Your Complete Guide to Parisian Interior Design, Straight From Designers

This article explores a New York home designed by Ania Dunlop, founder of Home for Zen, which draws significant inspiration from modern Parisian aesthetics. The renovation aimed to blend Parisian chic with a Mediterranean setting, resulting in a vibrant, modern, and sophisticated family home. The residence, located near NYC, underwent a complete gut renovation to harmonize clean lines, luxurious textures, and a soft color palette while preserving its original grandeur and architectural elements. The design emphasizes a unique fusion of styles, celebrating both traditional elegance and contemporary flair. One of the key lessons highlighted is the enhanced Parisian flair achieved through the strategic incorporation of art. Ania Dunlop prioritized modern art and murals to inject a sense of 'happiness and youthful energy' into the space, creating a balanced and inviting ambiance. The collection includes pieces from local galleries, with a notable mention of "Eternal Kate Moss" by Patrick Rubinstein, an interactive three-dimensional artwork that offers dynamic perspectives as viewers move around it. Murals are also utilized as an alternative to traditional wallpaper or paint, serving to transform the mood of each space. For instance, a tropical green wallpaper in the sunroom brings nature indoors, while a monochromatic black-and-white willow mural in the studio adds elegance and tranquility without overstimulation. The second lesson focuses on layered decor for pops of color and curated furnishings. Ania meticulously collected furniture and artworks over time, aiming to fill her home with heirlooms rather than mass-produced items. This approach ensures that every piece tells a compelling story of passions and experiences, making the home feel personal and exquisitely curated. The designer advocates for buying fewer, higher-quality items with a focus on workmanship and sustainability, a philosophy she extends to her clients by introducing them to artisans and handmade pieces. This thoughtful layering of decor contributes to the Parisian flair by creating a sense of timelessness and individuality. Luxe materials form the third essential element of the design. Ania is drawn to modern organic aesthetics that incorporate materials such as marble, ash, rift oak, shearling, mohair, bouclé, and handmade ceramics. These materials are used to create layered and edited interiors that are warm, serene, and authentic. Marble, in particular, is highlighted for its timeless elegance, natural beauty, and reflective qualities that enhance natural light, making spaces feel brighter and more open. The combination of marble with wooden elements, like a walnut floor lamp and an oak side table, adds richness and balance. Textiles such as plush rugs, throw pillows, and upholstery in complementary colors and textures introduce warmth and comfort, providing a contrast to hard surfaces and making the rooms more inviting, as seen with shearling ottomans and textured leather lounge chairs in the living room. The fourth lesson involves a calming color palette. While many Parisian homes feature bright white walls to maximize natural light, this home uses Decorator’s White from Benjamin Moore, a sleek, near-grey shade that brightens the space without strong undertones. The decor then punctuates these white walls with color. The muted color palette is intentionally applied to the ground floor's open-concept layout to create a seamless flow between rooms while still allowing each space to have its unique personality. The design emphasizes simplicity, the incorporation of nature, and the use of textures, soft colors, and modern bright artwork, all contributing to a harmonious feel throughout the home. Finally, the article discusses the preservation and enhancement of architectural elements. The home's traditional ornate crown molding was retained to maintain a grand scale reminiscent of Parisian design. Architectural features like the grand double staircases were streamlined but preserved, and windows were altered to a floor-to-ceiling style to welcome in abundant natural light. This thoughtful integration of existing architectural grandeur with modern design principles breathes new life into the space, marrying timeless elegance with a contemporary flair and creating a cohesive and sophisticated aesthetic. #HomeDesign #ParisianStyle #InteriorDesign #LuxuryMaterials #ArtIntegration #ColorPalette #ArchitecturalElements #ModernHome #NewYorkDesign

Paris Design Week 2024, held from January 18 to 22, showcased a diverse array of new launches in fabric, wallpaper, lighting, and furniture across various arrondissements of the French capital. Despite sub-zero temperatures, the event attracted significant crowds, with St Germain serving as a central hub for Paris Deco Off and Maison Objet In The City, hosting over 100 showrooms, apartments, and pop-up spaces. Key highlights included Dedar Milano's 'Contemporary Archives' collection, which featured an eclectic mix of classical and contemporary styles. Noteworthy were three new interpretations of their woven jacquard tiger’s skin, available in varying scales of deep orange tiger-print fabrics. Sahco, with its 200-year textile legacy, presented designs inspired by 'Neo-classicism in the North,' including 'Deedee' (a graphic polka dot), 'Fiorella' (an epic flower design), and 'Satora' (a vibrant leopard print). Loro Piana showcased new products focusing on personalization for various home areas, displayed in an apartment with Eiffel-designed ceiling beams. Their offerings included customizable tablecloths, placemats, runners, linen napkins with embroidery and openwork, organic cotton and linen bedding, and a cashmere blanket with chevron ribbon options. They also introduced the 'Sils Stripe' rug, handwoven in New Zealand wool, and new indoor fabrics like Harris Tweed interpretation (Hebrides), a cashmere and wool mix (Khangai), a hemp/jute/cotton/viscose blend (Tusco), and an ultra-soft cashmere and linen (Ponente). A selection of outdoor fabrics with high recycled content was also featured. Studio Liaigre presented a capsule collection of five pieces, including seating and lighting, originally designed by Christian Liaigre for Hotel Costes, embodying clean lines and simplicity in neutral palettes. Delcourt Collection celebrated its 30th anniversary with the 'Piece By Piece' series of contemporary furniture and new textiles, reflecting Christophe Delcourt's discreet French excellence, highlighted by the 'Nin' console and the 'Oko' side table. The Socialite Family curated 'La Scopa' in a classic Parisian apartment, drawing inspiration from a centuries-old Italian game. This temporary exhibition featured their latest furniture, homeware, and art, intertwined with items from Puces de Saint-Owen, with the 'Rotondo' modular sofa being a standout piece. Tolix unveiled the completed 'Patio' collection by the late Pauline Deltour, showcased at the Septieme Gallery, extending the iconic galvanized chair line with considered design, material finishes, and colors. Ligne Roset announced a series of 18 designs by midcentury designer Pierre Guariche, to be released through Cinna. Creative director Michel Roset emphasized Guariche's natural fit with Ligne Roset's avant-garde ethos, with pieces like the 'Vallée Blanche' chaise longue expected to launch in May 2024. Project 213A, founded in 2020, debuted at Paris Design Week with sustainable, well-crafted furniture and homeware, including lighting, artisanal ceramics, and handcrafted wooden pieces like the 'Mirror' lounge chair and 'Porto' modular sofa, made by local craftsmen in Northern Portugal. Little Greene introduced 'National Trust Papers IV,' its fourth collaboration with The National Trust, featuring eight wallpaper designs from historic properties in freshly imagined, contemporary colorways. Rubelli, under new creative directors Formafantasma, launched the 'Gardens' collection, a botanical-themed range with literal and abstract designs in sherbet hues. Hermès unveiled a new tableware collection by Benoît-Pierre Emery, featuring fine drawings by Virginie Jamin inspired by equestrian braiding, colored in tangy hues of lemon, mint, and petrol blue alongside natural leather shades. Fromental collaborated with Marta Sala Éditions for 'The New Guilded Age,' showcasing four distinctive wallcoverings—Haiku, Molten, Equus, and Kiku Garden—in curated rooms with Marta Sala Éditions furniture. #ParisDesignWeek #InteriorDesign #FurnitureDesign #TextileDesign #Wallpaper #HomeDecor #LuxuryInteriors #DesignExhibition #FrenchDesign

