Nesting propels growth at 12-man Wooded Hollow

Sacha Janke and Andrew McCormack, after spending their youth and subsequent summers renting in Woods Hole, acquired a beachfront property with the intention of establishing a permanent family retreat. The property, which had been uninhabited for some time, required the construction of a new shingle-style house, designed by architect Shope Reno Wharton, on the existing footprint. To define the interior aesthetic, the couple enlisted their friend, designer Douglas Graneto, who focused on integrating a vibrant color palette reflective of the coastal environment. Graneto employed various shades of blues and greens to bring the outdoor scenery indoors, creating a warm and inviting atmosphere that moved beyond purely neutral tones, aligning with Janke and McCormack's preference for color. The home was conceived as a space for relaxation and togetherness, accommodating both adults and children. The kitchen functions as a central hub, frequently used by Janke and McCormack to prepare meals for large family and friend gatherings. It features pale green cabinets, specifically painted in Farrow & Ball's “Mizzle,” fitted with brass hardware, and counters and a backsplash made of Fantastico Arni marble. A cast-bronze sink complements a brass pot rack in the room's center, from which McCormack's collection of copper pots is displayed. The adjacent great room is furnished with a pair of vintage, curved Milo Baughman sofas, providing a comfortable gathering area. A window seat in a nearby nook was specifically deepened at Andrew's request to serve as an ideal napping spot. The couple’s strong affinity for Nordic design heavily influenced the aesthetic choices. This is evident in the vintage Swedish rug in the second-floor hallway, a Danish rosewood chair and ottoman in the primary bedroom, and Hans Wegner reproduction dining table and chairs made of raw oak, which are expected to develop a patina with age. Art is a significant element of the design, introducing color, drama, and conversation points throughout the rooms. To highlight these artworks, Graneto chose a neutral backdrop, painting the walls in Benjamin Moore's “Chantilly Lace” with Fine Paints of Europe white trim. Janke and McCormack share a passion for collecting art, often agreeing on selections, and enjoy sharing their diverse collection with their children and friends. The family celebrated their first summer in the house with a continuous flow of guests, indicating the success of the collaborative design process. A unique feature of the home is a concealed room under the stairs on the lower level, inspired by Janke's childhood home with its secret bookshelves. Douglas Graneto brought this idea to life with a Designers Guild wallcovering called “Enchanted Forest,” creating a delightful surprise for both children and adults. Key contributors to the project included Shope Reno Wharton as the architect, Ruth Catone Goulding as the art consultant, KVC Builders, Douglas Graneto Design for interior design, and Kaylei McGaw as the photo stylist. #WoodsHole #CapeCod #NordicDesign #NewEnglandHome #InteriorDesign #CoastalLiving #FamilyHome #ArtCollection #HiddenRoom

Interior designer Sara Hillery, after a successful career start in Houston, returned to Richmond in 2014 with her young family, seeking a home that could integrate her growing business and personal life. Her priority was a home that could serve as both an office space for Sara Hillery Interior Design and a display for her design philosophy to clients, in addition to being a functional family residence. They settled on a Dutch Colonial home, which initially featured a series of boxy rooms. Hillery envisioned its potential for transformation into a versatile space that would accommodate both work and leisure. The initial renovation focused on creating an open-concept living space. Walls on the main floor were removed to enhance the sense of size and flow between rooms. The entire house was painted white, a technique Hillery often employs to establish a unified flow and provide a neutral backdrop for the family’s diverse collection of art, mirrors, and framed pieces. This open layout also significantly improved the home’s suitability for entertaining, a key consideration for the family. The Hillerys frequently host guests, including annual crawfish boils, celebrating Julian Hillery’s New Orleans heritage. The kitchen, considered the heart of the home, received significant attention during the renovation. It was designed with an island and bar stools to encourage gathering, snacking, and conversation. A light-filled breakfast nook offers a bright space for morning meals and casual chats. The family room is another central gathering point, featuring a cooking fireplace inspired by a Williamsburg tavern. This unique element influenced the room’s simple color palette of warm browns, tans, and gold accents, complemented by two plush sofas for relaxation and socializing. Hillery’s design philosophy, “If you truly love a piece, you’ll find a place for it,” is evident throughout the home. This is particularly showcased in the dining room, where French antique mirrored windows, acquired from a Texas antiques fair, became a focal point after custom column niches were built to accommodate them. The second floor was also meticulously designed. The master bedroom was conceived as a calm, neutral sanctuary, accented with yellow and gold to add warmth and personality. For her three young children, Hillery aimed to create bedrooms that reflected their evolving personalities while maintaining the home’s classic style. The nursery features a neutral color scheme suitable for either gender, incorporating a rustic changing table, a gold mirror, and soft colors to create a chic, rather than overly childish, aesthetic. Her blue-loving son’s room boasts natural light, rich wood paneling, and a durable wood floor, with a trunk for storage and his guitar readily accessible. Her eldest daughter’s room is adorned with pink, purple, and blue, and she actively participated in its decoration. Antiques are thoughtfully integrated throughout the home, mixed with new and upcycled items. Hillery notes that antiques, with their inherent imperfections, add character and subtly expose her children to beauty and history. Practical, kid-friendly elements include durable seagrass rugs and playful framed art. The lower level of the home houses a playroom and the Sara Hillery Interior Design office, allowing Hillery to balance her demanding career with family life and to demonstrate her design concepts to clients within a real residential setting. #HomeDecor #InteriorDesign #HouseTours #FamilyHome #Renovation #OpenConcept #DutchColonial #SaraHillery

