A Man of Many Talents, Jonas Bjerre-Poulsen Designs and Documents a Traditional Danish Country Home

Jonas Bjerre-Poulsen, co-founder of Norm Architects, and his wife, Christine Juel Bjerre-Poulsen, reside in a 3,229-square-foot home situated in Vedbæk, a Danish fishing village north of Copenhagen. The residence, built in 1911 by architects H. Wright and E.V. Marston, possessed an 'old-world feel' that Bjerre-Poulsen found poetic, yet his personal vision leaned towards a more modern living space. To reconcile the historical exterior with a contemporary interior, he drew inspiration from institutions like London’s Saatchi Gallery, which successfully integrates traditional architecture with modern design. Bjerre-Poulsen, who previously worked as an industrial designer specializing in cookware, emphasized the kitchen's design due to his role as the primary cook. His goal was to create a space that was both highly functional and aesthetically pleasing, aligning with his distinctive minimalist Scandinavian style. The kitchen was designed to facilitate his culinary pursuits while complementing the existing architectural dimensions. He aimed for a design that would age gracefully, reflecting a raw, tactile, and natural aesthetic, thereby integrating elements from nature and blurring the lines between indoor and outdoor environments, a common practice in Scandinavian design. Norm Architects, Bjerre-Poulsen’s firm, developed the SURFACE kitchen for Reform, a Danish brand known for customizing IKEA kitchens with architect-designed fronts. The design features smoked oak for both the cabinet fronts and countertop. Bjerre-Poulsen favors smoked oak for its natural properties, noting its tactile warmth and ability to patinate beautifully over time. He perceives wooden countertops as softer to the touch and quieter than stainless steel or stone, and despite being delicate, they are easy to maintain and grow more appealing with age. The smoked oak cabinetry is deliberately designed to appear as freestanding furniture rather than a fully integrated element, offering a distinct presence within the space. The handles of Bjerre-Poulsen’s kitchen were originally crafted from bronzed tombac, a material that has since been discontinued, with Reform now offering brass alternatives for a similar aesthetic. An essential design feature contributing to the kitchen's clean, minimalist look is a staircase that connects the main kitchen area to a larder/utility space in the basement, facilitating discreet storage and maintaining an uncluttered environment. The cabinet doors are finished with saw-cut veneer, providing a tactile surface where the grooves from the saw are visible and palpable, further enhancing the natural and artisanal quality of the design. The home also incorporates Japanese design principles, evident in its use of natural materials, craftsmanship, and overall aesthetic. Bjerre-Poulsen articulates his design philosophy as one where 'functionality where beauty is part of the function,' emphasizing that natural materials are adaptable, speak of time, and require minimal maintenance while developing a beautiful patina. The Norm Architects' SURFACE kitchen for Reform is available in smoked oak, natural oak, and metal options. #MinimalistKitchen #ScandinavianDesign #NormArchitects #ReformKitchen #SmokedOak #NaturalMaterials #HomeRenovation #KitchenDesign #DanishDesign

Nordic Nest, an e-tailer established in 2002, has cultivated a distinctive niche in the Scandinavian interior design market by prioritizing storytelling and brand building. Unlike typical online retailers, Nordic Nest offers a curated experience that allows customers to explore and engage with Scandinavian design at their own pace. The platform serves as a primary destination for enthusiasts of Scandinavian interior design, emphasizing functional simplicity and timeless beauty, and is expanding its efforts to enhance the global visibility of Scandinavian design. The company's extensive catalog features over 60,000 Scandinavian design products from more than 300 brands. The selection is meticulously curated, highlighting craftsmanship and artistic expression. Nordic Nest supports a diverse range of creators, from emerging talents to established designers, providing year-round assistance through marketing collaborations, exclusive product launches, and international outreach. This commitment extends beyond transactional relationships, focusing on showcasing each studio's unique craftsmanship and innovative techniques through various channels, including digital campaigns, curated showcases, and events, thereby popularizing Scandinavian design globally. During the 2025 Stockholm Design Week, Nordic Nest hosted an intimate dinner at Stockholm’s Nationalmuseum, bringing together leading Scandinavian design brands such as Fritz Hansen, Iittala, Louis Poulsen, Gärsnäs, and Audo Copenhagen. This event celebrated both the enduring traditions and contemporary innovations within Scandinavian design, underscoring the company’s dedication to providing brands with a platform for increased visibility and recognition beyond the Nordic region. Among the highlights of the event was the unveiling of Iittala’s Solare collection, a new tableware line inspired by light. This collection, which includes glassware, textiles, and home accessories, captures the interplay of brightness and form, continuing Iittala’s legacy of avant-garde design and colored glass since its founding in 1881. Danish brand Audo also introduced the Pavot Collection, a collaboration with designer Colin King. This collection, featuring artfully crafted vessels like the Pavot Centerpiece, Bowl, and Vase, draws inspiration from the organic shape of a poppy seed head, blending ancient influences with modern craftsmanship. Each piece is cast in aluminum and finished with a brown bronzed patina, embodying a timeless yet contemporary aesthetic. Through these initiatives, Nordic Nest reinforces the notion that Scandinavian design is rooted in careful attention to detail and a profound sense of connection. #ScandinavianDesign #InteriorDesign #NordicNest #ECommerce #DesignRetail #BrandBuilding #DesignEvents #FurnitureDesign #HomeDecor

