Oft Interiors "bring a new zest to the Hong Kong design industry"

Holly Hunt, a significant figure in the interior design industry, has been inducted into the 2024 Interior Design Hall of Fame. Born in 1942 in San Angelo, Texas, Hunt initially pursued a career in fashion after majoring in English at Texas Tech. Her early professional experience included an executive training program at Foley’s, a Houston department store, and a role as an assistant buyer in millinery, followed by designing for a costume jewelry company in New York City in 1969. Hunt’s pivotal entry into the design world occurred in 1983 when she acquired R.J. Randolph, a struggling showroom at Chicago’s Merchandise Mart. She rebranded it under her own name, HOLLY HUNT, and embarked on a mission to redefine the showroom experience. Her approach was revolutionary for its time, focusing on elevating customer service, improving product display, and introducing transparency in pricing—a practice that faced initial industry resistance. Hunt curated showrooms that resembled actual living spaces, integrating architectural details, artwork, and a diverse mix of products and styles. She championed established designers like Vladimir Kagan and Rose Tarlow, while also discovering and promoting emerging talents such as glass artist Alison Berger and furniture maker Christian Astuguevieille. The company’s sophisticated branding and marketing materials were developed with the avant-garde graphics studio Thirst, all united by a commitment to superior quality. A key collaboration in the early 1990s was with French furniture designer Christian Liaigre, whose sleek, monochromatic aesthetic resonated with Hunt’s own. Hunt’s company became instrumental in manufacturing and distributing Liaigre’s designs in the U.S., influencing American interior design with rich dark woods and creamy textiles. This partnership gained significant recognition when André Balazs's Mercer Hotel in Manhattan opened with Liaigre-designed interiors in 1997. Hunt’s strategic vision extended to expanding her showrooms, notably opening one in the nascent Miami Design District in 1998. Designed by architect Alison Spear, this showroom deviated from conventional layouts, offering a luxury boutique experience accessible to all. Another Manhattan showroom, intended to open in October 2001, was successfully launched just two months after the 9/11 events, demonstrating Hunt’s resilience and foresight. She navigated the 2008 recession by restructuring her company, which led to the creation of Holly Hunt Modern, a collection that surpassed the profitability of her previous collaborations. In 2014, Knoll acquired HOLLY HUNT for $110 million. Hunt remained CEO for two years, overseeing expansions in Dallas and Los Angeles, and continued as a consultant until 2019. During this period, she undertook design projects such as a penthouse at the Surf Club in Miami Beach. Currently, Hunt leads House of Hunt, a Chicago-based interior architecture and furniture studio, engaging in projects ranging from product design, like the Dune sofa for HOLLY HUNT, to comprehensive home renovations. Her career trajectory is marked by continuous evolution and an adaptability to challenges, consistently eschewing rigid business plans in favor of dynamic engagement. #HollyHunt #InteriorDesign #HallOfFame #FurnitureDesign #ShowroomInnovation #DesignEntrepreneur #LuxuryDesign #ChristianLiaigre #DesignIndustry

The Singapore-based interior design firm, Prestige Global Designs, founded by Michael Ong and Jeremy Tay, has garnered international acclaim for its unconventional approach to design. Both founders bring distinct perspectives to their work, with Ong's early aesthetic sensibilities influenced by portraiture and Tay's unexpected entry into design sparked by the elaborate stage presentation of a Faye Wong concert. This diverse background has contributed to their brand's identity, which prioritizes unique and boundary-pushing designs. Ong and Tay draw inspiration from various sources. Ong admires architect Frank Gehry for his commitment to unique designs, innovative shapes, and materials, particularly highlighting Gehry's Knoll’s Cross Check Chair for its blend of form and function. Tay, on the other hand, is inspired by Godefroy de Virieu, the creative director of Petit H, a Hermès sub-brand that reassembles old or imperfect Hermès products into new forms, emphasizing sustainability and creative reuse. This philosophy translates into Tay's own practice, where he transforms items like chopstick rests into wall art or Hermès scarf rings into drawer embellishments, aligning with Gehry's belief in exploring and pushing creative envelopes. Beyond their professional inspirations, the founders share personal interests that subtly influence their design ethos. Both are food enthusiasts; Ong favors Gattopardo Ristorante di Mare for its unique setting in a shophouse and warm Sicilian hospitality, while Tay, who finds cooking therapeutic, appreciates The English House by Marco Pierre White for its colonial-inspired interior and quality food. They describe cooking as analogous to design, involving a careful balance of ingredients and concoctions. Their work attire, ranging from smart casual to formal, reflects a belief in neatness and respect for their work and clients, with Tay highlighting the subtle elegance of an Hermès Fantome jacket. Their design philosophy embraces both vintage and custom pieces, depending on the project's requirements. They aim to infuse character into their designs, often incorporating vintage items like artworks or armchairs, and are open to re-upholstering sentimental client pieces. An example of this is a vintage art deco lamp with a goose-shaped base found on 1stdibs, which they customized with a new lampshade for a showroom kitchen. In terms of personal development, Ong found guidance in Norman Vincent Peale's 'The Power of Positive Thinking' for navigating challenges and staying goal-oriented, while Tay appreciates Vince Poscente's 'The Ant and the Elephant: Leadership For the Self' for its insights into harnessing subconscious potential. Their travel experiences also offer design insights. Ong recalls the Sofitel Paris Le Faubourg, appreciating the architecture and cooler climate of Paris during winter, citing the Louvre Pyramid and Foundation Louis Vuitton as architectural highlights. Tay's preferred destination is Hilton Tokyo in Shinjuku, valuing Japan's blend of old-world charm and innovation, which provides a balance of relaxation and exploration. For them, a house becomes a home when it fulfills basic functional and aesthetic needs while also providing a sense of safety and relaxation, telling a unique story, and fostering memories. They envision the future of design to be increasingly experiential and digitally integrated, with innovations like 'smart walls' that can transform a room's scenery with a touch, offering greater flexibility and an evolving quality of life. #InteriorDesign #PrestigeGlobalDesigns #LuxuryDesign #DesignInnovation #SingaporeDesign #CreativeProcess #ExperientialDesign #FutureOfDesign

