A Rittenhouse Square Townhouse Gets a Japanese-Inspired Makeover

A townhome in Lewes has been transformed into a mindfulness retreat, drawing inspiration from Japanese architecture and aesthetics. The project, designed by Scott Edmonston, principal of Millville-based SEA Studio Architects, in collaboration with Camenisch Company Inc., sought to create a serene escape for a bachelor who desired a quiet space for writing, away from his primary residence in Manhattan, while also accommodating occasional family visits. The design implicitly embraces several Japanese principles, including *wabi-sabi*, which celebrates the beauty of transience and imperfection; *shibui*, emphasizing simplicity, subtlety, and economy of line; and *miyabi*, denoting refinement and polish. These concepts were expertly integrated by the project’s contractor, Milton’s Camenisch Company. The homeowner's desire for a mindful retreat, coupled with the structural limitations—an HOA mandate against external or window configuration changes—led to a design that maximized internal flexibility and aesthetic coherence. The two-story home, an award winner at the 2022 AIA Delaware, functions to promote mental clarity and a healthy lifestyle, encouraging occupants to slow down and immerse themselves in their surroundings. This is achieved through thoughtful architectural choices that foster a sense of calm and remove daily stressors. Key design elements include custom built-in furniture, such as a sofa in the living room and cabinetry in the kitchen and primary bedroom, fabricated by Alleghany Woodworks. The kitchen features vertical-grain white oak cabinetry with concealed hardware and Pental Quartz countertops and backsplash, designed to seamlessly integrate into the living space and even disappear when not in use. Throughout the home, the flooring is white oak with a custom finish. Light plays a pivotal role in the design, with natural illumination flooding the spaces. The existing clerestory windows are augmented by a system of Japanese *shoji* screens, built by Brian Holcombe Woodworker. These screens not only enhance the aesthetic but also provide flexibility in partitioning space, allowing small areas to feel larger and offering privacy when needed, particularly in the 130-square-foot “bunk room” which can adapt to host varying numbers of guests. The primary bathroom is a standout feature, designed as an open-style wet room with built-in seating, multiple shower fixtures, and a deep soaking tub from Signature Hardware. This space evokes the tranquility of Japanese *onsens*. The materials used, such as Riad Tile in Zellige natural white for walls and Tilebar’s Bronx Collection for flooring, contribute to the serene ambiance. The interior is further curated with select furniture and art, including a Japanese banner that translates to “clear skies for 1,000 miles,” symbolizing both the views of the nearby bay and the clarity of mind the home aims to inspire. #JapaneseDesign #TownhomeLiving #MindfulnessRetreat #CoastalHome #InteriorArchitecture #CustomBuiltIns #ShojiScreens #WabiSabi #Shibui

Sunny Simmons and Caroline Smith, a husband and wife duo, transformed a former auto body shop in San Francisco into Onsen, a Japanese-inspired bathhouse and restaurant. This ambitious three-year project involved a complete revamp of the space, with the couple even residing in an Airstream inside the automotive building during the renovation period. Sunny, a craft builder, prioritized retaining the original character of the building while integrating modern amenities. He meticulously collected wood over time, which was then used throughout the building, contributing to its unique aesthetic and connection to the past. The aesthetic of Onsen is deeply influenced by Japanese bathhouse culture, yet it incorporates the couple's personal touch and a focus on community. Caroline curated the art that adorns the walls of the treatment rooms and the restaurant, adding a distinct artistic dimension to the space. The bathhouse section of Onsen features six treatment rooms and a communal bathing area. A notable highlight is the cold plunge shower installation, which draws inspiration from steampunk fiction, providing a distinctive and invigorating experience for patrons. Each treatment room within the bathhouse offers a unique environment. One room is a dry sauna constructed entirely from redwood, evoking the feel of a traditional sauna. Another room showcases striking black and white tiles, adding a graphic element to its design. The communal bathing room’s five-head cold shower plunge system exemplifies the blend of traditional inspiration with a unique, artistic interpretation. The walls are further decorated with a collection of bathhouse tickets from various locations around the world, adding to the authentic and global feel of the space. Beyond the bathhouse, Onsen features an intimate, chef-driven restaurant and tearoom at the front of the building. This culinary space offers fresh, seasonal cuisine and tea service, complementing the tranquil and rejuvenating experience of the bathhouse. The owners' commitment extends beyond commercial enterprise to community engagement. On Tuesdays, when the business is closed, Simmons and Smith plan to open their facility to the neighborhood, offering services to those who might not otherwise have access. This initiative reflects their dedication to giving back and fostering a sense of community. The entire transformation, from an industrial auto body shop to a serene Japanese-inspired haven, showcases a blend of historical preservation, modern design, and community spirit. #ZenBathhouse #JapaneseDesign #SanFrancisco #AdaptiveReuse #InteriorDesign #CommunitySpace #CraftBuilding #Wellness

