Meet Todd Hewitt, the Talent Behind Last Ditch Design

The article presents a conversation between Kanye West and his interior designer Axel Vervoordt, focusing on design philosophy, artistic collaboration, and their shared vision for creating timeless spaces. The discussion, moderated by a representative from The Hollywood Reporter, took place at Yeezy's Calabasas offices and was timed with the release of Vervoordt's memoir, 'Axel Vervoordt: Stories and Reflections.' Kanye West initiates the conversation by recounting his first encounter with Vervoordt's work at The European Fine Art Fair, describing a striking coffee table that evoked a sense of timelessness and soulfulness. Vervoordt reciprocates, highlighting West's immediate passion for art and design and their mutual dedication to continuous learning and improvement. He emphasizes the importance of serving people through their work, a sentiment West frequently expresses regarding his family and wider audience. Delving into Vervoordt's background, the designer shares how his instincts for art, design, and interiors originated from childhood experiences, appreciating the beauty in humble things. He discusses his journey as an art dealer, curator, and designer, emphasizing his eclectic eye and ability to blend different genres and time periods. Vervoordt recounts how his travels and early experiences buying antiques and art shaped his understanding of living with beautiful objects in a casual, spirited way, contrasting it with the display of wealth without genuine connection. He describes his evolution from collecting surrealist works to embracing artists like Lucio Fontana, who created new dimensions and spaces, and Gunther Uecker, whose nail art he initially found aggressive but later understood as deeply spiritual and focused. The conversation touches on their personal lives, with Vervoordt admitting to a limited engagement with television and news, preferring to maintain an open mind free from negative influences. West, similarly, prefers documentaries and selectively engages with media, such as the Olympics. Both artists acknowledge the constant struggle with ego in their creative processes. Vervoordt shares the story of acquiring his 12th-century castle in 1984, which he and his wife meticulously restored, and how he eventually felt a deep connection with the structure, transforming it into a living entity that continues to evolve. West expresses his profound admiration for Vervoordt's ability to mix old and new, Eastern and Western elements, recognizing him as an originator of this influential style. Vervoordt likens his approach to organizing a dinner party where diverse individuals converge, creating an inspiring exchange. Both agree on the concept that all time is now, with the past and future being present in the moment. West introduces his philosophy book, 'Break the Simulation,' and his nuanced view on photographs, which he believes can distract from the present by fixating on memories or future aspirations. He connects this to fashion, advocating for timeless design over fleeting trends. The discussion then shifts to their collaborative project on a new community development in Los Angeles. West envisions their work as representing humanity for centuries to come, emphasizing the significance of designing spaces that communicate an understanding of proportion and affect human mood positively. He criticizes designs driven by ego or lack of responsibility and expresses a desire to make high-sensibility design accessible to everyone, transcending traditional class distinctions. Vervoordt concurs, highlighting the importance of connecting with the origin of nature and striving for timelessness in their creations. The conversation also includes West's reflections on Virgil Abloh's appointment at Louis Vuitton, framing it as a moment of creative challenge and a reminder of the cyclical nature of loss and gain. He articulates his evolving ambition to move beyond being a 'number one brand' towards a more impactful, UNICEF-like approach, channeling information to help as many people as possible. Vervoordt supports this, stating his own lifelong pursuit of doing his best rather than being the best, drawing a parallel to the spiritual connection he seeks in dressage. They conclude by discussing the deceptive nature of the word 'dream' in the context of fashion, advocating for actionable ideas and 'community' over 'company' or 'brand.' #KanyeWest #AxelVervoordt #InteriorDesign #DesignPhilosophy #TimelessDesign #ArtisticCollaboration #Architecture #Yeezy #CreativeProcess

This article offers a virtual tour of seven remarkable objects from the Cooper Hewitt, Smithsonian Design Museum, providing a "Museum Moment of Zen" during its temporary closure. The selected items showcase a diverse range of design periods, materials, and cultural influences, highlighting the museum's extensive collection. Each object is presented with detailed descriptive text, often including its historical context, designer, materials, and any notable characteristics. The featured items begin with a "Leopards lounge and explore" wallpaper from the late 1960s, produced by Philip Graf Wallpapers Inc. This piece, likely intended for a young girl's room or a powder room, features glamorous magenta felines. Next is the "Kinetics" mural design from James Seeman's 1971 Kaleidoscope collection, which may have been inspired by the emerging barcode technology and received multiple awards. The article then presents a fantastical glass birdcage designed by Charles Lin Tissot in 1959. Created in collaboration with Venetian glassworkers, this fully functional birdcage incorporates ancient artistic techniques with modern twists, featuring sliding doors, perches, swings, and a feeding bowl. Further into the virtual exhibition, the article showcases 19th-century French architectural staircase models crafted by the compagnons, a guild of traveling craftsmen. These walnut and beechwood models represent the masterworks produced by apprentices after years of study during their "tour de France." The Compagnonnage system, dating back to the Middle Ages, continues to be active in France today, now including women. A more contemporary piece is the "Rainbow Sprinkle Drum" stool from 2017, designed by Fernando Mastrangelo, which is decorated with real rainbow sprinkles coated in resin for durability. The tour continues with a pattern from the "Casa Hermosa" collection of wall coverings and coordinated fabrics, which debuted in 1995. This collection, a collaboration between artist Nancy Glenn-Nieto and designer Marcie Vesel Bronkar, draws inspiration from Nieto's Mexican heritage and pre-Columbian art. Another textile design, titled "Four Seasons," was created by Luba Krejci in 1964, reflecting her efforts to revitalize lace-making traditions in Czechoslovakia. Finally, the article presents photographs by Thérèse Bonney, an American journalist who documented Parisian architecture and design from 1925 to 1935. Her collection, featuring everything from trompe l'oeil storefronts to stylish furnishings, includes over 4,000 digitized images available through the Smithsonian Libraries, offering a historical perspective on design. Each description emphasizes the uniqueness and design significance of the object, providing a glimpse into the museum's diverse holdings and the stories behind them. The collection covers various design disciplines, from interior decor and architecture to furniture and textiles, highlighting the breadth of creativity and craftsmanship preserved at the Cooper Hewitt. #DesignDestinations #CooperHewittMuseum #VirtualTour #HistoricalDesign #InteriorDesign #TextileDesign #ArchitecturalModels #FurnitureDesign #DesignHistory