ELLE Decor's 10th anniversary A-List compiles 125 of the most influential and innovative interior designers globally, showcasing their unique styles and notable projects. This extensive list has grown significantly from its initial 25 members in 2010, highlighting a diverse range of talent that consistently inspires with their creations worldwide. The featured designers are recognized for their distinct aesthetics, collaborations, and client portfolios, reflecting the broad spectrum of contemporary interior design. Among the distinguished firms is Aero Studios, founded by Thomas O’Brien, known for its warm modernism and collaborative approach, spanning residential lofts, apartments, and commercial projects like the Sixty Thompson hotel. Alberto Pinto Interior Design, led by Linda Pinto, upholds a legacy of lavish elegance, blending traditional and modern cultural influences in projects for private residences, offices, and luxury transport. Alessandra Branca, with her Italian upbringing, integrates classical beauty with vibrant energy and practicality, evident in her eclectic, colorful work and her book, 'New Classic Interiors.' Alex Papachristidis is recognized for his bold patterns, jewel tones, and exotic accents, having recently curated a Christie’s auction and designed numerous residences. Alyssa Kapito brings a fresh perspective to classic design, appreciating antiques and art in her minimalist projects across Manhattan, the Hamptons, and Beverly Hills. Aman & Meeks, comprising James Aman and John Meeks, leverage their backgrounds in store design and fashion to create elegant, tailored luxury rooms for high-profile clients. Amy Lau Design, established in 2001, is celebrated for warm, expressive interiors with meticulous attention to detail, frequently incorporating natural materials. Apartment 48, founded by color wizard Rayman Boozer, offers energetic and original designs for professionals and startups, known for its boho layers. Ashe Leandro, the New York City firm by Ariel Ashe and Reinaldo Leandro, combines contemporary luxury with natural materials to craft open and timeless spaces for celebrity clients. Axel Vervoordt, the Antwerp-based designer and antiquarian, is revered for his wabi-sabi style, mixing antiquities with modern furnishings for an influential aesthetic. Beata Heuman, a London-based designer, is noted for her whimsical, unexpected approach to interiors, characterized by a Scandinavian attention to detail and longevity. Jeffrey Bilhuber of Bilhuber & Associates offers an all-American take on classic decorating, appealing to clients like David Bowie and Anna Wintour. Brad Ford ID, based in New York, is known for his modern yet warm, elegant, and functional residential interiors, also organizing the biannual Field + Supply makers’ fair. Brian J. McCarthy, drawing inspiration from European culture, creates eclectic spaces rooted in history with a focus on functionality and sumptuous materials. Brockschmidt & Coleman, based in New York City, excel at merging historical references with modern sensibilities for their literati and collector clients. Bunny Williams Interior Design emphasizes classic comfort, combining European antiques with mirrored walls and bold artwork, showcasing her signature patinated luxury. Carrier and Company, the husband-and-wife duo Jesse Carrier and Mara Miller, create chic rooms that blend timeless and contemporary design. Champalimaud Design, led by Alexandra Champalimaud, specializes in luxury hospitality design, crafting spaces with individual character globally. Charlotte Moss, with a background in finance, balances classic decorating principles with modern household needs, inspired by pioneering women. Lastly, Commune, with partners Roman Alonso and Steven Johanknecht, are masters of the new California cool, focusing on handcrafted, holistic designs for homes, hotels, and products. #InteriorDesign #ELLEDecor #Designers #LuxuryInteriors #HomeDecor #ArchitecturalDesign #DesignTrends #GlobalDesign #CreativeSpaces

The article presents an interview with Cliff Fong, founder of Matt Blacke Inc., who discusses the evolving landscape of interior design, client behaviors, and his personal philosophy on style and living. Fong, known for his ability to blend high-end pieces with more accessible items, began his career in fashion before transitioning to interiors. His notable clients include Ryan Murphy and Ellen DeGeneres. Fong observes a significant shift in client behavior, particularly amplified by the pandemic. Many urban dwellers are acquiring properties in more remote locations, such as Wyoming, Maine, and North Carolina, often without prior physical visits. This trend reflects a desire to escape conventional urban life and pursue experiential environments or reconnect with their roots in smaller towns. Clients are increasingly using their second or third homes to create meaningful experiences for their families, demonstrating a growing sense of goodwill and generosity in how they approach their living spaces. Another key theme Fong highlights is the increasing appreciation for nature as a luxury. With growing awareness of climate change, access to and enjoyment of nature are becoming more exclusive. Fong, who draws inspiration from the architectural and sculptural qualities of nature, notes that clients are now seeking his expertise not only for interior spaces but also for designing and defining their outdoor living areas, recognizing that life extends beyond the indoors. The interview delves into Fong's long-standing professional relationship and friendship with Ellen DeGeneres. He describes her approach to moving and redesigning homes as a hobby, driven by a deep love for design rather than financial investment. Fong emphasizes that DeGeneres focuses on creating beauty and reimagining properties, treating each project as an opportunity to transform a space. This perspective underscores a client mindset that prioritizes aesthetic fulfillment and personal enjoyment over purely monetary gains. Fong also addresses the challenges of financial freedom in a consumerist society. He notes that clients with significant wealth often accumulate possessions without critical consideration, leading to a feeling of being overwhelmed by their belongings. This behavior, facilitated by the ease of online shopping, can bypass the essential questions of necessity, desire, and meaningfulness. Fong suggests that the ability to acquire things instantly can sometimes detract from a thoughtful connection to one's possessions. The discussion then shifts to Fong's passion for discovery, particularly through flea markets, which he missed during the pandemic. He describes himself as a "scavenger at heart," valuing the process of finding unique items. He differentiates this sense of discovery from the experience of more established clients, for whom design might be a routine aspect of their multi-property lifestyles. This highlights the varying levels of engagement and personal connection clients have with the design process. Fong elaborates on his "high/low" approach to style, which he applies to both fashion and interior design. He views fashion at its highest level as an art form and a means of communication, where self-knowledge dictates personal expression. He advocates for mixing high-end pieces with vintage finds and everyday items, such as a Prada garment with Gap chinos, to create a fresh and unique look. This philosophy extends to his interior design work, where his objective is to craft unique and personal spaces that communicate the essence of the family living there. Using an analogy of getting dressed, Fong explains his method for "dressing a room." He compares a rug to a pair of jeans, a foundational element upon which other pieces can be built. A refined sofa is akin to a tailored sport coat, while an overstuffed sofa is like a comfy sweater, all interchangeable on the same base. Accessories like pillows, throws, and lamps serve as seasonal accents, allowing a room to be adapted based on mood or time of year. This analogy underscores design as a dynamic, layered, and personal process. Finally, Fong distinguishes between collecting and hoarding, humorously noting that the difference often lies in the zeros in a bank account. He shares his experience working with clients who possess extensive art collections rivaling the value of their real estate. His role involves an editing process to find commonalities between art and furniture, arranging diverse possessions to create a cohesive collection rather than a chaotic accumulation. He appreciates visual stimulation but emphasizes the importance of thoughtful curation to avoid an overwhelming environment.