Bornstein Lyckefors, a Swedish architecture studio, has unveiled its latest residential project, Villa Hovås, a striking black house located in Gothenburg. This project follows their previous work, Villa Timmerman, which showcased sustainable architecture and aesthetic appeal. Villa Hovås is situated on a sloped site within an affluent seaside suburb, offering exceptional natural views. The two-level residence is strategically designed to maximize these views. The elongated structure is oriented east-west, featuring a fully glazed side facing the sea to the west and a more private, closed side facing the street to the east. This design ensures that the inhabitants can fully experience the panoramic coastal scenery while maintaining privacy from public view. The ground floor of Villa Hovås serves as the primary social hub. It encompasses a spacious living room and several bedrooms. The living room seamlessly extends onto an outdoor terrace, which is elegantly bordered by a swimming pool. This integration of indoor and outdoor spaces creates a fluid environment for relaxation and entertaining, allowing residents to enjoy the natural surroundings. Upstairs, additional bedrooms are located, providing private retreats. A unique architectural feature of Villa Hovås is its continuity of communal space. The living room on the ground floor is conceptually extended to the upper floor, where the kitchen is situated. From the kitchen, the view opens dramatically towards the sea, with the swimming pool in the foreground. This thoughtful arrangement creates an optical illusion, making the pool appear as a seamless extension of the ocean, enhancing the sense of an "endless ocean" experience for residents. Materiality plays a crucial role in defining the aesthetic and functional aspects of the villa. The exterior is clad in black wooden slats, which give the house a distinctive and sophisticated appearance. This dark cladding allows the structure to blend harmoniously with its natural environment while also making a subtle yet strong statement. Inside, the design contrasts with the exterior; lighter-colored timber is predominantly used, fostering a warm, inviting, and domestically comfortable atmosphere. This interior palette ensures that the vibrant green landscapes and expansive seaside vistas remain the dominant visual elements, framed by the subtle elegance of the wooden interiors. Strategic placement of openings throughout the villa is another key design element. These openings are carefully planned to facilitate the entry of natural light, which dynamically transforms the internal ambiance throughout the day. This creates varied atmospheres depending on the time, enhancing the living experience. Bornstein Lyckefors articulates that the design intent for Villa Hovås is to create an experience of "living in the view," allowing residents to immerse themselves in the scenery while also providing control over their privacy in daily life. This balance between openness and seclusion is central to the villa's design philosophy. The architectural choices in Villa Hovås reflect a deep consideration for its site, material use, and the desired living experience. The use of natural materials like wood, both externally and internally, ties the house to its environment. The contrasting exterior and interior finishes provide a dynamic visual experience, moving from a bold external presence to a serene internal haven. The focus on views and light, combined with the thoughtful layout, exemplifies a contemporary approach to residential architecture that prioritizes connection with nature and quality of life. #Architecture #ResidentialDesign #SwedishArchitecture #TimberConstruction #ModernHome #CoastalLiving #BornsteinLyckefors #SustainableDesign

The article highlights a shift in the perception of Scandinavian design, moving beyond the traditional male-dominated figures like Arne Jacobsen, Finn Juhl, and Hans Wegner. It introduces a new publication, '_Real Nordic Living_', which aims to provide a more contemporary and inclusive view of Nordic design by featuring female designers, diverse aesthetics, and lifestyle elements beyond furniture. The core concept of 'hygge' is explored through the work and philosophies of three prominent women designers. Josephine Akvama Hoffmeyer, the Ghanaian-Danish founder of File Under Pop, is presented as a key figure in this modern interpretation. Her company specializes in hand-making ceramic tiles, wallpaper, and paints in Copenhagen. Hoffmeyer's work extends to hotels and residences globally, including a current project in Uruguay. She emphasizes the importance of color in Nordic interior design, noting a move away from the past two decades' prevalence of white and pastels. Hoffmeyer advocates for using specific color palettes to define rooms, such as fresh and cool hues for bedrooms and warmer, denser tones for kitchens or living rooms, to create 'hygge' in an accessible and economical manner through paint. Julie Bonde Bülck of Uh la la Ceramics is another designer featured, known for her porcelain pieces characterized by slick, curved shapes often described as 'seductive'. Her work incorporates a modern, tech-inspired aesthetic, exemplified by spherical dishes with snap-on lids. Bonde Bülck acknowledges Jony Ive as an influence, indicating a blend of traditional ceramic craftsmanship with contemporary design sensibilities. Finally, Ragnhild Wik of Wik Oslo, initially a costume designer, established her eponymous shop in 2014. Her studio, located in a 200-year-old stable in Oslo, serves not only as a workspace but also as a showroom and a communal gathering space for family, friends, and colleagues. Wik’s approach to her studio, filled with secondhand furniture and collected items, embodies the cozy and inviting spirit of Nordic 'hygge', reflecting a personal and collected aesthetic rather than a purely minimalist one. This collection of designers collectively showcases a refreshing and expanded definition of Scandinavian design, one that is more diverse, vibrant, and reflective of modern living. #NordicDesign #ScandinavianDesign #Hygge #HomeDesign #InteriorDesign #WomenInDesign #CeramicArt #WallpaperDesign #ColorTheory

