Storey teller: the design tale behind Yves Béhar’s Bay Area bolthole

Interior designer Luna Grey transformed a 600-square-foot one-bedroom rental in a prewar Brooklyn building for a young couple, creating a romantic and bohemian aesthetic. The clients, who were about to get married, expressed a desire for a space reminiscent of an Anthropologie catalog, which Grey interpreted as a call for romantic and bohemian decor. The project involved furnishing and styling the entire apartment, with an approximate budget of $18,000, covering all furniture, lighting, rugs, window treatments, art, and accessories. The entire process, from initial consultation to completion, took about three months. The designer utilized online shopping extensively, with virtually all new items procured from various e-commerce platforms. The couple's only existing pieces were a tall wooden dresser and a gilded mirror, both incorporated into the bedroom design. For the living/dining area, an extra-deep Maxwell sofa from Interior Define serves as the focal point, complemented by nested coffee tables from Willa Arlo Interiors (sourced via Wayfair and AllModern). A colorful Moroccan rag rug, discovered on Etsy, adds warmth and texture to the space. Lighting includes a flush mount ceiling fixture from Rejuvenation and a Miles Tripod floor lamp from Pottery Barn. A significant element of the living room is a thoughtfully curated gallery wall, featuring art acquired from online retailers such as One Kings Lane and Artfully Walls. Decorative pillows from Etsy and Anthropologie further enhance the bohemian feel. Window treatments consist of layered bamboo shades and sheer linen curtains, hung floor to ceiling to create an illusion of height and softness. The dining area features a table from West Elm and Madeleine chairs from Restoration Hardware. A metal and glass bar cart from Hayneedle and shelves from Ballard Designs complete this section of the apartment. The bedroom continues the layered and textured theme. An intricately carved Maharaja headboard from Home Decorators (available through Home Depot) creates a statement. A white dressing table and a wide dresser from Restoration Hardware's Baby and Child department were chosen to complement the serene atmosphere. The Fela Tassel chandelier, designed by Justina Blakeney and available from Anthropologie and other online sources, adds a distinctive touch. Other bedroom furnishings, including table lamps, a nightstand, and a bed platform, were sourced from Pottery Barn and West Elm, along with a Moroccan rug. Throughout the apartment, the strategic use of layered textiles, diverse materials, and a blend of online sources allowed for the creation of a cohesive and personalized bohemian living space. #InteriorDesign #BohemianDecor #BrooklynHeights #RentalApartment #OnlineShopping #GalleryWall #TextileLayering #LunaGrey #HomeRenovation

This article details the transformation of a previously raw, 1,200-square-foot loft space in Prospect Heights into a warm and inviting home, masterminded by interior designer Casey DeBois. The tenants, Geoffrey Lewis, a product developer for a real-estate tech firm, and Tze Chun, founder of the online art gallery Uprise Art, were drawn to the space's potential, particularly its expansive brick wall and oversized skylights, despite its initially terrifying appearance with temporary walls. The building owner agreed to remove most of these partitions, leaving only one wall on the lower level to create a private bedroom area. Debois, an alumna of the Fashion Institute of Technology with experience in designing both offices and residences across New York and California, faced the challenge of organizing the large, open space to prevent it from feeling cluttered while ensuring a harmonious flow. Her solution involved defining distinct areas through the strategic placement of area rugs, furniture, and art. The upper level encompasses the living, kitchen, and dining areas, while a few steps down lead to a den/TV space, two home offices, and the bedroom at the rear. To enhance the display of art, a crucial element given Tze Chun's background, the walls were painted Benjamin Moore's Simply White. Debois noted the space's gallery-like qualities due to its high ceilings, large walls, and abundant natural light from the skylights. The couple, having moved from a smaller West Village apartment, brought only a few pieces of furniture, necessitating the acquisition of mostly new or vintage furnishings. The design incorporates casual and quirky elements to add warmth, such as mismatched dining chairs, a diverse collection of artworks, and pineapple-patterned wallpaper from Hygge & West on the stair risers. An entry foyer was established near the front door with a bench and wall hooks, with the sofa back serving to delineate the entry from the living area. A neutral fringed rug from Pottery Barn anchors the living space, allowing vibrant accents like pillows, accessories, and art, including an abstract piece by Erin Lynn Welsh, to stand out. Uprise Art managed the installation of all artwork throughout the loft, and a modernist Wassily chair was sourced from Krrb. The kitchen, originally lacking in storage and counter space, was improved with the addition of a cabinet featuring a butcher block top for prep and storage, open shelving above, and a repurposed bookcase. The dining area features mismatched chairs from various sources like Craigslist and Furnish It Green, complementing a simple wooden table. The lower-level den/TV area showcases a salon-style art wall and a Moroccan rug from nuLOOM, providing a cozy ambiance. A leather sling chair from Urban Outfitters and a wood console from West Elm complete this space. In the bedroom, sheer curtains and white bedding soften the industrial aesthetic, with custom side tables from Brooklyn-based urbangreen completing the setup. The project highlights a successful integration of art and functional design within an industrial loft setting. #InteriorDesign #LoftConversion #ProspectHeights #CaseyDeBois #UpriseArt #VintageFurniture #ArtDisplay #Renovation #BrooklynHome #SpacePlanning

