Benny Blanco transforms an awkward corner with pattern

Designers are increasingly moving away from traditional, subdued tiling options, embracing bold colors, unique patterns, and varied textures to create distinctive interior spaces. This shift challenges the conventional use of standard subway tiles in kitchens and bathrooms, encouraging homeowners to infuse their personal style and vibrant hues into their living environments, even on floors. Katie Deedy of Grow House Grow, known for her narrative-inspired wallpapers, has successfully transitioned into designing cement tiles. Her Cuban heritage influenced her desire to create tiles reminiscent of those seen in family photos, but with a contemporary twist. While initially aiming for wallpaper-matching tiles, she adapted her designs to the tile format, exemplified by her cephalopod-inspired Captain Smith tile, which mirrors her best-selling wallpaper. The brand continues to prioritize nature-inspired themes, as seen in their three new tiles and the popular Otomi collection, featuring animal and floral folk art. These tiles are predominantly used on floors but are also gaining traction for backsplashes and walls, creating cohesive, patterned nooks in bathrooms. Artistic Tile, in collaboration with Michael Aram, also presents nature-inspired designs. Their Orchid Dimensional collection, a 2017 Interior Design magazine award winner for Best Wall Covering, combines innovation with natural stone. This collection showcases crystalline white Thassos marble flowers emerging from polished Bianco Carrara marble, offering a sophisticated and seductive aesthetic. Color is a significant trend, with Artistic Tile embracing vibrant palettes and mixed materials in their designs. Rachel Adler, a representative for the brand, highlights their new Fan Club mosaic glass design, which features a captivating blue ombre colorway. This design is suggested for adding a touch of elegance to wet bars or as a striking feature wall. Popham Design’s ceramic tile collection also emphasizes rich colors and playful patterns. Design editors, including Tori Mellott of Traditional Home Magazine, recommend these graphic tiles for entryways, noting their ability to set the mood and convey the homeowner's personality—whether formal, playful, artsy, or busy. Encaustic tiles, in particular, are praised for their individuality in entryways. Elle Decor editor-in-chief Whitney Robinson is particularly fond of India Mahdavi’s pink-driven collection for Bisazza, suggesting it for creating a personalized and cheerful washroom. Robinson argues that while bathrooms are utilitarian, they are also frequently visited spaces that should evoke happiness. Pink tiles, she notes, also have the added benefit of making skin appear radiant. Customization is another growing trend, allowing homeowners to create truly unique tile designs. Sarah Watson, founder of Balineum in England, specializes in small-batch custom orders. Her Hanley collection offers ceramic tiles in a dozen hand-mixed solid-color glazes, and clients can request custom glaze colors to match specific Pantone references, fabrics, or wallpapers. Watson highlights the passion customers have for finding the perfect hue, citing an instance where two brothers requested slightly different shades of blue for their shared bathroom. She suggests arranging custom tiles in graphic patterns like chevron to enhance their uniqueness. For those seeking texture and dimension, Granada Tile’s new Relief collection, launched after extensive development, masterfully combines color with unexpected tactile elements. Melanie Stephens, director of design and marketing, explains that these tiles achieve a tone-on-tone effect by contrasting a highly polished top surface with the matte finish of indented areas. Each pattern is available in four colors from Granada’s 40-color palette, with certain designs, like Tangalle, lending themselves to specific earth and rock tones. Textured tiles are also used to create futuristic and dynamic wall statements. The Tile Shop’s Yara Metal hex ceramic wall tile series, available in metallic black, silver, or white with a 3D geometric pattern, adds a reflective and conversational element. Pittsburgh designer Lauren Levant champions sculptural wavy tiles from Porcelanosa, emphasizing how textured tiles, made from materials like natural stone, porcelain, wood, metal, and glass, can introduce depth and allow light to interact beautifully with the surface. Even the classic subway tile receives a modern update. San Francisco designer Jon de la Cruz, known for the 2017 House Beautiful Kitchen of the Year, recommends Fireclay Tile’s handmade glazed thin brick. These recycled brick tiles offer texture and rich, saturated colors that suit both traditional and modern aesthetics, making them ideal for kitchen backsplashes and fireplace surrounds, adding a subtle patina while maintaining a clean and fresh look. The abundance of colorful and textural tile options makes decorating exciting, with the primary challenge being deciding where to begin. #TileDesign #HomeDecor #InteriorDesignTrends #CementTiles #NatureInspiredDesign #ColorPalette #CustomTiles #TexturedTiles #ModernTiling

