SELECTING LIGHTS FOR WORKS OF ART (Published 1985)

Jason Krugman, a New York-based artist, creates captivating light sculptures using wire mesh forms embedded with thousands of hand-soldered LED bulbs. His journey into art began after a career in investment banking, leading him to study technology and art at NYU's Interactive Telecommunications Program (ITP). There, he learned about microcontrollers, soldering, digital fabrication, and new materials, which became foundational to his artistic practice. In 2009, Krugman established his studio in Brooklyn, focusing on the intersection of physical computing and fine art, transforming electricity into remarkable sculptures. Krugman's work is characterized by its fluid appearance, despite being constructed from static materials, often mimicking natural phenomena or intricate systems like swarms of mini-drones. He has developed several proprietary technologies, including a hand-soldered LED mesh, various cable systems, and custom printed circuit boards for LED artworks, holding two US patents. His designs are unique in that they often use the physical structure of the sculpture to conduct electricity to the light sources, eliminating the need for insulated wiring. This innovation allows thousands of LEDs to appear to float weightlessly within minimal wire forms, creating a soft, ethereal glow. His recent recognition includes a LIT Lighting Design Award for 'Capella Basket,' a large-scale installation described as a rectangular sheet of 2,000 LED bulbs rolled into a cannoli-like shape and seamed. This particular piece represents a decade of development, inspired by the challenge of shaping mesh material into complex forms. The 'Capella Basket' itself was a monumental undertaking, involving over 10,000 circuit boards, extensive prototyping in collaboration with Arup engineers, and fabrication with the support of the Brooklyn Navy Yard and other local businesses. Krugman views his work as a three-dimensional puzzle, where aesthetic form is deeply intertwined with functional utility. He believes that the beauty of his art is enhanced by its ability to perform, allowing viewers to engage with it intellectually and emotionally. The sculptures are shaped by their inherent capacity to efficiently distribute electricity. The artist's approach combines craft with technology, a process he manages by always building smaller versions and mockup sections, regardless of the project's scale or edition count. Feedback on Krugman's installations frequently highlights their resemblance to scientific structures and natural forms, fostering a sense of connection and collaboration with his audience. Looking ahead, Krugman aims to create even more complex forms while maintaining structural clarity. He also plans to explore folding and stretching techniques with different materials to delve deeper into surface creation, moving beyond his current focus on points and lines. He is also beginning to offer smaller sculptures for sale on his Instagram and website, providing more accessible ways for the public to engage with his art. #LightingDesign #ArtDesign #LightSculptures #LEDArt #InteractiveArt #PhysicalComputing #ContemporaryArt #Innovation #DesignProcess

The article emphasizes the critical role of lighting in showcasing artwork within a home, highlighting that even exceptional pieces can lose their impact without proper illumination. It addresses the common issue of art looking less impressive at home than in a gallery, attributing this to inadequate lighting rather than taste or space. Luke Thomas, design director at John Cullen Lighting, states that lighting is fundamental to how art looks and feels, defining a room rather than just decorating it. He acknowledges that lighting art at home can seem complex, blending art and science, and differs from gallery setups which often utilize high ceilings and discreet track lighting. For residential settings, especially living rooms, lighting needs to serve a dual purpose: flattering art and providing general illumination for daily life. The piece contrasts gallery lighting, which uses flexible track systems, with residential preferences for discreet recessed downlights. While recessed lights offer less flexibility, they are practical for homes where art positions are generally static. These fixtures ensure the focus remains on the artwork, not the light source itself. A key distinction is drawn between lighting two-dimensional paintings and three-dimensional sculptures. Paintings are typically lit from above to evenly illuminate the surface and reveal details, while sculptures require a more nuanced approach. For sculptures, shadow plays a crucial role in defining form, texture, and depth, and the material of the sculpture also influences the best lighting method. Sculptures can be lit from various angles—floor, plinth, or even from within—to create silhouettes, backlighting, or emphasize internal structures, allowing for a dynamic interplay of light and shadow that enhances their three-dimensional nature. The article warns against the common misconception that more light is always better for artwork. According to Luke Thomas, excessive, uniform lighting can lead to a "flat" effect, obscuring the artwork's nuances. The goal is smarter, layered lighting that creates distinct zones and contrasts, guiding the eye and highlighting specific elements. This approach, he explains, avoids overwhelming the artwork or the viewer. The ideal involves balancing accentuating the artwork with maintaining visual comfort, achieved through precise beam angles, appropriate lumen output, and careful consideration of light and shadow interplay to reveal depth and texture. While hiring a lighting designer is an option for serious collectors, the article provides practical tips for those undertaking the task themselves. Key tips include understanding the medium of the artwork, as different materials react differently to light; adjusting lighting for the scale and orientation of the piece (e.g., portrait vs. landscape); choosing flexible fixtures that allow adjustment of beam spread, angle, and brightness; and matching light tone to temperature to enhance the artwork's colors. The author underscores that lighting art is not merely an enhancement but essential for appreciating the artist's vision. Improper lighting can distort colors, obscure details, create unwanted reflections, or flatten dimensionality, preventing a full appreciation of the collection. The article concludes by asserting that investing in proper art lighting transforms static objects into vibrant, engaging experiences, making the effort worthwhile. #ArtLighting #HomeDecor #InteriorDesign #RecessedLighting #SculptureLighting #LayeredLighting #LightingDesign #ArtDisplay #HomeImprovement

