Renderings Revealed for Redesigned Pratt Student Union

The Campus Framework Plan aims to establish guiding principles for future campus development and decision-making at Boston University. This comprehensive plan will encompass various aspects, including land utilization, space planning, facility renewal, fundraising strategies, and daily campus operations. Designed as a flexible roadmap, the planning process is intended to facilitate the exploration of diverse possibilities and ensure the most effective allocation of resources, particularly concerning physical space. A core tenet of this initiative is transparent and collaborative engagement, fostering open dialogue to address existing challenges and leverage the campus's inherent strengths. The entire endeavor is projected to conclude in the summer of 2025, involving a thorough review and update of the university's long-term campus framework. Input from a wide range of stakeholders across campus will be integral to this process, ensuring that the plan reflects the diverse needs and perspectives of the university community. Subject matter experts will play a crucial role in defining priorities for specific areas, guaranteeing that the plan remains aligned with the University's strategic mission while adapting to the evolving requirements of its community. Enhancing the built environment is identified as a critical component for ensuring more consistent student experiences and fostering excellence across research, scholarship, teaching, and learning. Furthermore, by strengthening the connections between the university's campuses and the broader community, the plan seeks to position Boston University as a premier destination for students, faculty, and staff. This holistic approach underscores the university's commitment to creating an optimal environment for all its constituents. As part of the planning process, a survey was conducted to gather insights from the university community regarding their future needs and expectations for campus spaces over the next quarter-century. The valuable participation of all respondents is acknowledged, with winners of an incentive lottery being contacted via email. Prizes included tickets to the men’s or women’s Beanpot hockey tournament or Amazon gift cards, with winners required to confirm acceptance within two weeks to claim their prize. The tax implications of winning a prize are the sole responsibility of the recipient. The Campus Framework Plan is being spearheaded by a dedicated project team comprising internal Boston University staff and external consultants. The BU Project Team includes Amy Barrett from the Office of the Provost, Lisa Hynes and Michelle Maheu from Planning, Design & Construction, and Cecilia Nardi from Government & Community Affairs. External partners contributing their expertise include Sasaki Associates, Inc. for planning, landscape architecture, and urban design; BR+A Consulting Engineers for engineering services; U3 Advisors for real estate advisory; Toole Design Group for transportation planning; and Dharam Consulting for cost estimation. This multidisciplinary team ensures a comprehensive approach to the campus framework development. #CampusPlanning #UrbanDesign #FacilityManagement #StrategicDevelopment #ResourceAllocation #CommunityEngagement #BuiltEnvironment #UniversityDevelopment #InfrastructurePlanning

George J. Kacek Hall, an Illinois Tech residential building, opened in August 2020. Named after alumnus George J. Kacek (EE ’54, M.S. ’55), the hall represents a revitalization of a legacy Ludwig Mies van der Rohe building. The renovation was overseen by alumnus and College of Architecture Professor Dirk Denison. The building integrates classic modernism with contemporary living standards, primarily catering to first- and second-year students. Its design emphasizes social interaction and academic support, featuring two large lounges on each floor. The 'social lounges' are situated on the south side of the building, while the 'study lounges' are located on the north side, offering views of downtown Chicago. Kacek Hall provides a variety of living arrangements, including single-, double-, and triple-occupancy rooms, all sharing common-use bathrooms. Each residential space is furnished with a twin-size bed, a desk, a chair, a dresser, and closet space for each resident. The beds are designed to be bunkable, providing flexibility for room configuration. The facility ensures student safety and convenience with 24-hour staffing by Community Desk Assistants, requiring HawkCard tap access at the main entrance and community desk. Beyond living spaces, the hall offers comprehensive amenities designed to enhance the student experience. These include lounge areas on every floor for relaxation and community building, as well as laundry and fitness facilities conveniently located in the lower level. High-speed internet access and cable TV services are provided by Comcast, ensuring students have reliable connectivity and entertainment options. The hall's commitment to creating a well-rounded living environment is further supported by its unique architectural design. The residential floors are configured in a “pod-style” arrangement, where student rooms are organized around central study and social lounge areas. This innovative layout allows corridors and shared spaces to receive natural light and views from all four sides of the building. This design choice aims to mitigate a common drawback of traditional dormitory living—the lack of natural light—thereby creating a more inviting and comfortable atmosphere for residents. The hall's room dimensions are approximately: Single Room: 9' 8" wide X 11' 6" deep X 8' high, with a closet of 41" wide X 22" deep X 7' 1" high. Double Room: 9' 5" wide X 11' 6" deep X 8' high, with a closet of 52" wide X 22" deep X 7' 1" high. Triple Room: 9' 10" wide X 22' deep X 7' 1" high, with a closet of 18' 9" wide X 11' 7" deep X 8' high. #StudentHousing #UniversityLife #ArchitecturalRenovation #ModernistDesign #CampusAmenities #ResidentialLiving #IllinoisTech

