Jacob Wener Uses Steel, Wood, Leather and More to Create One-of-a-Kind Furniture

Rustbelt, a Cleveland-based custom furniture maker, has been creating modern heirloom wooden pieces for over 50 years, leaving its artistic mark in various high-profile locations across the nation, including concession stands at Cleveland sports venues, gondola cabs at Yellowstone Club in Montana, and Michelin-starred restaurants like Valle in California. Their work ranges from simple hexagonal benches to intricate reception tables engraved with hundreds of signatures, showcasing their versatile design capabilities. Originating as Interior Products Co. in 1970 and rebranding to Rustbelt Reclamation in 2013, the company, now known simply as Rustbelt since 2024, is led by President Megan Barker. A team of nine skilled woodworkers in the Goodrich-Kirtland Park and Asiatown neighborhoods craft custom furniture, with projects typically spanning 12-14 weeks from initial consultation to final delivery. A core principle of Rustbelt is the meticulous selection of materials, emphasizing the unique composition of each wood slab, including its species, graining, and finish. While largely recognized for its contributions to the hospitality industry, Rustbelt consistently pushes design boundaries, embracing challenges that other manufacturers might avoid. As a woman-owned business in manufacturing, the company prides itself on innovative thinking and fostering a collaborative environment where every team member's voice is valued. This approach allows them to complete an average of 100 custom projects annually, all while maintaining a strong commitment to sustainability. Rustbelt's "Tree to Table" initiative is central to its sustainable practices. This program involves salvaging fallen timber, rather than using freshly cut wood, and then meticulously drying, milling, and refurbishing it to ensure longevity against wear and tear. All wood is sourced within a 200-mile radius of their East 36th Street workshop, highlighting their dedication to local resources and minimizing environmental impact. Barker stresses that superior craftsmanship is intrinsically linked to superior materials, a philosophy that underpins their product quality. Despite their national reach, collaborating with celebrity homes and top designers, Rustbelt maintains a strong connection to its Cleveland roots, valuing local clients who can visit the workshop and engage directly with the material selection process. With current design trends leaning towards "wood-infused spaces" and "artisanal details," Rustbelt finds itself perfectly positioned. The company aims to make the beauty of custom woodwork accessible to a broader clientele, moving beyond the perception of it as an exclusive luxury. In 2024, following the simplification of its name, Rustbelt launched a new website featuring "The Grove," a blog managed by project manager Kim Mager and marketing coordinator Eli Edwards. This platform offers insights into custom furniture making. Barker and Mager characterize Rustbelt's furniture as "quiet luxury," intending it for clients from all backgrounds. They emphasize that successful design involves not just skill, but also a crucial ability to listen and adapt to client needs. Whether it's an epoxy table inspired by a river, engraved tiles featuring native Wyoming plants, or a multi-compartment bar cart, each piece is designed to be timeless, precisely reflecting the client's vision. Each creation carries the legacy of Rustbelt's 55-year history in Cleveland, embodying the concept of "modern heirlooms." #CustomFurniture #Woodworking #ClevelandDesign #SustainableDesign #HeirloomFurniture #InteriorDesign #ManufacturingInnovation #ArtisanalCraftsmanship #LocalBusiness

Freeze Design Build, a Minneapolis-based custom furniture company founded by Kiley Friese and Sam Busko in 2018, specializes in crafting unique furniture pieces. Their work, often discovered through word-of-mouth, demonstrates an experimental approach to design and a commitment to seeing projects through from conception to completion. Both founders are graduates of the Minneapolis College of Art and Design, where they honed their skills in both the design and construction aspects of furniture making. This comprehensive understanding allows them to address design challenges and problem-solve effectively, ensuring that their creations are not only aesthetically pleasing on paper but also physically beautiful in their finished form. The company’s capabilities extend beyond woodworking to include metalworking and exploring various material composites. This versatility enables them to incorporate diverse elements and designs into their custom pieces. In addition to bespoke commissions for residential clients, Freeze Design Build maintains an online shop where they offer a curated selection of items. These include functional pieces like entryway shelves, benches with integrated shoe storage, and various shelving units. A notable product line is their collection of plant stands, many of which are ingeniously crafted from scrap wood, showcasing their dedication to sustainable practices and creative reuse of materials. The founders emphasize their unique use of leftover wood and colored cork samples in items such as their entryway pieces, highlighting their resourcefulness. The bench with shoe storage is specifically mentioned for its integration of graphic elements, line, and pattern, resulting in a modern design. This product line serves as a platform for their creative expression and allows them to gauge public preferences while solidifying their brand aesthetic. Friese and Busko describe their work as “fun” and their creations as embodying a playful spirit, which resonates with their clientele. Customers often seek out Freeze Design Build when they have specific project requirements that other providers may not be able to accommodate, underscoring the company’s ability to tackle unique and complex design challenges. The firm's founders pride themselves on being approachable and enjoyable to work with, contributing to their positive customer relationships. This combination of design expertise, building proficiency, material experimentation, and a customer-centric approach positions Freeze Design Build as a distinctive presence in the custom furniture market, offering both unique bespoke pieces and a range of thoughtfully designed retail products. #CustomFurniture #FurnitureDesign #Woodworking #Metalworking #HomeDecor #MinneapolisDesign #SustainableDesign #InteriorDesign #ArtisanFurniture