This blog post showcases a meticulously redesigned Paris apartment, measuring 895 square feet (83 square meters), which exemplifies sophisticated small-space planning. The article details how interior designer Lichelle Silvestry transformed the compact 1909 building into a luxurious and elegant pied-à-terre without compromising on style. The redesign process began with a client's favorite painting, purchased at the Marché aux Puces, which subsequently dictated the apartment's warm color palette. This palette includes sienna, terracotta, plum, rose, and ivory, accented with black for contrast and depth. The living room, despite its modest size, has been cleverly configured to accommodate two distinct seating areas. One area features a bespoke sienna-colored curved sofa, oriented for television viewing, complemented by a unique dark bronze light sculpture designed by Philippe Antonioz, which serves as a central art piece. The other side of the living room adopts a more intimate, boudoir-like ambiance with a custom pink tête-à-tête sofa and two white armchairs arranged around a fireplace. A whimsical touch is added by a white taxidermy peacock named Psyche. The importance of texture is highlighted, with materials like bronze, silk, mohair, linen, velvet, heavy-veined marble, sisal, and jute used to create an illusion of spaciousness and luxury. Custom-made wool and jute rugs by Manufacture Pinton and Dedar fabrics further enhance the tactile experience. Innovative space-saving solutions are evident throughout the apartment. A discreet home office area is integrated into a corner of the living room, demonstrating that functional workspaces can blend seamlessly with the decor. The dining and kitchen areas are separated by a smart paneled and glazed partition wall, reminiscent of a traditional butler's pantry. This partition allows the kitchen to be visually distinct yet harmonious with the adjacent dining space. The dining nook itself features a striking terracotta corner banquette, a contemporary round dining table, and a mirrored backsplash, which amplifies the sense of space. The kitchen is designed with ivory cabinetry to maintain a cohesive aesthetic with the living areas. Despite its small footprint, it includes luxurious elements such as a Lacanche stove and calacatta viola countertops and backsplash. The guest bedroom provides a calm, sophisticated retreat with a neutral palette of ivory and black, while the gilt-framed painting subtly nods to its Parisian setting. The primary bedroom offers a more personalized design, inspired by the client's preference for vintage kimonos and birds. It features De Gournay wallpaper, an Ochre chandelier with Limoges porcelain tiers, and custom-made headboards, bedding, and decorative pillows in Rubelli and Dedar fabrics, with curtains and trimmings by Pierre Frey. The en-suite bathroom combines contemporary black tiles and a freestanding tub with the building's original period window and wrought-iron balcony, creating a balanced blend of old and new. The design choices collectively contribute to an impression of spaciousness and understated French sophistication, successfully addressing the challenges of limited space with thoughtful design and luxurious materials. #ParisApartment #SmallSpaceDesign #InteriorDesign #LuxuryLiving #HomeTour #LichelleSilvestry #SpacePlanning #FrenchStyle #ElegantInteriors

This article explores a Parisian pied-à-terre, designed by Champeau & Wilde, for a young couple seeking a blend of classical and modern aesthetics. Located on the Quai Voltaire, across from the Louvre, the apartment captures the essence of 19th-century Parisian style while incorporating contemporary elements. The interior design studio, Champeau & Wilde, led by Laurent Champeau and Kelli Wilde, is known for its ability to infuse French sophistication into their projects, balancing historical references with modern sensibilities to create harmonious and livable spaces. Their approach involves a subtle alliance of contemporary and classical elements, tailored to clients' desires. The clients' vision for their 1,500 sq ft apartment in Saint-Germain-des-Prés was to evoke a 19th-century feel while ensuring it reflected their personal style and the romance of Paris. The original three-bedroom layout was reconfigured into two bedrooms, featuring an adjoining walk-in closet and a spacious bathroom, optimizing the use of space. The design incorporates quintessential French architectural details, such as crown mouldings and overdoors, which are then given a modern twist through the integration of contemporary art, like abstract collages by Francis Montanier, and modern furniture pieces, such as a zebra-print bench. Champeau & Wilde's signature style is characterized by this interlacing of bold patterns, diverse textures, and contemporary forms with traditional elements. They excel at combining bespoke and vintage furnishings to achieve individuality, emphasizing that schemes that are too uniform lose interest. A key aspect of their design philosophy is the strategic use of color and texture, often featuring splashes of bold hues against neutral, soft backgrounds. For instance, in the living room, a leopard-print rug and a blue sofa provide striking accents against off-white walls, creating visual interest without overwhelming the space. The kitchen maintains a casual yet classical appeal through its neutral palette, while the bedroom also predominantly features neutral tones to foster a calming atmosphere. The master bathroom highlights the designers' strengths in functionality and aesthetic appeal, featuring a his-and-hers sink layout with ample storage. The collaboration between Laurent Champeau, whose style is described as more rigorous and classically French, and Kelli Wilde, who brings a freer and more playful touch, is pivotal to their success. This partnership allows them to deliver comprehensively designed projects that resonate with their clients' aspirations while maintaining their distinctive design ethos. The article showcases how Champeau & Wilde successfully married the past with the present in this Parisian pied-à-terre, creating a space that is both timeless and uniquely personal. #InteriorDesign #HouseTour #ParisianApartment #ClassicalModern #ChampeauWilde #FrenchInterior #HomeDecor #Design