Henry Holland, a prominent figure initially known for his contributions to the fashion industry, has successfully transitioned into a ceramics artist, establishing Henry Holland Studio. This article delves into his creative journey and the diverse influences that have shaped his distinctive style, characterized by boldness and playfulness, which he views as a direct reflection of his personality. Holland emphasizes the role of clothing and home decor as forms of self-expression. His artistic inclination was evident from a young age, with teachers recognizing his creativity and early entrepreneurial endeavors like starting a Christmas card business. His mother served as a significant source of inspiration, fostering his creativity and exhibiting a strong sense of style. The profound impact of her loss over a year ago compelled him to actively seek joy in his work, as he believes sadness hinders his creative output. Presently, his inspiration primarily stems from his friends, family, and husband, as he is drawn to human stories and enjoys weaving narratives into his characterful ceramic and homeware designs. Moving to London from Northern England marked a pivotal moment in Holland's development, where he recognized the importance of taste and personal style amidst the city's diverse cultural landscape. His career path has been serendipitous; he initially pursued journalism but found himself drawn to fashion through a hobby that quickly evolved into a brand. Similarly, his foray into ceramics during the pandemic began with lessons and organically grew into his current studio. He highlights the unexpected synergies between the fashion and homeware industries, noting that his fashion background provided invaluable business training, and he now appreciates the more relaxed pace of the homeware sector. Travel has also played a crucial role in shaping his creative vision. Childhood experiences in the French countryside, accompanying his parents to antique markets, exposed him to various design periods, from art deco to mid-century modern. This early exposure instilled a deep appreciation for diverse aesthetics. He is an avid collector of Richard Bernstein's *Interview* magazine covers from the 1970s and 80s, valuing them as miniature pieces of pop culture history that illustrate the nascent intersection of fashion, culture, and celebrity. His most cherished item is a Debbie Harry cover signed by Andy Warhol and Truman Capote. While not an extensive reader, Holland finds value in self-help and spiritual guides, citing Eckhart Tolle's *The Power of Now* as particularly impactful. He also utilizes Blinkist to access condensed book summaries, a testament to his admitted impatience. Film, specifically costume and set design, provides another rich source of inspiration. He admires Baz Luhrmann's visually striking films, particularly *Romeo & Juliet*, and often references 1990s teen movies like *Clueless*, *Hackers*, and *Empire Records* in his fashion work. His musical tastes lean towards 90s pop, influenced by his first job at *Smash Hits* magazine, and he enjoys sharing these playlists with his studio team. Despite not being a keen cook, he hopes a forthcoming kitchen renovation will spark culinary creativity, though he prefers dining out. His favorite restaurant is Brat in London, known for its exceptional food and cocktails and its chef, Tomos Parry, whom he considers a friend. Holland expresses admiration for numerous contemporary creatives. He acknowledges the challenges faced by professional creatives and values the heart and soul they invest in their projects. He is particularly impressed by Es Devlin's set design and fellow ceramicists like John Booth, whose vibrant use of color he appreciates, and Alma Berrow for her humor. He also follows Christabel MacGreevy's transition into ceramics and is a significant admirer of Dirk Vander Kooij's work, especially his innovative use of recycled plastic materials, exemplified by a Melting Pot dining table that represents their first significant home investment. #HenryHollandStudio #InteriorDesign #CeramicsArt #CreativeInspiration #FashionToHomeware #PopCultureInfluence #TravelInfluence #DesignPhilosophy

David Bromstad, a prominent figure on HGTV, known for his shows like 'Design Star,' 'Color Splash,' and 'My Lottery Dream Home,' advocates for a specific design trend in kitchens: white kitchens. Having won 'Design Star' and hosted multiple successful series, Bromstad has extensive experience and influence in the interior design world. His current show, 'My Lottery Dream Home,' highlights his talent for identifying both desirable homes and compelling narratives. Bromstad has also participated in other HGTV productions such as 'Rock the Block,' but 'My Lottery Dream Home' remains his most recognized work. Bromstad consistently advises his clients on 'My Lottery Dream Home' that white kitchens are a popular and stylish choice. In a recent episode from the 17th season, he enthusiastically pointed out the features of a "deliciously white kitchen," including its color scheme and elements like open shelving. Despite some differing opinions among other HGTV personalities regarding white kitchens, Bromstad maintains that they are very much in vogue. However, Bromstad emphasizes that merely having a white kitchen is not sufficient; it requires thoughtful execution to avoid appearing cold or sterile. He suggests incorporating warmth and texture through various methods. One simple yet effective technique is the integration of wooden elements, such as wooden shelves, which can instantly make a kitchen feel cozier. He also recommends using cabinets to store items that do not align with the white aesthetic, thereby maintaining a clean and open appearance in the space. According to Bromstad, the key to a successful white kitchen lies in moderation and attention to detail, preventing it from looking bland. In addition to white kitchens, Bromstad endorses manufactured quartz countertops as another crucial component of this trend. He views manufactured quartz as the optimal choice for countertops, citing its durability and ease of cleaning, which make it ideal for daily use and cooking activities. While quartz is available in various shades, white is the most frequently used. Bromstad has been observed praising manufactured quartz on his show, describing it as "indestructible" and expressing a desire to extend its use beyond just island countertops to the main counter spaces. He firmly believes that manufactured quartz is a timeless and enduring material for kitchen design. Bromstad's design philosophy extends beyond kitchens to other areas of the home. He champions the use of wallpapers with distinctive personalities to add depth and character to rooms, drawing on his expertise in color. He also highlights the importance of wood elements, whether in the form of window shutters or ceiling beams, to introduce warmth throughout a home. Above all, Bromstad encourages individuality and personal expression in design. He recommends accent furniture to infuse a home with personality and suggests that even exterior elements like landscaping and shutters can significantly enhance a house's overall appeal. Bromstad asserts that these design trends, particularly white kitchens paired with manufactured quartz countertops, are essential for anyone looking to update their home's aesthetic. #DavidBromstad #HGTV #InteriorDesign #KitchenDesign #WhiteKitchens #QuartzCountertops #MyLotteryDreamHome #HomeDecor #DesignTrends

