsmanship, moving away from a standard builder-grade aesthetic. The vision for their 4,000-square-foot home was to incorporate customized features tailored to their family of five, ensuring every detail was intentional and thoughtfully chosen. The construction of the home, which commenced during the pandemic, was completed in a swift eight months. Despite the rapid timeline, design decisions were meticulously made, with Katie acting as both the manager and client. This dual role necessitated careful attention to both major and minor details to ensure the home's enduring appeal. Key design elements on the main floor include reclaimed wood beams from Manomin Resawn Timbers and alder accents in the cabinetry, island, and built-in banquette, which together create a warm and inviting atmosphere. The cast stone fireplace surround, matching the kitchen cabinetry, serves as a contemporary focal point in the living room, with white oak flooring extending up to its base for a seamless look. The home's modern design is enhanced by black-frame windows, which are balanced with gold tones to maintain a comfortable and clean feel. The baseboards and millwork are intentionally taller than standard, adding a traditional touch. Unlacquered brass cabinet hardware from Armac Martin in London provides a desired contrast in the kitchen. Beyond the physical design, the article emphasizes that the true essence of Kath's home lies in the traditions she shares with her family, especially during the holiday season. These traditions transform the house into a cozy, safe, warm, and inviting home, fulfilling her original vision of a timeless, traditional abode with festive flair. Kath also shares practical tips for incorporating seasonal spirit into home decor without overwhelming the space or compromising on timelessness. She advises decorating for the season rather than specific holidays to allow decor to remain relevant for longer periods. Sticking to neutral earth tones for the main color scheme, with bright accents, is another recommendation. Kath suggests focusing decorating efforts on main entertaining areas, like the ground floor, and involving family in the decorating process to make it an enjoyable event. Finally, she advocates for investing in high-quality, reusable decor pieces, such as garland, and taking advantage of end-of-season sales to build a collection of timeless decorations that can be cherished year after year. #HomeDesign #InteriorDesign #TimelessInteriors #HolidayDecor #CustomHome #JkathDesignBuild #Renovation #FamilyHome #SeasonalDecor

Textile designer Tigger Hall has curated her home in the NSW Southern Highlands as a reflection of her diverse life experiences, travels, and artistic sensibilities. The dwelling, originally a 1970s bungalow, underwent a transformative renovation to become a vibrant, layered space filled with collected treasures and custom designs. Hall's approach to home design emphasizes storytelling through objects and a harmonious blend of past and present. She integrates items gathered from around the world, such as zinc finials from Paris that now adorn her roofline, creating a sense of surprise and personal connection throughout the house. Her philosophy centers on imbuing her home with memories and connections to people and places, ensuring each piece contributes to the overall narrative. The renovation journey began in 2020 when Hall discovered the bungalow. Despite its initial modest state, the house resonated with her, particularly its spacious living area featuring a five-meter pitched ceiling with exposed beams, which reminded her of grand homes from her childhood in England and France. This architectural feature, along with the deep verandahs, evoked a sense of familiarity and provided an ideal setting for her love of entertaining with music and poetry. While the house possessed inherent charm, it required significant modifications to align with Hall's vision. She addressed practical issues such as the lack of direct garden access from the living area and the confined feeling of some rooms, all while maintaining the existing T-shaped floor plan. Key structural and aesthetic changes included repainting the living room's exposed beams white and installing salvaged round windows from Argentina to enhance natural light and draw the eye upward. An ornate limestone mantel was added, and the living room was extended with two balconies, complete with French doors and railings also sourced from Argentina, despite their initial state of disrepair. In the kitchen, Hall centered her design around a new Aga, valuing its traditional cooking method. Adjacent to the kitchen, a former laundry area was transformed into a library/snug, expanding onto the verandah. This cozy space features French doors from Paris, custom wallpaper designed by Hall, and 1880s parquetry flooring recycled from a Buenos Aires bank, chosen for its historical character and patina. Throughout the home, Hall's dedication to natural materials and sustainability is evident. She champions