This article details a DIY home improvement project undertaken by Instagram and TikTok user Crystal Lynn Boyle, also known as @Crystal_lynn_home. The project focuses on transforming a plain concrete entryway into a more inviting and visually appealing space using a stencil hack to create a brick effect. Initially, the entryway featured a colorless concrete path and plain, sepia-toned walls, along with an uninspired front door. Boyle's motivation stemmed from a desire to inject personality and color into her home's entrance, particularly as budget constraints limited other extensive renovations. The transformation began with the front door, which Boyle painted a rich, jewel-like shade of emerald green after consulting her followers. This change provided a significant visual uplift, moving from a faded door to one with considerable character. Encouraged by the dramatic improvement, Boyle extended her makeover efforts to the concrete walkway. She drew inspiration from other social media influencers who had performed similar flooring flips, ultimately deciding on a herringbone brick paint effect for her path. The process involved several detailed stages. First, the concrete surface required extensive cleaning to ensure proper adhesion of the subsequent layers. Following cleaning, Boyle applied Behr Concrete and Masonry Bonding Primer using a foam roller brush. The base layer consisted of Behr Porch & Patio Floor Paint in the color Sculptor Clay, which immediately began to change the look of the walkway. For the intricate brick pattern, Boyle utilized the Herringbone Brick Wall Stencil from Royal Design Studio. She applied this stencil with a 2-inch stencil brush, carefully dabbing Behr Porch & Patio Floor Paint in Simply White for the main brick color. To minimize paint bleed, she applied the paint from the inside of each brick outline outwards. After the initial white brick application, Boyle meticulously hand-painted individual bricks, mixing the two paint colors in varying amounts to create different shades of gray. This technique added depth, dimension, and allowed for touch-ups, making the brick pattern appear more realistic and varied. The final step in the process was to protect the newly painted surface with Behr Low-Lustre Sealer, ensuring the durability and longevity of the DIY project. The result was a visually stunning "gray herringbone" brick path leading to the emerald green front door, effectively transforming the mundane entryway into a dream-like entrance. #DIYHomeImprovement #EntrywayDesign #ConcreteTransformation #BrickStencil #HomeDecor #PaintProject #BeforeAndAfter #InteriorDesign #CreativeRenovation

The article details the creative process behind designing a "quirky without being babyish" nursery for a 19-month-old boy named Francis. His mother, Kitty Patterson, opted for painted green stripes on the walls as a budget-friendly and less permanent alternative to designer wallpaper. Instead of contrasting with plain white, the stripes use two complementary shades of green from Edward Bulmer: Verdigris and a pale blue-green called Duck Egg. This color choice was inspired by Instagram and a magazine featuring similar green tones in a kitchen. Patterson, residing in Brighton, England, determined the stripe dimensions herself but enlisted a decorator friend to execute the painting. Initially, she worried the result looked like a football uniform, but she found that adding wood toys, books, and textiles like window shades and wall hangings successfully softened the graphic lines. The nursery, typical of many older homes, has a small, boxy shape, presenting a challenge for storage. To address storage needs, Patterson repurposed an Edwardian chest of drawers for one alcove, decorating it with decoupage scenes from Noah’s Ark, which her son Francis enjoys pointing out. In the opposite corner, a changing table from a charity shop was revitalized with a fresh coat of paint and updated handles. Existing wall shelves, along with the door, radiator, and woodwork, were also painted to integrate them into the room's color scheme. Looking ahead, Patterson plans to replace the inherited crimson carpet with a thick beige one, prioritizing comfort and safety for a baby’s room where much time is spent on the floor. She reflects on the timing of the decoration, noting that a delay until Francis was almost one year old allowed for a more mature and enduring design rather than a potentially overly cutesy theme she might have chosen earlier. The current design aims for longevity, with the hope that Francis will appreciate it more as he grows older. #NurseryDesign #KidsRooms #DIYDecor #PaintedStripes #BudgetDecorating #HomeRenovation #ColorPalette #SustainableDesign #StorageSolutions

This article details the journey of Amy and Bruce Paul in designing and decorating their 11,000-square-foot home in Rye, New York, focusing on integrating their extensive art collection into a cohesive interior design. Having previously lived in a post-modern home with traditional furnishings and a growing contemporary art collection, the Pauls sought to create a new residence where the exterior architecture and interior aesthetics were harmoniously aligned with their personal taste in design and art. Their objective was to construct a home that could comfortably accommodate their family of six while optimally showcasing their practiced and perfected collection of paintings and sculptures. The couple acquired a 13-acre estate in Rye before the 2001 World Trade Center attacks, subdividing it into seven lots and reserving a two-plus-acre parcel for their own home. They collaborated with builder Michael DiChiaro to construct a six-bedroom, seven-full-bath residence that offers views of a wooded yard, later enhanced with a pool and waterfall by Coral Sea Pools, and adorned with bronze sculptures by Mexican artist Bruno Luna. For the interior design, Amy Paul enlisted Joseph R. Stabile of J.R. Cattington, who had previously worked with them. Stabile and his team were involved from the ground up, providing input on architectural design, interior finishes, electrical layouts, and lighting selection. Stabile chose a palette of cream and gold to complement the Pauls' artwork and suggested structural modifications, such as adding a doorway to improve flow in the formal living room. Amy's primary design directive was for a "light and bright" home, which was achieved in the living room through buttery gold satin-striped fabric from Robert Allen for window treatments and crystal wall sconces by Crystorama. This room serves as a gallery for various notable paintings, including works by Janet Treby, Liane Abrieu, and Russian artists. The soft color scheme is accented by silk brocade wing chairs with colorful throw pillows and fuchsia and silk rugs from China. The family room continues the luminous theme with yellow walls, a toile pattern by Antonia Vella, Seabrook wallcoverings, and similarly colored fabrics in lemon, green, and persimmon for window treatments, pillows, and side chairs. Crystal chandeliers from Murano, imported by Castilian Imports, were chosen to coordinate with paintings by Isaac Maimon and Charles Levier. The coffered ceiling in a green apple shade with cream-colored woodwork further enhances the vibrant, garden-like atmosphere. Bruce Paul's personal space, a clubby card room, contrasts with Amy's preferences, featuring dark wood paneling, built-in bookcases, a bar, and masculine fabrics. This room, separated from the family room by a stone-front fireplace, includes Biedermeier chairs with leopard-print fabric and various personal artifacts. Stabile designed the fireplace with intricately carved mahogany lions and used a Serengeti Leopard carpet to connect Bruce’s adjoining office. The Pauls' children, Joanna, Ryan, Matt, and Jason, also contributed to the design of their respective bedrooms and bathrooms, incorporating elements such as Masland Carpets, Bernhardt furnishings, and Thibaut wallpapers. The master bedroom, with its vaulted ceiling, presented a challenge in scale, addressed by Stabile using Highland Court silk brocade for a cornice "headboard" that coordinates with custom curtains. The article highlights the Pauls' passion for art collection, which began with a French artist Charles Levier painting and expanded to include works from their travels to Europe, South America, Asia, and the Southwest. Despite concerns about diminishing wall space, their quest for art, driven by personal connection and memories from their travels, continues. #HomeDesign #InteriorDecor #ArtCollection #LuxuryHome #RyeResidence #JosephStabile #CustomDesign #ArchitecturalFeatures #PersonalStyle