Arteriors, in collaboration with design and architecture firm Workshop/APD, has launched a new collection of 54 lighting and decor pieces. This partnership marks Arteriors' first venture with a design and architecture firm, showcasing a distinctive minimal aesthetic that diverges from its past traditional offerings. Workshop/APD's 'crafted modern' approach is evident throughout the collection, which is designed for both residential and commercial interiors. The conceptual foundation of this collection, termed 'meaning in making,' emphasizes traditional techniques such as glazing, rolling clay, and slumping or etching glass. Andrew Kotchen, founding principal of Workshop/APD, highlights the collaborative nature of the project, which leveraged the diverse creative perspectives within his firm and the expertise of Arteriors' team and global network of craftspeople. The resulting collection aims to strip away unnecessary embellishment, focusing instead on technique, materiality, simplicity, and scale. Andrew Kline, design director and senior associate at Workshop/APD, along with product designer Ruoxi Wang, prioritized the creation of versatile pieces. This versatility allows the items to transcend various design typologies, styles, and regions. The lighting elements form the core of the collection, with each sconce and pendant designed to function effectively both as a standalone accent piece in a residential setting and in multiples or combinations within complementary styles. Matthew Berman, another founding principal of Workshop/APD, underscores the multifunctional aspect of each piece, offering designers significant flexibility to incorporate them into a wide range of projects. The collection includes various lighting fixtures such as sculptural sconces, linear chandeliers, flushmount lights, and pendants, alongside decorative items like candlesticks, trays, and mirrors. The Workshop/APD for Arteriors collection is part of Arteriors’ Spring/Summer 2021 Collection. It is available for purchase online and at Arteriors’ showrooms located in New York, Dallas, Los Angeles, and London. The collaboration aims to provide a compelling offering that combines modern design principles with handcrafted artistry. #LightingDesign #HomeDecor #ModernDesign #InteriorDesign #CollaborativeDesign #Arteriors #WorkshopAPD #HomeFurnishings #CraftedModern

Lighting design encompasses the strategic use of illumination to achieve both practical functionality and aesthetic appeal in various environments. This field involves the selection and arrangement of both artificial light sources, such as lamps and light fixtures, and enhanced performance lighting systems. The ultimate goal is to improve the visual impact and overall ambiance of a designated area. The scope of lighting design extends to diverse applications, including interactive lighting series that utilize air pressure to activate inflating lamp structures, showcasing innovative approaches to dynamic illumination. Other creative examples include upcycled lighting collections that blend vintage object parts with natural wax, offering a sustainable and artistic dimension to lighting. Designers are also reimagining traditional forms, such as Philippe Tabet's transformation of industrial bulkhead lamps into face-like fixtures, and Yusuke Kawai's modular 'Kawara' lighting crafted from Japanese roof tiles, demonstrating a fusion of heritage and contemporary design. Further advancements in the field involve the use of novel materials and technologies. Bacterial cellulose is being transformed into translucent, ruffled lighting sculptures, while 3D-printed ceramics by Jolie Ngo introduce vibrant and sculptural elements into lighting. Exhibitions like 'Nuts + Bolts' highlight the potential of everyday hardware store supplies to be repurposed into DIY lighting solutions, emphasizing accessibility and resourcefulness. Artists like Carmen D'Apollonio create glass and ceramic characters that illuminate spaces, blurring the lines between art and functional lighting. The 'WA' upcycled table lamp, made from retired Tokyo train parts, exemplifies innovative reuse in design. Technological innovations also play a crucial role, as seen in WINT design lab's collaborative effort to create a lamp that adjusts brightness through a stretchable textile interface. Custom-made LED walls, such as those found in Huit Sushi Restaurant in Montreux, demonstrate how lighting can dramatically shape commercial spaces. Installations like 'Blind Lucid Umbrella' by Tony Tao Li explore the symbolic and experiential qualities of blue light through LED modules. Designers like Karim+Elias use desert sand to create luminous wall lamps and sculptural vases, showcasing the artistic possibilities of natural materials. The field also explores historical and cultural influences, with Formafantasma reflecting on American domestic furniture archetypes through lighting design. Kurahito Craft's flexible and see-through lampshade covers, crafted from slabs of wood, illustrate a sophisticated approach to material manipulation. The continuous evolution of lighting design is further demonstrated by annual events such as Milan Design Week, where designers like Michael Anastassiades present modular lighting installations in historic settings, and Lachlan Turczan's interactive halo light sculptures are featured at Google's exhibitions. Studio Lugo's 'Anachron' furniture series, combining horsehair with steel, and A-POC ABLE ISSEY MIYAKE and atelier oï's innovative use of cloth and wire to illuminate spaces, collectively showcase the boundless creativity and interdisciplinary nature of contemporary lighting design. #LightingDesign #HomeDecoration #InteriorLighting #SustainableDesign #InteractiveLighting #InnovativeMaterials #ProductDesign #ArtisticLighting #SmartLighting

