Inside an Iconic Church-Turned-Family Home That First Ran in House Beautiful in 1989

This Melbourne residence, owned by artist Kylie Thomas and her husband Tim Collier, underwent a significant transformation, evolving from a Federation home with a dated 1990s extension into a versatile space that functions both as a grand art gallery and a comfortable family sanctuary. When the couple acquired the property in 2015, they were drawn to its generous garden and the original Federation architecture, characterized by ornate timber detailing, bay windows, and a wraparound verandah. However, the existing open-plan addition from the 1990s presented challenges with poor flow, lack of zoning, and an awkward 45-degree angle that didn't integrate seamlessly with the older part of the house. The prevalent red timbers also contributed to an outdated aesthetic. Architect Chris Stanley of Splinter Society was tasked with a multi-faceted brief: to incorporate concrete's monumentality, which the owners appreciated, while maintaining sensitivity to the heritage home's elegant and flamboyant details. Additionally, a coastal feel, with weathered, driftwood tones, was desired to soften the concrete elements. The overarching goal was to harmoniously blend contrasting styles—old and new, grandeur and family warmth—and ensure a seamless connection with the extensive backyard. Stanley addressed the 1990s addition by replacing it with a new extension featuring a striking colonnade of windows framing the pool. These concrete columns visually echo the timber uprights of the Federation verandah, establishing a commonality between the heritage and modern sections. The colonnade extends throughout the new areas, mitigating sunlight and providing a monumental presence without being overwhelming. Infilled with banquettes and lit with spotlights, these spaces also serve as display areas for Kylie's art. A new entry on the south side now acts as a clear transition point between the old and new, creating distinct zones for family living. The original section of the house, previously a living room, has been reconfigured to house the children's bedrooms, each with an ensuite, emphasizing private spaces. The new open-plan extension, while maintaining connectivity, is effectively zoned by the columns, which function as nib walls, allowing family members to engage in different activities simultaneously. The material palette includes light-toned concrete, chosen to evoke a washed, coastal aesthetic, complemented by limed timber floors in the original section. The design prioritizes warmth through the strategic use of timber, curtains, and rugs, and incorporates judicious pops of color in furnishings, selected with the assistance of interior designer Danielle Balscheit. The kitchen, designed as a central gathering space, integrates the colonnade and concrete with metal-framed windows, a scalloped metal bench finish, and a soaring raked ceiling with a skylight, enhancing natural light. This area fosters a strong indoor-outdoor connection with views of the meadow, creating a feeling of spaciousness and height. The home also features practical considerations like heated concrete floors, providing comfort year-round. This thoughtful renovation has successfully transformed the property into a dynamic space that balances the homeowner's artistic inclinations with the needs of a modern family, bridging historical elegance with contemporary design. #HeritageHomeRenovation #ModernExtension #ArchitecturalTransformation #ConcreteDesign #ArtGalleryHome #FamilyLiving #CoastalInteriors #IndoorOutdoorFlow #FederationArchitecture

Julia Kramer, a former Bon Appétit editor, and her husband, Zach Kaplan, purchased a Craftsman home in Koreatown, Los Angeles, sight unseen during the early days of the pandemic. The decision was primarily influenced by a stained-glass peacock window in the dining room, which resonated with their family's experience visiting live peacocks at the Cathedral of St. John the Divine in New York City. This personal connection served as a significant sign, making the long-distance purchase feel destined. The couple, still residing in their two-bedroom apartment in New York’s Upper West Side, relied on an L.A.-based friend to view the property shortly after it was listed before making an offer. Following the purchase, and with only six weeks until their move, Kramer and Kaplan enlisted the help of Jamie Haller, an experienced Craftsman restorer and shoe designer. Haller's primary task was to modernize certain aspects of the home while also stripping away inappropriate additions, such as built-in speaker systems in the living room and kitchen, and numerous recessed lights. The goal was to preserve the original character and 'good stuff' of the Craftsman style. Kramer, who was largely put off by the ubiquity of newly remodeled kitchens featuring subway tile and open shelves during her house hunt, found the untouched, wood-heavy kitchen of this home particularly appealing. She expressed a preference for living without common countertop materials like marble and granite and appreciated the kitchen's separation from other rooms, allowing her personal space while cooking. Restoration efforts in the kitchen focused on subtle yet crucial updates. Haller oversaw the replacement of awning window chains with historically accurate hardware, a task that required considerable effort to source and install. She emphasized 'restraint' in the renovation process, focusing on making the space functional without sacrificing its original charm. A carpenter was brought in to repair the track of the old-fashioned bread box's garage door, ensuring its safe operation. While the kitchen lacks modern amenities like soft-close hinges, it retains a distinct 'soul' that appealed to the owners. One of the most challenging projects was the living room, where plaster walls had been covered in blue silk dupioni fabric and secured with an estimated 45,000 staples. Removing these staples was a laborious process, taking a week of manual effort. The focal point of the revitalized living room became Kramer’s vintage coffee table, a 1stdibs acquisition, which uniquely functions as a champagne and shrimp cocktail station, with its inverted center perfectly accommodating her ice bucket. Haller also had to source new lighting fixtures, as the previous owners took the originals. She turned to a salvage shop in Los Angeles known for preserving lights from Old Hollywood celebrity homes, finding an antique sconce for the guest bedroom’s salvaged sink that once belonged to Buster Keaton. Distinguishing this Craftsman from others, the home features dark, purple-hued mahogany wood rather than the typical red-orange Douglas fir. This unique wood tone harmonizes surprisingly well with subtle pink accents, such as the original fireplace grout and the new dining room walls, which were painted a soft dusty lavender-gray. Haller noted that the natural light interacting with these elements creates a warm glow. Due to the tight renovation schedule, restoring the painted wood trim was not feasible. Instead, it was repainted in Farrow & Ball’s dark navy shade, Railings, to achieve a cohesive look. In contrast to the home’s more vibrant areas, the main bedroom adopted a softer palette, transforming its previous purple walls into a serene cream. Kramer, typically drawn to maximalist designs, was swayed by Haller’s vision for a neutral, tranquil space. The bedroom renovation included creating two closets on either side of the bed by reallocating space from an adjacent children’s room, and adding a built-in reading nook with a tufted cushion, which serves as Kramer’s preferred work-from-home spot. For the children’s bedrooms, Kramer and Haller exercised a different form of restraint, opting for allover wallpapers with prints that strike a balance between kid-friendly and adult-approved aesthetics. Kramer expressed her desire to postpone 'ugly child spaces,' choosing whimsical crane designs by House of Hackney for her youngest son's room and a floral print by the same brand for the bathroom. She found that the numerous built-ins in the large bathroom helped to break up the busy floral pattern effectively. The various bird motifs throughout the home, from the initial peacock window to the crane wallpaper, have become a personal symbol of good fortune for Kramer. #HomeTour #CraftsmanHome #LosAngelesRealEstate #InteriorDesign #HomeRenovation #SightUnseenPurchase #HistoricPreservation #VintageDecor #FamilyHome