This article highlights the work of Brian Moloney, owner of The Finishing Company, focusing on how small architectural details can significantly enhance a home's aesthetic appeal and perceived value. Since establishing his business in 2007, Moloney has observed that classic architectural elements remain popular among homeowners. His company specializes in installing these finishing touches on-site, primarily in homes constructed within the last decade, often completing projects within one to two days. The services provided are considered "semi-custom," with elements installed primed but unpainted, as approximately 75 percent of clients prefer to handle the painting themselves. The article suggests that while these additions may not always increase a home's actual monetary value, they do contribute to its selling power and enhance the residents' enjoyment of their living space. The article then details several popular products and services offered by The Finishing Company, along with their respective costs and reasons for their demand. Moldings are a key offering, sought after for their ability to define areas, draw the eye upward to create an airy sensation, and protect walls. For instance, adding one-piece crown molding to an entire first floor of a 2,000-square-foot open-plan home is estimated at $1,100, while chair-rail and shadow-crown molding in a 14-foot-square dining room would cost around $1,350. Moloney emphasizes the enduring appeal of moldings, predicting their continued popularity. Wainscoting, characterized by its ridged paneling, is another frequently requested feature, particularly for areas like mudrooms and laundry rooms. Homeowners choose wainscoting for its design element and practical benefits, such as ease of cleaning. The cost for adding wainscoting to a single room or along a stairway is approximately $850. Mantels are also a significant part of Moloney's work, often requested by homeowners looking to cover existing brick fireplaces. These projects require custom sizing and design, as pre-milled materials are not typically usable. A custom mantel installation is priced at about $1,250. Coffered ceilings represent the most elaborate and high-end addition, offering a dramatic visual impact. This complex finish is akin to adding a cabinet to the ceiling and requires a minimum ceiling height of 9 feet for successful installation. Due to the significant amount of joinery involved, coffered ceilings are the company's most expensive project, ranging from $5,000 to $7,000. Lastly, The Finishing Company has expanded its services to include stair renovations. A common request involves replacing original builder-grade balusters with wrought-iron alternatives, and newel posts are often updated for both elegance and structural strength. Replacing 60 balusters with the popular iron twist-and-basket design takes one to two days and costs approximately $2,000. These architectural enhancements collectively contribute to a more distinguished and aesthetically pleasing home environment. #HomeDecor #Decorating #Renovation #HomeImprovement #CrownMolding #Wainscoting #Mantel #CofferedCeilings #StairRenovation