Giselle Go and Philippe Terrien, co-founders of the Japanese clean beauty brand DamDam, embarked on a search for a tranquil weekend retreat near Tokyo. Their initial criteria included proximity to the city, high privacy, and a mountainside location. After a prolonged search, a friend, Naoko Kawamura, introduced them to a 75-year-old property overlooking the Pacific Ocean and Mount Fuji. The house, initially dilapidated, held historical significance as it was built by American postwar photojournalist Horace Bristol, known for his work on John Steinbeck’s 'Grapes of Wrath' and for magazines like 'Life,' 'Time,' and 'National Geographic' in the 1950s. Recognizing the challenges of renovating such an old property, especially one situated on protected heritage land, the couple enlisted the expertise of Motosuke Mandai of Mandai Architects. Their vision was to revive the house while preserving its past and integrating modern comforts. A significant part of the renovation involved working closely with the local temple that oversees the protected area to ensure all regulations were met. The couple meticulously retained original elements like wood beams, ceilings, and shoji screens. When original features such as the wood floors or the wood-burning stove could not be salvaged, they were replaced with identical materials to maintain the house's authentic character. The entrance to the home functions as both an entryway and a mudroom, where it is customary to remove shoes and don soft house slippers, a Japanese tradition. This space features a Hang-It-All coatrack by Eames for Herman Miller, a stool by Timber Crew, and a washi tray by Craig Ancelowitz, both for DamDam Atelier. Artwork includes a calligraphy on canvas by Mikiko Kayama and a wall sculpture by Yuichiro Kobayashi. The living room, a favorite indoor spot for the couple, boasts an Akari 21A pendant light by Isamu Noguchi, an Archimoon Soft table lamp by Philippe Starck for Flos, and Glo-ball table and floor lamps by Jasper Morrison for Flos. The sofa is an N701 modular model from Ethnicraft, complemented by an Airframe coffee table by David Chipperfield for Cassina. This room offers direct views of the sunset over the sea, with garden-facing windows framing the sofa, and features a wood-burning stove for winter warmth. The dining room serves as a dual-purpose workspace. Original shoji screens provide privacy from the north-side bamboo, while the room opens to sea views on the west. This area includes a Flowerpot Verner Panton 1968 pendant light from &Tradition, Series 7 dining chairs by Arne Jacobsen for Fritz Hansen, and an Airframe dining table by David Chipperfield for Cassina, which was restored with a new walnut-wood top by Timber Crew. Custom shelving by Douguya and an Akari 3x table lamp by Isamu Noguchi further personalize the space, along with washi artwork and a painting by Philippe’s son, James. The kitchen, a beloved space for Philippe, was enlarged by removing an old bathroom, placing it centrally within the home with garden access. To address the lack of natural light, Motosuke Mandai incorporated floor-to-ceiling windows into the traditional ranma (wall panels), creating the illusion of a floating roof and flooding the interiors with sunlight. An engawa, a traditional Japanese hallway, was transformed into a sunroom, enlarged and opened to a seaside deck for sunset aperitifs and gardening activities. This room is furnished with an Akari 1AG table lamp by Isamu Noguchi, an antique rattan table, a vintage lounge chair, and a Malawi chair from Couleur Locale. The decor reflects the multicultural backgrounds of Giselle, who is Filipino, and Philippe, who is French, blending midcentury-modern design, vintage finds, Japanese crafts, and textiles from their travels. The furniture, much of which was crafted by artisans known to them, imbues the home with a personal touch. The only fully enclosed room is the bedroom, which offers a private sanctuary feel, without glass windows on the ranma. The bed frame is by Timber Crew, and the table lamp is the Archimoon Soft by Philippe Starck for Flos. Wood stools designed by Timber Crew for DamDam Atelier complete the room. A large ofuro (bathtub) at the end of the bathroom provides a relaxing space. The interior design blends Japanese architectural elements like sugi-finish floors and preserved pinewood ceilings with a diverse collection of furnishings, embodying an old-world travel museum aesthetic that reflects the owners’ journeys and personal connections. #JapaneseHouse #ZenHideaway #HistoricRenovation #InteriorDesign #TokyoHome #ArchitecturalDesign #MidCenturyModern #MulticulturalDecor #DamDam