The Lost & Found OōEli store in Hangzhou, designed by B.L.U.E. Architecture Studio, represents their second collaboration with the lifestyle brand 'Lost & Found.' This project is situated within OōEli, a comprehensive art park in Hangzhou, developed by Renzo Piano, which integrates offices, art spaces, retail, design hotels, and exhibition areas. Lost & Found is known for offering solid wood furniture, ceramics, utensils, fabrics, and plants, all contributing to a cherished daily life. The design philosophy behind the OōEli store aims to extend the brand's core concept of 'home' into a retail environment, fostering a sense of familiarity and appreciation for everyday objects. The spatial design of the 225 square meter store emphasizes materiality, natural textures, and artisan craftsmanship, aligning with Lost & Found's commitment to art and daily life. The architects sought to create a retail experience that transcends a typical showroom, instead offering a space that feels like a home where products are naturally integrated into living scenarios. This approach allows customers to envision how these items might fit into their own homes, enhancing the connection between the brand's offerings and personal lifestyle. Key design elements likely include the use of natural wood, reflecting the brand's furniture focus, alongside other organic materials that evoke a sense of warmth and authenticity. The layout of the store is presumably organized to guide visitors through different 'rooms' or vignettes, each showcasing a curated collection of products within a simulated domestic setting. This experiential design encourages exploration and interaction, making the shopping process more engaging and less transactional. B.L.U.E. Architecture Studio's design for the OōEli store is a response to the brand's ethos of valuing craftsmanship and the aesthetics of everyday living. The project is an example of how architectural design can effectively translate a brand's philosophy into a physical space, creating an immersive environment that resonates with its target audience. The store's location within OōEli, a hub for art and design, further reinforces its positioning as a destination for those who appreciate thoughtful design and quality lifestyle products. #RetailDesign #InteriorDesign #LifestyleBrand #Materiality #ArtisanCraftsmanship #HangzhouArchitecture #ExperientialRetail #BlueArchitectureStudio

Interior designers regularly travel to industry events, antique markets, and design shows outside their local area to gather inspiration, discover new resources, and ensure their work remains fresh and dynamic. This practice is considered essential for keeping up with evolving product libraries and design trends. For instance, Lauren Thorpe of Bonboni Interior Design traveled to Les Puces de Saint-Ouen in Paris to immerse herself in history and diverse cultures, finding inspiration for her projects. Similarly, Kelly Johnson of Kelly Johnson Design emphasizes that exposure to new products and resources is vital for maintaining a dynamic portfolio. Traveling to these events necessitates meticulous planning, especially regarding accommodations, which can book up quickly, sometimes a year in advance, particularly for popular gatherings like High Point Market in North Carolina, as noted by interior designer Marci Marsh. David Deatherage, another interior designer, frequently attends Modernism Week in Palm Springs, California, drawn by its focus on mid-century art and architecture and the opportunity to continuously learn new things. He advises booking tickets for lectures and tours at least a month or two in advance due to high demand. Deatherage particularly appreciates tours of iconic architectural sites, such as the Albert Frey house, which incorporates natural elements like a boulder within its design. These excursions provide designers with fresh perspectives and ideas that might not be available in their immediate geographic area, fostering creativity and innovative approaches to their projects. Logistical considerations are paramount, especially when purchasing items from these events. April Jensen of ADJ Interiors, who frequently visits the Round Top Texas Antique Market, highlights the challenge of transporting large purchases. Dealers at such markets often do not offer shipping services, requiring attendees to arrange for their own transportation, such as renting a box truck or U-Haul. Thorpe faced similar challenges in Paris, initially limiting her purchases to small, portable items that fit in her luggage. However, she discovered that dedicated services exist in Paris's vintage markets to collect tagged furniture and arrange international shipping, a service she plans to utilize for future, larger acquisitions. Designers generally recommend traveling at least once a year, or even quarterly if feasible, to remain abreast of industry developments and broaden their creative horizons. While St. Louis offers a variety of resources, the consensus among these designers is that exploring different cities provides invaluable exposure to diverse histories, architectural styles, and design influences. Deatherage points out the distinct “California vibe” of Palm Springs, with its strong mid-century and Hollywood Regency influences, as an example of how regional differences can spark new ideas not found in the Midwest. Laurie LeBoeuf of Castle Design, reflecting on her experience at Deco-Off in Paris, notes that inspiration comes not only from organized events like lectures and product presentations but also from the city itself—its hotels, restaurants, gardens, and even simple streetscapes. This continuous engagement with external design environments ensures that designers can offer their clients unique and cutting-edge solutions, incorporating elements and trends sourced from a broader, global context. The investment in travel is seen not merely as an expense but as a crucial component of professional development, enriching their design perspectives and capabilities. By actively seeking out diverse experiences and resources, these interior designers ensure their work remains innovative and deeply informed by a wide array of cultural and historical influences, ultimately enhancing the quality and distinctiveness of their projects. #InteriorDesign #DesignInspiration #IndustryEvents #Travel #DesignTrends #ProfessionalDevelopment #MarketResearch #GlobalDesign #CreativeProcess