The perception of faux finishing has evolved, transitioning from a once-popular home décor trend to a more nuanced practice now referred to as decorative painting. Initially, faux finishing gained traction for its ability to transform interiors, such as making a contemporary condo kitchen resemble a Tuscan villa. However, this aesthetic eventually became associated with dated styles, leading to a rebranding of the craft. Decorative painting distinguishes itself by focusing on subtle applications and sophisticated techniques. Unlike its predecessor, which sometimes produced overtly themed environments reminiscent of commercial establishments, modern decorative painting aims for understated elegance. An example includes using subtle glazes on kitchen islands or paneled walls to add warmth and depth, rather than creating garish, overtly distressed or textured surfaces. The distinction is crucial for understanding the current relevance of these techniques in contemporary design. Today's design trends frequently incorporate finishes on various surfaces, including furniture, cabinetry, walls, and flooring. Decorative painting techniques are instrumental in achieving these desired looks. For instance, the widespread use of gray tones—ranging from blue-gray to Belgian gray—as a neutral base in modern interiors can be enhanced or achieved through specific painting methods. This color palette is prevalent across windows, upholstery, walls, and wood, signifying a departure from older beige schemes and representing a fresh, current aesthetic. Decorative painting also offers practical solutions for updating existing furniture. Heavy, dark-stained Mediterranean-style pieces, often purchased to complement Tuscan-themed interiors, can be modernized by sanding and applying new paint, tinted waxes, or contemporary gray stains. This process lightens the visual weight of furniture, altering the overall ambiance of a room without requiring entirely new pieces. The ability to refresh items like chairs and tables with paint and aging glazes transforms them into elements suitable for contemporary, elegant spaces. Conversely, a resurgence of vibrant colors from the 1970s Palm Beach style, such as Kelly green, bright yellow, coral, and turquoise, is also observed. These bold hues are featured in lacquered furniture, mirrors, and chests, making strong statements. Geometric patterns like modern trellis, Moroccan, and chevron are appearing in textiles and wallpapers. While wallpaper has traditionally been an alternative to paint, it now often complements painted surfaces, particularly textured and patterned walls, bringing them back into design focus. The article also addresses the use of stencils, which have evolved significantly due to technological advancements. Modern stencils, created with laser-cutting technology, allow for customizable designs, colors, and sizes, enabling the incorporation of intricate patterns into décor, a marked improvement from older, often simplistic stencil applications. Economically, decorative painting provides a cost-effective alternative for homeowners who may not be able to undertake major renovations. Refurbishing items such as melamine cabinets or factory-produced dining sets with paint and glazes can significantly update a kitchen or dining area without the expense of a full remodel or new purchases. The quality of DIY decorative painting products, such as Valspar’s Antiquing Glaze and Annie Sloan Chalk Paint, has improved, making these techniques more accessible for consumers. Annie Sloan Chalk Paint, in particular, is highlighted for its user-friendliness, non-toxic nature, and durability, requiring no priming and offering an easy cleanup process. This product effectively transforms older furniture pieces, such as 1990s armoires, giving them a refreshed and updated appearance. The evolution of decorative painting mirrors fashion trends, where certain styles endure as classics while others are best left in the past, positioning current techniques as versatile and timeless design tools. #DecorativePainting #HomeDecorTrends #FauxFinishing #InteriorDesign #FurnitureRefurbishment #PaintTechniques #GrayInteriors #ColorfulInteriors #DIYHomeDecor

This article explores the art of decorating with paint, emphasizing that it's more complex than a simple coat of color. It highlights the importance of thoughtful consideration in selecting paint colors to effectively transform a room. The guide delves into various factors influencing color choice, starting with the style of the room and its natural light sources. It points out that east-facing rooms receive warm morning light that cools throughout the day, while west-facing rooms experience the opposite. The article also advises considering existing furniture or decorative items that might impact color decisions and the primary time of day the room is used. For instance, a bedroom, primarily used in the evening, is better suited for dark colors, whereas a living room might benefit from lighter, airier tones. The article further elaborates on how specific colors can influence mood and atmosphere. It suggests that yellow, when used judiciously, can evoke feelings of joy, while light blue promotes a calming effect. Green is linked to nature and can help alleviate stress, establishing a connection with the outdoors. It also addresses the use of bold colors, recommending moderation to prevent them from becoming overwhelming. The advice is to balance vibrant hues with neutral tones, especially on walls, to allow for colorful accents in accessories like lamps, pillows, and blankets. This approach ensures that bold elements enhance rather than dominate the space. Another key aspect covered is embracing dark colors. While initially perceived as intimidating, dark colors are presented as adding significant personality to rooms, distinguishing them from plain white or light shades. The article encourages a full commitment to dark colors, advocating for painting all four walls rather than just one, and avoiding half-measures. It emphasizes incorporating accenting colors when using dark neutrals like grey, navy, black, or brown, noting that many colors can complement them effectively. Finally, the article stresses the importance of maintaining cohesion throughout a home. While each room can have its unique character, it's recommended to tie them together with subtle continuities. Using complementary colors where rooms connect is suggested as a method to ensure a harmonious flow and prevent spaces from appearing disjointed. The article serves as a comprehensive guide for homeowners looking to make informed decisions about paint choices, mood-setting, and overall home aesthetic. #InteriorDesign #PaintColors #HomeDecor #ColorPsychology #RoomMood #DecoratingTips #AccentColors #HomeCohesion