Jean-Christophe Aumas, an art director based in Paris, embraces an instinctive and fluid approach to interior design, viewing his apartment as an evolving laboratory rather than a static space. He frequently rearranges furniture, repaints walls, and groups objects in new configurations, emphasizing that "Nothing is permanent." His Parisian apartment is situated on the ground floor of an 18th-century hôtel particulier in Pigalle, a property that immediately captivated him with its cathedral-like ceilings, intricate plaster moldings, and original herringbone parquet floors during his initial visit in 2016. The stained-glass windows and a small courtyard were particular draws, and these glass mosaics significantly influenced the apartment's vibrant color palette, featuring vivid blues, burnt reds, and punchy lilacs. Aumas notes that this unique characteristic creates the feeling of living in a small garden, a rarity in Paris. Addressing a lack of natural light, Aumas incorporated a skylight in the living room and installed floor-to-ceiling glass doors that open onto the garden. This intentional design choice aimed to blend the indoor and outdoor spaces, fostering a "little jungle" atmosphere where greenery seamlessly extends indoors from the purposefully overgrown outdoor area and an extensive houseplant collection. The interior design subsequently evolved organically, leveraging Aumas’s expertise in creating memorable visual experiences, a skill honed through his work on window displays and set designs for prominent brands like Cartier and Louis Vuitton. For instance, after designing a cobalt-tinted mirror for the fireplace, he extended this hue by painting a vertical block of French blue from the mantel to the ceiling. The kitchen reflects a fusion of Brutalism and Mediterranean influences, inspired by Aumas's trips to Procida, Italy, and his upbringing near Aix-en-Provence. Concrete countertops, reminiscent of London's Barbican building, are juxtaposed with a lavender wall color, evoking Mediterranean summers. To further enhance this contrast, wood salvaged from the renovation was repurposed into kitchen cabinets, left raw and treated only with a matte varnish to highlight its texture. The bathroom maintains this coastal European aesthetic with terracotta tiles from Siracusa, Sicily, laid in graphic stripes. Aumas created a distinct "shower capsule" by painting the upper half of the shower wall in a dusty pink and replacing a traditional glass door with a decorative, cinder block-esque partition. Despite the apartment's vibrant use of color, Aumas considers it minimalist compared to his previous loft, which was entirely painted in bright hues. His current approach focuses on using "just a touch of color in each room." Examples include a cobalt archway and radiator in the library complementing a Moroccan rug, and a sky-blue built-in bookcase in the bedroom against white walls. The dining room, notably, is an exception to the geometric paint treatments. With its high ceilings and plaster moldings, it is bathed in a pale, almost white blue, creating a serene and expansive feel, with only a crimson Moroccan rug anchoring the dining table. The apartment is also deeply personalized through furnishings and art collected from around the world, such as Carlo Scarpa chairs, vintage 1950s ceramics, and a painting by Lara Feldman. Aumas particularly cherishes his Vincenzo de Cotiis sofa, from which he can survey nearly his entire home, underscoring the cohesive and curated nature of his living space. #HomeTour #ParisApartment #InteriorDesign #CreativeDirector #Renovation #ColorPalette #SustainableDesign #BrutalistInfluence #MediterraneanVibe

Friedmann & Versace is an interior architecture studio based in Paris, founded in 2018 by Virginie Friedmann and Delphine Versace. The duo specializes in designing restaurants, bars, hotels, boutiques, homes, and custom furniture, emphasizing a sophisticated 'art de vivre.' Their design philosophy centers on creating a dialogue between historical and contemporary elements, using a blend of colors, materials, and objects from various styles and periods to tell a unique story for each project. Notable projects include eateries like Bistrot Rougemont and Baby Doll. The article features an interview with Friedmann and Versace, discussing their approach to narrative design and their inspirations. They delve into two of their recent restaurant projects in Paris: Matilda and La Riviera. The Matilda project began when a client sought to open an Italian restaurant in a space with large windows and Art Nouveau wooden decorations, honoring his Italian grandmother. The designers aimed to retain these existing features while creating a poetic, dreamlike atmosphere. Their inspiration for Matilda came from Milanese reception rooms, the aesthetic of frescoes aged by time, and the elegance of Italian furniture, blending different eras and styles. For La Riviera restaurant, the vision was to evoke an endless summer and a Mediterranean journey. The design draws inspiration from the Mediterranean coast, the scent of pine trees, enameled, raw, and varnished terracotta, the architecture of cruise ships, and the artistic world of Jean Cocteau. The primary challenge for La Riviera was to construct an immersive environment that transports diners to a different setting, despite its location in a busy Paris neighborhood near Gare du Nord, devoid of a natural seaside view. Friedmann and Versace observe that restaurant design trends have evolved significantly over the past decade, with owners increasingly prioritizing distinct designs. Their narrative design approach involves crafting a unique story for every project, focusing on developing lifestyle spaces with soul and personality. They extend their design work beyond mere decoration to include graphic elements such as logos, menus, signage, and the selection of tableware and music, ensuring a cohesive and perceptible story throughout the customer experience. Their French design heritage significantly influences their work. They express admiration for designers like Charlotte Perriand, Roger Capron for his ceramic paintings, and Madeleine Castaing for her patterns. Their earliest design memories include a Gabriella Crespi bronze and rattan lamp and Charlotte Perriand's furniture for Le Corbusier's La Cité Radieuse. They draw inspiration from industry figures such as Janine Abraham and Dirk Jan Rol, appreciating their collaborative spirit, compositional skills, respect for traditional craftsmanship, and shared creations. Dimore Studio is also cited for their singular projects and adept blending of colors, styles, and eras. Virginie Friedmann describes her own home as a Haussmannian apartment in Paris, characterized by large windows, velvet accents, green-hued lamps, and a mix of contemporary and vintage furniture, ceramics, candles, and plants. The studio has several upcoming projects, including two new restaurants in Paris slated to open by year-end: one designed as an Estancia's winter garden in the 8th arrondissement and another as a warm, elegant country house with a fireplace in the 13th arrondissement. In 2020, they plan to complete two houses near Paris, a skin studio concept, and a showcase at Hotel Lutetia. For leisure reading, both designers enjoy lifestyle magazines, and Delphine Versace recently reread Virginia Woolf's "A Room of One’s Own." #InteriorDesign #RestaurantDesign #ParisianDesign #NarrativeDesign #FrenchDesignCulture #DesignInspiration #FriedmannVersace #HospitalityDesign #ResidentialDesign

