An East Village Brownstone Where Every Floor Encourages a Different Energy

When Kate Yearwood Young and her husband acquired a 2013 Georgian-style townhouse in Boerum Hill, Brooklyn, they enlisted Frederick Tang Architecture for a design refresh. The 3,500-square-foot home, while livable with high ceilings and two terraces, suffered from a vexing layout and bland, new-build finishes, including faux-Colonial detailing, an Italianate-style iron staircase, and chrome hardware. The clients sought a modern aesthetic, a stark departure from the existing colorless palette. The architects, Frederick Tang and Barbara Reyes, approached the project as a cosmetic refresh rather than a gut renovation, allowing for more focus on design-oriented elements and a personalized budget allocation. Upon closing in November 2020, Tang and Reyes began transforming the five-story house and cellar into a cohesive, multi-hued environment. Their vision drew inspiration from the organic forms of late ceramicist Valentine Schlegel, evident in the sculptural modifications made throughout the home. The builder-grade stair rails were replaced with curved plaster masses, reeded glass, and brass trims, creating a sinuous, tactile staircase. Similarly, the fireplace in the foyer was reimagined in plaster, serving as a sculptural anchor that visually connects to the colossal ceiling height. These dramatic architectural interventions allowed each floor to develop its unique character. The design incorporates a rich color palette of black, cream, peacock blue, rust, oxblood, mulberry, wine, and blush, complemented by brass fixtures. The client, Kate Yearwood Young, known for her keen sense of style and appreciation for color, specifically requested a deep, not-too-bright red. Beyond significant structural changes, the project involved more minimal spatial adjustments and aesthetic enhancements. The small fifth-floor penthouse was converted into a dedicated home office, flanked by terraces, and custom millwork featuring a wet bar and bench was added to the second-floor landing. Further bespoke details include the dining room's inset ceiling, which was rounded into a curved cove, housing an Art Deco brass and marble chandelier. This chandelier overlooks a large painting inherited from the clients' grandmother, highlighting the integration of personal heirlooms. Other furnishings, such as their grandmother's L-shaped Selig modular sofa, were reupholstered in Knoll's Rebel fabric, retaining sentimental value while updating the aesthetic. Antiques, including a stone and brass dining table, a 1960s Italian chandelier in the powder room, and a 1970s DIA glass and brass swivel table, were sourced to contribute to the home's layered character. The architects also procured pieces from local Brooklyn vendors, as well as from Mexico and Portugal, resulting in a design that artfully blends global and historical influences into a contemporary and cohesive space. The kitchen's existing cabinetry was retained, but the island was replaced with a custom piece by Casa Quieta, and a Hurricane Black marble backsplash was installed against the crème millwork. The five-story home's vertical organization is emphasized by the bold staircase. The fifth-floor landing, which leads to the work-from-home space and rooftop gardens, features hand-painted botanical wallpaper from Artemest and an Anna Karlin Arc pendant. The penthouse bar and powder room are clad with Breccia Pernice marble from Verona, Italy, which offsets the painterly wallpaper, contributing to the home's dramatic and moody interior design. #BrooklynBrownstone #InteriorDesign #FrederickTangArchitecture #ResidentialDesign #DramaticInteriors #MoodyInteriors #PlasterSculpture #CustomMillwork #VintageAccents

Lisa Tharp's design firm often undertakes renovation projects, but for a specific residence on Beacon Hill, the team encountered a property that had already undergone a thoughtful gut renovation in 1900. This pre-existing modernization aligned well with the new homeowner's design preferences. The client desired a calm, relaxing interior with a minimalist sophistication, integrating existing cherished pieces while creating a fresh aesthetic. Crucially, the interior design needed to complement her extensive collection of modernist and contemporary art. The residence's curved bow windows offer panoramic views from the state capitol to Back Bay, a feature the client particularly admired. Tharp and her team drew inspiration from the rich wood tones in the library and subtle violet hues present in artworks by Alex Katz and Sol LeWitt to establish a soft and nuanced color palette throughout the home. Tharp also provided expert consultation on potential new art acquisitions, ensuring that any additions would seamlessly integrate with the existing collection and enhance the overall artistic coherence of the space. This collaborative approach underlined the significant role art played in unifying the design elements. The selection of furniture was heavily influenced by the client's collector's sensibility, with each piece chosen for its sculptural quality to harmoniously interact with the artwork displayed. This approach created an environment reminiscent of an art gallery, where furniture and art engage in a continuous dialogue. The design deliberately incorporated a blend of historical eras and influences, such as 1930s French art deco dining chairs and a contemporary settee paired with a vintage floor lamp beneath a Picasso in the library. This eclectic mix was intended to imbue the home with a sense of history, character, and timelessness, making it feel lived-in and deeply personal. To ensure the home immediately felt familiar, some of the client's personal belongings were incorporated into the new design. Rugs were resized to fit their new spaces, and a beloved patterned velvet from a chaise lounge was repurposed to adorn the library's window seat. A significant challenge arose with an oversized sectional from the client's previous residence, which was too large for the living room and obstructed adjoining areas. Tharp's team ingeniously relocated the sectional to the family room, reconfigured and reupholstered it, transforming it into a modular seating arrangement. This creative solution allowed the client to retain her comfortable, cherished piece while achieving a more open and elegant layout in the formal living room. Tharp's ability to address such design challenges, including the bold decision to modify a client's treasured possession, stemmed from the strong trust she had built with the homeowner. The client, described as an accomplished woman with a warm and flexible yet refined personality, shared Tharp's appreciation for good design and magnificent art. The interior design successfully mirrored the client's identity, reflecting her support for the arts and her discerning taste. Even the client's French poodle, often found lounging on the curved living room sofas by French designer Jean-Louis Deniot, seemed to appreciate the exquisite design. The project’s success is attributed to the synergistic relationship between the designer and the homeowner, resulting in a residence that is both aesthetically pleasing and deeply personal. #BeaconHill #InteriorDesign #HomeDecor #ArtCollection #Renovation #LuxuryHomes #LisaTharp #ModernistArt #EclecticDesign

