This Cozy English Getaway Was Originally 100-Year-Old Horse Stables

Great Manson Hall, a Grade II listed barn near Monmouth, Wales, has been transformed from a medieval agricultural building into a luxurious modern home, seamlessly blending historic character with contemporary design. The barn, part of the historic Great Manson Farm, boasts origins dating back to around 1450, indicated by features such as opposed Gothic doorways. Its listing in 2002 by Cadw recognized its significance as a vernacular barn with possible medieval origins, as well as its group value with the farmhouse and Old Cider House. The conversion, completed in 2004, meticulously preserved and integrated the barn's historical elements. Exposed stone walls and beams are central to the design, complemented by new additions crafted from natural materials and simple aesthetics. While honoring its past, the home provides comfortable, modern living with substantial broken-plan, connected rooms alongside intimate, cozy spaces. The design incorporates innovative features such as a glass roof in the garden room and internal windows, maximizing light penetration and offering continuous views of the surrounding landscape. Situated along a quiet country lane, the barn offers a peaceful rural setting just a few miles from Monmouth. The property is encompassed by an acre of meticulously maintained grounds, featuring a cottage garden with mature shrubs, a rose-covered pergola, and pristine lawns. Multiple alfresco dining areas provide opportunities to enjoy the mesmerizing views that surround the property. Practical amenities include ample parking, a double garage, and an outbuilding with potential for conversion into an annexe or home office, subject to planning permission. The interior layout includes a captivating central inner hallway that showcases original exposed features like chunky stone walls, juxtaposed with a modern glass and metal staircase. Large windows strategically placed throughout the home frame the absorbing views. The main living area features a broken-plan layout, combining dining and lounge spaces that are subtly zoned by the building's structure, varying ceiling heights, and flooring. The lounge area, with its double-height ceiling and exposed roof beams, also highlights a clever internal window on the first floor. The connected dining and living space flows into a separate sitting room, accessible via glass double doors, maintaining the theme of shared light and views. The garden room is a particular highlight, bathed in natural light from its glass roof and full wall of doors, facilitating a seamless transition between indoor and outdoor living. The kitchen, while modern, is designed with units integrated into the walls and natural materials to enhance the barn's inherent character. A prominent inglenook fireplace, specially lit, serves as a focal point in this character-filled space. The upper level comprises four double bedrooms, each with an en-suite bathroom. These rooms are accessed from a central galleried area overlooking the lounge-diner below, offering charming spaces that blend historical features with contemporary decor and views. One en-suite bedroom features an internal window for enjoying views from the bed, a ladder leading to a mezzanine level, and a spiral staircase providing secondary access from the garden room. Two of the bedrooms also include walk-in wardrobes or dressing spaces. Great Manson Hall is currently listed for sale at £1.25 million. #AmazingHomes #BarnConversion #MedievalArchitecture #HistoricProperty #LuxuryRealEstate #WelshHomes #Monmouthshire #InteriorDesign #RuralLiving

This article details the transformation of an 18th-century farmhouse located in Philadelphia's Main Line suburbs into a modern family home with transitional design elements. The property, untouched for over a decade, was in a state of disrepair with failing windows and siding, an untreated cedar roof, a caving patio, and outdated interiors described as 'screaming late 90s'. The renovation was undertaken by PS & Daughters, led by founder Phoebe Schuh, who was drawn to the historical character of the house despite its challenges. The clients, a blended family with a wide age range of children, sought a home that honored its architecture while supporting a modern lifestyle. They also possessed a world-class art collection that needed to be integrated into the design. The primary objective was to create a transitional home, blending the best of old and new to achieve a relaxed elegance and comfort, without being overly precious, while incorporating sumptuous velvets, mixed patterns, and layered textures. The extensive remodel resulted in a seven-bedroom, eight-bathroom family residence equipped with contemporary amenities such as a pool, outdoor lounge, playroom, and games room. Throughout the house, custom-made modern pieces are seamlessly combined with vintage finds, ensuring a balance between historical nods and modern functionality. One of the favorite spaces for the designer was the master bathroom, reimagined as a luxurious wet room clad in Calcutta marble. The design incorporated a client's specific request for a window in the shower, leading to a massive shower area, a new freestanding tub, a floating marble slab bench, and intricate mosaics on the ceiling, all complemented by brass fixtures. For the children, a vibrant and functional playroom was designed. It features a jungle gym, an oversized jewel-toned mural depicting dreamy mountain tops, and a custom-built arched reading nook, catering to various age groups from teens to toddlers. The project encountered significant construction challenges, including failed stucco on the backside of the house. This was resolved by removing the stucco, properly sealing the home, and installing a new exterior elevation with bright white siding, a stone veneer foundation, a limestone patio, a glass railing, and a mahogany handrail. A unique, last-minute challenge involved rerouting a direct hot water line from the heater to the master suite shower to address a client's concern about water temperature, showcasing the team's commitment to client satisfaction. Ultimately, the farmhouse was transformed from a neglected historic property into a contemporary family haven, characterized by bold colors, statement artwork, and luxurious finishes, all while maintaining a respectful connection to its original architectural style. The project exemplifies transitional design, achieving a sophisticated yet comfortable aesthetic for modern family living. #TransitionalFarmhouse #HomeRenovation #InteriorDesign #HistoricHome #LuxuryInteriors #FamilyHome #ModernAmenities #CustomDesign