Sophie Lou Jacobsen, a designer known for transforming everyday objects with a unique, cool aesthetic, has applied her distinctive vision to La Cantine, a new café in Brooklyn’s Bushwick neighborhood. Jacobsen, co-founder of Studio Sayso and graphic design firm Our Studio, approaches interior design by treating the space itself as an object, focusing first on shapes and materials before considering the layout. This philosophy guided her in creating a joyful and unexpected environment for La Cantine. Jacobsen's design for La Cantine successfully blends traditional European café elements with her contemporary, 'Pop-y' personal style. The owner, Ioana Hercberg, desired a space reminiscent of the warm, traditional cafés from her family's French and Spanish roots. Jacobsen achieved this fusion by incorporating elements like granite floor tiles, traditional tables, and a marble checkout counter, which ground the space in a classic European aesthetic. Simultaneously, she infused her signature touch through scalloped countertop edges, wavy curtains, tubular upholstery, and whimsical brass sconces, which were adapted from a previous design with Sarita Posada for Studio Sayso. Even the plates selected for the café feature curvy and colorful designs, further cementing Jacobsen's playful influence. A key aspect of Jacobsen's design approach for La Cantine was her use of color. Initially considering a pale pink palette, she ultimately opted for a more enduring scheme of creamy yellows, complemented by blue, blush, and green furniture and floral accents. These vibrant pops of color were crucial in adding a sense of adventure and joy to the space, which Jacobsen believes is an important element in her designs. The floral arrangements were crafted by Fleurotica, and the bathroom design was handled by Anahit Pogosian, contributing to the café's overall aesthetic. Cohesiveness was paramount in the creation of La Cantine, ensuring that every element, from the countertops and menus to the silverware and wall decor, harmonized aesthetically. Jacobsen emphasized the importance of having influence over all aspects of the design experience, including branding. While Charlotte Delarue designed the café's logo, the rest of the branding was a collaborative effort between Jacobsen and her boyfriend, Adrian Harwood, through their graphic design studio, Our Studio. This integrated approach, focusing on cohesiveness from the project's inception, played a significant role in delivering the café's distinct and inviting atmosphere, making it a well-designed destination for visitors in Bushwick. #interiorDesign #cafeDesign #sophieLouJacobsen #brooklynCafe #designTips #colorPalette #materialSelection #cohesiveDesign

Lonni Paul, a prominent Los Angeles-based interior designer known for her work with celebrities, undertook the extensive project of decorating real estate developer Ted Foxman's 20,000-square-foot Bel Air family home. Foxman, who retired early and built a multi-million dollar company, decided to move his family from Chicago to Los Angeles and sought Paul's expertise to create a fashionable and comfortable home for his wife and four children. The family desired a "family compound" that would allow them to enjoy the California sunshine year-round, serving as a well-designed respite from Chicago's harsh winters. The Foxmans acquired the unique property in 2016, and over two and a half years, Paul meticulously infused their aesthetic throughout the colossal residence. Foxman emphasized a vision of light, airy, and positive energy pervading every space, with large rooms feeling cozy and widely appealing. The property spans four acres and boasts impressive features, including an expansive Pacific Ocean view, eight bedrooms, and twelve bathrooms. Beyond the living spaces, the estate is equipped with an array of amenities designed for both family life and grand entertaining, such as a screening room, wine room, game room, and two formal living rooms. Outdoor facilities include an Olympic-size pool, a basketball court, a tennis court, a batting cage, two fire pits, an outdoor barbecue with a bar, a dining area seating twenty, and even a helicopter pad. This comprehensive setup makes the property suitable for children's activities and large social gatherings. Despite the immense scale of the property, Paul noted that the square footage itself was not the primary challenge. Instead, certain existing elements presented difficulties, such as the "garish" black and white checkered tiles in the entry, which were replaced with hardwood floors. Paul also expanded the property by adding a new family room and converting a former balcony into a master bedroom. These structural changes were made to capitalize on the home's most beautiful views, offering a spectacular vantage point from both new spaces. Following these renovations, Paul exercised her creative freedom by introducing unique and surprising design elements. Examples include a powder room adorned with bird-motif wallpaper and a dining room saturated in rich navy hues, intentionally designed to be slightly more unconventional yet elegantly integrated. The dining room features custom chairs by Tytek upholstered in Kravet velvet and a J. Alexander credenza. The eat-in kitchen incorporates sophisticated blue accents, with Walker Zanger tiles providing contrast to the predominantly white decor and Romo for Thomas Lavin mohair velvet upholstery adding a luxurious touch to the seating. A notable highlight in the spacious living room, which is divided into two seating areas, is a neon sign proclaiming, “You are amazing just the way you are,” discovered at an art gallery. This piece is encased in an acrylic box with a mirrored metal plate, creating an infinite reflection effect. Paul also encouraged Foxman's playful side, culminating in the bold decision to park a vintage Porsche in the middle of the entry, after considering other "crazy ideas" like a metal ferris wheel or a merry-go-round. Understanding the family's connections to the music industry, with celebrity friends like Seal and Babyface, a dedicated music room was essential. This space allows guests to jam on guitars and serves as a display area for Foxman's extensive guitar collection. To balance these more eccentric elements, Paul incorporated calming designs in other areas. The master bedroom, for instance, features a neutral palette that enhances the outdoor views. Automated curtains reveal a spectacular forty-mile vista to the ocean and Catalina Island, creating a serene and relaxing environment, which Foxman cites as one of his favorite aspects of the home. Paul expressed her satisfaction with the varied aesthetics throughout the residence, noting that each room offers a distinct experience, akin to visiting a different destination within the home, making the project particularly enjoyable. #BelAirEstate #LuxuryDesign #LonniPaul #TedFoxman #InteriorDesign #HomeDecor #FamilyHome #CaliforniaLiving #ArchitecturalRenovation

