Two architects debate the best style for a country house

This article features an interview with Mary Graham and Nicole Salvesen, co-founders of the interior design firm Salvesen Graham, renowned for their classic-meets-contemporary aesthetic. The discussion centers around the launch of their debut book, ‘A New English Style: Timeless Interiors by Salvesen Graham,’ offering insights into their design philosophy, sources of inspiration, and fundamental style principles. The designers reflect on the book's creation process, noting that it prompted a deeper consideration of their client work, their evolution as a practice, and their aspirations for growth. They emphasize that English style is inherently dynamic, characterized by ongoing change and the layering of new elements onto existing structures. The process also allowed them to revisit earlier projects, confirming the enduring quality of their initial designs even after a decade. Addressing the balance between English style's rich legacy and contemporary relevance, Salvesen and Graham explain that they always begin by examining the building itself. This approach helps identify traditional elements to be preserved, restored, and celebrated, guiding the overall design direction. They stress that homes should be vibrant and lived-in, not static museums. To inject modernity, particularly in traditional settings, they prioritize personal belongings such as artwork, books, and object collections. They highlight the impact of combining a formal drawing room with a striking piece of contemporary art as a central feature. Regarding the influence of location and setting, the designers assert that the essence of English style is not geographically confined. It can be successfully applied globally, adapting its unique character to each new environment. They liken this adaptability to how each project differs based on individual client preferences. The core of their approach lies in the 'spirit of decorating,' which encompasses layering, incorporating antiques, and prioritizing comfort, rather than being dictated by a specific setting. Layering is a fundamental aspect of their style, and they advise confidence in its execution, suggesting that more layering often leads to better results. They advocate for a mix of patterns and plains, alongside a variety of textures, to achieve depth in a room. For instance, the light-absorbing quality of thick cotton velvet can effectively contrast with a light-reflecting chintz. They clarify that layering extends beyond fabrics to include all elements of a room: flooring, lighting, art, books, and the tones and finishes of paintwork. The aim is a considered, not necessarily fussy, aesthetic. The designers emphasize the critical role of antiques in grounding a room and imparting authenticity, advocating for pieces with clean lines and excellent proportions, whether a 1970s glass lamp or a Georgian center table paired with a modern pendant light. They advise a gradual approach to incorporating antiques, adding pieces over time until a personal balance is achieved. Their approach to color involves strategic splashes in unexpected places within traditional spaces, such as inside a larder cupboard or at the end of a corridor. They acknowledge a contemporary conservatism regarding color in homes, contrasting it with historical periods that embraced more vibrant palettes. Often, they derive color inspiration from a favorite patterned fabric, extracting various hues and applying them with differing intensities to establish a room's identity. The designers confess to occasionally bending conventional design rules in their own homes, particularly regarding pragmatic considerations like heating requirements, prioritizing aesthetics over strict guidelines. They also take a relaxed stance on rules concerning wall light height or furniture spacing, believing that comfort and intuition are paramount. Living with their own interiors has reinforced the importance of quality design and craftsmanship. They note that well-made, classic pieces provide a stable foundation around which styles can evolve, allowing accessories, artwork, and furniture coverings to change while the room's essential structure remains. This concept of 'getting the bones right' applies to architectural details, room layouts, and investment pieces. They draw a parallel to fashion, where a timeless core allows for subsequent embellishment. The concept of 'Future Heritage' means creating interiors that honor and draw inspiration from the past while integrating modern aesthetics, technologies, and lifestyles. Their designs aim to bridge historical elements with contemporary innovations, yielding interiors that are both timeless and forward-looking. Ultimately, they hope their book offers readers a versatile, approachable, and accessible guide, encouraging them to celebrate heritage without being constrained by tradition, and to confidently infuse their homes with personal expression. #InteriorDesign #SalvesenGraham #EnglishStyle #FutureHeritage #TimelessInteriors #DesignInspiration #HomeDecor #Layering #Antiques

