5 golden rules of home décor from an Irish interior designer

Sheena Murphy, founder of nune studio, offers insights into her approach to interior design, emphasizing that thoughtful design enhances overall wellbeing. Her style is characterized as modern, eclectic, layered, and planet-aware, reflecting her belief in creating comfortable and livable spaces. Murphy has completed projects in both London and the US, currently basing her operations in London while incorporating a distinctive "Stateside cool" into her designs. She identifies her 8th Street Townhouse and Charles Street projects as personal favorites, highlighting the collaborative process involved in their creation, whether with architects or directly with contractors. Murphy primarily uses neutrals, particularly warmer tones, as foundational backdrops, citing Farrow & Ball's Purbeck Stone, Ammonite, Elephant’s Breath, and Jitney, along with Atelier Ellis’s Stony Plaster, as preferred choices. She expresses a particular enjoyment in designing children's rooms, which she finds allow for a more playful and whimsical approach, demanding multi-functionality and adaptability due to children's rapid development. These spaces often push her to experiment with color and pattern more extensively. Her creative process is also significantly influenced by the simplicity and natural beauty of the British countryside, which she finds invigorating. For timeless interiors, she admires Vincent Van Duysen and Axel Vervoodt, while for contemporary and layered designs, she looks to Decus Interiors, Templeton Architecture, and Ashe Leandro. She also keeps an eye on the distinctive work of designers like Brian Paquette, Rose Uniacke, and Disc Interiors, and draws inspiration from Instagram accounts such as Sarah Elliott, Rebecca Wakefield, The Modern House, and Genevieve Lutkin. When initiating a room design, Murphy prioritizes surveying the space and taking detailed measurements of existing architectural elements. For small spaces, she recommends investing in lighting, window treatments, and sofas, noting that curtains or roman shades and sculptural lighting can significantly transform a room. Sofas are considered a crucial investment due to their frequent use. In large open-plan areas, her strategy focuses on creating defined zones through furniture and textiles, emphasizing the importance of space planning, furniture layouts, rugs, lighting, and storage to provide division and definition. Regarding decorating, Murphy's color scheme and mood board development are informed by the property’s external environment, the client’s lifestyle, and the home’s architecture. This comprehensive approach guides the selection of color palettes, forms, and materials, influencing shapes and styles. For a single room, she typically uses one wall color, accentuating architectural details with tonal variations. She appreciates mixing patterns but stresses the importance of scale to allow each pattern to stand out, with the number of patterns varying based on room size and type. For eclectic furniture arrangements, a unifying color palette is essential to prevent a chaotic atmosphere. Murphy advises against chasing trends, advocating for timeless designs and planet-friendly, natural materials that ensure longevity. She encourages purchasing items loved and intended for long-term use, ensuring they serve a purpose and connect with other aesthetic elements. Functionality is paramount in kitchen design. While she favors wood and limestone for flooring, she cautions against wood for messy cooks due to maintenance. Limestone is highlighted as a durable, cost-effective, and easy-to-maintain natural alternative. For worktops, marble is her preferred choice, although she suggests limestone or quartzite as natural alternatives for those hesitant about marble's cost or perceived delicacy. She avoids porcelain or quartz, favoring natural stones, but acknowledges stainless steel for its utilitarian appeal in avid cooks' kitchens. Paint colors are always selected in natural daylight, with attention paid to bulb temperature to avoid distortion. Finally, Murphy advises splurging on lighting and vintage pieces, while saving on occasional items like side tables, secondary chairs, and accessories. For budget-conscious projects, prioritizing paint and lighting is key. She concludes by listing her preferred vendors for various interior design elements, including furniture, fabrics, joinery, kitchens, bathrooms, wallpaper, paint, lighting, flooring, tiles, and kitchen hardware. #InteriorDesign #SheenaMurphy #NuneStudio #HomeDecor #DesignTips #EcoFriendlyDesign #NeutralPalette #SpacePlanning #KitchenDesign

Repetition in interior design is a fundamental principle that establishes visual rhythm and consistency, contributing to a cohesive and memorable design narrative. This technique helps to reinforce a central theme, making a space feel unified and intentional. Interior designers emphasize that repetition can be applied across various elements, including color, texture, materiality, detailing, shapes, and lines, ensuring that every design component, from flooring and millwork to hardware, fittings, and furniture, communicates a harmonious language. One effective method involves repeating key pieces of furniture to build cohesion without creating clutter. For instance, a series of identical chairs around a dining table or multiple bar stools in a kitchen can stabilize a room and reinforce its overall aesthetic. Another popular approach in living rooms is to pair one large piece of furniture, such as a sofa, with two smaller, identical chairs, which uses visual weight to achieve balance and anchor the space. This creates a pleasing counterpoint between different scales. Color repetition is crucial for a strong color scheme, guiding the eye through the space and creating a sense of harmony. Colors can appear both on and off walls, as seen in bathrooms where wall tiles set a vibrant pattern that is then echoed in countertops, floors, and other elements. Similarly, reusing specific shapes provides visual order, leading the eye from one point to another. This can be achieved through geometric patterns, gallery walls, or furniture and decor with consistent forms. Repeating lines, whether straight or curved, further enhances continuity across architecture, furniture, and decor, adding depth and interest to a space. Texture, as a primary design element, significantly impacts how a space feels. Repeating textures can establish a cohesive palette and evoke a desired mood, making a room tactile and engaging without becoming monotonous. Architectural elements often inherently feature repetition, such as a series of windows, arches, or wainscoting, which naturally create visual order and symmetry. Designers can highlight these features or introduce new ones, like paneling updated with a consistent color scheme, to create a calm yet impactful effect. Extending repetition beyond individual rooms, designers can reiterate design language from one space to the next, fostering continuity throughout a home. This involves carrying themes, shapes, colors, or textures across different areas to connect them seamlessly. Repetition also contributes to visual order, particularly in functional spaces like home offices or kitchens, where organized arrangements of elements like bookshelves or cabinets create a smooth, rhythmic flow. The use of multiple light fixtures, such as pendant lights in rows or wall lights on either side of a fireplace, not only maximizes light flow but also adds visual rhythm and style, referencing other materials in the interior and defining open spaces. To prevent monotony, repetition can be varied by scale. Combining larger items with a series of smaller, similar items creates aesthetic hierarchy and visual interest through contrast. This method ensures that repeating elements provide relief and punctuation, as seen with two vertically oriented pendants above a pool table contrasting with a large, horizontal space. Designers can also draw inspiration from larger architectural features, such as curved sofas or sculptural fireplaces, and echo these forms and materials in secondary and tertiary elements throughout the room. Finally, a series of uniform artwork, such as diptychs or triptychs, can introduce rhythm and stability, with variations between images adding a subtle tension that enhances the overall feeling of a room. #InteriorDesign #DesignPrinciples #HomeDecor #VisualHarmony #ColorSchemes #TexturalRepetition #ArchitecturalDetails #FurnitureArrangement #LightingDesign #ArtPlacement