This article showcases a collection of historic brownstones in New York City, primarily located in the West Village and Brooklyn, which are currently on the market. These properties range from classic 19th-century townhouses to modern eco-friendly homes, each offering unique architectural styles, luxurious amenities, and captivating interior designs. The article highlights several distinct brownstones, detailing their features, prices, and locations. The first property presented is a renovated brownstone on the Upper West Side, priced at $23 million (£17.8m). This 25-foot wide, six-bedroom residence spans six floors, featuring two entrances and an elevator. Its main living area boasts 13-foot-high ceilings, ornate plaster moldings, a marble fireplace, Venetian-glazed walls, and original wooden shutters. The modern kitchen is equipped with two sinks, three ovens, a wine fridge, a center island, and oversized French doors leading to a 50-person patio. Additional features include a fully equipped gym, a 2,000-bottle wine cellar, and a butler's pantry. Next, an eco brownstone in the Upper West Side is featured, valued at $13.5 million (£10.5m). This property has been renovated to achieve passive house status, incorporating triple-glazed windows and a sophisticated ventilation system. Its interior is characterized by dark wood, white walls, and minimalist furnishings, with an 11-foot-high ceiling in the living room, an ethanol-burning fireplace, and floor-to-ceiling windows overlooking a garden. The kitchen, located on the entry level, includes high-end appliances, a Caesarstone center island, and ample storage. The entire third floor is dedicated to the master suite, which comprises a luxurious marble bathroom with a standalone bathtub, dark wood units, a reading nook, a private balcony, and two walk-in wardrobes. Another property is a restored brownstone built in 1887, also priced at $13.5 million (£10.5m), featuring seven bedrooms, five bathrooms, and seven fireplaces. The interior is tastefully decorated with wooden floors and a neutral color scheme, highlighted by a formal living room with floor-to-ceiling windows and a stone fireplace. The master bedroom, situated on the second level, includes an en-suite bathing room with a large fireplace, stained-glass windows, and a centrally placed tub. A games room with a modern pool table and a fireplace with yellow brickwork is also part of this residence. A Queen Anne brownstone, available for $8.8 million (£6.8m), has been restored to combine original features like arched doorways and soaring ceilings with a vibrant, modern interior. The dining and living area connects to the garden via three floor-to-ceiling French doors. A unique living area with 30-foot-high ceilings houses a library wall with a ladder and is adorned with colorful furnishings and abstract art. The master bedroom on this property has a peaked ceiling, a skylight, built-in wardrobes, and a bathroom with heated granite floors and a steam shower. An Upper East Side townhouse, priced at $5.4 million (£4.2m), offers a six-bedroom, five-and-a-half-bathroom layout with pre-war style and modern amenities such as built-in security and air conditioning. Its living area features parquet flooring, a carved fireplace, and sliding doors leading to a garden. The house includes two kitchens, with the ground-floor kitchen showcasing green marble worktops and country-style units. The master suite is equipped with a jacuzzi bath and steam shower. A five-story brownstone in Hamilton Heights, at $3.9 million (£3m), boasts 4,500 square feet, five bedrooms, and five bathrooms. Its parlor level has two large entertaining rooms, one in vivid yellow and another a piano room with an en-suite. The master bedroom on the second floor has a jet shower, walk-in wardrobe, built-in office, and two oak fireplaces. The third floor includes two additional bedrooms with en-suite bathrooms, one featuring skylights and 'his-and-hers' sinks. Finally, a modern brownstone house in Brooklyn, also at $3.9 million (£3m), has been recently renovated across four floors, including a penthouse and a finished basement, with a 1,000-square-foot garden. The parlor floor hosts a stylish kitchen with a stone-center island and high-end appliances, leading to a sitting area with glass doors opening to a deck and garden. The master suite occupies the entire third floor, featuring a large bedroom, 'his-and-hers' walk-in wardrobes, and a master bathroom with three large windows. The home also includes two separate laundry rooms, air conditioning, and surround speakers. These showcased brownstones illustrate a range of historical elegance, modern luxury, and eco-conscious design, providing inspiration for diverse tastes in home ownership. #NewYorkCity #BrownstoneHomes #LuxuryRealEstate #HistoricHomes #HomeDesign #InteriorDesign #EcoFriendlyHomes #PropertyMarket #Architecture