This article highlights some of the leading interior designers in Britain who excel in blending the classic English Country House style with modern living requirements. The designers featured are known for their distinct approaches, ranging from opulent traditional designs to fresh, contemporary interpretations. Alidad Mahloudji, known professionally as Alidad, specializes in grand country-house aesthetics, as showcased in his Legend Room at WOW!house, which featured richly layered and inviting styles. Eadie & Crole, founded by Sophie Eadie and Fi Crole, create elegant interiors using subtle hues, natural textures, antiques, and contemporary art, also offering a collection of furniture, fabrics, and wallpapers. Edward Bulmer, an interior designer and architectural historian, focuses on heritage building restoration and environmental sustainability, using his own natural paint line. His projects include his Queen Anne home and work at Pitshill and Althorp. Nels Crosthwaite Eyre of Eyre Interiors is praised for her light and bright interpretation of English country-house style, suitable for new generations. She integrates practicality for family life with vintage textiles, art, and antique furniture. Guy Goodfellow, with over two decades of experience, designs classic interiors by combining heritage architecture knowledge with an eye for color and comfort, now collaborating with creative director Steven Rodel. His collection of fabrics and wallpapers is inspired by historic textiles. Isabella Worsley, based in London, runs a studio known for its confident use of color and pattern, celebrating British artists and craftspeople in both residential and commercial projects. Janine Stone & Co. offers a comprehensive service encompassing architecture, interior design, construction, and project management for private residences, focusing on timeless designs tailored to client lifestyles. Kit Kemp, co-founder of Firmdale Hotels, is admired for her colorful and inviting interiors. Her design studio, which includes her daughters, undertakes residential projects globally and collaborates with various design brands. Lonika Chande specializes in multi-faceted interiors for young families, blending color, texture, and pattern with practicality, often incorporating antiques and modern elements. Lucy Cunningham brings new life to classic English country-house style through pattern, color, interesting textiles, and antiques. Lucy Elworthy, a former decoration editor, designs timeless rooms that appear to have evolved over time, often collaborating with architect John Comparelli. Max Rollitt, an interior designer, furniture-maker, and antiques dealer, is recognized for his distinctive style that combines antique originals with his bespoke furniture. Nina Campbell, an OBE recipient, is involved in diverse projects including care homes and pubs, and has ongoing collaborations for rugs, tiles, fabrics, and homewares. Her eponymous shop offers chic tableware and accessories. Oliver Laws, led by Guy Oliver, focuses on elegant and timeless interiors that highlight bespoke craftsmanship, with projects including the Connaught hotel renovation. Bee Osborn of Osborn Interiors creates restful interiors that emphasize natural materials and an 'organic luxury' aesthetic. Pippa Paton Design is known for transforming historic properties in the Cotswolds into inviting modern spaces by combining spatial planning with natural beauty. Rita Konig blends traditional decoration with a fresh, modern verve, working in the UK and US, and has launched a fabric and wallpaper collection. The practice of Robert Kime, now headed by Orlando Atty, continues to create traditional yet unstuffy interiors filled with antiques and colorful textiles. Sean Symington, a rising designer, blends a building's character with elegant style, often mixing antiques with modern pieces. Sibyl Colefax & John Fowler, a venerable firm founded in the 1930s, is known for quintessentially English style and undertakes diverse projects worldwide. Sims Hilditch offers a fresh take on English country-house style, working on projects including show apartments and country estates. Lady Henrietta Spencer-Churchill of Spencer-Churchill Designs specializes in grand English country-house style, drawing inspiration from Blenheim Palace. Susie Atkinson of Studio Atkinson creates contemporary interiors with understated luxury for private houses and boutique hotels. Thorp, celebrating its 40th anniversary, provides full architecture, interior design, and project management services for an international clientele. James Thurstan Waterworth of Thurstan brings history to life through antique finds and aged materials, creating atmospheric interiors. Todhunter Earle Interiors, led by Emily Todhunter and Kate Earle, is highly regarded for imaginative designs that balance contemporary living with historic houses. Turner Pocock, led by Bunny Turner and Emma Pocock, is admired for its creativity and confident use of color and pattern in various residential projects. Veere Grenney Associates' interiors are rooted in classical tradition, with projects spanning the UK, Switzerland, Italy, and the Middle East. Henriette von Stockhausen of VSP Interiors is known for designing large country properties with a classic, colorfully eclectic style. #InteriorDesign #BritishDesigners #CountryHouseStyle #LuxuryInteriors #ArchitecturalDesign #HomeDecoration #TimelessDesign #Renovation #SustainableDesign

This article details the design philosophy and execution for a 1937 English Tudor-style house in Indian Hill, originally a hunting lodge. The design, spearheaded by Douglas Greiwe of Greiwe Interiors, focused on blending art and antiques with the home’s rustic, old-country elegance, while accommodating its exceptionally large interior spaces. The objective was to create a formal yet relaxed atmosphere that honored the house's original era. Key architectural figures include John Henry Deekin (original architect in 1937) and Daniel Brooks (responsible for an 1982 expansion), with Jeff Bossman serving as the landscape architect. The project addressed the challenge of large interior spaces by carving out distinct areas, such as a dedicated dining space. The design incorporated a collection of vintage and antique pieces sourced globally, reflecting the homeowner's travels and experiences. Examples include an early 18th-century hand-carved buffet from southern France and a multi-colored tribal door from Istanbul, repurposed as a coffee table. Greiwe emphasizes the importance of patience in traditional design, encouraging clients to take their time in acquiring pieces that resonate with personal meaning. He also advocates for an eclectic approach, suggesting designers and homeowners "be unpredictable" and not "afraid to be eclectic," selecting items that develop a rich patina over time and are chosen with sensitivity to design, scale, and proportion, rather than rushing to complete a room. Unique features of the house contribute to its character, including unexpected steps, alcoves, and passageways, as well as a catwalk overlooking the great room. The great room itself, along with a sitting room and a living/family room, provides ample space for socializing. A hand-carved fireplace mantel and a wet bar with English hand-carved panels and a polished granite top further enhance the interior's traditional charm. An interesting addition by a former owner is an observatory, accessible via a hidden staircase behind an intricately carved walnut door, leading to a high-powered telescope. This feature highlights the home's history of unique modifications and its ability to inspire curiosity. The exterior of the seven-acre estate is designed for both exercise and relaxation, featuring a swimming pool with striped chaises and a whirlpool. Blue and gray slate surrounds, walkways, and patios define various outdoor seating and lounging areas. Lush greenery offers privacy, while colorful flower beds and bronze figurative sculptures by Glenna Goodacre add beauty and a playful element to the landscape. The overall design successfully marries the historical integrity of the hunting lodge with contemporary comforts and personal touches, creating a home that is both grand and intimate. #HomeDesign #EnglishTudor #HuntingLodge #InteriorDesign #Antiques #EclecticStyle #ArchitecturalRenovation #LandscapeArchitecture #TraditionalDesign