The Xchange Apartment in Kyoto, designed by architecture studio TANK, reimagines traditional Japanese craft techniques to transform a previously "drab" flat into a guesthouse for artists. Principal Naritake Fukumoto drew inspiration from kintsugi, the Japanese art of repairing broken pottery with lacquer mixed with powdered gold, to create a unique flooring aesthetic. For the living room, Fukumoto intentionally selected a type of cement flooring prone to cracking. Once the cracks naturally formed, a gold-colored epoxy resin was used to fill these imperfections, mirroring the kintsugi philosophy of celebrating the beauty in imperfection rather than concealing it. This innovative application transforms what might typically be seen as a flaw into a deliberate and artistic design element. Beyond the living area, the bathroom and kitchen floors, which are slightly elevated, feature another adaptation of a traditional Japanese craft: lacquerware. Instead of directly applying lacquer, the architect used a layer of fiber-reinforced plastic netting covered with transparent resin. This method creates a translucent yet visually complex texture, revealing the underlying glass-fiber layers over the wooden base. This technique not only achieves a distinctive aesthetic but also provides material strength and waterproofing, essential for these utility areas. The choice of materials and methods in these spaces reflects a conscious effort to integrate local traditions into contemporary interior design. The apartment's overall decor maintains a minimalist approach, featuring white walls and simple furnishings. Exposed concrete beams, subtly marked with paint stains, contribute to the raw, artistic ambiance. Practical design elements are also incorporated, such as a pair of mirrored doors that can be opened to form a private dressing area. Glass doors lead to a narrow balcony, offering residents picturesque views of the nearby Kiyomizu Temple and the surrounding five mountains, connecting the interior space with Kyoto's natural and cultural landscape. The design aims to create an intuitive and creative atmosphere, encouraging residents to explore both the apartment's unique features and the city outside. TANK, a Tokyo-based studio established in 2010, is known for its inventive architectural projects that often play with conventional elements and perceptions of space. Previous works include an apartment where carpet sections double as flip-flops and a home featuring floorboards on the ceiling, demonstrating a consistent innovative and unconventional design philosophy. The Xchange Apartment continues this tradition by integrating traditional Japanese repair and craft techniques into its modern design, highlighting the potential for contemporary spaces to draw depth and character from historical methods. The photography for the project was provided by Kenta Hasegawa, effectively capturing the apartment's distinctive details and overall aesthetic. The project team included Naritake Fukumoto as the architect, with construction handled by LOÖWE and TANK, emphasizing a collaborative approach to realizing this distinctive residential space. #KyotoApartment #KintsugiInspired #JapaneseCraft #ResinFlooring #MinimalistInterior #FiberReinforcedPlastic #GuesthouseDesign #TANKArchitects #TraditionalModernBlend

This article details the comprehensive gut renovation of a two-bedroom prewar apartment in Brooklyn Heights, transforming it from a dated and worn space into a functional and aesthetically pleasing home. The homeowners, initially drawn to the apartment's convenient location rather than its condition, lived in the space for a year to understand its nuances before embarking on the renovation. They collaborated with Brooklyn-based Claire Hung of Claire Hung Design, whose vision resonated with their desire for a thoughtful transformation. Hung's design philosophy is significantly influenced by Japanese and Scandinavian aesthetics, both emphasizing beauty in simplicity. This approach naturally complemented the homeowners' existing collection of mid-century furniture pieces. A major challenge encountered during the renovation was the apartment's ceilings, which were heavy with structural beams throughout. To address this, Hung employed creative lighting solutions, such as installing junction boxes on the sides of beams and swagging fixtures to achieve desired illumination in areas like the hall and over the dining table. The design also incorporated custom millwork to redirect visual focus away from the intricate ceiling structure. To enhance the overall brightness of the north-facing apartment and highlight the new furnishings, all walls were painted in Benjamin Moore's Decorator's White, and new wheat-colored oak flooring was installed to add warmth. The bespoke millwork, including custom built-ins, was crafted from oak with a dark chocolate stain. Key structural changes included removing a wall to open up the galley kitchen, integrating it with the living space, and expanding its footprint with an elongated countertop and peninsula. The kitchen and both bathrooms, which were remnants of the building's 1980s co-op conversion, underwent complete overhauls. In the kitchen, previous dropped ceilings were removed to restore height, and alternative lighting, such as under-cabinet lights and wall sconces, was implemented. The custom millwork in the kitchen cleverly conceals appliances like the fridge, freezer drawers, and a dishwasher, along with a pull-out drawer for trash and recycling bins. Oak veneer was used for the cabinetry, specifically rift sawn to achieve vertical lines and avoid prominent wood grain patterns. The marble countertop was designed to drop before reaching the window, preserving the view, and the windowsill was finished with the same stone. Throughout the apartment, minimalist design principles were applied. For instance, door casing around the new red oak veneer doors was omitted to maximize space and create a clean, contemporary appearance, a choice Hung noted makes small spaces feel more expansive. Emtek hardware was selected for the doors. The primary bathroom was expanded by incorporating space from a former closet, and it features Breccia Roma marble on the floor and a continuous shelf from the shower to the vanity. The guest bathroom is distinguished by lime-washed walls in a custom color from Portola Paints. These design decisions collectively contributed to a serene and functional home that reflects the clean lines and understated elegance of Japanese and Scandinavian design. #InteriorDesign #ApartmentRenovation #BrooklynHeights #JapaneseDesign #ScandinavianDesign #CustomMillwork #PrewarApartment #ClaireHungDesign #HomeRenovation