Alexandra Barker, principal of Barker Associates Architecture Office (BAAO), spearheaded the transformation of an Italianate-style brownstone, originally built in 1868, located on a serene, tree-lined street in Brooklyn's Boerum Hill neighborhood. The homeowners, a couple with a young son, sought to create a colorful yet zen family home, envisioning a design characterized by moody interiors. The project, spanning 278 square meters across four levels, presented an opportunity to implement a comprehensive design scheme, including art and objects. The renovation faced challenges, notably a two-year timeline that commenced in the fall of 2020, coinciding with the height of the COVID-19 pandemic. This period was marked by significant delays in overseas shipments and material availability, necessitating compromises throughout the design process. Despite these obstacles, Barker and the homeowners demonstrated dedication, making multiple trips to stone yards to select appropriate materials for the main living areas, ultimately achieving a successful outcome. A central feature of the brownstone is the kitchen, which serves as a visual counterpoint to the richer tones found elsewhere. It incorporates a deep fluted plaster arch with a bar area illuminated by vintage French smoked glass sconces. Custom cabinets crafted from Calacatta Vagli Viola marble complement an island painted in Farrow & Ball’s Jitney, a relaxed and earthy hue. The dining corner features a curved pantry cabinet and a pale oak dining table from Maiden Home, surrounded by Giraffe chairs designed by Juliana Lima Vasconcellos. A trio of hand-blown glass forms by Bomma creates a focal point above the dining area. For the media room, situated on the garden level, Barker selected Calacatta Monet marble, paired with walls painted in a deep aubergine. This space is furnished for comfort with a sectional sofa and a barrel chair upholstered in chartreuse velvet. To facilitate transitions between the front and back of the house, textured materials like plaster and white oak tambour were used. The color palette throughout the home was inspired by the natural variations in stone, incorporating soft curves to echo existing architectural elements such as the stair and arched front door, and to soften the typical rectangularity of brownstone spaces. Each room in the house possesses a distinct character. The entry, for instance, is enveloped in Farrow & Ball’s Green Smoke, featuring a green and pink checkerboard floor. The light-filled parlor, acting as a pause point within the moody interior scheme, showcases a gold-painted relief by Andrew Zimmerman and Cloud Support by Mike Hansel above the original marble mantel. A Julep sofa and Galatea armchair define the seating area, accompanied by two marble tables and a curvy rug from Hatsu, based in Mumbai. The predominant color scheme throughout the house consists of various greens, purples, and mushroom tones, chosen to harmonize with the selected stone materials. The second floor houses the primary suite, characterized by soft lavender plastered walls and stained oak elements. An arched closet leads to the primary bathroom, which combines lavender walls with green onyx and Rosa Aurora Macchia Vecchia shower elements, creating a serene environment for the freestanding tub with a garden view. The top floor includes a rear yard and three additional bedrooms, with a curving stairwell culminating in a sculpted, skylit hall. This design provides ample space for the family and their guests, successfully realizing Barker’s objective of creating a cool and calm space with intentional moody accents. #BrooklynBrownstone #MoodyInteriors #HomeRenovation #InteriorDesign #ArchitecturalDesign #LuxuryHomes #MaterialSelection #FamilyHome #ColourfulInteriors

This article highlights the successful transformation of a Boston brownstone condo into a family-friendly home, expertly blending contemporary aesthetics with traditional elements by interior designer Kristen Rivoli. Situated in Boston's Back Bay, the late 1800s brownstone's two-floor condo had not been updated since the late 1980s, necessitating a significant renovation to meet the needs of a modern family with two young children. The primary goal was to create an open-plan living space while honoring the building's historical character. Kristen Rivoli's design approach focused on opening up the floor plan, particularly the kitchen and family room areas, to foster a more spacious and communal environment. Care was taken to preserve and recreate classic architectural details, such as mouldings and trim work, ensuring the new design remained consistent with the brownstone's original style. The curved stair opening was thoughtfully mirrored in the new kitchen entrance, adding a refined touch. The main living area, expansive enough to span the entire width of the building, was strategically divided to serve multiple functions. By utilizing back-to-back sofas, Rivoli created distinct zones for a cozy sitting area and a dining space. A custom banquette was incorporated into the bay window, providing versatile seating for both everyday meals and larger gatherings, while also allowing occupants to enjoy views of the Public Garden. The opposite side of the room was designated as a comfortable reading area, centered around an existing fireplace, highlighting the deliberate use of the home's original features as focal points. The design incorporated practical considerations for family living. All furniture fabrics were chosen for their stain-resistant properties, offering the luxurious look of high-end materials without sacrificing durability, a crucial aspect for a household with young children. The walls in the main living space were custom painted in a chartreuse strié, contributing to a warm and inviting atmosphere. A significant part of the renovation involved converting a small, cramped kitchen and the old dining room into an open-island kitchen seamlessly integrated with a new family room. This new family room was designed for a casual lifestyle, featuring a custom cabinet for toy storage and a comfortable sectional, promoting family togetherness. Dark Phillip Jeffries grass cloth wallpaper was applied in the family room and the adjacent office to create a connected, cozy ambiance. The office, a dedicated workspace for the client, also saw existing antique chairs lovingly restored with new fabric. Additional design elements include a bold powder room featuring David Hicks-inspired wallpaper in red, adding a vibrant touch. The primary bedroom was designed around the client's favorite hydrangea purple/blue, creating a serene retreat with a sitting area by an old fireplace and a deep blue desk. The children's rooms were adorned with a coastal blue palette and a whimsical, water-themed wallpaper in their bathroom, reflecting their interests and providing ample space for play and relaxation. The overall project successfully transformed an outdated condo into a harmonious and highly functional family home, praised by the designer for its new open kitchen and family room, which significantly enhanced the sense of space. #BostonBrownstone #CondoRenovation #OpenPlanLiving #FamilyFriendlyDesign #InteriorDesign #HistoricPreservation #ContemporaryTraditionalBlend #KristenRivoli #HomeTour