This photo album provides a visual tour of the interior and exterior spaces within Williams and Rogge Halls, showcasing various residential and common areas. The hallways feature a familiar red color, contributing to a distinct aesthetic. Bathrooms are designed to be spacious, equipped with tiled showers, and configured to accommodate no more than two individuals per bath, emphasizing user comfort and privacy. Bedroom quarters are designed with flexibility in mind, allowing for various arrangements and personalizations by students. For suites housing three or more students, a common space is provided, which includes a kitchenette. This communal area is intended to foster interaction and convenience for residents. One specific unit, a two-bedroom, two-bath setup, features a sizeable common space, suggesting ample room for shared activities and relaxation. Additionally, there are one-person bathrooms available within three-man rooms, offering individual facilities for some residents. The album also offers a glimpse into single suites, which comprise two single bedrooms sharing one common bathroom, illustrating a different living arrangement option. Certain rooms located above the entrance area provide a unique view, available to a limited number of occupants. The building also features a back entrance, with a visible window on the second floor that corresponds to a previously shown image. While the student rooms are depicted as ready for occupancy, ongoing work in the common areas and the soon-to-be-completed lounge indicates continued development and enhancement of the facilities. The photographs capture various aspects of the halls, highlighting both private and shared living environments, and offer insights into the current state and future improvements of the residential spaces. #ResidentialHalls #StudentHousing #CampusLife #DormitoryDesign #InteriorDesign #CommonAreas #WabashCollege #RenovationUpdate

Stabile Hall, inaugurated in the Fall of 1999 and named in honor of an Engineering School alumnus and donor, is a residential facility at Pratt Institute primarily designed for new undergraduate students. It accommodates approximately 250 first-year students within four to five-person suites. Each suite is comprised of either two joined double rooms or a combined double and triple room, and includes a private bathroom, for which residents are responsible for maintaining its cleanliness. The typical room dimensions, excluding a small entry foyer, are 12 feet by 12 feet. The building's design has received accolades, featuring kitchenettes on every floor and a substantial common lounge on the ground floor. Additionally, smaller workrooms and lounge areas are distributed across the upper floors, fostering a conducive environment for both living and studying. All rooms are equipped with air conditioning, which provides heating during colder periods. Stabile Hall actively supports a Healthy Choices Community and hosts First-Year Cohort Living Learning Communities, promoting a holistic and integrated student experience. It remains closed during the summer months, except for specific conference groups. Each resident room is furnished with standard campus provisions, including an extra-long twin bed, a dresser, a desk, a chair, and a bookshelf. The hall offers amenities such as a basement laundry facility and comprehensive Wi-Fi access throughout the building. Students residing in Stabile Hall are mandated to subscribe to a meal plan provided by Avi Fresh. Information regarding the associated costs for living in Stabile Hall is available through the residential life and housing department. Prospective residents can view a video tour of Stabile Hall on YouTube and access detailed floor plans online. #StudentHousing #PrattInstitute #ResidenceLife #FirstYearStudents #CampusAmenities #AwardWinningDesign #LivingLearningCommunity #StudentAccommodation

The Pratt Institute's Graduate Architecture, Landscape Architecture, and Urban Design (GA/LA/UD) programs offer a comprehensive suite of master's degrees designed for individuals seeking to deepen their understanding and practice in the built and living environments. The core mission of these programs is to foster design inquiry across complex and evolving fields, encouraging students to ask challenging questions that enhance their grasp of architectural and environmental concepts. The curriculum emphasizes an interdisciplinary approach, bridging various design practices, professions, and academic disciplines to address contemporary challenges and opportunities. Specifically, the programs include the Master of Architecture (M.Arch/First Professional), Master of Landscape Architecture (MLA), Master of Science in Architecture (Post Professional), and Master of Science in Urban Design (Post Professional). Each program is tailored to different academic and professional goals, from foundational professional degrees to specialized post-professional studies. The M.Arch and MLA programs prepare students for professional licensure, offering rigorous training in design principles, technology, history, and theory. The MS in Architecture and MS in Urban Design cater to those with prior architectural or related degrees, providing advanced specialization and research opportunities in areas such as computational design, sustainable practices, and urban development strategies. These graduate programs are characterized by their integration of architectural, landscape, and urban design practices. The faculty and curriculum encourage a holistic perspective on environmental design, recognizing the interconnectedness of buildings, natural systems, and urban fabrics. Students are trained to engage with critical issues such as climate change, urbanization, social equity, and technological innovation, developing solutions that are both aesthetically compelling and functionally sustainable. The institute provides a vibrant academic environment that supports experimentation and critical thinking, with access to state-of-the-art facilities and a strong community of practitioners and scholars. Beyond formal coursework, the GA/LA/UD programs offer a rich array of extracurricular activities and opportunities for engagement. These include lectures, events, exhibitions, and workshops that bring leading professionals and academics to campus, fostering dialogue and collaboration. The "Critic