The article highlights a growing trend away from mass-produced items towards unique, handcrafted furniture and home decor pieces that emphasize creativity, craft, and time-honored techniques. It showcases 15 such items from various global makers, positioning them as collectible interiors pieces that are worth investing in now for their potential to become future design classics. The featured items begin with a modern take on a classic: the Canopy Armchair from Marchmont Workshop, a handcrafted stickback chair inspired by woodlands and priced at £3,600. This piece reflects a return to traditional craftsmanship with a contemporary aesthetic. Following this, the article introduces hand-painted lampshades by Spanish artist-designer Alvaro Picardo, which can be custom-matched to interior paintwork and wallpaper using Farrow & Ball paints, starting from £110. These lampshades are presented as artistic finishing touches for living spaces. Another innovative item is the Vine Vase by Wobbly Digital, a Glasgow-based artist who creates eccentric 3D-printed objects from recycled and bioplastics, priced at £350. This vase is noted for its viral potential, akin to the popular Gluggle Jug, and is recommended for dried flowers only. Scarlett Farrer, a rising star in hand weaving, is featured for her rustic textiles, specifically wall hangings made from undyed British wool. Her work, ranging from £250 to £1,800, gained recognition after she won the 2024 Young Weaver of the Year award. The article then presents a statement chair designed by Esto Estudio in Madrid, which combines a tubular steel frame with vibrant orange fabric, blurring the lines between furniture and sculpture, starting from approximately £800. Rich Miller, a ceramic artist and judge on 'The Great Pottery Throw Down,' offers unique cone-shaped pendant lights inspired by antique sugar cones, each priced at £2,425. These lights explore the history of the sugar trade and Miller's cultural ancestry. Sustainability is a key theme, exemplified by Jacob Marks' resin lamps, made from pine resin, with the Red RF Lamp I priced at £730. These lamps were a highlight at the London Design Festival for their use of unusual sustainable materials. Xanthe Somers, a Zimbabwean ceramic artist, contributes surrealist stoneware from her 'Sisters Toil' series, which explores women's work and crafts, with pieces ranging from £6,500 to £9,000. Loney Abrams and Johnny Stanish of Wretched Flowers create mesh murals and chain mail lamps, drawing inspiration from diverse sources such as museum archives and medieval armor. These shimmering wall hangings are available on application. James Shaw's sustainable seat, priced at £2,000, is crafted from recycled plastic waste like milk cartons and shampoo bottles, transforming discarded materials into unique, organic forms. The master plasterers Ffion and Steven Blench, known as Chalk Plaster, produce marbled, fluted sidetables using scagliola, a 16th-century technique imitating marble, priced at £7,800. Freya Bramble-Carter, a ceramicist, offers wheel-thrown pots in earthy shades, blending traditional techniques with an expressive approach, starting from £900. Maria Sigma, a textile designer and weaver, focuses on zero-waste wares using natural, often undyed, fibers for her throws and cushions, with her 'Apricity' throw priced at £890, though it has an eight to ten-week waiting period. Joe Sweeney's terracotta stoneware butter dish, priced at £300, is described as a charming and functional addition to the breakfast table. Emsie Sharp, a glassblower, presents candy-colored drinking glasses made in her Dorset studio, priced at £38 each, as a modern alternative for smart dinner tables. Finally, the article highlights Matthew Raw's tiled bedside table from his 'Welcome' collection, inspired by tiled facades of train stations and buildings. These pieces, featuring handcrafted and glazed tiles, are priced at £5,180 for a sidetable with a drawer, indicating a growing presence in contemporary home design. #FurnitureDesign #HomeDecor #HandcraftedItems #SustainableDesign #CollectibleArt #InteriorDesignTrends #Craftsmanship #ArtisanalProducts #LuxuryInteriors

Nidhi Kapur founded Maiden Home, an online furniture company, out of frustration with the limited and often low-quality options available when furnishing her first adult home. She observed that existing large chain stores either lacked elegant designs, appeared cheap, or leaned heavily into a mid-century modern aesthetic, none of which met her desire for quality and value within her price range. Leveraging her background in e-commerce, Kapur embarked on a mission to create a direct-to-consumer model that would revolutionize the furniture shopping experience. The company name, Maiden Home, symbolizes the significant life changes that often prompt furniture purchases, such as marriage, moving to the suburbs, or buying a first home. Kapur's vision for Maiden Home centered on handcrafted, high-quality furniture made in North Carolina, drawing inspiration from her parents' long-lasting furniture purchases from the region. She traveled extensively across North Carolina to identify family-owned businesses specializing in custom upholstery that could meet her stringent requirements for affordable, handcrafted pieces. This extensive search culminated in establishing partnerships with skilled artisans capable of producing the desired products. Maiden Home distinguishes itself by cutting out traditional intermediaries, adopting a direct-to-consumer approach that has proven successful in other industries. This model eliminates the markups associated with selling through boutique furniture stores or outsourcing manufacturing to international factories. Consequently, a custom-made couch that might cost $6,000 through a traditional retailer can be purchased for $2,000 directly from Maiden Home, without compromising on quality, comfort, or elegance. The development of Maiden Home took two years, during which Kapur meticulously addressed the complexities of delivering custom American-made furniture nationwide. Her customer service philosophy prioritizes keeping promises and avoiding the common pitfalls of mistreating customers, a stark contrast to her perception of the furniture industry's historical practices. Maiden Home offers a streamlined customization process starting with four core sofa and four chair designs. Customers can personalize their selections based on size, fabric, and color through the company's website, which provides complimentary swatch kits and access to design advisors. These advisors offer guidance throughout the purchase journey, ensuring that selections align with a customer's aesthetic and home environment. After an order is placed, Maiden Home provides weekly updates on the manufacturing process, covering stages from cushion creation to final inspections. The company also guarantees a six-week white glove delivery service across most of the United States. An exceptionally customer-friendly policy allows for a 30-day full refund return, a rare offering in the custom furniture market. Although primarily an e-commerce platform, Maiden Home maintains an appointment-only showroom in Kapur’s Tribeca apartment for customers who prefer to view products in person. The brand officially launched on March 7, with pre-launch beta users already expressing satisfaction with the designs, comfort, and transparency regarding product origins. Maiden Home's top-selling Minetta Chair exemplifies its commitment to detailed craftsmanship, featuring 16 rows of stitch detailing and available in a wide range of fabrics and leathers. All sofas are designed for longevity, preventing flattening and cushion slippage. Kapur plans to expand the product line beyond couches and chairs, prioritizing customer feedback to introduce new furniture types based on demand, always with the customer experience at the forefront. #HomeDesign #FurnitureDesign #CustomFurniture #DirectToConsumer #MaidenHome #ECommerce #InteriorDesign #LuxuryFurniture #HandcraftedFurniture

