
HOME DESIGN; A FLIGHT OF FRENCH PROVINCIAL FANTASY (Published 1984)
This article details Howard Kaplan's ambitious project of transforming a plain Connecticut cottage into an 18th-century French country house. Kaplan, owner of Howard Kaplan's French Country Store and a designer of French-style home furnishings, sought to recreate European charm within a few hours' drive from Manhattan. He approached this transformation not by finding an existing French chateau, but by extensively remodeling an American property, drawing on his 150 buying trips and travels through the French provinces.
The renovation began with a complete gutting of the original structure, extending even to alterations of the facade. Windows were imported directly from various regions of France, and a wood railing from a Normandy churchyard was repurposed for the exterior, demonstrating Kaplan's commitment to authentic detail sourced from what he refers to as 'junk piles.' The interior's focal point is a two-story living room featuring a 22-foot-high ceiling and a 17th-century wooden staircase leading to a second-floor balcony. This space is furnished entirely with 18th-century French country pieces, many upholstered in vibrant ginghams. An example is the 'corbeille' or basket-shaped sofa, known for its tall, curved back. A brass chandelier, originally a Style Hollandaise, a form popularized in 17th-century France from Dutch designs, hangs centrally in the room.
Kaplan's inspiration extends to every room, often stemming from distant places that captivated his imagination. For instance, the large master bathroom features a black and white tile pattern replicated from a Parisian patisserie, which he couldn't bring back physically. However, many elements in the bathroom were directly imported, including an 1850s copper tub, a porcelain dressing table with brass feet, a porcelain sink, and 19th-century shiny brass fixtures. To enhance the romantic atmosphere, a trompe l'oeil ribbon pattern was painted on an arched wall, and baseboards were decorated to mimic marble.
A new kitchen wing was constructed, designed with architectural similarities to Normandy houses, incorporating visible wood beams that define the room's lines. The kitchen's furnishings and accessories represent a blend of French and English influences, with several ideas borrowed from the Royal Pavilion at Brighton. Notable features include a large central clerestory, similar to Brighton's but without the iron columns, and large hanging lights that resemble those at the Royal Pavilion, complete with their original drip pans. Another unique piece is a Louis XVI marriage bed, found in a guest room, which features double entwined hearts carved into its headboard, acquired from a woman in Normandy. Kaplan acknowledges that his creation is largely a fantasy, noting that true French country houses don't quite look like this, and that American perceptions of European country styles often involve grand interpretations, with 'the whole world' serving as his catalog.
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