Holly Hunt, a significant figure in the interior design industry, has been inducted into the 2024 Interior Design Hall of Fame. Born in 1942 in San Angelo, Texas, Hunt initially pursued a career in fashion after majoring in English at Texas Tech. Her early professional experience included an executive training program at Foley’s, a Houston department store, and a role as an assistant buyer in millinery, followed by designing for a costume jewelry company in New York City in 1969. Hunt’s pivotal entry into the design world occurred in 1983 when she acquired R.J. Randolph, a struggling showroom at Chicago’s Merchandise Mart. She rebranded it under her own name, HOLLY HUNT, and embarked on a mission to redefine the showroom experience. Her approach was revolutionary for its time, focusing on elevating customer service, improving product display, and introducing transparency in pricing—a practice that faced initial industry resistance. Hunt curated showrooms that resembled actual living spaces, integrating architectural details, artwork, and a diverse mix of products and styles. She championed established designers like Vladimir Kagan and Rose Tarlow, while also discovering and promoting emerging talents such as glass artist Alison Berger and furniture maker Christian Astuguevieille. The company’s sophisticated branding and marketing materials were developed with the avant-garde graphics studio Thirst, all united by a commitment to superior quality. A key collaboration in the early 1990s was with French furniture designer Christian Liaigre, whose sleek, monochromatic aesthetic resonated with Hunt’s own. Hunt’s company became instrumental in manufacturing and distributing Liaigre’s designs in the U.S., influencing American interior design with rich dark woods and creamy textiles. This partnership gained significant recognition when André Balazs's Mercer Hotel in Manhattan opened with Liaigre-designed interiors in 1997. Hunt’s strategic vision extended to expanding her showrooms, notably opening one in the nascent Miami Design District in 1998. Designed by architect Alison Spear, this showroom deviated from conventional layouts, offering a luxury boutique experience accessible to all. Another Manhattan showroom, intended to open in October 2001, was successfully launched just two months after the 9/11 events, demonstrating Hunt’s resilience and foresight. She navigated the 2008 recession by restructuring her company, which led to the creation of Holly Hunt Modern, a collection that surpassed the profitability of her previous collaborations. In 2014, Knoll acquired HOLLY HUNT for $110 million. Hunt remained CEO for two years, overseeing expansions in Dallas and Los Angeles, and continued as a consultant until 2019. During this period, she undertook design projects such as a penthouse at the Surf Club in Miami Beach. Currently, Hunt leads House of Hunt, a Chicago-based interior architecture and furniture studio, engaging in projects ranging from product design, like the Dune sofa for HOLLY HUNT, to comprehensive home renovations. Her career trajectory is marked by continuous evolution and an adaptability to challenges, consistently eschewing rigid business plans in favor of dynamic engagement. #HollyHunt #InteriorDesign #HallOfFame #FurnitureDesign #ShowroomInnovation #DesignEntrepreneur #LuxuryDesign #ChristianLiaigre #DesignIndustry

Daniel Lalonde, CEO of Design Holding, discusses the company's vision and strategic plans, emphasizing its mission to be a global leader in high-end design by focusing on innovation, accessibility, and sustainability. Lalonde, who joined Design Holding in 2021, brings extensive experience from luxury brands like Nespresso and Louis Vuitton. His strategy aims to build a solid business plan and achieve global leadership in high-end design through a portfolio of complementary brands, reaching both designers/architects and end consumers via a multi-channel approach. The core of Design Holding's strategy is to allow its brands, such as Flos, B&B Italia, and Louis Poulsen, to maintain their individual heritage and DNA while fostering collaboration to leverage natural synergies. This approach has proven successful in expanding their contract business across retail, hospitality, corporate, and residential sectors. The company is committed to promoting organic growth within its existing brands while also exploring opportunities to integrate new brands that align with its high-end positioning and values. Accessibility to customers is a key pillar of Design Holding's growth strategy. Lalonde aims to make the high-end design experience less intimidating and more accessible by investing in an omnichannel approach that bridges online and offline interactions. This includes opening directly operated stores (DOS) and mono-brand stores in key global destinations like Miami, New York, Washington, Boston, Shanghai, and Tokyo. These physical spaces provide curated environments that inspire both customers and the architecture & design (A&D) community. For example, a new retail hub is planned for Manhattan’s Madison Avenue, and a B&B Italia Design Studio in Miami will showcase multiple brands. Over the next five years, Design Holding plans to pursue a four-point strategy: enhancing brand desirability through innovative products, pursuing a direct-to-consumer journey with more store openings and e-commerce investments, expanding geographical reach into North America, Greater China, and the Middle East, and strengthening its leadership in the high-end contract business. Illustrious examples of their contract work include projects for Bulgari Hotels and Rolex Stores. Sustainability is deeply ingrained in Design Holding's ethos. Lalonde emphasizes that crafting beauty must be done sustainably, viewing durability as a true embodiment of sustainability. The company challenges its brands to design long-lasting pieces with minimal environmental footprints, focusing on a circular economy model. This involves transforming frameworks and systems across the entire value chain, from sourcing and production to consumer use and end-of-life recyclability. Examples include the B&B Italia ‘Bambole’ collection and Flos ‘Almendra’ by Patricia Urquiola, which utilize recycled materials and facilitate recyclability. Additionally, Louis Poulsen’s 'PH 5' take-back scheme demonstrates a commitment to upcycling and reusing existing materials. Looking ahead to Salone del Mobile 2023 and Milan Design Week, Design Holding plans to showcase numerous new designs, with a particular focus on Maxalto. Flos will present new decorative and architectural designs at Euroluce, while B&B Italia and Fendi Casa will display their latest collections at their respective showrooms in Milan. The company's participation highlights its ongoing commitment to innovation and engagement within the global design community. #DesignHolding #DanielLalonde #LuxuryDesign #SaloneDelMobile #MilanDesignWeek #BrandStrategy #Sustainability #RetailExpansion #InteriorDesign