Belgian designer Casimir marks three decades in the design industry with a new collection of six wooden objects, with another six pieces slated for future release. These initial six items include two consoles, a cabinet rack, a mirror, a side table, and a low table, all crafted from solid oak and walnut, chosen for their ecological qualities. Each piece is a limited edition, signed, and numbered, reflecting Casimir's hands-on approach as a self-described furniture artist who designs and produces his work in his own studio. The designer emphasizes concept over styling or trends, aiming to rethink and question classical furniture through his oeuvre. He values the authenticity and sustainable nature of wood as a material. One notable piece, Cross4, is a customizable console designed to lean against a wall. It incorporates the symbol of a cross, which Casimir explains is a loaded symbol in Flemish culture, traditionally placed above doors to signify welcome and protection. This console is thus intended as a gesture of hospitality at an entrance. CabinetRack2, measuring 120 centimeters wide and 180 centimeters high, showcases an innovative approach to furniture construction. Casimir created a standard cabinet without doors, then sawed it into two equal parts. These parts were subsequently shifted at an angle and glued together, resulting in a rack that can also function as a room divider, demonstrating an "exercise in what you can do with a standard cabinet." Mirror3, another piece in the collection, intentionally restricts the user's view, contrasting with traditional mirrors that offer a full reflection. Casimir drew inspiration from architectural sun blinds, which are horizontal slats used to block sunlight. He reinterpreted this concept by orienting them vertically to limit the reflection to a single viewpoint within a space. The side table, Arch, is unique in the collection for being crafted from walnut wood rather than oak. Its oval-shaped tabletop is cut from a larger rectangular piece of wood, with the remaining material utilized to form the legs. These legs consist of two trusses that cross beneath the oval top, creating a small vault. Plank5, a low table standing 35 centimeters off the ground, features five oak wood planks stacked in a manner reminiscent of a fireplace or campfire, with the plank ends extending at various angles. The final piece of this initial release is Console3, a double-shelved unit supported by three rotatable tripods. Casimir's upcoming six designs to complete the 12-piece collection include three ladders and a cabinet, alongside an exploration of furniture legs, all continuing his work with wood. The designer's ambition for the entire collection is for the pieces to endure for over a century, aligning with the tradition of classical furniture making. He notes the importance of experimentation and intuition in his creative process, where the idea, material, form, and function are deeply interconnected. #FurnitureDesign #WoodenFurniture #OakFurniture #WalnutFurniture #SustainableMaterials #BelgianDesign #ArtFurniture #LimitedEdition

The "Bolete" table series, a collaboration between Hong Kong-based architect and sculptor Henry D’Ath and design-art duo Batten and Kamp, introduces a family of limited-edition coffee and side tables. These pieces are distinguished by their mushroom-like forms, crafted from hand-carved solid wood and natural stone. The design integrates the sculptural weight typical of permanent furniture with a flexible, modular approach that features configurable, overlapping surfaces. The genesis of the Bolete series traces back to a custom commission where Batten and Kamp recognized a natural synergy between D’Ath’s carved wood creations and their signature raw stone bases. This initial insight led to the formal collaboration and the development of the Bolete collection, emphasizing a harmonious blend of two distinct material elements. Each table in the Bolete series is meticulously carved by Henry D’Ath, who allows the intrinsic patterns of the wood grain and the natural contours of the stone to guide the creation of subtly organic shapes. The wooden tops are available in two finishes: a natural, sealed varnish that highlights the wood's inherent beauty, or a glossy black finish achieved through layers of calligraphy ink. The choice of wood for the tops is Camphor, a variety prevalent in China and Japan, known for its aromatic properties and natural insect-repellent qualities. For the bases, raw Taishan Granite stones are used. These stones are culturally significant, often featured in Zen gardens, and are admired for their grey-white hues, reminiscent of the dramatic Karst Mountains. Each granite base is individually sourced and intentionally left untreated, ensuring that every table possesses a unique character. The collaboration is deeply rooted in the shared heritage and mutual admiration among Alexandra Batten, Daniel Kamp, and Henry D’Ath, all originally from New Zealand but now working together in a Hong Kong studio. This shared background is reflected in the design philosophy, which embraces natural materials, robust forms, and simplicity—elements integral to New Zealand aesthetics—while also incorporating local materials and subtle Zen influences. Alexandra Batten describes the collaboration as effortless, stemming from a lifelong connection and shared artistic vision. Initially launched as a side table in 2023, the Bolete series has expanded to include coffee tables. The modular nature of the design is key, allowing for diverse configurations and sizes through the arrangement of overlapping surfaces, which enhances the collection's adaptability and aesthetic appeal. The tables are produced in limited editions, with eight pieces plus four artist proofs available per configuration, highlighting their exclusivity. Plans are underway to exhibit the series in major art and design hubs, such as New York or Paris, in 2025, further solidifying its presence in the global design landscape. The project was submitted through a DIY submission feature, reflecting a direct engagement with the creative community. #FurnitureDesign #Woodwork #StoneCraft #TableDesign #ModularDesign #LimitedEdition #DesignCollaboration #NaturalMaterials #HandCarved

Nicole Crowder, a renowned upholstery professional, has recently returned to her hometown of Minneapolis, bringing her distinct and vibrant design aesthetic to the Twin Cities. Her work is characterized by bold colors, intricate patterns, and unexpected details, distinguishing her from a local design scene that she describes as generally more subdued. Crowder's creative approach is evident in her custom-designed chairs, loveseats, stools, and other furniture pieces, which are highly sought after by designers and homeowners nationwide. Crowder's journey into upholstery began in 2013 as a side pursuit while working as a photo editor. By 2017, her passion for the craft led her to dedicate herself fully to upholstery. Her self-taught expertise largely stems from extensive research on YouTube, where she meticulously studied various techniques like topstitching and different blind stitches. She honed her skills through practical, hands-on experience, often acquiring inexpensive practice chairs from Craigslist, thrift stores, antique markets, and even roadside finds. This period of trial and error in her living room formed the foundation of her current mastery. Fashion serves as a significant source of inspiration for Crowder, influencing her preference for incorporating unique details, buttons, zippers, and unconventional fabrics into her furniture designs. She enjoys projects that allow for experimentation, enabling her to infuse pieces with narrative elements, such as feathers, paper flowers, or fringe, to enhance texture and layering. Despite her vibrant professional and home aesthetics, Crowder admits her personal wardrobe leans towards neutrals, considering her furniture as an "alter ego" where her love for color and patterns truly shines. Since her return to Minneapolis in February, Crowder has embraced a phase of rediscovery, actively exploring the city's design, culinary, music, and arts scenes. She expresses excitement about connecting with other local creatives, who, in turn, introduce her to hidden gems across the city, including shops, parks, and architectural styles. This exploration is crucial for her to understand how people utilize and maximize their home spaces and daily activities, which informs her contribution to the local design landscape. Crowder's ambition is to infuse more energy and boldness into the Twin Cities' design scene. While appreciating the existing "chill energy" of Minnesota, she aims to elevate it with her signature style, characterized by bright colors, dynamic patterns, and an overall sense of vibrancy. She envisions her pieces, such as a Moroccan blue chair with an orange stripe, becoming iconic representations of her unique "stamp" on the community. Her personal favorite shopping spots for furniture and fabric include MidModMen+friends, Loft Antiques, Marva’s Place, and SR Harris Fabric, valuing their diverse and curated selections. She also enjoys the city's culinary offerings, frequently visiting establishments like Rosalia, Martina, and Barbette, and finds inspiration in the outdoor spaces and cultural institutions like the lakes and the Minneapolis Institute of Art. #Upholstery #FurnitureDesign #InteriorDesign #NicoleCrowder #MinneapolisDesign #HomeDecor #CreativeEntrepreneur #Artisan