This article showcases a collection of luxurious equestrian estates from around the world, highlighting properties that offer both high-end residential living and extensive facilities for horses and outdoor activities. Each featured estate presents a unique blend of architectural styles, natural settings, and equestrian amenities, appealing to horse enthusiasts and those seeking a grand outdoor lifestyle. The tour begins with Hana Ranch in Hawaii, USA, a 3,547-acre property on Maui known for its panoramic ocean and mountain views. This ranch features an 1,800-square-foot ranch house, numerous farm buildings, 1,000 acres of forest, rotational grazing fields, and tropical orchards. Equestrian facilities include a rodeo arena, a stable block, and miles of riding trails, alongside an active calf operation. Next, a sprawling country house in Kent, UK, spanning 15 acres, offers a charming traditional residence behind electric gates. The 4,213-square-foot house includes an open-plan family room, five bedrooms, and farmhouse-style interiors. Its grounds feature seven paddocks with shelters, mature woodlands, and three stable blocks, one with a groom's residence, a small horse arena, and extensive trails. In Wellington, Florida, USA, a tailor-made farm designed for horse enthusiasts sits on nearly six acres. A modern, ranch-style home provides 3,639 square feet of interior space with four bedrooms, contemporary amenities, and a guest house. The equestrian facilities are state-of-the-art, including a barn with 24 padded stalls, a vet stall, two tack rooms, an office, laundry facilities, a medical room, a large covered arena, and 11 paddocks. Perl-Borg, Germany, is home to Gestüt Peterhof, a prestigious 74-acre estate and world-renowned dressage stable. Valued at €65 million, it features Olympic-standard dressage and indoor arenas, a lunging ring, all-weather gallops, and an equine wellness center with an aqua-trainer and infrared heat cabin. The Baroque-inspired main residence, seven guest houses, and a two-story clubhouse with an 80-seat restaurant cater to human comfort. A modern farmhouse estate in Milton, Georgia, USA, built in 2023, showcases 8,947 square feet of exquisite interior space with dramatic floating staircases, a huge kitchen, six bedrooms, and an infinity-edge pool. Its expansive grounds include a barn-like stable block with a soaring cathedral ceiling, an outdoor arena, tack room, and fenced pastures. Briallyn Estate in Queensland, Australia, a 190-acre rural property, combines natural beauty with timeless craftsmanship. It features a main house built with Gympie limestone, chapel-like ceilings, and a rustic gatekeeper's cottage. The estate includes eight dams, 13 fenced paddocks for cattle, a stable, tack room, foaling pen, sick bay, wash bay, and exercise arena. Red Fox Stables in Schoharie, New York, USA, covers 106 acres, offering a four-bedroom stone house, a two-bedroom apartment, an indoor pool, spa, games room, and movie theatre. Equestrian amenities comprise indoor and outdoor arenas, a 14-stall barn, heated tack rooms, six fenced pastures, and scenic riding trails. Rancho el Arco Valle de Bravo, Mexico, is a 65-acre rural property on Lake Avándaro, featuring rivers, lakes, forests, and waterfalls. The Tuscan-inspired main house has rustic stonework, natural wood floors, and seven bedrooms. The ranch also boasts a 'Palapa' social area, swimming pool, Jacuzzi, soccer field, paddle court, a nine-hole golf green, two paddocks, a riding arena, and stables for 10 horses. Finally, Gisele Bündchen’s 7.5-acre equestrian property in Southwest Ranches, Florida, USA, purchased for $9.1 million, includes a 5,200-square-foot modern home with nine bedrooms, a floating glass staircase, and a gourmet kitchen. The magical grounds feature soccer facilities, tennis courts, an infinity pool, outdoor kitchen, a 10-stall horse barn, a dressage arena, and extensive paddocks. Ardbraccan House in County Meath, Ireland, is a 250-acre stately home with an 18th-century Georgian mansion spanning 23,142 square feet. It includes a four-bedroom guest wing, a two-bedroom staff apartment, and four guest lodges, all featuring perfectly preserved original details. The grounds contain pleasure grounds, landscaped gardens, rolling pastures, and a historic renovated stable block, coach house, and stud farm. The article concludes with an equestrian paradise in Waikato, New Zealand, a 32-acre compound. It features a meticulously restored 1,959-square-foot villa with four bedrooms and 360-degree views. The estate's world-class equestrian facilities include a stable block with seven boxes, a wash-down area, a tack room, a large sand arena, a round pen, and 33 fenced paddocks. These properties represent the pinnacle of equestrian living, combining luxurious residences with comprehensive facilities designed for the care, training, and enjoyment of horses, set against stunning natural backdrops worldwide. #EquestrianProperties #LuxuryHomes #HorseRiding #CountryEstates #GlobalRealEstate #OutdoorLiving #FarmLife #ArchitecturalDesign