The article explores the principle of repetition in interior design, emphasizing its role in creating cohesive, balanced, and harmonious spaces. Repetition is not about matching every element but rather about creating subtle connections through recurring colors, textures, patterns, and features across lighting, furniture, and architectural elements. This design principle works in conjunction with other concepts like symmetry and rhythm to guide the eye through a room and the entire home. Bethany Prince, an associate interior designer at SHH, explains that repetition establishes a sense of rhythm and consistency within an interior. This rhythm can manifest through various visual elements such as color, pattern, shapes, and textures, helping to define hierarchy within a space. The article provides seven foundational ideas for incorporating repetition effectively into home decor. Firstly, considering the color scheme is crucial. Repeating a key color, or using similar tonal shades, across adjacent rooms or throughout a single space creates a visual narrative and unifies different design schemes. Andy Greenall, creative director at Paint & Paper Library, highlights how color combinations can add drama and intrigue, whether through graduating neutral shades that flow seamlessly between rooms or impactful tonal schemes created by pairing deep hues with pale ones. Secondly, repeating key textures and materials adds depth and interest without overwhelming a space. Cathrine Dal, founder of Cat Dal Interiors, notes that using the same texture or pattern in different ways helps to maintain harmony, especially in open-plan areas. An example cited is a Bohemian-inspired dining room where a blue and green palette, combined with woven wicker elements, fuses contrasting elements while retaining cohesion. This can also involve extending a favorite pattern across curtains, cushions, and other soft furnishings. Thirdly, the rules of symmetry are explored as a powerful tool for repetition. British interior designer Kit Kemp MBE emphasizes that composition is as important as color or texture, with balance and symmetry being key to harmony. Symmetrical layouts can make small spaces feel larger and contribute to a calm, organized environment. Combining repetition with symmetry leads to a truly harmonious design. Fourthly, repetition can be achieved through consistent lighting and furniture choices. While not every piece needs to match, a shared color palette, similar upholstery styles, or coordinating lighting fixtures (e.g., matching pendants, wall, and floor lamps from the same collection) can create elegant connections throughout a space. For those who prefer less uniformity, subtle links through similar colors, finishes, and materials are recommended. Fifthly, creative use of accessories is highlighted. Decorative items like vases, ornaments, books, and artwork are essential for tying a scheme together. Jen Dallas, a California-based interior designer, suggests using a recurring color from a throw or pillows in artwork or a vase to refresh a room and create visual links. Sixthly, architectural features such as beamed ceilings, columns, or alcoves naturally offer opportunities for repetition. Highlighting these elements through painted paneling or integrating them into the overall design, as seen in a rustic bathroom with complementary organic elements, enhances the inherent repetition. Alison Wilkinson, an interior designer, advises leveraging these features, for instance, by enlivening stairs with vibrant paint or a runner. Finally, assessing the overall rhythm of the space is vital. Jen Dallas states that repetition is the easiest way to create rhythm and movement in interiors, connecting various elements into a unified design. The process of achieving the right flow and balance may involve experimentation, with adjustments to color or arrangement until the space feels genuinely connected and reflects personal style, balancing consistency with thoughtful contrasts for visual interest. #InteriorDesign #Repetition #HomeDecor #DesignPrinciples #ColorScheme #TextureAndMaterial #Symmetry #FurnitureArrangement #LightingDesign #DecorativeAccessories #ArchitecturalFeatures #RoomRhythm