Brandi and Scott Fuller embarked on a renovation journey for their 1914 Georgian home in Park Hill, Denver, intending to complete a few specific updates. Initially, their plans were modest, focusing on expanding and remodeling the kitchen, which felt too small for their combined family of seven and the 8,000-square-foot house. They also planned to add ensuite bathrooms to two upstairs bedrooms, a walk-in master bedroom closet, and a basement home gym. Despite their experience in the architecture and real estate industries, the Fullers did not anticipate the extensive scope their renovation project would ultimately encompass. What began as a "few things" quickly escalated into a near-complete transformation of their historic residence. The catalyst for this expansion was the discovery of a sagging kitchen floor, a result of a previous shoddy renovation. The architect, Toby Branch of Branch Architecture Studio, explained that addressing this structural issue required significant interventions in the basement, leading to a full structural remodel of the kitchen floor and the basement ceiling below. This, in turn, caused new cracks to appear in the main level's plaster walls, necessitating further repairs. The snowball effect continued throughout the house. The upstairs updates followed a similar pattern; converting two children's bedroom closets into bathrooms required unexpected construction, which then prompted Brandi and Scott to overhaul their master bathroom. While these projects were underway, they also decided to remodel the third-floor bathroom and bedrooms, restore a bedroom suite above the garage, replace most of the home's lead pipes, and install a new HVAC system. Brandi likened the process to getting a new sofa and then realizing the drapes and paint needed updating, illustrating how one improvement led to the desire for others. Outdoors, the initial plans to repair the original red-brick walls, sand, and paint also grew significantly. The architect enclosed the walkway between the garage and the house to create a new mudroom and added a French door and metal staircase connecting the kitchen to the yard. This enhancement transformed the yard into an additional living space, usable for a significant portion of the year. The property's original brick hardscaping now frames new plantings designed by Lifescape Colorado and artificial turf, which the Fullers chose to retain and integrate into the design due to shade and maintenance considerations. Ultimately, the renovations covered 6,000 square feet. Beyond the structural changes, a key challenge was to seamlessly blend the home's preserved original architectural details—such as old windows, millwork, wood-plank floors, marble fireplace surrounds, and even original call boxes—with modern updates. The kitchen served as a prime example of this vintage-meets-modern aesthetic. Mikal Otten, owner and lead designer of Exquisite Kitchen Design, created a "traditional kitchen with soft contemporary touches." This was achieved by incorporating simplified traditional elements, like custom cabinets with a subtle cove profile and a soft white brushstroke finish, and ethereal blue glass backsplash tiles that offer a contemporary nod to classic brick styles. A stainless steel farmhouse sink replaced traditional porcelain, providing a cleaner, edgier look, while a walnut coffee-bar armoire and chevron-patterned white oak flooring reintroduced turn-of-the-century flair, recalling a historical practice of special floor treatments in specific rooms. The floor coverings played a crucial role in anchoring the decor of each room. Brandi explained that they started with the rug in each room and built the design from there. For instance, the dining room's modern floral rug influenced the choice of silk shantung wallcovering, a branch-like brass chandelier, and clear Lucite chairs. In the living room, a neutral rug set the tone for gray crushed-velvet sofas, a marble-topped coffee table, and a ring-shaped crystal chandelier. The foyer featured a custom stair runner with a cherry-blossom pattern, complementing a midcentury-style credenza and bold custom artwork. The furnishings selected by Brandi and Scott represent a diverse mixture of styles, primarily transitional but incorporating midcentury, contemporary, and bohemian pieces, which Brandi noted "came together in the end." Branch attributed the project's success not just to luck, but to the inherent integrity and forgiving nature of century-old homes, which allow for structural repairs and modern updates without losing their original character. The complete transformation ultimately highlighted the enduring strength and beauty of the home's historic foundation. #HomeRenovation #HistoricHome #InteriorDesign #KitchenRemodel #StructuralRenovation #ParkHillDenver #VintageModern #ArchitecturalPreservation