Dezeen Showroom has unveiled 14 new products this week, featuring a diverse range of furniture, lighting, and finishes for both commercial and residential projects. Among the highlights is the "Technicolour" textile collection by graphic designer Peter Saville for Danish brand Kvadrat. This collection draws inspiration from the colorful sprays used by farmers to mark sheep, translating this rustic aesthetic into a series of vibrant handwoven and robot-tufted rugs with color spots, iridescent curtains, and upholstery made from British sheep's wool. Saville describes the collection as bringing "the industry of the land, in raw form, into the living environment," likening it to "rural graffiti." Other notable product additions include the "Mouro" lamp, designed by Patricia Perez for Case Furniture. This portable and rechargeable table lamp, suitable for indoor and outdoor use, features a disc-shaped LED light that rotates 360 degrees, enclosed within a rectangular frame that doubles as a handle. Rainlight's "Phlox" collection for Okamura offers a comprehensive range of seating and tables, including conference chairs, lounge chairs, high stools, and five table shapes. The collection, characterized by its gently undulating silhouettes, is inspired by the petals of the night-blooming phlox flower. For storage solutions, Bruno Rainaldi's "Ptolomeo" bookshelf for Opinion Ciatti is designed to emulate the appearance of books stacked in high piles while providing structural stability. Named after the founder of the Library of Alexandria, this stainless steel shelf is available in black, white, or Corten effect lacquered finishes. Dedar introduces two new textile collections: "The Art of Jacquard" and a "Textile wall covering collection." The Jacquard collection features ultra-thin yarns woven directly into the fabric to create rich patterns, including tropical bird motifs, nature-inspired designs, bold graphics, and abstract floral landscapes. The wall covering collection, inspired by grand tapestries, includes four patterns, such as screen-printed illustrations on linen and classic weaves of jute and linen, aimed at creating a cozy atmosphere. The "Hymn" lamp by Hiroto Yoshizoe for Ambientec is another portable and durable lighting option for indoor and outdoor settings. It employs two magnets to create constant oscillations, producing a flickering effect reminiscent of a candle flame. GamFratesi's "Beetle Chair," available through Suite NY, has been re-released with four new upholstery options in neutral shades, alongside black or brass leg finishes. John Pawson's "Frame" dining table for Nikari, originally designed for his own farmhouse, is a minimalist piece made from responsibly sourced ash or oak wood with a natural oil finish, boasting a lifespan of over 100 years. Alegre Design's "Talent" desk for Actiu is a versatile, mobile, and height-adjustable workstation designed for educational and training environments, featuring a dry-erase worktop that functions as a whiteboard when folded. Finishes also see new additions with CDUK's expanded "Corian Solid Surface" range, now available in a broader spectrum of neutral and warm colors. This material is lauded for its hygienic, durable, abrasion-resistant, and fade-proof qualities, making it suitable for both commercial and residential applications. Forbo Flooring Systems introduces "Marmoleum Linear," a carbon-neutral, plant-based linoleum flooring made from linseed oil, waste wood flour, and jute, designed to mimic wood with irregular grey and neutral stripes. ADEX presents the "Habitat" tile collection, a sustainable ceramic option for interior walls made with 55 percent white-body ceramics for enhanced durability. Lastly, Decocer's "Crag" tiles offer a family of porcelain tiles that replicate the look of stone and weathered steel, suitable for indoor and outdoor walls and floors, characterized by an industrial aesthetic and textured matte finish. #ProductLaunch #InteriorDesign #FurnitureDesign #TextileDesign #LightingDesign #SustainableMaterials #DesignInnovation #HomeDecor #WorkplaceSolutions

Nicole Roby, a Birmingham-based interior designer, has launched a new lifestyle brand called Rome Curate. The brand offers a diverse collection of home furnishings, décor, and skincare products designed to be both timeless and functional for everyday living. Roby, a mother of three young children, emphasizes the durability and ease of maintenance of her products, ensuring they can withstand daily use and spills. The Rome Curate collection features custom furnishings and carefully selected notable finds that reflect a classic aesthetic. Roby's motivation for creating Rome Curate stemmed from identifying a gap in the market for accessible yet elevated design pieces. Her goal is to provide customers with curated items that facilitate the creation of an elegant living space without sacrificing practicality. She highlights that every piece in the collection is designed with functionality in mind, intended to be lived on and enjoyed. This philosophy is particularly evident in the materials chosen for items like furniture and rugs, which are made to be easily cleaned. In addition to furnishings, Rome Curate offers a hand-picked selection of rugs featuring timeless patterns and colorways, designed to serve as foundational elements for any room. The brand also supports local artists by showcasing their home décor and art, which complement the overall aesthetic of the collection. A unique aspect of Rome Curate is its inclusion of luxurious Korean skincare products. Roby integrates her family's connection to Korean beauty traditions, offering high-end brands known for their exclusive formulations, such as The History of Whoo and O HUI. As the holiday season approaches, Rome Curate is presented as a destination for holiday décor and gifts. Examples of seasonal offerings include Christmas tree door hangers made with solid brass and real leather, as well as stylish candles and the aforementioned luxury skincare products, suitable for stocking stuffers. To celebrate the launch, Rome Curate and Nicole Roby Designs are hosting a giveaway for a $5,000 gift card towards home furnishings and rugs, coupled with a two-hour design consultation worth $500. The brand's products are available online through their website and by appointment at their showroom located at 3409 5th Ave S, Birmingham, AL 35222. #RomeCurate #NicoleRobyDesigns #InteriorDesign #LifestyleBrand #HomeFurnishings #HomeDecor #Skincare #BirminghamBusiness #HolidayShopping