The November 'Zeitgeist Edit' highlights a shift in the interior design industry, emphasizing the growing desire for immersive, experiential design over purely digital interactions. This month has seen a surge in brick-and-mortar offerings, designer apartments, and unique sources for home decor, reflecting a collective craving for tangible experiences in design exploration. A significant trend observed is the rise of 'Suite Living,' characterized by designer show apartments and hotel suites that offer immersive style showcases. London, a city not traditionally known for this concept due to its architectural stock, has recently unveiled two notable collaborations. Uchronia, in partnership with Pantone, designed a hotel suite at the Oriental Hyde Park during Frieze Week, infusing a traditional setting with fantastical designs inspired by the color celadon. Simultaneously, Róisín Lafferty collaborated with Artemest to transform a minimalist new-build apartment in the Ambassador Building at Embassy Gardens, injecting vibrant color and playful forms to redefine its character. Another emergent concept is that of 'Third Spaces,' which extends beyond traditional home and work environments to include places where people linger and engage. This month, the discussion around third spaces has gained traction, informing the design of independent concept stores and coffee shops in London. Even major retailers like John Lewis have introduced 'Lounge' concepts, providing members with spaces to relax amidst bustling shopping environments. A specific example is BOYS! BOYS! BOYS! on Warren Street, a wine bar and bookshop that also serves as a community hub for events, offering a physical space for connection and cultural engagement. The article also points to 'Dinner and a Show' as a burgeoning theatrical interior trend, particularly evident in the recently re-opened Wild Cherry restaurant in New York. This establishment, part of the restoration of the Cherry Lane Theatre and spearheaded by A24, offers moody, Art Deco-inspired interiors alongside live performances. The restaurant's design creates a dramatic and immersive dining experience, reinforcing the idea that interiors are becoming increasingly theatrical and integrated with performance art. Conversely, the trend of 'Traveling on Hand Luggage' is noted as being on the decline. The previous allure of minimalist, spontaneous travel is giving way to a preference for a more luxurious 'golden age of travel' aesthetic. This is reflected in the design world's embrace of travel trunks as functional home furniture, exemplified by La Erre's installations at the London Design Festival, and luxury accessories like RIMOWA's cocktail sets within its suitcases, suggesting a return to more elaborate and comfortable travel experiences. Finally, the 'Online Only' shopping model is experiencing a downturn, as consumers increasingly seek out physical retail experiences for interior design purchases. The opening of Bert & May's 'The Mix' in East London, a concept store housing various interiors brands like Farrow & Ball and Pluck, signifies a demand for tangible shopping environments where customers can touch and feel products. Similarly, Matilda Goad's MG&CO; on Ebury Road, a hardware and lighting store with charming, retro interiors, illustrates the appeal of brick-and-mortar shops that offer an enjoyable and immersive browsing experience, contrasting with the impersonal nature of online transactions. The article also highlights the growing acceptance and quality of artificial plants, with brands like Fake It now making high-end faux foliage accessible to the public, previously only available to designers. #DesignTrends #InteriorDesign #HomeDecor #ExperientialDesign #RetailSpaces #LuxuryTravel #ThirdSpaces #TheatricalInteriors #BrickAndMortar

Phaidon has released a new monograph honoring the late designer James Irvine, known for his significant talent and vibrant personality. The book features contributions from renowned figures in design, including Jasper Morrison, Naoto Fukasawa, and Michele de Lucchi. Edited by Francesca Picchi and Marialaura Rossiello Irvine, James Irvine's wife and longtime collaborator, the monograph offers an intimate look into his life and work. Designed by Sarah Boris, recognized for her work on the Institute for Contemporary Arts' graphic identity, the book's aesthetic reflects Irvine's lively yet understated approach. Its color palette of bright yellow, lime green, and pastel orange references his celebrated creations. The monograph integrates extensive spreads of sketches and product photography with monochrome text, interspersed with personal letters, casual doodles, and candid photographs of Irvine, providing insights into his character. Irvine's career spanned British and Italian design traditions. Born in London and educated at the Royal College of Art, he later moved to Milan, where he worked with Michele de Lucchi and Ettore Sottsass while simultaneously managing his own studio. His dual cultural background is evident in his designs, which combine British functionality and modesty with Italian creativity and flair. The book illustrates Irvine's design process by pairing preliminary drawings with their final products. Many of these visuals are accompanied by his own captions, revealing his philosophies, such as his belief that functional objects should be aesthetically pleasing even when not in use, exemplified by his 'Daisy' coat stand for Danese. Studio Irvine collaborated with prominent manufacturers like Artemide, B&B Italia, Cappellini, and Magis. Beyond his design prowess, Irvine was known for his exceptional hospitality and ability to connect with designers across generations. Konstantin Grcic described him as 'the turnstile of design traffic' in Milan, and Stefano Giovannoni recounts how Irvine initiated the tradition of late-night gatherings at Milan's Bar Basso during Salone del Mobile, a custom now widely adopted. The monograph concludes with a tribute from Marialaura Rossiello Irvine, whose affectionate reflections on their shared professional and personal lives highlight Irvine's curiosity, wit, and exuberance. The book serves as a comprehensive celebration of a designer who profoundly influenced the contemporary design landscape. #JamesIrvine #DesignMonograph #PhaidonPress #ItalianDesign #BritishDesign #ProductDesign #DesignHistory #DesignTribute