The Edinburgh gallery Bard presents a new exhibition titled 'Bardware,' which aims to reframe the perception of craft from an exclusive, high-art domain to an accessible, everyday practice. Founded by Hugo Macdonald and James Stevens, Bard seeks to bridge the gap between craft as a specialized hobby and as luxury objects, instead focusing on items designed for daily use and sensory engagement within the home. The inspiration for 'Bardware' stems from the founders' appreciation for traditional hardware stores, which they view as symbols of optimism and the human capacity to make, fix, build, and repair. The exhibition features works from 20 Scottish craftspeople, designers, and artists, all commissioned to create objects that enhance daily domestic life. The brief encouraged the artists to produce items that could be touched and used regularly, challenging the conventional hands-off approach often associated with gallery exhibits. The display includes a diverse range of functional and decorative items, such as Primitive Arrangement vases by Nick Ross, two-armed candelabras by David Taylor, and architectural toilet-roll holders crafted by Juli Bolaños-Durman from salvaged materials. Other notable pieces include James Rigler’s bronze-glazed ceramic 'Greek Knobs,' Oliver Spendley’s bowls made from polished mountain rock shards, and All About Willow’s hand-turned cherry porridge spurtles. The collection also showcases Clement Knives’ pocket knives made from whisky-barrel hoops, Eve Eunson’s baskets woven from sea plastic collected from Shetland’s beaches, and Studio Viv Lee’s devotional ceramic characters. Additionally, Jess White contributes leather-wrapped boulder doorstops, while Araminta Campbell offers cozy alpaca hot-water bottle covers. Each piece is presented to encourage interaction, emphasizing the tactile and experiential qualities of craft. This exhibition marks three years since Bard opened its doors in Leith, establishing a unique approach to presenting and selling craft. Macdonald highlights the importance of humor and mild irreverence in making craft more approachable and moving it beyond the confines of a museum setting into everyday life. He acknowledges the cost associated with handcrafted items but underscores their inherent value, contrasting this with the societal issue of cheap, mass-produced goods. Since its inception, Bard has observed a significant increase in public engagement with craft, marked by a greater willingness to purchase, utilize, and inquire about the practitioners, materials, and skills involved. Macdonald believes that craft is a fundamental 'life force' that enriches human experience and fosters connections across cultures and time. He posits that craft is not a regressive or counterbalancing force to design and technology but rather a parallel and powerful element that becomes even more impactful when integrated into modern life, indicating a collective awakening to its enduring relevance and value. #CraftExhibition #ScottishArt #HomeDecor #DesignInteriors #FunctionalArt #BardGallery #EverydayObjects #HardwareShopInspiration #ContemporaryCraft

First-time homeowners Kaisha and Joey Flynn embarked on a significant renovation of their unique Bernal Heights home, a property characterized by its unusual setback and hidden nature. Initially, the couple sought to revamp only two bathrooms, a task that proved challenging in San Francisco due to architects' reluctance to undertake small-scale projects. They enlisted Ryan Leidner, an architect who had recently established his own practice. While Leidner agreed to the bathroom assignment, he was immediately struck by the property's challenging layout, which involved descending over 30 stairs to a sunken front yard and then climbing another 20-plus steps to reach the front door. During a conversation, Joey Flynn asked Leidner what changes he would make without any limitations. Leidner, who had been contemplating the property's design throughout the meeting, proposed building a bridge to address the complex entry. This suggestion transformed the project from a modest bathroom renovation into a comprehensive reimagining of the entire property. The renovation, which began before the COVID-19 pandemic, spanned two and a half years. The finished entry now features a new gate that leads to a 30-foot-long footbridge. This bridge dramatically improves accessibility and offers an ideal vantage point to view the house. The property's exterior is clad in charcoal-stained cedar planks, evoking the appearance of redwood weathered by San Francisco's fog, and the landscape, designed by Stephens Design Studio, bursts with lush greenery. The bridge leads directly to the front door, opening into an entry landing illuminated by a skylight that connects to the main living area. The original exposed-beam ceiling has been meticulously restored, and the interiors feature light white oak floors and cabinets, complemented by gallery-white walls, providing a versatile backdrop for the couple's burgeoning art and vintage furniture collection. Both Kaisha and Joey Flynn are product designers themselves, working at Open AI and Instagram, respectively, and share a keen eye for detail. Leidner frequently collaborates with creative clients who are similarly committed to intricate design. The home showcases a blend of modern architecture and vintage pieces, carefully curated by Joey. Notable items include a 1970s patchwork leather sofa by Swiss brand de Sede and vintage Italian dining chairs. An innovative design feature is a cross-beam converted into a ceiling-spanning planter box, adding a touch of nature and a unique aesthetic. The home's design was also influenced by the couple's travels, particularly a record-listening lounge on the lower level, inspired by similar concepts in Japan. This room features floor-to-ceiling white oak, a dedicated turntable station, a comprehensive vinyl collection, a wet bar, and a built-in olive green daybed. The lounge can be fully opened to the front garden through disappearing pocket doors, integrating the indoor and outdoor spaces. The Flynns designed the house as a child-free couple but welcomed their daughter shortly after the renovation's completion, reaffirming their design philosophy that their choices would not have significantly changed even with children in mind, given their initial willingness to embrace the property's unique challenges. #BernalHeights #HomeDesign #ArchitecturalRenovation #ModernArchitecture #InteriorDesign #SanFranciscoHomes #LandscapeDesign #VintageFurniture #CreativeClients