The article presents a curated collection of 20 modern country houses, emphasizing their diverse approaches to achieving rest and relaxation through design. These homes, characterized by rustic charm, natural light, indoor-outdoor living, and exposed wood beams, blend traditional accents with contemporary aesthetics. The selection highlights various architectural styles and regional influences, ranging from a transformed English-style manor in Connecticut to a Brazilian modular home nestled in nature, and a minimalist guesthouse in Sonoma Valley, California. Each featured property showcases unique design solutions tailored to its environment and the homeowners' preferences. Key examples include a Connecticut manor updated by Sanchez+Coleman Studio with a sophisticated black, white, and green palette, and a Brittany-style château in Westchester, New York, renovated by Amy Courtney Design to incorporate Japandi aesthetics and Scandinavian minimalism while preserving its 1930s craftsmanship. Rodrigo Ohtake's Brazilian modular home demonstrates an innovative use of steel prisms arranged around a central open-plan living space, connecting seamlessly with the surrounding forest. In Aspen, Rowland+Broughton reimagined a 1990s stone-and-glass retreat, enhancing views and integrating contemporary furnishings with existing oak millwork. Studio Arthur Casas designed a recreational complex for a horse farm in Brazil, featuring indoor and outdoor spaces for entertainment and accommodation, while Olson Kundig and Erica Colpitts Interior Design transformed a mid-century home in North Vancouver, British Columbia, drawing inspiration from the peaceful landscape and British aesthetic. Further explorations include Richard Shemtov’s Southampton retreat designed by Sawyer|Berson, modeled after traditional gable-roof barns with a rigorously pared-down style. Amalia Graziani's Hudson Valley farm restoration honors the property's past, focusing on preserving its natural beauty. In Jackson, Wyoming, Messana O’Rorke and Ankeny Architecture and Design created a mountain retreat blending the American West's past and present through stained cedar and stone volumes connected by glass-enclosed bridges. Aidlin Darling Design crafted a single-story modern country house with hilltop views in Northern California, prioritizing efficiency and accessibility. Other notable designs include Jan Henrik Jansen's unconventional round house in Denmark, SPG Architects' modern update of a Cape Cod residence, and Andreas Martin-Löf's playful weekend home near Stockholm featuring an infinity pool as a reflective element. The compilation also showcases a Michigan lake house by Desai Chia Architecture, noted for its glassy pavilion design that interacts with a cherry orchard and a bluff. Atelier Carvalho Araújo's minimalist yet rustic home in Portugal effectively masters a tricky site with a meandering stream. Nathanael Dorent and Lily Jencks conceived a stone-clad modern rustic country house in Scotland, known for its unexpected design. Nani Marquina's Costa Brava retreat serves as a collector’s paradise, with a whitewashed simplicity providing a backdrop for various collected ephemera. Architect Mathias Klotz designed a pair of cottages in Chile, characterized by clean-lined modernism and archetypal forms. Mork Ulnes Architects and Office of Charles de Lisle created a minimalist guesthouse in Sonoma Valley, California, comprising three stepped volumes. Finally, Hawk & Co., in collaboration with Brandon Architects, designed an indoor-outdoor oasis along the California Coast, blending rustic charm with industrial edge and naturalistic materials. The article provides a comprehensive overview of how modern country houses leverage design to offer tranquil and inspiring escapes. #ModernCountryHouses #ArchitecturalDesign #InteriorDesign #RusticCharm #IndoorOutdoorLiving #SustainableDesign #WeekendRetreats #ResidentialArchitecture #HomeRenovation

This article showcases an extraordinary Scottish home that exemplifies the preservation of historical architecture while integrating contemporary design. The project involved the transformation of a 300-year-old ruined farmhouse into a sleek, modern residence. The design approach, a collaboration between Nathanael Dorent, Lily Jencks Studio, and Nous Engineering, focuses on a unique three-layered building concept. The outermost layer consists of the stabilized and preserved ruins of the 18th-century farmhouse, maintaining its historical integrity. Within this ancient shell, a black rubber 'envelope' forms the second layer, echoing the original lines of the now-absent pitched roof. The innermost layer, referred to as the 'tube,' features organic-looking interior walls constructed from white polystyrene blocks. These curved, minimalist interiors provide a striking contrast with the rugged stone exterior and the matte black roof. A key design element is the deliberate integration of the original stone walls into the home's interior in certain areas. This feature serves to highlight the building's extensive history and create a dialogue between the old and the new. The interior design emphasizes simplicity and minimalism, utilizing white and pale wood tones to create a clean and contemporary aesthetic. Large window and door openings are strategically placed to offer expansive views stretching over 80 kilometers across two valleys. Beyond its unique aesthetic, the home is designed with practicality and sustainability in mind. It is solar-powered and heavily insulated to provide protection against the harsh Scottish winters. The inclusion of wood-burning stoves further enhances comfort and warmth during colder months. The combination of historical preservation, modern architectural intervention, and functional design results in a residence that is both visually compelling and highly livable, offering a blend of ancient charm and futuristic comfort. #ArchitecturalDesign #HistoricPreservation #ModernArchitecture #SustainableLiving #InteriorDesign #ScottishHomes #FarmhouseRenovation #ContemporaryDesign

This article explores a collection of 10 homes that successfully integrate traditional architectural styles with modern interior design, showcasing a growing trend in home aesthetics where these historically distinct approaches are celebrated together. The examples provided demonstrate how various architects and designers have navigated the challenge of blending old and new, creating spaces that respect historical context while embracing contemporary living. The first example features an 1850s schoolhouse in Milford, Pennsylvania, transformed by Andrew Magnes and Koray Duman. Their design philosophy centered on mirroring the simplicity of the historic white clapboard exterior with a contemporary yet understated interior, preserving the building's historical integrity while introducing modern elements. Bookcases set back on the upstairs landing contribute to an open and spacious feel. Next, a writer's coach house in Birmingham, England, designed by Intervention Architecture, seamlessly blends with its Victorian surroundings through a brick facade and faux timber doors. Inside, the kitchen highlights modern finishes with a porcelain tile backsplash and quartz countertop. Troppo Architects' renovation of an 1880s bungalow in Adelaide, Australia, left the sandstone and brick Victorian exterior largely untouched while introducing a modern window seat in the northeast corner, strategically placed to capture natural light. In Lake Ontario, Canada, Drew Mandel Architects updated a traditional Edwardian home. Mandel's design included a blackened-steel framed fireplace echoing the new facade's window and door treatments, alongside a six-by-eight-foot ground-floor extension. Kirkwood McCarthy reimagined an old furniture workshop in London, England. The home's facade respects its conservation area setting with red bricks and sash windows, subtly hinting at the modern interior. The kitchen, located in a sunken basement, features walnut steps, white cabinetry, Silestone countertops, and integrated appliances. Tribe Studio's project in Sydney, Australia, involved a 1920s bungalow. While the decorative facade remained intact, a dramatic contemporary extension was added to the back. The architect, Hannah Tribe, describes this as "suburban uncanny," where modernism is clean, blunt, and yet familiar. The bathroom showcases custom wooden cabinetry and Brodware faucets. Cousins & Cousins Architects worked on a glass and brick house in The London Borough of Hackney. The modern addition, characterized by a glass wall, uses repurposed bricks from the original Victorian home's demolition. The dining area, featuring Eames fiberglass chairs, benefits from pale finishes and wood flooring, enhancing a sense of airiness. SHH Architects developed a sophisticated townhouse in London. Behind a traditional facade, the interior was rebuilt with a timber and steel frame and a rear extension. A notable feature is a five-story double-sided aluminum bookcase and a kitchen with a Bulthaup island. Blouin Tardif Architecture Environment renovated a historic duplex in Le Plateau Mont-Royal, Canada. The front of the home retained its original design, including the duplex's stairs, with everything restored respectfully. Inside, uniformity was achieved with a white-painted steel staircase and walnut steps matching the home's wood elements. Finally, +tong tong gave a Victorian home in Toronto, Canada, a modern makeover. A triangular bedroom window with a custom blind and a zinc awning over the front door define the exterior. The interior boasts a vent-free fireplace in the dining room from EcoSmart Fire. These projects collectively illustrate a harmonious coexistence of traditional exteriors and contemporary interiors, offering diverse approaches to achieving this design synergy. #HomeDesign #TraditionalArchitecture #ModernInteriors #ArchitecturalRenovation #HistoricHomes #ContemporaryDesign #InteriorDesign #HomeRenovation #DesignFusion