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

Sarah Southwell, a former handbag designer, has transitioned her creative flair from fashion to interior design, establishing her studio in 2020 after a series of successful home renovations in London. Her most ambitious project to date is her family home, a 21-room Grade II-listed manor house located in the Somerset Levels. This extensive renovation showcases Southwell's distinctive approach to country style, characterized by a blend of elegance, eccentricity, and a 'generational layering' philosophy that expertly combines old and new elements. Sarah and her husband, Nick, acquired the manor in 2021, moving from London to provide their three sons with a more spacious environment. Despite being warned by the estate agent about the significant renovation required, the couple was drawn to the property's original features, such as its mullioned windows and historic front door. The renovation process was comprehensive, addressing issues ranging from hundred-year-old plumbing and crumbling plaster to the complete absence of a heating system. With the assistance of approximately 20 local tradespeople and funds from their previous London property sale, they undertook the extensive overhaul, including replastering all rooms with traditional lime, a necessity for listed buildings. Southwell's design aesthetic prioritizes a 'perfectly imperfect' look. She achieved this by using lime-based paint throughout the house, mimicking the mottled tones of plaster. The kitchen features Bauwerk’s Ibiza limewash, reclaimed pine floorboards, British Standard units, and Arabescato marble worktops, creating a contemporary yet classic feel. An adjoining utility space adds a playful touch with units painted in deVOL’s Scullery Yellow. The home is adorned with unique finds from flea markets and antique fairs, reflecting Sarah's passion for vintage items, such as a Transylvanian hand-painted folk art cupboard in the playroom and 18th-century Indian doors repurposed for the master bathroom. Creative and whimsical elements are evident throughout the manor, particularly in the children's spaces. The bedroom shared by Sarah's two eldest sons boasts a circus-themed ceiling painted by Eugenia Barrios Osborne, complemented by custom-made bed canopies and antique furniture sourced from local dealers. The color palette in this room includes Farrow & Ball's Rectory Red and Babouche mustard-yellow. A notable feature of the home is its incorporation of 'hidden nooks and secret doorways,' a reflection of Southwell's design philosophy that a house, much like a handbag, benefits from concealed compartments. An example is a hidden cubbyhole in a former attic, accessible via a wooden ladder, designed to create a magical space for her sons. Additionally, a hidden drinks bar is cleverly camouflaged by wallpaper in the downstairs lavatory, adding a surprising element for adult guests. Following the completion of this significant renovation, Sarah Southwell now leverages her expertise to assist other clients in realizing their design aspirations, operating with a comprehensive approach to interior styling. #InteriorDesign #ManorRenovation #CountryStyle #HistoricHome #LimeWashPaint #VintageFinds #HiddenSpaces #FamilyHome #EclecticDecor

A Michigan family, initially intending to build a new home, purchased a 5,500-square-foot French country–style McMansion in 2018 and enlisted designer Jean Stoffer for its transformation. Despite the prevalent architectural features often criticized in McMansions, such as columns, oversize transoms, and multistory windows, Stoffer embraced the remodeling challenge. She expressed a preference for remodels over new builds, highlighting the potential in existing structures, and noted her experience in 'de-McMansioning' similar 20-year-old houses with good bones but outdated aesthetics. The renovation began by removing superfluous architectural elements like columns, millwork, and built-ins. Stoffer reconfigured the first-floor layout, merging several smaller rooms into a spacious, open-concept kitchen, breakfast room, and sitting area. A walk-in scullery, functioning as a butler's pantry, was incorporated to store countertop appliances and pantry items, addressing a common issue in open-concept kitchens where clutter is easily visible. The design choices extended to the home's surfaces and furnishings. Pale, Scandinavian-inspired oak flooring was installed throughout. A palette of fresh neutrals was used for walls, complemented by dark, moody colors in specific areas to add depth and character. The furniture selection prioritized family-friendly pieces, with an emphasis on performance fabrics to withstand daily wear and tear. Even the challenging multistory window, a typical McMansion feature, was transformed; painted white walls and a sculptural light fixture drew attention away from its imposing size, allowing the outdoor landscape to become the focal point. Specific room transformations further illustrate the design approach. The foyer, previously featuring dated paneling, received clean-lined millwork and a modernized front door painted in a dark hue. The living room, once a stereotypical 1990s great room, was reimagined as a minimalist yet warm space with a Highland House sectional, Lawson-Fenning chairs, and an Aerin for Visual Comfort chandelier. The dining room was designed for versatility, serving as both a dining area and a space for crafts and homeschooling, with an intentionally bare floor under the vintage table to accommodate children. Navy Masterpiece paint by Benjamin Moore and Cole & Son wallpaper added character. The kitchen, formed by combining several smaller rooms, became an airy, open-concept space featuring Stoffer Home Cabinetry, Armac Martin hardware, a Franke sink, and Perrin & Rowe faucet. A dedicated coffee bar addressed an off-center window with floating brass shelves and a custom walnut countertop. The family room integrated a Samsung Frame TV that resembles art when not in use. The mudroom's existing millwork was refreshed with Benjamin Moore’s Kendall Charcoal paint and new hardware. In the master bedroom, the clients' existing minimalist furniture was complemented by a Made Goods nightstand, Visual Comfort lighting, and a Jaipur Living rug. The nursery was designed with flexibility in mind, intended to transition into an office, featuring a dark ceiling and walls painted in Benjamin Moore’s Crisp Romaine. The bathroom showcased a restored vintage sink, new Kohler faucets, Zia Tile wall tile, and Rejuvenation mirror, reflecting a blend of old and new elements. #HomeRenovation #McMansionMakeover #InteriorDesign #JeanStoffer #ModernHome #FamilyFriendlyDesign #OpenConcept #ScandinavianStyle #MichiganHome

