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Craig's secret weapon for helping his indoor plants look their best
This article explores practical and affordable methods for styling indoor plants and enhancing the appearance of plant pots, drawing insights from furniture designer and Gardening Australia guest presenter, Craig Miller-Randle. The discussion emphasizes that while indoor plants are beautiful, their presentation significantly impacts their visual appeal within a home. The article provides two DIY tips for customizing pots and four strategies for arranging plant collections to achieve maximum aesthetic impact.
The first DIY tip involves using chalkboard paint to unify disparate pots. Miller-Randle notes that many hardware stores offer pots in interesting shapes but often in varied colors and patterns. He suggests repainting these inexpensive pots with black, grey, or white chalkboard paint to create a cohesive, matte finish that blends seamlessly. This method offers excellent coverage and adheres well to most surfaces, typically requiring two coats applied with a brush or small roller, transforming a collection of mismatched pots into a coordinated display.
The second DIY technique focuses on creating elevated planters without the expense of purchasing specialized plinths. This involves joining two terracotta pots of different sizes: a smaller pot inverted to serve as a plinth, topped with a larger pot. The bases are securely joined with waterproof glue, and once dried, the entire structure is painted with chalkboard paint to give it a polished, integrated look. This method adds varying heights to plant arrangements, which is crucial for dynamic styling.
Beyond individual pot customization, the article outlines four display strategies for indoor plant collections. The first is to group plants in odd numbers, such as three or five, which generally results in a more balanced and visually pleasing arrangement for most spaces. Miller-Randle advocates for the 'pyramid principle,' where taller plants are placed at the back, and smaller ones are positioned at the sides and front, creating a rough triangular or pyramidal shape that fills space effectively without clutter.
The second display strategy suggests grouping plants with similar leaf colors or tones, even if they are botanically different species. This approach highlights shared chromatic qualities, enhancing the overall harmony of the arrangement. An example provided is matching a begonia, oxalis, and coleus that share various shades of dark purple, creating a striking color-coordinated display.
The third styling principle advises careful consideration of whether the plant or the pot should be the focal point. If a plant has intricate patterns or vibrant colors, it is best paired with a simple pot that does not compete visually. Conversely, if the pot is highly decorative, a less flamboyant plant should be chosen to allow the pot to stand out. An example cited is using a simple white pot for the visually striking Oxalis triangularis to avoid visual conflict.
Finally, the article recommends growing plants in inexpensive plastic pots rather than planting them directly into decorative planters. This offers superior growing conditions for the plant roots and provides greater flexibility for styling. By using plastic pots, plants can be easily moved between different cache pots, allowing for frequent redecoration and reinvigorating the plant's impact on a space. This practice enables owners to treat plants as 'living art,' regularly changing their presentation to bring new joy and aesthetic appeal to their home environment. The article concludes by emphasizing the transformative effect of simply changing a plant's cache pot.
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