The field of interior design is constantly evolving, blending contemporary trends with established traditions. This dynamic environment prompts a re-evaluation of rigid design 'rules' in favor of personalized and authentic spaces. This article explores five traditional design rules that can be effectively broken, offering alternative approaches from West Coast designers. These experts advocate for homes that reflect individual stories, character, and an element of unpredictability, rather than conforming to conventional norms. One significant rule challenged is the exclusive use of neutral color palettes. While neutrals are popular for their calming effect and perceived timelessness, designers argue that an over-reliance on them can lead to uninspired and generic interiors. Shane Brown, founder of Big Daddy’s Antiques and The Well, suggests that adhering strictly to neutrals can result in rooms resembling commercial waiting areas. Instead, he proposes incorporating a substantial percentage of vintage or antique items, ideally around 60% of a room's contents. These pieces are believed to infuse a space with history, personality, and a unique 'heartbeat,' allowing a home to tell the homeowner's story rather than mimicking retail catalogs. Another convention frequently questioned is the segregation of outdoor furniture to exterior spaces. The article highlights that outdoor furniture, known for its quality and durability, can be seamlessly integrated into indoor settings. Shane Brown emphasizes that these pieces often possess a natural patina developed through exposure to elements, a quality that cannot be replicated with new items. By bringing weathered and aged outdoor pieces indoors, a space can gain an organic energy, a connection to nature, and an appreciation for imperfection over sterile perfection. This approach adds a sense of 'presence' that new, unblemished furniture might lack. The notion that furniture from different eras should not be mixed is also debunked. Designers, including Stephanie Hunt of The Flairhunter, argue that rigidly sticking to one time period or architectural style can create a one-dimensional environment. A home, as a reflection of a person's multifaceted personality, benefits from a diverse collection of pieces. The article uses the example of pairing a centuries-old French apothecary cabinet with a sleek contemporary sofa to illustrate how contrasting styles can create a harmonious 'chemistry' rather than a 'clash.' This mixing of eras is presented as an act of design rather than mere staging, promoting creativity and individuality. Furthermore, the article challenges the belief that metals and wood tones must perfectly match within a room. Anita Yokota, a therapist-turned-designer and author of 'Home Therapy,' explains that layering mixed finishes and imperfect pieces fosters psychological safety and a sense of belonging. Drawing a parallel to nature, she notes that contrast and imperfection are crucial for a thriving ecosystem, and similarly, a home benefits from diverse textures and tones. Stephanie Hunt supports this by creating mismatched dining chair collections, while Rachel Brown of RB Interiors suggests that perfect matching stifles creativity, advocating for 'tension' between old and new, shiny and matte, structured and wild. The overarching advice is to break these rules 'beautifully' once the foundational principles are understood. Finally, the article addresses the idea that every room requires a single bold focal point. Anita Yokota, who designs with emotional health in mind, argues against constant visual stimulation, which can keep the nervous system on alert. Instead, she promotes designing for 'emotional rhythm,' creating spaces that 'exhale' similar to how nature operates. In natural environments, beauty arises from harmony and the subtle interplay of elements, rather than a single dominant feature. This perspective encourages a holistic approach to design, where the overall balance and flow contribute to a sense of calm and well-being, mirroring the serene cadence found in nature. #InteriorDesign #DesignRules #HomeDecor #EclecticStyle #VintageFurniture #PersonalizedSpaces #DecoratingTips #WellnessDesign

Traditional home design, encompassing styles from coastal grandmother to grand millennial, is experiencing a resurgence in popularity. Unlike modern or contemporary designs, traditional spaces are characterized by a soulful, rich, and warm aesthetic. Crafting such an environment can be more intricate, requiring careful attention to detail and layering. One effective technique to enhance a traditional space is through mixing patterns. Jennifer Beek Hunter, an interior designer, advises focusing on a consistent color palette while varying the scale and proportion of prints. For instance, combining a large floral chintz with a subtle pinstripe can create a fresh yet traditional feel. If pattern mixing proves too challenging, Sarah Solis suggests repeating the same patterns throughout a room or using identical patterns in different colorways to achieve a cohesive look. Comfort is paramount in traditional homes, particularly for seating. Betsy Burnham, principal designer at Burnham Design, emphasizes the importance of plush, deep, and well-tailored sofas and chairs that invite relaxation. She recommends fabrics like washed denim, Belgian linen, and cotton velvet for their appealing texture and durability, though she encourages personal preferences if other materials offer similar comfort. The goal is to create furniture that people genuinely want to spend time in. Layering furniture and decor from various eras is another key aspect of traditional design. Rita Naffas, from Rita Naffas Design, highlights that the best traditional spaces feature classic, timeless pieces that appear to have been accumulated over generations or travels. To maintain interest and relevance, she suggests integrating vintage and modern decor and art. For those without inherited pieces, antique stores and estate sales offer excellent alternatives for acquiring items with a lived-in feel. Adding a stair runner can instantly elevate traditional homes with multiple stories. Kate Marker notes that a striped or playful patterned runner introduces whimsy, while a natural jute runner provides texture and warmth underfoot. Beyond aesthetics, stair runners offer practical benefits by improving safety, especially in households with children or elderly individuals, by reducing the risk of slips and falls. Wallpaper is an essential element for embellishing traditional spaces, offering a richness and depth that paint cannot replicate. Victoria Holly of Victoria Holly Interiors explains that wallpaper, whether featuring a traditional pattern or a grasscloth texture, consistently contributes to a more traditional aesthetic. Sources like Red From Scalamandré provide a diverse range of classic yet bold prints for maximum design impact. Finally, internationally curated details are crucial for making traditional homes truly unique. Sarah Rosenhaus points out that a traditional space is defined by elements such as beautifully wallpapered walls, luxurious drapes with intricate pleats, and well-placed antique pieces. Decorative crown molding, ornate lighting, and richly patterned rugs further contribute to this layered and maximalist approach, where a “more is more” mentality often prevails. By incorporating these elements, homeowners can successfully create a traditional and inviting atmosphere. #TraditionalDesign #InteriorDesignTips #HomeDecoration #PatternMixing #ComfortableSeating #StairRunner #WallpaperTrends #AntiqueDecor #LayeredDesign