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

A frequent-flying couple with a preference for Japanese design sought to create a Zen-inspired pied-à-terre in Hong Kong. Interior architecture company In Situ & Partners was tasked with transforming a 2,000 sq ft Mid-Levels apartment, which offered open views of the harbour and the city. The project began with a complete gutting of the apartment, leaving only structural elements, to allow for a flexible new layout. The original four-bedroom, two-bathroom apartment with helper’s quarters was deemed unnecessary for a couple without children. This presented an opportunity to reconfigure the space to meet their specific desires, which included a traditional tatami room, a dedicated tea pantry, and an onsen, reflecting their appreciation for Japanese culture and relaxation. In Situ & Partners adopted a “less is more” philosophy, aligning with the couple’s request for a minimalist aesthetic and a high degree of privacy. The design concept emphasized clean lines, natural materials, and a neutral colour palette throughout the apartment. To maintain an uninterrupted visual flow and streamlined appearance, elements such as door handles and light switches were meticulously integrated into walls paneled with light oak joinery, ensuring they were concealed or blended seamlessly with the surroundings. #HongKongApartment #JapaneseDesign #ZenInspired #InSituAndPartners #MinimalistInterior #TatamiRoom #OnsenDesign #NeutralPalette #NaturalMaterials

Architect Andrew Lister designed a distinctive home for actor Yuri Kinugawa and film producer Owen Hughes in the Auckland suburb of Waterview. The residence, characterized by its tall silhouette, narrow upper window, and a blank cedar-clad facade, adheres to the principles of the Direct Compass, a Japanese discipline akin to feng shui. The home's exterior, covered in cedar weatherboards, initially appears utilitarian, yet conceals a thoughtfully designed interior. The house's structure is composed of two primary boxes connected by a passageway and an adjoining bathroom. Despite its compact footprint, the design creates an illusion of greater spaciousness, as noted by Hughes. A prominent feature of the living room is a two-story bookcase spanning the entire northern wall, housing Hughes’ extensive book collection. This vertical storage solution ingeniously maximizes space, drawing the eye upwards and adding visual texture without encroaching on floor area. The central area of the home is laid out efficiently, with the kitchen to the left and the bedroom to the right. Above these spaces, two offices are stacked, accessible via a stairway at the rear of the room. The interior is enriched by family antiques and Japanese textiles, which introduce complementary textures, transforming the angular space into a welcoming environment. Following Direct Compass principles, the bedroom, considered vital for family relationships, overlooks a small zen garden on the south side of the house. This placement is believed to promote mental clarity due to cooler temperatures. A six-foot-long passageway clearly delineates the transition from the public kitchen and dining areas to the private bedroom. The traditional Japanese bathroom, situated off the central passageway, serves as a space for washing before bathing in a wood-lined onsen (tub). While the north side of the house offers views of an estuary, the street-facing facade maintains a minimalist, private appearance. In stark contrast, the west-facing side features a double-height glass wall that can be fully opened, merging the living space with a veranda. This outdoor area overlooks the garden, estuary, and harbor, providing a setting for observing sunsets and occasional dolphin sightings. The home's exterior features low-maintenance Canadian cedar cladding and aluminum joinery, designed to age gracefully and harmonize with the surrounding garden's sculptural desert plants. The durability of these materials is crucial, given the home's exposure to south-westerly winds laden with salt from the estuary, a condition the chosen plants tolerate well. #JapaneseDesign #BoxHome #TwoStoryBookcase #SmallSpaceLiving #DirectCompass #AucklandArchitecture #CedarCladding #ZenGarden #OpenPlanLiving