This article details the comprehensive renovation of a nearly 200-year-old Federal-style farmhouse located in Sharon, Connecticut. The property, which had remained unsold for years due to its dilapidated condition, eventually found new owners who recognized its inherent potential. Architect Rafe Churchill was enlisted to undertake a historically sensitive renovation, prioritizing the preservation of the home's original architectural integrity. Initially, discussions included adding a significant extension, but this idea was ultimately abandoned in favor of maintaining the existing footprint. Approximately half of the structure required gutting, and Churchill’s approach focused on repairs using traditional materials whenever feasible. Key structural and exterior envelope improvements included a new roof, a partial chimney, reinforced floor joists, and repairs to the wood clapboard siding and many original windows. Windows beyond repair were replaced with new Marvin windows, all equipped with triple-track storm windows. The interior spaces were reconfigured and updated while honoring the home’s historical context. The dining room was transformed into a rich blue library, featuring new pocket doors designed to appear original and custom-milled molding that matches existing trim throughout the house. Original wood floors in the library, dining room, front hall, and some bedrooms were meticulously saved and refurbished. Interior designer Heide Hendricks contributed a vintage orange sofa and designed the steel-frame ottoman and drapery, adding modern touches. The dining room, formerly a parlor, now showcases a new soapstone fireplace surround and mantel designed by Churchill. A unique artistic element in this room is the custom wallpaper, created by the homeowner, an artist, from scans of the town’s handwritten 1820 U.S. Census, printed on heavy paper and adhered to the walls. The living room, bright and airy, incorporates the homeowners' midcentury modern furniture. New southern yellow pine floors in this area and the kitchen were stained dark to seamlessly blend with the older flooring. The original fireplace remains a focal point, adorned with antique candlesticks. The kitchen, located at the rear of the house, retained its original position but underwent a significant reconfiguration. A previously existing large pantry and staircase, which had isolated the kitchen, were removed to maximize space for cabinets and counters and improve flow to the living room. The kitchen’s notably low ceiling was also raised to create a more open atmosphere. Modern elements are thoughtfully integrated, such as an LED chandelier chosen for the kitchen table due to its contemporary aesthetic and transparency, allowing views to the outside. The dining table in the kitchen is a custom piece by furniture designer Seth Churchill, the architect’s brother. Upstairs, the original wood flooring continues in the hallway and bedrooms. All doors were refitted, and their hardware repaired, with some trim components added to match existing historical details. A guest bedroom, situated in the rear addition above the kitchen, features a lower ceiling compared to the main house. An original structural wood beam is visible, adding character. Furnishings in this room were repurposed from the homeowners’ previous residence, and Hendricks resized drapery panels. Wood planks from the guest bedroom were used to repair flooring in the master bedroom, leading to the new pine flooring in the guest room being painted, a choice the architect noted as desirable in older homes, especially on upper floors. #FarmhouseRenovation #HistoricHome #FederalStyle #ArchitecturalPreservation #InteriorDesign #ConnecticutHomes #HomeRestoration #RafeChurchill #HeideHendricks

This article details the transformation of an old stud farm in Longwood, northern Victoria, into a contemporary family home optimized for entertaining. Originally composed of various stables and worker's cottages, the property underwent a significant redesign by interior designer Merinda Garrett. The core of this renovation focused on integrating Cantilever Interiors' tailored kitchen and whole-home EDIT system, which played a crucial role in establishing the home's warm and inviting atmosphere while catering to the client's desire for a space suitable for hosting guests. The project addressed the challenge of harmonizing the property's historical essence and previous renovations with a modern vision. Cantilever Interiors' creative director, Kylie Forbes, explains that the EDIT system's American Oak veneer features, combined with marble benchtops and powder-coated steel shelves, were instrumental in achieving a refined and integrated design throughout the kitchen. The kitchen systems are highly configurable, allowing for seamless integration of appliances and diverse layout options. Beyond the kitchen, the EDIT system extends its influence to a dedicated bar solution, creating an ultimate dining area with ample storage that balances practicality with luxury, all beneath high-vaulted ceilings. The use of timber is consistent throughout the home, exemplified by a custom-built sideboard and unit collaboratively designed by Cantilever and Future Automation. This unit ingeniously conceals a television with a retractable mechanism, ensuring that the stunning views from the property can be enjoyed unobstructed when the screen is not in use. The exterior of the home also benefits from Cantilever's design expertise, featuring an outdoor kitchen that serves as a secondary entertainment hub. This outdoor space is equipped with an integrated fridge and barbecue, designed to facilitate outdoor events and allow the family to enjoy the deck and pool area with views of the distant Goorum Falls. The design choices, particularly the material palette, were inspired by the surrounding natural environment and its seasonal color changes, fostering a deep connection between the interior and the landscape. The resulting residence successfully embodies the clients' dream lifestyle, offering versatile spaces for year-round enjoyment and reflecting the regional beauty. #HomeRenovation #InteriorDesign #ContemporaryHome #KitchenDesign #CantileverInteriors #EDITSystem #Longwood #TimberAccents #EntertainingSpaces