The latest lookbook curated by Dezeen showcases a collection of eight Scandinavian summer houses distinguished by their extraordinary interiors. These vacation homes, located across Denmark, Sweden, and Norway, move beyond traditional cabin designs to present imaginative architectural and interior solutions. The lookbook is part of a series that offers visual inspiration from Dezeen's extensive archive, focusing on themes such as minimalist bedrooms, colorful resin floors, and statement staircases. The featured homes exemplify diverse approaches to modern Scandinavian summer living. Heatherhill Beach House in Denmark, designed by Norm Architects, incorporates a contemporary feel with a brick floor laid in a grid pattern, contrasting with traditional elements. Douglas fir wall paneling, a dolomite plaster fireplace, and a marble kitchen island define its interior. Saltviga House in Norway by Kolman Boye Architects creatively utilizes timber flooring offcuts, cladding its exterior in oak and furnishing its interior with waste Douglas fir, providing cabinet fronts and smooth screed floors, along with steeply sloping ceilings and expansive window walls. Förstberg Ling's House with a Hidden Atrium in Denmark features a secluded central courtyard accessible only through the toilet, with varying ceiling heights and a double-height main bedroom creating dramatic spatial experiences. Hee House in Sweden, by Studio Ellsinger, is characterized by its distinctive hat-shaped aluminum roof and high ceilings. The design cleverly integrates an expansive bookshelf wall to create split-level bedrooms and double-height living spaces, maximizing space with features like a built-in stove, compact kitchen, and corner bench. Mentze Ottenstein’s renovation of the Dinesen Country Home in Denmark, a 19th-century longhouse, introduces soft color tones and contemporary twists on period furniture. This guesthouse features a dark brown library with ash bookshelves, a forest-green kitchen, and pale yellow reception rooms. Vipp Cold Hawaii in Denmark, designed by Hahn Lavsen for the homeware brand Vipp, is organized around two large chimneys that divide the interior into three sections. The eastern section houses the living space and an anodized aluminum kitchen, with furniture in neutral shades mirroring the surrounding dune landscape. Cabin Nordmarka in Norway, by Rever & Drage, features a large, unusually shaped window that dictates its compact, open-plan layout. The dining area offers expansive forest views, while sleep spaces are strategically placed away from the window, and a bed platform provides under-floor storage. Finally, Villa Vassdal in Sweden, designed by Studio Holmberg, uses birch plywood for walls and built-in furniture to create a monolithic yet warm interior on a small Gothenburg archipelago island. Built-in bookshelves and soft furnishings add subtle color accents. This collection of summer houses highlights innovative design and thoughtful integration with nature, redefining the traditional Scandinavian summer retreat. #ScandinavianDesign #SummerHouses #InteriorDesign #ArchitecturalInnovation #NordicArchitecture #ContemporaryLiving #HolidayHomes #CabinDesign #VacationRetreats

Danish design company Vipp has unveiled its fourth hotel destination, a 1775 farmhouse located on the island of Lolland, Denmark. This new addition expands Vipp's portfolio of distinctive accommodations, which previously included a loft and a chimney house in Copenhagen, as well as the 'Shelter' cabin on Lake Immeln, Sweden. These untraditional hotel properties serve as immersive settings for guests to experience exclusive locations while showcasing the versatility of Vipp's minimalist products and furniture. The company highlights that these stays also allow guests to 'test drive' Vipp kitchens and other designs before making a purchase. The newly opened Vipp Farmhouse is situated within the Søllestedgaard estate, nestled within a sprawling 1400-acre forest. Originally a gardener's residence, the farmhouse seamlessly blends traditional vernacular countryside architecture with Vipp's modern aesthetic. Jette Egelund, the second-generation owner of Vipp, noted that the project was inspired by a rediscovered appreciation for nature and the Danish countryside during lockdown, offering guests a tranquil escape and a taste of farm life. The Farmhouse project was a collaborative effort with Ulrik Th. Jørgensen, the estate owner, and featured interior designer Julie Cloos Mølsgaard, who was tasked with infusing a contemporary feel into the historic location through furniture, artworks, and objects. The interiors of the farmhouse harmoniously combine traditional architectural elements with the functional, contemporary pieces that are characteristic of Vipp. Key features like the whitewashed façades and thatched roof of the original structure were meticulously preserved. Inside, Vipp's Scandinavian minimalism is evident, complemented by a serene palette of natural hues. The spaces are adorned with some of Vipp’s most iconic designs, ranging from the original pedal bin to its sophisticated kitchen systems. The V1 kitchen, for instance, is a focal point, alongside the 'Cabin' round table with a dark oak base and marble top, and leather-seated 'Cabin' chairs. A study corner features the 'Swivel' chair and Vipp Table lamp, while the living room showcases Vipp's latest furniture collection, including the 'Chimney' sofa, coffee table, and floor reading lamp. The surrounding environment of the Vipp Farmhouse promises a nature-rich stay. Guests can explore Denmark’s largest private greenery, 'Den Grønne Verden,' and indulge in culinary delights at Spiseriet, a Michelin-starred restaurant that prides itself on using fresh local produce. The entire experience is designed to provide a cohesive blend of historical charm, minimalist design, and natural beauty, offering a unique opportunity to immerse oneself in the Vipp lifestyle within an idyllic countryside setting. #VippFarmhouse #DanishDesign #MinimalistInterior #CountrysideEscape #HotelDesign #ScandinavianMinimalism #InteriorDesign #ArchitecturalPreservation #LuxuryAccommodation