This article highlights 15 emerging talents in product design who are making significant contributions to the industry. These designers and studios showcase innovation across various materials, techniques, and product categories, ranging from home furnishings to decorative objects. Lucie Roy, a member of the Kaléidosco collective in France, specializes in float-glass wall tiles. Her Blue Lands tiles manipulate translucency and opacity with aqueous hues, achieved through multiple enamels and three firing processes, and finished with subtle gold details. Bond Hardware, founded by Dana Hurwitz and Mariah Pershadsingh, originally known for jewelry made from scrap metal, has expanded its offerings to include home furniture. Ben Erickson's Erickson Aesthetics presents the "Halo Drippp," a product that integrates a rainbow spectrum into a fundamental form. Soft Geometry, led by Palaash Chaudhary and Utharaa Zacharias, focuses on shapes and references dessert in their new collection. Asa Pingree, drawing inspiration from his boat-building apprenticeship, explores fiberglass in his Brooklyn workshop, evident in his experimental stool designs. Jude Heslin Di Leo, inspired by feng shui principles, created "Amplifier," a 15-inch-high table crafted from pure quartz crystal, intended to enhance natural energy. Sasha Burchuk, founder of New Age Design Studio, reinterprets the ancient terrazzo technique for cement tiles and candleholders, utilizing ethically sourced precious and semiprecious stones in her "Gemstone Terrazzo" and "Ziv" lines. Marie Schumann, a Swiss designer, creates vibrant tapestries called "Softspace #5" and "Softspace #6." These textiles feature haptic fringing and draped threads, woven from materials like Lurex, Trevira CS, or cotton on an industrial jacquard loom and distributed through OKRO. Henri Judin’s "Liquorice" shelves, available vertically or horizontally, are crafted from black rods of bent and powder-coated steel by Lankapaja metalsmith, evoking the candy they are named after and sold through Young Finnish Design. Felicia Arvid, a former fashion designer, introduces "Addéra," a reconfigurable daybed. Its wool-covered cushions, armrests, backrests, and painted-birch tablet can be rearranged to slot into a tubular-steel base. Emiliana Gonzalez and Jessie Young, founders of Estudio Persona, launched "Flecha," an angled side table made of mahogany-veneered plywood, coinciding with the opening of their Los Angeles showroom. Virginia Valentini and Francesco Breganze of LatoxLato designed "Aracne," a coffee table with a 40-inch-diameter glass top supported by eight legs in light oak or dark walnut, noted for its innovative structure. Brecht Wright Gander of Birnam Wood Studio collaborated with jeweler Suna Bonometti on "Brutiful U&I," a cocktail table inspired by Carlo Scarpa’s Brion Cemetery, made from Valchromat wood-fiber visible through an acrylic top. Kyle Comeaux, founder of Komolab, offers "Walden," a dog bed featuring a walnut or white oak base topped with a removable wool-upholstered cushion and a waterproof liner. Finally, Daria Belyakova designed "Paspartu," an armchair described as an "inhabitable sculpture." It is made from chromed, molded fiberglass with wool upholstery and is supported by a nearly invisible glass stand, available through Palisander Gallery. These designers represent a diverse range of styles, materials, and functional applications within contemporary product design. #ProductDesign #RisingStars #InteriorDesign #FurnitureDesign #HomeDecor #TextileDesign #GlassArt #ContemporaryDesign

The home furnishings trade show IMM Cologne annually highlights emerging design talent through its Pure Talents Contest, which has previously featured designers like Sebastian Herkner. This article showcases ten notable finds from the 2020 edition, illustrating innovative approaches to furniture, lighting, and home accessories. First prize in the Pure Talents Contest went to Marie Kurstjens and Iva Coskun for their Levi Table, a flat-pack design intended for university students that emphasizes intuitive, tool-free assembly and disassembly. This addresses a common challenge with flat-pack furniture by simplifying the user experience. Following this, Japanese industrial designer Hiroyuki Morita received second prize for Omit, an electricity-free vacuum cleaner designed for scenarios where power outlets are unavailable, such as cleaning a car. This invention focuses on practical, off-grid functionality. Lighting innovations include Sofia Souidi’s Jojo Lamp, a wind-up light whose intensity gradually dims over time, moving from warm and bright to subtle illumination. Thalea Schmalenberg and Kasper Friis Egelund also presented the Fold Lamp, inspired by the simplicity of a paper fan. This lamp features a foldable paper shade that can be collapsed and stored within an aluminum stand when not in use, offering both aesthetic appeal and practical storage solutions. Furniture designs demonstrated a focus on material celebration and emotional interaction. Sho Ota’s According to the Grain collection highlights the natural knots in wood, integrating these unique features into the aesthetic of his seating. Qing Deng introduced Aspirator, a conceptual "psychological vacuum cleaner" where expressed negative emotions inflate an airbag, which then transforms into a seat. This piece aims to provide a physical outlet for emotional release, allowing users to create a space for relaxation and problem-solving. Filip Lenarcik's Flow Chair exemplifies that flat-pack designs can achieve a classic look, consisting of four main elements and eight joints for streamlined assembly. In terms of sustainable and innovative material use, Daan De Wit's Stratum Tempus Vase Collection features conical forms created by laser-cutting sheet materials, such as 100 percent recycled acrylic or bamboo, into concentric layers. This process is designed to minimize waste. Furthermore, Tim Krahmer addressed the environmental impact of vacuum cleaners with Tenok, an open-source design that utilizes an online instruction manual and a 3D-printed adapter to incorporate functional used vacuum cleaner parts from various manufacturers. This promotes reuse and reduces waste in an often-discarded appliance category. Finally, Peter Otto Vosding's Pipeline Table draws attention to its functionality by making its large pull-out pipe, which extends the table, a visible design element. This design choice emphasizes the table's adaptable nature while celebrating its mechanical components. Overall, the selected designers from IMM 2020 presented a diverse range of products that combine practical utility, aesthetic innovation, and a growing consciousness for sustainability and user experience in home furnishings and accessories. #IMM Cologne #PureTalentsContest #ProductDesign #EmergingDesigners #SustainableDesign #FlatPackFurniture #HomeFurnishings #InnovativeProducts #InteriorDesignTrends