This blog post explores the transformation of a historic colonial revival home dating back to 1895 in Newton Center, Massachusetts. The owners sought to update their property with a glamorous, sexy, and elegant aesthetic, while simultaneously restoring and enhancing its original architectural features. The project aimed to integrate sympathetic interior décor with a contemporary flair from the 2020s. Before addressing the design details, the primary challenge involved removing uncomplimentary architectural additions from the 1940s, 80s, and 90s, particularly a deteriorating 1980s kitchen. Designer Cecilia Casagrande was commissioned to address these challenges, focusing on enhancing the home's original architecture while adapting it for modern living. Her approach successfully blended original period details with quirky and glamorous contemporary touches. The kitchen redesign, for instance, drew inspiration from the client’s Turkish Iznik pottery collection and antique rugs, transforming a drab 1980s space into a bright, open area. The design incorporated a mix of midcentury, antique, and modern elements, evident in pairings like a midcentury side table with a modern bed frame, or a curved sofa with modern lamps. The breakfast nook features an antique pedestal table and vintage dining chairs, harmonizing with the updated kitchen. The cabinet colors, specifically Farrow & Ball’s Paean Black and Benjamin Moore’s Yorktowne Green, were inspired by the blue hues of the Turkish plate collection. The kitchen also boasts vintage rugs from Afghanistan, brass taps by Barber Wilson, and handmade tiles from Winchester Tile in England, along with green stone accents, contributing to a worldly and earthy feel. The living room, characterized by intricate wood detailing and an impressive bay window, features walls, trim, and ceiling painted in Farrow & Ball’s Hague Blue. This bold color choice maintains the modernity of the ornate trim while creating a cozy Victorian parlor ambiance. Natural walnut elements on doors and trim are highlighted with a clear poly finish. The room includes a midcentury vintage sofa upholstered in mohair blue velvet, complemented by a rounded Jonathan Adler Danner sofa and Kelly Wearstler lamps to create a “sexy vibe.” Midcentury furnishings, such as a reupholstered Thayer Coggin swivel chair and a new Thayer Coggin Roxy chair, along with a round midcentury pi-coffee table and Moroccan inlaid side tables, contribute to a global aesthetic through eclectic accessories sourced internationally. A vibrant artwork by Hunt Slonem in a gilt frame and a vintage carved sideboard add glamour to a corner of the living room. The dining room reflects the clients' vision with quirky contemporary elements like Cole & Son Leopard Walk wallpaper and a stag chandelier sourced from Germany. Iconic midcentury Saarinen chairs and a stunning Suzani tablecloth complete the eclectic and joyful space, which is described as Victorian modern. The upstairs landing serves as an inviting seating area, utilizing natural light from an original gothic-detailed 1895 window and featuring French-style armchairs and a chess set. The primary bedroom showcases pastel pinks, blending antique, vintage, and modern furnishings. Brass elements, such as Sarreid chests, an antique mirror, and an Alexa Hampton ceiling light, add character. Walls are painted in Farrow & Ball's Middleton Pink with trim in Dove Tail, while House of Hackney and Timorous Beasties pillows, a modern champagne velvet bed, and a faux sheepskin swivel chair balance the vintage pieces. The bathroom features a Penhaglion cast iron tub in unlacquered brass, a striking choice for the historic home, complemented by classic marble tiles, Timorous Beasties curtains, and brass accents, offering a modern twist on traditional design. The homeowners expressed satisfaction with the transformation, noting that each room was thoughtfully designed and inspired by their existing collections, making the renovation a collaborative effort from architectural restoration to fabric selection. The project successfully honored the home's original features while introducing contemporary humor and subtle updates. #HistoricHomeRenovation #ColonialRevival #InteriorDesign #BoldColorSchemes #VictorianModern #KitchenDesign #LivingRoomDecor #BedroomIdeas #BathroomDesign