This article details the design philosophy and execution for a 1937 English Tudor-style house in Indian Hill, originally a hunting lodge. The design, spearheaded by Douglas Greiwe of Greiwe Interiors, focused on blending art and antiques with the home’s rustic, old-country elegance, while accommodating its exceptionally large interior spaces. The objective was to create a formal yet relaxed atmosphere that honored the house's original era. Key architectural figures include John Henry Deekin (original architect in 1937) and Daniel Brooks (responsible for an 1982 expansion), with Jeff Bossman serving as the landscape architect. The project addressed the challenge of large interior spaces by carving out distinct areas, such as a dedicated dining space. The design incorporated a collection of vintage and antique pieces sourced globally, reflecting the homeowner's travels and experiences. Examples include an early 18th-century hand-carved buffet from southern France and a multi-colored tribal door from Istanbul, repurposed as a coffee table. Greiwe emphasizes the importance of patience in traditional design, encouraging clients to take their time in acquiring pieces that resonate with personal meaning. He also advocates for an eclectic approach, suggesting designers and homeowners "be unpredictable" and not "afraid to be eclectic," selecting items that develop a rich patina over time and are chosen with sensitivity to design, scale, and proportion, rather than rushing to complete a room. Unique features of the house contribute to its character, including unexpected steps, alcoves, and passageways, as well as a catwalk overlooking the great room. The great room itself, along with a sitting room and a living/family room, provides ample space for socializing. A hand-carved fireplace mantel and a wet bar with English hand-carved panels and a polished granite top further enhance the interior's traditional charm. An interesting addition by a former owner is an observatory, accessible via a hidden staircase behind an intricately carved walnut door, leading to a high-powered telescope. This feature highlights the home's history of unique modifications and its ability to inspire curiosity. The exterior of the seven-acre estate is designed for both exercise and relaxation, featuring a swimming pool with striped chaises and a whirlpool. Blue and gray slate surrounds, walkways, and patios define various outdoor seating and lounging areas. Lush greenery offers privacy, while colorful flower beds and bronze figurative sculptures by Glenna Goodacre add beauty and a playful element to the landscape. The overall design successfully marries the historical integrity of the hunting lodge with contemporary comforts and personal touches, creating a home that is both grand and intimate. #HomeDesign #EnglishTudor #HuntingLodge #InteriorDesign #Antiques #EclecticStyle #ArchitecturalRenovation #LandscapeArchitecture #TraditionalDesign

This article details the comprehensive renovation of a 120-year-old historic carriage house on New York's Long Island by its new owner, Jamie Morgan, founder of Blake & Dane interior design studio. The property, originally part of a French Beaux-Arts style estate, presented a unique challenge: preserving its historical essence while adapting it for modern family living. Morgan and her husband, Chris, were drawn to the house's character and history, including its 12-foot ceilings, a 30-40 foot entryway cupola, and visible remnants of its past use, such as where hay entered and the original horse doors. The core objective of the renovation was to enhance these historical attributes without compromising contemporary comforts. The kitchen, initially a challenging long, narrow galley layout, was transformed into an intimate family space. A large kitchen island with seating on both sides was introduced to serve as a central gathering point for meals and entertaining. The high 12-foot ceilings, which could have posed a design constraint for cabinetry, were ingeniously addressed by integrating a library ladder and brass rail system, turning a potential problem into a distinctive feature. White kitchen cabinets with dark stone countertops and Signature Hardware pulls were used, with upper glass cabinets skinned in white oak, contributing to a tailored aesthetic. A custom-designed plaster cooker hood and Arabescato Antico marble backsplash further elevated the kitchen's traditional yet modern appeal. The dining room highlights many of the carriage house's original features, including warm-toned ceiling beams from its days as an outhouse. Railings around the stairs and raised floor spaces subtly nod to the former stalls and stables. To visually break up the open-plan living and dining area and add sophistication, elegant moldings and wainscoting were newly introduced. A custom black ash dining table paired with upholstered dining chairs from Arhaus ensures a sleek, contemporary look that harmonizes with the historic backdrop. An arched doorway off the kitchen leads to a butler's pantry, distinguished by its deep green/teal subway tile color scheme. This space provides practical storage with light oak cabinetry and dark wood open shelves, and serves as an additional food preparation area, compensating for the galley kitchen's smaller footprint. The home office masterfully combines old and new elements, featuring an original window alongside a newly installed white oak coffered ceiling. This traditional framework is juxtaposed with contemporary office furniture, including a streamlined desk and striking red chairs, and a Phillip Jeffries' Burled Chevron Carob wallcovering. The design ensures privacy while maintaining an open, airy feel, allowing the office to overlook the living space. The primary bedroom exudes a traditional ambiance with bespoke millwork creating a fitted look around the Arhaus bedframe. Benjamin Moore's Misty Gray on the walls and millwork offers a cool, restful atmosphere, complemented by colorful Milan bedding from Annie Selke, a large arched floor-standing mirror, and a white area rug. The primary bathroom was designed for luxury, incorporating Carrera marble tiles, Waterworks fixtures, and an Aerin Bonnington Chandelier. The layout specifically frames a freestanding bath beneath a window, with watery blue walls adding a shimmering effect. The overall renovation strategy prioritized preserving the home's unique character while upgrading amenities and adjusting the layout to suit modern family needs, resulting in a successful blend of historical charm and contemporary functionality. #InteriorDesign #HistoricRenovation #CarriageHouse #HomeTour #KitchenDesign #DiningRoom #HomeOffice #BedroomDesign #BathroomDesign