Harkavy Furniture, a company based in Portland, Oregon, was founded by brothers Dylan and Wesley Harkavy. The brand specializes in crafting modern furniture pieces that combine steel and wood in innovative and simple designs. Each item produced by Harkavy Furniture is handmade to order, emphasizing a commitment to bespoke quality and meticulous craftsmanship. The collection showcases a variety of tables, each designed with a distinct aesthetic and functional approach. One featured piece is the Cortado Coffee Table, which integrates walnut wood with powder-coated steel. Its design is characterized by a diagonally placed wooden element, creating the visual effect of the table being sliced in half. This particular table is depicted in several images, highlighting its unique construction and the interplay between the two primary materials. The use of walnut wood provides a natural warmth and texture, while the powder-coated steel contributes to a sleek, contemporary feel and structural integrity. Another significant offering is the Doppio Coffee Table, which presents a more streamlined design compared to the Cortado. This table features a powder-coated steel frame that supports both a cedar shelf and a cedar tabletop. The choice of cedar adds a distinct aromatic and visual quality to the piece, complementing the industrial aesthetic of the steel. The Doppio Coffee Table is illustrated with multiple views, demonstrating its simplicity, functionality, and the harmonious blend of materials. Completing the collection is the Ladder Back dining table. This piece features a walnut tabletop supported by a powder-coated steel base, further accented with walnut details. A notable design element of the Ladder Back table is its walnut-tipped feet, which are designed to resemble animal hooves, adding a touch of whimsy and organic form to an otherwise modern structure. The table's design underscores the brand's ability to infuse artistic details into functional furniture. Images of the Ladder Back table provide various perspectives, showcasing its elegant lines and the thoughtful integration of its components. Overall, Harkavy Furniture's approach centers on creating contemporary furniture that is both visually appealing and structurally sound, utilizing the contrasting yet complementary properties of wood and steel. The brothers' dedication to handmade production ensures that each piece meets high standards of quality and design, making their furniture suitable for modern living spaces. The showcased tables—Cortado, Doppio, and Ladder Back—exemplify the brand's signature style and its focus on clean, sophisticated designs. #HarkavyFurniture #ModernFurniture #WoodAndSteel #HandmadeFurniture #CoffeeTables #DiningTables #InteriorDesign #PortlandDesign #FurnitureDesign

Mark Jupiter, a designer and builder, discusses his journey and inspirations in the latest "Friday Five" feature. From a young age, Jupiter felt a strong inclination towards creation, which eventually led him to design and construct his first house. He meticulously crafted every element, a process he considered essential to experience at least once. This initial venture involved building a massive Gambrel timber frame and constructing some of the country's first LEED Platinum homes, solidifying his belief that his true calling lay at the intersection of craft and invention. Jupiter's path was not without significant challenges. He faced personal tragedies with the loss of both parents and the collapse of his housing company during the 2008 financial crisis. These events left him at a crossroads, but with the steadfast support of his wife, he found the courage to reinvent himself. Her unwavering belief in his abilities inspired him to return to his roots in furniture making, a field he was intimately familiar with through his upbringing. Having learned the intricacies of the trade from his father, a general contractor, Jupiter's hands-on experience ranged from lifting materials to sanding wood. This innate aptitude led him to relocate from upstate New York back to the city to establish his own business. In 2013, he opened his eponymous studio in Brooklyn's DUMBO neighborhood. Starting with a collection of a dozen pieces, which he describes as "the functional jewelry of any room," his operation has since expanded significantly. Today, Mark Jupiter's studio has evolved from a one-man endeavor into a leading, state-of-the-art manufacturing facility and showroom on the East Coast. This growth is particularly notable given the continuous displacement of craft-based businesses from high-end urban areas. The workshop serves not only as a production space but also as a community hub, fostering connection and inspiration among its members. Jupiter values collaboration, emphasizing that the success of his brand is a testament to the collective talent, passion, and precision of his team. In the "Friday Five" segment, Jupiter shares five key inspirations. His wife's pottery, with its quiet power and focus on form, texture, and restraint, consistently impresses him and teaches him about the enduring quality of subtle craftsmanship. Chopping wood provides him with a satisfying, rhythmic activity that connects him to direct consequences and the primitive essence of design. His daughter's honest and unpretentious poetry and singing remind him of the importance of genuine creative expression. He finds immense value in observing master artists at work, citing his experience with painter Craig Anthony Miller, whose process of creating a mural in Jupiter's showroom exemplified dedication and confidence. Finally, his deep affection for goats and other farm animals reflects his connection to a grounded, soulful way of life, providing a refreshing contrast to his urban professional environment. His DUMBO showroom, KITH collaborations, the Jacqueline Desk, the Gabriel Credenza, and the Bose collaboration are highlighted as examples of his work. Each of these inspirations, from personal relationships to practical activities and professional collaborations, underscores Jupiter's philosophy: that authentic creativity and masterful craftsmanship are born from genuine experience, collaborative effort, and a deep appreciation for both the refined and the natural aspects of life. His work, whether furniture pieces or larger installations, consistently reflects this integrated approach to design and living. #MarkJupiter #FurnitureDesign #Craftsmanship #DesignInspiration #BrooklynDesign #CreativeProcess #Entrepreneurship #HomeFurnishings #Woodworking