The perception of gallery walls as a dated decor trend has been challenged by designer Sara Simon's approach in a Greenwich Village townhouse. Previously dismissed for being cluttered or belonging to an older design era, Simon's work demonstrates that with thoughtful execution, gallery walls can achieve a timeless aesthetic. Simon's design, featured in a $23 million New York City townhouse, utilizes a gallery wall composed entirely of black-and-white photography, primarily depicting musicians and cultural icons. This choice of a consistent monochrome palette is crucial in unifying the diverse images, making the wall appear cohesive despite its varied content. The images, such as The Beatles meeting Muhammad Ali or Frank Sinatra mid-shave, possess a vintage quality without being anchored to a specific decade, allowing them to blend seamlessly. Scale is another critical element in Simon's design. Recognizing the height of the walls in the parlor room, she incorporated a mix of large and smaller frames to fill the entire space, avoiding a rigid, grid-like appearance. This approach creates an animated feel that harmonizes with the room's vintage furniture and the home's historical character. Simon intentionally avoided perfectly aligned frames, opting for a more organic and dynamic arrangement to enhance this effect. To further unify the eclectic collection, Simon chose consistent wood frames throughout the gallery wall. While she emphasizes that matching frames are not a strict rule, this choice contributed to the overall harmony of this particular installation. She believes that the true success of a gallery wall lies in its ability to reflect the personality and interests of the homeowner, describing it as an expression of the individual's life and perspective. Simon highlights that her design principles are not rigid doctrines but rather adaptable strategies. She acknowledges that in her own home, she employs a gallery wall that mixes photographs, paintings, and various colors. This flexibility underscores the idea that customization and personal relevance are key to making a gallery wall timeless and meaningful. The setting of Greenwich Village, known for its artistic and eccentric residents, further supports the notion that a personalized, art-filled environment feels perfectly at home. In addition to the main gallery wall concept, the article provides several product suggestions for readers looking to create their own gallery walls. These include a pre-curated set of varied frames for an eclectic look, a bold colored print to make a statement, a consistent geometric frame for a cohesive feel, and a vintage-inspired photographic print. The article also touches upon incorporating tiny art and utilizing matted frames to give casual snapshots a sense of authority. It concludes by suggesting the inclusion of vintage tapestries as an emerging trend in art and decor, potentially integrating them into a gallery wall for added texture and interest. #GalleryWalls #InteriorDesign #HomeDecor #DesignTrends #ArtCollection #BlackAndWhitePhotography #PersonalStyle #TimelessDesign

This blog post offers a curated overview of significant happenings in the world of interior design, focusing on a major auction event, the expansion of a renowned design firm, the release of a new book on modern architecture, and a luxury home accessories collaboration. The final installment of the Ann and Gordon Getty sale at Christie's, titled '_Wheatland_', is highlighted as a significant event. This auction concludes a series that began a year prior and features items from Ann Getty's childhood home in Northern California, which she transformed into an English country house. The collection showcases a blend of antique furniture, textiles, extensive use of fabric shades, lamps, and Far Eastern accessories. Notable items include an early George III Ebony and Chinese reverse-painted library bookcase, George II Giltwood armchairs, a royal George III Ormolu-mounted white marble mantel clock, and Chinese export mirror paintings, alongside Dutch paintings reflecting Getty's heritage. Christie's Deputy Chairman, Americas, Jonathan Rendell, emphasizes Ann Getty's discerning eye that integrated history, art, and nature into a tapestry of elegance at the Wheatland estate. The auction is scheduled for October 18 and 19 in New York City, with an online sale ending October 20. In parallel, Martin Kemp Design, a London-based firm known for its international luxury projects in Europe and Asia, is expanding its presence into the United States with a new outpost in New York City. The firm, which caters to clients with superyachts and chateaus, is recognized for its ability to merge international luxury with the specific aesthetics and materials of the project's location. Examples provided include a modern English country house-inspired townhouse in London, a Bayview Penthouse in Guangzhou featuring Chinese screen paintings, and a private jet design for a Zurich client that reflects ultra-luxe and streamlined designs. CEO Jemimah Graff will lead the US expansion. The post also introduces architect Celeste Robbins's first book, '_The Meaningful Modern Home: Soulful Architecture and Interiors_,' published by Monacelli Press. Robbins, principal architect of Robbins Architecture, explores modern architecture's relationship with nature, characterized by angular shapes, ample windows, and open spaces that foster a connection to the outdoors. The book, set for release on September 20th, features 175 photographs by Roger Davies showcasing nine of Robbins's projects across the United States. It challenges the perception of modern architecture as cold, advocating for a holistic vision that integrates architecture, interior design, and landscape. Robbins's own childhood in a mid-century modern home with wood paneling, floor-to-ceiling glass, and flat roofs has profoundly influenced her professional work. Finally, Dior Maison's new line of home accessories, created in collaboration with Paris-based interior designer Pierre Yovanovitch, is presented. Yovanovitch, who transitioned from a career with Pierre Cardin, is celebrated for his mastery of volumes, proportions, and light. The collection includes essential items such as trays, candleholders, pencil pots, and trinket dishes, all featuring a darker palette and embossed leather. The line also incorporates playful elements like a deck of cards designed by Roman artist Pietro Ruffo and a set of dominoes, aiming to elevate everyday objects. #InteriorDesign #LuxuryHomeDecor #Auction #ModernArchitecture #DesignFirmExpansion #DiorMaison #PierreYovanovitch #CelesteRobbins #AnnGettyCollection