CM Studio Paris, led by John Coury and Florent Maillard, undertook the extensive renovation of a 17th-century mansion, Maison Sémonville, located on Rue Quincampoix in the historic Marais quarter of Paris. This mansion, built during the early reign of Louis XIV, draws inspiration from Charles-Louis Huguet de Montaran, the Marquis de Sémonville, who served as France's ambassador to the Ottoman Empire. The property was in a severe state of disrepair, requiring a complete overhaul that included replacing floors and relocating rooms. The design team meticulously preserved original elements like the ancient fireplace and ceiling beams, establishing a foundation for the new design. The studio's approach was to blend vintage aesthetics with contemporary comfort. They curated an array of period furniture, fabrics, and artworks from global sources, alongside antique accessories such as carpets, lamps, and ancient objets d'art, sourced from renowned dealers. This selective curation aimed to imbue the space with a sense of history and grandeur, reflecting a philosophy of patience and diligent searching for pieces that align with their vision. Their design incorporates rich textures and bold colors, diverging from minimalist trends. Velvets, glowing silks, and gold fringe trims with tassels are prominently featured, contributing to a largely Baroque sensibility with touches of Rococo. The designers advocate for the use of color, viewing white as a safe, unadventurous choice. They also integrated contemporary art and exclusive objects into the classical interior, embracing an eclectic style that combines various periods and origins, drawing inspiration from both Eastern and Western influences. The renovation aimed to create an illusion of a space evolved over generations of collectors while ensuring modern conveniences were not compromised. Despite their passion for 17th and 18th-century architecture, the designers prioritized absolute comfort, integrating technological advancements into timeless interiors. Attention was given to fundamental architectural details such as facades, ceilings, the staircase, and living room beams, which were then complemented by antique furniture from the 16th, 17th, and 18th centuries. Notable pieces include a 2nd-century stone statue from Yemen in the dining room and a 17th-century painting depicting Cleopatra and Marcus Antonius, symbolizing the fusion of East and West. The living room serves as the apartment's focal point, featuring a five-meter-high ceiling and a monumental stone fireplace with old French inscriptions. Two large canvases by Italian Renaissance painter Andrea Vicentino, depicting the meeting of Ottoman and Venetian ambassadors and representing the Marquis de Sémonville, adorn the wall above the fireplace. The bedroom balances feminine peachy-pink tones with masculine imagery from a contemporary print by Chinese photographer Shen Wei, and modern elements like a Manhattan lamp by Hervé Isle de Beauchaine. CM Studio Paris emphasizes the excitement of combining old and new, believing that decoration is about reinterpreting space through the interplay of rooms, dimensions, surface and material choices, and object placement. The interiors feature a soft boudoir atmosphere with upholstered armchairs, rugs, Venetian mirrors, trimmings by Declercq, and a Louis XIV wardrobe. The bathrooms, inspired by Ottoman architecture, are finished in red marble. The studio collaborates with historic partners like Tassinari & Chatel for fabrics and Frette for linens, companies known for their long-standing lineage and quality, ensuring authenticity and harmony between the building's historical facade and its interior design. #ParisMansion #VintageInteriors #CMStudioParis #BaroqueDesign #RococoInfluences #AntiqueFurniture #EclecticDecor #HistoricalRenovation #LuxuryInteriors #ArchitecturalDesign

This week, Paris is hosting a diverse array of art and design events, with the return of Art Basel Paris and Design Miami Paris for their third editions. The French capital's historical venues, including _hotels particuliers_ and landmark apartments, are showcasing collectible design that explores experimental and multidisciplinary approaches, from textile-like treatments of solid surfaces to the integration of music with design. This roundup highlights the most compelling design exhibitions available to explore during this period. India Mahdavi presents a triple bill of collaborative exhibitions. Her Project Room #20 features 'Parenchyma,' a solo exhibition by studio Kauani, displaying cactus-shaped sculptural lights, an intimate study of xerophytic plants, created by Inés Llasera and Inés Quezada. Her Tiny Room gallery hosts an exhibition of anthropomorphic chairs by Serban Ionescu, reflecting his Balkan origins and an improvised approach to wood. Additionally, Mahdavi collaborates with culinary collective We Are Ona for _Rose C'est La Vie_, a flower-clad restaurant pop-up with Mexican chef Jesús Durón, whose interiors evoke Mahdavi's iconic APT club in New York. Perrier Jouët returns to Maxim's for the second year with its 'Parenthèse Belle Époque,' transforming the legendary Art Nouveau venue with stained glass windows, Émile Gallé anemones, and vintage posters. This event includes exclusive gastronomic pairings by Maxim's chef Yann Meinsel and Maison Belle Époque executive chef Sébastien Morellon. Charles Zana unveils his new _In Situ_ furniture collection within a 500-square-metre Directoire apartment, formerly home to the Swedish Circle. The exhibition presents a 'fantasy' interior that mixes Zana's works to create an emotional experience rather than just an aesthetic. The display also features a coffee bar by pastry star Yann Couvreur and a soundtrack by Sébastien Tellier and Ray Mang. The Contributions design festival, curated by Anna Caradeuc and Élise Daunay, hosts its second edition, intertwining design and music through five installations. Highlights include Nifemi Marcus-Bello's M2 Shelf with an integrated speaker, in collaboration with La Boîte Concept, and Italian musician Andrea Laszlo De Simone's audiovisual piece _Una Lunghissima Ombra_, accompanied by a natural wine bar and micro-cinema by Harold Mollet and the design collective Metals. The inaugural Salon des Nouveaux Ensembliers, held at the Galerie des Gobelins under the patronage of France’s manufactures nationales (Sèvres and Mobilier national), brings together a new generation of interior architects. Under the theme ‘L’Ambassade de demain’ (the embassy of tomorrow), ten architect-decorators reinterpret diplomatic spaces, focusing on how design can embody representation, openness, and exchange while addressing ecological and social responsibility. Salon 94 Design showcases Massimiliano Locatelli and Fabio Zambernardi's 'Nullus Locus,' a collection of objects featuring embroidery on timber, transforming wooden vessels and furniture into unexpected canvases for floral designs, realized with the expertise of Graziano Ricami. Additionally, 'Un Souffle De Vent' by Yves Salomon Editions X Dimorestudio presents an immersive installation inspired by Georges Perec’s novel _Les Choses_, emphasizing contemplation of objects through tactile surfaces and a rich material palette. Nilufar and Métaphores present 'In The Mood for Touch,' an immersive installation exploring the tactile and emotional potential of interiors through their respective design and textile works. CØR Studio, Harold Mollet, and Monument present 'Im Zwischen,' a group exhibition exploring the 'in-between' as a bridge between historical and contemporary design, featuring a 10-metre light wall by François Chapuis and iconic designs by Ron Arad and Ingo Maurer. LVH Art showcases Donald Judd's minimalist work within a grand Parisian residence, providing a compelling contrast with ornate French interiors. Finally, Invisible Collection and Féau Boiseries exhibit 'Period Rooms of the Future,' where previously unseen Art Deco elements form the backdrop for contemporary pieces, bridging the cultural continuity between the 1920s and today's collectible design. Galerie Patrick Seguin hosts 'Saint Laurent – Charlotte Perriand,' where Anthony Vaccarello has selected and recreated four of Perriand’s lesser-seen works, produced in limited editions from archival drawings and original models. #ParisDesignExhibitions #ArtBaselParis #DesignMiamiParis #InteriorDesign #CollectibleDesign #IndiaMahdavi #CharlesZana #ContemporaryArt #FrenchDesign