Blair Moore, creative director and principal of Moore House Design, embarked on a comprehensive renovation of a 1920s Colonial home in Rhode Island. The residence had accumulated several outdated modifications, including extensive 1980s veneer cabinetry, which detracted from its historical character. Moore’s primary objective was to strip back these incongruous elements and restore the home’s original architectural essence while infusing it with a modern sensibility. The design approach focused on reintroducing historical details such as intricate wainscoting and walnut-burl chests, contributing to what Moore describes as a "broody" aesthetic—a harmonious blend of moody and bright. A significant aspect of the renovation involved improving spatial flow, as the home's previous room-by-room updates had resulted in a disjointed layout. Moore addressed this by strategically removing walls and even altering room dimensions, such as reducing the dining room by two feet, to enhance both functionality and visual appeal. Key design strategies included the thoughtful reuse of existing architectural features. For instance, a double-hung window from a bedroom, which Moore deemed too valuable to discard, was relocated to the bathroom to frame a freestanding tub, bathing the space in natural light. Similarly, French doors that once enclosed the dining room were repurposed to create a new entry zone in the bedroom, adding an element of drama and privacy with ruched sash curtains. Moore emphasized the value of reusing quality original components, noting their superior craftsmanship compared to many new products. Brick, a prominent feature of Colonial architecture that had been largely removed over time, was reintroduced extensively in the kitchen. Rather than a mere accent, Moore chose to "engulf the entire kitchen in brick," applying it across all four surfaces, including window headers, the backsplash, and even the vent hood. To mitigate the potentially heavy feel of such widespread brick, Moore employed an overgrouting and curing technique that transformed the terracotta brick into a cool, misty white, reminiscent of limestone, making it both aesthetically pleasing and easy to maintain. To ensure the kitchen remained airy despite the extensive brickwork, Moore opted to remove upper cabinets, maximizing storage in bottom drawers and incorporating hidden island storage. She also designed a slim, solid brass shelf that wraps around the kitchen, spanning windows and connecting to the fridge, providing a display space for glassware and an indoor herb garden, catering to the homeowner's love for cooking with fresh herbs. The entryway, which previously offered an unappealing direct view into the kitchen, underwent a significant transformation. Moore blocked off the hallway to the kitchen, allowing the elegant original newel posts and staircase to become a focal point. The staircase was painted in Sherwin-Williams’s Iron Ore to enhance its prominence. The newly created wall space accommodated a delicate iron shelf for displaying family collectibles, offering a more inviting and visually appealing welcome for guests. In the dining room, despite reducing its size to expand the kitchen, Moore created an illusion of spaciousness. This was achieved by applying wainscoting to the lower half of the walls and painting the millwork in Iron Ore, aiming for an "Old English, Colonial Cotswolds vibe." The two-tone walls visually elevate the ceiling and frame the casement window effectively. A black stone dining table with subtle green flecks ties into the color scheme and subtly echoes the herb garden in the kitchen, fostering a cohesive and thoughtfully designed environment. These detailed considerations underscore Moore's commitment to preserving heritage while delivering modern functionality and aesthetics. #HomeRenovation #ColonialDesign #InteriorDesign #ArchitecturalReuse #KitchenDesign #BrickAccent #SpatialPlanning #BeforeAndAfter #HomeStyling

The article showcases the Ramsey Hill Victorian home of Sarah and Zach Olson, built in 1885, located in St. Paul. The Olsons, with their two children Runa (7) and Hans (5), sought to imbue their historically rich residence with a distinct and playful personality, moving away from a conventionally tasteful aesthetic. Sarah Olson emphasized filling their home with objects they genuinely love, fostering an environment that encourages strong reactions from visitors, whether positive or negative. Upon moving in, the Victorian house presented a blank canvas, characterized by white walls, natural oak woodwork, and leaded-glass windows. Recognizing her inclination towards maximalist design, Sarah enlisted the expertise of interior designer Julia Miller of Yond Interiors. Miller's task was to temper Sarah's enthusiastic vision, integrate Zach's specific request for a large, felt-topped game table, and create a cohesive and interesting flow throughout the spaces. The design philosophy adopted by Miller was to harmoniously blend the home's turn-of-the-century heritage with mid-century elements, aiming for a vibe that pays homage to both eras. The vibrant pink wallpaper in the staircase served as a pivotal design element, inspiring a color palette of smoky pastels, browns, blues, and greens. Miller curated an eclectic mix of furnishings and lighting fixtures, which collectively brightened the formal architectural lines of the house. The living room was ingeniously divided into two distinct zones: one dedicated to Zach's strategy gaming and the other designed for Sarah's book club gatherings. The book club area features curvilinear, comfortable sofas and chairs alongside various tables, offering a flexible setting for social interactions. In contrast, the gaming area is anchored by clean cabinetry and elegantly shaped Gubi chairs, which provide a counterpoint to the substantial presence of Zach's game table. Miller highlights the importance of designing spaces that are actively utilized by the residents, underscoring her commitment to incorporating personal passions into the design. She notes that while Zach's game table presented unique design challenges, fulfilling his "heart's desire" was a central and rewarding aspect of the project. This collaboration resulted in a home that not only respects its historical context but also reflects the vibrant personalities and contemporary needs of its inhabitants, demonstrating how heritage and modern living can coalesce into a truly unique and conversation-starting environment. The article also details specific design choices, such as the dusty lavender chosen by Julia Miller for the vestibule, which exhibits shifting hues throughout the day, creating an engaging visual experience. A 1970s travertine table and a Blu Dot leather ottoman provide grounding elements in this narrow entry space. The front door is painted in Benjamin Moore’s Brown Teepee, adding a subtle pink flush that complements the Victorian architecture without overshadowing its intricate details. In the foyer, an exuberant patterned wallpaper, “Proteas’ Dream” by 17 Patterns, was strategically limited to the stairway to prevent an overwhelming effect, while hemp grass cloth from Gregorius Pineo, in a green tone extracted from the wallpaper, adds sophisticated drama. A 1950s-reproduction cone chandelier from 1stDibs maintains a light mood. The custom cabinetry for game storage and an integrated grate concealing the air-conditioning split demonstrate thoughtful functionality. The living room further exemplifies the blend of styles with a curvy sofa from Crate and Barrel, re-covered in a Christopher Farr Cactus Flower fabric, and a marble table with interlocking legs, creating a convivial setting for gatherings. #InteriorDesign #HomeTours #VictorianHome #EclecticStyle #RamseyHill #StPaulHomes #YondInteriors #HistoricRenovation