The fierce competition for employees in a tightening labor market necessitates innovative strategies for attracting and retaining top talent. Companies are increasingly focusing on branding and enhancing the employee experience within the workplace. A growing trend among interior designers is the integration of living green walls, which serve to boost workplace appeal, energize spaces, and align with contemporary employee preferences. Attracting Millennial employees is a key driver for this shift. Millennials, who represent a significant portion of the digitally savvy professional talent pool, exhibit a strong preference for 'green' initiatives. Surveys indicate that a substantial majority of younger generations engage in gardening, are willing to pay more for sustainable products, and consider a company's social and environmental commitments when choosing an employer. This 'green' preference makes sustainable design elements, such as living green walls, particularly attractive. Major companies, including footwear and apparel giant ASICS and the National Geographic Society, are incorporating living green walls in prominent locations. ASICS, for instance, uses a GSky Versa Wall® in its employee break bar, where plant arrangements create a branded logo that can be seasonally updated. The National Geographic Society employs a more naturalistic green wall to reinforce its connection to the outdoors. The adoption of living green walls is also evident across diverse sectors, including healthcare, law, corporate offices, hospitality, and retail. Technology companies like Etsy, Mashable, AWeber, Microsoft, Google, and Twitter have also installed GSky® Versa Walls®, further signaling the appeal of these features to a tech-savvy demographic. Beyond aesthetics, green design, particularly biophilic design, offers substantial benefits for office productivity. The concept of biophilia, proposed by biologist E.O. Wilson, suggests a human genetic predisposition to connect with nature. Research supports the Biophilia Hypothesis, demonstrating that exposure to natural settings promotes stress recovery, induces positive emotional shifts, enhances high-order cognitive functioning, and increases creativity and productivity. Therefore, living green walls provide psychological benefits, with their calming colors reducing stress at an individual level, which translates to organizational advantages. Furthermore, living green walls contribute significantly to employee health. Plants in these walls actively remove airborne toxins, such as formaldehyde, carbon monoxide, ozone, toluene, and benzene, and can reduce particulate matter by up to 20%. Improved indoor air quality can lead to fewer illnesses like colds and headaches, potentially reducing sick days and enhancing overall efficiency. The cumulative effect of biophilic design, encompassing both mental and physical well-being, can lead to healthier, happier, and more productive employees, thereby aiding in talent retention. However, implementing living green walls requires careful consideration. While they address issues prevalent in modern office designs, such as sound absorption in open-plan spaces, maintenance is crucial. Some systems, like the GSky® Versa Wall®, are designed for high water efficiency, requiring irrigation less than once a week. Nonetheless, ongoing maintenance is essential, and clients should ensure that living green wall providers offer support and plant guarantees post-installation. Living green walls, therefore, represent a sustainable and flexible option for architects and interior designers to create engaging, healthy, and productive corporate environments, aligning with both corporate branding and the growing preference for natural elements in the workplace. #Biophilia #GreenWalls #OfficeDesign #EmployeeExperience #WorkplaceWellness #MillennialPreferences #SustainableDesign #CorporateBranding #InteriorDesign

Daniel Lalonde, CEO of Design Holding, a prominent luxury multibrand group in the high-end interiors market, outlines his strategic vision for the company's future, focusing on making the experience of purchasing high-end interior products more accessible. Design Holding, established through Investindustrial's acquisitions of Flos (2014), B&B Italia (2015), and Louis Poulsen (2018), has expanded its portfolio to include nine brands, such as Maxalto, Azucena, Arclinea, Fendi Casa, Audo, and Lumens. This consolidation has positioned the group as a significant entity in design-led, luxury interior products, operating in over 130 countries with ten manufacturing facilities. Lalonde, who assumed the CEO role in late 2021, brings extensive experience from luxury multi-brand companies like LVMH, Louis Vuitton, Ralph Lauren, and SMCP. He acknowledges the transition from high fashion to interiors as a "leap of faith" but recognizes commonalities in heritage, craftsmanship, and the use of top designers. The company's brands collectively boast an extensive collection of works from celebrated designers, including modern classics by Achille and Pier Giacomo Castiglioni, Poul Henningsen, Arne Jacobsen, and contemporary pieces by Tobia Scarpa, Antonio Citterio, Philippe Starck, Naoto Fukasawa, Jasper Morrison, and Piero Lissoni, among others. The group also actively seeks emerging design talent. A key aspect of Lalonde's strategy involves shifting the sales model to be more consumer-centric. Historically, over half of Design Holding's business relied on wholesale channels. To address this, the company has opened a 25,000 sq ft retail center at 135 Madison Avenue in New York. Designed in part by Lissoni & Partners, this flagship store provides distinct spaces for each brand, offering a comprehensive multibrand experience. This move aims to engage architects and designers, who significantly influence furniture sales (up to 45% in the US), by providing an immersive environment for both professionals and consumers to make informed decisions. Technological advancements are also integral to the strategy, with new e-commerce platforms and a configurator app being developed for individual brands. However, Lalonde emphasizes the importance of physical interaction with products, which the Madison Avenue store facilitates. The company is also exploring other innovative showcases, such as the West Coast model home at the Mandarin Oriental Residences in Beverly Hills, which features B&B Italia products exclusively. Lalonde's role includes maintaining the distinct identity and character of each brand while fostering collaboration. He highlights the complimentary nature of the brands, noting, for example, the different design DNA between a B&B Italia sofa and a Maxalto sofa. Collaborative efforts among contract teams across brands are encouraged, especially for large projects. The group includes Italian brands (B&B Italia, Maxalto, Azucena, Flos, Arclinea, Fendi Casa), Danish brands (Louis Poulsen, Audo), and the San Francisco-based Lumens. Sustainability and ethical practices are central to Design Holding's environmental, social, and corporate governance (ESG) strategy. The company prioritizes product longevity, quality, ease of maintenance, and repairability. They also focus on sourcing sustainable and ethical supply chains, with benefits extending across all nine brands, such as sourcing wood from certified forests. The preservation of traditional manufacturing techniques and skills is also a priority, with investments in technical schools in Italy to ensure the continuity of craftspeople. The company is also targeting expansion into new markets, particularly Asia, where there is a large luxury market but a relatively nascent high-end design market. Plans are underway to open stores in China, as Design Holding aims to bring the enduring value of design to a global audience. #DesignHolding #LuxuryInteriors #FurnitureBrands #RetailStrategy #DanielLalonde #SustainableDesign #GlobalExpansion #DesignInnovation #Craftsmanship