At Large" program and various collaborations, such as "Wast[ED]: Working with Waste" with SOM and AIA Center for Architecture, and "Real Estates" with FX Collaborative, provide students with practical experience and exposure to real-world projects. The institute also highlights faculty expertise, with profiles of key personnel like Andrew Holder (Chairperson of Graduate Architecture), Hart Marlow (Interim Assistant Chairperson of GALAUD), Elliott Maltby (Interim Academic Director, Landscape Architecture Program), and Alexandra Barker (Academic Coordinator of MS Arch Program), demonstrating the depth of knowledge and mentorship available to students. Prospective students are offered various resources, including information sessions, open houses, and detailed application guidelines, to facilitate their enrollment process. The virtual information sessions, scheduled for October and November 2025, and the Fall Open House, are designed to provide comprehensive insights into program offerings, faculty, and student life. These initiatives underscore Pratt Institute's commitment to nurturing future leaders and innovators in architecture, landscape architecture, and urban design, preparing them to address the complex challenges of the 21st century. #GraduateArchitecture #LandscapeArchitecture #UrbanDesign #PrattInstitute #DesignEducation #EnvironmentalDesign #ArchitecturalPrograms #UrbanPlanning

The Design for Impact Challenge, a collaborative event bringing together students from George Fox University's interior design program and Portland State University's architecture program, showcased real-world design experience. Held at BORA Architects' Portland office, the event partnered students with industry leaders and higher education design programs. The challenge required teams, each comprising interior design and architecture students, to design a new entry and classroom space for a high school in Southern California. Each team was also paired with an industry mentor, a practicing architect or designer, who provided guidance throughout the five-hour design process. The prompt specified that ideas from the student proposals would be incorporated into the high school's upcoming renovation, adding a significant layer of real-world impact to the exercise. Students engaged in an intensive five-hour session, sketching, modeling, and refining their concepts. The focus was on balancing aesthetic innovation with practical application, demonstrating the students' creativity and problem-solving skills. Following the design period, each team presented their proposals to a panel of professional jurors from the architecture and design industries. This provided students with valuable experience in communicating their design vision and receiving expert feedback. The winning team included George Fox interior design seniors Ava Heflen and Kali Braukmiller, mentored by Shawn from VIDA Design. Their design was lauded for its strong understanding of biophilic design, which integrated native and location-specific plants to promote wellness and environmental harmony within the classroom space. Furthermore, their proposal incorporated trauma-informed design principles. This involved providing choice and flexibility in furniture arrangements and seating, careful attention to classroom acoustics, and the implementation of open sightlines complemented by AI-powered security systems. These elements aimed to create safe and calming environments conducive to learning. The design was further enhanced by curved elements in finishes and furnishings, adding softness and approachability, culminating in a thoughtful and forward-thinking solution. Ava Heflen highlighted the memorable nature of the experience, particularly the opportunity to collaborate with architecture students, which provided valuable insight into real-world design scenarios. She also emphasized the crucial role of the industry mentor in offering helpful feedback and encouragement throughout the process. Heflen noted that the collaborative environment fostered refreshing interactions and sparked numerous creative ideas. The event also served as an inspiration, allowing her to witness the diverse and thoughtful designs developed by other participants in the challenge. Another team, featuring George Fox interior design students Sam Kinsman and Michaela Vega, and mentored by Melissa from Gensler Portland, received the 'Best Concept' award. This recognition acknowledged their visionary approach and compelling presentation. The Design for Impact Challenge provided students with a unique platform for inter-institutional collaboration, direct mentorship from industry professionals, and constructive feedback from respected jurors. For the George Fox students, this experience underscored the practical application of design thinking in real-world contexts and highlighted the transformative power of intentional, human-centered design in shaping future educational spaces. #InteriorDesign #DesignChallenge #GeorgeFoxUniversity #PortlandStateUniversity #BiophilicDesign #TraumaInformedDesign #ArchitecturalDesign #StudentCollaboration #RealWorldExperience

The Pratt Institute's School of Architecture is dedicated to utilizing the design, planning, and management of the built environment to address pressing contemporary issues, including social justice and the climate crisis. The school aims to equip students with the necessary skills and knowledge to tackle these complex and evolving challenges in a versatile, innovative, and ethical manner. The curriculum prepares students for impactful careers within various architectural disciplines, fostering leadership and responsibility. The School of Architecture offers a comprehensive range of undergraduate and graduate programs. Undergraduate options include a Bachelor of Architecture (BArch), with a specialized Morphology Concentration, and a Bachelor of Professional Studies (BPS) in Construction Management, alongside minors in Construction Management and Morphology. These programs emphasize foundational architectural principles, advanced design techniques, and practical construction and management skills. The Morphology Concentration, for example, delves into abstract and intricate structural