This article explores six distinct homes that successfully merge traditional interior design elements with modern aesthetics, demonstrating that these seemingly contrasting styles can coexist harmoniously. It challenges the notion that traditional decor must be antiquated or stuffy, instead showcasing how it can be integrated with contemporary sensibilities to create unique and comforting spaces. The first example is a historic Tudor-inspired house in Austin, Texas, owned by Carrie and Robert Hicks. Interior designer Carrie Hicks, along with architect Paul Lamb, preserved the home's 1926 charm while incorporating a modern, Mies van der Rohe-inspired steel and glass addition. The dining room, in particular, features an eclectic mix of furniture and art from various eras, including a Collection Particulière asymmetrical dining table, Rose Uniacke Hoof tables, Faye Toogood sconces, and an Ultrafragola mirror by Ettore Sottsass, alongside works by Berndnaut Smilde and Victor Vasarely. This project exemplifies the challenge of blending opposites to create a cohesive design. Next, the article highlights Ashley Stark Kenner's transformed 19th-century Upper East Side town house in New York. Initially intended as a minor fix-up, the project evolved into a gut renovation led by Lichten Architects. Only the façade remained, with significant structural changes including basement excavation, a new top floor, and terraces. Kenner, drawing on her extensive design background, guided the aesthetic towards a 'laid-back, organic, beachy, a little bit French' style. The living room features 1957 Pierre Jeanneret chairs, a custom sofa, a Kelvin LaVerne cocktail table, and artworks by Julian Schnabel, Brent Wadden, and Damien Hirst, illustrating a fresh take on a historic abode. A Park Avenue apartment owned by West Coast transplants showcases how California breeziness can be integrated into traditional New York decor. Designer Young Huh achieved this by using a light, bright, and airy palette of peaches, creams, and rose shades. She incorporated traditional elements like wainscoting and crown molding into the new-build high-rise, creating architectural interest. The formal living room, designed for entertaining, features a custom pomegranate-patterned rug, Art Deco Dedar-upholstered Bergère chairs, a vintage Murano chandelier, and an ancient Greek terra-cotta Aphrodite statue, blending different eras and styles effectively. Matthew Bees' Charleston apartment exemplifies a 'nouveau traditionalist' approach, characterized by a love for formal interiors infused with bold colors, varied textures, and unexpected decor choices. Notable features include a zebra rug, a flamboyant Louis Philippe bed crown, and a statue of Narcissus. Bees' aesthetic is described as 'meaningful and layered,' combining a serious collection of English antiques with playful elements like dark foyers opening to airy living spaces and the prominent use of green and yellow hues, reflecting his connection to nature and his personality. Finally, a New Jersey colonial home designed by Fawn Galli is presented as a 'funky traditional' space. Galli collaborated closely with the homeowners to understand their collective tastes, encouraging them to create a Pinterest board and observing their clothing styles. Her intuitive approach led to a home office with musical instruments, a swing chair-appointed bedroom, and an eclectic blend of vintage and modern elements with vibrant prints and textures throughout. The exterior's charming all-white facade belies the layered and dynamic interior compositions, where things have a 'weird sparkle' and traditional elements are 'jazzed up.' These examples collectively demonstrate the versatility and appeal of mixing traditional and modern design principles to create personalized and inviting living spaces. #TraditionalDesign #ModernInteriors #HomeDesign #EclecticDecor #InteriorStyling #ArchitecturalRenovation #HomeDecor #DesignFusion #ResidentialArchitecture