This blog post compiles a list of the top ten interior design pet peeves, as identified by a panel of professional interior designers. The article aims to guide readers in making informed design choices to create more aesthetically pleasing and functional spaces by highlighting common mistakes. The insights are drawn from various designers, including Francesca Grace, Joelle Kutner and Jesse Rudolph of OME Dezin, Jessica Risko Smith of JRS ID, Tamarra Younis of Union of Art Interiors, Andi Morse of Morse Design, Shannon Eddings of Shannon Eddings Interiors, Ashley Macuga of Collected Interiors, Lauren Sullivan of Well x Design, and Annie Downing of Annie Downing Interiors. The first pet peeve discussed is the use of curtains that are too short or curtain rods installed too low. Designers emphasize that curtains should hang high, close to the ceiling, and lightly touch the floor to create a sense of height and completeness. Custom curtains are highly recommended for achieving the perfect length, though proper hardware installation can help. Another common error is mixing polished chrome and polished nickel metal finishes, which is seen as a subtle but significant design flaw. Interior designers suggest maintaining consistency in metal finishes to ensure a cohesive look. Ill-fitting rugs are also identified as a major design faux pas. Rugs that are too small make a room feel disproportionate and smaller than it is, failing to ground the space. The consensus among experts is that a larger rug is almost always better, as it helps tie the room together and provides a finished appearance. Hanging art too high is another common mistake that can disrupt the balance and proportion of a space, making it feel unbalanced. Art should be hung at an appropriate eye level to integrate seamlessly with the rest of the decor. The article also advises against furnishing an entire space from a single store. Designers recommend a more patient approach, collecting pieces over time from various sources, including online retailers and flea markets, to achieve a unique and eclectic look. This method ensures that each item is thoughtful and special, contributing to a curated collection rather than a mass-produced feel. Inconsistent light bulbs within a single room are highlighted as another pet peeve. Designers suggest choosing a consistent color tone and wattage for all bulbs in a room to avoid a disjointed and unappealing ambiance, especially in dimmable settings. Excessive recessed lighting, particularly when installed in a linear fashion like an "airport runway," is discouraged. Instead, designers propose using flush mount fixtures or monopoints and incorporating multiple lighting sources to create a more inviting and layered lighting scheme. Plantation shutters are another item designers recommend avoiding, especially in favor of drapes or other shades that offer more warmth and ambiance. This preference is particularly strong among designers in regions where plantation shutters are common. Furthermore, using white trim on colorful walls is seen as undermining a sophisticated design statement. Designers advise committing to color by opting for tone-on-tone or complementary hues for trim to enhance the overall color scheme. Finally, prominent microwaves are a significant pet peeve. Many designers prefer to conceal microwaves within cabinetry, pantries, or even on the back of an island, as they believe the range is the focal point of a kitchen and should be enhanced with a decorative range hood, not overshadowed by a microwave. #InteriorDesign #HomeDecor #DesignTips #ExpertAdvice #DecoratingMistakes #HomeStyling #Aesthetic

This article highlights common interior design mistakes, referred to as "pet peeves" by professional decorators, offering insights into subtle details that significantly impact a space's aesthetic and functionality. Drawing expertise from several renowned interior designers, the article identifies ten specific issues that can detract from a well-designed home. The first common error discussed is the use of curtains that are too short or curtain rods installed too low. Designers emphasize that curtains should hang high, close to the ceiling, and gently touch the floor to create a sense of height and elegance. Proper curtain placement contributes to a polished and integrated look, preventing windows from appearing disproportionately small. Another significant pet peeve is the improper mixing of metal finishes, specifically the combination of polished chrome and polished nickel. While mixing metals can be an intentional design choice, experts caution against certain pairings that clash rather than complement. The article also addresses ill-fitting rugs, stressing that a rug's size is crucial for grounding a space. A rug that is too small can make a room feel disjointed and smaller than its actual dimensions. Conversely, a larger rug typically enhances the overall cohesion and scale of a living area. The placement of art is another point of contention; art hung too high can disrupt the visual balance of a room, making it feel out of proportion. Designers recommend hanging art at eye level to ensure it harmonizes with the surrounding decor and furniture. The article further advises against furnishing an entire space from a single store, advocating instead for a curated approach that involves collecting pieces over time from various sources. This method allows for a more personalized and eclectic look, avoiding a showroom appearance. Inconsistent light bulbs within a single room are also identified as a design flaw, as they can create an unharmonious lighting scheme. The recommendation is to choose a consistent color tone and wattage for all bulbs in a room to maintain a cohesive ambiance. Excessive recessed lighting, often likened to an "airport runway," is criticized for creating harsh, unflattering illumination. Designers suggest incorporating multiple light sources, such as flush-mount fixtures and lamps, to achieve softer, more layered lighting. Plantation shutters are surprisingly listed as a pet peeve by one designer, who argues that they offer less warmth and ambiance compared to drapes or shades, despite their cost. The article also points out the common mistake of using white trim on colorful walls, which can undermine the intended sophisticated statement of a bold color choice. Instead, designers propose tone-on-tone or complementary hues for trim to enhance the wall color. Lastly, prominent microwaves are highlighted as a functional eyesore. Designers prefer to conceal these appliances, either by integrating them into cabinetry on an island or within a pantry, to maintain a clean and streamlined kitchen aesthetic. These expert opinions collectively underscore the importance of attention to detail in creating a truly well-designed interior. #InteriorDesign #HomeDecor #DesignTips #ExpertAdvice #HomeStyling #DecoratingMistakes #RoomDesign #Aesthetic