The article details the meticulous restoration and redecoration of a late-17th and early-18th-century manor house in Wiltshire, England, owned by Esther Cayzer-Colvin and her husband, Jamie. Cayzer-Colvin, whose family includes influential figures in design and aristocracy like Nancy Lancaster and Deborah, Duchess of Devonshire, has imbued the historic home with a unique blend of classic and contemporary, colorful, and comfortable aesthetics. Despite her modest claims of 'plagiarizing' ideas, her approach to decorating is described as highly personal and creative, drawing inspiration from her heritage while asserting her own distinct style. Upon acquiring the Grade II listed redbrick manor in 2005, the house was in disrepair, necessitating extensive renovations including reroofing, replastering, replumbing, and rewiring. A new drawing room wing was also added. The interiors are a curated collection of art, paintings, and furniture, much of which is either custom-made by creative friends or inherited, reflecting a life lived and memories collected. The few pieces from Jamie's family survived a fire at his childhood home, Tangley House, adding sentimental value to the new collection. Cayzer-Colvin's decision to personally oversee the decoration, rather than hiring a professional, ensures a cohesive and personal signature throughout the house. Her attention to detail is evident in various bespoke elements: manganese tiles from Delft were commissioned for the kitchen fireplace to complement an antique porcelain duck; a specific 'cooking-apple' green hue was achieved for the sitting room walls through careful mixing with a specialist decorative painter; and de Gournay chinoiserie wallpaper in the entrance hall was chosen for its silver tones and lack of man-made objects or blue, creating an uplifting, airy feel. The four-acre garden also reflects Cayzer-Colvin's design philosophy, developed with friend Frances Rasch. Lacking distant views, she created a series of intimate 'rooms' using yew and beech hedges, effectively turning the garden inward to form its own microcosm. This design seamlessly integrates the indoors and outdoors. Influenced by her grandmother Nancy Lancaster's Virginia roots, Cayzer-Colvin incorporated American colonial elements, such as two white clapboard pavilions near the swimming pool, inspired by a garden building at Colonial Williamsburg. The ogee shape of their cedar-shingled roofs is echoed in the green-oak fruit cages in the kitchen garden, reflecting a preference for simplicity over grand statements. The article showcases various rooms including the entry, drawing room, sitting room, dining room, kitchen, pantry, and multiple bedrooms, detailing specific design choices and furnishings, many with personal histories or notable designers. #WiltshireEstate #HistoricHome #EnglishCountryStyle #InteriorDesign #GardenDesign #NancyLancasterInfluence #EstherCayzerColvin #CustomDecor #RenovationProject

The Wallis family, consisting of Jenna, an internationally acclaimed interior designer and owner of Jenna Wallis Interior Design, and her husband Ed, purchased a 1940s English cottage in the Hedgemoor neighborhood of Memphis with a vision to transform it into a serene and classic retreat for their family, including their two boys. Despite its charming exterior, the cottage required extensive renovation to accommodate a modern family while preserving its original character. After living in the house for about four years, the Wallises engaged Ryan Anderson of RKA Investments, a Memphis builder known for restoring older homes, and architect Charles Shipp to lead the renovation. Jenna's design philosophy centered on blending the old with the new, maintaining the home's classic charm while introducing contemporary elements. A significant challenge involved literally lifting the existing structure to create an open, airy space. The renovation team, including Ryan Anderson's business partner Chris Clark, worked collaboratively to achieve Jenna's vision, which included raising the living area's 9-foot ceilings to 11 feet to enhance natural light and spaciousness. Eight-foot windows were installed, flanking a custom fireplace, above which a vibrant painting by Atlanta artist Sally King Benedict became a focal point. Key areas of the home were meticulously redesigned. The kitchen was transformed with custom cabinetry extending to the ceiling for maximum storage, a beveled subway tile backsplash, and honed Carrara marble countertops. Jenna opted for unlacquered brass hardware, which develops a natural patina over time, to align with the home's original aesthetic. A breakfast nook, connecting the living area and kitchen, features sleek white walls, a streamlined banquette, and a rustic farmhouse table complemented by a brass globe chandelier. A framed 1966 Andy Warhol-designed Campbell's Soup dress, inherited from Ed's grandmother, adds a whimsical touch to this space. Throughout the living areas, white walls serve as a gallery for the Wallises' extensive art collection, which includes pieces by Memphis artist Megan Hurdle. In the parlor, a soft mint green ceiling, inspired by one of Hurdle's mixed-media works, adds a subtle color accent. Jenna's favorite space, her downstairs study, is distinguished by pale, high-gloss blue lacquered walls, a French pedestal desk, whimsical peacock figurines, and a modern brass starburst chandelier. Custom-built bookshelves by RKA Investments house the family's book collection, while art consultant Anna Wunderlich assisted in curating and displaying the family's diverse artwork, including a collection of oils and watercolors from Paris. The guest bedroom features a bold coral lattice wallpaper on an accent wall, framing an upholstered headboard, alongside French dressers and draperies made from Jim Thompson silk. The master bath was conceived as a spa-like retreat, with gray and white marble, built-in mirrors, millwork surrounding a white vanity, and elegant brass hardware. Antique light fixtures were incorporated to maintain the home's period charm. The renovation extended to the exterior, with Ryan Anderson and his team salvaging stone to create a cozy fireplace on a spacious, screened-in porch, which has become an ideal gathering spot for the Wallis family and friends. The project culminated in a home that perfectly blends classic charm with modern functionality, fulfilling Jenna's five-year vision. #HomeRenovation #InteriorDesign #HistoricPreservation #MemphisHomes #CottageRenovation #JennaWallisDesign #RKAInvestments #LuxuryInteriors #ArtCollection