Architect Yacine Bensalem, founder of In Situ & Partners, led the renovation of an elegant Haussmann-style Paris apartment situated in the 16th arrondissement. The project aimed to preserve the aesthetic codes of a classic Parisian apartment while seamlessly integrating modern functionality. Drawing inspiration from the apartment’s 19th-century deeds, the renovation meticulously recreated the original rhythms of the space, adhering to Haussmannian rules while incorporating British and Asian influences inherent in the firm's design philosophy. The outcome is a sophisticated and refined living space that highlights exquisite craftsmanship through handmade finishes and custom pieces, all crafted by Italian and French artisans. Bensalem's aesthetic is evident in the subtle fusion of styles. The hallway, for instance, features leather and bronze shelves that introduce a touch of Asian glamour, a theme echoed in the Japanese-style resin shelves above the living room fireplace. Designed to mimic an outdoor space, the hallway acts as a transition zone between the private and public areas of the home, featuring lantern-style lighting and geometric marble flooring that evoke the atrium of a Parisian mansion. Despite the previous owner removing many distinctive Haussmannian elements like parquet flooring and original moldings, the apartment’s monumental entrance, high ceilings, large windows, and an incomparable view of the Eiffel Tower provided a strong foundation for imagining its original grandeur. The material and color palette were carefully selected to align with classic Haussmannian codes. Walls and ceilings were painted in natural ivory, complementing the lightly patinated herringbone oak parquet, which was chosen to convey a sense of lived-in history. The study and powder room feature dark oak paneling, reflecting British design influences. The long hallway’s flooring boasts a traditional 19th-century geometric pattern in grey, black, and white Italian marble, a motif that extends to the contemporary kitchen with contrasting grey and rust-colored wall tiles. The furniture for the living area and other spaces was a blend of custom-made pieces and curated design elements. Collaboration with skilled Italian and French artisans was crucial, ensuring that many elements were custom-made to personalize the rooms. Notable pieces include Kartell armchairs and Flos lamps, complemented by antique items such as the mirror above the dining room fireplace. The dining room also features a custom-made dining table, couch, and lighting, alongside pieces like Sinai wooden coffee tables by Cattelan Italia and a blue Febo armchair by B&B Italia. Custom rugs by GC further enhance the tailored feel of the apartment. One of the primary challenges of the project, beyond the logistical difficulties posed by the Covid pandemic, was authentically capturing the Haussmann spirit while infusing it with In Situ & Partners' unique style. Bensalem's extensive background in classical French architecture, honed during his 14 years of studying and working in Paris, proved invaluable. The project deliberately went against the prevailing trend of devaluing classical interior design, demonstrating a commitment to historical accuracy and cultural identity. The interaction with art was also a key aspect, with numerous works by Pierre Bonnefille, a Maître d'art, chosen for their poetic and contemporary representation of tradition, aligning with the project's artistic and poetic guiding principles and its deep respect for craftsmanship. #HaussmannStyle #ParisApartment #InteriorDesign #LuxuryHomes #InSituAndPartners #TraditionalModernMix #FrenchArchitecture #CustomCraftsmanship #ArtIntegration

Designer Ann Huff has mastered the art of combining affordable and luxury elements in kitchen design, exemplified by a small Parisian kitchen near the Eiffel Tower. The kitchen features black Lerhyttan cabinets from IKEA, chosen for their durability and stylish appearance. To enhance their look, Devol hardware was added. Complementing these budget-friendly cabinets are high-end appliances and finishes, including a Lacanche Cormartin oven and stove, a custom copper hood, and elegant marble countertops and flooring. Huff emphasizes strategic investment, noting the longevity of a Lacanche oven she's owned for 25 years compared to kitchen cabinet façades she’s replaced twice. The aesthetic appeal of the kitchen is further augmented by a warm color palette. The walls are painted in "Setting Plaster" by Farrow & Ball, a soft, dusty pink shade that introduces a sense of warmth and coziness to the compact space. A unique touch of romance and whimsy is provided by the Paper Bag Gong light fixture designed by Beata Heuman. Huff highlights that the overall charm of the kitchen stems from its careful selection of colors and materials. The high-end appliances and custom elements, such as the Lacanche oven and the copper hood, act as central focal points, while the rest of the kitchen's design elements are thoughtfully chosen to support and complement these functional showpieces. This design philosophy demonstrates how a blend of readily available and premium items can create a sophisticated and functional space. The use of IKEA cabinets provides a practical and cost-effective foundation, allowing for investment in more prominent, long-lasting features that elevate the kitchen's luxurious feel. This approach not only maximizes value but also ensures a personalized and durable outcome, proving that an artful mix of "high and low" can achieve a highly desirable and luxurious aesthetic, even in a small urban apartment. #InteriorDesign #KitchenDesign #IKEAHacks #LuxuryKitchens #ParisianApartment #HomeRenovation #DesignInspiration #AnnHuff #HighLowDesign