formations, pushing the boundaries of traditional architectural design. Graduate studies at Pratt's School of Architecture cover an even broader spectrum of specializations. Offerings include a Master of Architecture (M.Arch), a Master of Landscape Architecture (MLA), a Master of Science in Architecture (Post Professional), and a Master of Science in Urban Design (Post Professional). The Graduate Center for Planning and the Environment further expands these options with master's programs in Historic Preservation, Sustainable Environmental Systems, Urban and Community Planning, and Urban Placemaking and Management. Additionally, the school provides advanced certificates in Community Planning, Historic Preservation, Sustainable Environmental Systems, and Urban Placemaking, catering to professionals seeking specialized expertise. The pedagogical approach at Pratt emphasizes hands-on learning, critical discussion, and design exploration. Students engage with a wide array of technologies, methodologies, and community engagement processes to understand and expand the possibilities of built, unbuilt, and rebuilt environments. The overarching goal is to empower students to leverage their expertise in creating and maintaining sustainable spaces, communities, and habitats, thereby contributing positively to the public good. Recent news highlights include exhibitions celebrating the school's legacy, reflections on its 70-year history, and upcoming information sessions for prospective graduate students. Key departments within the school are Undergraduate Architecture; Graduate Architecture, Landscape Architecture, and Urban Design; Construction Management; and the Graduate Center for Planning and the Environment. Each department focuses on specific aspects of architectural and urban development, ensuring a diverse and specialized educational experience. The School of Architecture also maintains strong ties with professional accreditation boards, such as the National Architectural Accrediting Board (NAAB) and the Planning Accreditation Board (PAB), underscoring its commitment to high academic and professional standards. The institution provides resources like contact information, messages from the dean, news and events, and a studio culture policy, all aimed at fostering a supportive and rigorous academic environment. #PrattInstitute #SchoolOfArchitecture #ArchitecturalEducation #UrbanPlanning #LandscapeArchitecture #ConstructionManagement #HistoricPreservation #SustainableDesign #UrbanDesign

Once confined to mountain cabins, 1990s basements, and Swedish saunas, cedar walls are experiencing a significant resurgence in modern interior design. This wall treatment, historically associated with rustic aesthetics, is being reimagined by contemporary designers to offer warmth and a subtle evergreen scent without the dated appearance of its past iterations. The key to this modern revival lies in a strategic approach to finish, color palette, and accompanying decor. Traditionally, cedar paneling in its less desirable form was characterized by a glossy, orange-red tint, often paired with elements like Tiffany lamps and laminate flooring, contributing to an outdated look. However, a new generation of designers is proving that the natural beauty of unpainted timber—whether pine, cedar, or oak—can be elevated to create sophisticated and inviting spaces. The core principle for modernizing this material involves opting for a light, matte finish that preserves the natural texture and color of the wood. This approach moves away from heavy stains and glossy treatments, allowing the wood's inherent character to shine through in a more refined manner. To prevent the wood paneling from appearing overtly rustic or reminiscent of a bygone era, designers are integrating vibrant textiles, bold paint colors, and striking art pieces. These contrasting elements serve to modernize the space, injecting a fresh and contemporary feel while leveraging the warmth that wood naturally provides. The juxtaposition of natural wood with modern furnishings and decor creates a dynamic and visually appealing environment that transcends traditional cabin aesthetics. Max Humphrey, a Portland, Oregon-based designer known for his Americana aesthetic, exemplifies this trend by staining wood in lighter tones and pairing it with pale furniture. This method brightens the space and updates the classic wood-paneled look. Similarly, French designer Pierre Yovanovitch has adopted this style in projects like Le Coucou in Méribel, France. He maintains a monochrome palette, such as a rusty red-dotted carpet complementing a painted ceiling in the same hue, to update quintessential Alpine pine paneling. This cohesive color strategy allows the wood to integrate seamlessly into a sophisticated, contemporary design. Frances Merrill of Reath Design embraces the cabin vibe, enhancing the rusticity of wood planks with elements like checkered table skirts, oil paintings, and patchwork quilts. Crucially, she ensures the overall design remains current by incorporating furniture with clean, modern lines. This thoughtful balance prevents the space from feeling dated, instead creating a harmonious blend of rustic charm and contemporary elegance. The renewed interest in wood wall treatments signifies a shift towards natural materials and an appreciation for their inherent beauty when thoughtfully integrated into modern design schemes, positioning them as a compelling alternative to popular finishes like shiplap. #WallTreatment #InteriorDesign #CedarWalls #HomeDecorTrends #WoodPaneling #DesignInspiration #ModernRustic #HomeRenovation #MaterialRevival