Windmill Ceiling Fans are highlighted as a key element for incorporating high-end, functional, and timeless equestrian style into homes, estates, and tack rooms. The article emphasizes the unique, custom finishes offered by the company, which allow homeowners to personalize their spaces and create a distinctive aesthetic. Among the preferred fan finishes for 2022, Aspen Timber is presented as a light, bright, and elegant option. This finish features blades reminiscent of Aspen tree bark, with tones of white, gray, and taupe, complemented by an aged gold motor and frame. It is described as suitable for farmhouse, rustic, or modern settings, offering versatility in design. The Grand Teton finish is another featured option, characterized by its hand-painted, weathered Texas Turquoise blades with Patina Copper tips, motor, and frame, designed to evoke the expansive colors of the Montana sky. The Sable Suede finish is introduced as a way to seamlessly match fans with existing fixtures, furniture, and decor. This finish mimics fine suede with various shades of charcoal, black, and gray, accented by an aged gold motor and frame. The article suggests that these custom designs can perfectly fit a space's aesthetic and scale, allowing for complete personalization. Two additional favored finishes for equestrian homes are Brushed Metal and Cattleman. Brushed Metal is noted for its dynamic impression, featuring a hand-sanded look similar to new corrugated metal panels, and is described as suitable for contemporary and modern spaces due to its artistic feel. The Cattleman finish, in contrast, offers a more rugged aesthetic inspired by the Wild West, with hand-painted, barn-metal blades and rustic iron tips, motor, and frame, evoking the classic history of the Old West. This finish is deemed perfect for outdoor spaces or homes seeking a rustic charm. The overall message conveys that Windmill Ceiling Fans are not just functional appliances but custom art pieces that reflect the beauty, love, and passion of the riding lifestyle. Handcrafted in Texas, these fans are designed to cohesively blend with home decor, acting as a missing element to enhance beautiful spaces in every room. The company emphasizes its customer service, encouraging potential clients to call directly to begin designing their personalized fans. #EquestrianStyle #HomeDecor #CeilingFans #CustomDesign #InteriorDesign #FarmhouseStyle #RusticDecor #LuxuryHomes #EquestrianLiving

This article highlights a 150-acre estate located at 313 Taylor Road, Peacham, VT, described as a rustic-chic farmhouse and family compound. The property offers an expansive living space of 5,500 square feet, featuring eight bedrooms and nine bathrooms. A central theme of the interior design is the artful use of worn wood, incorporating salvaged barn board walls, reclaimed pine flooring, and exposed hand-hewn timbers along the cathedral ceilings. This design choice contributes to a treehouse-esque ambiance, particularly appealing to younger residents for activities such as homeschooling. One of the estate's most notable features is its indoor pool, situated within a 40-by-60-foot solarium. This pool area is designed to resemble a waterpark, complete with faux and real rock and tree accents, waterfalls, and underwater lighting, offering both recreational and fitness opportunities. Beyond the main residence, the 150-acre grounds provide extensive outdoor amenities, including multiple porches, five ponds, miles of carriage roads, and natural trails. For equestrian enthusiasts, the property boasts paddocks and barn space capable of accommodating up to 20 horses, along with an indoor riding arena. In addition to the primary farmhouse, the estate includes three guest houses, one of which is a modernist cabin uniquely positioned above Ewell Pond. While the overall aesthetic leans towards rustic, the property also incorporates refined elements, such as mahogany entryways, cedar walk-in closets, French doors, and marble countertops. The interiors are further enhanced by hand-painted ceramic tiles in bathrooms and kitchens, contributing a Spanish farmhouse appeal, and a mix of modern glass globe light fixtures alongside antique pendant lights. The main house offers several inviting spaces for relaxation and gathering, including a double-sided fireplace, a completely skylit dining room, and a cozy reading nook. The generous expanse of the property allows for extensive outdoor activities, whether on horseback or on foot, providing a sense of seclusion and ample room to explore without needing to leave the premises. The article provides contact information for Wade Weathers at LandVest for further inquiries about the property. #VermontRealEstate #FarmhouseStyle #LuxuryProperty #RusticChic #IndoorPool #EquestrianProperty #FamilyCompound #HomeDesign #EstateLiving