Porcelanosa, a Spanish brand, has introduced a new marble-effect surface material called Paonazzo Biondo. This product is designed to serve as both a wall covering and flooring, offering versatility for various interior applications. As part of Porcelanosa's XTone series, Paonazzo Biondo features an ivory base adorned with intricate veining in shades of gold, caramel, sage, and deep merlot red. Beyond its primary use as wall and floor coverings, the material can also be applied to countertops, tables, and other furniture pieces, providing a cohesive aesthetic throughout a space. According to Juan Bodi, Porcelanosa's managing director, the development of Paonazzo Biondo was made possible through innovative digital printing techniques. This approach allows the product to evoke a sense of palatial grandeur while maintaining a contemporary appeal. Bodi highlights that this series offers extensive possibilities for creating unique and distinctive interior environments. The sophisticated design and flexible application are intended to meet diverse design needs and preferences. Environmental sustainability is a key aspect of Paonazzo Biondo. The surfaces are manufactured using 40 percent recycled materials, and they are also fully recyclable at the end of their lifecycle. This commitment to sustainability aligns with modern demands for eco-friendly building materials. In terms of durability and maintenance, Paonazzo Biondo is engineered to be resistant to water, scratches, and stains. These characteristics make it particularly well-suited for high-traffic and moisture-prone areas such as bathrooms and kitchens, where longevity and ease of care are crucial. Paonazzo Biondo is available in panels of four different formats, accommodating various installation requirements and design visions. Customers can choose between silk or polished finishes, depending on the desired aesthetic and tactile experience. A notable feature of the installation process is the ability to create an "infinite horizontal continuous design." This means that the marble-like veins on adjacent panels are meticulously aligned to ensure a seamless transition, resulting in a cohesive and visually uninterrupted surface. This attention to detail enhances the natural appearance of the marble effect. Porcelanosa is a member of Tile of Spain, an association representing 125 Spanish tile manufacturers. This affiliation underscores the brand's position within a collective of reputable tile producers, known for quality and innovation in the industry. The introduction of Paonazzo Biondo demonstrates Porcelanosa's ongoing efforts to combine aesthetic appeal, functional performance, and environmental responsibility in its product offerings for contemporary interior design. #Porcelanosa #PaonazzoBiondo #SurfaceMaterial #MarbleEffect #InteriorDesign #WallCovering #Flooring #SustainableMaterials #HomeDecoration #XToneSeries

This article details the extensive renovation of a beachside home on Sydney’s Lower North Shore by interior designer Sara Horvath of Studio George, in collaboration with architect Tim West. The homeowners, a couple with two children, sought to transform their previously clinical and disjointed house, which featured a warehouse aesthetic of polished concrete and exposed iron, into a harmonious and welcoming space ideal for entertaining. The property's prime location was the main draw, prompting the family to undertake the renovation upon their return to Australia after living in Singapore for five years. The primary challenge of the renovation was to address the home's fractured layout, particularly the awkward connection between the original structure and an old extension. The owners expressed a desire for improved flow and maximized usable space, as certain areas of the house were previously underutilized. Horvath and West tackled this by making significant structural changes, including squaring off a confusing dog-legged entrance to create a clear and direct path through the home. They also repositioned the staircase to facilitate smoother transitions to the rear living areas. The renovated home spans four levels. The entry hall now features a green console, leading to a media room popular with the children and a secondary study accessible via a glass sliding door, ensuring ample natural light. Further into this floor are two bedrooms separated by a shared bathroom, situated on a split-level, tiered bridge. A stringer staircase descends to the lower ground floor, where a central living zone and kitchen are located beneath a double-height void. This architectural feature, mimicking the island's shape, replaced previously dead space, creating an open and natural ambiance that enhances the feeling of connection to the outdoors. A key design strategy to visually expand the dining area involved extending the indoor flooring seamlessly into the alfresco entertaining space with matching tiles. This optical illusion makes the dining area appear significantly larger, fulfilling the owners' desire for a beautiful entertaining space. The top floor was transformed into a private parents' suite, complete with a spa-like bathroom and a wardrobe ingeniously carved from the former roof space. A new window in this suite offers views of the beach and surrounding bushland, establishing a serene connection to nature and providing a peaceful retreat for the parents. Material selection played a crucial role in achieving the desired aesthetic. Inspired by the "beautiful tones of travertine" the owners admired in Singapore, Sara Horvath opted for a tight palette focusing on timber and marble in neutral, creamy tones. This choice created a calm and cohesive backdrop that complements the lively atmosphere of a family home and its beachside setting. The design successfully integrated a modern Mediterranean beachside feel, balancing functionality with an inviting, elegant environment suitable for family life and frequent entertaining. The project team included Studio George for interiors, THW Architects for architecture, and Red Cedar Constructions for building. #HomeTours #Renovation #InteriorDesign #ModernMediterranean #IndoorOutdoorFlow #SydneyHomes #FamilyHome #ArchitecturalRedesign

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

Interior decorator Starrett Zenko Ringbom and artist Happy Menocal collaborated on a whimsical, hand-painted mural for the entryway of Ringbom’s Upper East Side Manhattan apartment. Their working relationship, which began with Ringbom's branding materials, evolved into a friendship, making them an ideal creative pair due to their shared bright, playful aesthetics and willingness to take design risks. Ringbom expressed implicit trust in Menocal's understanding of her aesthetic point of view. The mural serves as a central focal point in the newly redecorated two-bedroom residence, which exudes significant character. The design inspiration for the home, and consequently the mural, stemmed from bold hues and the surrealist design of a Fornasetti umbrella stand situated in the entry. Ringbom describes her interior decor theme as neo-traditional, envisioning an Italian aristocrat who, after facing financial hardship, moved into a smaller pre-war apartment but still sought to live grandly and eccentrically. This concept underscored her desire for a mural in the entry. Ringbom was committed to realizing her dream of a tailor-made, hand-painted entry, emphasizing that small spaces should not limit style. She cited the entrance to L’Institut Guerlain, designed by Jean-Michel Frank with wall murals by Christian Berard, as a long-standing inspiration for her own mural project. The collaboration with Menocal involved incorporating themes from the rest of the home into the personalized painting. Menocal noted that Ringbom’s apartment and overall aesthetic blend "zippy Italian mid-century" with "classic old-guard formality." To honor this, and Ringbom's admiration for writer and illustrator Ludwig Bemelmans, Menocal integrated elements like topiary and cypress trees to evoke an Italian feel, alongside stylized color fields and a limited palette for a 1960s mod touch. The resulting mural is a spirited, celestial depiction of Ringbom and her family, featuring ethereal foliage and a muted background. Each family member is represented in portrait-painted medallions, reminiscent of characters from Bemelmans’ famous creation, _Madeline_. Achieving her vision of luxury and customization, Ringbom encourages others to consider mural painting in their own homes. She suggests it as an excellent alternative to wallpaper for spaces like entries or powder rooms. Ringbom advises embracing bold design choices, stating that "half-measures and fear will only restrain what could be glorious. Be brave!" The article highlights how a personalized artistic element can transform a space, making it both unique and deeply reflective of the homeowner's personality and inspirations. #InteriorDesign #MuralArt #EntrywayDecor #PersonalizedDesign #HomeDecor #ArtistCollaboration #UpperEastSide #NeoTraditional