This article details the transformation of a 19th-century Federal-style town house in New York’s West Village by SPAN Architecture, converting it from multi-family apartments into a single-family residence. The original structure, an 1820s building, presented challenges such as deep lots leading to dark interiors, insufficient natural light on lower floors, and low ceilings. Recognizing these limitations and the absence of significant period details for restoration, principals Peter Pelsinski and Karen Stonely opted for a comprehensive gut renovation. A key aspect of the renovation capitalized on the property’s 60-foot backyard, enabling the architects to extend the first two floors by 30 feet while preserving ample outdoor space. To enhance the connection to the garden, the rear facade was removed, a second-floor terrace was added, and full-height windows were installed facing north, integrating modern design elements while respecting the historic lines of the surrounding houses. Internally, the building lacked a cellar, prompting excavation to create one. The roof was also leveled, increasing interior height by nearly eight feet, which required careful restructuring of ceilings to align with the existing front facade windows. The result is a 5,800-square-foot, four-bedroom home spanning five levels, featuring ceilings over ten feet high on the parlor floor, yet maintaining an unaltered exterior appearance. The interior design consciously blends traditional and contemporary aesthetics. Given the project's spec nature, a neutral palette was chosen, featuring white oak floors that establish a fluid connection between spaces. Subtle historical references are incorporated through baseboards, trim, and crown moldings. The steel-and-oak staircase, while traditional in form, lacks nosing and respects the original footprint, complemented by skylights that draw natural light deep into the lower levels, giving the house an “extroverted character” as Pelsinski describes. The property was acquired by a young family who enlisted Moises Esquenazi of Waowig Studio for interior decoration, providing him considerable artistic freedom. Esquenazi focused on creating inviting spaces that would complement the family’s art collection. His design approach included bold choices, such as a fuchsia-colored den, intended as a lively focal point upon entry. This vibrant room sets a playful tone for the rest of the home, which integrates contemporary Latin American art with pieces by mid-century designers like Milo Baughman and Pierre Guariche. Esquenazi also designed custom furnishings, including a lacquered-goatskin dining table, drawing inspiration from the 1970s. Two years after the family moved in, SPAN Architecture was re-engaged to modernize the kitchen and expand the master bathroom into a spa-like retreat, concluding a decade-long project. The revitalized town house now offers a bright, open living environment, seamlessly integrated into its urban setting while providing ample personal space. #TownHouseRenovation #SPANArchitecture #WestVillage #HistoricHome #ModernInteriorDesign #ResidentialArchitecture #NaturalLight #InteriorRenovation #LuxuryHomes

This article details the transformation of a neglected Federal-style schoolhouse in the Catskills into a glamorous and chic home, dubbed "Monkey Cottage," by lifestyle editor Jason Oliver Nixon and decorator John Loecke. The duo discovered the 900-square-foot former schoolhouse, built around 1840, listed for $30,000. Despite its dilapidated state—featuring no closets, low second-floor ceilings, and multiple layers of wallpaper and paint—they saw its potential. After purchasing the property, a pipe burst and the ceiling caved in a week later, leading to a complete gut renovation. Much of the work was undertaken by John and Jason themselves, with assistance from Jason's uncle Lary and father, Jary. A year of renovation resulted in a vibrant weekend retreat characterized by bold colors, playful prints, and a spirit of fun. The homeowners emphasize their commitment to preserving the original architectural style while imbuing the home with their personal touch. The kitchen, which also serves as the dining area due to the absence of a formal dining room, features striking black cabinetry, white marble counters, and a unique display of vintage state plates instead of upper cabinets. A circular window was added, mirroring an existing one on the home's facade. To address the lack of closets, built-in drawers and storage cubbies were incorporated throughout the house. A distinctive railing inspired by a Chinese garden bridge was installed, adding an exotic touch. The bathroom features faux paneling crafted from 4x4s, contributing to the cottage's unique aesthetic. The homeowners' passion for collecting is evident in the flea-market equestrian prints displayed against a chocolate-brown wall and a collection of colored tableware, which John strategically uses to make small spaces appear larger by employing a few substantial furniture pieces. The vibrant master bedroom is a testament to their love for color, with sunny-yellow paint and a lively green-and-white print that energizes the small space. To maximize functionality in the bedroom, a carpenter was hired to convert a three-foot-high gap created by the low-pitched roof into bookshelves on one side and cabinets and storage drawers on the other. John provides design advice on combining patterns, suggesting that a common color scheme prevents clashes and recommending the use of no more than two large-scale prints, with other patterns kept geometric. Collections, such as glassware and antique garden statuary, are meticulously arranged by color, type, and theme on walls and open shelving. The eclectic living room combines furniture of various sizes and heights to maintain visual interest. The design draws inspiration from classic English country interiors but is reinterpreted with unconventional elements like silver scallop sconces, giraffe print pillows, and a tropical-inspired chandelier. Ribbons are utilized throughout the house to embellish curtains, lampshades, and pillows, offering an inexpensive and versatile decorating solution. John's book, "John Loecke's Grosgrain Style," provides creative ribbon-based DIY projects, including a layered ribbon square that can be created with a hot-glue gun. The article highlights the transformation from a neglected building to a personalized and stylish home, emphasizing creative problem-solving and the thoughtful integration of personal style and collections. #SchoolhouseRenovation #CatskillsHome #HomeTransformation #InteriorDesign #EclecticDecor #DIYRenovation #SmallSpaceLiving #VintageFinds #ColorSchemes