This article highlights various new and vibrant interior design pieces and art to inject color and personality into a home, featuring products from several designers and companies. The selection includes a range of items from versatile furniture to artistic decor, emphasizing unique designs and quality materials. The Zig Zag stool by Polspotten, available at CA Design, is presented as a functional and stylish piece that can serve as a stool, side table, or plant stand. Inspired by its appearance in Joanne McNally's home, this lacquered stool comes in multiple colors, including pale blue, pink, olive green, and coral red, making it a distinctive focal point for any room. Addison Ross introduces LED Bobbin lamps, which combine aesthetic appeal with technological functionality. These lamps are designed to provide effective illumination while adding a splash of color to interior spaces. Available in ten different colorways, such as cherry, sage, yellow, and watermelon, they are intended to complement various decor styles and moods. Artist Ciara O’Neill's recent collections are featured, including her Wildflowers series, which saw its original paintings sell out rapidly. The article notes the availability of limited edition fine art prints from this series, as well as her Echoes original paintings and prints, and popular mini paintings. O’Neill's collection offers a diverse range of prints at different price points. For outdoor spaces, Kukoon Rugs offers a selection of colorful outdoor rugs made from recycled cotton and chenille. These rugs are described as spill-proof, stain-resistant, and washable, suitable for both neutral and bold design preferences. The article mentions specific designs like Rubus, Saule, Souci for neutrals, and the Ruskin style in terracotta for a more vibrant look. A collaborative piece, the '40 Shades of Green' blanket, is presented as a unique creation from artist Ellie Dunne, who has Down Syndrome, and the Galway Wool Co-Op. This ethical piece draws inspiration from the Irish landscape and combines Dunne’s artistic vision with the traditional skills of the co-op’s spinners and weavers. The blanket is made from Irish wool, supporting local farmers and preserving cultural significance. Hopeless Botanics showcases a range of colorful vases, which are suitable for displaying flowers, foliage, or as standalone decorative items. The collection includes mini vases and larger Heikki vases, along with hand-painted Odina vases, all designed to introduce vibrant accents to a living space. IKEA’s Stockholm 2025 collection celebrates forty years of Scandinavian design, focusing on timeless pieces crafted from natural materials like pine, oak, leather, wool, and rattan. While much of the collection maintains a neutral palette, the article highlights colorful additions such as a brown, blue, and white rug, pure wool cushion covers, and a green cabinet with brass fittings, designed to integrate into existing decor or form part of a new scheme. Finally, multidisciplinary artist and designer Clare O’Connor introduces her new range of hand-painted side tables. Each table is described as a unique abstract art piece, created using acrylic, collage, and resin. O’Connor’s work is characterized by dynamic juxtapositions of organic and organized forms, complementary and contrasting colors, and stripes, aiming to bring joy to homes. The article also mentions Joanne Mooney's collaboration with Turkish rug company Torug Rugto, featuring her 'Picnic Parade' rug design with squiggly edges, a gingham pattern, and a colorful palette, made from New Zealand Wool. #HomeDecor #InteriorDesign #ColorfulInteriors #ArtisticFurniture #HomeAccessories #DesignTrends #IrishDesign #SustainableDesign

The article discusses four home decor trends that interior designers consider outdated and suggests alternative products to refresh living spaces. The first outdated trend is faux plants. While convenient for those with limited gardening skills, artificial foliage is no longer in vogue. Interior designers recommend replacing them with real yet low-maintenance options such as dried eucalyptus branches or live succulents. Dried eucalyptus branches offer longevity and do not require watering, while succulents provide freshness and are easy to care for. The second trend identified as outdated is beanbag chairs. Although beanbag chairs have evolved from simple playroom items, designers suggest they have lost their appeal in modern home decor. As a more aesthetically pleasing and versatile alternative, poufs and soft stools are recommended. These items typically occupy a smaller footprint, come in various fabrics and colors, and can add visual interest to a room without the bulkiness of beanbag chairs. The third outdated trend is boho macrame wall hangings. Popular in the 2010s for their bohemian chic aesthetic, these items are now seen as less refined. Designers propose replacing them with architectural or artistic wall art pieces. Sculptural wall art, ceramics, or textured reliefs are suggested as alternatives that bring structure and personality to a space, conveying a collected rather than a crafted feel. The final outdated trend discussed is the use of black accessories. While black accents can be stylish in clothing, they can make a home feel heavy and dated. The article advises swapping dark accessories for lighter, neutral-toned alternatives. Products such as fluted white soap dispensers are highlighted for their ability to brighten bathrooms or kitchen counters. Natural materials like metal, marble, or stone are also recommended for their timeless appeal and their capacity to instantly refresh a room. #HomeDecor #InteriorDesign #DecorTrends #ModernHome #DesignTips #HomeStyling #DecorRefresh #DesignerRecommendations