West Haddon Hall, a Los Angeles-based furniture company, is introducing its new Collection II, which focuses on creating future heirlooms through well-considered and thoughtfully designed furniture. Founder and interior designer Kate Driver emphasizes that good design ages better, underscoring the brand's commitment to longevity and timelessness. The collection, comprising seven distinct pieces, draws inspiration from classicism and organic forms, integrating centuries-old artisanal techniques such as straw marquetry and caning, alongside sensitive upholstery detailing. Key pieces include the Brooks armchair, featuring a geometric wooden frame with caning and a gently curved upholstered top rail, and the Mulberry armchair, as well as the Wyngate Marquetry cocktail table. The philosophy behind West Haddon Hall's new collection is rooted in creating pieces that are not only aesthetically pleasing but also functional and enduring. Driver believes that decorators, given their understanding of client needs and daily living, are uniquely positioned to design furniture that integrates seamlessly into homes and is cherished for generations. This approach contrasts with the trend of fast furniture, offering an edited and usable collection where functionality and the end-user's experience are paramount. Driver often references her own treasured family heirloom, an old Welsh dresser, as an inspiration for preserving the memory and value of old objects in new designs. To showcase Collection II, Kate Driver meticulously staged each piece within an architecturally significant 1921 home designed by Francis Pierpoint Davis. This backdrop, chosen for its historical significance and recent renovation that preserved original details, allowed the new furniture to be presented alongside vintage pieces and antiques. This contextualization highlights how West Haddon Hall's designs can integrate into diverse environments, illustrating the potential for new items like the Elliston daybed and Ivy side table (from Collection I, now available in a new Champagne color) to coexist harmoniously with cherished older items, fostering a personal and unique living space. True craftsmanship is a cornerstone of West Haddon Hall's collection. Driver actively seeks collaborations with artisans and craftspeople to ensure the revival and continuation of traditional techniques. She expresses a particular interest in marquetry and caning, emphasizing the importance of preserving these rare arts from fading into obscurity. The new floating credenza, for instance, prominently features natural caning and honeyed oak, showcasing the brand's dedication to these intricate skills. The company also offers customization options, allowing clients and trade professionals to specify different sizes or materials, thereby providing original, bespoke, and timeless quality furniture. #FurnitureDesign #HeirloomFurniture #InteriorDesign #ArtisanalCrafts #SustainableDesign #TimelessDesign #WestHaddonHall #KateDriver #LuxuryFurniture

The selection and implementation of furniture joints are crucial to both the structural integrity and aesthetic appeal of a design. Contemporary furniture design seeks to integrate both beauty and functionality, moving beyond a trade-off between the two. Understanding various joint types opens up possibilities for creating diverse and robust furniture pieces. This article highlights several innovative examples of furniture design, each showcasing unique approaches to joinery. One such example is the Recess Table by Nina Cho. This piece redefines traditional table construction by integrating the legs into the tabletop's form, eliminating separate leg elements. The design features a tubular cavity and a circular recess within the tabletop, providing spaces for personalization, decoration, or storage. The table's structure ensures easy assembly without additional work. Nina Cho's design philosophy emphasizes minimalism and functionality, which is evident in the Recess Table's cohesive and practical form. Another innovative creation is the Wabi-Sabi Bed by Ethan Stebbins. Inspired by Japanese craftsmanship, Stebbins utilizes Japanese interlocking joinery methods with locally sourced materials from coastal Maine. This approach results in simple, stable, and durable beds that exude an exclusive luxury feel. The design highlights the natural beauty and raw textures of the materials, offering a fresh perspective on furniture design by drawing inspiration from the surrounding landscape. Stefan Diez, a German industrial designer, introduced the conceptual Boa table system. This system is based on aluminum tubes and was developed in association with BOA for HAY. Diez is known for his material experimentation and his belief that design should produce high-quality, long-lasting goods for future generations. The Boa system exemplifies this philosophy through its innovative use of materials and modular design. The Anvil console table by Erika Cross Studio offers a long-lasting furniture solution with straightforward joinery. Its whimsical appearance comes from rounded edges that soften otherwise sharp angles. The studio incorporates materials such as cork, Baltic birch, and ebonized or natural ash in its design. The solid forms of the Anvil evoke abstract planes, contributing to its distinctive aesthetic. Finally, the Embrace sideboard by Teixeira Design Studio showcases both storage utility and aesthetic appeal. This piece features unique joints and soft curves, designed to blend harmoniously with various interiors while providing clever hidden storage and cable management solutions. The studio's founder emphasizes that "Design is simply an attitude," reflecting the thoughtful integration of form and function in the Embrace sideboard. These examples demonstrate diverse strategies in furniture joinery, ranging from enhancing durability to maximizing visual appeal. Each design integrates these aspects, proving that it is possible to achieve both strength and aesthetic beauty in furniture construction. #FurnitureDesign #JoineryTechniques #InnovativeDesign #Woodworking #MinimalistDesign #JapaneseCraftsmanship #SustainableMaterials #InteriorDesign