This Upper East Side apartment, designed by S.R. Gambrel, showcases luxurious interiors on 79th Street. Each room is designed to be distinctive while contributing to a cohesive aesthetic, featuring a vibrant color palette, unique wall decor, ornate light fixtures, and distinctive floor textiles. The formal living room, situated at the front of the home, is bathed in natural light from expansive windows. It employs neutral tones for its furnishings, carpet, and fireplace, with an emphasis on uncommon shapes, including an oblong chaise-sofa combination and a pair of Art Deco mirrors framing the fireplace. Adjacent to the formal living room, a sitting area presents a dramatic contrast with shiny deep purple walls and a bright red ceiling. This space is further enhanced by a brightly colored abstract painting positioned above the couch. A second, softer living room maintains a focus on surprising design details but with a more understated approach. This room incorporates marble-like patterns in both the carpet and window treatments. A cool blue sofa provides a focal point, set against elegant gold wallpaper. The dining room, located at the opposite end of the second sitting room, features a modern orange table paired with an Art Deco chandelier, maintaining the apartment's blend of contemporary and classic elements. The kitchen extends the orange color theme from the living room, contributing to a modern and graphic aesthetic. It features Tetris-like floor tiling, which is complemented by a light marble island and a modern light fixture. Additional rooms within the residence continue the theme of unique luxury, including a sitting room adorned with fur and a bathroom finished in marble. The overall design throughout the apartment emphasizes a rich interplay of colors, textures, and forms. #UpperEastSide #LuxuryApartment #InteriorDesign #SRGambrel #VividColors #ArtDeco #ModernDesign #HomeDecor #ManhattanRealEstate

This article details the comprehensive renovation of a Brooklyn brownstone, highlighting how architect Joshua Keay of Eponymous AD and interior designer Anne Brewer of Lewis Birks transformed a historic space for a young family. The project addressed several key areas, starting with a significant decision regarding the brownstone's original staircase. Despite its traditional appeal, the staircase was in poor condition due to age and construction wear, leading the team to replace it while salvaging and refinishing the handrail, spindles, and newel posts to retain some of its historical essence. This choice underscored the common dilemma in historic renovations: whether to preserve or completely overhaul. The renovation extended to the parlor floor, which previously featured a series of square-shaped living and dining rooms and a narrow kitchen. Keay and Brewer reimagined this layout by introducing large ceiling beams and removing a dividing wall to create a full-width, open-concept living space. This transformation allowed for a more functional and expansive kitchen area, moving away from the previously restrictive "series of countertops." A notable design element introduced during this phase was the creation of a wet bar in a transitional space. Instead of simply replacing the worn-down pocket doors that once framed the living room, Brewer designed a "jewel box" wet bar. This striking feature involves deep red painted walls and ceiling, complemented by a turquoise Calacatta marble countertop from ABC Stone, creating a dramatic visual transition from lighter adjacent rooms. In the kitchen, soft gray custom stained oak cabinets from Shinnoki were selected to harmonize with the blue-green veining of the marble island. Storage was maximized with tall cabinets along one wall, discreetly incorporating non-operable panels where a chimney prevented functional space, ensuring a seamless aesthetic. A built-in bench, upholstered in durable vinyl fabric resembling leather, offered practical and stylish seating. The dining table, a custom piece by Withers & Grain made from bleached ambrosia maple, added a unique touch with its distinctive beetle-made markings. The kitchen's design also addressed the challenge of limited wall space due to the staircase's protrusion. The solution was an asymmetrical arrangement of open shelving, including a thin stainless steel ledge above the range, which bisects the stone backsplash. This innovative shelving provides an airy feel while maintaining functionality for daily essentials. The main bedroom underwent a design update as well, inspired by a green-gray rug. The walls were painted a sky blue, with the exception of the wall behind the headboard, which was adorned with a subtle, watercolor-like silk Phillip Jeffries wallpaper. In the bathroom, space constraints led Keay to design a curved bench, providing a practical surface for toiletries without obstructing movement. The floor featured a custom mosaic tile design from Nasco Tiles, chosen for its ability to conform to rounded surfaces, echoing a French mosaic pattern discovered by Brewer. Overall, the renovation successfully blended the brownstone's historic character with modern functionality and dramatic design elements, particularly in the transitional spaces. #BrooklynBrownstone #HomeRenovation #InteriorDesign #StaircaseDesign #OpenConceptLiving #WetBarDesign #KitchenDesign #CustomCabinetry #BathroomRenovation

The brownstone at 408 Macon Street, located in the Bed Stuy Neo-Grec architectural style, has re-entered the market following a comprehensive renovation by the Brownstone Boys. This circa 1880 property, previously featured in 2019 after its conversion from a three-unit dwelling to a single-family home, has undergone a transformation that integrates bold patterns and vibrant colors with existing vintage architectural elements. The earlier renovation focused on preserving historic details such as original mantels and wood floors, along with maintaining an antique stove, which has since been removed. The current renovation, highlighted in Architectural Digest, involved strategic updates to the floor plan and interior aesthetics. On the parlor level, the entry features stair risers painted in various shades of blue, setting an immediate tone of color. The front parlor's wood mantel, dating back to approximately 1900, now boasts a surround of modern bright blue tiles. The rear parlor is distinguished by Sheila Bridges’ Harlem Toile de Jouy wallpaper, and its columned mantel, also from around 1900, has received a new tile surround. The garden level, originally the house's dining room, has been repurposed into an informal living area, characterized by a leopard-patterned wallpaper on select walls. Adjacent to this space, a short hallway with a half bath leads to the kitchen at the rear. The kitchen itself is a focal point of color, featuring green and orange patterned wallpaper, a bright green island, and cabinetry by Reform. These elements are complemented by white counters and a backsplash of vertically installed black subway tiles. A wall of windows provides views of the rear yard. On the second floor, the layout was modified to create a full-floor suite. This suite encompasses a bedroom facing the street, a walk-in closet, and a spacious bathroom equipped with a double vanity, a soaking tub, and a walk-in shower. The uppermost level, described as a 'cheater' floor not visible from the street, now accommodates an office and two additional bedrooms. The two front-facing rooms on this level feature low ceilings and skylights, while the rear bedroom includes two windows and a black-painted mantel. One of the house's 3.5 bathrooms on this floor is brightly decorated with green wallpaper, blue wainscoting, and terra-cotta tiles. Further enhancements include the excavation and renovation of the cellar, which now features radiant heat flooring. This finished basement space houses a laundry room and a recreation room, currently configured as a gym. The brownstone is situated within the Bedford Stuyvesant/Expanded Stuyvesant Heights Historic District, part of a row of Neo-Grec homes designed and built by Charles Isbill following plans filed in November 1879. The property, listed by Colin Montgomery and Nell Winslow of Sotheby’s International Realty, is currently offered for $2.95 million. It also includes updated mechanical systems and central air conditioning, enhancing its practical appeal. #BedStuy #BrownstoneRenovation #NeoGrec #InteriorDesign #BrooklynRealEstate #HistoricDistrict #HomeRenovation #LuxuryHomes #ArchitecturalDigest