This article explores the intersection of Feng Shui principles and manifestation, offering five expert tips to curate a home environment that supports personal growth and goal attainment. It posits that a well-designed living space can actively contribute to a positive mindset and attract desired outcomes. The initial step emphasizes the importance of decluttering, aligning with Feng Shui's primary commandment of removing stagnant energy. Holistic interior designer Gala Magriñá explains that editing possessions to retain only what resonates with one's current identity and future aspirations creates vital space for new opportunities. Maintaining a clutter-free home is presented as essential for inviting new experiences and avoiding limitations imposed by outdated items. The second tip highlights the significance of focal points in every room. Amanda Gibby Peters, founder of Simple Shui, suggests that each space should feature a striking element that captures attention, whether through vibrant colors, oversized decor, or objects of intrinsic beauty. These visual cues are intended to reinforce a sense of self-worth, courage in pursuing dreams, and the belief in an abundant life. The article clarifies that focal points do not always have to be traditional elements like a television and encourages creative expression. The third recommendation focuses on the intentional curation of art, particularly in the bedroom, a space central to daily manifestation. Given that the bedroom is where individuals rest, dream, and awaken, its environment is crucial for setting a conducive tone. Beyond adhering to traditional Feng Shui advice regarding bed placement and nightstand harmony, Peters advises selecting art for the wall opposite the bed with specific goals in mind. This ensures that the first and last images seen each day reinforce personal aspirations, leveraging these powerful moments of transition between conscious and unconscious states. The fourth piece of advice encourages embracing significant changes within the home to trigger substantial shifts in life. While minor adjustments can gradually alter a home's energy, a bolder approach, such as introducing an accent wall with positive colors or completely redesigning a bedroom layout according to Feng Shui principles, can lead to more profound transformations. This proactive approach to design is presented as a catalyst for breaking old patterns and manifesting new realities. Finally, the article underscores the principle of assigning purpose to every corner of the home, aligning with the foundational role of intention in both manifestation and Feng Shui. Amanda Gibby Peters stresses that every room should have a clearly defined function, and its elements should support that purpose without haphazard arrangements. For instance, in a bedroom, the bed should be the central focus, free from clutter on dressers or nightstands. This intentional organization helps guide visual focus, fostering an environment that actively supports desired experiences and lifestyle changes. The article concludes by suggesting resources for those new to Feng Shui and manifestation, emphasizing the importance of clear objectives and aligned actions. #FengShui #InteriorDesign #Manifestation #HomeDecor #Decluttering #HolisticDesign #Mindset #PositiveEnergy #GoalSetting

The November 'Zeitgeist Edit' highlights a shift in the interior design industry, emphasizing the growing desire for immersive, experiential design over purely digital interactions. This month has seen a surge in brick-and-mortar offerings, designer apartments, and unique sources for home decor, reflecting a collective craving for tangible experiences in design exploration. A significant trend observed is the rise of 'Suite Living,' characterized by designer show apartments and hotel suites that offer immersive style showcases. London, a city not traditionally known for this concept due to its architectural stock, has recently unveiled two notable collaborations. Uchronia, in partnership with Pantone, designed a hotel suite at the Oriental Hyde Park during Frieze Week, infusing a traditional setting with fantastical designs inspired by the color celadon. Simultaneously, Róisín Lafferty collaborated with Artemest to transform a minimalist new-build apartment in the Ambassador Building at Embassy Gardens, injecting vibrant color and playful forms to redefine its character. Another emergent concept is that of 'Third Spaces,' which extends beyond traditional home and work environments to include places where people linger and engage. This month, the discussion around third spaces has gained traction, informing the design of independent concept stores and coffee shops in London. Even major retailers like John Lewis have introduced 'Lounge' concepts, providing members with spaces to relax amidst bustling shopping environments. A specific example is BOYS! BOYS! BOYS! on Warren Street, a wine bar and bookshop that also serves as a community hub for events, offering a physical space for connection and cultural engagement. The article also points to 'Dinner and a Show' as a burgeoning theatrical interior trend, particularly evident in the recently re-opened Wild Cherry restaurant in New York. This establishment, part of the restoration of the Cherry Lane Theatre and spearheaded by A24, offers moody, Art Deco-inspired interiors alongside live performances. The restaurant's design creates a dramatic and immersive dining experience, reinforcing the idea that interiors are becoming increasingly theatrical and integrated with performance art. Conversely, the trend of 'Traveling on Hand Luggage' is noted as being on the decline. The previous allure of minimalist, spontaneous travel is giving way to a preference for a more luxurious 'golden age of travel' aesthetic. This is reflected in the design world's embrace of travel trunks as functional home furniture, exemplified by La Erre's installations at the London Design Festival, and luxury accessories like RIMOWA's cocktail sets within its suitcases, suggesting a return to more elaborate and comfortable travel experiences. Finally, the 'Online Only' shopping model is experiencing a downturn, as consumers increasingly seek out physical retail experiences for interior design purchases. The opening of Bert & May's 'The Mix' in East London, a concept store housing various interiors brands like Farrow & Ball and Pluck, signifies a demand for tangible shopping environments where customers can touch and feel products. Similarly, Matilda Goad's MG&CO; on Ebury Road, a hardware and lighting store with charming, retro interiors, illustrates the appeal of brick-and-mortar shops that offer an enjoyable and immersive browsing experience, contrasting with the impersonal nature of online transactions. The article also highlights the growing acceptance and quality of artificial plants, with brands like Fake It now making high-end faux foliage accessible to the public, previously only available to designers. #DesignTrends #InteriorDesign #HomeDecor #ExperientialDesign #RetailSpaces #LuxuryTravel #ThirdSpaces #TheatricalInteriors #BrickAndMortar