Lighting serves as the essential 'jewelry' of a home, transforming a space and imbuing it with intentionality, personality, and glamour. This article features a curated collection of favorite light fixtures, selected by a design editor who meticulously scours various sources for unique pieces. The editor's process involves observing lighting in diverse settings, such as restaurants and boutique hotels, and extensively researching to identify specific fixtures. The collection includes a range of lighting options, from playful table lamps to sculptural pendants and hardwired showstoppers, each chosen for its distinctive aesthetic and ability to make a powerful statement. One highlight is the Lulu and Georgia Arroyo Pendant Light by Élan Byrd, which offers an organic modernist feel through its textural, sculptural design, resembling woven art. Another featured item is the Apple Perez Lamp, noted for its playful yet sophisticated mood, unexpected color pairings, and sculptural base, conveying an expensive look. The Pinch Design Anders Light is presented as an understated yet memorable pendant, characterized by its handwoven cane drum and solid timber details that provide a warm, museum-quality craftsmanship to any room. The Akari 50F by Noguchi is highlighted as an iconic piece that functions as both a light source and a glowing sculpture, instantly elevating a space with design credibility. For a contemporary touch, the Danny Kaplan Studio Eloise Floor Lamp, crafted from ceramic with an abstract silhouette, evokes the feeling of a found art object from a minimalist gallery. The Whimsical Rattan Lantern from Newport Lamp & Shade Company combines coastal grandmother aesthetics with childlike charm, offering shapely curves and a warm glow suitable for creating a relaxed yet magical ambiance. The Signature Collection Talia Large Chandelier is described as a magical fixture that blends traditional and ethereal elements with modern freshness, floating and sparkling to create a 'wow' factor without being overdone, and has been dubbed the 'IT' light fixture of 2025. Finally, the Ada Sculptural Brown Brass Table Lamp by Cesare Arosio is recognized as an art piece that illuminates a space, with its geometric form and rich brass finish providing a bold and sculptural presence that commands attention. #Lighting #HomeDecor #InteriorDesign #DesignTrends #LightFixtures #HomeAccessories #ModernLighting #SculpturalLighting #DesignerPicks

Katelyn Aslett, a textile artist, has established a distinctive niche in the design world by crafting bespoke lighting installations made from hand-felted wool. Her work caters to both commercial and residential environments, appealing particularly to clients seeking unique, decadent, and artistic elements for their spaces. Aslett's designs have garnered attention from boutique hotels and other venues that prioritize an intimate and character-rich ambiance. She emphasizes the organic and natural qualities of hand-felted wool, highlighting its ability to impart a special atmosphere and texture to large rooms, while also serving as an effective sound diffuser. Each of Aslett's creations possesses a unique character, marked by subtle intricacies and variations in tone. These lights can be customized in various forms and shapes to seamlessly integrate into diverse innovative design concepts. The soft structures of her lamps are suspended from custom-made aluminum frames, which can be tailored to specific project requirements. A notable example of her craftsmanship is a recent commission for a banqueting room, where she produced fourteen large chandeliers. For the same project, Aslett also constructed a fourteen-meter backlit bar entirely from wool, demonstrating her ability to work with the material in unexpected ways. The light filtering through the wool fibers produces a surprisingly warm and inviting effect. Aslett's professional journey began in textile art, but her creative scope has since expanded to encompass fashion, interior design, corporate fabric design, and large-scale installations. Regardless of the application, her design philosophy consistently revolves around the interplay of color and texture. She applies her aesthetic principles uniformly, whether she is designing textiles for fashion, private interiors, or expansive commercial settings. Her overarching goal is to create works that are inspiring, uplifting, and possess a strong artistic integrity, ultimately enhancing the quality of life in the spaces they inhabit. Aslett's innovative approach to lighting design, utilizing a unique and natural material, positions her as a distinctive voice in contemporary design. #KatelynAslett #LightingInstallations #HandFeltedWool #BespokeDesign #TextileArt #InteriorDesign #CommercialDesign #ResidentialDesign #Designex

Task lighting is a crucial element in home design, specifically designed to enhance visibility and ease of performing specific activities like reading, writing, cooking, or intricate work. Unlike ambient lighting, which provides general illumination for a space, task lighting focuses a brighter, more concentrated light on a particular area. This targeted illumination is essential not only for convenience but also for health, as inadequate lighting can lead to eye strain and potential long-term vision problems. Interior designers emphasize the importance of incorporating task lighting in various rooms, including living rooms, bedrooms, kitchens, and study areas, to support day-to-day activities. Experts like Aryaman Jain, CEO of Innovative Lighting Designs Limited, highlight that task lighting is vital for illuminating small areas without straining the eyes and maintaining adequate illumination when paired with ambient lighting. Meenu Agarwal, founder of MADS Creations, further elaborates that task lighting is more functional than decorative, aiming for closer inspection rather than general room brightening. The strategic placement of task lighting can prevent shadows and ensure uniform illumination, making tasks safer and more comfortable. For instance, in a kitchen, task lighting above countertops is critical for safe food preparation, while in a bathroom, it ensures accurate application of makeup or shaving. The article outlines several common types of task lighting suitable for different areas of a home. Bedroom lighting, for example, often includes bedside lamps, nightstands, or sconces integrated into the headboard. These fixtures provide focused light for reading in bed without disturbing a partner or relying on general room lighting. Akshita Mehra, principal designer at Studio Goya, points out that reading lights in bedrooms, table lamps for study areas, and pendants on either side of a bathroom mirror are highly effective forms of task lighting, improving visibility for specific activities. Lamps, such as standing lamps and desk lamps, offer versatile task lighting solutions. For home offices, strategic placement of a standing lamp to the side or behind the desk can illuminate the work surface without causing glare on computer screens, which is a common issue with overhead or improperly positioned lights. These lamps are also ideal for reading nooks or living room corners, providing focused light where needed and can easily be moved or adjusted. Standing lamps can highlight architectural features or provide light for a specific chair, while desk lamps are perfect for tabletops and work areas. Their ease of installation, typically requiring only an electrical outlet, makes them a practical choice. Kitchens benefit significantly from cabinet lighting, which can be installed under cabinets or above counters. These lights serve a dual purpose: they add a decorative touch and provide essential task illumination for cooking, chopping, and baking. Options like puck lighting or long strip lights can be integrated discreetly into cabinetry, saving space while ensuring functional brightness. Pendant lights are another versatile task lighting option, suspended from the ceiling to direct light over specific zones. They are commonly used over kitchen islands, dining tables, or even coffee tables (when hung at an appropriate height), offering both aesthetic appeal and focused illumination. Jonas Bjerre-Poulsen of Norm Architects describes how a pendant's design can mimic architectural elements and diffuse light both downwards and upwards, often incorporating materials like Washi paper to soften the light and hide the bulb, creating a warm and indirect glow. When selecting and installing task lighting, designers advise considering existing light sources in the room to ensure complementary placement that reduces shadows and maximizes overall illumination. The positioning of task lights is critical; for instance, reading lights should be placed to the side and slightly behind the reader to direct light onto the page without creating harsh shadows or direct glare. The goal is always to create an environment where tasks can be performed comfortably and safely, minimizing eye strain and enhancing the functionality of the space. #TaskLighting #HomeDesign #InteriorLighting #BedroomLighting #KitchenLighting #HomeOfficeLighting #DesignTips #LightingSolutions #EyeComfort