The author explores the concept of "Design with a capital D," a term coined by T magazine editor Pilar Viladas, which refers to high-end, statement-making interiors. While admiring such designs, the author questions the necessity of always making a bold statement in a room, noting that rooms can become "rudderless" if too safe. The author's personal approach is to seek an "anchor" rather than a "statement" in design. The author discusses the pitfalls of the "statement wall," suggesting it can lead to a sense of completion prematurely. An experience is recounted where a client had invested heavily in De Gournay wallpaper for a dining room, leaving the rest of the apartment undone. The author's solution was to elevate the surrounding decor to match the grandeur of the wallpaper, emphasizing that complete overhaul isn't always necessary to transform a space. The author also touches on situations where decor becomes too tasteful, requiring a "punch" to disrupt the complacency. A personal anecdote illustrates this: while designing her own sitting room with elegant, understated elements, she introduced a zebra linen fabric to add an unexpected jolt. The author reflects on the influence of style icons like Lee Radziwill, whose tiger silk velvet sofa served as an inspiration, but also cautions against "statement seating" becoming a design cliché. The author advocates for introducing bold elements later in the decorating process, after a sense of balance has been established, to prevent them from dominating the entire space. Balance is highlighted as crucial, comparing it to cooking, and a trick for achieving harmony between rooms with strong patterns involves using a complementary color from the wallpaper in the adjacent room. The author admits to a lack of restraint in her own decorating preferences, contrasting it with the admired minimalist approach of interior designer Joanna Plant, who expertly curates a few perfect items. This personal struggle stems from a desire to possess many beloved items. Ultimately, the author emphasizes that rooms are not meant to be static but should evolve, bringing life to otherwise inoffensive interiors. The author dismisses the worry of rooms becoming boring, stating that their primary purpose is to serve as a backdrop for living, not to constantly entertain. The underlying message is to have fun with decorating, allowing for playful elements without overthinking cleverness, as seen in the September 2025 issue of Elle Decor. #InteriorDesign #Maximalism #DecoratingTips #HomeDecor #DesignPhilosophy #RitaKonig #StatementDecor #RoomBalance

The interior design world is currently embracing a unique and whimsical trend: hidden doorways. This design element, once associated with haunted houses, is being recontextualized as a sophisticated feature that offers both aesthetic appeal and practical benefits. Unlike traditional design approaches that emphasize bold statements through dopamine decor, color-drenched spaces, or intricate patterns, hidden doorways introduce an element of surprise and privacy, allowing homeowners to create a sense of intrigue and functionality within their living spaces. Clara Jung, principal of Banner Day Interiors, highlights the fantastical aspect of hidden doorways, emphasizing the universal appeal of whimsy and surprise in design. She notes that this trend allows designers to channel fun and unexpected joy into a home. Jenn Feldman, a Los Angeles designer, echoes this sentiment, referring to hidden doors as a 'wink in the room.' Beyond their playful nature, Feldman underscores the practical advantages, particularly in terms of privacy and maintaining visual flow in a home. In an era where personalization is a key design trend, these secret passages enable homeowners to achieve an efficient living environment without compromising on beauty. They are especially useful for concealing utilitarian spaces or storage areas that might otherwise detract from a room's overall aesthetic. Feldman implemented this trend in her own dining room to address a lack of symmetry and a significant need for closed storage. To preserve the room's formal and regal ambiance, she opted for a custom jib door, which is flush-mounted into the wall to create a seamless, barely-there appearance. While custom jib doors offer a tailored look, readily available bookcase doors can be purchased from retailers like Wayfair and Home Depot, providing accessible options for those looking to integrate this trend into their homes. Jung also utilized a hidden library door in a client's living room, transforming a previously unused open space into a functional and magical listening room tailored to the clients' audiophile interests. This secret room was designed with psychedelic wallpaper, captivating art, and a dedicated seating area, creating a 'jewel-box moment' within the property. Regardless of the specific use, the element of surprise is paramount to the success of a hidden doorway. Jung advises strategic placement in discreet areas that align with both function and design. For instance, a hidden bookcase in a hallway or a cabinet door leading to a secondary butler's pantry are ideal locations, as placing a hidden door where a conventional door would typically be expected diminishes its novelty. Additionally, practical considerations such as measurements and the door's inswing are crucial. Since most hidden doors swing inward, it is important to ensure that the functionality of the hidden room is not compromised. While professional installation is recommended due to the complexity of integrating jib doors, homeowners can actively collaborate with designers on wall treatments, paneling, cabinetry, or wallpaper to effectively camouflage the area. Coordinating millwork and hardware from the outset is also vital to achieve a seamless result, as retrofitting often falls short of the desired integration. Ultimately, the destination behind the hidden door is left to the homeowner's imagination, adding to the allure and personalized charm of this design trend. #DesignTrend #InteriorDesign #HiddenDoorways #HomeDecor #ArchitecturalDesign #ResidentialDesign #SpaceOptimization