Interior design, often perceived as complex with rules like the color wheel, kitchen triangles, feng shui, and trompe l'oeil, can be simplified to prioritize comfort, function, and personal preference. A 'vignette,' essentially an artfully styled area, is a key concept that, when broken down, offers a straightforward approach to enhancing home spaces. London-based interior designer Rebecca Constable has introduced an easy-to-implement design formula centered on the principle that wherever there is a chair, there should also be a table and a lamp beside it to create a thoughtful and functional vignette. This principle, while not entirely new, offers clear, designer-approved guidance for homeowners. Constable emphasizes that for every chair, a table should be within arm's reach to hold drinks and snacks, and for every table, a lamp should be present to provide soft, warm lighting. This 'Chair + Lamp + Table' formula aims to create a comfortable ambiance, preventing rooms from feeling like sterile waiting areas. The versatility of this design math extends beyond the living room and is applicable to any space in the home, regardless of style or taste. For instance, in a kitchen, a small bistro table paired with a chair can create a functional cafe corner for coffee or wine. The core idea is that every seating option, whether a sofa, armchair, or occasional seat, should be accompanied by a surface. This surface can range from a substantial side table to a small antique stool or a cocktail table, which can be moved as needed. The addition of a lamp is crucial for creating ambiance and providing task lighting, making it possible to read or work comfortably without relying solely on harsh overhead lights. Lamps can include wall sconces, table lamps, or floor lamps, and for areas without nearby outlets, rechargeable lamps are a practical solution. The goal is to avoid the 'big light' and instead use localized lighting to foster a cozy atmosphere. This approach is a clever form of zoning, maximizing under-utilized corners and ensuring that every seating area has a dedicated surface and appropriate lighting. It contributes to a more intentionally designed space where every need is considered. Interior designer Kathy Kuo supports this time-tested vignette formula, highlighting its effectiveness in creating versatile styled spaces perfect for reading, working, or enjoying a beverage. She particularly advocates for its use in unused spaces and tucked-away corners to make the most of square footage, which is especially beneficial for small rooms and helps in avoiding common living room design mistakes. Nastassja Bowman, an interior designer at Kristen Elizabeth Design, also champions this concept, referring to it as the 'ultimate solution for a reading nook or bare corner with too much space.' She notes that grouping items in threes, a principle often referred to as the 'rule of three,' is effective for creating eye-catching, dynamic, and balanced arrangements. This design principle ensures a curated look while remaining highly practical. Beyond the lamp, the table can also accommodate decorative objects such as a vase of flowers, a candle, or a stack of magazines, provided there is still ample space for a mug. Ultimately, the chair-lamp-table vignette is a simple yet effective method to style unused corners, adding purpose and design without requiring extensive space or new purchases, promoting a comfortable environment for relaxing and hosting. #InteriorDesign #HomeDecor #VignetteFormula #LivingRoomDesign #FurnitureArrangement #LightingDesign #FunctionalSpaces #SmallSpaceSolutions #RuleOfThree