The author shares a detailed reveal of her historic home's living room, emphasizing its significance as the heart of her family's home. The open-plan living room and kitchen area was a focal point for their design energy, aiming to create a space that reflects the family's unique identity. The design concept for the living room was a blend of 'Parisian Apartment meets a bit of irreverence,' seeking to achieve an elegant yet fun and youthful atmosphere. This involved combining chic, elevated aesthetics with pops of color and playful elements. The author expresses particular fondness for the juxtaposition of the luxurious Schumacher fabric used for drapery and pillows with vibrant neons and various colorful accents throughout the room. A central feature of the living room is the custom Taylor Burke sofa and chair. The author highlights the sofa's performance velvet fabric, which allows for a light color choice despite having young children, as it cleans easily and has already withstood spills. The chair, in a distinctive acid green (chartreuse-like) hue, is also a favorite, although the author humorously notes the challenge of having a swivel chair with two small children. The overall layout of the room is designed to comfortably accommodate a growing family, with ample space for everyone to gather without feeling cramped. Practical additions like two ottomans hidden under the main console provide extra seating when needed, demonstrating a thoughtful approach to both style and functionality. Technology is seamlessly integrated into the design with a Samsung Frame TV, which the author mentions often goes unnoticed as a television, blending in as a piece of art. The article also mentions a Freddie Mercury photograph, acquired from a rock gallery, as a cherished item. The author collaborated with Prudence Home & Design for the overall design and styling of the room. Key design elements and furnishings are attributed to various sources, including Taylor Burke Home for custom furniture, LM Custom Carpets for the rug, and Woodbridge Furniture for the console table. Decorative details such as the Schumacher Lotus Garden fabric for drapery and pillows, art from Sonder Living, a custom neon sign by Let There Be Neon, and vintage items from Fairfield County Antiques further contribute to the room's unique character. The author encourages reader engagement by asking for comments and feedback on the room's design. #LivingRoomReveal #HomeDecor #InteriorDesign #HistoricHome #FamilyLiving #CustomFurniture #DesignInspiration #PerformanceFabric

Fashion consultant Michael Carey, known for his work with menswear brands like Ralph Lauren and Hackett London, has channeled his visual storytelling expertise into renovating an 1830 Federal house in Claverack, New York. Carey, who spent nearly a decade in London, had been collecting antique furniture and artworks with the vision of furnishing his future country home, famously stating, "Buy for it, and it will come." His search for a historic property led him to the modest wood-frame house in the Hudson Valley. Despite his real estate agent initially calling it a "dump," Carey was drawn to its structural soundness, period details such as original windows and doors, wide-board flooring, and five working fireplaces, all set on a property shaded by a mature copper beech tree. He recognized the architectural integrity and history embedded in the home, situated in a town founded in 1788 and surrounded by stately Georgian mansions. Upon closing on the property, Carey immediately began exterior landscaping, clearing pines and planting a hornbeam hedge. In the spring of 2012, he commenced renovations, making monthly trips from London to oversee the project. His approach was to honor the house's original "bones" rather than drastically reinvent it, adding architectural details that complemented its historical character. He strategically moved doors and repositioned windows to enhance the home's formal symmetry. The renovation also included modernizing the 1950s-era kitchen on the main floor, adding a back entry hall and a powder room. A sun-filled potting room, which also serves as a laundry room and informal office, was created. One of the downstairs guest rooms is located in the original 19th-century kitchen, complete with its hearth and beehive oven. Throughout the house, every available space was converted into a closet. For the interior aesthetic, Carey adopted a black-and-white color palette, with the kitchen's dove-gray being the only exception, to provide a neutral backdrop that highlights his eclectic collection of furniture and art. His furnishings span various periods, including Georgian, French Deco, and midcentury pieces, alongside unique items like a moose-leg table. His extensive art collection is displayed salon-style on walls in every room, creating a consistent visual narrative. The overall design results in a traditional yet subtly contradictory atmosphere, which Carey describes as a "collage," where individual elements combine to tell a cohesive story, much like his creative process for fashion brands. The transformation has made the historic home brighter and crisper, while respecting its past. #HistoricHome #FederalStyle #HomeRenovation #InteriorDesign #FashionConsultant #HudsonValley #AntiqueFurniture #ArtCollection #BlackAndWhitePalette