In Japan, commercial house production often leads to houses being treated as commodities, with limited owner input in design. To counter this, ikmo architects, led by Yuko Higo, developed an alternative called Cotoiro. This project emerged from a design competition sponsored by a window sash manufacturer and a commercial house seller, which challenged participants to envision novel ways of integrating windows into living spaces. The core inspiration for Cotoiro stemmed from observing how cats utilize windowsills, leading ikmo architects to conceptualize the windowsill not merely as a boundary but as an expandable, configurable micro-room. These expanded window-rooms, or _mado-beya_, are designed to accommodate various activities like reading, studying, napping, or engaging in conversations, while providing access to fresh air and natural light. Homebuyers are given the flexibility to choose from 25 different _mado-beya_ designs, which can then be attached to a basic cubical house structure. The architects aimed to create homes where interior spaces are less rigidly separated from the exterior, encouraging a more dynamic interaction with the outside world through these unique window-rooms. Even as a product for a general clientele, the Cotoiro concept is intended to promote a more vibrant and engaged window-living experience. The architects anticipate that the Cotoiro house will have a broader societal impact beyond individual homeowners. Yuko Higo believes that the small, interactive spaces of the _mado-beya_ will foster communication among neighbors and that the visible human activities within these window-rooms will enhance the attractiveness of the town. Furthermore, the diverse configurations of Cotoiro houses, when collectively assembled, are expected to contribute to a more aesthetically pleasing urban landscape. The initial prototype of the Cotoiro house, a simplified version of the competition entry, is situated in Oita city and is slated for sale later in the year, serving as a model for this innovative approach to residential design. #JapaneseArchitecture #WindowDesign #FlexibleLiving #CustomizableHomes #UrbanPlanning #ArchitecturalInnovation #ResidentialDesign

A townhouse located at 319 East 51st Street in Manhattan's Beekman enclave, Midtown East, has been listed for $14.5 million following a comprehensive gut renovation. Previously acquired by hedge fund executive Timothy Greatorex and his wife Deborah Greatorex for $4.6 million in 2011, the property has undergone significant luxurious upgrades. The residence spans 6,500 square feet across five floors, featuring five bedrooms and five bathrooms. The parlor floor is characterized by an expansive open-plan design, highlighted by an 18-foot glass wall at the rear that offers views of a Japanese garden. Interior details on this floor include herringbone floors, custom millwork, and a wet bar, with ample space to accommodate a grand piano. The ground floor houses the kitchen, dining room, and a den, which also benefits from a wall of glass opening onto a 600-square-foot Japanese-style garden. This outdoor space is described as achieving a balance between luxury and tranquility. The third floor is dedicated entirely to the master suite. This suite features pearl beaded wallpaper, wall-to-wall carpeting, and a remote-controlled gas fireplace. It also includes a dressing room equipped with nine closets. The master bathroom is a focal point, with a marble tub carved from a single stone, set on hand-laid mosaic tiles. Additional amenities in the master bathroom consist of a large shower, a double vanity with a make-up station, radiant heated floors, and three windows for natural light. Ascending the grand staircase to the fourth and fifth floors reveals the remaining four bedrooms, each with its own en-suite bathroom. These upper levels also include an office space, designed with paneling suitable for a hedge fund manager, and a private terrace. The property also boasts a furnished roof deck, although it is not explicitly pictured in the provided description. The exterior of the townhouse maintains its historic character, which complements the extensively renovated and luxurious interior. The renovation has significantly elevated the property's standard of luxury, making it a notable offering in the Midtown East real estate market. The listing for 319 East 51st Street is handled by the Margolis Team for Douglas Elliman, with photos courtesy of Douglas Elliman. #LuxuryRealEstate #Townhouse #GutRenovation #MidtownEast #Manhattan #JapaneseGarden #MasterSuite #ArchitecturalDesign

