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Rattan backrest curves around Hiroomi Tahara's Wrap sofa
The Wrap sofa, designed by Japanese designer Hiroomi Tahara, features a distinctive curved backrest made from woven rattan. This innovative design will be presented during the Salone del Mobile furniture fair in Milan. Tahara, serving as art director for Yamakawa Rattan, aimed to highlight the versatility and potential of rattan, a classic furniture material. The backrest is constructed from dried strands of rattan woven around a metal tubing frame. Its design allows the vertical woven surface to fold over at the top and angle slightly backward towards the seat, creating an organic and fluid form. Additionally, the backrest extends around the sides of the upholstered polyurethane-filled seat, effectively forming integrated armrests.
Tahara's design process for the Wrap sofa prioritized traditional methods over advanced 3D modeling software. He utilized sketches, two-dimensional drawings, and physical wire models to meticulously craft the sofa's delicate curves. This approach was deliberate, as Tahara believes that 3D software can sometimes compromise the subtle nuances and "human touch" in design. He emphasized that the curve transitioning from the front of the sofa into the armrest is a key feature, appearing solid yet conveying a sense of lightness and interplay of shadows due to its unique wrapping. The sofa is currently a prototype and was manufactured entirely by hand by skilled craftspeople at Yamakawa Rattan.
This project aligns with Tahara's appreciation for "slow fashion" principles, which advocate for the creation of thoughtful, durable products using quality materials and traditional craftsmanship. He expressed his desire for the Wrap sofa to convey the inherent value and respect for both the material and the artisanal skills involved in its production. Tahara has a history of designing objects that emphasize material and craftsmanship, such as a towel rail made from rope wound around wall-mounted sticks. The Wrap sofa is anticipated to enter production later in the year following its exhibition in Milan. The photography for the piece was done by Lorenzo Nencioni, effectively capturing the details and form of the sofa.
The article also highlights the broader context of rattan's use in contemporary design, linking to a related story about the Insulaire furniture collection by Numéro 111, which also incorporates rattan cane supports. This suggests a renewed interest in natural and traditional materials within modern furniture design. The Wrap sofa represents a blend of traditional craftsmanship with a contemporary aesthetic, aiming to refresh perceptions of rattan and showcase its potential in innovative furniture forms.
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