the reuse of salvaged materials, demonstrating how such items can be beautifully integrated into a contemporary living space. Her builders, Brendan Sheather and Michael Rudge, were instrumental in executing her vision, skillfully blending new and recycled elements. A notable addition is a lightwell with an oval detail in the ceiling of the hallway leading to the bedrooms, designed to introduce more natural light. The garage was converted into a studio with a coffered ceiling and panelling, serving as the workspace for her Nine Muses Textiles range, which draws inspiration from her global travels and mentors like Nina Campbell and Kit Kemp. This studio also serves as an in-situ showroom for her distinctive fabrics, which are interwoven throughout the interiors. Hall's textiles, characterized by a harmonious mix of colors and patterns, are a central element of her decor, proving that varied patterns can blend seamlessly if within a similar hue. Her favored colors, sea-glass blue and vibrant red, are prominent. The interiors are rich in texture, featuring curated furniture from previous homes, auction finds, travel souvenirs, heirlooms, and new pieces, all contributing to a tactile experience and a sense of history. Artworks, including those by her great-grandfather Lindsay Bernard Hall, adorn the walls, further personalizing the space. Despite the global influences, the home maintains a strong connection to its Southern Highlands location, evidenced by elements like the zinc finials standing out against the local gum trees. Hall also plans to host workshops on the property, sharing her passion for textiles and design with others. #TextileDesign #HomeRenovation #SouthernHighlands #InteriorDecorating #EclecticStyle #SalvagedMaterials #CustomWallpaper #ArtCollection #AustralianHomes

Interior designer Emily Henderson offers expert guidance on effectively hanging art to enhance any space, aiming for a sophisticated, gallery-like appearance. Her advice addresses common mistakes and provides actionable strategies to ensure artwork is displayed to its best advantage, integrating seamlessly with the room's overall design while also drawing attention. This article delves into three primary tips from Henderson, complemented by additional insights on pitfalls to avoid. The first crucial tip emphasizes hanging art at or near eye level. Henderson suggests conceptualizing the wall as divided into four vertical sections, with the ideal placement for framed art being within the upper middle quadrant. This strategic positioning ensures that the artwork naturally captures attention upon entering the room. She underscores that proper balance is key, as art hung too high or too low without deliberate intent can disrupt visual harmony and negatively impact the viewer's experience of the space. Achieving this balance is essential for creating a visually pleasing and comfortable environment. Secondly, Henderson advises establishing adequate space between artwork and accompanying furniture. While art often looks appealing when situated above furniture, it is important to allow each design element sufficient room to 'breathe.' She recommends positioning art approximately eight inches above furniture pieces. This separation prevents a cluttered or overly busy aesthetic, contributing to a sense of openness and sophistication. Although specific measurements may vary depending on the room's scale, beginning with this approximate distance helps cultivate a thoughtful and deliberate arrangement, allowing each piece to stand out without competing for attention. Thirdly, the article highlights the importance of using furniture as a reference point for scaling artwork. Henderson notes that art pieces measuring between half and two-thirds the size of nearby furniture tend to create the most harmonious balance and design refinement. She stresses that proper scale is fundamental to a well-designed room. By relating the size of artwork to that of furniture, such as a sofa, individuals can ensure that their selections contribute positively to the room's overall coherence and aesthetic. This method aids in maintaining visual equilibrium and preventing pieces from appearing either too dominant or too insignificant within the space. Beyond these core recommendations, Henderson also points out additional errors to circumvent. A prevalent mistake is selecting artwork that is disproportionately small for the room. To successfully incorporate smaller pieces, she suggests arranging them in a vertical stack to form a mini 'gallery wall,' thereby creating a more substantial visual impact. She further cautions against hanging art too closely together, as this can result in a cluttered appearance, unless such proximity is part of a highly intentional design scheme. Instead, she recommends leaving a reasonable amount of 'breathing room' between pieces when decorating a wall. While there is no universal measurement, the goal is to provide enough space to appreciate each item individually without creating excessive blank wall space. Following these guidelines helps achieve a serene and polished aesthetic, making the collected works shine and transforming the space into something akin to a well-curated museum, in the most appealing sense. #EmilyHenderson #ArtHangingTips #InteriorDesign #HomeDecor #GalleryWall #ArtworkPlacement #ScaleAndProportion #DecoratingWithArt