The evolution of architectural and interior design philosophies for residential spaces demonstrates a significant shift from strict historical preservation to a more integrated approach that respects the past while embracing modern living requirements. Early movements like the heritage movement, championed by figures such as Sir John Betjeman and Gavin Stamp, instigated a radical change in how historic buildings were treated. This era saw passionate conservationists investing heavily in restoring historic houses to their original states, as exemplified by the work in Spitalfields where structures were meticulously restored and furnished to reflect their 18th-century inhabitants. However, contemporary restoration efforts have moved beyond mere historicism. The current trend is to create comfortable homes that, while sympathetic to their historical context, acknowledge the modernist ideal of a house as a 'machine for living in.' This involves a nuanced blending of styles, the incorporation of open-plan layouts, and the strategic use of modern materials such as steel and glass. These advancements facilitate improved natural light, enhanced thermal efficiency, and designs that cater to contemporary lifestyles, often with reduced domestic help requirements. This approach ensures that a house evolves with its occupants and reflects the era in which modifications are made, much like how Regency, Victorian, and Edwardian additions historically enhanced older properties. A growing number of British architects, interior designers, and builders are at the forefront of this movement. Their collective expertise, deep understanding of historic buildings, and commitment to sustainable practices are ushering in what is described as a 'golden age of restoration.' These professionals are adept at balancing the preservation of historical integrity with the integration of modern functionality. Their work includes using natural, breathable, and durable materials, alongside the installation of renewable energy technologies such as solar panels and biomass systems. This not only ensures the longevity and sustainability of the renovated properties but also addresses contemporary environmental concerns. The article highlights the importance of these innovative practitioners and their clients, whose dedication is crucial to the continued success and evolution of this thoughtful approach to home design and restoration. The philosophy extends to viewing the home not just as a static historical artifact but as a dynamic space that adapts to current needs while carrying forward its legacy. This contemporary perspective allows for a conversation between different eras, where each addition or renovation contributes to the building's ongoing story rather than freezing it in a single moment. The skilled professionals in this field are celebrated for their ability to navigate this complex interplay, creating residences that are both historically rich and perfectly suited for modern life. Their efforts underscore a critical understanding that true restoration involves intelligent adaptation, ensuring that homes remain relevant, comfortable, and sustainable for generations to come, moving beyond a purely academic exercise to a practical application of evolving design principles. #HomeRestoration #InteriorDesign #Architecture #HistoricBuildings #SustainableDesign #ModernLiving #BritishDesigners #CountryLife

This article details the collaborative effort behind the transformation of a formerly notorious beach lot at 11 E. Asheville Street into a modern coastal haven in Wrightsville Beach. The project was a result of the combined expertise of homebuilder Tanner Konrady of Konrady & Son Construction, Architect Eric Jabaley of Dogwood Architecture, and Lead Designer Brandy Crawford of Bridgett Mazer Interiors, all working closely with homeowners Wanda and Ron Copley. The Copleys initially purchased a property known for its past as a fraternity party house, with the intention of tearing down the existing structure and building a new home. Their decision to work with Tanner Konrady stemmed from his previous work repairing their condo after Hurricane Florence, establishing a foundation of trust. Konrady, a fourth-generation builder with extensive experience in coastal construction, emphasized the importance of durability and low maintenance in beach environments. His approach involved building with consideration for salt air, high humidity, storm exposure, and sun damage, utilizing materials like closed-cell foam insulation, sound-dampening interior walls, hurricane-rated windows, and pre-finished PVC siding and concrete-look panel systems that are designed for longevity and minimal upkeep. Konrady's team also facilitated the installation of expansive sliding doors and oversized windows to maximize ocean views and promote indoor-outdoor living, requiring careful structural planning. The architectural vision, led by Eric Jabaley, focused on creating a modern yet coastal-inspired home that blended with the local aesthetic while capturing ocean views. Jabaley worked to incorporate Wanda Copley's sophisticated vision, which desired a modern design rooted in the Wrightsville Beach vernacular. A key design element is the top-floor main living area, which extends onto a spacious wraparound porch through large sliding doors, effectively creating an additional outdoor room for relaxation and entertaining. This seamless transition between indoor and outdoor spaces allows residents to fully experience the coastal environment. Brandy Crawford, the lead designer, guided the interior aesthetic toward a "coastal modern" style, incorporating light, clean lines, and a less fussy approach. Wanda Copley's bold sense of style and love for color, particularly pink, were central to the interior design. This is most notably expressed in "The Pink Room," an office that doubles as a guest suite, featuring a hot pink sleeper sofa, ottomans, acrylic chairs, and pink cabinetry. Other design highlights include a powder bath with a floating, backlit vanity, and a wall-mounted resin art installation by Alex Turco in the second-level sitting room, referred to as "living glass." The home also includes an independent downstairs suite for the Copleys' daughter, complete with a kitchenette, en suite, and private porch, designed for independent living. The success of the project is attributed to the strong synergy and communication among the homeowner, builder, architect, and designer. The team's collaborative approach and shared commitment to the client's vision resulted in a custom-crafted home that reflects a unique lifestyle and personality. The project serves as an example of how a unified team can transform a challenging property into a beautiful and functional coastal residence, built to withstand environmental elements while exuding modern elegance. #CoastalRetreat #InteriorDesign #ModernArchitecture #IndoorOutdoorLiving #WrightsvilleBeach #Architect #CoastalConstruction #Homebuilder #ModernHome #Innovation

This article highlights the transformation of a derelict 1930s farmer’s cottage in Perthshire, Scotland, into a contemporary four-bedroom family home named 'Black and Stone.' The London-based architecture studio Mallett spearheaded the renovation, focusing on preserving the original structure's heritage while integrating modern living standards and sustainable design principles. The project, situated in a region known as 'Big Tree Country' for its extensive woodlands, presented a unique challenge due to the cottage's abandoned and fragile state. Mallett's design director, Simon Dickson, expressed a strong desire to save as much of the existing ruined cottage as possible, recognizing its careful stone details and beautiful aspects. He noted that the original house was exceptionally well-designed for a farm cottage, and the goal was to respect its inherent beauty while adapting it for contemporary needs, including greater space and sustainable features. This approach was chosen despite the fact that a complete demolition and rebuild might have been considered a more straightforward option. To achieve this delicate balance between conservation and innovation, the architecture firm collaborated extensively with the client, who was a structural engineer, local authorities, and a team of skilled craftspeople. This collaborative effort was crucial in navigating the complexities of renovating a fragile historic building. The project prioritized the use of locally sourced materials and traditional building techniques, further rooting the new design in its Scottish environment. The design drew inspiration from Norwegian 'hytte' architecture, characterized by simple, traditional Nordic cabins. Mallett developed a modern interpretation of rural living by constructing a timber-framed structure within the existing stone shell of the cottage. This innovative method allowed for the preservation of the exterior while creating a robust and modern interior. One of the significant challenges involved maintaining the historical character of the site, particularly given the extensive changes required for internal walls, door and window openings, and roof connections. Dickson described this as a 'real challenge' that ultimately shaped the final building, underscoring the firm's commitment to the conservation aspect of the project. The exterior features a dark larch-wood façade, which provides a striking visual contrast to the original light stonework of the cottage. In the interior, great care was taken to reuse existing materials. Stones salvaged from the original structure were meticulously cleaned and sorted by hand to create an internal feature wall in the kitchen, blending the old with the new. The ground floor windows are strategically positioned within the original openings, slightly higher than usual, to frame the dramatic Scottish landscape like a 'massive picture frame.' This detail, particularly appreciated by Dickson, enhances the connection between the indoor spaces and the surrounding natural environment, especially as soft lights illuminate the stone from outside at dusk, bringing the old building to life. The interior aesthetic is defined by a textural palette of timber, stone, and white walls, complemented by black accents and micro-cement flooring. This combination creates a soothing and grounding atmosphere designed to feel spacious. The original three-room cottage was expanded into a generous four-bedroom house, a transformation that Dickson considers a success. He hopes that visitors will be struck by the sense of generosity and the blend of new and old elements, along with the stunning views, upon entering the home. #Architecture #ResidentialDesign #HistoricPreservation #SustainableDesign #ScottishArchitecture #CottageRenovation #MallettStudio #ModernCraftsmanship #RuralLiving