This article highlights the new 48-piece lighting collection from Arteriors, a collaboration with architecture and design firm Workshop/APD. This partnership marks a significant first for Arteriors, as it is their initial venture with an external design firm, aiming to infuse a distinctly contemporary aesthetic into their typically more traditional offerings. The collection is designed to serve as the “jewelry of a room,” emphasizing the transformative power of lighting in interior design. A central feature of this collection is the “Glaze” assortment, which draws inspiration from the ceramic artistry of Workshop/APD principal Andrew Kotchen’s wife. Each piece within this line incorporates a handmade ceramic shade or backplate, notable for its delicate crackled ivory glaze. This ceramic component is thoughtfully contrasted with blackened steel elements, creating a sophisticated and modern look. The versatility of these fixtures is a key selling point, as they are suitable for various settings, whether installed individually as a focal point or in multiples to create a cohesive design statement. The article showcases several specific pieces from the Glaze collection, providing descriptions and potential applications. The Glaze Large Sconce, priced at $715, is praised for its sleek shape and subtle hue, making it an ideal choice for bathrooms or bedside areas due to its effortless integration into diverse decors. The Glaze Linear Pendant, available for $1,040, is highlighted for its ability to stand out as a singular piece while also creating a striking impact when hung in a series. This suggests its adaptability for different spatial requirements and design ambitions. Another featured item is the Glaze Large Flushmount, costing $965, which distinguishes itself with a trio of frosted opal glass globes that add visual intrigue to a classic bowl-shaped flush-mount design. For larger spaces, the Glaze Floor Lamp, priced at $1,395, is presented as an ultramodern silhouette that casts a warm, inviting glow, enhancing the ambiance of its surroundings. Finally, the Glaze Sculptural Sconce, at $1,365, is noted for its geometric form and rotating armature, offering the unique capability to create a personalized focal point on any wall. This adjustability allows users to customize the lighting effect and direct light as needed. Overall, the collaboration between Arteriors and Workshop/APD introduces a collection that blends artistic inspiration with functional design, providing contemporary lighting solutions that can refresh and brighten any home interior. The pieces emphasize unique craftsmanship through ceramic details and modern silhouettes, offering versatile options for various design preferences and spatial requirements. #Arteriors #WorkshopAPD #LightingDesign #HomeDecor #InteriorDesign #ContemporaryLighting #CeramicLighting #DesignCollaboration

Successfully hanging an art collection requires meticulous planning and careful consideration, encompassing everything from selecting appropriate fixtures and frames to creating a cohesive visual narrative among grouped artworks. Experts in art installation, interior design, and gallery direction offer comprehensive advice on optimizing the display of art in domestic settings. The initial step involves a thorough assessment of the chosen space, considering the artwork's size, potential physical obstacles, and the overall visual flow of the room. Guy Morey, operations director at Momart, an art installation service, emphasizes the importance of measuring both the walls and the narrowest points of entry into the building to avoid issues with oversized pieces or artworks that might be too imposing for a home environment. Planning the arrangement beforehand is crucial; collectors can collaborate with installers to experiment with different placements by leaning artworks against walls to determine the most aesthetically pleasing configuration. Some installers leverage 3D modeling software for precise planning. General guidelines exist for hanging height, with a consistent center-line often recommended across all artworks in a room. This center-line is typically set at eye-level or 120 centimeters from the ceiling to the artwork's center, though it may vary depending on the piece's size. Smaller works can be grouped around a shared center-line, while larger pieces might require individual placement. Lighting is another critical factor, influencing both the aesthetic appeal and preservation of an artwork. Interior designer Verity Woolf, director of Woolf Interiors, advises considering natural light exposure to prevent damage and suggests incorporating artificial lighting solutions, such as concealed ceiling lights that can be adjusted to suit different artwork sizes. Frame selection also plays a significant role in an artwork's presentation and narrative. Woolf highlights framing as an art form in itself, noting that an unsuitable frame can diminish a piece's impact, while a well-chosen one can enhance its meaning. Technical details, such as fixings, are equally important. John Paul Black, managing director of Art Works Exhibition Services, recommends implementing a versatile hanging system, such as aluminum rails hidden in cornices with wires, to facilitate easy rearrangement and temporary storage of artworks, especially to protect them from sunlight at certain times of the year. Unlike gallery settings, private homes present unique challenges with limited space and numerous obstacles like furniture, radiators, and fireplaces. These elements can affect the optimal placement and center-line of an artwork. Ben Cotton, director of Hang-Up Gallery, stresses the importance of harmonizing artworks with existing furniture. He advises against rigidly adhering to gallery-style hanging heights in a home, encouraging collectors to adapt to their space to maintain balance. Furthermore, creating a visual connection between artworks within a collection is essential for a cohesive display. This can be achieved through shared color palettes, themes, genres, or even by featuring the same artist, ultimately forming a compelling narrative for the viewer. #ArtCollection #ArtInstallation #InteriorDesign #HomeDecor #ArtDisplay #FramingArt #LightingArt #ArtPlacement #ArtHangingSystems

