Book: Dark Nostalgia

The article explores the exhibition 'In the Black Fantastic' at London's Hayward Gallery, curated by Wallpaper* contributing editor Ekow Eshun. The exhibition, which is part of a larger series of events at the Southbank Centre, is accompanied by a book of the same title. The show serves as an eclectic examination of Black past, present, and speculative futures, aiming to challenge Western accounts of history and offer alternative narratives. Eshun's curatorial approach emphasizes the concept of the 'Fantastic' as a means of excavating and uncovering reality, rather than escaping it. This perspective allows for the deconstruction of centuries of socially assigned personhood and the creation of new meaning from what remains. Many of the featured artworks emerge from this understanding, positioning Black life as a realm of possibilities rather than solely an interrogation of historical conditions tied to previous definitions of Blackness. The exhibition aims to present new propositions and possibilities of Black self-hood, space occupation, and imagination. The exhibition features a diverse range of artistic mediums, including film, painting, sculpture, and installation. Notably, a selection of films created specifically for art spaces is included. Eshun highlights that these films, unburdened by commercial demands, are able to expand the possibilities and 'spectacular strangeness' of Black existence by venturing into other realms. Artists are afforded a greater license to explore personal interests, drawing from conventional histories, folklore, myth, spiritual traditions, pageantry, and the legacies of Afrofuturism to forge what Eshun terms 'The Black Fantastic.' Among the artists showcased are Tabita Rezaire, whose work 'Ultra Wet – Recapitulation' (2017) is presented, and Hew Locke, whose installations are prominently featured. Other contributing artists include Nick Cave, known for his 'Soundsuit' responding to racial violence; Kara Walker, with her stop-motion animation film on the same theme; Chris Ofili; Sedrick Chisom; Ellen Gallagher; Rashaad Newsome; Cauleen Smith; and Lina Iris Viktor. The exhibition critically addresses the placidity of Western historical accounts concerning Blackness, arguing that the global system often leaves non-Western narratives unexplored. It encourages viewers to engage in internal investigations of how 'Western megalomania,' manifested through global homogenization, has obscured ancient discoveries, counter-histories, and future visions from cultures of the 'global south.' The article suggests that by conforming to Western narratives, individuals may become complicit in what is described as an 'attrition of the archive.' The exhibition ultimately calls for an openness to these alternative perspectives, which can challenge and enrich our understanding of history and identity. #BlackCulture #ArtExhibition #HaywardGallery #EkowEshun #BlackFantastic #Afrofuturism #ContemporaryArt #CulturalCritique #LondonExhibition

The Newstalgia rug collection, a collaboration between Radici and designer Tekla Evelina Severin (Teklan), was unveiled at EquipHotel. This collection introduces significant innovations in carpet manufacturing, notably the Bloom Back surface and AlleRAD technology, which enable the carpets to be fully commercially recyclable at the end of their lifespan. This commitment to sustainability is central to the collection's philosophy, achieved through advanced yarn technology and backing materials. The Newstalgia collection draws inspiration from design aesthetics of the 1970s and 1980s, reinterpreting familiar shapes and offering a diverse range of colors for extensive customization. The collection features eight distinct prints: Monogram, Elliptic, Weave, Brick, Net, Snake, Folding, and Backgammon. Custom design options are also available, allowing for tailored interior schemes. The Monogram pattern incorporates a repeated block of twin graphic L’s, creating a linear element reminiscent of classic fashion house logos. Elliptic pays homage to the 1960s Op Art movement, utilizing bold shapes and tonal pairings to create visual illusions of depth and movement. Weave draws on traditional hand-weaving techniques, featuring intersecting color blocks that merge heritage with a modern, whimsical sensibility, often within a restrained color palette. Brick patterns are characterized by strong color contrasts, such as turquoise and burgundy or orange and midnight blue, forming interlocking motifs that suggest solidity and strength. Net employs optical effects to create a sense of depth through regular horizontal and vertical forms, promoting a feeling of calm. This pattern is offered in two color variants, blending peach, beige, green, and burgundy, or brown, light blue, beige, and black. Snake features bold, stylized bands of color that evoke the natural world, bringing vibrant hues into interior spaces. Folding, inspired by Escher's work, explores impossible shapes, providing a structured yet chaotic element. The final pattern, Backgammon, references the ancient game, combining rich mustard yellow and deep brown to blend a nostalgic 1970s feel with contemporary interpretations. Tekla Evelina Severin's design philosophy emphasizes the transformative power of color, stating that its perception is relative to its surroundings. Her diverse portfolio includes interior design, furniture, clothing, and set design, all unified by her expansive use of color. Radici, known for its sustainable rug manufacturing, further enhances the collection with AlleRAD technology, which reduces dust and allergens, setting a new standard for eco-friendly and health-conscious carpet products within the industry. #NewstalgiaCollection #Radici #TeklaEvelinaSeverin #CarpetDesign #SustainableDesign #RecyclableCarpets #InteriorDesign #GeometricPatterns #ColorTheory