Tiffany Howell, founder of Night Palm Interiors, discusses her unique approach to interior design, which prioritizes the 'feel' of a space over traditional design starting points. Her background in producing and directing music videos significantly influences her current work, leading her to often begin projects by creating a playlist or drawing inspiration from fashion. For instance, she is currently designing a house based entirely on a 1970s Missoni ad campaign, using its color palette as a foundational element. Howell emphasizes that her design aesthetic often involves a 'rock-and-roll romantic' style, with approximately ninety percent of her projects incorporating vintage pieces. She describes herself as an emotional designer, focusing on the emotional impact and atmosphere of a space before diving into its aesthetics. Howell’s studio in central Los Angeles, which she had coveted for years, plays a crucial role in her creative process. The building's inherent Parisian architectural features, such as parquet wood floors, intricate molding, and wrought-iron details, provided a strong foundation. Howell enhanced these existing elements by introducing modern whimsical touches, including sculptural furniture, dedicated music and bar areas, and a carefully curated art collection. The space is intentionally designed to feel more like a comfortable living room than a typical office, fostering a creative and inspiring environment for her team. This atmosphere is further cultivated by the presence of a record player, encouraging team members to play music that inspires them. The studio serves multiple functions beyond a typical workspace; it also houses a material library for client consultations and large-scale mood boards, allowing for a highly visual and collaborative design process. Howell intentionally avoided major renovations, opting instead to focus on decor to maintain the building's original charm. She updated the lighting with chrome French-style sconces, appreciating the juxtaposition of modern and classic elements. Sourcing for her projects often involves supporting local vintage dealers in Los Angeles, complemented by purchases from online platforms like 1stDibs and Chairish, with pieces frequently reupholstered to align with her vision. The studio's art collection is a reflection of her personal taste and influences, featuring works by artists like Warhol, Newton, and Cohen, further emphasizing the blend of fashion and music that underpins her design philosophy. The building's exterior, with its beautiful tile work and European style, along with its courtyard and rooftop deck, contributes to the overall inspiring ambiance of the studio, making it a space where creativity thrives. #InteriorDesign #TiffanyHowell #NightPalmInteriors #ParisianStyle #LosAngelesDesign #VintageDecor #CreativeProcess #DesignStudio #FashionInfluence

Architect Charlotte Fequet and Maud Tyzon undertook a significant renovation of a 1,400-square-foot apartment in Paris's 18th Arrondissement, initially tasked with simply replacing cold ceramic flooring with warmer wood planks. The clients, Aude and Antoine, and their two teenage daughters had resided there for nearly a decade and desired a home that better reflected their personalities. What began as a minor update evolved into a comprehensive reorganization of the apartment's layout, driven by the architects' perception that the home lacked a welcoming ambiance even after the flooring change. The renovation focused on optimizing space and incorporating soft, curving lines throughout the apartment, a signature style of Fequet. In the living area, a wall near the fireplace was repositioned to create a larger gathering space. The couple’s bedroom was divided, allowing for the creation of a closet between the bedroom and bathroom, enhancing storage efficiency. A key design element was the replacement of all rectangular doors with sliding glass openings featuring arched detailing, which visually expanded the space and, in the kitchen, served the practical purpose of containing cooking odors. A unique bending wood banister at the foot of the staircase functioned as a desk, room divider, and an artistic focal point, its form designed to evoke a sunset. Fequet emphasized that round shapes and curves not only alter a room's proportions visually but also diffuse light more softly, particularly beneficial in a bedroom setting. The color palette prominently featured Yves Klein Blue, a favorite of the homeowners, reminiscent of their holiday destination, Greece. This color appeared in various forms, including wallpaper in the living room and headboard alcove, and herringbone-patterned shower tiles in the primary bathroom. The couple's bedroom was designed to emulate a hotel suite, offering a cozy retreat for relaxation and work, complete with ample hidden storage for clothing and a built-in desk. To integrate the outdoors with the interior, especially given the apartment's two sunny terraces, Fequet custom-designed a dual-tone mirror for above the living room fireplace. Its cloud-like shapes reflected the external views and enhanced natural light distribution. While cobalt blue dominated the color scheme, two elements provided a departure: ochre bookshelves flanking the fireplace and a surprisingly pink kitchen. The pink kitchen cabinets and terrazzo floor tiles were a specific request from Antoine, intended to introduce warmth and contrast, ultimately proving to be a successful and delightful choice that brought the renovation full circle from its initial simple flooring replacement. #ParisApartment #HomeRenovation #InteriorDesign #CurvedShapes #SpacePlanning #ColorPalette #CustomMillwork #StorageSolutions #ModernDesign #UrbanLiving

For nearly five decades, beginning in 1969, Jean-Paul Beaujard, a Burgundy-born antiques dealer, established himself as a leading authority on 19th-century French aesthetics on the Upper East Side of Manhattan. His eponymous shop on East 76th Street was renowned for its curated blend of Napoleon Bonaparte’s First Empire style, characterized by disciplined stripes and allusions to Ancient Egypt and Imperial Rome, alongside the late 19th-century Art Nouveau furnishings of French cabinetmaker Louis Majorelle. Beaujard, who developed a passion for antiques at a young age, utilized his Art Deco duplex apartment in New York as a personal canvas for his eclectic tastes. He frequently reconfigured his living spaces, incorporating diverse pieces such as a lion paw table in the Troubadour style of Charles X or a giltwood velvet-covered sofa alongside a seven-foot-tall palm tree crafted from brass and steel. His personal aesthetic extended beyond 19th-century French furnishings, drawing inspiration from 18th-century Pavlovsk Palace watercolors, the large-scale oils of French painter Felix Courché, and the work of Parisian decorator Madeleine Castaing. In 2017, Beaujard made the significant decision to relocate permanently to Paris, his hometown, selling his duplex and closing his New York shop. He had owned a 2,200-square-foot apartment in an Art Nouveau building in the Seventh Arrondissement of Paris for over two decades, previously using it primarily during buying trips. Initially, the apartment's decor was relatively minimalist, featuring ivory and wheat tones, despite his extensive restoration of its surfaces, including parquetry floors and boiserie. Since his return to Paris, Beaujard has transformed the two-bedroom penthouse, infusing it with his characteristic theatricality and a newfound sense of insouciance. The apartment boasts a 25-foot-tall octagonal salon at its center, with terraces offering views of the neighborhood's mansard roofs. An internal rounded balcony on the second floor overlooks the living room and provides views of Notre-Dame through floor-to-ceiling windows. This space now serves as a vibrant amalgamation of furnishings spanning two centuries, transitioning between explosively decorative and airily calming elements. Beaujard emphasizes that his design philosophy is driven by instinct, finding connections between objects regardless of their monetary value. The large, moodily lit entry hall features a mahogany Empire console adorned with Sèvres vases from the 1870s and a 19th-century marble bust of Louis XVI. An expansive early 1800s eight-panel Coromandel screen, painted with rural Chinese scenes, is used to delineate an area for dinner parties. A gently illuminated niche showcases a collection of emerald green-edged Paris porcelain plates from the 1840s, each depicting a different flower. The center of the room is anchored by two forest green velvet 19th-century Italian sofas and a round pale pink silk borne settee, reminiscent of genteel French parlors during the Belle Époque. Beaujard's liberal use of these hues and animal prints in carpets and wallcoverings echoes the preferences of Madeleine Castaing, whose eclectic mixing of high and low influenced his warm and informal approach. He continues to acquire and sell pieces, often through Instagram and 1stDibs. The salon is painted in a celadon shade, also favored by Castaing, and features trompe l’oeil marble columns. In the evening, the crystal chandelier and terrace lights reflect in mirrored panels, creating an 'alchemical' effect. The top floor houses Beaujard’s bedroom and a guest room, both designed with a breezy and debonair aesthetic in pale white and yellow tones with accents of ebony and chocolate. These spaces blend formal late 19th-century French design with fanciful postwar modernism. The polymathic writer and filmmaker Jean Cocteau, a significant influence on Beaujard, is celebrated in the bedroom with a grid of framed illustrations by Bernard Buffet from Cocteau’s 1930 play “La Voix Humaine.” A life-size blackened bronze bust by Cocteau of his lover, Jean Marais, depicted as a faun, rests on an 1874 bamboo cart. This sculpture, a gift from a friend, has traveled with Beaujard across the Atlantic multiple times, symbolizing an enduring commitment to beauty and personal ethos. While many objects may find new homes, some, like this sculpture, are destined to remain with him. #ParisApartment #AntiquesDealer #FrenchDesign #InteriorDesign #EclecticDecor #ArtNouveau #EmpireStyle #19thCenturyFurnishings #JeanPaulBeaujard