Angus Reid Projects undertook its inaugural countryside design project, a farmhouse with a deceptively historical appearance. Although its exterior, featuring weathered brick, centuries-old beams, and timeworn flagstones, suggests Tudor origins, the house was constructed only two decades ago. This design approach, replicating historical homes with meticulous detail, offers a unique blend of reclaimed materials and modern amenities, such as underfloor heating. The clients, a young Anglo-Swedish couple, desired a cozy home that could accommodate informal entertaining and their two dogs, emphasizing comfort and practicality. This led to the selection of durable materials, including linen slipcovers for sofas and hogla plant fiber matting for rugs, which are forgiving of spills. The interior design by Angus Reid, known for his serene and considered aesthetic, aimed to balance the home's rustic shell with contemporary, pared-back interiors inspired by mid-century design principles. This project marked a departure from the studio's usual urban focus, offering more expansive spaces and incorporating botanical prints, albeit in a non-traditional manner. The design process began with understanding the owners' lifestyle to tailor the spaces to their needs. Key elements included creating generous, comfortable areas centered around fireplaces. Furniture was chosen to match the large proportions of the rooms, exemplified by an antique French farmhouse dining table and a substantial kitchen island. Bespoke bar stools were designed, combining leather seats with tactile hessian backs. The designer's commitment to incorporating texture is evident throughout the home, from a handcrafted plaster pendant light to an antique Delft tile splashback in the kitchen. The color palette primarily consists of chalky whites, mushroom grays, and deeper tobacco and khaki hues, providing a neutral yet warm backdrop that complements carefully curated antique and mid-century pieces. Sourcing antiques for this project broadened the studio's design scope beyond its typical mid-20th-century focus, introducing items like a 19th-century pedestal card table paired with 1930s rope chairs and a rare Louis Poulsen pendant. Pattern is introduced subtly through a leafy wallpaper in the cloakroom, depicting an oak canopy, and arresting block-printed fabrics on the generously sized headboards in the bedrooms, which were chosen to complement the vaulted ceilings. The overall effect is an uncluttered, calm environment where selected pieces can truly stand out, demonstrating that a soulful design style can beautifully bridge the gap between country and urban aesthetics. #HouseDesign #FarmhouseStyle #CountryInteriors #ContemporaryDesign #MidCenturyModern #InteriorDesign #AngusReidProjects #HomeRenovation #RusticModern

Barn houses are characterized by high ceilings, exposed beams, large open-plan living spaces, durable surfaces, and sliding barn doors. These architectural features provide a unique aesthetic that combines rustic charm with modern functionality. While often associated with rural settings, barn-style homes can be adapted to various environments, including coastal and urban areas, or their design elements can be incorporated into existing structures. For those seeking a more straightforward construction process, barn-style kit homes are also available, offering a pre-designed solution for achieving this aesthetic. The key design elements of barn-style houses differentiate them from barndominiums (barndos). A barn-style house integrates traditional barn aesthetics into a conventional home design, while a barndominium is typically a repurposed barn or shed converted into a residential space, often featuring a metal structure and a simpler design. Both options offer a distinct living experience, but barn-style houses are generally comparable in cost to regular homes, whereas barndominiums tend to be more affordable due to their structural origins and simpler construction. The article showcases several examples of modern barn-style homes in Australia, illustrating the versatility and appeal of this architectural trend. One notable example is a dream weekender in the Victorian Alps, designed by former Olympian snowboarder Joh Lyle, which features two distinct pavilions connected to the landscape. Another instance is the "Little Red Barn," a barn-style kit home transformed into a family retreat by Rachel Luchetti and Gerard Cook, known for its striking red exterior and a concrete plunge pool with hinterland views. These examples highlight how individuals can customize barn-style homes to suit their preferences and locations, whether by utilizing kit homes or undertaking extensive conversions. Further examples include an eco-friendly family home in Pambula on the NSW Sapphire Coast, which blends traditional barn charm with passive house principles, demonstrating a commitment to sustainable living. A modern barn house in rural Victoria, designed by Slap Architects, was created for a sustainable lifestyle, emphasizing natural materials that complement the West Gippsland landscape. The Barn at Rangeview, with its raked ceiling and wrap-around windows, optimizes natural light and scenic views, providing unique country accommodation. A small barn-style house in Daylesford maintains classic barn design elements such as a high-pitched ceiling, exposed beams, and repurposed antique windows, infusing historical character into a new build. The Byron Bay barn house presents a luxurious interpretation of the style, inspired by the property's original sleeping barn and drawing influences from Italy, Aspen, and Malibu. A Queensland pool house exemplifies how barn-style architecture, with its high ceilings, exposed timber beams, and concrete floors, can be effectively integrated into a coastal setting. The Highlands Black Barn, influenced by Norwegian summer houses and New Zealand barn architecture, stands out with its striking black exterior and modern farmhouse aesthetic. These diverse projects demonstrate the adaptability of barn-style architecture to various climates, personal tastes, and functionalities, ranging from weekend retreats and family homes to pool houses and luxury residences across Australia.