Kwang Wei Long and Yong Si Yun, a recently-married couple, transformed their 1,249 sq ft four-room HDB resale flat in Bishan into a Japanese-inspired sanctuary. While they had never vacationed in Japan together, their shared appreciation for Japanese culture and Si Yun's prior study of the language led them to infuse their home with elements reminiscent of the country. Their primary goal was to create a tranquil space for relaxation, drawing inspiration from the serene courtyards and gardens found in Japanese temples, and the way modern and historic elements are harmoniously blended in Japanese design. This vision was communicated to their interior design firm, Chalk Architects. The original flat presented several layout challenges, including an unusual balcony placement and an L-shaped living room, which felt dim due to a previous owner's addition of a bedroom. Despite this, the couple opted to preserve the apartment's original dusty-pink broken marble floor, finding its tones appealing. To enhance light and spaciousness, they removed the former study room wall, integrating it into a larger living room. A raised blond wood platform was installed near the entrance, accompanied by a built-in study desk facing the window. This area serves dual purposes: a dedicated workspace and a home yoga studio, complete with a wall-to-ceiling mirror. Further alterations included the removal of walls separating the dining room from the kitchen and the third bedroom, as well as the wall between the master bedroom and an adjoining bedroom. These structural changes were crucial for incorporating shoji screens, a traditional Japanese design element. The couple admired the aesthetic of these latticed wooden screen doors and their ability to flexibly open or segregate indoor spaces. Addressing concerns about Singapore's humid climate affecting traditional paper panels, the interior designer utilized glass-paneled lattice sliding doors for the dining, kitchen, and third bedroom areas. These doors allow light to permeate while maintaining distinct zones, and when fully opened, they create an expansive living and dining area. Similarly, the wooden sliding doors for the master bedroom and its adjoining bedroom, as well as the master bedroom's wardrobe doors, were designed to mimic shoji screens, using white wood instead of paper. These elements contribute to a quiet, meditative atmosphere, offering a versatile space that can also function as a work area, providing a visually appealing backdrop for virtual meetings. The designers ensured the shoji screen tracks were installed on the ceiling to prevent damage to the existing floor. The living room's accent wall also features a shoji-inspired panel design, complementing the natural light filtering through sheer curtains during the day and the inviting glow of cove lighting and pendant lamps after dark. The apartment's color scheme and furnishings reflect a minimalist Japandi aesthetic, blending Japanese and Scandinavian design principles. Blond wood, white tones, and pale grey soft furnishings create a calm environment, contrasted by the dusty-pink floor. Decorative items, such as a Japanese-inspired artwork sourced from Etsy and rustic earthenware, along with furniture like the L-shaped sofa, coffee table, and rug, were carefully chosen for their minimalist sensibilities and to fit the overall aesthetic. The couple prioritized hidden storage solutions, opting for a queen-sized platform bed, a flip-top desk, and an L-shaped sofa with integrated storage to maintain a clean and uncluttered look. For entertaining, the couple's large, rectangular kitchen island, fitted with castors, can be moved to extend the dining table, effectively doubling the seating capacity from five to ten. This flexible arrangement accommodates both small and large gatherings, fostering a communal atmosphere. Friends and family have positively received the home's clean, warm, and bright aesthetics, often remarking on the efficient storage solutions, which some visitors plan to incorporate into their own home designs. While the couple still anticipates a trip to Japan, their thoughtfully designed HDB flat provides a cherished space for living and working, bringing a slice of their favorite holiday destination into their daily lives. The project was part of CNA Lifestyle’s "Making Room" series, which highlights transformations of small homes. #JapaneseInteriorDesign #HDBRenovation #ShojiScreens #HomeTransformation #MinimalistDesign #JapandiAesthetic #SmallHomeSolutions #InteriorDesign #FlexibleLivingSpaces

Td-Atelier and Endo Shorijo Design, two Japanese design studios, have recently completed the renovation of a 120-year-old machiya townhouse in Kyoto, named House in Marutamachi. The project focuses on integrating minimalist interiors while preserving the original architectural elements of the historic residence. Machiya houses, traditional wooden townhouses characteristic of Kyoto, are rapidly disappearing, with approximately 800 such structures being destroyed annually. The studios aimed to counter this trend by blending traditional architecture with modern design and functionality. The renovation spans two floors of the long and narrow house, nestled between two other residential properties. The design approach involved retaining the building's existing wooden columns and beams as foundational elements. To accommodate modern living spaces, white volumes were strategically introduced to house the kitchen and study. This method allowed for the creation of new rooms without compromising the integrity of the original structure by avoiding harsh structural alterations. The varying sizes of these white volumes were deliberately chosen to evoke the diverse skyline of a city, creating dynamic interplay between old and new. The spatial arrangement is characterized by gaps and omissions between the newly introduced volumes and the existing architectural components such as columns, beams, walls, and floors. This design choice fosters a sense of continuity throughout the space, allowing the historical and contemporary elements to coexist harmoniously. The material palette is intentionally minimal, featuring a combination of light and dark woods, alongside smooth concrete surfaces. This subdued selection enhances the serene and understated aesthetic of the interiors. A notable example of material reuse from the original house is seen in the traditional tea room, where salvaged materials contribute to its authentic character. On the second floor, a timber breakfast bar is illuminated by a thin, sculptural light fixture, providing a contemporary focal point. This area is complemented by subtle-coloured stools, further emphasizing the minimalist theme. The exterior of the house also received careful consideration, with the garden maintaining original architectural features. These include sandy-hued lanterns and a chōzubachi, a traditional stone water bowl historically used for ritual hand washing before a tea ceremony. These elements connect the renovated machiya to its historical and cultural context. House in Marutamachi was recognized for its design, being shortlisted for the house interior of the year at the 2022 Dezeen Awards. The project exemplifies a successful approach to renovating historical structures in a way that respects their heritage while adapting them for contemporary use, addressing the broader issue of preserving Kyoto's traditional townhouses. #KyotoRenovation #MachiyaHouses #MinimalistInteriorDesign #TraditionalJapaneseArchitecture #TdAtelier #EndoShorijoDesign #ResidentialRenovation #JapaneseDesign #ArchitecturalPreservation