This article highlights a unique interior design project by Clive Lonstein in Litchfield County, Connecticut, transforming a late 1800s Colonial Revival home with a distinctive turret. Lonstein, a designer who previously worked for William Sofield, opened his own studio in 2016. His clients requested bold color, comfort, and an interesting backdrop for their growing art collection, seeking a bespoke design tailored to their tastes. Instead of extensive structural renovations, Lonstein focused on a decorating approach, embracing the architectural personality of the house designed by Ehrick Rossiter, known for his whimsical country homes. Lonstein emphasized the importance of context in his projects, subtly infusing the unique characteristics of the location into the design. The project involved a vibrant use of color, beginning with a candy apple-red front door, an aubergine staircase, and a bubblegum pink kitchen. The sitting room features moss-hued paint, reflecting the clients' desire for the rich colors often seen in English country houses. The living and dining rooms, however, maintain a white base to allow a diverse collection of art and furniture to stand out. Lonstein skillfully integrated the clients' existing furniture, reupholstering pieces and adding new ones. For instance, the living room showcases paintings by Sophie Larrimore, Caitlin Keogh, and Mary Grigoriadis alongside a reupholstered 1950s sofa, chairs by Sergio Rodrigues, and a game table and chairs by George Nakashima. In the library, a vintage Viggo Boesen chair upholstered in sheepskin complements a sofa, with table lamps from Bitossi and a desk and chair by Mira Nakashima. Upstairs, the color scheme continues with a chartreuse bathroom and a collegiate blue bedroom, echoing the hue of an Yves Klein table downstairs. Lonstein’s favorite space, the round turret room, is bathed in a dusty pink that harmonizes with the original elaborate moldings and serves as a backdrop for a richly-hued photograph by Vik Muniz. A collaborative effort with the client’s art advisor, Bridget Murphy, ensured the seamless integration of the art collection into the design. In the dining room, another Vik Muniz photograph after Gustave Courbet enlivens the neutral space, which includes sheepskin-upholstered vintage Saarinen chairs, a Noguchi light, and a 1950s Martin Eisler caned credenza. Lonstein's approach, despite his personal aspiration to minimalism, is characterized by an appreciation for the idiosyncratic, demonstrating his talent for cohesively blending diverse elements and client preferences into a unified and vibrant interior. #CliveLonstein #InteriorDesign #ConnecticutHome #VictorianArchitecture #BoldColors #ArtIntegration #EclecticDecor #HomeRenovation #DecoratorProject

Frances Merrill, an acclaimed interior designer based in Los Angeles, known for her vibrant use of color and pattern, undertook the transformation of a turn-of-the-20th-century Craftsman-style house for a family of five. With a background rooted in Greenwich Village and professional experience at Commune Design, including work on projects like the Ace Hotel Palm Springs, Merrill established her own firm, Reath Design, in 2009. Her design philosophy emphasizes decorating with vivid colors and lively patterns. The primary challenge of this project involved addressing the home's low-lying and slanted ceilings, which contributed to darker interiors. Merrill strategically utilized a rich and glowing palette of pigments to introduce light and brightness. For instance, the entryway was painted in a violet tone, the powder room in a peachy pink, and the living room in a sea glass blue. This approach ensured that, with the exception of the naturally well-lit sunroom and kitchen, every room in the house received an illuminating shade. Merrill noted that this bold use of color was both liberating and daunting, serving to compensate for the lack of natural light with a boost of spirit. A distinctive aspect of Merrill's design is her confident application of varied patterns and her skill in combining unexpected textiles. This is evident in her choice of Fornasetti floral wallpaper for the playroom and a fresh flora-and-fauna print for the master bedroom. Her design mastery is particularly highlighted by her ability to layer even more audacious art and textiles, such as faux bois upholstery, motion photography, and deep-hued fabrics, without overwhelming the space. She advises a balanced approach to patterns, suggesting a mix of florals, graphics, unexpected textures, and stripes. Merrill also humorously noted that interiors tend to look better after being lived in, suggesting a relaxed approach to perfection. Through her innovative use of color to brighten dim spaces and her adept layering of diverse patterns, Merrill successfully modernized a historic Craftsman home. The project demonstrates how strategic paint choices can counteract architectural limitations like low ceilings, making spaces feel more open and vibrant. The home, originally featured in the Spring 2016 issue as "Color Shift," stands as a testament to Merrill's ability to infuse historical homes with contemporary flair and personal character. #InteriorDesign #HomeRenovation #ColorPalette #CraftsmanHome #TextileMixing #PatternPlay #LosAngelesDesign #FrancesMerrill #DesignInspiration

Anthropologie's latest collaboration with London designer Bethan Gray is poised to introduce scallops and zigzags as the next prominent design motifs. The 14-piece collection, launching tonight, features these two distinct patterns across various home furnishings and accessories. The article highlights several items from the collection, including upholstered dining chairs with zigzag patterns, sculptural side tables with carved zigzag bases, velvet accent chairs with scalloped backs, and a teal rug with scalloped edges. These designs are presented as sophisticated and inviting additions to home decor. The inspiration for these geometric forms, according to Bethan Gray, comes from natural landscapes observed during her travels. The scallop shape is an abstraction of the feather motif, which she notes is significant in various cultures globally, from Pakistan and Polynesia to European heraldry. The zigzag design, conversely, is derived from the natural veins and markings found in marble and stone. This organic origin ensures that the geometric patterns feel neither cold nor uninviting. The collection showcases the versatility of these shapes. For instance, zigzag patterns appear subtly on a pink file holder, and more boldly as gold lightning bolt-like designs on a white storage cabinet. The designer expresses confidence in the growing popularity of graphic patterns in design, stating that they are effective for storytelling within craft and design, suggesting a trend towards more expressive and narrative-driven decor. The article includes specific product examples with pricing and direct shopping links, such as the Strike dining chair, the Sculptural side table, the Feather velvet dining chair, and the Feather rug, offering readers immediate access to the featured items. It also briefly mentions other appealing items from the collection, like marbleized desk sets, which, while not featuring the main motifs, complement the overall aesthetic. The collaboration aims to bring fresh, nature-inspired geometric designs into contemporary home interiors, making a statement with their unique and meaningful origins. #Anthropologie #BethanGray #HomeDecor #InteriorDesign #ScallopPattern #ZigzagPattern #GeometricShapes #DesignTrends #FurnitureDesign