The Old Hall in Netherseal, Derbyshire, a Grade II*-listed property, is a substantial home set within 14¾ acres of gardens on the edge of the picturesque village of Netherseal. This medieval residence, largely hidden by boundary walls, yew hedges, and lime trees, stands adjacent to the 13th-century church of St Peter, nestled in the heart of the Netherseal Conservation Area. The property is currently for sale through the Nottingham office of Savills with a guide price of £3.5 million. With a history spanning over 800 years, The Old Hall has seen numerous transformations by its various owners. The most recent custodians, Adam and Lizzy Devey Smith, have resided there for the past 14 years with their four children, enhancing the property with modern amenities while respecting its historical integrity. Their additions include a vast orangery, an outdoor kitchen, a heated swimming pool, and a sunken terrace. Mrs. Devey Smith describes the estate, which also features woods teeming with wildlife, a lake, and a football pitch, as "an absolute children’s paradise within a tranquil private oasis." The Old Hall offers extensive accommodation, totaling 10,560 sq ft across three floors. The ground floor comprises a formal reception hall, four large reception rooms, a bespoke Mark Wilkinson open-plan dining kitchen, the magnificent orangery, and a secondary kitchen and utility room. The first floor hosts the principal bedroom suite, a family bathroom, three additional double bedrooms, and two more bathrooms. On the second floor, there are three further bedrooms, a bathroom, and various storerooms. Additionally, the property includes a self-contained flat, suitable for dependent relatives or staff. The historical lineage of The Old Hall dates back to 1192 when Earl Ferrers granted the manor of Netherseal to William de Ridware. The manor passed through several prominent families—de Ridware, de Stafford, de Pipe, Vernon, and Mather—until 1648. In 1614, William Mather sold a portion of the land and the lordship of the manor to George Gresley, who constructed a new manor house, thereby diminishing the status of The Old Hall. However, The Old Hall continued to be a significant property. In 1648, The Old Hall estate was acquired by Zachary Johnson, subsequently passing through the Moore and Jervis families before being sold in lots in 1797. Major-General George Hewett became the principal purchaser, including The Old Hall itself. The Hewett family owned the property throughout the 19th century, making several alterations, notably the 1908 wing built of red brick. In 1928, Ernest J. Manners of Worthington Brewery purchased The Old Hall. He later acquired and demolished the 'new' Hall built by Gresley and, in 1931, installed exceptional linenfold panelling from Drakelow Hall in The Old Hall's dining room. Manners also expanded the property and hosted numerous society events. His wife, Alice Meakin, created a vibrant African garden, the structure of which remains visible today. Mrs. Manners was deeply involved in village life, with the hall's lawns hosting local school sports days and the house sheltering evacuated children during the Second World War. The property remained with the Manners family until her death in 1980. #HistoricHome #LuxuryProperty #CountryHouse #Derbyshire #Netherseal #RenovatedProperty #PeriodFeatures #ModernAmenities #Savills

The article details the transformation of a stone-built farmhouse in Wiltshire, co-owned by antique dealer Ken Bolan and Emmy Award-winning television producer Caryn Mandabach. The house, situated on a hill with views of ancient woodland and Wiltshire fields, tells a story of the unexpected partnership between a British antique dealer and an American television executive. Caryn Mandabach initially purchased the house ten years prior, seeking a country retreat after moving to London. She found the property in a dilapidated state but was captivated by the views. With the assistance of designer Willie Nickerson, she undertook a restoration and remodelling project, reconfiguring rooms to provide each of the three bedrooms with an en-suite bathroom and adding new windows to maximize the scenic outlook. Her initial furnishing choices included country antiques, vintage items, flatweave rugs, and linen curtains. Outdoors, she created a level grass apron where the kitchen opens to the garden, giving the impression that the house is supported by a land platform rather than perched precariously on a slope. The dynamic of the house changed with the arrival of Ken Bolan, founder of the furniture and interiors company Talisman. Despite his extensive background in curating interiors, Caryn notes that Ken hasn't dramatically altered the original essence of her design. His contributions include significant garden enhancements, the addition of a 'man shack' and a sunroom, and the expansion of the main bedroom and bathroom by incorporating a spiral staircase and opening up the ceilings to the rafters. Ken’s influence is evident in the upgraded furniture and decor, which, as Caryn observes, still align with her personal taste, albeit with a significantly higher price point than her initial budget for individual items. Ken’s 'upgrading' is showcased throughout the farmhouse. For instance, reproduction firedogs in the living room were replaced with fifteenth-century originals, and open kitchen shelves now display a collection of rare eighteenth- and early-nineteenth-century Swedish marble boxes instead of everyday pantry items. His discerning eye for form and original patina has enriched every room. The sunroom, facing the woodland, connects to the main living room, which features an eighteenth-century Swedish cupboard in its original blue paint adorned with floral swags. A smaller living room leads to the kitchen, where an eighteenth-century Swedish table, hand-stripped by Ken, reveals its original red base and blue top. The scullery, with French windows opening to the garden, houses antique bentwood Swedish boxes, admired by Caryn for their Shaker-like simplicity. Upstairs, Swedish commodes and a pair of eighteenth-century carved wooden angels enhance the landing. The main second-floor bedroom boasts a bed flanked by unique Sixties cabinets inlaid with shell and walnut. The oak-framed sunroom and entrance hall were collaborative additions. The sunroom features antique parquet flooring, complemented by mid-century modern leather armchairs and a sofa. The wall surrounding the original front door is panelled with antiqued mirror, and the old, slightly crooked front door is clad in zinc, studded with eighteenth-century Swedish door bosses, creating a blend of rustic charm with a touch of glitz. The successful integration of their individual styles has resulted in a home that harmoniously reflects both occupants' personalities and collections. #WiltshireFarmhouse #AntiqueDecor #InteriorDesign #HomeRenovation #CountryLiving #SwedishAntiques #LuxuryInteriors #ArchitecturalDetails #HomeTransformation