After a period dominated by a folksy aesthetic characterized by rustic wood, quilted textures, and rough-hewn elements, the design world is experiencing a shift. Recent design exhibitions and product launches suggest a resurgence of industrial minimalism, drawing inspiration from the high-tech style of the 1970s and 1980s. This movement, originally defined by architects like Renzo Piano and Richard Rogers through 'inside-out' buildings that exposed their mechanical workings, advocated for industrial materials and utilitarian objects as aesthetic choices within residential spaces. Joan Kron and Suzanne Slesin's 1978 book, 'High-Tech,' documented this trend, highlighting the use of out-of-context industrial equipment as home furnishings. Key characteristics of this industrial minimalist revival include elements such as laboratory sinks, functional ladders, factory lighting, and exposed pipes. Early indicators of this resurgence are evident in the renewed interest in track lighting and the increasing popularity of stainless steel kitchens. The current economic climate, marked by production delays and rising costs for goods and labor, provides an additional impetus for designers and clients to embrace industrial minimalism. This style often utilizes relatively off-the-shelf components, which can be more accessible and less expensive than bespoke alternatives, without compromising on design sophistication. The trend is manifesting through the incorporation of readily available hardware store staples into interior design. For instance, metal blinds, typically utilitarian, are being recontextualized as design features, such as on interior glass walls in loft spaces. The exhibition “Make-Do,” curated by Marta gallery and Catalog Sale during NYCxDesign, exemplified this ethos by showcasing ad-hoc chairs against a high-tech-influenced scenography. Cat Snodgrass, the designer behind the exhibition's backdrop, utilized prefab materials like aluminum blinds and fluorescent lighting in a disused 1980s medical imaging center, allowing the building's infrastructure to remain exposed. This approach reflects a 'problem-solving aesthetic' that contrasts with the maximalist, studio-craft-focused trends seen previously. Designers like Sarah Burns are also contributing to this movement with collections such as 'Prairie’s Edge,' which blends birch plywood and cold-rolled steel to achieve a refined, industrial aesthetic. The trend is being explored in various settings, including exhibition design, furniture, and retail/hospitality environments. Observations from Milan Design Week noted a broader minimalist resurgence with a particular emphasis on industrial materials, seen in reissued furniture by Joe D’Urso, experimental lighting from Ledongil Workshop, and furniture crafted from lightweight gauge steel by Daisuke Yamamoto. Milan-based Studioutte describes this as an “intellectual minimalism” wave, which they presented through ebonized oak and powder-coated metal seating within a paper-sheathed room, featuring steel-and-plexiglass lighting. Similar stylistic cues were present at the We Are Ona pop-up restaurant during NYCxDesign, where Harry Nuriev designed an environment using readymade folding stools, vinyl-draped tables, and stainless steel tableware in an abandoned office building. Designer Tino Seubert’s use of Kevlar, a typically industrial material, for upholstery in Free Lance’s Paris showroom further underscores this trend, noting its luxurious sheen. While contemporary industrial minimalism incorporates utilitarian materials, it often includes an element of luxury. This is exemplified by the Judd Foundation's release of Donald Judd's stainless steel minimalist tableware in heavyweight Puiforcat silver. In high-end residential interiors, designers like Massimiliano Locatelli integrate linoleum floors, stainless steel kitchens, and industrial-inspired lighting with bespoke elements. Even Vincenzo de Cotiis, known for his opulent interiors, incorporates industrial materials like recycled fiberglass and stainless steel, often juxtaposing them with historic settings. Interior designer Sophie Dries notes that the resurgence of 1990s fashion and music influences is extending to interiors, leading to the acceptance of colder building materials and a blurring of boundaries between luxury and vernacular materials. This allows for a dialogue between non-aristocratic materials like concrete, plaster, piping, and metal blinds with historical pieces or settings. To engage with this trend, exploring restaurant supply stores or industrial suppliers like McMaster-Carr for readily available materials is suggested. #IndustrialMinimalism #HighTechDesign #InteriorTrends #DesignRevival #ArchitecturalDesign #MaterialInnovation #HomeFurnishings #ContemporaryDesign

Brittny Button, an interior designer and real estate investor, discusses her journey in establishing her own business and her unique design philosophy. Her passion for building, architecture, and design naturally led her to open an interior design firm, where she focuses on transforming spaces. Additionally, she realized a long-held dream by opening Button Atelier, a shop within the Agoura Antique Mart. This venture allows her to showcase and sell her collection of vintage furniture, many of which have been revitalized with new upholstery, alongside a curated selection of decorative accessories. Button's distinctive design aesthetic is deeply rooted in Old World European Classicism, with a particular fondness for Spanish architecture and Art Deco-inspired furniture. Her past projects have garnered significant recognition, being featured in prominent publications such as Architectural Digest, Vogue Living, Homes & Gardens, and Living etc. This acclaim underscores her ability to create aesthetically pleasing and functional living environments. A notable challenge she identifies in her work is the difficulty of assembling a cohesive on-site team, including project managers, contractors, and subcontractors, who fully grasp and align with her design vision. She emphasizes the importance of shared understanding, even suggesting that it is better to disengage from a project if the team is not in sync, to ensure the integrity of the final outcome. Button Atelier is envisioned as an evolving 'workshop' or 'studio,' extending beyond a traditional interior design firm, with various exciting projects anticipated for completion later in the year. When asked about local recommendations, Button suggests visiting the Pacific Design Center in LA to explore new home furnishings. For family outings, she highlights the playground at Malibu Country Mart, often combined with lunch at one of the local restaurants. She also enjoys browsing CB2 Design Shop in Malibu for new arrivals. For unwinding with friends, Soho House and Nobu in the same vicinity are her preferred spots. She acknowledges the significant impact of recent fires on the Malibu area, expressing empathy for affected families and businesses, and offering her design services at free or reduced rates to support those who have suffered losses. Button attributes much of her success and development to the influence of her parents, who fostered her artistic eye from a young age through their shared passion for collecting antiques and architectural history, particularly Art Deco. Accompanying them to flea markets and estate sales instilled in her a joy for discovering and reimagining vintage pieces, a practice she has maintained throughout her life. She recalls acquiring a vintage chandelier and mirror for her bedroom in high school, marking the beginning of her fascination with reclaimed items. Her husband, Jenson Button, is credited as a constant source of support over the past decade, granting her full creative freedom in their home renovation projects and bolstering her confidence in her design capabilities. Her four-year-old daughter, Lenny, also expresses an interest in following in her mother's footsteps, aspiring to design houses. #InteriorDesign #RealEstateInvesting #Entrepreneurship #DesignAesthetics #VintageFurniture #ArchitecturalDesign #SmallBusiness #CreativeProcess