The University of North Dakota (UND) is enhancing its student living experience through the construction of new residence halls and the renovation of existing ones, focusing on comfort, convenience, and fostering a strong sense of community. The recent opening of McVey Hall and significant renovations to Brannon Hall are central to this initiative, aiming to provide a 'home away from home' for students, particularly freshmen transitioning to college life. Lukas Metropoulos, a Community Assistant at McVey Hall, highlights the importance of creating an engaging and safe environment where students feel a sense of belonging. He emphasizes the need for a space where students can decompress, relax, and feel valued. This sentiment is echoed by Troy Noeldner, Director of UND Housing & Residence Life, who notes that while community programming has always been strong, the physical infrastructure needed an upgrade to meet modern student expectations. McVey Hall, which replaced the original 1965 structure, and the extensively renovated Brannon Hall, offer suite-style living designed to contrast sharply with older, more utilitarian dormitories. The new suites feature movable furniture, nearly floor-to-ceiling windows, vinyl-plank flooring, and soothing two-tone gray walls. Each four-student suite includes a private shower room, a separate toilet room with its own vanity, and a larger shared vanity area, along with individual thermostats for climate control. These design choices aim to maximize comfort and personalize living spaces. The broader Wilkerson Complex, which includes Selke, Noren, and the upcoming West Hall (The Second), will eventually house approximately 1,700 students, roughly equivalent to UND's average first-year student population. This complex is designed as a 'mini' freshman city, with all buildings connected by indoor passageways, eliminating the need to brave harsh weather. This integrated design is a significant departure from older models, emphasizing social spaces and amenities over just providing sleeping quarters. Noeldner explains that the shift to approximately 95 percent suite-style housing across UND's residence halls is a strategic move to modernize the student living experience and attract students in a competitive higher education market. The enhanced housing options are seen as a unique advantage in recruiting diverse students from around the globe. Furthermore, this capital project addresses over $200 million in deferred maintenance costs and reduces the university's housing footprint by 1 million square feet, contributing to significant utility savings and mitigating inflationary pressures. The emphasis on creating density on campus is a key element of the university's long-range plan, aiming to encourage students to live and engage in campus activities, thereby improving retention rates. Ashley Gunderson, Marketing Manager for UND Housing & Dining Support Services, shares her personal experience as a transfer student who regretted not living on campus, underscoring the value of proximity to campus life and social opportunities. The immediate popularity of McVey Hall, with 85% of students moving in ahead of schedule, attests to the success of these new facilities. Community spaces are a central feature of the new and renovated halls. McVey Hall boasts multiple large main lounges, some with recreational facilities like Ping-Pong, and additional lounges off elevators on every floor, all designed with comfortable furniture, natural light, and modern aesthetics. These spaces are versatile, used for studying, social gatherings, club meetings, and entertainment. Two stylish kitchenettes, equipped with basic cookware and ample lounging/eating areas, offer students additional options for cooking and socializing. Brannon Hall also features large open kitchen/lounge areas, a ground-floor lounge with a pool table, and dedicated study nooks. It also hosts Living Learning Communities for students in Aviation, Nursing, Engineering, and Atmospheric Science, fostering stronger connections between academic and social life, with an upcoming flight simulator room for aviation students. The ultimate centerpiece of the Wilkerson Complex is 'The Landing Zone,' a 1.7-acre grassy courtyard scheduled for completion in spring. This outdoor space will feature a large patio, a 12-foot fire pit, walking paths, benches, potential for an outdoor stage and movies, sand volleyball pits, and a hammock farm, all with outdoor directional Wi-Fi. This area is designed to be a vibrant hub for student activities and gatherings, further enhancing the sense of community and providing a blank slate for programming. The overall goal is to create an environment where students form lasting relationships and have a fulfilling college experience, making the residence halls an integral part of their college journey. #StudentHousing #ResidenceLife #CampusDevelopment #StudentExperience #HigherEducation #UniversityOfNorthDakota #ModernArchitecture #CommunityBuilding #StudentRetention

Bru Textiles, an international fabric supplier founded in 1995, has established itself by prioritizing quality, service, and strategic investment in technological advancement. Recognizing the increasing adoption of augmented and virtual reality in design and manufacturing, and the growing consumer trend of online purchasing, Bru Textiles launched Bru Digital in 2017. This dedicated digital research and development arm, comprising developers, CG artists, designers, and stylists across offices in Belgium and Ukraine, aims to bridge the 'imagination gap' between digital visualizations and physical products. The team's innovative venture, TwinBru, provides a service that offers photorealistic digital twins of Bru's extensive fabric library, rendered onto a diverse range of interior furnishing models. By leveraging the scalable computing power of Amazon Web Services (AWS), Bru has successfully generated hundreds of thousands of high-quality rendered images, solidifying its position as a digital leader within the industry. TwinBru's services extend beyond pre-configured content to include model creation, scene configuration, and rendering. This allows Bru's broad customer base, including manufacturers, designers, architects, wholesalers, and retailers, to apply digital materials from Bru’s fabric library to any model and integrate them into various 3D scenes. The resulting photorealistic images are nearly indistinguishable from professional catalog layouts and can be utilized in both online and offline applications. These applications encompass printed collateral, digital furniture configurators, and virtual reality environments. Ben Brabant, Bru Innovation Consultant, highlighted that TwinBru is setting a new industry standard for digital fabrics. He noted that the ability