Nina Magon, founder of Contour Interior Design, has established a reputation for glamorous, modern interiors in Houston. Her journey into interior design was influenced by a lifelong appreciation for beautiful objects, cultivated since her teenage years through shopping trips with her aunt for luxury items like Versace plates and Waterford crystal. Although initially encouraged by her parents, who immigrated from India and Canada, to pursue a business career, Magon first studied economics and finance at Southern Methodist University. She also secretly attended fashion classes at the Art Institute of Dallas, indicating an early passion for design. After graduating, Magon ventured into retail, opening a lingerie store. However, the demanding hours and limited financial returns led her to close the business. She then joined her parents' real estate company, where she discovered her true calling. Magon realized she could combine her interest in fashion with real estate by designing homes. She convinced her father to finance a spec home project in West U, for which she oversaw the design and construction. To gain expertise, she enrolled in interior design classes at the Art Institute of Houston and even hired her professors as consultants for her project. This first endeavor proved highly successful, selling before completion and generating more profit than her previous retail business. Inspired by designers like Zaha Hadid and Mies van der Rohe, Magon developed a vision for luxury modern design. In 2008, she established Contour Interior Design, which now manages a diverse portfolio of residential, commercial, and hospitality projects. Her firm also designs interiors for the spec homes built by her husband, Karun Magon, through his company, Capital Builders. Magon is expanding her reach further with a licensing agreement with Universal Furniture, through which she will launch a 20-plus piece collection of European-influenced, high-end luxury home furnishings in April 2019. Her personal home, a 6,000-square-foot mid-century modern residence in Memorial, serves as a testament to her design philosophy. Purchased for its lot value, the house was a fixer-upper with a dysfunctional layout. The Magons undertook a significant renovation in 2013, gutting and reinventing the interior to create a more open and functional living space. They reduced the number of bedrooms to create larger, more luxurious rooms, converted a bar into a powder room, and transformed a sunken living room into a media room. The home now features a sprawling open-concept ground floor, a gleaming white foyer, and a modern aesthetic dominated by a black, gray, and white color palette with occasional bursts of color from art and accessories. Karun Magon influenced his wife's embrace of modern design, advocating for it as a forward-thinking style. The home incorporates automated systems for security, lighting, air conditioning, and television, all controlled via smartphones or an iPad, a feature that many friends have since replicated in their own homes. The Magons also recently integrated Vastu Shastra, Hindu architectural principles, into their home by consolidating their prayer areas. Nina Magon's career received a significant boost from her participation in NBC’s “American Dream Builders” in 2014, where she tied for third place. This experience, though initially daunting, built her confidence and opened doors to prominent projects, including designing the interiors of the 51Fifteen Restaurant inside Saks Fifth Avenue in Houston's Galleria, a project praised for its design elegance and ability to cater to a stylish clientele. #NinaMagon #ContourInteriorDesign #InteriorDesign #HoustonDesign #ModernInteriors #LuxuryDesign #HomeRenovation #UniversalFurniture #AmericanDreamBuilders

Interior designer Emily Henderson has unveiled an innovative and flexible approach to displaying artwork, particularly beneficial for those who are indecisive about art placement or wish to avoid excessive wall damage. This method, showcased in her home's entryway, addresses the common challenge of decision paralysis when curating a gallery wall and offers a practical solution for seasonal or whimsical art changes. Henderson's technique involves installing a gold-colored rod above a cozy entryway bench, from which individual pieces of art are hung using thin chains. This creates a layered aesthetic that is easily modifiable. The vintage-inspired gallery rail was chosen not only to complement her over 100-year-old home but also to provide the flexibility of swapping out artwork without creating additional holes in her wallpapered walls. This is especially advantageous for someone in her profession, who