The article showcases 'Lip,' a conceptual coffee table designed by 3D designer Deniz Aktay, which reinterprets the traditional coffee table by integrating additional storage and a distinctive aesthetic. Aktay, known for his rendered designs, utilized Maxon's Cinema4D and Corona Renderer to bring this concept to life. The 'Lip' coffee table draws inspiration from a can, featuring a unique split in its tabletop. This central opening divides the table surface into two distinct parts, each with a lipped edge, creating practical space for neatly storing items such as books or magazines. This design element not only offers functional storage but also hints at a larger, hidden storage compartment within the table's base. Aktay's design philosophy for 'Lip' is rooted in the idea of a container whose contents seemingly wish to emerge. He explains that the design aimed to provide a low tabletop with easily accessible book storage, allowing the stored items to be readily seen and retrieved. The construction of the 'Lip' coffee table is characterized by its simplicity and minimalism, despite the complex steam bending techniques that would be required for its physical production. The table is composed of two primary elements: a base and a tabletop, and utilizes two main materials: aluminum and plywood. The metal aluminum base is designed to follow the contours of the wooden top, providing support for the two plywood sections and the items stored within the lipped edges. Aktay deliberately chose bent plywood for the tabletop, despite metal being an easier material to bend, to achieve a more natural surface feel. This choice underscores his commitment to balancing aesthetics with practical considerations. The article emphasizes how minimal interventions can yield significant results in design, highlighting that a simple cut and bend can transform a basic coffee table into a piece with enhanced storage options, varied surface hierarchies for display, and a strong creative flair. Furthermore, the article discusses the impact of hyperreal rendering in modern design. This technology enables designers like Aktay to visualize and iterate on experimental concepts rapidly and effectively, opening new avenues for 3D design exploration. Aktay details his creative process, noting that while the initial design idea for 'Lip' emerged quickly, the subsequent task of refining the 3D shape to achieve the most visually pleasing outcome took time. Following this, selecting appropriate textures and lighting was crucial for creating a convincing rendering. He estimates that the entire process, from conceptualization to the initial visualization, took approximately three hours, underscoring the efficiency that advanced rendering tools bring to contemporary design workflows. #FurnitureDesign #ConceptDesign #InteriorDesign #LifestyleDesign #VirtualReality #DenizAktay #CoffeeTable #3DRendering #ProductDesign

Cheyenne Concepcion, a Filipino American artist, is re-examining the cultural heritage of the Peacock chair through her new furniture collection, Reclaim. The Peacock chair, widely recognized in popular culture through album covers and famous portraits like that of Huey Newton, has a largely unknown origin story. Concepcion discovered that the chair originated in the Bilibid Prison in Manila in the early 1900s, where incarcerated individuals made it as part of "rehabilitation" programs under American colonial rule. This revelation deeply resonated with Concepcion, leading her to explore this obscured history through her design practice. Her work aims to reclaim the chair's narrative and position it as an expressly Filipino American design. The article highlights that basketry has a long history as a national symbol in the Philippines, with Indigenous crafts utilizing woven rattan and bamboo for various items. However, the rise of rattan furniture, including the Peacock chair, was a direct consequence of American colonialism from 1899 to 1946. The colonial government marketed these prison-made rattan products, including the Peacock chair, as "smart and serviceable." When the chair arrived in the United States, it was often presented with an exoticized narrative, depicting it as a symbol of fictional royalty from distant lands, completely disconnecting it from its actual origins and the labor of incarcerated Filipinos. Concepcion's collection, Reclaim, was launched at WantedDesign and aims to modernize the Peacock chair while celebrating Filipino American identity. She describes her ambition as inventing a new style, not just designing furniture. Concepcion seeks to address the hierarchy of cultural recognition within Asian cultures, noting that the Philippines has often been overlooked due to colonization and assimilation, leading to a loss of connection to Indigenous heritage. Her goal is to bring visibility to the Filipino story through design. The collection includes pieces like the Doña Lounge Chair, which reimagines the Peacock chair's archetypal hourglass shape by lowering it, relaxing its posture, and expanding its material palette to include wood, brass, and steel. Concepcion explains that the design is autobiographical, celebrating femininity and portraying the chair as suitable for a queen or matriarch, incorporating brass accents for a more feminine touch. Other pieces include the Coco Nesting Set, featuring nesting stools with powder-coated steel legs that echo the Peacock chair's shape, and the Lolo Mirror, a bronze-tinted smoked mirror inspired by her stargazing grandfather and incorporating a "cane sandwich" technique. The Anak Totems are sculptures made from bent metal wire and woven caning, inspired by Philippine basketry presented at the 1915 Panama Pacific exhibition. Concepcion plans to continue experimenting with the combination of steel and cane, pushing the boundaries of this design application to further develop a distinct Filipino American design style rooted in a re-evaluated historical context. #FilipinoAmericanDesign #PeacockChair #RattanFurniture #CulturalHeritage #CheyenneConcepcion #DecolonizingDesign #FurnitureDesign #WantedDesign #DesignHunting