to quickly render realistic visuals on AWS significantly reduces the decision-making timeline for consumers, particularly for high-value purchases, as projects can be conceptualized without requiring physical fabric samples. Beyond sales, these high-caliber visuals are also valuable for marketing, customer validation, and rapid prototyping, enhancing efficiency for brands. To date, Bru has digitized over 10,000 distinct fabrics through a high-resolution scanning process and offers approximately 40 customizable pre-built assets. Customers also have the option to provide their own models, which TwinBru artists rebuild and optimize for the bespoke digital fabric application process. For each TwinBru render, models and scenes are typically created using Autodesk Maya on local Linux-based workstations. The rendering itself is performed using Chaos Group’s V-Ray on Amazon Elastic Compute Cloud (EC2) Spot Instances, with render management handled by Deadline, an AWS Thinkbox software. Assets are managed via a proprietary internal system and stored on Amazon Simple Storage Service (S3). Koen Verwimp, Bru Lead Software Engineer, emphasized the suitability of AWS for their batch rendering needs, enabling easy scaling without the burden of maintaining physical compute infrastructure. He noted that they have peaked at 400 simultaneous instances on AWS, a significant increase from their five local machines, illustrating the newfound functionality and efficiency gained since migrating from solely on-premises resources. Jurgen Goris, Bru Senior Software Engineer, further elaborated on the increased experimental capacity provided by AWS. He explained that new approaches can be tested by firing up an EC2 instance with minimal cost, eliminating the need for hardware investment and allowing continuous fine-tuning of their AWS usage and workflow integration. #DigitalTextiles #AWSCloud #VirtualReality #AugmentedReality #3DRendering #FabricInnovation #HomeFurnishings #InteriorDesign #ScalableComputing

Paintzen, a digital platform connecting professional painters with clients, has recently introduced a specialized trade program aimed at interior designers, decorators, home staging experts, and real estate professionals. This initiative seeks to streamline the often-complex process of painting and wallpaper installation, a critical component in interior design projects. The program provides members with exclusive services and benefits, including access to a network of experienced painters and wallpaper installers across 11 major markets in the United States. The core of the Paintzen trade program is its efficiency and ease of use. Designers can register through the Paintzen website, and soon after, a dedicated project advisor is assigned to them. This advisor works with the designer to review project specifics such as floor plans, drawings, and photos, ensuring a clear understanding of the project scope. This streamlined approach allows designers to manage painting projects remotely, expanding their service reach beyond their immediate geographical area and consequently opening up new business opportunities. Kristen Chuber, senior director of marketing at Paintzen, highlighted the program’s aim to address the challenges designers face in finding reliable and professional painting services within tight timelines. The company guarantees 100% satisfaction, underscoring its commitment to quality that meets both the designer's and client's expectations. Since its inception in 2013 and subsequent acquisition by PPG PAINTS™ in 2018, Paintzen has been focused on revolutionizing the painting process through its comprehensive platform. Members of the trade program receive several key benefits. These include access to color consultations, enabling designers to choose from over 2,000 PPG paint colors, with options for color matching specific items. The platform also provides quick online quotes and on-demand painting and wallpaper installation services delivered by vetted and fully insured professionals. Meghan Stewart, senior director of residential sales at Paintzen, emphasized that the program's dedicated team supports trade partners to ensure high-quality service, aiming to save designers time by removing the need to research vendors or manage the painting process themselves. Paintzen handles the continuous vetting of crews for professionalism and quality, allowing designers to concentrate on their primary role of design and client engagement. Furthermore, Paintzen ensures that all necessary paint and supplies are delivered to the project site on schedule, contributing to a hassle-free experience from the initial concept to project completion. Alicia Hassen, founder of Brooklinteriors LLC, praised Paintzen for simplifying the paint process, particularly when designers are managing multiple tasks simultaneously. The platform's extensive network of contractors allows for quick dispatch, with crews available in as little as 72 hours, catering to urgent project needs. Services can also be scheduled in advance, making it suitable for both long-term projects and last-minute adjustments. The program also extends beyond standard painting tasks, offering a wide range of specialized services. Paintzen's contractors are proficient in various custom projects, including faux finishing, textured painting, decorative wall art, and the painting or staining of cabinetry, as well as the creation of wall murals. This breadth of service allows designers to confidently entrust Paintzen with high-end and unique project requirements. Interested designers can find more information or register for the program via Paintzen's website or by contacting their dedicated email address. #Paintzen #InteriorDesign #TradeProgram #PaintingServices #WallpaperInstallation #DesignProfessionals #HomeRenovation #PPGPaints #ProjectManagement