This article showcases the unique interior design styles of three designers, Jenny Powell, Edward Girardi, and Biff Bartron, as demonstrated in their personal homes. Each designer offers insights into their design philosophy, material choices, and practical tips for creating functional and aesthetically pleasing living spaces. Jenny Powell, owner of Somethings Unique, resides in a spacious Landenberg home with her family. Her design approach emphasizes a blend of elegance and family-friendliness, incorporating a relaxed European style with Scandinavian influences. After moving into their home, the Powells lightened dark wood floors and painted walls in pastel yellow and beige to create a brighter atmosphere. Powell's design is characterized by mixing old and new elements, such as Swedish Rococo-style sidechairs paired with contemporary fabrics, and the use of natural light and preserved greenery. Key elements of her home include fauteuil chairs from Spain with a gray-blue glaze, silk curtains in two colors, and durable microsuede upholstery for family-friendly living. The kitchen features granite countertops and unique hammered metal hardware, while the sunroom offers a casual dining space with a pine farmhouse table. Powell's home is adorned with her father's art, and she advocates for mixing styles, choosing tactile materials, incorporating personal art, and using a soft Scandinavian color palette. Edward Girardi, a proponent of high-rise living, has transformed his 16th-floor condominium in Wilmington into a sophisticated urban sanctuary. His design focuses on maximizing space and functionality in a compact environment. Girardi converted an adjoining unit into an intimate media room, painted in a custom purple-tinged gray. He meticulously blends his own paint colors and uses a sophisticated neutral palette as a backdrop for his home. A large, self-painted contemporary artwork dominates the living room, complementing the angular, masculine aesthetic. He repurposed a cocktail table by replacing its gold top with etched glass and staining the wood mahogany. Girardi's philosophy includes investing in neutral basics and updating accessories with lively prints. He emphasizes grouping family photos for impact and keeping them current. The dining area features a glass and chrome table for spaciousness, and custom built-in cabinets hide a bar and storage. His galley kitchen is designed for efficiency, with ceiling-height cabinets, slate tiles, and cork flooring. In the bedroom, a contemporary pedestal bed is paired with Shaker nightstands, and the space is unified by painting moldings and doors the same color as the walls. Girardi's advice for small spaces includes using larger tiles, decluttering with built-in storage, grouping pictures, measuring furniture carefully, and using solid colors to enlarge a space. Biff Bartron, a partner in BW Design Group, showcases an elegant California ranch home in Wilmington that balances luxury with simplicity, reflecting his preference for peaceful, spa-like environments. Despite initially being in disrepair, Bartron envisioned an open, light-filled space. He renovated in stages, prioritizing the kitchen and bathrooms. The enlarged kitchen features two dishwashers, three microwave ovens, stainless steel sinks, granite counters, and porcelain tile floors that mimic limestone. Sleek cherry cabinets with frosted glass panels and a pass-through window enhance light. A clever design integrates a Sub-Zero refrigerator, with the back half extending into the garage. Bartron unified the public spaces by installing dark ebony-stained hardwood floors. The dining table has an acid-treated copper top, and the living room offers comfortable seating for 11 around a baby grand piano. A chocolate brown daybed and silk curtains frame a bay window, allowing the city lights to become part of the decor. His color palette and simple furniture highlight a dramatic art piece from Paris. The powder room features hand-painted bamboo shoots and polished river rocks in the sink, adding a surprise element. The master bath is a spa-like retreat with a large stone shower and bamboo accents. Guest rooms on the lower level open to a private garden, and a secondary kitchen caters to entertaining. Bartron upgraded lighting and installed a whole-house stereo system. His recent addition of an Asian-inspired front porch creates a tranquil entry. Bartron recommends an Asian-inspired palette, using frosted glass for light and privacy, pampering oneself with luxury baths and linens, keeping window treatments simple to preserve views, and choosing durable materials for pet and family-friendly living. #InteriorDesign #HomeDecor #DesignerHomes #ScandinavianDesign #UrbanLiving #ModernRanch #SpacePlanning #Renovation #HomeStyling

This article explores five key Danish design lessons observed during a brief trip to Copenhagen, focusing on how these principles can be applied to create cool yet cozy home interiors, especially during winter months. The author's journey began with an architectural tour, driven by an appreciation for craftsmanship and design narratives, particularly the iconic Black Diamond Library. Danish design is characterized by functionality, style, and an unfussy aesthetic, though achieving a warm Scandinavian feel can be challenging. The insights were gathered from various stylish locations, including restaurants, shops, and hotels in Copenhagen. One fundamental lesson highlights the importance of layered and iconic lighting. Given Denmark's limited winter daylight, the strategic use of lighting is crucial. This involves employing globe low-hanging pendants, Sputnik chandeliers, and a blend of ambient, task, and feature lighting to enhance atmosphere and functionality. The Hotel Alexandra in Copenhagen exemplifies this approach, emphasizing cozy lighting that creates an intimate ambiance, often achieved by hanging lights low and grouping them. The article notes the juxtaposition of various lighting designs, from soft warm glows to brighter white lights, and the prevalent use of candles to elevate spaces. Specific examples like Night Owl lamps from Fritz Hansen and marbled glass mushroom lamps are mentioned for their playful yet effective contributions to decor. The second lesson emphasizes the impact of even small pops of color in setting a room's tone. While neutral palettes are common in Scandinavian design, the Hotel Alexandra showcased how vibrant bookends and colorful accent chairs can significantly uplift spirits, especially when contrasted with cooler external environments. The article acknowledges a personal struggle with color shyness but points out how a simple change, such as swapping bedsheets, can dramatically alter a room's mood. Guidance on integrating color includes using blue with a grayish hue or a warmer stone color, combined with chromatic accents like green or vermillion red to achieve a Scandi aesthetic. Magnus Sangild of Mazo Design elaborates on color as a narrative, using subtle pastel wall tones and vibrant furniture to create a modern and inviting showroom. Chairs are presented as a significant opportunity for making a design statement, reflecting Copenhagen's rich furniture design heritage. Timeless chairs, designed for longevity and embodying the Danish aesthetic, are highlighted. The ARCH Lounge Chair by Magnus Læssøe Stephensen, crafted from steam-bent solid oak and paper cord, is cited as an example that combines natural materials with a bold design. The importance of comfort and functionality in chair design is underscored. The article mentions classic designs by Hans J. Wegner, Arne Jacobsen's Egg™ chair, and Poul Kjærholm's PK22™ design as examples of pieces that blend heritage, craftsmanship, and modern functionality, making them valuable additions to any home. The fourth lesson focuses on the instant timeless appeal of true craftsmanship. The article argues that fine design is an art, distinguishable by the meticulous care and thoughtful design applied to a piece of furniture. A commitment to quality materials and durability ensures that furniture can withstand the test of time, as exemplified by Mazo's TMBO Lounge Chair from 1935, which remains relevant and is expected to endure for decades. This dedication to lasting design reflects a commitment to sustainability. The tactile enjoyment derived from features like soft curves, buttery leather, fuzzy upholstery, or the grain of wood further emphasizes the value of incorporating handcrafted items into home decor, especially when they complement the home's natural architecture. Finally, the article suggests that incorporating just a touch of nature can elevate any space. This includes everything from Art Deco carvings on dining chairs to dried flower bouquets in tablescapes. Houseplants in overlooked corners, natural and raw materials, and organic forms help connect indoor spaces with the outdoors, bringing warmth and design essence regardless of the season. The article concludes by offering specific product recommendations that align with these Danish design principles, such as accent chairs, pendant lights, table lamps, and snake plants, to help readers infuse their homes with a Copenhagen-inspired cool and cozy aesthetic, emphasizing a balance between light and furniture through curved lounge pieces, natural upholstery, and colorful accessories. #DanishDesign #InteriorDesign #CopenhagenInspiration #HomeDecor #LayeredLighting #ColorTheory #FurnitureDesign #Craftsmanship #NaturalElements #ScandinavianStyle