This article highlights the design and creation of a new home in Independence, Minnesota, dubbed "Chateau Margaux," which blends farmhouse, eclectic, and classic design elements. The homeowners, Margaux and Paul Christianson, moved back to Minnesota from California to be closer to family. Their primary motivation was to establish a family-centric environment, particularly for their three young sons to foster strong relationships with their grandparents and other relatives. The decision to build in Independence was also influenced by the highly-rated Orono school district. The initial inspiration for the home's interior aesthetic came from a terracotta Lacanche range in the kitchen, which served as a focal point. This piece, along with a Tabarka tile backsplash featuring a singular rooster tile, set the tone for the overall design. The kitchen is described as the heart of the home, characterized by an abundance of white oak wood, a warm color palette, and a design philosophy centered on family gatherings and memory-making. The kitchen's functionality is emphasized, with a large, hardworking layout suitable for cooking and entertaining, reflecting Margaux's family background in the food and wine industry. Emily Pueringer, Margaux’s cousin and founder of Emily Pueringer Design Studio, was enlisted for the project. Despite initial hesitations due to it being her first new construction and concerns about mixing family with business, Pueringer ultimately took on the challenge. Her goal was to create a home that evoked a feeling of joy, comfort, and happiness, moving away from the cold, modern aesthetic of the family's previous California residence. The homeowners wanted the house to be a welcoming hub for their children and their friends, reminiscent of Margaux’s own childhood home. The 5,400-square-foot, five-bedroom, four-bath home successfully achieves these goals through thoughtful design. It incorporates simple, yet stunning finishes and materials, such as clean archways, white oak wood, and minimal casing, which balance bold design elements. The overall energy of the home is described as welcoming, inviting, colorful, and cheerful. Key design features include wide, white oak-cased archways in the living room, a Currey and Company chandelier, and a painting above the mantel that once belonged to Margaux’s parents, adding character and history. Other notable spaces include a sunroom with floor-to-ceiling windows, a velvet chaise, and slanted wood ceilings, and a luxurious main-floor primary bathroom suite featuring Mercury Mosaics hexagon tile, a delicate blue-and-white-patterned Tabarka backsplash, and Moen luxury plumbing. Upstairs, bedrooms and bathrooms feature wallpapered accent walls with eclectic patterns, such as feathers, birch trees, and Galapagos Islands themes, chosen despite Pueringer’s grandmother's initial reservations about their boldness. The butler’s pantry is highlighted as a favorite space, offering multiple prep areas, a second dishwasher, orange grove wallpaper, and dedicated storage. Although initially envisioned for produce, the tilt-out cabinets are now playfully used for juice boxes, symbolizing how the children have made the home their own. The article concludes by emphasizing the home's ability to exude luxury while maintaining a welcoming atmosphere, fulfilling the goal of a constant feeling of happiness and joy for the family and their guests. #FarmhouseDesign #EclecticInteriors #ClassicDesign #NewBuild #FamilyHome #KitchenDesign #InteriorDesign #HomeRenovation

This page provides a comprehensive job board specifically for the interior design industry, hosted by Business of Home. It features a wide array of job opportunities across various roles and experience levels, from entry-level design positions to senior leadership and specialized roles such as architectural drafters and project managers. The jobs are primarily for full-time positions, but part-time, freelance, and internship opportunities are also listed. The platform caters to both job seekers and employers, offering functionalities to filter job listings by location, category, employment type, and compensation. The job board currently displays numerous openings from various design firms and companies. For instance, WECSELMAN DESIGN in Miami is seeking an Interior Designer for high-end residential projects, emphasizing a candidate with strong design sensibility and a curated eye. Jeremiah Brent Design in New York is looking for a Senior Design Documentation Specialist on a contract basis for a historic estate renovation, as well as a Senior Designer specializing in Furniture, Fixtures, and Equipment (FF&E;) for the same project. Mia Todd Studio, also in New York, is hiring a Designer/Senior Designer to lead high-end residential projects from concept to installation. Downey, a boutique residential design firm in New York City, is seeking a Senior Interior Designer with a strong background in architectural design and project management. Bruce Fox Design in Chicago is searching for a Senior Interior Designer with a mature and creative approach to innovative projects. Beyond traditional interior design roles, the board also lists specialized positions. CarbonShack is looking for a Multi-Line Sales Representative for sustainable designer fabrics, Sunthreads, with a commission-based compensation structure and performance bonuses. Marc Phillips Decorative Rugs in Los Angeles has an opening for a Sales Account Manager to cultivate relationships with designers, architects, and trade professionals. Studio Michael Ellison in New York requires a Senior Designer with a passion for luxury interior design and experience in private residential projects. Chused & Co. in Brooklyn is seeking a Senior Interior Designer/Project Manager to lead residential projects, focusing on architectural knowledge and technical drawing ability. Jennifer Messina Interiors in Mill Valley, CA, is hiring an Interior Design Project Manager to oversee all phases of projects, balancing creative vision with logistical precision. Ashli Mizell Inc. in Philadelphia is looking for a Senior Interior Designer for high-end residential projects across the Northeast, coastal Florida, and the Northern Rockies. Jerry Pair in Atlanta needs a Marketing Specialist to engage in various marketing facets within the luxury interior design industry, including e-commerce management and content creation. Julie Hillman Design, an AD100 firm in New York, is seeking an experienced Interior Architect for high-end residential projects. Studio MRS, an Elle Décor A-List firm in New York, is looking for a full-time Interior Architectural Drafter. The platform also provides resources for users, such as a job FAQ section and a dedicated page for employers to submit job postings. Featured jobs are highlighted, indicating potentially urgent or high-profile opportunities. Additionally, there is a classifieds section for other related services, such as office space rentals for designers. The overall structure of the page is designed to efficiently connect interior design professionals with relevant employment opportunities and industry resources. #InteriorDesignJobs #DesignCareers #CreativeIndustry #ProjectManagement #ArchitecturalDesign #SalesAndMarketing #ResidentialDesign #LuxuryDesign