Chris Goddard, founder of his Fayetteville, Arkansas–based design firm, initiated his career during college in the 1980s, driven by a passion for visual merchandising that evolved into interior design. Despite studying business, he found himself doing small design jobs for free, learning painting and wallpapering to understand the process thoroughly. His accidental foray into design became serious when a wealthy client gave him a blank check to redo her house, prompting him to learn about resources, pricing, and the design industry without formal training. He frequented design centers in Tulsa and Dallas, impressing showrooms with his assertiveness and ultimately opening his own 18,000-square-foot store, Beauregard, in 1992, which housed a design studio, workrooms, and a florist. Goddard's early projects were notable, with his first-ever design job published in Architectural Digest when he was just 21. This unexpected recognition led to numerous projects for the same family, including corporate headquarters, boats, and planes. His firm now handles 20 to 60 projects annually, comprising 40% commercial and 60% residential work. He emphasizes the importance of continuous learning, detailing how he educated both himself and his clients on the value of quality materials and bespoke design elements in a region initially lacking high-end design exposure. He also works with institutions like Crystal Bridges Museum of American Art, designing installations that merge art with livable spaces. His career, however, has not been without significant challenges, including a memorable incident where a client's yacht sank due to incorrect screw lengths used during window treatment installation. This experience, though initially terrifying, taught him the critical importance of meticulous measurement and attention to detail. Goddard maintains a philosophy against having a singular “look” as a designer, instead striving to create spaces that perfectly reflect the client's personality, as if a designer was never involved. This commitment extends to never reusing the same fabric or furniture piece twice, meticulously archiving samples from each project to ensure uniqueness. The evolution of the design industry, particularly the rise of the internet and knockoff markets, led Goddard to close his retail store after 15 years, shifting his focus entirely to his design firm. He continues to value the in-person experience of shopping and encourages clients to find unique treasures during travels, rather than relying solely on online purchases. Despite his traditional approach to sourcing, his team incorporates modern tools like 3D renderings to meet contemporary client expectations. He acknowledges the difficulty of social media visibility given the NDAs he signs for high-profile clients, often only sharing tight shots of details. Recognitions in his career include ASID and Interior Design Society awards in 2019, and being named among the top 100 firms globally by the Andrew Martin Interior Design Review. Goddard navigates the challenges of client expectations, pricing transparency, and working abroad, where he has faced issues with customs. He attributes his global growth to word-of-mouth referrals rather than advertising, highlighting the personal nature of service-based businesses. His current endeavors include developing his own fabric, furniture, and bedding lines, marking a new phase in his extensive design career, which he hopes will allow him to expand beyond constant travel and hands-on project management. He also discusses the cyclical nature of design trends, noting a return to '70s and '80s aesthetics with a modern twist, and the importance of allowing creative individuals downtime to recharge. When hiring, he seeks talent that complements his strengths, emphasizing the need for adaptability and technological proficiency in an evolving industry. Goddard values his ability to now decline projects that don't excite him, recognizing that passion is crucial for successful outcomes. His firm's resilience during economic downturns is partly attributed to its recession-proof location and a strategic balance between residential and commercial projects. #InteriorDesign #ChrisGoddard #DesignCareer #LuxuryDesign #BespokeDesign #ClientRelationships #DesignBusiness #ArkansasDesign

Cuff Studio, based in Los Angeles, has unveiled its Common Ground collection of furniture and lighting as part of the Virtual Design Festival (VDF) x Sight Unseen collaboration. This collection is featured in Offsite Online, a virtual exhibition curated by Sight Unseen, a digital magazine focused on contemporary design. The Common Ground series includes two tables, a bench, an armchair, and a light, all designed to showcase the studio's distinctive design philosophy that merges angular, architectural forms with playful, feminine elements. The studio's co-founder, Kristi Bender, explains that Cuff Studio consistently integrates curves and edges, formality with casualness, and femininity with a sense of 'testosterone' into their designs. This approach is evident in the Arc bench, chair, and console table, which incorporate the classic architectural arch. For the seating designs, this typically masculine architectural element is softened by luxurious leather or pink velvet upholstery. The Arc console table, while possessing a solid volume, features brass-filled channels that allow light to pass through and hand-chiselled grooves on its exterior, providing an organic counterpoint to its geometric shape. Another piece, the Paddle table, modernizes a traditional material, solid oak. The oak is bleached to achieve a clean white tone, and its thick edges are rounded, giving it a playful, substantial silhouette. The Five Track Surface Light, conversely, utilizes a flexible material—rope—which is meticulously wrapped around a rigid, tubular frame. This light fixture can be installed on walls or ceilings and is available in natural white cotton, as well as a variety of other colors. Wendy Schwartz, the other half of Cuff Studio, emphasizes that the collection aims to demonstrate how contrasting design elements can coexist harmoniously, reflecting a broader message of unity. The studio believes that the creative process can bring people together, particularly in a world marked by political polarization. The Common Ground collection was initially launched in early 2020 at the duo's new studio in Hollywood. This launch was intended not just for press or buyers but as a celebration with fellow makers and artisans, fostering in-person connections within the design community in Los Angeles. This initial gathering highlighted the value of direct interaction and shared passion among creatives. #FurnitureDesign #LightingDesign #CuffStudio #VirtualDesignFestival #SightUnseen #InteriorDesign #ContemporaryDesign #ProductLaunch #DesignPhilosophy