The Dwell House, a one-bedroom backyard house designed by Norm Architects in collaboration with Abodu, exemplifies Scandinavian simplicity through its focus on natural materials and light-filled spaces. Spanning 540 square feet, the design aims for warmth and tactility, making it versatile as a guesthouse, pool house, office, or gym. The lead architect, Sofie Thorning of Norm Architects, explains that the design process involved balancing broad appeal with a unique aesthetic, without a specific client. The team focused on elements that generally foster a sense of well-being, utilizing a simple and timeless design language to evoke comfort. A key feature of the Dwell House is its exterior cladding, which utilizes Real Cedar siding. This material is available in a natural or black finish and was chosen for its quality, durability, and high design appeal. The cedar seamlessly integrates with other premium materials, such as the building’s standing-seam aluminum roof and engineered oak floors. William Hanley, Dwell’s editor-in-chief, emphasized the deliberate choice of Real Cedar due to its authenticity as a wood cladding, its support from a consortium of mills, and its natural weathering properties. Furthermore, the wood is sourced from sustainably managed forests, contributing to a reduced environmental footprint for the home. Cedar’s inherent resilience makes it resistant to rot, decay, weather, and insects, ensuring a low-maintenance exterior. The material’s natural properties also mean it is free of pitch or resin, allowing for easy customization with stains, oils, and finishes. This flexibility in color and appearance was a significant factor in selecting Western Red Cedar, particularly for an Accessory Dwelling Unit (ADU) designed to complement various architectural styles of main homes. Hanley highlighted that the design objective was to create a structure that looks equally appropriate behind a Mission Revival or a contemporary house, while still maintaining its distinct character through details like the varying widths of the cedar cladding. The Dwell House’s exterior design elements, including the vertical cedar slats, contribute to a sophisticated facade. These slats are complemented by outdoor sconces from Brendan Ravenhill, which provide adjustable and dimmable light. The interplay of natural warmth, grain, and variability of the cedar creates a dynamic appearance, particularly when illuminated by sunlight. The thoughtful material palette, which includes the aluminum roof and window exteriors alongside the wood cladding, ensures a cohesive and visually harmonious design. The result is a backyard home that blends functionality with a refined, tactile aesthetic, designed to enhance well-being and seamlessly integrate into diverse residential settings. #DwellHouse #ScandinavianDesign #RealCedar #ADUDesign #NaturalMaterials #SustainableDesign #NormArchitects #ExteriorCladding #HomeDesign #ArchitecturalDetails

Johannes Budde's LITE is a unique light installation that challenges traditional perceptions of lighting design by merging elements of art and function. The piece playfully explores the boundaries of physics and established viewing habits through its 'floating candle' concept. Budde, a German designer, has crafted LITE using a combination of industrial and natural materials, specifically wired glass and sandstone, to create a sconce-style lamp that is both visually intriguing and interactively engaging. The core components of LITE include a large sheet of wired glass, typically used in industrial applications, and a base made from natural sandstone. The wired glass is upcycled from a German manufacturer, demonstrating a commitment to sustainability and material reuse. The sandstone is locally sourced from a family-owned business, minimizing transportation impact and supporting local economies. Budde meticulously cuts and files the sandstone to form cube-shaped feet that securely hold the wired glass sheet in place. One of the most captivating aspects of LITE is the illusion of a 'floating' candle. This effect is achieved through a cleverly designed screw connection with a pointed stick, inserted into the center of the glass sheet. From the front perspective, this attachment is not visible, creating the impression that the candle levitates unsupported. This design choice not only adds a magical element to the installation but also encourages a more intimate interaction, as users must manually light the candle. This interactive quality distinguishes LITE from many traditional art pieces, which often adhere to a 'no touching' rule. Budde's material selection is deliberate, combining the raw, industrial aesthetic of wired glass with the organic, earthy texture of sandstone. This juxtaposition highlights the beauty in repurposed materials and showcases how everyday substances can be elevated into sophisticated design elements. The use of sustainable and locally sourced materials underscores a thoughtful approach to design, focusing on environmental responsibility. LITE is presented as a piece that blurs the lines between art and functional design. While it serves as a lighting fixture, its conceptual nature and unique form provoke contemplation on the definition of art itself. The installation's antique sconce-like silhouette provides a sense of familiarity, yet its innovative execution and interactive component push the boundaries of what a light can be. The design invites viewers to question their conditioned viewing habits and engage with the object on a deeper, more personal level. #HomeDecor #ArtDesign #SustainableDesign #LightingDesign #IndustrialDesign #MaterialInnovation #JohannesBudde