The article delves into the world of professional prop stylists, revealing their secrets to making any room appear "camera-ready," similar to the aesthetically pleasing spaces often featured in magazines. These stylists, distinct from designers, excel at rearranging existing household items to enhance visual appeal. Their expertise focuses on refining a room's presentation, ensuring it looks its best for photographs or simply for everyday enjoyment. The techniques shared are practical and often involve small, strategic adjustments that can significantly impact a space's overall look and feel. One fundamental tip is to "embrace the tray." Los Angeles-based stylist Liz Strong highlights how trays effectively organize clutter, transforming disparate items like coffee makers and mugs into a cohesive coffee station. This strategy is also useful for stovetop essentials or bathroom vanities, creating order and visual unity. Another common homeowner error, according to New York stylist Matthew Gleason, is hanging art too high. He suggests that artwork should be centered at eye level, approximately 57 inches from the ground, to achieve optimal visual balance. For soft furnishings, the article recommends "sizing up on pillow inserts." Using an insert that is two inches larger than the pillow cover ensures a plumper, more luxurious look. Texas stylist Becki Griffin further suggests adding Poly-fil to saggy pillow corners for an inexpensive yet effective fluff. Additionally, for perfectly straight draperies, stylists advise raiding the tackle box for fishing weights. Inserting these weights into the bottom hem of curtains helps them hang evenly and can even compensate if the drapes are slightly too short. Stylists also encourage "embracing art in unlikely spots." California-based stylist Heather Bullard suggests placing artwork in unexpected areas, such as inside a curio cabinet, propped on a dresser, or layered on bookshelves, to add personality and visual interest. To address unsightly cord bumps under rugs, the article recommends using flat extension cords, which maintain a smooth floor surface. When it comes to bookshelves, the advice is to "loosen them up." Books should not be pushed flush against the back of the shelf; instead, their spines should be closer to the front edge. Incorporating horizontal stacks of larger books, interspersed with vertically arranged ones of varying heights, along with non-book items like pottery or artwork, creates a dynamic and appealing display. Removing dust jackets can also contribute to a more refined look. Antique bread boards are a staple in stylists' kits, valued for their ability to add warmth to kitchens and, as Mississippi-based stylist Page Mullins notes, to discreetly hide electrical outlets when propped against a backsplash. "Showing off your groceries" involves arranging fresh produce, particularly lemons or artichokes, in large wooden bowls on kitchen islands or counters to introduce vibrant color and life. When styling open kitchen shelves, Heather Bullard emphasizes varying heights, for example, placing a bowl next to a tall pitcher rather than another similarly sized item, to create visual interest. A good steamer is also considered an essential tool for quickly removing wrinkles from fabrics like sink skirts, table linens, and draperies. "Bringing on the baskets" serves a dual purpose: hiding clutter and adding texture to a space with their utilitarian yet decorative appeal. "Going big with branches" involves using large, cut branches in vases, especially foraged ones, to create dramatic height and natural elegance. Finally, the article encourages "getting quirky" by incorporating imperfect or whimsical items that tell a story, such as studio pottery, a found feather, or family heirlooms. The "rule of threes" is also highlighted, where grouping items in threes is considered more aesthetically pleasing. This can be applied by combining bowls, boxes, and large books, often topped with a brass object for a polished finish. #HomeStyling #DecoratingTips #InteriorDesign #PropStyling #HomeDecor #DesignTricks #KitchenDesign #BedroomDesign #BookshelfStyling

Interior designer Katie Ridder offers 13 essential decorating rules to achieve a perfectly finished space, emphasizing the importance of thoughtful details to elevate a home's aesthetic. Her first rule highlights the impact of tiny, eye-catching details, such as beautiful trims on lampshades or a high-gloss paint finish on unexpected elements, which subtly enhance a room's cohesion and special character. She cites Charlottenhof Palace's blue and white striped room with precisely aligned embroidery as an example of this subconscious impact. Ridder advocates for incorporating handmade pieces, respecting the artistry and skill of craftspeople. These unique items, whether lampshades, furniture, or woodcraft, bring a distinctive quality to a space that mass-produced items cannot replicate. She gives an example of a client's home where decorative artists painted the floors, adding an unbeatable element of pizzazz. Personal touches are crucial, and Ridder demonstrates that a large budget isn't necessary. She shares how she and her husband stenciled details on furniture and how she lined a bookshelf with marbleized paper in a recent project. These bespoke elements create unique character. Properly hung drapes are also key to a smart appearance. Ridder shares a technique of tacking curtain ends and the middle of panels to the wall to ensure they remain crisp and straight. Beautifully styled beds are equally important, as they often draw the eye first. Ridder prefers a coverlet tucked in tightly with a folded duvet or blanket at the foot, aiming to make the bed appear less dominant. She avoids overly large mattresses and uses upholstered bed bases instead of dust skirts, also suggesting bed hangings for added elegance. Repeating design motifs subtly throughout a room creates a cohesive feel. Ridder describes pairing vintage ceramic lamps with a circular design with a fabric featuring embroidered sunbursts, demonstrating how similar elements, even if not identical, can tie a scheme together. For lighting, she recommends crisp white lampshades as a versatile and stylish choice. Ceiling decoration is often overlooked but offers an additional surface to enhance a room, with wallpaper being a transformative option. Ridder frequently employs red in her designs for its clarity and versatility, and blue for its classic appeal, often combining both. She illustrates how repeating colors strategically, even in small elements like a book or cushion border, can unify a disparate color scheme. Antique rugs are praised for their ability to add depth, color, and a sense of gravitas and history to a room, setting a unique tone that newer pieces lack. Texture is another vital element for a luxurious feel. Ridder notes the softening effect of fabric on walls, such as the cream fabric with a waxed French glaze in her living room, and the visual interest created by fish-scale patterned tiles in a client's kitchen. Layered lighting is essential for setting the mood. She suggests combining ceiling downlights with sconces, table lamps, and painting lights to create different heights and moods. Finally, bringing natural elements like flowers or branches into a room makes the space feel friendlier and more alive. Ridder also shares her preferred suppliers for fabrics (Christopher Farr, Christopher Moore, Robert Kime), antiques (Alexander Cohane), paint colors (Benjamin Moore, Farrow & Ball), and lighting (Collier Webb, Charles Edwards). #InteriorDesign #HomeDecor #DecoratingRules #KatieRidder #PersonalTouches #HandmadeDecor #LightingDesign #TexturalElements #ColorSchemes #AntiqueRugs #CeilingDecor