This article showcases nine design projects from students at The New School's Parsons School of Design, covering a range of disciplines including architectural design, interior design, industrial design, and lighting design. The projects demonstrate innovative approaches to addressing contemporary societal and environmental challenges, as well as creative explorations of design principles. Mohamad Ali Ezzeddine's "The Gallery Hotel" is an interior design project for a hotel located in Chelsea, New York, adjacent to the High Line. The design integrates an art gallery on the main floor to display local artists' work, alongside a reception area, bar, and lounge. The second floor features a restaurant with outdoor dining access to the High Line, and the hotel includes 24 guest rooms across three floors, complemented by a rooftop lounge offering panoramic views of Chelsea. This project emphasizes creating a dynamic cultural experience while providing comfortable and functional spaces for guests. Carmen Cordova's "Resistance" addresses issues of self-sacrifice and exploitative care relationships, particularly for women in El Salvador. This interior design capstone project aims to build solidarity among Salvadoran women and highlight the challenges they face. By providing tools and spaces that promote resistance against traditional roles, the project seeks to foster community unity and greater equality, advocating for a restructuring of societal expectations regarding women's roles and labor. Jenna Koss's "Why They Stay" is a real-life proposal for the Helpmate Domestic Violence Shelter in Asheville, North Carolina. This ongoing project investigates how a purpose-built shelter on a sloped site can be designed to enhance safety from illness and abuse while promoting healing for survivors. The design explores layering interior spaces to empower survivors, facilitate connections, help them reclaim agency, and build resilience over time, focusing on the psychological and physical well-being of the inhabitants. Jiuying Li's "A Tale: Heading to the Tent of Tomorrow" is an architectural thesis project that transforms an abandoned artifact into an imaginary utopia. The project is occupied and renovated by individuals who have experienced gender inequality and discrimination. It manifests the urgency of eliminating gender bias embedded in American history and depicts an alternative future for architectural relics through storytelling, offering a vision of an equitable and inclusive society. "Flood Points: Redesigning Ekistics with time" by Nalin Chahal, Eric Hu, and Anthony Vesprini re-evaluates the science of human settlements in the context of climate change. The project proposes drastic alterations to a site, focusing on adapting to rising sea levels rather than merely constructing sea walls. The first phase reintroduces natural habitats and reimagines the site as an engaging park, educational space, market, and community center, with a shift towards circular, sustainable energy generation. Subsequent phases account for the flooding of the site, dedicating more land to changing flora and fauna, maintaining programmatic elements, and eventually returning the land to natural processes, with only a research center remaining operational. Zihao Fang's "Aquastor" introduces desertification remediation vessels produced from mixed desert resources. These vessels are designed to promote soil growth in desert areas and slow the advance of desertification. Placed in a triangular arrangement on the edge of the desert, they create a barrier. The temperature difference between the inside and outside of the vessels allows external water vapor to enter the desert and reduces evaporation. Eventually, the Aquastor vessels degrade, transforming into nutrients for the land, thus providing a sustainable solution to desertification. Daniela Solovey's "The CroChair" investigates crochet as a novel form of production using upcycled materials. This project involves designing made-to-order furniture that blends traditional furniture design with an analogue craft. The CroChair aims to legitimize often-overlooked art forms by creating highly functional products with a unique aesthetic, benefiting the design community through its innovative use of materials and techniques. Jo Li's "Bio Loose Sense" explores biomimetic design with light to separate functional zones within homes, especially relevant during periods like pandemics where living, working, and relaxing occur in the same space. The design learns from natural phenomena like bioluminescent tides and organisms, applying the potential of bioluminescence to change human relationships with lighting and interiors. This project encourages a connection between humans and nature while keeping senses activated through temporal changes in lighting. Carmen Iris Ruiz Cruz's "Healing Structures" examines how architecture and lighting are integral to healing trauma, particularly in post-disaster contexts like the 6.4 magnitude earthquake in Puerto Rico. The project highlights that post-disaster response often overlooks mental well-being and invisible injuries. It proposes that built spaces should not only serve as meeting points but also as environments where people can share stories and heal through communal interaction, emphasizing the need for thoughtful assessment and consideration of space quality in healing processes. #ParsonsSchoolOfDesign #ArchitecturalDesign #InteriorDesign #IndustrialDesign #LightingDesign #StudentProjects #SustainableDesign #SocialImpactDesign #BiomimeticDesign

The Surface Design Show is set to feature its 'New Talent' section once again, providing a platform for emerging creatives in surface materials and lighting design. Scheduled from February 11 to 13, the event aims to highlight innovative designs and materials. This year's 'New Talent' section, curated by Jennifer Castoldi, Chief Creative Director at Trendease International, has significantly expanded, showcasing 37 exhibitors compared to 16 in the previous year. All participating designers have been in business for five years or less. Christopher Newton, Director of Surface Design Show, expressed enthusiasm for the collaboration with Trendease International, noting that Jennifer Castoldi has assembled a collection of exciting new designers with fresh ideas in material design. He anticipates that visitors will engage with the diverse designs, textures, and materials presented within the 'New Talent' area. Many of the exhibitors integrate traditional craft techniques with contemporary design approaches. For instance, Charlotte