This blog post offers an exclusive tour of Dallas-based interior designer Erin Sander's custom-built home in University Park, highlighting her unique design philosophy of 'relaxed, refined luxury' and 'Belgian farmhouse' aesthetic. The 5,000-square-foot estate, featuring four bedrooms and five baths, was constructed from the ground up on a quarter-acre lot, with Sander herself drawing the floor and architectural plans. The design emphasizes natural light and understated yet impactful details, drawing inspiration from her travels and other design projects. The home’s architectural features include a long hallway terminating in a window, with steps leading to the second floor, designed to create visually appealing focal points. Custom light fixtures and detailed wood flooring were also designed by Sander. The living room, a space optimized for practicality for her young children, features performance fabrics, a custom grasscloth-covered coffee table, and artwork by Katrine Hildebrandt. An annex, originally Sander's home office, now serves as a family study. This vaulted, story-and-a-half space offers ample storage and privacy. The kitchen is a central highlight, showcasing rift-sawn white oak flooring and hand-hewn Douglas fir beams. A striking pale blue Lacanche oven range, chosen early in the design process due to its year-long procurement time, sets the tone for other blue accents in the space. Other notable kitchen elements include an unlacquered brass faucet by Waterstone and a backsplash by Clé Tile. Over the eye-catching island, custom-made fixtures from Urban Electric Company in a hand-hewn brass finish are suspended. Scandinavian-designed stools provide practical seating, and decorative bowls, including a vintage piece from Sander’s grandmother and ceramics by Sara Kersten, add personal touches. The honed marble countertops were intentionally chosen to observe their wear and tear over time, informing her client recommendations. Café curtains made from hand-blocked fabric by Galbraith & Paul add another layer of detail. The dining room combines vintage McGuire chairs, re-covered in Peter Dunham fabric, with contemporary art by Addie Chapin. Exposed brick and a light fixture from Currey & Company contribute to a modern yet cozy atmosphere. A collection of pewter dishes, including pieces from her mother and finds from the vendor Unrefined, adds dark contrast and personal history to the dining area. A custom coffee station, a testament to the family’s love for coffee, features a La Spaziale espresso machine with walnut panels, open shelving, and an Ann Sacks’ Savoy series backsplash. This functional space is equipped with refrigerator drawers for coffee essentials. The primary bedroom boasts a whimsical Oly Studio light fixture depicting a flock of birds, vintage cabinets from Juxtaposition Home, custom lamps, and quadrille bedding. The master bathroom includes custom white oak vanities and hand-cut limestone floors laid in a unique pattern, accented with tiny blue celeste marble mosaics. The home's exterior features a mix of materials like lime-washed brick and cedar shake, surrounded by live oaks and potted olive trees, creating an approachable street view. A custom wood bench from David Sutherland is nestled among Savannah holly trees in the backyard. The article provides a comprehensive look into an interior designer's personal residence, showcasing a blend of functionality, luxury, and personal style. #InteriorDesign #CustomHome #DallasHomes #HomeFeatures #LuxuryInteriors #BelgianFarmhouse #DesignerHome #HomeDecor #ErinSanderDesign

This article explores the enduring appeal of Scandinavian interior design by showcasing five distinct homes across Norway, Sweden, and Finland. Each home offers a unique interpretation of Scandi style, providing insights from the designers responsible for their creation. The first stop is a vibrant family home in Norway, where Koi Color Studio, led by Dagny Thurmann-Moe, embraces Norway's maximalist and colorful heritage. The kitchen features desaturated green cabinetry with bold zellige tiles, referencing traditional patterns, while the living room utilizes warm terracotta and red nuances from Pure & Original paints. The dining area continues this theme with a yellow ceiling and terracotta walls, balancing craftsmanship with maximalist decor, and the entryway is painted in Farrow & Ball's Crimson Red to create a dramatic, welcoming tone. Iconic Scandinavian pieces, like the Little Petra chair and Tiki sofa, are integrated throughout this home. In stark contrast, a midcentury modern home in Lidingö, Sweden, belonging to designer Joanna Lavén of Studio Lawahl, presents a sleek, pared-back aesthetic. Its striking feature is a sunken living room with a conversation pit, framed by new floor-to-ceiling windows. The color palette incorporates icy blues and winter whites, warmed by wood elements. The kitchen and dining area, on the second story, form a contemporary family space with a teak-clad island and midcentury modern furniture. A second living room combines light surfaces, wood, and green textiles, preserving an original limestone brick fireplace. The primary bedroom features soft blues and greens, a custom wall-to-wall headboard, and vintage lighting and decor elements. The third featured home is a historic boathouse on Värmdö island in the Stockholm archipelago, transformed into a romantic coastal holiday retreat. Painted in traditional Falu red, this home emphasizes gathering and showcasing the stunning lake view. The open-plan dining room incorporates Gustavian-style chairs with layered textiles, including Swedish floral prints and zebra patterns, to blend heritage with contemporary touches. The kitchen maintains an uncluttered look with open shelves and marble countertops, allowing displays to be both useful and aesthetically pleasing. The main bedroom continues the blue décor theme with contrasting floral prints, unified by variations of blue. Next, a top-floor apartment in Helsinki, Finland, updated by interior architect Elina Siltanen-Sjöberg of Interiors by Ess, showcases a cohesive color palette with a cozy, international Scandinavian feel. The living room features layers of grey, complemented by rattan furniture and patterned cushions. A compact breakfast nook is created with a vintage table and classic Carl Hansen CH24 wishbone chairs, set against Farrow & Ball's Tessella wallpaper and warm gray paint. The challenging-shaped bedroom uses Finnish/Scandinavian colors like sand, beige, and brown with red accents, incorporating patterns and mirrors to create an inviting space. A children's bedroom features playful Rosslyn 1908 wallpaper from Farrow & Ball, bunk beds from Avaroom, and custom playful elements. Finally, an 18th-century Swedish villa near Stockholm, also redesigned by Studio Lawahl, blends midcentury modern influences with high-end finishes and antiques. The entryway combines drama with welcome, featuring bespoke stone flooring, a curved ceiling, and a brass chandelier, alongside concealed storage in teak. The kitchen boasts bespoke dark brass cabinetry, classic paneling, Cielo marble worktops, and a two-tier island, with vintage lighting and designer chairs. The dining room includes a custom teak and glass cabinet, vibrant pink tones, and vintage Italian chairs, while the home office harmonizes traditional millwork with bespoke wood and marble pieces, vintage lighting by Oscar Torlasco, and iconic Arne Jacobsen chairs. #ScandinavianDesign #NordicInteriors #HomeTours #InteriorDesign #MidcenturyModern #ColorPalettes #SwedishHomes #NorwegianHomes #FinnishApartments