Lighting plays a crucial role in interior design, influencing the ambiance and aesthetic of any room. Despite its impact, it is often an overlooked element in home decor. The color of light is as significant as paint colors or furniture upholstery in setting the desired tone for a space. Given the vast array of lighting options available, from floor lamps and table lamps to sconces, chandeliers, and outdoor lighting, the search for the perfect fixture can be overwhelming. This guide compiles recommendations from expert interior designers, detailing the best online lighting stores that offer diverse styles and price points. Leading online lighting stores include Lightology, praised by designer Jean Liu for its extensive selection across various decorative lighting types, including track, display, and outdoor lighting, making it a comprehensive one-stop shop. The Urban Electric Co. is highlighted by Bradley Odom for its heirloom-quality, design-forward pieces and commitment to handcrafted Southern artisanship, offering customizable and ready-to-ship options. Huey Light Shop, a Canada-based retailer, is noted for its unique, nature-inspired traditional and modern designs, particularly its porcelain fixtures, all handmade with a focus on sustainability and ethically sourced materials. For unique and vintage finds, 1stDibs is recommended by Amy Carman, providing an impressive range of styles from various eras and serving as a platform to discover emerging lighting designers. Design Within Reach is recognized by Liu as a valuable resource for mid-century modern lighting classics, stocking popular brands like Artemide and Herman Miller. Pooky offers a distinct customization experience, allowing shoppers to personalize pieces with different shades at affordable prices, covering ceiling, wall, outdoor, floor, and table lighting, along with an array of lamp shades and bulbs. Garde is lauded by Carman for its avant-garde collection of unique lighting fixtures, ideal for those seeking cutting-edge designs not yet widely available. Riloh, based in Charleston, crafts modern, elegant, and versatile pieces to order, emphasizing customization and a balance of minimalism and warmth. Rewire is recommended by Liu for Italian-style modern and vintage lighting, featuring designer pieces and original 20th-century fixtures, including current productions from iconic designers. Urban Archaeology offers a blend of vintage and antique-inspired new fixtures, born from architectural salvage, with options for customization. Roll & Hill is suggested for luxury lighting and statement pieces, featuring handcrafted designs by independent American designers like Jason Miller and Lindsey Adelman. Chairish is a go-to for its diverse selection of antique, vintage, and new furnishings, including unique light fixtures such as Murano glass chandeliers and Art Deco lamps. Ralph Lauren's home collection provides classic, well-made lighting, often inspired by historical elements, blending traditional and modern aesthetics. Allied Maker focuses on quality materials and expert craftsmanship, producing inventive modern lighting in Long Island, New York. Oomph Home stands out for its vibrant, colorful lighting options, offering coastal-style lanterns in bold hues. Mitzi provides an eclectic mix of beautiful and accessible lighting, from table lamps to ceiling lights, with a focus on aesthetics and free lighting consultations. Schoolhouse, based in Portland, is praised for its versatile lighting with bold color options, especially suitable for renovating older homes. RTO Lighting, founded by Robert True Ogden, creates sculptural, architectural-grade lighting handcrafted in Philadelphia. Lastly, Anthropologie's home decor collection offers eclectic and unique lighting fixtures, often featuring collaborations with designers, with frequently updated offerings. #InteriorDesign #HomeDecor #LightingStores #DesignerRecommendations #OnlineShopping #LuxuryLighting #VintageLighting #ModernLighting #CustomLighting