The 'Connected' project, a collaboration between British furniture brand Benchmark and the American Hardwood Export Council (AHEC), emerged from the unique challenges posed by a global pandemic. This initiative brought together nine designers to create furniture pieces aimed at enhancing the working-from-home experience. A significant aspect of this project was the designers' inability to physically visit the workshop or interact directly with their creations, necessitating reliance on remote communication tools like Zoom and WhatsApp, and a considerable degree of trust in the craftspeople at Benchmark. Sean Sutcliffe, co-founder of Benchmark, highlighted the increased leap of faith required from designers in trusting the technical, visual, and sensory aspects of the craftsmanship without in-person observation. An example of the innovative problem-solving employed by Benchmark is demonstrated in Studio Swine’s chair, which required its red oak and cherry wood components to be submerged in the River Kennet for a week to facilitate steam-bending. This resourcefulness is characteristic of Benchmark's workshop, which boasts 58 skilled craftspeople. Sabine Marcelis, a Wallpaper* Designer of the Year, praised Benchmark's willingness to push creative and technical boundaries, a stark contrast to the limitations often encountered with other manufacturers. Marcelis's contribution to 'Connected' is the 'Candy Cubicle,' a maple-veneer box designed to conceal home-working tools, including her partner’s monitor, with a surprising acid-yellow interior. Sustainability is a core principle of 'Connected,' mirroring previous collaborations between AHEC and Benchmark. Designers selected from red oak, maple, and cherry—woods that represent 40 percent of American hardwood forests but are often underutilized. David Venables, European director at AHEC, explained the council's mission to reintroduce these 'unfashionable' woods to designers and consumers, thereby promoting the sustainable use of all natural resources. The project underscores how consumer choices influence forest composition, advocating for a broader appreciation of timber species beyond the obvious choices. The pandemic and the chosen materials appear to have fostered a renewed appreciation for nature among the designers. Works range from Thomas Heatherwick’s biomimicry-inspired maple planters to Studiopepe’s 'Pink Moon' chair, reflecting a collective desire to connect with the natural world. Despite a common theme of natural inspiration, each designer's individuality is evident. Maria Bruun created a Scandinavian-style table from rippled maple, while Jaime Hayon’s 'Mesamachine' showcases complex, humorous, and movable cherry wood components. Ini Archibong's 'The Gate,' an outdoor collection, draws inspiration from the Giant’s Causeway, featuring a hexagonal plinth of red oak and cherry and a green-lacquered red oak top with brass inlays. Maria Jeglinska-Adamczewska's seat utilizes barrel-making techniques for its curved form, and Sebastian Herkner designed 'Stammtisch,' a modern Lazy Susan with sliding trays made from various woods and finishes. The designers will see their completed pieces in person for the first time at London's Design Museum, where 'Connected' will be exhibited from September 11 to October 11. This exhibition marks the culmination of a project that navigated unprecedented challenges through remote collaboration, trust, and a shared commitment to design and sustainability. #FurnitureDesign #Woodworking #RemoteCollaboration #SustainableDesign #HomeOffice #Craftsmanship #DesignMuseum #HardwoodExports #InteriorInnovation

Erik Wyckoff, a professional woodcarver operating out of Minneapolis for 28 years, specializes in creating bespoke wooden elements that add unique character and timelessness to homes. His interest in wood carving began in childhood, inspired by the intricate details of historic homes like the James J. Hill House. Wyckoff's parents encouraged his passion for traditional craftsmanship, leading him to pursue formal training. He honed his skills under the tutelage of master carver Konstantinos Papadakis, who passed down artistic, historical, and practical knowledge, including tool handling, carving efficiency, and the fundamental decorative styles. Papadakis's instruction covered various motifs such as birds, flowers, grapes, and the scrolling acanthus leaf, which forms the basis for numerous historical carving styles. This comprehensive training has enabled Wyckoff to undertake a diverse range of projects, from Italian-style wine cellar doors and French mantels to Black Forest-style mantels for rustic cabins. Wyckoff's portfolio includes notable projects such as a Renaissance-Revival-style carved paneled study featuring hidden loons, deer, and beavers, inspired by the Minnesota State Capitol. He also replicated missing wood carvings for the restoration of the Donaldson Mansion in Minneapolis and created a French-style relief carving over a door in Medina, incorporating the owner’s industrial symbols. Wyckoff places significant emphasis on research, drawing inspiration from historic decorative arts ranging from medieval churches to French tapestries, ensuring historical accuracy and a sense of permanence in his creations. Among his favorite projects are the doors and panels for a Maplewood home's wine cellar, which were inspired by France's Château de Chambord, designed to immerse the owner in a French aesthetic. This project also included a unique bar top under glass, carved with mythical beasts and foliage, conceived as a conversation-starting "cabinet of curiosities." Another deeply sentimental piece involved a carved panel with vines and a pair of cardinals for an older couple, symbolizing their lifelong partnership. Wyckoff collaborates frequently with design professionals, integrating his custom carvings, which often feature Old World decorative art motifs like animals, flowers, and scrollwork, seamlessly into the overall architecture and interior design. He ensures historical accuracy and tasteful integration, often being part of a larger design team to achieve the client's vision. Clients like Steve and Susan Rudolph of Orono attest to Wyckoff's ability to create custom pieces that perfectly match existing architectural details, as demonstrated by the eight unique willow corbels he carved for their Spanish Revival home's entry gallery. These corbels not only highlighted the groin vault ceiling but also subtly incorporated the initials of each family member, adding a personal touch while maintaining historical consistency. Wyckoff expresses profound satisfaction in knowing his work brings joy and lasting beauty to clients' homes. #Woodcarving #BespokeDesign #InteriorDesign #CustomCraftsmanship #HomeDecor #ArtisticWoodwork #HistoricalAccuracy #Renovation #ArchitecturalDetails