This article explores various strategies for infusing personality and interest into a home, particularly focusing on properties that may lack inherent character, such as newer or more contemporary builds. Two interior designers, Alice Leigh and Emma Sims Hilditch, offer their expert advice on transforming spaces into unique and inviting environments. The initial recommendation is to consider the architectural foundation of the space. If a room possesses period features, these can be highlighted or a minimalist approach can be adopted to emphasize existing character. For homes lacking such details, the designers suggest integrating architectural elements like applied mouldings to create panelled effects, adding ceiling roses and cornices to enhance grandeur, or incorporating pediments above doors where appropriate. It is crucial, however, to ensure that these additions align with the home's original architectural style; for modern homes, character can be introduced through contrasting colours, textured wall coverings like grass paper or brick slips, which feel more contextually appropriate. Lighting is identified as a critical element for adding character and creating atmosphere. A well-planned lighting scheme should incorporate multiple layers and levels, utilizing floor lamps, table lamps, wall lights, and pendants. The integration of 5-amp circuits for main living area lamps and the use of dimmers are recommended for greater control and ambiance. Cordless rechargeable lamps are highlighted for their versatility, especially in areas without accessible plug sockets or for outdoor use. Spotlights are best reserved for functional areas like kitchens and bathrooms. Additionally, positioning spotlights diagonally in front of windows can illuminate curtains, and using uplights and downlights can accentuate architectural features such as fireplaces and archways. Creating focal points is another key aspect of adding interest. While natural focal points often include fireplaces or garden views, a statement piece of furniture can also serve this purpose. For spaces without obvious focal points, built-in joinery, such as shelves and cabinetry, can add significant character. These can be further enhanced with contrasting paint colours or by creating a faux fireplace. Contrasting ceiling beams can draw the eye upwards, making a room feel more expansive. Artwork, whether a gallery wall or a single bold piece, is also an effective way to establish a focal point. The article stresses the importance of incorporating diverse textures to enrich a space. By layering different textures within the same colour palette, such as velvet against linen and wool, a room gains depth. Mixing materials like lacquer, antique wood, and stone creates balanced and considered contrasts. Textured wall hangings contribute to a cozy feel and offer a three-dimensional quality. Soft textures like wool carpets, rugs, knitted cushions, and natural materials like leather and brass also contribute to personality. Even paint finishes, such as rendered plaster with a lime wash, can create a softer, more textural effect. Clever use of colour, such as painting ceilings in dark hues or using fabric on walls, can significantly impact a room's atmosphere. The concept of cohesive spaces is emphasized, ensuring a common thread runs throughout the home. This involves establishing a principal colour palette and then layering it with textures and accent colours, particularly important in open-plan living where individual spaces need identity while maintaining overall unity. Repeating colour schemes, materials, or fabric details helps link spaces seamlessly. Flooring choices should be functional and aesthetic, with stone for entrance halls, timber for reception rooms, carpets for bedrooms, and durable porcelain for high-traffic areas. Rugs are presented as versatile elements for adding character, defining zones, and introducing decorative elements. Finally, the article advocates for the integration of natural elements, such as indoor plants and natural materials like timber, stone, and wool, to promote wellbeing and purify air. Artwork, both existing collections and new acquisitions, along with decorative objects, books, and family photos, are crucial for personalizing a space. The inclusion of vintage or antique furniture is highly recommended for adding depth and authenticity, encouraging a balance of old and new pieces that reflect personal taste and history. #InteriorDesign #HomeCharacter #DecoratingTips #ArchitecturalDetails #LightingDesign #FocalPoints #TextureMixing #ColourPalette #VintageFurniture

This article provides insights into interior designers' unspoken advice and expectations for their clients, aiming to foster more successful and less stressful decorating projects. The main points are derived from professionals at Decorating Den Interiors, a collective of design firms across the U.S. The first piece of advice is to manage expectations regarding reality TV design shows. Designers note that these shows often misrepresent the timeline, effort, and true costs involved in a renovation. Camila Gusmao, a designer from Plantation, Florida, emphasizes that while transformations are achievable, the shows fail to convey the extensive design work, material procurement, delivery, fabrication, and installation costs that go beyond the on-screen price tag of items like countertops. This can lead to clients experiencing 'sticker shock' when confronted with real-world project expenses. The second crucial tip is for clients to be upfront and honest about their budget. Donna Rich, owner of DL Rich Designs in Maryland, highlights budget transparency as the most common impediment between clients and designers. Barbara Hayman, from Barbara Hayman Designs in Orlando, Florida, reinforces this by stating that knowing the client's budget, even if unrealistic, allows the designer to explain what is feasible. Designers anticipate educating clients about current costs, especially those who haven't redecorated in years, as prices have significantly increased. Clients often keep their finances private, but designers need this information early to curate projects effectively based on vision and investment level. Thirdly, the article advises against treating a designer as a mere personal shopper. Suzan Wemlinger of Suzan J Designs in Milwaukee explains that her role extends far beyond simply finding specific items a client might have in mind from sources like Pinterest. While client input and inspiration boards are valued, designers contribute their expertise in function, size, and scale to create cohesive and practical designs that cannot be achieved by simply replicating images. She emphasizes that designers possess a unique 'superpower' in transforming spaces comprehensively. Fourth, clients are encouraged to incorporate beloved 'old' items into their new decor. Jan Bertin, owner of Bertin’s Interiors in Alexandria, Virginia, assures clients that designers are open to integrating personal pieces to make a home feel more authentic and happier for its occupants. She shares an anecdote where an old copper tray was transformed into a stunning, perfectly sized coffee table, demonstrating how a professional eye can see new potential in existing furnishings. This approach prioritizes sentimental value and personal connection over completely replacing everything. Finally, the article underscores the importance of trust and cultivating it between clients and designers. Barbara Hayman explains that trust is fundamental to the design process, especially with clients who may be absent for extended periods. This trust extends beyond the design choices to the value the designer brings and the willingness of the client to step outside their comfort zone. Hayman believes that a deep personal understanding of a client's personality, dreams, and fears is where the 'magic happens,' leading to a home that serves as a sanctuary and source of well-being. Openness and vulnerability from the client contribute significantly to achieving truly great and personalized design outcomes. #InteriorDesign #ClientRelationships #BudgetTransparency #DesignExpectations #DecoratingTips #DesignerClientMindMeld #HomeRenovation