New York Design Week, held in May, showcased a diverse range of innovative lighting designs, establishing lighting as a central element of cultural storytelling and cutting-edge home design. Shelter by Afternoon Light, a newcomer to the design fair scene, made a significant debut with a focus on fresh talent and remarkable lighting products, including the popular “Jonald Dudd” exhibition, playfully titled “Grateful Dudd.” Minya Quirk, co-founder of Shelter, highlighted the transformative power of lighting, noting its ability to swiftly alter a space's aesthetic and mood. The event featured a variety of exhibitions across different venues, from major fairs like ICFF and WantedDesign to galleries and ateliers such as Love House, Colony, Lyle Gallery, and Lawton Mull, all contributing to a vibrant display of creativity and functionality. Among the standout pieces were Lana Launay’s ‘Kinship I & II,’ exhibited at Love House Gallery, which utilize stainless steel, aluminum, LED, and antique doilies to reflect on domestic craft and interconnectedness. Andreea Avram Rusu’s ‘Marea’ chandelier, presented at Shelter, captivated viewers with its hand-blown glass and ombre colors, reminiscent of a jellyfish’s fluid movement, created through a unique molten process. Samuel Aguirre, a Providence-based artist, debuted a collection of table lamps at WantedDesign, crafted from handmade Mexican Amate paper, combining ancient paper-making traditions with contemporary design principles, resulting in organic and archival pieces. Cuff Studio, founded by Kristi Bender and Wendy Schwartz, introduced a new triangular metal sconce as part of their “Within” exhibition at WantedDesign. This piece, available in patinated brass or copper, offers a graphic aesthetic with a soft uplight. Lawton Mull’s gallery featured the ‘Norrlanda Lamp,’ a collaboration with glass artist Jennie Olofsson, which blends industrial brass with mouth-blown, asymmetrical glass lobes, creating a balance of strength and lightness. Soft-Geometry’s ‘Long Hair’ sconces, showcased at Lyle Gallery, were inspired by intimate domestic rituals and incorporate sustainable hemp-lime composite material, marking a move towards eco-conscious design. Scott Newlin Design Studio presented whimsical ‘Stack Lights’ at the Jonald Dudd exhibition, transforming slip-cast ceramic into versatile, colorful lamps. Marmar Studio’s ‘Ette Sconce,’ displayed at Colony’s “The Independents” exhibition, combined ash wood and hand-painted dye to create a fixture that evokes both architectural lines and natural forms. FDK Junior Studio, led by Fernando Kabigting, launched a new porcelain lighting collection at Shelter, emphasizing the material’s delicate beauty and celebrating imperfections. Michiko Sakano Studio’s ‘Droplets’ glass lighting collection, also at Shelter, merged traditional Japanese aesthetics with glassblowing techniques, creating luminous sculptures that exude organic fluidity. Larose Guyon’s ‘Saule’ collection at ICFF drew inspiration from the willow tree, featuring hand-formed brass and glowing glass in an immersive display. Lastly, Steven Haulenbeek’s ‘RBS Nopal Chandelier,’ featured at Egg Collective, utilized resin-bonded sand in a subtractive process to create organic, desert flora-inspired forms, blurring the lines between art and lighting design. These diverse creations collectively highlighted the innovative spirit and artistic depth of contemporary lighting at New York Design Week. #NewYorkDesignWeek #LightingDesign #InteriorDesignTrends #ContemporaryLighting #HomeDecor #ArtisticLighting #SustainableDesign #HandcraftedLighting #DesignInnovation

Architects Serene Kim and Elliot Meier, recognizing a common challenge in the design world, have launched Equal Equal, a new lighting studio dedicated to creating functional yet aesthetically pleasing light fixtures. The ongoing joke among architects and interior designers highlights the common issue where a visually striking light fixture often fails to adequately illuminate a room. Kim and Meier, having consistently encountered this problem on various projects, began custom-designing fixtures to bridge this gap between form and function. Their accumulated experience over a decade in crafting bespoke lighting solutions for projects ultimately led to the official launch of Equal Equal in May. The studio's name, Equal Equal, draws inspiration from the architectural symbol for equidistant length, 'EQ', reflecting their commitment to precise and balanced design. The company offers made-to-order pieces directly to consumers, encapsulating the architects' meticulous approach to design. Equal Equal's initial offerings include two distinct collections: the Frankie and the Vianne. The Frankie collection features classic ceramic lights, meticulously pressed and glazed in their New York City studio. These lights are highly customizable, available in an extensive palette of 18 color and glaze combinations. Expanding on the Frankie collection, the Sena light incorporates a hand-blown glass shade atop a Frankie light base, allowing for playful and unique color pairings that enhance the visual appeal. The Vianne collection introduces the Jessica pendant, a design that pays homage to the vibrant glasswork prevalent in 1920s French collectives, known for their bold colors and distinctive shapes. The glass components for the Jessica pendant are custom-produced at Brooklyn's KEEP studio, ensuring unique craftsmanship. Kim and Meier then personally assemble these pieces, integrating them with warm, contemporary hardware to create a harmonious blend of vintage inspiration and modern sensibility. The Jessica pendant is designed for versatility, capable of enhancing diverse spaces, from a dining area with a wooden table to a bathroom featuring tiled walls. Meier humorously likens the fixture's role to an award-winning supporting actor in a film, emphasizing its crucial yet complementary function. Despite the potentially bold color combinations, such as a pink-and-yellow sconce in a white-walled hallway, Kim and Meier encourage clients to embrace an open-minded approach to design. Kim articulates their philosophy, stating their goal is to demonstrate that color accents do not need to be overtly loud to create a significant impact. They believe that often, the most unexpected color combinations can result in the most harmonious and visually appealing outcomes, challenging traditional notions of color application in interior lighting. #LightingDesign #ArchitecturalLighting #CeramicLighting #GlassArt #HomeDecor #CustomLighting #InteriorDesign #ProductLaunch