This article offers a firsthand account of the NYCxDESIGN event, with a particular focus on the International Contemporary Furniture Fair (ICFF) and its associated showcases, WantedDesign and The Crossroads. The author, a senior home guides editor, shares insights into emerging design trends and noteworthy exhibits from various designers and studios. The journey begins with a visit to Artemest Galleria in Chelsea, where Milan’s Dimorestudio transformed the space into a unique installation. The studio, inspired by American office aesthetics from movies like 'The Apartment' and 'Nine to Five,' presented furniture pieces within a moody and sensual environment. A surprising highlight was the prevalence of wall-to-wall carpeting, specifically a Pierre Frey design meant to evoke a timeworn forest floor, signaling a potential resurgence of this flooring style. Lighting designs also captured attention, with the Pizzo floor lamp noted for its playful yet elegant presence and structural tension. Other pieces at Artemest Galleria included a coffee table made of recycled cork, a velvet and smoked glass bench, and a large lacquered screen. The narrative then shifts to the bustling Javits Center, home to ICFF and WantedDesign. The author notes a stark contrast between the quiet elegance of Artemest Galleria and the vibrant energy of the trade show. Among the exhibits, Zieta Studio from Poland showcased iridescent metal mirrors and unique air-inflated steel chairs and stools. A moment of respite was found in the mustard yellow Ligne Roset lounge, featuring iconic Togo sofas, which provided a comfortable break for fairgoers. The Crossroads, an immersive installation curated by David Rockwell and Pei-Ru Keh, featured innovative designs, including a chair by Liam Lee crafted from hand-felted merino wool on a poplar frame, praised for its unique, coral-like appearance and its ability to provoke thought about the essence of chair design. Further exploration led to Forces at Play, a design collective presenting a debut collection of five pieces, including a bench, coffee table, wall mirror, and the standout Tortoise chair, described as a soft, cloud-like blob upholstered in vegan sheepskin. The article also highlights sustainable furniture, specifically a compostable chair by Samindaman from RISD's 'Rewilded Domesticity' show. Made from postconsumer paper pulp, corn starch, and woven cotton, this lightweight yet sturdy piece offered a hopeful vision for environmentally friendly furniture disposal. Nteje Studios presented the Ozo chair, a piece handmade in Nigeria, embodying a rich cultural narrative and demonstrating a movement away from fleeting trends. Lighting innovations continued to impress, with D'Armes from Canada showcasing curvy, neon-like LED tube lights, and NJ Roseti featuring an intricately constructed lamp and chair made from wood veneer, set against a plush, cookie monster-adjacent carpet. Fefostudio, in collaboration with Déjate Querer, introduced felt rugs with organic shapes and topographical textures, suitable for various spaces. The article concludes with the Amadeus Chair by Wang Yichu, a piece inspired by Mozart and constructed from materials reminiscent of HVAC systems, yet possessing a regal aesthetic that challenged conventional expectations of design and material. The overall impression from the various exhibitions was a diverse landscape of design, ranging from the unexpected return of wall-to-wall carpeting to innovative, sustainable, and culturally rich furniture pieces, all contributing to a vibrant and thought-provoking design week. #NYCxDESIGN #ICFF #WantedDesign #Dimorestudio #WallToWallCarpeting #DesignTrends #FurnitureDesign #LightingDesign #SustainableDesign #ModernInteriors

Nicole Roby, a Birmingham-based entrepreneur, initially established a successful interior design business in 2019, undertaking a variety of projects including high-end residential designs, commercial ventures in Downtown Birmingham, and designs for tech companies like Shipt. Driven by a desire to expand her offerings beyond traditional interior design, Roby launched Rome Curate in the fall of 2023. This luxury lifestyle brand aims to provide a comprehensive range of products for the home and personal well-being, reflecting a holistic approach to curated living. Rome Curate's product line is diverse, featuring custom home furnishings, decor, skincare, fashion accessories, art, and photography. The brand manufactures its own furniture in North Carolina and produces designer rugs. Roby's passion for Korean skincare, influenced by her family background, led to its inclusion in the brand's offerings. Additionally, her interest in fashion inspired the inclusion of various leather products. The brand also sources unique items from markets, such as wine glasses and luxury towels, to provide a broad selection beyond typical furniture and home decor. A key distinguishing factor for Rome Curate is its emphasis on community engagement. Roby hosts warehouse events to foster direct interaction with customers. These events offer opportunities for individuals who might not require full design services to access specific items like chairs or sofas. The events also feature special buys, including gently used furniture and market samples, providing customers with access to good deals. These events are planned to occur monthly, reinforcing the brand's connection with its local community. Roby offers practical advice for individuals struggling with home decoration, emphasizing the importance of starting with foundational pieces. She suggests selecting one high-quality, timeless item as a starting point, around which the rest of the room can be built. Accessories can be added later to introduce different vibes or update the room's aesthetic. This approach advocates for a gradual and thoughtful curation process rather than an overwhelming overhaul. Looking ahead, Rome Curate is continually expanding its product categories. The brand plans to launch a headboard and upholstered bed program in early fall, alongside a variety of bedding ensembles and pillows designed to complement these new offerings. Roby's entry into interior design was influenced by her mother, who is also in the industry, and her lifelong passion for fashion. She appreciates Birmingham for its blend of big-city amenities and small-town community feel. Outside of work, Roby enjoys spending time with her family, including her husband, Chris Roby, and their three children, William, Beau, and Olivia, engaging in activities such as fishing at Lake Wedowee and family golf tournaments. She also finds time for binge-watching TV shows and follows celebrity gossip. Her favorite local shopping destinations include Children’s Edit for kids' clothing and Le Weekend for personal fashion. Favorite local restaurants include Le Fresca, Gianmarco’s, and Chez Fonfon. Roby credits a piece of advice—that hard work leads to luck—as a guiding principle in her entrepreneurial journey, highlighting the payoff of dedication. Aside from faith, family, and friends, she considers O HUI makeup remover wipes, an eyelash curler, and lip balm as essential items. Her recent reads include "The Silent Patient," and her bucket list travel destination is Jackson Hole, Wyoming. She also highlights The Hidden Park in Crestline as a favorite hidden gem in Greater Birmingham. #InteriorDesign #HomeDecor #LuxuryLifestyle #Entrepreneurship #BirminghamBusinesses #DesignTips #CommunityEngagement #SmallBusiness