OEO Studio, based in Copenhagen, has completed a luxury apartment in Tokyo's Opus Arisugawa Terrace & Residence, collaborating with Japanese property developer ReBita. The project seamlessly integrates Scandinavian design principles with traditional Japanese aesthetics and materials, reflecting a cross-cultural design philosophy. The apartment showcases OEO Studio's expertise in creating spaces that are both clean and rich in local character. The interior design features a kitchen crafted in Denmark by Garde Hvalsøe, known for its handcrafted cabinetry, and furniture from prominent brands such as Gubi, Stellar Works, and Brdr Krüger in the living room. Art pieces by Finnish artist Jaakko Mattila and Danish photographer Søren Rønholt further enhance the Scandinavian influence. The apartment’s layout promotes a natural flow between designated areas, fostering a warm and inviting atmosphere. Textural elements are central to the design, with rammed earth walls in the entryway providing a connection to nature, and columns made from Japanese Ōya stone dividing the living and kitchen spaces. Entrance areas are distinguished by deep blue indigo tiles, while Finnish birch paper yarn rugs, featuring patterns inspired by traditional Japanese textiles, introduce tactile comfort. The flooring creates visual interest through a juxtaposition of stone in the living room and wood in adjacent areas. A notable design feature is a movable wall that allows for flexible privacy settings. The bedrooms explore contrasts, with one designed in a darker palette and another in a lighter one, furnished with pieces from Karakter, Brdr Krüger, Stellar Works, and Fritz Hansen. The en-suite bathrooms continue the material narrative with stonework and wooden cabinetry, highlighted by a hinoki wood bathtub. This project exemplifies OEO Studio's ability to blend diverse cultural influences into a cohesive and luxurious living environment. The studio drew upon its established design heritage, integrating it thoughtfully with Japanese traditions to create an apartment that respects both backgrounds while offering a contemporary, elegant aesthetic. The use of natural materials and a focus on craftsmanship underscore the design's commitment to quality and longevity. The combination of Danish and Japanese design elements creates a unique dialogue between minimalist principles and a profound appreciation for texture and natural forms, resulting in a residence that is both sophisticated and deeply rooted in its context. #OEOStudio #TokyoApartment #ScandinavianDesign #JapaneseHeritage #InteriorDesign #LuxuryLiving #CrossCulturalDesign #NaturalMaterials

The "Hide Out" house, a Frank Gehry-designed residence from the 1970s located in Los Angeles' Sawtelle Japantown, has undergone a significant renovation by local studio Dan Brunn Architecture. Commissioned by art collectors, the project aimed to restore and reinterpret Gehry’s original minimalist aesthetic, which had been altered by previous owners, the Janss Family. The renovation focused on creating an open and art-friendly space while integrating elements of Japanese design to complement the neighborhood's character. The 3,600-square-foot home was redesigned to feature an open-air area on the first floor, intended for displaying artwork by one of the new owners, artist James Jean. Dan Brunn Architecture reincorporated architectural details typical of Gehry's style from the 1970s and 1980s, which had been removed during the Janss Family's ownership. A notable exception was the oversized rectangular skylight, a key original feature that was preserved and continues to flood the central part of the home with natural light. The material palette of the renovated Hide Out is deliberately simple, consisting primarily of walnut, concrete, and glass. White walls and pale concrete floors establish a clean, gallery-like backdrop, contrasted by striking walnut elements. A handcrafted, sculptural walnut staircase serves as a central feature, adding warmth and visual interest. The design emphasizes an open-plan layout, with minimal furnishings to ensure that the art collection remains the focal point. Inspiration from Japanese design is evident throughout the home, particularly in the furnishing choices and a unique architectural insertion. For instance, a reclaimed timber coffee table was custom-made using traditional Japanese joinery techniques. A standout feature is a walnut volume, inspired by traditional Japanese tearooms, which is integrated into the living space. This versatile nook functions as a reading area, a meeting space, or a meditation room, offering a secluded and serene environment. This Japanese-inspired reading nook is strategically positioned to overlook a lush garden planted with traditional Japanese flora, including bamboo, gingko, and maple. This integration of indoor and outdoor spaces enhances the tranquil atmosphere of the nook and connects the home with its surroundings. The renovation by Dan Brunn Architecture successfully blends the architectural legacy of Frank Gehry with modern minimalist and Japanese influences, creating a functional yet artistic residence that reflects the tastes of its art-collecting owners. #FrankGehry #DanBrunnArchitecture #JapaneseInspiredDesign #HomeRenovation #ReadingNook #MinimalistDesign #WalnutInteriors #LosAngelesArchitecture #SawtelleJapantown #ArtCollectorsHome

