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This Designer Inherited Dreamy Floor Tile When She Found Her Mexico City Home
Stellah De Ville, a designer and ceramicist, found her calling in working with her hands, starting with ceramics classes in San Francisco in 2014. Her career, which began in fashion in Australia, evolved into interior and product design. Following the COVID-19 pandemic, De Ville relocated to Mexico, first to Oaxaca, where she opened Stellah Gallery and undertook a home renovation. During this period, frequent trips to Mexico City exposed her to the city's dynamic design and fine art scene, leading her to seek a more permanent residence there.
Her search for a rental home led her to a 1930s Casona in La Roma, Mexico City, the second listing she encountered. Despite being back in Oaxaca at the time, her friends toured the property on her behalf, with one friend's enthusiastic reaction to the checkerboard flooring in an upstairs sunroom sealing De Ville's decision. She secured a five-year lease on the property, which had previously served as an office for a film production company for 12 years.
The Casona required extensive work to transform it into a functional home and event space. Key challenges included the absence of hot water and gas, significant bathroom repairs, a full exterior paint job, and stucco damage. Her landlord provided funds for essential renovations, while De Ville personally oversaw additional improvements, such as cultivating a tropical garden. The house, named Casa de Reunión, has since become a venue for various events, including dinner parties for 25 guests, pop-up art shows, and even opera performances.
De Ville emphasizes the humbling lessons learned from ceramics, particularly in embracing failure and imperfection. She describes the house as having a unique character, with almost every floor featuring a different pattern and color, including green, pink, and red. This diverse flooring, unusual in her native Australia, influenced her approach to incorporating color into her designs. The entryway floor, split by an earthquake, was partially re-tiled, and De Ville commissioned replacement tiles for existing holes, highlighting her commitment to preserving the home's original elements while addressing necessary repairs.
Respecting the house's materiality was a central theme in her renovation. Original terrazzo elements, including the stairs and a previously damaged foyer shelf, were restored or recreated. For the kitchen terrazzo, De Ville selected pink, yellow, and green tones to integrate the house's existing color palette. This work was executed by women from a local factory found by architect Alberto Franco, involving a four-day installation. The original stained glass window was also partially restored using pieces discovered on-site.
The age of the house meant there were no straight lines, adding to its unique charm. The casual dining area, designed to accommodate her cookbook collection, provided functional space. A cabinet found in the house mirrored the floor pattern, and a rug from her previous California home complemented the grid of the windows, creating a cohesive aesthetic. The bathroom featured original wall tiles and tub, with new, locally custom-made basket-weave flooring designed to appear aged.
A saffron paint color, initially considered for the exterior courtyard, was instead used in the guest bedroom/office, demonstrating adaptability in design choices. Her creative workspace, accessible through the primary closet, allows her to engage in ceramics for three hours each morning before dedicating time to her custom furniture, lighting, and art collaboration business. The article concludes by showcasing De Ville's dedication to her craft and her integrated approach to living and working within her unique Mexico City home, which she hopes to activate as an artist residency.
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