This blog post details a two-bedroom apartment available for rent in a Brooklyn Heights brownstone, highlighting its unique architectural and design features. The apartment is situated in a sprawling Italianate brownstone at 124 Remsen Street, a building that is exceptionally wide at 37.5 feet and spans through to the block's opposite side, having merged with its former stable. This particular unit, one of 17 in the building, appears to be on a prime floor, featuring a distinctive layout. The living space is a key highlight, characterized by an octagonal, oblong shape located at the rear of the brownstone. It boasts grand plaster details on the ceiling, a marble fireplace, and recently installed wood floors. Three original closets are integrated into the living room, alongside a large window with original shutters that has been converted into a glass double door with a transom, though the listing does not specify if this leads to any outdoor space. A short flight of steps connects this grand living room to the rest of the unit, which seems to occupy the building’s middle wing, offering windows on both sides for natural light. Moving beyond the living room, the unit includes an upstairs dining area featuring striking black and white diamond-patterned flooring, a design element that continues into the adjacent petite galley kitchen. The dining area provides ample space for a table and chairs, supplemented by wall-hung cupboards for storage. The kitchen is equipped with a tall arched window, a few wood cupboards, and a stone counter. While a dishwasher is not explicitly shown in the provided images, there is a designated space for one next to the sink. The apartment comprises two bedrooms, both described as spacious enough to accommodate a queen-sized bed. One of these bedrooms includes a built-in cupboard positioned high on a wall, accessible via a ladder, adding a unique touch. The hallway likely conceals additional closet space and the apartment’s 1.5 bathrooms. The full bathroom presented in the images is in good, functional condition, featuring a tub, white square wall tiles, and a basketweave patterned floor. The brownstone itself, constructed between approximately 1861 and 1879, showcases an imposing exterior with architectural details such as a dentil cornice and a deep entrance door hood, as noted on the Landmarks map. Historical records indicate that the Walter F. Hatch family resided in the brownstone starting in the 1870s, and the building underwent redecoration and stable updates in 1887. The units within the building are all market rate, and this specific apartment, listed by Lior Cohen of Brooklyn Heights Real Estate Inc., is available for occupancy starting in February at a monthly rent of $5,200. The post concludes by posing the question of whether the price is justified given the apartment's features and location. #BrooklynHeights #ApartmentForRent #Brownstone #ItalianateArchitecture #HistoricBuilding #LuxuryRental #InteriorDesign #RealEstate

Boston, with its historical architecture, including red brick brownstones and Georgian-style structures, offers a rich source of inspiration for design enthusiasts. The Beacon Hill neighborhood, particularly known for its Federal-style rowhouses and cobblestone streets, is highlighted as a prime example of the city's architectural charm. This area is home to unique home décor shops and accommodations that blend old-world charm with modern aesthetics. One notable destination is Koo de Kir, a home décor shop on Chestnut Street. The shop's name, a phonetic play on the French "Coup de Coeur," signifies an item that captivates. The owner curates a selection of unique items, aiming to offer products that are distinctive and memorable. Among the favored items mentioned are the Lotus Nesting Bowls, which are popular during wedding season, indicating their appeal as gifts or household additions. Adjacent to Koo de Kir is another recommended shop, Good, which offers a broader range of lifestyle accessories, encompassing both fashion and home goods. Its inventory includes antiques, works of art, and vintage accessories, suggesting a focus on curated and unique finds for those seeking distinctive pieces for their personal style or living spaces. For an immersive experience in Beacon Hill, the Charles Street Inn is suggested as a lodging option. This inn is characterized by its quiet and cozy ambiance, combined with an old-world flair. Each room is individually named after historical Beacon Hill residents, such as John Singer Sargent or Ralph Waldo Emerson, adding a historical touch. A key feature of the inn is the presence of authentic 1860 marble working fireplaces in every room, contributing to its charm and historical authenticity. Beyond traditional design, the article explores the contemporary design integration seen at the Liberty Hotel, located at the periphery of Beacon Hill. This hotel exemplifies how Boston marries its historical heritage with modern design and an energetic nightlife. Originally the Charles Street Jail, completed in 1851, the hotel's recent renovation respectfully incorporated elements of the original structure and its former purpose, creating an innovative and modern space. Its nightclub, Alibi, and restaurant, Clink, are highlighted as popular venues, partly due to their interior design, which creatively reinterprets the building's history. The article concludes by emphasizing Boston's ability to offer an exciting and inspiring experience for design aficionados, challenging any perception of the city as overly traditional or "stuffy." It showcases Boston as a city where historical elegance and contemporary design coexist and inspire. #BostonInteriorDesign #BeaconHill #HomeDecor #ArchitecturalInspiration #BoutiqueShopping #LuxuryTravel #HistoricalRenovation #LifestyleAccessories

