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Browsing: Let there be light. And the quirkier the better
Interior designer Madeline Stuart, known for her passion for art, architecture, preservation, and decorative arts history, recounts her journey to finding and restoring her dream 1930s Spanish Revival home in Santa Barbara. After years of searching, she acquired the weekend home in a single day, transforming it into her personal sanctuary. Stuart finds Santa Barbara to be a source of peace and exhilaration, enabling her to write her new book, "No Place Like Home." This book showcases eight diverse projects, highlighting her skill in creating unique homes tailored to her clients' lifestyles.
The article follows Stuart on a Saturday shopping excursion in Santa Barbara, where she searches for vintage lighting for two ongoing projects. She explains her preference for vintage lighting, emphasizing the desire for unique, handcrafted pieces that add distinct character to an interior, unlike mass-produced items. Stuart describes herself as a natural shopper who enjoys the "thrill of the hunt" to find "l’objet juste"—the perfect item. She reveals an interesting past lighting project, a Victorian bird cage that remains in storage, and expresses her strong dislike for recessed lighting.
Stuart outlines her current shopping objectives, which include sourcing items for a historic Pasadena house undergoing a renovation aimed at seamless historical integration, despite modern demands for functional kitchens. She also needs hundreds of fixtures for a project in La Jolla, anticipating a global search for suitable pieces. The article then details her visits to several shops, beginning with Santa Barbara Lights, a new discovery for her. Here, she admires a 1930s hand-wrought iron chandelier, noting its quirky, vivacious, and Art Deco-inspired charm, which requires some restoration due to missing candles.
Next, she visits The Blue Door, an antique collective where she finds a 1970s Brutalist light fixture. She appreciates its unique, handmade quality and "’70s funkiness," despite her personal preference for 1920s and 1930s aesthetics. At Davis & Taft, Stuart looks for quirky lamps, explaining that they add character to a room, similar to an interesting person. She mentions a current project for a 1970s-style house, for which Brutalist pieces would be ideal. Finally, she explores Summerland Antique Collective, where she encounters Murano glass lamps from the 1930s. While she finds them suitable for a Streamline Moderne or an over-the-top Palm Springs Paul Trousdale house, she laments not having a client for them at the moment.
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