The Holms, a couple living in Odense, Denmark, initially envisioned a simple wooden farmhouse for their new home. However, architect Jan Henrik Jansen, known for offering multiple solutions for his projects, presented them with a radically different concept: a round house. To his surprise, the Holms immediately embraced this unconventional design. Jansen, a German architect who established Jan Henrik Jansen Arkitekter in Denmark, attributes the couple's adventurous spirit partly to the Danish national character, which he describes as having a fundamental interest in design, not limited to an upper-class clientele. The unique round shape of the house was strategically chosen due to its location, flanked by other residences. By orienting the house to face a green meadow, Jansen aimed to create a sense of living in open countryside, providing privacy and a connection to nature. The architect opted for brick as the primary building material, rather than the initially requested wood, to ensure the house blended harmoniously with the existing neighborhood. He also noted that the curved structure inherently called for a solid material like brick. Despite their enthusiasm for the design, the initial cost was a concern for the Holms. Finn Holm, who owns a corporate cleaning business, took on the role of general contractor to manage the project, a decision he later described as a two-year ordeal he would not repeat. A significant part of this arduous process involved Finn hand-cutting thousands of bricks from a demolished Carlsberg brewery in Copenhagen, a task that alone took six months and required enduring various weather conditions. The house, spanning 2,400 square feet, accommodates a blended family of six children from previous marriages, with three still living at home, along with a cocker spaniel. To manage the bustling household, Jansen designed the layout as a C-shape. The master suite is situated at one end, while the children's three bedrooms and a shared bathroom are at the opposite end. The living rooms, dining area, and kitchen are centrally located. Jansen explained that the curved design creates a sense of openness without feeling excessively exposed. Materially, the house primarily utilizes wood and brick. The interior curve of the C-shape features a triple-glazed thermal glass curtain wall. Even the radiant-heated floors are made of brick, sealed for easy maintenance. Jansen highlighted that the use of these traditional materials gives the house a timeless quality, suggesting it “could have been built 100 years ago.” Janni Holm, a doctor with a keen interest in design, took charge of the interiors, furnishing the space with her collection of Danish 1950s and 1960s furniture, which seamlessly integrates with the house’s curved architecture. Finn Holm particularly appreciates the constant connection to the outdoors, facilitated by the floor-to-ceiling glass, which offers views of a circular, cobblestone-paved courtyard featuring an outdoor fireplace for entertaining. Despite their neighbors' admiration, Janni noted with a smile that most couldn't imagine living in such an unconventional home. #Architecture #ResidentialDesign #UnconventionalHome #DanishDesign #BrickArchitecture #FamilyHome #InteriorDesign #SustainableMaterials

The article highlights five Copenhagen-based creatives who are redefining Danish design by blending traditional aesthetics with contemporary approaches. These designers are characterized by their respect for heritage, openness to new ideas, and a focus on pushing creative boundaries, moving beyond the well-established minimalist, muted, and naturalistic style often associated with Scandinavian design. They are introducing fresh perspectives while maintaining a strong connection to craftsmanship and human-centered design principles. Helle Mardahl, a former fashion designer, transitioned into creating colorful blown-glass objects, including lamps, tableware, and decorative pieces. Her work is notable for its vibrant colors and whimsical forms, reminiscent of candy and childhood treats, which challenges the traditional muted palette of Danish design. Mardahl’s experience studying abroad in London influenced her appreciation for Copenhagen and inspired her to incorporate bolder aesthetics, proving that exposure to diverse cultures can enrich local design. Architect Søren Pihlmann operates his studio with an unconventional approach, emphasizing the use of existing building elements in renovations. His methodology avoids fighting against a structure's inherent potential, instead allowing the building to guide the design process. Pihlmann's work, which spans from industrial breweries to private homes, focuses on understanding materials and their stories, advocating for a shift away from purely conceptual architecture towards a more tangible, material-driven practice. He also questions profit-driven trends, prioritizing sustainable and respectful renovation. Thomas Woltmann, a furniture designer, focuses on bringing conceptual artistic thinking into relatable, functional design. His award-winning Re-C chair, made from recycled wood from an old church, exemplifies his commitment to using regional and recycled materials, re-establishing a connection between humans and the physical objects in their lives. Woltmann believes in drawing inspiration from Denmark's rich craft history to address contemporary challenges, such as the climate crisis, by focusing on natural materials, longevity, and craftsmanship, echoing the spirit of past Danish design masters while adapting to modern needs. Interior designer Jessica Vedel, with a background in fashion and photography and international experience in Berlin, London, and New York, blends Nordic minimalism with cosmopolitan elegance. Her designs are characterized by bespoke furnishings, intricate architectural details, and a keen sense of form and scale. Vedel's work is influenced by her Danish roots and the tradition of quality materials and architecture but incorporates more volume and layering, reflecting her global exposure. She also designs furniture, collaborating with brands and developing custom pieces, always driven by an intuitive creative impulse. Danielle Siggerud, an architect from Oslo, initially considered a career in medicine due to an interest in helping people, but her awareness of how spaces affect human feelings led her to architecture. Her firm specializes in both new builds and historic renovations, applying a "refined minimalism" that emphasizes materiality and tactility. Siggerud's approach, refined under John Pawson, considers the routines and situations of inhabitants, focusing on creating sensory experiences through thoughtful integration of elements like lighting, doors, and surfaces. Her work, which extends to furniture design, aims to elevate the everyday and interact with the past through a deep appreciation for human interaction with built environments. These five creatives collectively represent a dynamic evolution in Danish design, honoring its foundational principles while boldly exploring new directions. #CopenhagenDesign #DanishDesign #CreativeInnovation #HomeDesign #ArchitecturalRenovation #SustainableDesign #FurnitureDesign #InteriorDesign #MaterialExperimentation