This article details a Neo-Grec brownstone located at 213 St. Johns Place in the Park Slope Historic District of Brooklyn, currently listed for $3.25 million. Constructed between 1880 and 1881 by William Gubbins, who is credited as both architect and builder for this specific property, the house stands as part of a stretch of brownstones. The three-story residence features a full-height angled bay with incised ornament on the lintels and a bracketed cornice, reflecting its late 19th-century Neo-Grec architectural style. The single-family house has remained under the same ownership since the late 1960s, a factor that has contributed to the preservation of many of its original details. The interior layout largely maintains its 19th-century configuration, with the kitchen and dining room situated on the garden level, formal parlors on the floor above, and five bedrooms and two full bathrooms distributed across the upper two floors. The entry area of the house showcases an unusual patchwork wood floor, wainscoting, an integrated mirror, and an ornate newel post, setting a historical tone. The double parlor is designed as a bibliophile's space, featuring extensive bookshelves that frame an ornately carved wood mantel with a mirrored overmantel. This area includes a library ladder, original hearth tiles, and an inlaid border on the wood floor, highlighting the craftsmanship of the period. Pocket doors with their original ornate surrounds lead to a rear parlor, which contains built-ins within a niche and a wood "rug" with an inlaid border, further emphasizing the historical aesthetic. On the garden level, the dining room at the front of the house is equipped with a green-slate mantel, complete with its original insert, a ceiling medallion, and paisley wallpaper, maintaining a Victorian ambiance. Adjacent to the dining room is the kitchen, which presents a 1960s-era aesthetic, characterized by exposed brick, a wood-burning fireplace, minimalist white cabinets, and retro appliances. The property boasts a total of eight fireplaces, with at least one mantel appearing in a street-facing bedroom that also features a niche under a plaster arch and parquet flooring. One of the bathrooms shown includes a mix of design elements from various eras, such as bead board wainscoting, white fixtures, and wallpaper. The rear garden is described as lush, offering outdoor space. The property is listed by Alexandra Como Saghir and Tyson Lewis of Compass. This detailed examination of 213 St. Johns Place highlights its historical significance, preserved architectural features, and the blend of original and period-specific updates, providing a comprehensive overview for potential buyers or those interested in historic Park Slope residences. #ParkSlope #Brownstone #NeoGrecArchitecture #HistoricHome #BrooklynRealEstate #Woodwork #Mantels #BuiltIns

This article, part of Brownstoner’s "The Insider" series by Cara Greenberg, focuses on custom built-in cabinetry as a solution for the common lack of storage in Brooklyn brownstones. It highlights the work of Brooklyn-based design team Nastasi Vail, who specialize in creating built-ins that blend with 19th-century architectural character while providing modern storage solutions. The article details three specific examples of their custom designs in Cobble Hill, constructed by Alex Luchynskyi of A Royal Builder. The first example showcases a pair of dining room cabinets on the parlor floor of a brownstone. The space, initially a "blank slate" lacking original architectural details like cornices and ceiling medallions, was given a "false history" through the built-ins. A curved detail from a downstairs entry door was incorporated into the frosted-glass cabinet doors. Mirrored panels between upper and lower cabinets were strategically placed to enhance light reflection in the windowless room during the day and to amplify the glow of candlelight at night. A radiator was discreetly hidden behind the lower cabinet doors near the chimney breast. For an unexpected visual element, Nastasi Vail painted the interiors of these cabinets in Farrow & Ball’s Rectory Red, reflecting their preference for incorporating "surprises" and interior detailing, such as wallpapering the insides of closets when clients permit. The second case study features an all-purpose unit designed for the entry foyer of a pre-war apartment. This versatile built-in includes drop-down fronts that convert into functional surfaces for tasks like using a laptop or a sewing machine. The paneling design of this unit was specifically crafted to echo the architectural style of the building’s front door, which David Nastasi describes as having an "Eastlake Victorian" aesthetic. The third illustration of Nastasi Vail's work is a built-in created for the dining room of a small row house. This piece is designed to appear as a freestanding furniture item, featuring a footed base, a Gothic-inspired three-point arch, and drop pulls. It is topped with a glossy wood counter. This particular built-in offers storage solutions for wine and a stereo system, including a slide-out panel specifically for a turntable. The article also provides practical information for potential clients, noting Nastasi Vail’s design fee of $135 per hour and construction costs ranging from $1,100 to $1,500 per linear foot, depending on complexity and assuming an 8-9 foot ceiling. The built-ins are constructed using solid hardwood and medium-density fiberboard (MDF), finished with wood moldings. Ken Hild is credited for the photography. #InteriorDesign #BrownstoneRenovation #BuiltInCabinetry #StorageSolutions #CustomDesign #BrooklynHomes #CobbleHill #ArchitecturalDetailing