Perched above an isolated beach on the New South Wales south coast, Seagrass House, designed by Welsh and Major, stands as a testament to architecture that harmoniously integrates with its environment. The dwelling is situated on the rocky incline of a north-facing gully, offering a secluded retreat at the southern end of Tathra Beach. The design philosophy behind Seagrass House emphasizes gathering the character of the place into the architecture, both performatively and scenically, a concept that stands in contrast to architectural trends of ethereal structures in discordant isolation. The architects utilized two primary drawings to inform the design. The first meticulously mapped an existing path from the ridge entrance, winding down the site's contours to a shared path leading to the beach. This drawing was a careful record of the pre-existing natural flow. The second drawing depicted a functional arrangement of furniture along this path, creating spaces for cooking, sitting, eating, and sleeping, thereby establishing an order for habitation. The house's design skillfully combines these considerations, addressing both the specific conditions of the site and the universal aspects of dwelling. Seagrass House features a compact floor plan of approximately 100 square meters, offering single-level access from the car door to the kitchen, living area, bathroom, and bedroom, effectively providing apartment-style living within a bush and beach setting. The rooms are arranged around a central staircase, creating a loose enfilade that allows individual spaces to be distinct yet connected. Architectural elements such as the ceiling billow, fireplace shroud, and timber batten screen enhance this spatial dynamic, contributing to an open yet defined living experience. The centripetal plan allows for the inhabitation of the dwelling's very edge, a feature inspired by the built-in verandah of the original cottage on the site. This 'thickened facade' manifests in various forms throughout the house, including a magnificent north-east dining table bench seat, an ambiguous timber shelf in the sitting room, a terrazzo kitchen bench, the deep shadow of the bathroom window reveal, and the brilliant flatness of the bedroom corner window. These elements create magical spaces that foster individual connection with the surrounding landscape, providing areas for solitary comfort while the larger spatial organization supports convivial domestic interactions. The design also incorporates typical holiday home strategies, such as a bunkroom, shared bathroom, outdoor shower, and multiple external living spaces, allowing for flexible accommodation for varying numbers of occupants. Adjacent to the main house, a garage and services pavilion functions as a gatehouse, providing security with a large, unadorned timber panel within a brick and metal-clad wall. This panel slides open to reveal entry through the garage, hinting at a future-ready space for electric vehicles. Above the garage, a generously sized attic offers ample storage. The predominant material is Krause brick, custom-mixed to match the natural variegation of the exposed, weathered shale in the gully. The brickwork is detailed with a light touch, incorporating sharp-stacked nib walls, alternating sloped and flat sills, a fine rowlock parapet course, a gentle stepping rampart, and artful subfloor brick vents, showcasing a joyful engagement with fundamental architectural elements. This thoughtful approach creates a highly functional home that deeply relates to the inherent character of the Australian Country. #ResidentialArchitecture #CoastalLiving #SustainableDesign #SiteIntegration #CompactLiving #BrickArchitecture #SpatialDynamics #AustralianDesign #ArchitecturalDetails

Lost Office Collaborative, a new meeting space in Rocketts Landing, integrates biophilic design principles to foster collaboration and well-being. This concept, championed by figures like Frank Lloyd Wright, emphasizes the innate human need to connect with nature within built environments. Co-founded by Christian Markow and Mark Brown, the initiative for this space emerged during the pandemic, driven by a desire to create an environment that positively influences human cognition and interaction. Lisa Markow, Christian’s wife, spearheaded the interior design, focusing on creating an aesthetic that supports productivity and mental clarity. The design process involved extensive research into neuroscience, exploring how environmental factors can elicit specific mental states. This informed the incorporation of biophilic elements, sensory design, and careful consideration of comfort and furnishings. The chosen location on the banks of the James River, adjacent to the Virginia Capital Trail, provides direct access to nature, aligning with the project’s core philosophy. The raw industrial space was strategically transformed to include a coffee bar, a library for quiet reflection, and two flexible meeting areas, demonstrating a thoughtful approach to repurposing existing structures. Lisa Markow's design uses a cohesive palette of green paint colors, ranging from earthy tones in social areas to deeper hues in the library, facilitating smooth transitions and promoting a sense of calm. These color choices are integral to the biophilic approach, mimicking natural landscapes and promoting relaxation. Key biophilic elements, such as repetitive wood millwork, strategic dim lighting, and architectural arches, are consistently applied throughout the space, creating a harmonious and natural flow. The environment is further enriched with draping vines and numerous plant installations, enhancing the lush and vibrant atmosphere. Further emphasizing the connection to nature, the interior features handwoven pendant lights sourced from Rwanda and a rich combination of textures including leather, stone, and steel. The furnishings are carefully selected from global makers, ensuring both aesthetic appeal and ergonomic comfort. The custom modular sofa, Hinchada by OSF, in the back meeting space exemplifies this blend of bespoke design and functionality. The design eschews the sterile, rectangular office aesthetic in favor of a more inviting and inspiring environment. Lisa Markow highlights the intentional use of deeper, richer colors to draw individuals into spaces like the library, where natural light floods the area, creating a cocoon-like and reflective atmosphere. This deliberate design strategy aims to provide a novel and engaging experience for users, encouraging deeper engagement and connection within the collaborative setting. #LisaMarkow #InteriorDesign #OfficeDecor #RockettsLanding #BiophilicDesign #CollaborativeSpace #WorkplaceWellness #SustainableDesign