Boston, with its historical architecture, including red brick brownstones and Georgian-style structures, offers a rich source of inspiration for design enthusiasts. The Beacon Hill neighborhood, particularly known for its Federal-style rowhouses and cobblestone streets, is highlighted as a prime example of the city's architectural charm. This area is home to unique home décor shops and accommodations that blend old-world charm with modern aesthetics. One notable destination is Koo de Kir, a home décor shop on Chestnut Street. The shop's name, a phonetic play on the French "Coup de Coeur," signifies an item that captivates. The owner curates a selection of unique items, aiming to offer products that are distinctive and memorable. Among the favored items mentioned are the Lotus Nesting Bowls, which are popular during wedding season, indicating their appeal as gifts or household additions. Adjacent to Koo de Kir is another recommended shop, Good, which offers a broader range of lifestyle accessories, encompassing both fashion and home goods. Its inventory includes antiques, works of art, and vintage accessories, suggesting a focus on curated and unique finds for those seeking distinctive pieces for their personal style or living spaces. For an immersive experience in Beacon Hill, the Charles Street Inn is suggested as a lodging option. This inn is characterized by its quiet and cozy ambiance, combined with an old-world flair. Each room is individually named after historical Beacon Hill residents, such as John Singer Sargent or Ralph Waldo Emerson, adding a historical touch. A key feature of the inn is the presence of authentic 1860 marble working fireplaces in every room, contributing to its charm and historical authenticity. Beyond traditional design, the article explores the contemporary design integration seen at the Liberty Hotel, located at the periphery of Beacon Hill. This hotel exemplifies how Boston marries its historical heritage with modern design and an energetic nightlife. Originally the Charles Street Jail, completed in 1851, the hotel's recent renovation respectfully incorporated elements of the original structure and its former purpose, creating an innovative and modern space. Its nightclub, Alibi, and restaurant, Clink, are highlighted as popular venues, partly due to their interior design, which creatively reinterprets the building's history. The article concludes by emphasizing Boston's ability to offer an exciting and inspiring experience for design aficionados, challenging any perception of the city as overly traditional or "stuffy." It showcases Boston as a city where historical elegance and contemporary design coexist and inspire. #BostonInteriorDesign #BeaconHill #HomeDecor #ArchitecturalInspiration #BoutiqueShopping #LuxuryTravel #HistoricalRenovation #LifestyleAccessories

The article presents 32 innovative and aesthetically pleasing ideas for designing and utilizing a butler's pantry, highlighting its evolution from a high-end luxury to an attainable and functional space in modern homes. A butler's pantry serves as a designated area for food storage, meal preparation, and entertaining, helping to keep the main kitchen clutter-free. Its versatility allows it to function as a secondary kitchen, a home bar, or a dedicated space for organizing kitchen essentials like pots, pans, and spices. The featured ideas cover a wide range of design choices and functionalities. For instance, transforming a tiny room into a butler's pantry with green cabinets, botanical wallpaper, and open shelving creates a jewel-box effect. Effective organization is emphasized through the use of labeled glass or plastic containers for dry ingredients and snacks, complemented by Lazy Susan racks for condiments. Space-saving solutions include hanging shelves from the ceiling, utilizing wicker baskets in place of cabinet doors for texture and accessibility, and converting a blank wall into a compact prep space. Design aesthetics are also explored, from embracing country charm with creamy white cabinets and beadboard walls to building a secondary "dirty" kitchen for extensive meal prep. The article suggests experimenting with two-tone cabinets, bold flooring, and high-gloss finishes to add personality. Practical additions like rolling ladders for high-up storage, prep sinks for convenience, and small appliances like wine refrigerators and dishwashers enhance functionality. Displaying glassware and dinnerware on open shelves not only maximizes space but also adds a decorative touch. Further ideas include creating dedicated prep stations with built-in counters and microwaves, mixing up flooring styles to add visual interest, and utilizing floor-to-ceiling storage. Color schemes such as bright greens and pastel blues are suggested to inject cheerfulness and calmness into the space. The article also delves into specific design elements like statement ceilings, striking chandeliers, and metallic finishes for a glam look, particularly for pantries doubling as home bars. Innovative layouts, such as extending the kitchen into a butler's pantry or turning a hallway into a functional prep area, are also highlighted. Finally, the article encourages homeowners to experiment with design styles, even suggesting a traditional, vintage-inspired aesthetic for those whose main homes are modern or minimal. Designating specific spots for drinks with full-size wine coolers and maintaining neutral color palettes are also presented as viable options, demonstrating that a butler's pantry can be customized to suit individual needs and tastes while significantly enhancing kitchen functionality and home aesthetics. #ButlerPantryIdeas #KitchenDesign #HomeOrganization #MealPrepSpace #InteriorDesign #StorageSolutions #EntertainingSpace

Ceramic artist Peter Lane's work is explored through a monograph, highlighting his distinctive approach to large-scale architectural installations and his unique position within contemporary ceramics. Lane's process typically begins on the studio floor, where he and his team lay a thick clay slab. This slab is then meticulously sculpted, marked into a grid, and cut into modular units. Each component undergoes separate glazing and firing, often featuring metallic leaf details in white gold, yellow gold, or palladium. The completed units are then installed on walls, with each composition conceived as site-specific, resulting in monumental pieces that blend art, craft, engineering, and architecture. Lane's prominence in contemporary ceramics stems from the sheer scale of his operations, exemplified by his 10,000-square-foot Brooklyn studio, which houses New York City's largest kiln capacity. His interdisciplinary work transcends traditional boundaries, integrating elements of sculpture, painting, architecture, and interior design. Initially a painter focused on materiality, Lane discovered ceramics through a serendipitous encounter with mid-century modern pottery. This led him to Greenwich House Pottery, an Arts and Crafts institution, where he quickly embraced clay. His early creations included functional lamp bases, but his artistic scope expanded significantly following trips to Japan in 1998, which exposed him to an aesthetic that valued both artistic pottery and decorative painting. This exposure inspired Lane to develop a versatile artistic idiom applicable across various contexts and scales, from tableware and vases to furniture, murals, and complete interiors. Renowned designers and architects, such as Chahan Minassian and Peter Marino, recognized his talent and began incorporating his work into their projects. Lane soon started receiving independent commissions, primarily for residential settings, where his genius for monumental bespoke work became evident. Consistency and variation are hallmarks of Lane's success. His works are immediately identifiable by their deep relief textures and gilt spheres, yet he continually discovers new possibilities within this established vocabulary. A significant variable is his glazes, which he formulates from scratch, utilizing minerals like cobalt, manganese, and copper to achieve a wide chromatic range. The grid structure, a practical necessity for tilework, is transformed by Lane into an element of sculptural interest, with striations, perforations, or accordion folds moving across the regular backdrop, preventing the grid from completely disappearing under the biomorphic forms. One of Lane’s most notable commissions to date is the interior for the Hôtel de Crillon in Paris, completed in 2017. Collaborating with Minassian and architect Aline Asmar d’Amman, he designed the walls for the hotel's swimming pool, which is part of a spa area beneath a courtyard. This project was part of a major renovation of the 18th-century building, aiming for a streamlined opulence that distinguished it from contemporary hotel renovations. Despite working on high-profile commissions and for celebrity clients like Robert Downey, Jr., Lane maintains an unpretentious approach, remaining hands-on in his studio daily, transforming raw clay into evocative installations that infuse spaces with mood and physicality. #PeterLane #CeramicArt #ArchitecturalInstallations #InteriorDesign #Sculpture #ClayArt #BespokeArt #Materiality #HôtelDeCrillon