This article highlights the architectural significance and current market availability of Northbury Farm, a Grade II-listed timber-framed manor house situated in Ruscombe, Berkshire. Timber-framing, a construction method dating back to Neolithic times, was a prominent building technique in Britain, especially for high-status homes, until the mid-17th century. While relatively few pre-15th-century examples survive, Northbury Farm stands as a notable instance of this enduring art. The property, currently for sale through Knight Frank at a guide price of £4.95 million, is located roughly halfway between Reading and Maidenhead, nestled within over nine acres of meticulously maintained gardens and grounds, approximately a mile from the historic village of Twyford. Northbury Farm offers exceptional privacy, approached via a gated, tree-lined drive. The current owners, Sir Colin Southgate and his wife, Sally, are credited with creating the impeccably landscaped gardens and grounds from scratch. They have also sympathetically refurbished and extended the main house, which now provides 5,126 sq ft of elegant living space. The interior features three principal reception rooms, a study/library, and a splendid kitchen/family room. The first floor is organized around a galleried landing, comprising a master suite, three additional bedroom suites, and a fifth bedroom. Beyond the main residence, the estate includes two separate two-bedroom cottages, offering further accommodation. Useful additional space is found within the impressive, listed tithe barn and granary, alongside an extensive range of outbuildings. The formal gardens are a picturesque blend of stone terraces, rose gardens, herbaceous borders, and shrubbery. More informal areas encompass a pond, a lake, and a hidden tennis court. Sir Colin notes that the recent removal of the last of the leylandii, remnants from a previous owner, has significantly enhanced the property's aesthetics. The historical lineage of Northbury Farm traces back to the manor of Ruscombe, which was under the ownership of the bishops of Salisbury Cathedral until the Dissolution. The estate was subsequently divided into Ruscombe Northbury and Ruscombe Southbury. In 1650, Ruscombe Northbury was acquired by local landowner William Barker from the trustees selling Church lands but reverted to the cathedral post-Restoration. During the 17th century, the manor was leased to William Strowde, later passing to the Knight family through marriage. The property continued to change hands among various land-owning families, including the Leveson-Gowers. General John Leveson-Gower, lord of the manors of Ruscombe Northbury and Southbury by 1829, held his family seat at Bill Hill. Consequently, the manor at Southbury was demolished in 1830, and the old Northbury manor house was converted into two cottages, renamed Northbury Farm. Historical accounts from 1923 describe it as a "much modernised half-timber and brick building of the early 17th century." The property continued as two cottages under the ownership of the Waterer gardening family in the 20th century, but by the 1980s, it had fallen into disrepair. It was then rescued by a developer known for restoring timber-frame buildings. Sir Colin and Lady Sally Southgate acquired Northgate Farm in 1990 and have since continued the meticulous work of their predecessors, further extending and renovating the historic manor. #TimberFramedHouse #BerkshireProperty #ManorHouse #HistoricHome #CountryEstate #LuxuryRealEstate #PeriodProperty #LandscapedGardens

Matthew Carter, a Lexington, Kentucky-based decorator, undertook his first project in Maine, transforming a quintessential Colonial Revival summer house for clients from Kentucky. The clients, who possessed traditional taste but also a high tolerance for color and pattern, desired to elevate the home's aesthetic beyond its original "simple and lovely" state, which characterized many coastal Maine cottages. These homes often exude an undecorated feel, a blend of Yankee ingenuity and Puritanical vestiges, emphasizing functionality over ornamentation. Carter's approach was to infuse the home with personality and vibrancy while respecting its heritage and location. He began in the entry hall, choosing a bold, all-over dark brown and ivory Miro wallpaper by Albert Hadley. This choice was not only striking but also meaningful, subtly acknowledging Sister Parish, co-founder of Parish Hadley and a long-time summer resident of Dark Harbor, a nearby locale. This bold decorative move set the tone for the rest of the house, demonstrating that daring design choices could be harmonious with the Maine setting. The decorator emphasized that each bold design decision was carefully considered and connected to the home's context, rather than being a generic design that could exist anywhere. The design elements paid homage to both Northeast Harbor, where the owner spent his youth, and Lexington, his current home. Carter's design philosophy aimed for a "studied looseness," arranging items in a way that felt natural and un-curated, akin to the historical decorative displays in New England sea captains' homes, which often featured an eclectic mix of global artifacts. This deliberate lack of rigid order allowed Carter to introduce strong design elements without them appearing overly deliberate or "try-hard." An example of this is the study, where emerald lacquered paneling and bookcases, combined with custom deep green on ivory wallpaper, could have been overpowering but instead offered depth and definition. Carter explained that this provided a necessary punch and dimension, allowing furniture and art to stand out against a rich, jewel-toned backdrop. A similar effect was achieved in the central living room, which was painted a deep chocolate brown. Carter noted that dark colors cause walls to recede, drawing attention to the exterior views and creating a cool, grounding atmosphere in the core of the house, contrasting with the lighter perimeter rooms. This technique, also employed in his own home's dark brown library, is a classic summer house strategy effective in various climates. Challenges arose, such as integrating a family heirloom—an antique pencil-post double bed—into a guest bedroom. To blend its "very Kentucky" aesthetic with the coastal summer house style, Carter draped the bed in fifty yards of ivory linen, transforming it into an airy, coastal-appropriate piece. This humorous and inventive solution highlighted the project's overarching theme: reinterpreting the classic summer house concept through playful and sophisticated design. The project, featured in Veranda magazine's July/August 2023 issue, showcased Matthew Carter's ability to blend traditional tastes with vibrant colors and graphic patterns, creating a distinctive and personal summer retreat. #ColonialRevival #MatthewCarter #MaineSummerHouse #InteriorDesign #EmeraldLacquer #GraphicPatterns #Wallpaper #CoastalDecor #TraditionalInteriors