The article highlights seven influential Scandinavian interior designers who offer fresh and modern interpretations of the classic Scandi style. This design aesthetic, rooted in minimalism, natural simplicity, and functionality, has given rise to numerous renowned brands like Muuto, Gubi, and IKEA. The featured designers, while embodying the core principles of Scandinavian design, bring their unique perspectives, ranging from bold and colorful to rich and luxurious. Bjarte Sandal, founder of Smau Arkitektur, represents a sustainable approach, emphasizing warm tones, clean lines, and natural materials. His studio draws inspiration from mid-century architectural teachings, prioritizing form following function, and integrating contemporary construction with sustainable practices. Sandal's work aims for timeless quality, creating spaces that are both grounded and forward-looking, respecting the quiet strength of Scandinavian heritage through simple forms and thoughtful detailing. Gustaf Westman challenges the notion that Scandi interiors must be neutral, introducing a bold, playful, and contemporary interpretation. His eponymous furniture line is characterized by chunky, curvaceous shapes, pastel tones, and high-gloss finishes, offering a whimsical and expressive style that adds character and a touch of surrealism to any home. Pernille Lind, though London-based, integrates her Danish-Thai heritage into her designs, creating warm, minimalist, and contemporary spaces. Her studio is known for refined elegance that balances coziness and luxury, utilizing clean lines, neutral color palettes, and sophisticated natural textures like wood, drawing influence from 1930s and 1950s styles while crafting unique narratives for each project. David Thulstrup, a Danish architect, grounds his style in materiality, blending Scandinavian heritage with contemporary elements to achieve rich, minimalist environments. His approach exemplifies 'quiet luxury' within a Scandi context, as seen in his transformation of a historic Copenhagen warehouse, where he respected original features while making contemporary statements with a limited palette of natural materials. Beata Heuman, a Swedish-born designer based in London, champions a style inspired by Swedish folk design. Her work features pattern-rich rooms that are warm, inviting, and characterful, offering a modern sensibility to traditional aesthetics. Her designs are seen as a 'nouveau Scandi' approach, brimming with charm. Norm Architects, a Copenhagen-based studio comprising multiple designers and architects, adheres to a strict minimalist and neutral Scandi style. Their work embodies the maxim 'form follows function' and a humanist design approach, prioritizing the user's needs. They describe their style as 'Soft Minimalism,' focusing on refining spaces to their purest forms while maintaining a soft, warm, and textural design language. Lotta Agaton, a Stockholm-based interior designer, builds her studio on classic Scandi design principles. Her aesthetic is sophisticated and sumptuous, incorporating natural materials like wood and stone, contrasted with contemporary art, sculptures, and lighting. Her use of dark, earthy tones creates rich, cocoon-like spaces, appealing to those who appreciate a chic and warm Scandinavian ambiance. The article concludes by encouraging readers to incorporate these inspirations into their own homes, noting that achieving a Scandinavian feel does not require a complete overhaul. #ScandinavianDesign #InteriorDesigners #ScandiStyle #HomeDecor #MinimalistInteriors #SustainableDesign #ContemporaryDesign #LuxuryInteriors #DesignInspiration

Adie Kaplan Mears and her husband, Brian Mears, sought to create a new home in New Orleans' Freret neighborhood that blended New Orleans architecture with modern Scandinavian design principles. Having outgrown their previous home on the same lot, the couple decided to demolish the existing structure, retaining only the garage, to build a new 3,000-square-foot residence. Adie, with a background in architecture, spearheaded the design process, collaborating with Adamick Architecture, led by Alexander “Alec” Adamick, to realize their vision. The design incorporated key Scandinavian elements such as abundant natural light, natural materials like wood, and a palette of soft, muted colors, aiming for a sleek yet comfortable living space. A primary goal was to integrate the new home seamlessly into the New Orleans aesthetic, despite its modern inclination. Adamick Architecture proposed a New Orleans townhouse style, incorporating features like a distinctive bump-out at the front for the office and stained wood-plank siding on the front porch and bump-out, which adds warmth and visual interest against the painted siding. The exterior design, credited to Alex Barthel and Judy La, ensured the overall concept aligned with Adie's vision. The ground floor of the new home includes a front porch, a powder room, a pantry, and an open-concept kitchen, living, and dining area, along with a covered rear porch. A custom contemporary stairway leads to the second floor, which houses a children’s play area, a home office, a bathroom, two children’s bedrooms, a walk-in laundry room, and the primary suite. Strategic placement of the play area and office at the front of the house ensures privacy for the bedrooms, which are located away from street view. Throughout the interior, Adie made all material selections, and Adamick Architecture assisted in realizing specific custom features, such as the unique staircase, a custom niche at the top of the hall, and the master bathroom design. The Mears prioritized natural light and tall ceilings, achieving 10-foot ceilings on both floors to create an airy and modern, yet inviting, atmosphere. The open floor plan facilitates family interaction, allowing parents to oversee children while cooking and enhancing entertainment opportunities. Notable interior features include an upstairs playroom with a vertical stained-wood screen overlooking the stairs and a window seat/storage bench. The front entry also features a built-in bench and stained wood screen. The master bath includes a walk-in shower and soaking tub combo, designed to feel like a single wet room with floor-to-ceiling tile. The kitchen cabinets feature a built-in bench for dining, reflecting the family's desire for an informal dining setup. Custom elements extend to the front steps, a back screened porch with matching stained wood, and a distinctive front window in the home office. Budget constraints presented a challenge, but Adie’s careful sourcing of materials, such as cost-effective flooring, allowed for the realization of a sophisticated contemporary design. The interior color scheme predominantly features neutral tones, with light taupe kitchen cabinets, engineered white oak floors, and white walls. Bathrooms provided an opportunity for bolder color choices, including sage green wall tiles in the master bath and mint green tiles with black accents in the children’s bathroom. Adie also incorporated Farrow & Ball's Mizzle for a modern wainscoting effect in Avi’s room and a sun mural in Ayla’s room, painted by a colleague. The new home provides ample space and diverse areas for both individual privacy and family gatherings, with future plans to add a pool and convert the shed into a modern pool house. #NewOrleansArchitecture #ScandinavianDesign #UptownHome #ModernHomeDesign #InteriorDesign #CustomHome #Architecture #HomeRenovation