Gladys Tay, a vintage dealer and social media personality from Singapore, showcases her eclectic and maximalist design style in her 1984 Shoreview split-level home. Her unique approach to interior design, which blends modern and traditional furnishings with a keen eye for sculptural and artistic pieces, has garnered a significant following on Instagram. Tay's design philosophy is characterized by a playful attitude towards objects, where items are not confined to their intended use but are reinterpreted as art or multi-functional pieces. This is exemplified by her perspective on a hand chair, which she views as both a functional item and a piece of art to be creatively integrated into her space. Tay's home, spanning 1,800 square feet, is a dynamic canvas where pieces are regularly rotated from storage to display, ensuring a fresh and captivating aesthetic. Despite the spontaneous appearance of her arrangements, each item's placement is thoughtfully considered to maximize its visual impact without overwhelming the overall design. She maintains a neutral color scheme throughout her home to create a sense of cohesion and continuity between different spaces, often moving items between rooms to achieve a desired look. Timelessness is a core value in Tay's design ethos. Her art collection, which spans various eras and styles from portraits to abstract works, is a testament to this principle. She believes that good design, regardless of its age, can stand the test of time. As a vintage dealer, finding such pieces is central to her work. She frequents Minneapolis stores like Covet Consign, Bauer Brothers Salvage, and Hunt & Gather, seeking out items that are at least 20 years old and possess strong aesthetic appeal, purpose, and functionality. Tay is particularly drawn to multi-use items, such as a console table that can serve as a desk, entryway table, or bathroom vanity, always considering how an item can contribute to a room's energy and character. Her passion for unique finds and eclectic design is deeply rooted in her childhood experiences. Her father, who traveled extensively for work, would bring back limited-edition items from places like Manila, Japan, Hong Kong, and China, fostering her appreciation for one-of-a-kind objects. This early exposure to diverse cultural artifacts shaped her current design sensibility. Tay's Instagram profile, @thegladystay, initially started for personal lifestyle sharing in 2016, evolved into a platform where she shares her home's evolving design and her distinct style. Her hand chairs, in particular, often generate significant engagement and discussion among her followers. Her advice to aspiring designers is to maintain an open mind when shopping, avoid preconceived expectations, and trust one's intuition, emphasizing that true design comes from within. She also operates a vintage market called Foo Shoppe on chairish.com/shop/fooshoppe. #GladysTay #EclecticDesign #MaximalistDesign #VintageDealer #HomeDecor #InteriorDesign #Shoreview #ArtCollection #TimelessDesign

The Upper East Side of New York City, traditionally associated with a classic prewar lifestyle, is experiencing a resurgence of understated elegance, moving away from the super-tall tower trend. This shift is exemplified by 40 East End, a newly completed 20-story residential building located in Yorkville. Designed by ELLE DECOR Titan Deborah Berke Partners in collaboration with Gerner Kronick + Valcarcel Architects, the building aims to offer a luxurious yet grounded living experience. Architect Deborah Berke, a long-time resident of Yorkville, viewed 40 East End as a passion project. Her primary goal was to create a structure that felt deeply rooted in its urban context while simultaneously reinterpreting traditional architectural elements in a contemporary manner. This approach sought to achieve a timeless quality, ensuring the building harmonizes with its surroundings and endures aesthetically. Materiality played a crucial role in Berke's design philosophy for 40 East End. The facade features warmly colored charcoal and gray bricks, chosen for their richness and tactile quality, which contribute to the building's overall character. These external elements contrast with the internal common spaces, which incorporate more direct expressions of luxury. For instance, the grand parlor boasts a striking black and white marble chevron floor, a prominent crystal chandelier, and a bronze-clad iron staircase, all designed to add a significant touch of opulence. This commitment to diverse and high-quality materials extends to the 28 full-floor and half-floor units within the building. A notable example is the primary bathrooms, which are meticulously crafted using Arabescato Cervaiole marble and mirror-back Bendheim glass, reflecting a blend of sophistication and functionality. The design choices throughout the building underscore Berke's intention to create residences that cater to discerning individuals seeking a beautiful and luxurious long-term home, rather than properties primarily for investment. Berke emphasizes that 40 East End is not designed to be overtly showy. Instead, it embodies a philosophy of creating a comfortable and elegant environment where residents can establish their lives over many years. The project signifies a return to a more refined and enduring architectural style in New York City, focusing on livability, contextual integration, and sophisticated material palettes. #LuxuryRealEstate #NewYorkCity #ArchitecturalDesign #DeborahBerkePartners #UnderstatedElegance #Yorkville #ResidentialArchitecture #InteriorDesign #Materiality