Achieving successful lighting in a home involves balancing different types of illumination, ensuring every light serves a specific purpose, and offering flexibility to adapt to various moods and activities. Instead of scattering lights randomly, a thoughtful approach focuses on combining high, low, and side lighting, integrating floor and table lamps with wall and ceiling fixtures. This strategy allows for both practical, bright lighting for tasks like reading and working, and softer, dimmed lighting for dining and relaxation, significantly influencing a room's atmosphere. The planning of lighting, including wiring and circuit requirements, is a foundational step in any interior design project. Modern lighting solutions like uplights have evolved beyond their initial perception of being overly glitzy. They are now considered less intrusive than prominent feature fixtures and can be strategically used to accentuate architectural elements such as paneled doors, archways, or even to highlight beautiful windows from a sill. Conversely, an excessive use of downlights can make a space feel impersonal, resembling an airport lounge, and are often ineffective as much of their light is absorbed by the floor. A more effective use of downlights involves angling them to illuminate specific features, such as tall furniture or artwork. For entrance halls, the traditional approach involves selecting a lantern or pendant light scaled appropriately to the space. For example, a grand, double-height hallway necessitates an equally substantial pendant. This central fixture can be complemented by subtle floor uplights, feature lighting within wall niches, and potentially wall lights or picture lights to showcase artwork, all contributing to a calm and quiet ambiance with gentle glows. The sitting room, however, does not adhere to strict rules; its lighting should be tailored to its proportions and intended use. Table lamps are crucial for providing warm light and introducing varied heights, shapes, and sizes contribute to character, suggesting an evolved design. Pairs of table lamps on console tables or flanking a fireplace, along with floor lamps for reading, are effective choices. While ceiling lights are generally avoided in sitting rooms by some designers due to the discomfort of overhead light, wall lights are favored for adding another layer of balanced illumination at various levels. Kitchens, increasingly central to home life, require flexible and dimmable lighting on separate circuits. Uplighters positioned above cupboards create a warm evening glow, while under-cabinet lighting offers practical illumination for work surfaces. Pendants over an island, serving area, or table can serve as striking features. Incorporating one or two table lamps on a sideboard or table can introduce a softer effect. A personal favorite described is a rise-and-fall light with ceramic shades above a kitchen table, providing ample light when raised for tasks and a soft, intimate pool of light when lowered for a relaxed evening mood. The process of selecting shades for lamps is likened to trying on a hat; it’s about finding what looks right rather than adhering to a strict formula, often requiring experimentation with various shades to achieve the desired aesthetic and functionality. #HomeLighting #InteriorDesign #LightingTips #HomeDecor #ArchitecturalLighting #AmbientLighting #TaskLighting #MoodLighting

Lighting plays a critical role in interior design, influencing both aesthetics and the emotional atmosphere of a space. An effective lighting concept can accentuate architectural features and foster a sense of ease, while a poorly executed one can detract from an otherwise well-designed room. Carmelo Zappulla of Lighting Studio External Reference emphasizes that light is essential for adding an emotional element and animating a space. Among the various artificial lighting options available, indirect lighting stands out as a versatile and effective technique. Indirect lighting works by directing light fixtures towards surfaces that then reflect the light, resulting in a softened, more evenly distributed glow rather than harsh, direct beams. This method minimizes shadows and reflected glare, making it particularly suitable for environments with reflective surfaces like computer screens, mirrors, or televisions. While often considered a form of ambient lighting, indirect light can also function as accent lighting, highlighting specific architectural details or drawing attention to points of interest within a room. This dual capability allows it to both provide general illumination and subtly emphasize key elements. This article showcases 15 interior examples from ArchDaily's database, demonstrating the effectiveness of indirect lighting across five distinct typologies: wellness, cultural, residential, office, and retail spaces. In wellness areas, such as hotels, commercial, or private spas, indirect lighting is frequently used to create a soothing and visually appealing ambiance. Fixtures often adopt organic shapes, like circles or waves, or hidden LED strips are employed to highlight textured walls, pools, or delineate relaxation zones for clear navigation. For public cultural spaces like museums, libraries, or art galleries, indirect lighting proves invaluable. By strategically positioning light sources to reflect off surfaces onto display objects or their backgrounds, designers can subtly guide the viewer's eye. This approach imparts a mysterious quality, ideal for showcasing impactful art pieces or old books without the risks of heat damage or an overly theatrical effect that direct spotlights might create. In residential interiors, bathrooms and kitchens are prime candidates for indirect lighting accents due to their abundance of reflective surfaces. Private bathrooms benefit from the flattering quality of reflected light, which generates a warm, relaxing atmosphere and often enhances mirror appearances. In kitchens, indirect light sources can visually elevate features such as islands, open cabinets, or floating shelves, adding a sophisticated touch to the space. Office environments, being screen-dense, significantly benefit from indirect lighting. Its soothing emotional effect makes it particularly suitable for high-stress settings. By complementing necessary task lighting with indirect light in common areas or break rooms, employers can establish distinct zones for relaxation, thereby promoting employee well-being, happiness, and increased productivity. Finally, retail interiors leverage the calming effect of indirect light to their advantage. A warm, inviting atmosphere encourages visitors to linger, allowing sales staff more time for detailed conversations about products. Furthermore, indirect light enhances the visual appeal of merchandise, making it an excellent choice for clothing stores and changing rooms where flattering illumination is crucial. These examples collectively illustrate how indirect lighting can elevate a diverse range of spaces beyond their structural boundaries. #IndirectLighting #InteriorDesign #LightingDesign #ArchitecturalLighting #WellnessSpaces #CulturalArchitecture #ResidentialInteriors #OfficeDesign #RetailDesign