The article presents a comprehensive guide to 26 American-made furniture brands favored by interior designers for their timeless quality and exceptional design. It emphasizes the importance of selecting well-designed, long-lasting furniture for the home, drawing on insider knowledge from industry experts. The brands featured range from established names to lesser-known companies, all recognized for their craftsmanship, customization options, and commitment to domestic manufacturing. The guide highlights A. Rudin, a family-owned business since 1912, known for its elegant and enduring upholstered furniture and case goods, all customizable and produced with traditional techniques in Los Angeles. Vani Sayeed, an interior designer, praises their quality and comfort, citing specific chair and sectional models. And Objects, founded in London in 2015 and now with a New York showroom, is celebrated for combining purpose, belonging, style, and fun in its furniture and objets. Co-founders Martin Brudnizki and Nick Jeanes are noted for their focus on materiality, technical detailing, exquisite finishes, and a flair for the unexpected. Melissa Urdang Bodie, co-founder of Melissa & Miller, admires their unique, individual pieces with personality, particularly the Easton chair for its bold color and high-quality leather. Chaddock Home is recognized for its unparalleled commitment to American manufacturing, customization, and quality, with nearly 90% of its products designed and made in Morganton, North Carolina. Designer Benjamin Johnston, who collaborated with Chaddock on the Gaia sofa and other pieces, commends their diversity of product and endless customization opportunities. Community Manufacturing, based in Los Angeles, is the preferred choice for New York-based interior designer Christin Farrar for coastal-style projects. Their bench-made pieces embody a casual coastal cool aesthetic, are handmade in-house, and allow for custom designs. Farrar particularly notes the Pickering coffee table and the Vander bench. Donghia, a brand known for iconic and classic pieces with visual weight and architectural harmony, is a favorite of Tanner Morgan of Morgan Madison Design. Morgan stresses the heirloom quality of their handmade furniture, citing the Lana chair and the versatile Manhattan sectional, highlighting their craftsmanship, including hand-carved frames and eight-way hand-tied stringing. East Otis Studio, run by Emma and Will Haughery in Lancaster, PA, designs and handcrafts contemporary furniture using ethically sourced, sustainable domestic US wood. Melissa Urdang Bodie appreciates their heirloom pieces and exquisite detailing. Egg Collective, a New York-based, all-female team with backgrounds in art, architecture, and woodworking, creates sculptural handmade pieces from natural materials, prioritizing community and stewardship of the natural world. Sarah Giesenhagen of The Bureau recommends their Fortune Tables and upholstered pieces. Gentner Design, led by Christopher Gentner in Chicago, integrates metal with other natural materials like glass, leather, and wood to create groundbreaking furniture. Tanner Morgan highlights their sculptural designs and accessories, particularly the elegant Semainier. Hickory Chair, with over 100 years of history in North Carolina, is a go-to for traditional interiors, offering well-made pieces. Vani Sayeed praises their 9th Street collection for its transitional look and ergonomic design. Holly Hunt, founded in 1983, champions American design for discerning clients, offering a premium showroom experience and consistently producing classic furniture in quality materials. Vani Sayeed and Tanner Morgan both commend Holly Hunt for its stunning lines, craftsmanship, and ability to enhance any space, mentioning the Rhone sofa and Caldera cocktail table. John Pomp, a design-driven artisan manufacturer, combines molten glass, warped metal, and refracted light in his organic furniture and lighting. Denise Morrison of House of Morrison admires John Pomp’s Warp console and his adept use of metal and glass, recommending The John Pomp Gallery at Thomas Lavin. Kalon Studios in Los Angeles is celebrated for its blend of simplicity, elegance, and function, creating beautifully crafted pieces with an organic plant-based finish. Sarah Giesenhagen points out their Caravan crib as both practical and aesthetically pleasing. Kin & Company, a Brooklyn-based design practice by cousins Joseph Vidich and Kira de Paola, creates edgy, sculptural pieces through material experimentation. Melissa Urdang Bodie highlights their steel Thin Chair and Table 1 for their exploration of form and function. Konekt, a New York brand founded by a mother-daughter duo, combines unexpected materials like horsehair and chainmail with traditional ones. Melissa Urdang Bodie praises their meticulously designed and crafted pieces, such as the Armor pendant light. Kravet, a multi-generational company, is highly recommended by Vani Sayeed for its Tailor range, which offers extensive customization options for both case goods and upholstered furniture. Lawson Fenning's LF Collection, based in California, is noted for its organically modern pieces with traditional detailing. Christin Farrar and Denise Morrison both appreciate its versatility and unique perspective, citing the Maker’s Day Bed and Prospect Coffee Table. McKinnon and Harris excels in outdoor furniture, renowned for its quality, performance, and comfort. Tanner Morgan considers their Beaufort and Duval seating collections ideal for creating outdoor spaces that extend indoor living areas. Mous, led by third-generation designers Tanner Moussa and Mackenzie Lewis, offers a fresh lineup of contemporary case goods with a modern, sensuous aesthetic. Vani Sayeed likes their Pi chair, Ellipse side table, and Cassini end table. Muskoka Living, based in California, designs and builds customizable furniture with an easy-going, sophisticated style, suitable for various homes. Christin Farrar mentions the Macy counter stool and the Sag Harbor outdoor chair and ottoman as favorites. Nat Fry Woodworking, located in Willistown, Pennsylvania, creates handmade pieces using traditional joinery and ethically sourced hardwoods. Melissa Urdang Bodie collaborated with Nat Fry on a custom walnut console with cane doors. Quintus is recognized for its stylish case goods, seating, and tables, along with its reliability in delivering quality products on schedule. Christin Farrar highlights the Zoey Desk and Jacosta game chair. Rose Tarlow Melrose House, an evolution of Rose Tarlow Antiques, is esteemed for its traditional pieces reinterpreted with modern materials and scale. Tanner Morgan and Denise Morrison praise their four-poster beds, William cabinet, and textiles, noting the Paco Lounge Chair and Ezio Barstool as signature pieces. Stephen Kenn, based in Los Angeles, creates creative pieces from repurposed and vintage materials, demonstrating a background in fashion design through his detailing. Sarah Giesenhagen recommends his upholstered pieces like the Inheritance sofa. Thomas Hayes Studio in Hollywood custom makes original pieces inspired by Brazilian midcentury designs and Modernism. Denise Morrison emphasizes their commitment to a small collection of high-quality, elegant, and crafted pieces, such as the Iron and Rolled Counter Stool. Verellen, a North Carolina brand, is known for its luxurious, clean-lined, and customizable furniture. Christin Farrar appreciates their attention to detail and flexibility, particularly the Barcelona table. Waka Waka, a Los Angeles studio, transforms plywood into utilitarian works of art with a quirky, Japanese post-modern edge. Sarah Giesenhagen describes their handmade furniture as simple in form but playing with proportion and interesting details, exemplified by the Cylinder Back Armchair. #AmericanMadeFurniture #InteriorDesigners #LuxuryFurniture #CustomFurniture #HomeDecor #DesignTrends #QualityCraftsmanship #FurnitureBrands #ResidentialDesign

