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The Only Thing Better Than This Office’s Wallpapered Ceiling Is the Wavy Window Trim
Lisa le Duc, a UK-born designer now residing in California, undertook a home office renovation that strategically addressed the challenge of unusually tall ceilings by aiming to reduce the perceived height of the space to eye level. Her primary design choice involved covering the room's pitched ceiling with a large-scale, forest-inspired wallpaper from British brand Mini Moderns. This application created an immersive effect, making the office feel like a treehouse nestled within a canopy of Douglas firs, an illusion enhanced by the tree branches visible through the windows and the adjacent nature reserve.
Beyond the unique ceiling treatment, le Duc incorporated several other distinctive elements into the office. For storage, raw, unstained plywood cabinets were installed along two walls, offering both closed and open shelving. This custom solution provided a cost-effective alternative to traditional oak millwork, with the designer noting that the price depends on the plywood grade. A-grade plywood, being smoother, is more suitable for painting, while D-grade contains more visible flaws. The bespoke cabinets also featured slanted ledges, specifically designed to display design books in an engaging manner, avoiding a simple row of book spines.
For the flooring, after removing old carpeting, le Duc opted for large plywood sheets. These sheets were sealed between seams to create the appearance of a solid floor and then painted in a high-sheen taupe-gray, matching the wallpaper's background, to mimic polished concrete. This choice contributed to the overall cohesive and intentional aesthetic of the room. Lighting, crucial for any workspace, was addressed with a wall-mounted Muller Van Severen fixture. This particular fixture boasts an exaggerated arched neck, which directs light from its opaque glass shade directly over the work area, effectively saving valuable desk space.
The furniture selection included a vintage Arne Jacobsen Series 7 office chair from the early 1960s, sourced through Almond and Company in San Francisco, maintaining a theme of European-designed pieces. The worktop itself was a custom wood piece, supported by basic white IKEA table legs. A standout feature of the renovation is the custom-fabricated wavy banding applied around the window frames. Inspired by a scalloped edge trend observed on Instagram, le Duc digitally designed and cut this trim from the same plywood used for the cabinets using a Sharper Tools CNC router.
This wavy trim serves multiple functions: it breaks up the rectilinear elements of the room, creates a subtle transition between the vibrant wallpaper and the soft off-white walls, and ingeniously conceals the blind mechanisms by extending approximately six inches from the wall. The final touch of a black Vitra bird figure perched in the space further enhances the tree-like, natural ambiance. The renovation transformed the office into a unique and visually engaging workspace that effectively manages the verticality of the room through clever design choices and material applications.
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