Lauren and Jason Muir embarked on a significant renovation of their 1900-built Parkside home after returning to Adelaide from London and Sydney. The couple purchased the property in its original condition in late 2020, with renovation plans beginning almost immediately. However, due to pandemic-related delays and council approvals, construction didn't commence until two years later. Lauren, a strategy executive at Westpac, expressed the importance of honoring the home's 1900 heritage while integrating a modern aesthetic, a design philosophy inspired by Victorian homes in London's southwest. A key design objective was to create a seamless transition between the original structure and the new extension. This was achieved by extending the original timber floors throughout the house and meticulously matching architectural details like architraves. The couple also focused on cohesive styling, using art to introduce color and enhance flow between the old and new sections of the home. The front of the house retained its original character, while the rear extension was designed to complement it with a contemporary feel. The renovation project involved collaboration with The Building Company and Mavtect Designs, successfully navigating council requirements that mandated the extension not be visible from the street. Specific features desired by the couple included a wine cellar, which Jason envisioned as a space where one could walk down and be enveloped by wine. Lauren's primary desire for the living space was an abundance of natural light. While the front of the house, with its older structure and tree coverage, remained darker, the extension was designed to maximize light, leading to the creation of a seven-meter raked ceiling and a large wall of glass. This architectural choice not only floods the living area with light but also provides a view of the century-old hedge in the backyard, which offers significant privacy and a natural green wall effect. Outdoor spaces were also a crucial component of the renovation. With the help of Husk Projects and Evoke Outdoors for landscaping, Lauren and Jason created dedicated outdoor entertaining areas and a sauna area. The sauna was specifically inspired by Sequoia Lodge, aiming to replicate its serene garden setting where one could relax after using the sauna, creating a retreat-like atmosphere. The Parkside home became a labor of love, offering a convenient urban lifestyle, with easy access to parklands and local amenities. Despite their affection for the renovated Parkside home, the Muir family is now moving to Stirling in pursuit of more space for their young children. Their new 1920s home also requires renovation, signaling Lauren's continued preference for restoring older properties over new builds. The sale of the Parkside property, located at 9 Douglas Street, is being managed by Georgie Todd and Alexandra Green of Harris Real Estate, marking the end of one project and the beginning of another for the family. #HeritageHome #ParksideRenovation #ModernExtension #ArchitecturalDesign #LuxuryLiving #HomeRenovation #AdelaideRealEstate #InteriorDesign #OutdoorLiving

Ragan Wesson, a Birmingham-based interior expert, emphasizes the importance of a home telling a unique story, and her own renovated 1950s ranch-style home exemplifies this philosophy. She champions the integration of sentimental and meaningful items to create spaces that are both distinct and affordable. Wesson's design approach begins with a clean, neutral canvas, allowing for the layering of personalized pieces. Many of the items in her home are inherited or sourced from thrift stores and antique malls, each carrying a personal history that contributes to the home's narrative. Upon purchasing their Homewood ranch home, Wesson and her husband focused on superficial yet impactful renovations. They refreshed the interiors with new paint, removed popcorn ceilings, and updated light fixtures, all while preserving the original character of the house. The home's generous room sizes and functional layout meant that extensive structural changes were unnecessary, allowing them to concentrate on decorative enhancements. For furnishings, Wesson drew from her extensive collection of cherished items, amassed over many years, demonstrating how curated pieces can elevate a space. One example of her approach is the dining room, which serves as a versatile space for family gatherings and a workstation. Here, an antique desk, discovered by a local antique hunter, complements the existing decor. Wesson advocates for repurposing sentimental items, explaining that they introduce a historical dimension to modern settings. This concept is evident throughout her home: a great-grandfather's buffet now functions as an entertainment console in the main living area, her childhood twin beds are in her older daughter’s room, and a cabinet from her great-great-grandfather is featured in her youngest daughter’s room. The breakfast area centers around a family heirloom table, refinished and paired with contemporary chairs, and various small finds from antique malls and thrifting trips are strategically placed throughout the house. Custom upholstery and locally sourced rugs provide the finishing touches, contributing to a cohesive and inviting atmosphere. The home features a formal living room with bookshelves filled with personal items, including books and a collection of blue and white pieces, which Wesson suggests is an effective way for clients to infuse their own stories into their homes. The original fireplace in this room adds character without appearing dated. In her older daughter's room, Ragan used drapery behind her childhood twin beds to create the illusion of larger windows and soften the design, a DIY project supported by her mother, who owns Brock Custom Interiors. The nursery includes an iron crib, a China cabinet from her great-great-grandfather, and a rocking horse from a local thrift store, Sozo Trading Co. Wesson also shares her thrifting prowess, recounting how she found a side table for her master bedroom on the side of the road, which seamlessly integrated into her decor without needing any alterations. She advises staying consistent with a color scheme or theme when collecting pieces. Wesson aims to demystify interior design, emphasizing transparency in project timelines and budgets for her clients. Lacking formal training, she offers a unique perspective on the industry, allowing her personal and family history to anchor her designs. This personal journey has refined her design process, which she now applies to help other homeowners create spaces that tell their own stories. #HomewoodHome #RanchHomeRenovation #InteriorDesign #SentimentalDecor #AffordableDesign #FamilyHeirlooms #ThriftStoreFinds #HomeStorytelling #BirminghamInteriors