This article showcases a luxurious three-bedroom, three-and-a-half-bathroom condominium located on Tampa’s Bayshore Boulevard. The residence, occupying an entire floor of the Sanctuary at Alexandra Place, was designed to balance modernism with comfort for its owners, Lisa and Philip Stein, who downsized from their Palma Ceia home in 2021. Interior designer Carin Zwiebel of CZ Designs Tampa was responsible for bringing the 3,900-square-foot space to life, emphasizing customizations that maximize the stunning water views through extensive glass walls. Zwiebel's design philosophy centers on creating interiors that are both exquisite and functional. The condominium's design incorporates striking, colorful art pieces strategically placed in custom nooks against white walls. To introduce natural elements, textured stone and wood accent walls were integrated throughout the space. The furnishings include cozy upholstered seating paired with sleek, low-profile tables, contributing to the overall comfort and modern aesthetic. Various chandeliers and unique lighting fixtures were chosen to enhance the home's ambiance, creating a warm and inviting glow. The homeowners express deep satisfaction with the design, describing their residence as calming, peaceful, and a source of happiness. Key areas of the home are highlighted, including the foyer, which features marble inlay mosaic tile flooring by Artistic Tile, a clear table by Michael Dawkins, and wall lights by Sonneman. The kitchen boasts a captivating backlit bar made of Cristallo quartzite, complemented by custom marble and granite countertops, and leather counter stools from RH Modern. The dining area is equipped with a custom table featuring a metal inlay by Altura Furniture and a custom console by Berman Rosetti. Special wall nooks were designed to perfectly accommodate the owners' art collection, ensuring each piece is thoughtfully displayed, such as "The Climber." The office space includes a custom-built desk with fluted wood and painted finishes. This desk also features custom-designed bat holders by YN Design, catering to the owners' baseball memorabilia. The article credits various professionals and companies involved in the project, including Plaza Construction as the builder, Place Architecture as the architect, and Rickie Agapito of AOFOTOS for the photography. Other contributors include Ceramic Matrix and Casale Design Source for flooring and tile, Haven Smart for technology, and Hammerton for lighting, collectively contributing to the sophisticated and personalized environment of the Bayshore Boulevard condominium.

This article features an interview with Joseph Ballard, a general contractor and designer, discussing the origins and operations of his company, Constructed Matter. Ballard shares insights into how the company's name, Constructed Matter, was chosen to reflect its broad design and construction capabilities while standing out in an industry often lacking creative branding. The discussion highlights Ballard's professional background, which includes building custom homes in Minnesota and flipping properties in Phoenix, eventually leading to the establishment of Constructed Matter as a full-service design-build general contracting business. Ballard, alongside his business partner Brandon Fadden, emphasizes the company's commitment to delivering high-end, detailed service that streamlines the construction process for clients. He expresses pride in their ability to remove common pain points associated with construction projects, resulting in high-quality, modern builds. Prospective clients interested in interior design or comprehensive design and construction services are encouraged to reach out through the company's website. The interview also delves into the strategy behind building a social media audience for Constructed Matter. Ballard explains that their audience grew organically through engagement within the design industry in Minnesota, fostering relationships with design-focused professionals. He stresses the importance of project collaboration, giving proper credit to others, and sharing successes online to cultivate a strong community, which often leads to reciprocal support and attention for high-profile projects. A key piece of advice offered is that the sheer number of followers on social media is less important than the quality of engagement and its alignment with business goals, suggesting that successful business and marketing can be achieved even with a smaller, dedicated following. Regarding client acquisition, Ballard simplifies their approach to two core principles: meticulous planning and consistent follow-through. He asserts that by excelling in these areas, the company consistently generates referrals. The fundamental idea of "do what you say you will do" is presented as a cornerstone of their client growth strategy. The article concludes by providing contact information for Constructed Matter, including their website, Instagram, and LinkedIn profiles, and credits Kyle Zirkus for the accompanying images. It also includes a call to action for the community to suggest stories for CanvasRebel, reinforcing its mission to uncover and recognize hidden talents. #GeneralContractor #InteriorDesign #ConstructionBusiness #DesignBuild #ConstructedMatter #EntrepreneurInterview #ClienteleGrowth #SocialMediaStrategy