Kenji Ito, a Japanese designer with a master's degree from Pratt Institute, undertook a significant renovation of his 1,700-square-foot apartment in Gramercy, New York City. This apartment, located in an 1850 redbrick town house, was originally converted a decade before Ito and his wife, Patricia Chan, purchased it in 1991. The residence initially featured a wide double-height great room, two bedrooms, and two-and-a-half baths. The couple raised their two children in the apartment, deferring the major renovation until after Ito retired from Knoll, where he served for 26 years as director of interior design. Ito's design philosophy is deeply rooted in his upbringing in Kyoto, where he studied Zen temples and gardens. This background instilled in him a minimalist and pristine architectural approach, characterized by a keen eye for placement and detail. His extensive experience at Knoll, mastering showroom and trade show displays, further honed his skills in interior design. His renovated apartment serves as a showcase for his furniture collection, which includes both full-size pieces and scale miniatures. A notable feature is a small grouping near the living room mantelpiece, which Ito refers to as his "shrine." This display prominently features a toy Barcelona chair, signifying his admiration for Western design masterworks. The living room's seating arrangement is centered around Gianfranco Frattini's 1974 Kyoto coffee table, crafted from beech and ebony. A low postmodern mantelpiece was specifically designed to accentuate the sixteen-foot living room ceiling, adding an unexpected dramatic element. Another prized possession, a Wassily Chair by Marcel Breuer, holds a central position in the living space. An aircraft cable balustrade on the mezzanine edge ingeniously connects this upper level with the multipurpose living room below, fostering a sense of continuity and openness. A "shrine" dedicated to Ludwig Mies van der Rohe's Barcelona Chair, in miniature, is positioned above Robert Venturi’s colorful laminated plywood Chippendale chair, a design manufactured by Knoll. In the master bedroom, an unpainted brick chimney provides an architectural backdrop for a neatly upholstered headboard. An impressive framed abstract work on paper is hung above the convertible sofa bed, adding an artistic touch to the space. The small kitchen features painted upper cabinets that match the wall color, while a darker earth tone was chosen for the storage units beneath, creating a subtle contrast. Ito has also recently applied these design principles to a renovation project back in his hometown of Kyoto, working on his family's small vacation house there. #KenjiIto #NYCInteriorDesign #ApartmentRenovation #JapaneseDesignInfluence #MinimalistDesign #ModernFurnitureCollection #GramercyApartment #ArchitecturalPhilosophy

Szczepaniak Astridge has completed a rooftop extension for Leaf House, a terraced property in south London owned by architectural photographer Edmund Sumner and writer Yuki Sumner. The loft extension serves as a peaceful master bedroom retreat, featuring a distinctive wooden bath positioned strategically against a large window, offering views across the London skyline. The design ethos prioritizes simplicity and calm, moving away from conventional loft conversions that often maximize storage or create compartmentalized spaces. Edmund Sumner, having photographed numerous attic extensions, sought to avoid the common issues of inadequate insulation and cluttered layouts, aiming instead for an open and serene environment. The inclusion of the timber bath with a view was inspired by his experiences in Japan. The loft space is characterized by its open-plan layout, with the staircase leading directly into the bedroom and no dividing walls between the bathing area and the sleeping quarters. A tall headboard for the bed defines a section of the room, leaving the remaining space intentionally open. Edmund Sumner highlights the uniqueness of this approach, emphasizing the deliberate use of empty space, which he attributes to architect Simon Astridge's understanding of 'ma,' the Japanese concept of interstitial space. This design choice stands in contrast to typical attic conversions that tend to partition the area into smaller, enclosed sections. The material palette for the loft extension reflects a commitment to Japanese interior design principles and sustainability. The roof and walls are covered in clay, and timber is used for the structure, complemented by good insulation. Yuki Sumner notes the incorporation of Japanese influences, such as the concept of transitioning from darkness to light, realized through a tunnel-like entry, and the waxed teak bath. These material selections and design philosophies were aimed at creating a tactile and environmentally conscious living space. Beyond the master bedroom, the loft conversion was part of a larger renovation of the terrace's upper floors. The project aimed to create additional bedrooms for the Sumners' children, thereby freeing up space for both Edmund and Yuki to work from home. This expansion resulted in a five-bedroom house, significantly enhancing their ability to work productively from their residence. The children's bedrooms were finished with materials similar to the master suite, featuring half-clay walls extending to the ceiling and half-cork walls that continue onto the floor. The cork provides a functional surface for pinboards, and all rooms are furnished with birch plywood. Edmund and Yuki Sumner, both with extensive experience covering architecture, gained considerable insight into the profession through this personal project. Edmund Sumner remarked that the 20-week process taught him more about the industry than his 20 years of professional work, offering a unique perspective from the client's side. The project was executed by Szczepaniak Astridge, with Webb Yates as the engineer and Q Projects as the contractor. Key collaborators included Luke Chipfix Furniture, Clayworks Plasters, Guy Valentine for clay application, William Garvey for the bath, and Wo and we collection for lighting. Photography for the project was provided by Edmund Sumner. #ResidentialExtensions #LondonHouses #LoftConversion #JapaneseDesignInfluence #SustainableMaterials #OpenPlanLiving #ArchitecturalPhotography #SzczepaniakAstridge #EdmundSumner