frequently engages with art and styling. The adaptability of this system was highlighted by Henderson, who mentioned that while she doesn't frequently change her art, having the option makes the space feel fresh. She recalled switching out art for a holiday wreath last year, which was a hit with her family. The system also allows for varying degrees of maximalism or minimalism, as demonstrated by a previous rendition of the space featuring more pieces. The visual appeal of the design is further enhanced by the contrast between the sleek gold bar and the textured white walls, which draws the eye upwards, emphasizing the high ceilings of the entryway. This art-hanging method is not only practical but also contributes to the overall aesthetic of the space, making it both museum-like and homey. For those who prefer alternative solutions to a built-in art-hanging bar, Henderson suggests other damage-free options. These include removable adhesive hooks, suitable for lighter pieces, and picture ledges, which allow art to be leaned against the wall and easily interchanged. These alternatives offer similar flexibility without permanent installation. Ultimately, Henderson's strategy demonstrates that displaying art does not necessitate a long-term commitment. By incorporating adaptable hanging systems, homeowners can easily refresh their gallery walls and personalize their living spaces to reflect changing tastes, seasons, or moods, without the concern of permanent alterations or damage to their walls. This approach offers a simple yet sophisticated way to integrate art into interior design, ensuring versatility and ease of change. #EmilyHenderson #GalleryWall #ArtHangingHack #InteriorDesign #HomeDecor #EntrywayDecor #FlexibleArtDisplay #VintageInspiredDecor #DamageFreeArt

Jessica Davis, founder of Atelier Davis and creative director of Nest Studio, shares her current design inspirations, which are heavily influenced by Miami's oceanside landscape and Art Deco architecture. Her approach blends sophistication with a playful whimsy, seeking a balance between intriguing elements and lighthearted touches. Davis draws specific inspiration from the pattern play found in Streamline Moderne buildings and the nautical motifs prevalent during the heyday of steamships. Her color palette, while acknowledging Miami's perpetually warm climate, incorporates grounding browns and moody blues to provide a sense of escape and depth. She describes these as "complex browns with purple or red undertones" and "inky tones that remind me of the turbulent ocean," ensuring they remain interesting despite their moodiness. To offset these deeper hues, she integrates naval-style elements, such as ropelike cord and hardware featuring porthole designs. This circular motif is subtly echoed in her choices of embroidered fabric and printed wallpaper, creating a cohesive visual theme. Davis highlights several specific items that embody her current aesthetic. For textiles, she selects Zak+Fox's Temari fabric for its Japanese-inspired feel and subtle yet provocative colors. Maharam's Firma fabric is chosen for its durability and intriguing weave, mixing blue and purple in a textural wool. The Kettlewell Collection's Vera fabric, a large-scale cotton patchwork, appeals to her for its compelling nature, while Knoll Textiles' Cato fabric in green provides an impactful and unexpected pop of chartreuse. Larsen at Cowtan & Tout's Tanago fabric in ivory is favored for its nubby, nautical texture and durability. In terms of hard surfaces and architectural elements, Davis is enthusiastic about Townsend Harbor Brown paint by Benjamin Moore, appreciating its rich, complex brown tones. She expresses a particular interest in sophisticated glass blocks, specifically the Thickset 90 Endura Glass Block by Seves Glass Block, moving beyond standard wavy 1980s styles. Adelphi Paper Hangings’ Viennese Trees wallpaper, a 1920s pattern, is admired for its blend of architectural and organic Art Deco aesthetics. For stone, she opts for Rosso Luana marble by ABC Stone, seeking a dark and moody, high-impact stone with significant movement, departing from white-background marbles. Custom metal samples with cooler finishes are also incorporated to add to a project's distinctiveness. Her own Nest Studio Aperture handle in waxed white oak is chosen for its integral yet interesting linear and minimal design, suitable for wood cabinets. The Shade Store’s Waterfall woven wood shade in Sienna Almond is included to introduce texture and soften interiors dominated by hard surfaces. A custom textured rug by Marc Phillips, made of wool, serves as a sophisticated yet durable base layer. Finally, nylon cord in gold and blue from Knot & Rope Supply offers a fun element for custom furnishings, and Bilbao tile by Bert & May provides a patterned, muted, and weathered floor option that feels both historic and contemporary. #InteriorDesign #JessicaDavis #AtelierDavis #NestStudio #MiamiInspired #ArtDeco #StreamlineModerne #MaterialSelection #ColorPalette