For nearly five decades, beginning in 1969, Jean-Paul Beaujard, a Burgundy-born antiques dealer, established himself as a leading authority on 19th-century French aesthetics on the Upper East Side of Manhattan. His eponymous shop on East 76th Street was renowned for its curated blend of Napoleon Bonaparte’s First Empire style, characterized by disciplined stripes and allusions to Ancient Egypt and Imperial Rome, alongside the late 19th-century Art Nouveau furnishings of French cabinetmaker Louis Majorelle. Beaujard, who developed a passion for antiques at a young age, utilized his Art Deco duplex apartment in New York as a personal canvas for his eclectic tastes. He frequently reconfigured his living spaces, incorporating diverse pieces such as a lion paw table in the Troubadour style of Charles X or a giltwood velvet-covered sofa alongside a seven-foot-tall palm tree crafted from brass and steel. His personal aesthetic extended beyond 19th-century French furnishings, drawing inspiration from 18th-century Pavlovsk Palace watercolors, the large-scale oils of French painter Felix Courché, and the work of Parisian decorator Madeleine Castaing. In 2017, Beaujard made the significant decision to relocate permanently to Paris, his hometown, selling his duplex and closing his New York shop. He had owned a 2,200-square-foot apartment in an Art Nouveau building in the Seventh Arrondissement of Paris for over two decades, previously using it primarily during buying trips. Initially, the apartment's decor was relatively minimalist, featuring ivory and wheat tones, despite his extensive restoration of its surfaces, including parquetry floors and boiserie. Since his return to Paris, Beaujard has transformed the two-bedroom penthouse, infusing it with his characteristic theatricality and a newfound sense of insouciance. The apartment boasts a 25-foot-tall octagonal salon at its center, with terraces offering views of the neighborhood's mansard roofs. An internal rounded balcony on the second floor overlooks the living room and provides views of Notre-Dame through floor-to-ceiling windows. This space now serves as a vibrant amalgamation of furnishings spanning two centuries, transitioning between explosively decorative and airily calming elements. Beaujard emphasizes that his design philosophy is driven by instinct, finding connections between objects regardless of their monetary value. The large, moodily lit entry hall features a mahogany Empire console adorned with Sèvres vases from the 1870s and a 19th-century marble bust of Louis XVI. An expansive early 1800s eight-panel Coromandel screen, painted with rural Chinese scenes, is used to delineate an area for dinner parties. A gently illuminated niche showcases a collection of emerald green-edged Paris porcelain plates from the 1840s, each depicting a different flower. The center of the room is anchored by two forest green velvet 19th-century Italian sofas and a round pale pink silk borne settee, reminiscent of genteel French parlors during the Belle Époque. Beaujard's liberal use of these hues and animal prints in carpets and wallcoverings echoes the preferences of Madeleine Castaing, whose eclectic mixing of high and low influenced his warm and informal approach. He continues to acquire and sell pieces, often through Instagram and 1stDibs. The salon is painted in a celadon shade, also favored by Castaing, and features trompe l’oeil marble columns. In the evening, the crystal chandelier and terrace lights reflect in mirrored panels, creating an 'alchemical' effect. The top floor houses Beaujard’s bedroom and a guest room, both designed with a breezy and debonair aesthetic in pale white and yellow tones with accents of ebony and chocolate. These spaces blend formal late 19th-century French design with fanciful postwar modernism. The polymathic writer and filmmaker Jean Cocteau, a significant influence on Beaujard, is celebrated in the bedroom with a grid of framed illustrations by Bernard Buffet from Cocteau’s 1930 play “La Voix Humaine.” A life-size blackened bronze bust by Cocteau of his lover, Jean Marais, depicted as a faun, rests on an 1874 bamboo cart. This sculpture, a gift from a friend, has traveled with Beaujard across the Atlantic multiple times, symbolizing an enduring commitment to beauty and personal ethos. While many objects may find new homes, some, like this sculpture, are destined to remain with him. #ParisApartment #AntiquesDealer #FrenchDesign #InteriorDesign #EclecticDecor #ArtNouveau #EmpireStyle #19thCenturyFurnishings #JeanPaulBeaujard

Catbird, a Brooklyn-based jewelry company, recently relocated its flagship store to a larger space in Williamsburg, aiming to infuse the new location with a distinct design aesthetic. Chief Creative Officer Leigh Plessner envisioned a space that blended elements of a haberdashery, a millinery, and curious museum displays. To bring this vision to life, Plessner collaborated with Spencer Alton and Alex Bechara of Alton Bechara design firm. Their collective effort resulted in a 1,400-square-foot store that evokes the ambiance of an old-timey bank and a vintage Italian pharmacy. A key design decision, driven by both aesthetic and practical considerations, involved the flooring. Instead of opting for luxurious materials, the designers chose classic Armstrong vinyl squares arranged in a black-and-white checkerboard pattern. This choice not only provided a durable and cost-effective solution but also paid homage to New York City's iconic black-and-white cookies. The designers initially considered wood for a similar effect but ultimately found vinyl to be the superior choice, highlighting its versatility and affordability. Further emphasizing a mindful approach to budgeting, the team prioritized sourcing vintage furniture over new pieces. Plessner, an experienced thrifter, regularly explores estate sales in Atlantic City, New Jersey, and shops in Bucks County, Pennsylvania, to uncover unique finds. Examples of these curated pieces within the store include a round metal patio table and a $30 card table adorned with a floral design. This strategy allowed them to furnish the space with character-rich items without incurring significant expenses. The store's walls feature an array of found mirrors, predominantly sourced from Etsy. This collection of mirrors serves a functional purpose, allowing customers to view themselves wearing Catbird's delicate jewelry, and adds a decorative element that reinforces the vintage aesthetic. Remarkably, nearly all the mirrors arrived intact, showcasing the success of this sourcing method. A striking visual element in the store is the vivid green jewelry display. This particular shade of green, inspired by cabbage and a dress worn by Gwyneth Paltrow in the film *Great Expectations*, is Benjamin Moore’s Baby Fern. This specific color choice also provides a visual link to Catbird’s SoHo store, creating a cohesive brand identity across its retail locations. The color scheme is further enhanced by stools reupholstered in vintage French ticking, adding another layer of historical charm. To balance the store's vintage elements, such as the original knobs inherited from the previous tenant, the designers incorporated modern updates. These included replacing a chunky banister staircase with a sleek railing and integrating new lighting and windows. This blend of old and new elements culminates in a store that is described as a 'jewel box of treasures,' reflecting a thoughtful design process that marries historical inspiration with contemporary functionality and budget-conscious choices. #CommercialDesign #RetailInterior #VintageDecor #BudgetFriendlyDesign #VinylFlooring #JewelryStoreDesign #BrooklynDesign #SustainabilityInDesign