The Wallis family, consisting of Jenna, an internationally acclaimed interior designer and owner of Jenna Wallis Interior Design, and her husband Ed, purchased a 1940s English cottage in the Hedgemoor neighborhood of Memphis with a vision to transform it into a serene and classic retreat for their family, including their two boys. Despite its charming exterior, the cottage required extensive renovation to accommodate a modern family while preserving its original character. After living in the house for about four years, the Wallises engaged Ryan Anderson of RKA Investments, a Memphis builder known for restoring older homes, and architect Charles Shipp to lead the renovation. Jenna's design philosophy centered on blending the old with the new, maintaining the home's classic charm while introducing contemporary elements. A significant challenge involved literally lifting the existing structure to create an open, airy space. The renovation team, including Ryan Anderson's business partner Chris Clark, worked collaboratively to achieve Jenna's vision, which included raising the living area's 9-foot ceilings to 11 feet to enhance natural light and spaciousness. Eight-foot windows were installed, flanking a custom fireplace, above which a vibrant painting by Atlanta artist Sally King Benedict became a focal point. Key areas of the home were meticulously redesigned. The kitchen was transformed with custom cabinetry extending to the ceiling for maximum storage, a beveled subway tile backsplash, and honed Carrara marble countertops. Jenna opted for unlacquered brass hardware, which develops a natural patina over time, to align with the home's original aesthetic. A breakfast nook, connecting the living area and kitchen, features sleek white walls, a streamlined banquette, and a rustic farmhouse table complemented by a brass globe chandelier. A framed 1966 Andy Warhol-designed Campbell's Soup dress, inherited from Ed's grandmother, adds a whimsical touch to this space. Throughout the living areas, white walls serve as a gallery for the Wallises' extensive art collection, which includes pieces by Memphis artist Megan Hurdle. In the parlor, a soft mint green ceiling, inspired by one of Hurdle's mixed-media works, adds a subtle color accent. Jenna's favorite space, her downstairs study, is distinguished by pale, high-gloss blue lacquered walls, a French pedestal desk, whimsical peacock figurines, and a modern brass starburst chandelier. Custom-built bookshelves by RKA Investments house the family's book collection, while art consultant Anna Wunderlich assisted in curating and displaying the family's diverse artwork, including a collection of oils and watercolors from Paris. The guest bedroom features a bold coral lattice wallpaper on an accent wall, framing an upholstered headboard, alongside French dressers and draperies made from Jim Thompson silk. The master bath was conceived as a spa-like retreat, with gray and white marble, built-in mirrors, millwork surrounding a white vanity, and elegant brass hardware. Antique light fixtures were incorporated to maintain the home's period charm. The renovation extended to the exterior, with Ryan Anderson and his team salvaging stone to create a cozy fireplace on a spacious, screened-in porch, which has become an ideal gathering spot for the Wallis family and friends. The project culminated in a home that perfectly blends classic charm with modern functionality, fulfilling Jenna's five-year vision. #HomeRenovation #InteriorDesign #HistoricPreservation #MemphisHomes #CottageRenovation #JennaWallisDesign #RKAInvestments #LuxuryInteriors #ArtCollection

The Sayce family, originally city dwellers from Brisbane, embarked on an unplanned journey to a rural life when they discovered a vacant 16-hectare block in Mount Marrow, near Ipswich, Queensland. What began as an impulsive thought during a family visit evolved into a commitment to a self-sufficient lifestyle, symbolized by their initial construction of a modest two-bedroom home on the traditional lands of the Jagera, Yuggera, and Ugarapul people. This first build was completed just two weeks before their wedding, setting the stage for a life that would gradually incorporate a large vegetable garden, livestock such as horses, cattle, chickens, and pigs, and a deep appreciation for the outdoors. Ten years after their initial move, and with the growth of their family to include son Kai (seven) and later baby Rue (one), the couple, Tim and Lauren, who also run their construction company, Kai Konstruct, decided to renovate their home. The renovation was driven by a desire to infuse more personality and warmth into their living space, moving away from the initially cool and minimalist aesthetic of silver, white, and grey with polished concrete floors. Despite the arrival of their second child, they chose to maintain the original small footprint of the house, valuing the outdoor-centric lifestyle it encouraged. Their renovation process began with enclosing the existing deck to expand the living area, specifically to accommodate Lauren’s heirloom pianola. This expansion quickly led to more extensive updates, including a complete overhaul of the kitchen, bathroom, and laundry. The exterior was also refreshed with new window frames, and an outdoor kitchen was added, reflecting their commitment to outdoor living. Lauren's design philosophy aimed to blend traditional and contemporary elements, creating a modern farmhouse style. This is evident in the kitchen, which features honey-colored oak joinery, black hardware, modern brass lighting, and a distinctive wall of reeded glass-fronted cabinets reminiscent of an old apothecary. The living areas were transformed with VJ walls painted in a deep charcoal, providing a dramatic yet warm backdrop for the pianola. Soft furnishings, including sofas and linen blinds, were chosen to balance the contemporary design elements. A key aspect of the renovation was the focus on practical storage solutions and the integration of a dedicated home office, designed to enhance the home's functionality and create a more serene environment. The entire renovation, carried out in two stages around their clients' projects, took approximately a year, during which the family even experienced a temporary move to a caravan, further deepening their appreciation for their home. Beyond the physical changes to their house, the Sayce family embraces the slow-paced, farming lifestyle, actively engaging in growing their own food and caring for their animals. Lauren, who has an agriculture degree, particularly enjoys the daily tasks involved in farm life, including feeding horses and collecting eggs. The couple’s connection to their rural surroundings is further highlighted by a painting from Lauren's late grandmother, depicting a horse in a paddock, which Lauren interprets as a premonition of her current life. This painting, along with the pianola, symbolizes the deep personal connection and sense of destiny that underpins their life in Mount Marrow, illustrating how their rural journey was, in many ways, fated. #ModernFarmhouse #HomeRenovation #RuralLiving #CountryStyle #InteriorDesign #FarmLife #FamilyHome #MountMarrow