Relf, an experimental embroidery artist, utilizes exaggerated stitches to impart detail and energy to her work. Similarly, Frances Stone, a Royal School of Needlework graduate, employs various experimental embroidery techniques, including gold work, crewel work, and beading, to craft footstools, chairs, and cushions. Charlotte Clayton Design merges knitting with automotive interior design for surface applications, while Farr Designs combines photography with contemporary design through hand screen prints and digital technology. The 'New Talent' section demonstrates a broad spectrum of approaches to surface design. Janine Partington emphasizes carving and hand-painted leathers. Trifold presents designs featuring thermal and acoustic layers, folded using traditional origami tessellation. Research-based designer Megan Cowley creates mild steel molds using water jet technology, which are then transferred onto glass. Wallcoverings are a prominent feature among the 'New Talent' exhibitors. Olenka's luxury British wallpaper collection showcases natural motifs of leaves and flowers. Catherine Griffiths' work includes bold wallpaper designs, fabrics, and cushions, drawing inspiration from Celtic mythology, the Renaissance, and European architecture. West by Design specializes in intricate hand-painted wallpaper inspired by the English countryside. King Kong Design produces site-specific corporate wall art and custom wall panels for retail, public, and residential settings. A significant theme among the 'New Talent' exhibitors is sustainability and a focus on nature, reflecting the broader 'Close to Home' theme of the Surface Design Show, which emphasizes designing with a conscience beyond mere aesthetics. Jonel van Schalkwyk creates surface designs with human-sized plants in a painterly style. Designer Paula Nerlich concentrates on circular biomaterials, exploring vegan compostables and foams derived from industrial and household food waste. Atticus Durnell, founder of That’sCaffeine, has developed a material from recycled coffee grounds that emulates granite stone. Brussels-based Studio Gilles Werbrouck employs an innovative approach to material reuse by knitting textiles from unconventional sources such as video tape and dead stock from fashion designers. Access to the Surface Design Show is free for professional and trade visitors, with registration available online. #SurfaceDesignShow #NewTalent #EmergingCreatives #SurfaceMaterials #LightingDesign #InteriorDesign #SustainableDesign #MaterialInnovation #CraftTechniques

The New Review series, a biweekly examination of art installations and exhibitions near The New School campus, focuses this week on the Vera List Courtyard. Situated in a bustling urban environment, the courtyard serves as a space for reflection on The New School's past and present. While often regarded as the Lang courtyard, its formal name honors American art collector and philanthropist Vera List, having been dedicated on November 2, 1997. The space was designed by landscape architect Michael Van Valkenburgh and artist Martin Puryear, integrating sculptural presence with practical function to create a contemplative meeting area within the university. Kathleen Goncharov, a curator, highlights in "I Stand in My Place With My Own Day Here: Site-Specific Art at The New School" how this design appropriately honors Vera List’s legacy. Initially intended for small outdoor receptions, performances, and ceremonies, the courtyard's current usage by New School students often deviates from these educational purposes. Students frequently utilize it for lounging, organizing demonstrations, or even as a canvas for graffiti. The design incorporates staggered levels, steel benches, and cement steps that double as seating, creating a dynamic yet somewhat uncomfortable environment. The presence of 'witch-hat' shaped benches and a curved ramp surrounded by rocks and trees adds a playful aesthetic, contrasting with the harsh, gray cement walls that can feel restrictive. This perceived discomfort raises questions about the $2.6 million investment, funded through private contributions, for a space that, while fostering campus life, may not always be welcoming. The courtyard not only serves the present but also acts as a tangible reminder of The New School's revolutionary past, a history that might seem at odds with its current image. The institution, with its extensive art collection of approximately 2,000 works, positions itself as 'new' and disruptive of the capitalist status quo. However, this image potentially contradicts its original founding principles. Established in 1919, The New School was conceived as an advanced adult education institution, designed to bring together creative scholars and citizens for active questioning, debate, and discussion, rather than a traditional undergraduate and graduate university structure. The article encourages occupants of the courtyard to ponder the divergence between the school's foundational goals and its contemporary reality. The author prompts readers to observe the space critically, contemplating elements such as the dying red maple trees, the vibrant greenery that emerges in spring, and the oval terrace. This encourages engagement in Socratic seminars to discuss concerns about the tuition, the school's shortcomings, and potential improvements. The article suggests using the various seating areas—tables and chairs on the lower level, benches along the walls—as platforms for reimagining the school's future, fostering community, and addressing inclusivity. It advocates for active listening, observing campus interactions, and utilizing the echoey cement walls for voicing protests against institutional failures. By leaning against the metal bench on the oval terrace, students are encouraged to envision a truly 'new' school, recognizing that despite its progressive advertisements, significant work remains. The process of observation and conversation within these spaces, even if uncomfortable, is presented as the starting point for necessary institutional change. #VeraListCourtyard #NewSchool #MichaelVanValkenburgh #MartinPuryear #CampusLife #ArtInstallation #ArchitecturalDesign #HigherEducation #InstitutionalHistory