This article details the transformation of a 1,700-square-foot loft in a century-old industrial building in Brooklyn, New York. Designed by Hormuz Batliboi of Batliboi Studio for Valerie Tsvetkova, the two-bedroom, two-bath residence blends historic industrial elements with a modern, playful aesthetic. The design process began by embracing the loft’s original character as a former manufacturing site. Hidden timber beams and steel joints, discovered during renovation behind a dropped ceiling, were intentionally exposed and integrated into the design, serving as visual anchors and contributing to the space’s authentic industrial feel. Initially, the loft presented challenges typical of converted spaces, including disjointed utilities and an inefficient kitchen layout. Batliboi addressed these issues by centralizing the utility infrastructure and strategically raising the floor in certain areas. This thoughtful alteration enabled a seamless integration of the kitchen into the heart of the home, optimizing both functionality and flow within the space. The renovation showcases an innovative approach to spatial planning, turning initial limitations into design opportunities. A prominent feature in the main living area, particularly the dining room, is a 15-foot sculptural shelf. This piece, characterized by its green, wave-like ripples, is constructed from layers of CNC-milled wood and precisely color-matched to the client’s existing pendant lights. It functions as both a practical sideboard and an artistic focal point, demonstrating the designer’s ability to merge utility with aesthetic appeal. This bespoke element adds a unique and dynamic visual texture to the loft, embodying its playful aesthetic. In the kitchen, the design combines sleek stainless steel countertops with brass accents and natural stone, creating a sophisticated yet warm ambiance. Rather than fully custom cabinetry, Batliboi utilized a flat-pack system from REFORM, carefully customizing it to achieve a high-end, built-in appearance. This cost-effective approach allowed for a luxurious aesthetic without excessive custom work, reflecting a sustainable design mindset. The integration of diverse materials and strategic use of pre-fabricated components contribute to the loft's refined industrial charm. The bathrooms feature contrasting material palettes to enhance the home’s eclectic character. One bathroom presents a moody design with deep black zellige tiles, matte black flooring, and a bold granite shower, amplified by natural light from an industrial window. Other areas incorporate a mix of penny tile and marble, providing a tactile and visual contrast. These carefully selected materials and custom fabrications, combined with clever spatial solutions, ensure that the home feels personalized, thoughtfully designed, and genuinely lived-in, successfully merging industrial edge with a playful modern aesthetic. #BrooklynLoft #IndustrialDesign #ModernAesthetic #InteriorDesign #BatliboiStudio #ResidentialArchitecture #CustomFabrication #SpatialPlanning

Bekeb cocktail bar, situated within San Miguel de Allende's Live Aqua Urban Resort, is a 1,700-square-foot space designed by MAYE Estudio for acclaimed mixologist Fabiola Padilla. The design aims to blend modern mixology with deep-rooted heritage, drawing inspiration from the rugged spirit of Los Altos de Jalisco. Fabiola Padilla, recognized among the 50 Best in North America, sought to create an environment that honors her Mexican heritage, a vision shared by Maye Ruiz, founder of MAYE Estudio, whose own family history is intertwined with the ranchlands of the region. This shared background became the foundation for Bekeb's design, which reinterprets traditional ranch culture through contemporary textures, finishes, and motifs. The design of Bekeb Bar by MAYE Estudio is characterized by a sophisticated reinterpretation of Mexican cantina aesthetics, rooted in the heritage of Los Altos de Jalisco. The space incorporates artisanal collaborations, featuring warm Rosa Morada wood, plush cinnamon and deep-green velvet and chenille fabrics, and hair-on-hide leather from León. This leather, a nod to Ruiz’s hometown, wraps the bar and custom booths, accented by sleek stainless steel baseboards. Artist Rodrigo Méndez contributes to the theme by transforming traditional milk cans, symbolizing the region's dairy industry, into sculptural welcome statements placed on the bar top. Mexican workshop MARO provides handcrafted, three-dimensional ceramic tiles from Dolores Hidalgo, which adorn the walls of the bar, guest rooms, and bathrooms, bridging regional tradition with modern technology. The interior color palette, consisting of ochres, tobacco browns, and leathery cinnamons, evokes images of worn saddles and whiskey-aged wood, punctuated by vibrant accents of saturated blue and butter yellow. Monterrey-based artist Nef Espino's murals are a central feature, depicting surreal landscapes of agave fields, ranch life, and dreamscapes. These murals also subtly integrate Padilla’s past experiences as a bartender in New York, creating a visual narrative that transcends time and place. Maye Ruiz emphasizes that Bekeb’s design thrives on rich contrasts, where diverse elements coalesce into a harmonious and cohesive whole. The project was completed in a swift four months, resulting in a layered and immersive environment. Amber-tinted glassware catches the light, and the atmosphere evokes the highlands, complemented by the scents of citrus and herbs. Fabiola Padilla’s cocktail menu further enhances the experience by reimagining ancestral recipes with regional botanicals, perfectly aligning with the bar's evocative design. The murals serve as a focal point, intricately weaving panoramas of agave fields and ranch motifs into a setting that combines leather, steel, and textured tiles, presenting a refined fusion of heritage and modernity. Additional design elements include a lounge area with a rich mix of textures and tones, featuring plush green velvet chairs by Siteri, warm wood, and a sleek leather banquette. A curated palette of amber, yellow, and brown-tinted glass creates a warm glow over interior tables crafted from Rosa Morada wood with Corian tops, designed by MAYE Estudio. The bathroom features unique tiles that create an illusion of softness, inviting touch with their stone-like appearance. The terrace area is furnished with handwoven wicker lamps by Mestiz, which cast a warm sheen, alongside woven tule chairs by Sáasil, sofas by Los Patrones, and tables designed by MAYE Estudio, completing the bar’s overall design narrative. #BekebBar #MAYEEstudio #FabiolaPadilla #SanMiguelDeAllende #MexicanDesign #InteriorDesign #RanchHeritage #CocktailBar #ArtisanalCraftsmanship