Lucifer Lighting, a company that has grown from a family business to a global entity, is headquartered in San Antonio, Texas, on a 13-acre campus alongside Salado Creek. This facility serves as the hub for all creative processes, including design, assembly, prototyping, and management. The spaces are adorned with art, and the building offers access to 20 miles of walking and biking trails. In addition to its Texas headquarters, Lucifer Lighting expanded its presence by opening a showroom in San Francisco's Jackson Square in 2022, followed by its first New York City showroom in 2023. The company continues its expansion, with 2025 being particularly active, marked by the debut of its new decorative fixture, Stellaris, at Euroluce during Milan Design Week. Gilbert Mathews, the founder of Lucifer Lighting, discussed the evolution of their decorative fixtures. He noted that Stellar, their first decorative fixture, was launched in 2020 to commemorate the company's 40th anniversary. While Stellar is characterized by its elegance and modest scale, Stellaris, their latest creation, measures approximately 30 inches in diameter and is designed to command a striking presence, capable of defining the ambiance of a space independently. A key innovation in Stellaris is its ability to integrate both downlight and volumetric light within a single form. Mathews expressed particular pride in the patented fold design, which incorporates discrete, concealed LEDs within the waveguide, creating a mesmerizing effect that prompts observers to question the light source. Stellaris is slated for an official launch in September 2025. The Stellaris design comprises two primary components: a suspended enclosure featuring internally illuminated tubes and a translucent barrier that defines the fixture. This design was a collaborative effort with the architecture firm Gensler, which also designed Lucifer Lighting's showrooms. All of Lucifer Lighting's finished products are assembled in the United States, with 93% of the fixture components sourced from North America. Mathews emphasized the company's philosophy regarding architectural lighting, stating that “the best lighting is the kind that no one notices.” He explained that their architectural lighting can be customized with special baffles, kick reflectors, and discrete aiming and adjustment mechanisms, allowing for precise illumination without drawing attention to the light source itself. Their motto, “Design, Define, Disappear,” highlights this paradoxical approach where beautifully crafted fixtures are designed not to be the focal point. Mathews noted that this philosophy represents a departure from traditional American lighting product design, which he found to be largely utilitarian and purely functional. He drew inspiration from European lighting fixture design, appreciating its sleek aesthetic, and sought to elevate this approach through Lucifer Lighting's engineering and fabrication capabilities. He finds inspiration in the seamlessly integrated surfaces of sculptural forms, comparing them to fine watches, cameras, and Italian sports cars. The company's work has graced prominent hotels and flagship stores globally, including The Peninsula, The Standard, Four Seasons, Mandarin, St. Regis, Rosewood, and The Ritz Carlton, as well as retail spaces for Apple, Chanel, Cartier, Gucci, Louis Vuitton, Ralph Lauren, and Tiffany & Co. The company's name, Lucifer Lighting, originated from its first strip light, the Lucifer Light, derived from the Latin root "luciferous," meaning "light-bringing," a name that proved memorable and distinctive. #LuciferLighting #LightingDesign #MilanDesignWeek #Stellaris #ArchitecturalLighting #InteriorDesign #ProductInnovation #LuxuryLighting

Dana Harel, a San Francisco-based Israeli designer, has launched her inaugural lighting collection under her studio, White Dirt. Harel's career trajectory showcases a diverse artistic exploration, starting with architecture and extending into ceramics and line art before her current venture into luminaires. The new collection, dubbed "Ora," comprises three tented table lamps—Ora I, II, and III—and a suspended, trapeze-like floor lamp, Ora IV. These pieces draw inspiration from Harel’s existing body of work, particularly her vases and vessels, which inform their hand-carved sculptural aesthetic. The lamps are crafted using a combination of gypsum cement, muslin, and brass, materials that contribute to their unique visual and tactile qualities. The design intentionally evokes the imagery of draped wedding gowns, suggesting moments of concealed intimacy and exploring the delicate balance between revealing and hiding forms. This interplay of materials and forms allows the collection to convey a sense of fluidity and softness, a departure from more rigid sculptural traditions. Harel describes the process of working with fabric—folding, pleating, and draping—as a refreshing experience, contrasting with her previous work that often involved tools like chisels and hammers. This shift towards softer, more pliable materials allowed her to experiment with light in a new way, focusing on how textiles interact with illumination to create ambiance and shape. The collection's design ethos embraces a certain spontaneity, reflecting Harel’s approach to her creative process. Each piece in the Ora collection stands as a testament to her evolving artistic language and her ability to translate diverse inspirations into functional art. A notable and unconventional source of inspiration for Harel was a scene from the HBO series *Succession*, where characters Tom Wambsgans and Cousin Greg consume a rare delicacy with napkins tented over their heads. This seemingly obscure reference underscores Harel's willingness to draw from unexpected cultural moments, transforming them into artistic concepts. The designer interprets this act of "masking shame" or "heightening pleasure" as a metaphor for the lamps' ability to create intimate, almost cloistered, environments through their draped forms. The sculptural swagger of the lamps is deeply rooted in these varied influences, bridging architectural precision with textile softness and cultural anecdotes. The collection as a whole is an exploration of form, light, and material, reflecting Harel's multidisciplinary background and her continuous quest for new creative expressions. #DanaHarel #LightingCollection #SculpturalLighting #InteriorDesign #WhiteDirtStudio #ProductDesign #TextileArt #ContemporaryDesign