Rhythm in interior design is a fundamental concept that creates visual harmony and flow within a space, guiding the eye in a pleasing and organized manner. Chad Dorsey of Chad Dorsey Design describes it as a “visual and mental harmony” that avoids abrupt transitions, while Jessica Davis of Atelier Davis likens it to a musical drum beat, emphasizing the use of repetitive elements to tie a space together. The goal is to organize decor and furnishings with a pattern that maintains visual interest and continuity. There are five basic principles of rhythm in interior design: repetition, radiation, contrast, gradation, and transition. Repetition is the most straightforward, involving the consistent use of shapes, colors, materials, or textures to establish continuity and stability. For example, in a modern bedroom, repeating black tones in beams and wainscoting, contrasted with warm wood tones, creates a distinct sense of rhythm. To prevent monotony, designers can subtly alter repeated elements, introducing asymmetry. An example of this is a living room where cylindrical shapes are repeated in furniture legs and suspended pendants, but a single bold change, like a differently patterned chair, adds playful visual interest. Radiation centers around a focal point, with design elements arranged to revolve around it, directing the viewer's eye. This is commonly seen in dining rooms with circular tables and chairs, where the radial symmetry reinforces a formal feel. Gradation, on the other hand, involves creating progression by repeating similar elements in varying scales or shades. This can manifest as decor arranged by height, or a gradual shift from light to dark colors. Staircases are natural examples of gradation, with their repeating steps guiding the eye upwards or downwards. Incorporating patterned runners or carpets further enhances this linear flow. Transition focuses on defining a designated path, often through the use of leading design elements, particularly shapes, to guide the eye fluidly from one area of a room to another. Curved furniture, like a curved sofa, is effective in achieving soft transitions, especially in long, rectilinear spaces. Architectural features such as indoor arches, curved walls, and bow windows also facilitate smooth visual movement. Contrast creates rhythm by juxtaposing opposing design elements, such as two dominant colors, shapes, or textures, which helps the eye move between these extremes. Bold color combinations, like yellow and black in a powder room, demonstrate how contrast can generate visual interest and movement. The repetition of one of these contrasting elements, such as black, can provide visual rhythm, preventing the space from feeling overwhelming. Expert designers often combine multiple types of rhythm to create depth and complexity while maintaining harmony. A living room might integrate gradation through varied-scale framed prints, contrast through moody walls against a white patterned ceiling, and repetition through linear shapes. This layering of principles contributes to a balanced interior. Furthermore, patterned prints, textiles, and decor can infuse dynamic flow into a scheme. When incorporating multiple complementary patterns, varying textures, finishes, and colors is crucial to prevent the space from appearing flat, ensuring the eye moves through the room in an engaging way. Designers utilize these techniques to ensure rooms are not only aesthetically pleasing but also possess a professional and cohesive feel. #InteriorDesign #DesignPrinciples #HomeDecor #SpatialHarmony #VisualFlow #RepetitionInDesign #GradationDesign #DesignContrast #CurvedFurniture

The rule of three is a fundamental guideline in interior design, often applied even unknowingly, to create balance and aesthetic appeal within a space. This principle suggests that grouping objects, colors, textures, or patterns in odd numbers, particularly in sets of three, is inherently more pleasing to the human eye than arrangements involving even numbers. While not a strict commandment, this rule serves as a valuable framework for making design and styling decisions, helping to alleviate the stress associated with achieving a harmonious look. According to Emma Deterding, Founder and Creative Director of Kelling Designs, the effectiveness of the rule of three stems from the principle of odd numbers, which naturally draws the eye and enhances beauty. This guideline can be broadly applied to various design elements. For example, one might use three distinct colors on a piece of furniture or incorporate three different prints or patterns within a room. The primary objective is to cultivate a balanced and cohesive aesthetic while simultaneously injecting personality and character into the environment. Its flexibility allows for adaptation to suit individual preferences and specific design contexts, offering numerous benefits in achieving an inviting space. The widespread popularity of the rule of three is attributed to how humans process visual information. Samantha Wilson, Interior Designer and Founder of Collection Noir, notes that humans tend to process information better when objects are grouped in odd numbers. When applied to interior design, this creates a sense of natural calm and harmony, making a room feel more welcoming. The rule assists in evenly distributing design elements, thereby establishing balance and symmetry. Groupings of three items, for instance, naturally draw visual interest and can effectively establish a focal point within a room. Its versatility across different design elements and styles further solidifies its utility. Practical applications of the rule of three are numerous. For cushions, arranging them in odd numbers, such as two large ones with a smaller one centered, provides balance and symmetry. When displaying objects, grouping them in threes, especially with variations in height, shape, and texture, transforms them into a more engaging feature. For lighting, installing three pendant lights over a dining table or kitchen island not only ensures ample illumination but also creates visual balance and makes a statement. Similarly, hanging three pieces of art in a row can form a curated feature wall that introduces harmony, proving effective across diverse interior styles. Further enhancing the rule of three, designers can manipulate textures and colors within grouped items. Emma Deterding advises that using three items with similar design features, such as color, shape, or material, contributes to a harmonious aesthetic. For example, three cushions on a sofa sharing the same pattern but featuring different colors can effectively tie a color scheme together. Conversely, the rule can be used to create contrast by combining three different items with varying colors, textures, or shapes, such as three pendant lights of different sizes and finishes. This adaptability allows the rule to serve both unifying and contrasting design goals, proving its significance in achieving a thoughtfully designed space. #RuleOfThree #InteriorDesignPrinciples #HomeDecor #DesignTips #AestheticBalance #VisualHarmony #StylingGuideline #DecoratingIdeas #RoomDesign