This article highlights six woodworking studios located in the Hudson Valley, emphasizing their contributions to the contemporary furniture and home goods scene. The region is noted for its high-quality craftspeople, with craft fairs like Field + Supply, The Farmhouse Project, and Woodstock-New Paltz Art & Crafts Fair showcasing their work. The featured woodworkers are recognized for their distinct styles, commitment to sustainability, and use of locally sourced or reclaimed materials. Brian Persico, based in Windham, creates one-of-a-kind furniture and functional objects, drawing inspiration from natural materials and historical craft techniques. He prioritizes locally sourced wood, often from within 20 miles, and utilizes natural finishes and glues, some based on 16th-century recipes. His experience with unusual natural materials in archery bow making, such as horn, bone, and sinew, influences his designs, notably in his Windham series, which incorporates antler pins. Examples of his work include a pine and osage kindling box with hand-cut dovetail joinery and a bent Osage Orange handle, and a walnut cove mirror crafted with an antique architectural molding plane. New York Heartwoods, operating out of Kingston, was founded by Megan Offner in 2010. Her mission stems from her experience as an advertising set designer, where she observed excessive waste of wood materials. The studio reclaims discarded lumber and repurposes Hudson Valley trees felled by natural causes or development. This reclaimed wood is then used in their carpentry studio to create bespoke furniture and products, or sold to architects, designers, and other woodworkers. Noteworthy pieces include the Eclipse Coffee Tables, designed to be nested or used independently, and the Highland Coffee Table, characterized by its faceted corners, butterfly key inlays, and a hand-shaped Mid-Century inspired base. FN Furniture in Stone Ridge, established by Ken Landauer in 2017, focuses on creating well-designed, affordable, and zero-waste furniture. Landauer's designs for indoor and outdoor chairs, benches, and sofas are informed by yogic principles, ensuring comfort and proper alignment. Indoor pieces are made from multi-layered Baltic Birch Plywood using a CNC machine. Following requests for outdoor and office furniture, a line of outdoor pieces was launched in 2020, utilizing marine-grade, high-density plastic. The F2 Rocker, available in vibrant colors like red, yellow, and green, and the F2 Writing Desk with its thoughtful storage nooks, are highlighted examples. Samuel Moyer Furniture, with studios in Staatsburg and Los Angeles, is dedicated to crafting furniture and artwork intended to last for generations, thereby reducing waste. Moyer's handmade, made-to-order cabinets, tables, consoles, chairs, and beds often incorporate brass with unique, sometimes self-milled woods such as locust or American black walnut. His work frequently features unfinished sections that expose the inherent beauty of the wood and the crafting process, with a focus on statement joinery and showcasing raw edges. KHEM Studios in Stanford, founded in 2016 by Kari Britta Lorenson and Erik S. Guzman, emerged from their desire for simple, clean contemporary designs using natural solid hardwoods. Both founders have backgrounds in sculpture, which influences their homeware and furniture collections. They design and produce pieces in their Stanford studio using locally sourced kiln-dried hardwoods. Featured items include the Mega Whale Bone Cutting Board, which combines artistry and functionality with its size and deep channel, and the Unity Bench, praised for its elegant lines and unique angles, suitable for various spaces. Accordance with Nature, located in Accord, is a design and furniture studio established by self-taught furniture makers Patrick Turiello and Leah Fabish. Their backgrounds in sculpture, architecture, and industrial design are evident in their work, which ranges from sculptural side tables to custom wall-mounted shelves and peg rails. Each piece is designed and manufactured by Turiello and finished by Fabish, often utilizing repurposed tools and machinery. The Woven Shelf No. 1 in White Oak is highlighted for its delicate interwoven slats and compact design, and the Peg Rail No. 2 in Ebonized Oak is noted for its stylish organization capabilities in entryways. These six studios collectively represent a commitment to craftsmanship, sustainable practices, and the creation of unique, high-quality furniture and home goods in the Hudson Valley, contributing to a vibrant local design economy. Each studio offers distinct approaches to woodworking, from reclaiming materials to integrating artistic and ergonomic principles, all while focusing on durability and aesthetic appeal. #HudsonValleyWoodworkers #ContemporaryFurniture #HomeGoods #SustainableDesign #HandcraftedFurniture #LocalCraftsmanship #InteriorDesign #Woodworking #ArtisanFurniture

Wood has long been a fundamental material in furniture design, valued for its durability, availability, and versatility. It allows for diverse forms, from linear to sculptural, and offers a wide range of colors depending on the timber species, such as cherry, oak, or walnut. This enduring appeal of wood is being revitalized by a new wave of designers, particularly those based in Los Angeles, who are approaching this traditional material with fresh and innovative perspectives. These creatives are experimenting with shape, color, and overall style, pushing the boundaries of what can be achieved with timber. The article highlights several designers and their unique contributions to this resurgence of wood furniture. One featured piece is the 'Sweater Chair' by Sam Klemick, who brings a background in fashion design to furniture. This chair features a surreal element: a carved wooden sweater draped over its back, meticulously crafted to mimic the delicate hang of fabric. This piece functions as both a statement and a conversation starter, showcasing an unexpected blend of materials and aesthetics. Nik Gelormino's 'Shell Stool' is another example, known for preserving the natural texture and hue of the original timber while completely re-imagining its form into a swirling, sculptural design. Gelormino's work is recognized in both private residences and prominent online shops, reflecting a blend of organic inspiration and refined craftsmanship. The Los Angeles-based studio Base 10, founded by Lindsey Muscato and Joshua Friedman, presents the 'Bowtie Chair.' Influenced by Japanese woodworking techniques and the inherent qualities of the wood itself, this chair highlights the beauty of elm wood, subtly enhanced by small bowtie inlays along its legs, which also give the piece its name. Adi Goodrich, who grew up in her father’s woodshop, explores the interplay of color and wood in her 'Sketti-S Side Table.' Her collection of tables, chairs, and stools demonstrates how vibrant colors can accentuate the natural beauty of wood, with blue, for instance, providing a striking contrast against natural cherry wood. Tristan Louis Marsh’s 'Elephantine Chair' represents a different approach, where the designer opts to smooth over the raw qualities of wood. This chair is created using a technique that coats the frame in resin, resulting in a smooth, almost otherworldly effect that transforms the perception of the material. Finally, Shin Okuda’s studio, Waka Waka, focuses exclusively on wood furniture, producing designs that are both functional and aesthetically pleasing. The 'Leaning Cylinder Chair,' with its distinctive barrel-backed silhouette, is one of Okuda’s more recognizable pieces, available in various colors such as indigo, green, and red. These designers collectively illustrate how an age-old material can be given a contemporary and often surreal twist, making wood furniture cool again through innovative techniques and artistic vision. #WoodFurniture #FurnitureDesign #LosAngelesDesigners #ContemporaryWoodworking #InteriorDesignTrends #SustainableMaterials #ArtisanFurniture #DesignInnovation