The article details the thoughtful reimagining of a century-old Brooklyn brownstone by the design studio Enso, co-founded by Yuria Kailich and Joel Harding. Located just one block from Prospect Park, this three-story home, originally constructed in 1888 by architect William Flanagan, has been transformed into a midcentury-inspired haven, particularly appealing during the autumn season. Enso's renovation philosophy emphasizes softness, restraint, and meticulous craftsmanship, creating a space that embodies a quiet intelligence. The interior design incorporates an eclectic array of furnishings, balancing high-end pieces with affordable finds, and significantly featuring vintage items sourced from platforms like 1stDibs, Amsterdam Modern, and Chairish. A subtle yet distinct mid-century modern aesthetic permeates the home, evidenced by design elements such as a paper lampshade, a geometric coffee table, chrome accents, a modular wall unit, and Nordic Knots rugs. These contemporary and vintage additions are harmoniously juxtaposed with the home's original architectural features, including period moldings, cornicing, and stained glass transoms in the living area, which contribute to a sense of timeworn elegance within the eclectic decor. A significant aspect of the renovation involved addressing the inherent challenges of a historic property. The architecture firm Practical Arts collaborated on the project, creating several bespoke elements to overcome these quirks. For instance, in the primary bedroom, a custom wall-to-wall upholstered headboard, composed of three striped fabric panels, was designed to not only visually enlarge the room but also ingeniously conceal electrical cords, negating the need for extensive structural modifications. Another innovative solution tackled the issue of immovable standing AC units. Enso devised custom millwork to integrate these units seamlessly into the design. In the living room, a credenza made from solid white oak with woven rattan panels and a slatted top was crafted to allow for both storage and efficient airflow. Similarly, in the dining room, a sideboard, drawing inspiration from the work of Jean Prouvé, features sliding doors with rhythmic circular cutouts, which provide necessary ventilation while also serving as a compelling visual feature. The design studio Enso draws its inspiration from the Buddhist principles of enso, which encompass zen, transience, and the unhurried passage of time. These values are deeply embedded in the home's aesthetic, which is characterized by the use of natural materials, tactile finishes, and an overarching sense of calm and tranquility. The resulting atmosphere is one of understated sophistication; the space avoids excessive polish or preciousness, yet it manages to convey an exquisitely elevated impression. The renovation successfully blends historic charm with contemporary and mid-century design elements, creating a unique and serene living environment. #BrooklynBrownstone #MidcenturyModern #HomeRenovation #InteriorDesign #EnsoDesignStudio #HistoricHomes #VintageFurniture #CustomMillwork #ArchitecturalPreservation

Studio Fauve, led by interior designer Charlotte Sylvain, undertook a significant renovation of a 19th-century brownstone in Cobble Hill for new homeowners who had recently relocated from London. The property, characterized by its corner lot, two box bay windows, original architectural details, and high ceilings, initially featured dark interior finishes and outdated cabinetry. The objective of the renovation was to revitalize the space using a design philosophy centered on pale neutrals, organic shapes, and natural materials. The project involved extensive new construction and millwork, with Sylvain's husband, architect Shikar Thakur, overseeing these aspects. While the renovation was primarily a cosmetic upgrade, avoiding major structural wall changes, it did include modifications to the floor plan and plumbing system. Several bathrooms were remodeled, including the addition of a new one on the top floor. The kitchen underwent a complete overhaul, featuring custom cabinetry and a distinctive breakfast nook. New white oak flooring was installed throughout the house, and an updated HVAC system was implemented. Specialized paint finishes were also applied to various surfaces. Sylvain's design approach, emphasizing "neutral, natural, simple," guided the selection of new furnishings and lighting for approximately half of the home, complementing existing pieces owned by the clients. The parlor level's entry hall offers views into both the living room and the newly designed kitchen. A custom curved banquette, inspired by contemporary French designer Pierre Yovanovich, was incorporated into one of the box bay windows in the kitchen, paired with an existing Ton table. The kitchen also features luxurious Calacatta gold marble countertops and backsplash, with lighting from Wastberg. In the living room, the homeowners' Minotti sofa was retained, augmented by a new wood chair from Crump and Kwash and a pedestal side table from Burke Decor. Textured rugs and textiles were strategically used to enhance comfort and warmth within the space. The primary bedroom combines a New Works ceiling fixture, a Design Within Reach bed, a bench from The Citizenry, nightstands from Pinch via Future Perfect, an Armadillo rug, and lamps from Ferm Living, all harmonizing with the room's original moldings and fireplace. A new hallway with a walk-in closet connects to the primary bathroom, which features blonde French limestone flooring from Historic Decorative Materials. Shower tiles from Clé are complemented by polished brass fixtures from Studio Ore. The custom vanity is topped with vintage Arabescato marble, and sconces from Rose Uniacke complete the look. The top floor includes a bedroom for the homeowners' teenage daughter, designed with her input, and an adjacent bathroom. The closet in this room features cane bifold doors. The bathroom's walls are finished with tadelakt, a waterproof plaster in a muted green hue, contrasting with retro-style mosaic tiles from Clé. The Watermark tub is fitted with aged brass fixtures from Studio Ore, and an Allied Maker sconce illuminates the vanity. Adjacent to the primary bedroom, a home office features walls painted in Farrow & Ball's Down Pipe, a contemporary desk from Another Country, and a classic Eames chair. #CobbleHill #BrownstoneRenovation #InteriorDesign #StudioFauve #NeutralDecor #NaturalMaterials #CustomMillwork #KitchenRemodel #BathroomDesign #ArchitecturalDetail