The author, Camille Dubuis-Welch, recounts her recent trip to Paris, highlighting four interior design trends observed in various establishments, including homes, stores, cafés, and restaurants. The first trend identified is "Bibliothèque charm," inspired by a visit to the Cravan bar in Saint-Germain-des-Prés. The bar's Rizzoli Library on the second floor, designed by Ramy Fischler, showcased a cozy yet luxurious aesthetic. This space featured red velvet couches, Parquet de Versailles wooden floors, and a combination of built-in and free-standing bookshelves. The color scheme was neutral, complemented by clean lines and angular furniture, creating an open yet intimate atmosphere. This observation reinforced the "Bookshelf wealth" trend, prompting the author to consider incorporating similar design cues into her own reading nook. The second covetable trend is the "hint of unexpected marble." While marble is traditionally associated with kitchens and bathrooms, the author noticed its subtle integration into Parisian decor through accessories, statement lamps, and small side tables. This observation broadened her perspective on marble, suggesting its use in less conventional ways to enhance a home's aesthetic, particularly when aiming for a "Paris Grandma Aesthetic." This trend encourages a fresh approach to incorporating luxurious materials in unexpected details rather than solely in large-scale applications. The third trend is the striking "Red and white" color combination. Although summer color palettes often lean towards peach tones, the author found herself drawn to the classic red and white scheme prevalent in Parisian settings, including outdoor bistro chairs at Bar Bisou Paris. The article notes that by toning down the red and warming up the white, a high-contrast yet livable design can be achieved. An example from Les Bains Paris hotel illustrated how a rustier red paired with white can create an effortlessly cool and inviting space, especially when combined with sculptural furniture to add visual interest. Finally, the author observed a trend towards "Exaggerated sculptural decor." Examples included silver hot air balloons in Louis Vuitton window displays and voluminous light shades in restaurants. This trend suggests using subtle yet dramatic elements, such as curvaceous furniture or unique ceramic pieces, to elevate traditional Parisian interiors. The interplay of fluid shapes with angular architectural features, like marble hearths, can soften a space. The author also notes the use of gold and silver accents to inject life into a room. These observations collectively provide practical and inspiring ideas for readers looking to infuse their homes with a modern French aesthetic, moving beyond conventional country-style interpretations.

Carmen Haid, a former PR guru known for her work with fashion icons like Yves Saint Laurent, Alber Elbaz, Hedi Slimane, and Tom Ford, now splits her time between London, her interior design studio and home in Marrakesh, and a penthouse apartment in Paris. Located in the 7th arrondissement near Le Bon Marché, her Parisian residence reflects her passion for vintage curation and design. Haid identifies herself as a “vintage curator,” adept at discovering exceptional pieces in Parisian markets, particularly silverware, as she notes France's appreciation for "the art of the table." She finds continuous inspiration in Paris's fashion, art, and design scene. Haid's current endeavor involves operating as a "design detective," meticulously sourcing vintage items and crafting original designs for her Atelier Mayer label. Initially launched in 2008 as an online platform for haute vintage fashion, Atelier Mayer was re-established in 2022 as an interiors brand specializing in rare vintage objects. This venture operates from her Marrakesh studio, Kasbah Tameslohte, which serves as a private retreat, showroom, and creative hub. In Marrakesh, Haid collaborates with local artisans, recently transforming a warehouse at the Mandarin Oriental hotel into an art and design space with the help of artist/architect Idriss Karnachi, art dealer Martin Summers, and designer Romeo Gigli. The Paris penthouse showcases numerous Atelier Mayer products, including home fragrances, hand soaps, scented candles in jewel-toned ceramics, and hand-woven cushions. Haid's journey into vintage furniture began out of necessity during a period of frequent relocation, including a stint in New York after Brexit. This personal experience evolved into a professional passion, as she now furnishes entire rooms for clients exclusively with vintage pieces. The apartment's decor is a personal narrative, featuring signed cards from Anna Wintour and photographs with esteemed designers. Haid collects graphics from the Wiener Werkstätte and the late-19th-century Vienna Secession movement. A significant collection of Yves Saint Laurent's original "Love" posters, sent to friends each Christmas between 1970 and 2007, adorns her walls, symbolizing her belief that a home should be filled with love. Beyond fashion history, Haid's interests include esoteric art, exemplified by the _Pole Star_ copper, eye-shaped artworks by Balland-Galante in her dining area. These contemporary pieces, while reminiscent of surrealist 1930s Schiaparelli, are regarded by Haid as "holistic art" that enhances emotional energy, leveraging copper's perceived therapeutic properties. Haid faced a challenge arranging her irregularly shaped bedroom, which has five differently edged walls, making feng shui difficult. To address this, she commissioned French artist Christina Maximoff to create a large gold-leaf mural, transforming the space into a peaceful and surreal sanctuary. Her apartment, situated near St Germain des Prés, also features bedrooms accessible via a spiral staircase, often hosting family and friends. Haid enjoys entertaining, creating elaborate soirées where guests can help themselves from numerous dishes and enjoy cocktails on the balcony with views of the Eiffel Tower. She draws inspiration from figures like Robin Birley, appreciating his combination of old-world dining etiquette with fun and chic. For Haid, true luxury in entertaining lies in meticulous attention to detail, transforming an event into a distinct experience. The master bedroom features a mural by Christina Maximoff and Hollywood Regency gilt palm lamps, while the guest bathroom is adorned with L’Échappée Belle wallpaper by French artist Delphine Cauly. The balcony furniture, made in Marrakesh, consists of bespoke zellige-tiled pieces and terracotta pots from Atelier Mayer. #CarmenHaid #ParisPenthouse #VintageDesign #AtelierMayer #InteriorDesign #FashionHistory #MarrakeshStudio #DesignCurator #LuxuryInteriors