The article highlights the efforts of cousins Pranidhi Tuladhar and Aabhushan Man Singh Tuladhar, who run an Instagram page called 'The Last of Kathmandu Valley.' Their initiative aims to document and preserve the rapidly disappearing old architectural heritage of Kathmandu Valley. Pranidhi, after returning from Paris, where she studied fashion management and photographed city architecture, noticed the decline of traditional buildings in her hometown. This prompted her to collaborate with her cousin Aabhushan, an architect, to create a platform that would draw attention to these overlooked historical structures. The cousins' work is driven by a deep appreciation for the unique character of Kathmandu's old houses, which they liken to individuals, present one day and gone the next. Aabhushan's interest in architecture was sparked by stories of his ancestral home and the opulent houses of Lhasa Newars, known for their exquisite woodwork. Pranidhi, a design consultant, grew up amidst these old houses in Asan and feels a nostalgic attachment to them, especially after her time abroad. She observed significant changes in Kathmandu's urban landscape post-2015 earthquake, noting the haphazard rebuilding efforts and the shift towards modern concrete structures, which she describes as lacking a distinct identity. The article traces the architectural evolution of Kathmandu, from its unique cultural continuity spanning over 2,000 years to the introduction of European neoclassical styles by Rana rulers after the 1934 earthquake. The construction of Juddha Sadak (New Road) and the subsequent adoption of concrete as a building material further transformed the city, leading to a "hotchpotch urbanscape." The 2015 earthquake exacerbated this trend, destroying many remaining old buildings and leaving others in disrepair. Maintaining these old houses is challenging due to the high costs and scarcity of skilled craftsmen, often leading owners to rent them out cheaply rather than undertake restoration. The Instagram page frequently receives messages from people sharing nostalgic memories associated with these houses, often inquiring about preservation methods. Pranidhi suggests that implementing strict laws and providing stipends for maintenance, similar to practices in Paris, could help save these structures. Another pressing issue is the fragmentation of building facades due to inheritance divisions, resulting in carved wooden windows being cut in half and old houses being rebuilt into narrow, tall structures. The cousins recount instances where they documented a house with five carved windows, only to find two of them demolished on a subsequent visit. They advocate for internal structural changes while preserving the external facades to maintain the city's architectural integrity. Despite witnessing the rapid disappearance of many old houses, they also encounter pleasant surprises, such as well-maintained and freshly painted homes that offer a glimmer of hope. Working with their full-time jobs, Pranidhi and Aabhushan photograph houses during their walks, sharing images and collaborating on captions for their Instagram page. They have expanded their content to include reels, with one clip about balconies garnering significant views. While currently focusing on photography, they aspire to incorporate personal memories and historical narratives associated with these houses. Their initiative, though not initially intended to be large-scale, aims to encourage public awareness and appreciation for the hidden beauty within Kathmandu Valley's traditional architecture, urging people to "look up" and notice what is often overlooked. #KathmanduArchitecture #HeritagePreservation #ArchitecturalHistory #UrbanDevelopment #CulturalHeritage #Nepal #TraditionalHouses #SocialMediaActivism #HomeDesign

This article explores how interior stylist Nicki Bamford-Bowes transformed a cluttered corner of her master bedroom in her Victorian semi in Forest Hill, London, into a dedicated gothic-themed reading nook. Bamford-Bowes, an Instagram influencer and participant in the BBC’s Interior Design Masters, sought to create a space that would allow her to disconnect from digital distractions and reconnect with physical books. The inspiration for this transformation stemmed from a New Year’s resolution to reduce online time and cultivate a tranquil environment for reading and creative inspiration, free from the digital rabbit holes of the internet. The aesthetic chosen for the reading nook is a moody, atmospheric color scheme featuring Farrow & Ball's Black Blue paint. This dark palette is integral to creating a sense of comfort, intimacy, and calm, contrasting with brighter elements to make them stand out. Bamford-Bowes emphasizes that such dark colors require thoughtful lighting, with low-level lighting being key to fostering a cozy and intimate ambiance in the evenings. She deliberately avoided painting the ceiling dark to prevent the space from feeling overwhelming, instead focusing on a holistic design approach that engages multiple senses through scent, touch, and sound. The article provides a detailed breakdown of the key elements and products used to achieve this gothic-inspired reading nook. A Willow Rattan accent chair from Home Essentials is highlighted for its natural, tactile materials and comfort, paired with a footstool and cushions to encourage relaxation. Varallo Graphite velvet curtains from Designers Guild were custom-made to ensure a perfect, sumptuous dark gray, crucial for blocking out light and muffling sound, contributing to the secluded feel of the nook. The Farrow & Ball Black Blue paint is central to the "cocooning" effect, chosen for its ability to create depth and allow other colors and metallic accents to pop. To further enhance the sensory experience, Bamford-Bowes incorporated a HoMedics Ellia Adore Aromatherapy Diffuser for mood-lifting and focusing essential oils, appreciating its minimalist design and ability to play calming music. Lighting is addressed with a Terrazzo Finish Base Lamp with Glass Shade from Home Essentials, which provides a flattering, low-level glow, complemented by scented candles for added ambiance. A Petrol Aeris rug from Cox & Cox introduces luxurious texture and warmth, offering a comforting underfoot experience. Finally, a Greystoke Arch Leaner Mirror from Home Essentials was included not only for its on-trend curved shape but also to bounce light and reflect the outdoors, brightening a potentially dark corner. The creation of this reading nook has been successful, allowing Bamford-Bowes to rediscover the pleasure of physical books and providing her with a designated, inviting space for relaxation and inspiration. The project underscores the importance of thoughtful interior design in creating personal sanctuaries that cater to well-being and a desired lifestyle. #InteriorDesign #ReadingNook #GothicStyle #HomeDecor #VictorianHome #NickiBamfordBowes #InteriorStyling #DarkInteriors #HomeRenovation