The decision of whether to paint original woodwork in old homes, particularly brownstones and row houses, is a common dilemma for homeowners, architects, and designers. This choice is influenced by factors such as the owner's personal preference, the architectural style and era of the house, and the inherent quality and condition of the wood itself. While design trends fluctuate, with fads like all-white interiors giving way to bold colors such as navy blue or hot pink, natural wood finishes and neutral painted options like cream or gray remain popular in Brooklyn. Interior designer Louisa Roeder, for instance, opted to paint the well-preserved mahogany woodwork in her 1870s Prospect Heights brownstone white during a 2014 renovation. Her goal was to achieve a modern kitchen aesthetic, and she found that extending the white paint to the parlor floor and hallway woodwork significantly modernized the space, moving away from a Victorian feel. She acknowledged the decision as a "big gamble" due to its permanence. Fellow interior designer Tamara Eaton bases her decisions on the quality of the craftsmanship. She meticulously preserves elaborate, high-quality woodwork, such as mahogany with mother-of-pearl inlays, but is more liberal with painting lower-grade wood, as demonstrated by her choice to paint an entire parlor level with less distinguished woodwork a dark gray. Eaton emphasizes that owning a townhouse means embracing its history while adapting it for modern living, highlighting the constant negotiation between preservation and modernization. Preservationists, including Andrew Dolkart, a notable author and former director of Columbia University's Historic Preservation program, often consider painting original, unpainted woodwork as sacrilegious. Dolkart argues that if the intention was for the wood to be painted, less expensive materials like plaster would have been used. He points out that before the 1870s, woodwork was commonly painted, often with faux graining. In the late Victorian era, elaborate, natural woodwork on main levels was a status symbol. Pine and poplar in secondary spaces were typically meant for painting. The early 20th century saw a rise in white-painted woodwork with the Colonial Revival and natural oak in Arts & Crafts interiors. The mid-to-late 20th century 'brownstoning movement' led to stripping paint to reveal original wood beauty. Dolkart asserts that painting over beautiful original wood destroys the character of an old house, questioning the purpose of buying such a home if its historical artistry is not appreciated. Conversely, architect Jeff Sherman of Delson or Sherman often recommends painting woodwork, even if his clients frequently prefer restoration. He suggests that old moldings often require patching and replication, and sometimes stripping reveals inferior wood species like poplar. Sherman believes that painted molding can unify a home's aesthetic, especially in shades of white or pale gray, which can lighten and authenticate dark, wood-heavy rooms. Interior designer Fawn Galli embraces color, sometimes painting both woodwork and walls the same hue for a modern look or using contrasting colors. She famously painted a newel post in her Carroll Gardens brownstone hot pink, viewing it as an opportunity to inject fun and even shock into a space. Galli acknowledges that while townhouses tend to be dark, beautiful wood should be left natural, with an icy gray paint on the walls to brighten the space. #InteriorDesign #Woodwork #HomeRenovation #Brownstones #ArchitecturalPreservation #BrooklynHomes #DesignTrends #HistoricHomes

Designers Barry Bordelon and Jordan Slocum, known as the Brownstone Boys, undertook a unique brownstone renovation project in Bedford-Stuyvesant, Brooklyn, for clients Taylor and Moore. Unlike typical brownstone remodels that often require extensive varnish stripping, this project allowed them to preserve much of the original wood. The three-story home's existing wood bones were in solid condition, enabling the retention of original floors, a feature Bordelon highlighted as particularly appealing. The clients, who were expecting their first child, also had the unusual advantage of living on the ground floor during construction, after a light touch-up of its kitchen and bathroom. The renovation focused on the top two floors, where the designers introduced new elements while preserving and enhancing existing features. A key addition was a new kitchen on the main parlor level, a space that previously lacked one. For this, Slocum and Bordelon utilized Semihandmade’s paintable DIY Shaker cabinets, finished in their preferred neutral shade, Shaded White by Farrow & Ball, a creamy white with gray undertones. The vent hood was cleverly crafted from a simple drywall box with a 2-inch radius corner bead, painted to match the walls. This design philosophy extended to the adjacent dining area, where custom open shelves by Brooklyn Builders Collective mirrored the curved silhouette. Addressing the challenge of narrow brownstone layouts, discreet 15-inch-deep cabinets were integrated into the island for extra storage. Unique pendant lights, sourced from Taylor's ceramist mother, complemented the Paonazzo stone counters, which featured subtle brown-gray flecks. The primary bathroom's design drew inspiration from the clients' backgrounds, incorporating coastal elements reflecting Moore's Californian roots, Taylor's Australian heritage, and their shared time in North Carolina. A bespoke touch was the pinkish terracotta Roman Clay backdrop behind the tub, contrasted with an off-the-shelf slatted white vanity from Signature Hardware. The renovation also involved restoring missing historical elements. Fireplace mantels, likely original to the 1800s construction but later removed, were acquired through an Instagram message from a New Jersey homeowner, saving the designers from purchasing new marble surrounds. Existing features were also given a modern update. The home’s original staircase, deemed structurally sound, was painted Tricorn Black by Sherwin-Williams and adorned with a custom runner created from Moroccan rugs collected by Taylor and sewn together. A skylight on the top floor, originally part of a ventilation shaft, was creatively repurposed. By removing flanking windows, the space was reclaimed to build a shower stall directly beneath the skylight, allowing natural light to flood the area. This sun-drenched corner was finished with a moody, two-tone tile scheme, using Zia Tile’s 4-by-4-inch zellige tiles in Tidepool and Aegean, showcasing a blend of preserved history and modern functionality. #BrownstoneRenovation #BrooklynDesign #HistoricPreservation #KitchenDesign #BathroomRemodel #InteriorDesign #CustomCabinetry #SustainableRenovation #HomeTours