This article explores the core principles of French interior design, aiming to demystify the 'effortlessly chic' aesthetic often associated with French homes. It presents seven key rules, gathered from French interior design experts, to guide individuals in cultivating a stylish and authentic living space. The first rule emphasizes respecting the history of a building, particularly relevant in cities like Paris with rich architectural heritage. Designers suggest integrating the existing character and elegance of older structures with modern luxury, often by preserving original features and opting for subtle lighting solutions rather than disruptive additions like recessed lights. The second principle advocates for 'anti-decor,' encouraging an eclectic and less arranged approach to furnishing. This involves creating unexpected juxtapositions with diverse items, making the space appear as if it evolved organically from the owner's personal taste rather than being professionally curated. This philosophy aligns with the idea of a lived-in and natural environment. The third rule draws a parallel between French interior design and French fashion, highlighting a 'laissez-faire' attitude. The advice is to avoid overly perfect or curated spaces and instead embrace simplicity, blending vintage pieces with new acquisitions. The emphasis is on allowing personal memories, travel treasures, and cherished items to organically shape the decor, fostering a sense of authenticity and personal connection to the home. Sustainability is a key theme in the fourth rule, which promotes reusing and recycling items. The practice of 'chiner,' or searching for unique pieces in second-hand shops, is central to this. This approach not only supports ecological practices but also contributes to creating a unique and character-filled interior by giving new life to old elements of decoration. The fifth rule encourages a departure from strictly neutral color palettes. While acknowledging the appeal of all-white interiors, the article points out that color is frequently used in French design to harmoniously bridge different eras and styles. By employing strong, complementary colors, designers can unify diverse objects and furniture from various time periods, creating a cohesive yet vibrant aesthetic. The sixth rule focuses on considering the French lifestyle, where interior design is deeply intertwined with daily living. French interiors are designed for comfort and functionality, featuring inviting nooks for relaxation and clever storage solutions to streamline everyday life. The core idea is that the space should reflect the client's personality and life, prioritizing functionality and a curated selection of beautiful vintage or handcrafted objects over an abundance of items. Finally, the seventh rule advises against rigidly following trends. Drawing on the French adage, "Plus ça change, plus c'est la même chose" (the more things change, the more they stay the same), the article suggests that enduring fundamentals are more important than fleeting fads. This approach encourages homeowners to continuously improve their spaces while honoring the contributions of previous generations, maintaining the spirit and integrity of the home over time. This creates a timeless design that withstands the test of time and passing trends. #FrenchInteriorDesign #ChicLifestyle #HomeDecor #EclecticDesign #SustainableDesign #VintageDecor #ColorPalette #LifestyleIntegration #TimelessDesign

Fabrique de Styles, a new retail destination in Paris's Madeleine district, has opened its doors, offering a vast selection of furniture, home decor, beauty products, and gourmet groceries. This concept store is designed to be a one-stop shop for individuals looking to enhance their living spaces with stylish and affordable items. The store emphasizes showcasing expert, trending, and accessible brands, all curated to deliver quality without sacrificing aesthetic appeal. With over a hundred home brands featured, Fabrique de Styles provides a diverse range of products for various tastes and needs. A significant aspect of Fabrique de Styles' offering is its commitment to French craftsmanship, with 30% of its products being made in France. This focus allows customers to experience high-quality items firsthand, such as sofas, throws, and other home goods that have previously been available through their e-shop. The store encourages a tangible shopping experience, allowing customers to interact with products before purchasing, which is particularly beneficial for larger items like furniture. The product range at Fabrique de Styles is extensive and caters to a wide audience. For families, there are engaging items like oversized OMY coloring books designed to entertain children. Those looking to elevate their dining experiences can find stylish tableware from Home Deco Factory, a brand known for supplying prominent establishments in Paris. The store also offers decorative pieces such as the SEMA Design vase, providing subtle ways to convey personal messages or add character to a space. Beyond decorative elements, Fabrique de Styles stocks a variety of functional and lifestyle products. This includes textiles like rugs, curtains, and bedsheets, as well as a comprehensive selection of furniture, from sofas and coffee tables to headboards. Kitchenware, encompassing pots and various utensils, is also available. For personal well-being, the store offers beauty and care products such as soaps, massage gloves, and hairbrushes. Additionally, there is a dedicated section for gift ideas, allowing customers to find unique presents for themselves or others. Among the highlighted items are practical kitchen tools, such as the Jean Dubost knife set, and a gourmet grocery section featuring specialty food items. This includes organic French violet syrup from Bacanha and truffle-infused mustard from Savor & Sens. Fabrique de Styles is located at 18 Boulevard des Capucines, 75009 Paris, and operates Monday to Friday from 10 am to 8 pm, and Saturdays from 11 am to 8 pm. The store's combination of variety, affordability, and a strong emphasis on quality and French-made products positions it as a significant new destination for home decor enthusiasts in the city. #HomeDecor #ConceptStore #ParisShopping #Furniture #InteriorDesign #FrenchCraftsmanship #LifestyleProducts #AffordableDecor #GourmetGroceries