This blog post, part of T Magazine's "T List" newsletter, presents a curated selection of recommendations spanning beauty, fashion, home decor, and lifestyle products. It begins with an in-depth look at beauty expert Jamie Rosen's skincare and makeup regimen. Rosen details a personalized approach to beauty, emphasizing product rotation based on skin needs. Her morning routine includes Nuori Vital Foaming Cleanser, while evenings feature Haoma’s Nourishing Cleansing Balm. She alternates between Royal Fern Phytoactive Skin Perfecting Essence and Biologique Recherche Lotion P50, a product she has used since becoming a beauty editor. Moisturizers include Ourself’s Daily Renewal Cream and Senself’s Rich But Light, complemented by Epara Eye Serum. Rosen also incorporates a Ziip tool for treatments and consistently uses SPF, citing Zitsticka’s Megashade and Habit’s No. 41 Mister. Her shower routine includes Bastide Rose Olivier Natural Body Wash and Soft Services’ Buffing Bar. For hair, she uses Philip B’s Weightless Volumizing Shampoo and Conditioner and Charlotte Mensah’s Manketti Oil Pomade. Makeup favorites are Kevyn Aucoin Volume Mascara and RMS Lip2Cheek in Illusive, finished with Hermès lipstick in Rouge Orange. Her perfume choices include Aedes de Venustas’s Copal Azur, Maison d’Etto’s Macanudo, and Costa Brazil’s Aroma. The article then shifts to fashion, highlighting Esha Soni's new namesake handbag line, inspired by a slow-fashion philosophy. Seetha, who has a two-decade history in accessory design for American brands like Proenza Schouler, worked with artisans in Italy and New York for three years to develop her debut collection. The handbags, crafted from French calf, suede, and spelt pony, are influenced by Jules Olitski’s color field paintings and Jean Arp’s biomorphic sculptures. The collection also features a sterling silver and gold vermeil necklace, a collaboration with jeweler Christine McPartland. Notable designs include the Arc tote and the Slope, described as a “bangle bag” due to its removable bracelet handle. Seetha aims to create luxury investment pieces that endure, with plans to expand into home goods, including vessels with ceramist Devin Fina. Next, the post explores an art exhibition titled “FreelingWaters: Collection III” by Amsterdam-based artists Gijs Frieling and Job Wouters. Their work, on display at The Future Perfect in New York, reinterprets 18th- and 19th-century pinewood cabinets. Countering recent Scandinavian design trends, the duo applies vibrant, geometric, and hallucinatory patterns to these antique pieces, including their interiors. Frieling, known for Dutch folk murals, and Wouters, a psychedelic calligrapher, have collaborated since 2008 and began focusing on furniture in 2020. Their approach is described as an evolution of a rural Dutch tradition of embellished objects, creating contemporary curios from discarded antiques. Following this, the article introduces La Droguerie, a new line of cleaning products from the French perfumery Diptyque. Developed with perfumer Olivier Pescheux, the six-piece collection aims to bring sophisticated fragrances to household cleaning. Products include a multisurface cleanser with notes of lavender, cedar, and fig tree, dish soap with mandarin and orange blossom, and leather and wood conditioner featuring patchouli. The line also offers ceramic ovals for drawers and refills to reduce waste. A standout feature is a candle developed with Givaudan, designed to absorb and replace odors with scents of mint, basil, and crushed tomato leaves. Finally, the article features the “Checkerboard” collection of hemp dhurrie rugs, a collaboration between London-based Tobias Vernon of 8 Holland Street and Christine Van Der Hurd of Vanderhurd. Inspired by a Donald Judd retrospective, the six rugs feature repeating square patterns, reflecting Judd’s cubic forms and a timeless, architectural aesthetic. Made by artisans in Northern India from hand-spun natural hemp, the rugs come in contrasting color combinations like rust and sky, and noir and ocher. Named after chess pieces, the rugs incorporate varying square sizes to denote different “personalities.” The collection aims for versatility, blending urban and rustic, historic and contemporary elements, much like the game of chess itself. #BeautyRoutine #LuxuryHandbags #FurnitureArt #InteriorDesign #Fragrance #HomeCare #TextileDesign #FashionCollaboration #Skincare