Riding the Wave with Art by Jenna Lynn

The article explores the West Hollywood apartment of multidisciplinary artist and designer Hannah Polskin, known for her distinctive black and white diptychs and triptychs. Polskin deliberately chose her current loft for its expansive, 17-foot-high walls, which accommodate her large-scale artistic endeavors. Prior to this, her smaller living space often required her to move furniture into the hallway to create enough room for her ambitious art projects. The current apartment serves as both her living space and a personal gallery, allowing her to immerse herself fully in her work, a concept she refers to as not doing the "work-life balance thing." She believes the home setting is crucial for her creative process, enabling her to constantly interact with her art and understand how it integrates with other objects. Polskin has incorporated her artistic vision into the apartment's permanent fixtures. For instance, she transformed the kitchen's single-wall layout by constructing a Donald Judd-inspired island from Baltic birch plywood. This island features her characteristic undulating lines, coated in a food-safe resin that enhances the natural glow of the exposed wood. A unique challenge arose in finding appropriate barstools, leading her to acquire three Arthur Umanoff seats via OfferUp, which she then customized by using an angle grinder to adjust their heights. This hands-on approach extends to a private garage woodshop, dubbed "scraptopia," where she undertakes larger commissions, intricate carvings, and stores prototype parts, many of which serve as inspiration for future works like amorphous mirrors. Her bedroom's direct view into this workspace ensures she is constantly connected to her craft. Another example of her integrated art and living space is her bedroom's mural, which functions as a headboard. This mural, a challenging project due to its vertical application, extends across adjacent walls, creating a cocoon-like sleeping environment. The wavy, organic shapes prevalent in her work are a consistent motif, deeply ingrained in her artistic identity since childhood. She finds the creation of these free-flowing forms liberating and self-nurturing. Polskin is also expanding her artistic exploration into new materials, such as burl wood, which she considers highly valuable due to its unique knots formed by natural trauma. Inspired by a trip to the Venice Biennale, Polskin plans to experiment with unconventional wood types, intending to use an antique, distressed cheese board as a canvas. She also aims to translate her designs onto stone and metal. Her ingenuity is evident in her custom-built aluminum cabinet designed to conceal her television, though she humorously recounts an ergonomic flaw where the hardware obstructed the remote control signal, requiring her to stand up to change channels. The article also provides a brief shopping guide for pieces inspired by Polskin's home, including her own art mirrors and diptychs, as well as a burl rotating side table and an Isamu Noguchi Akari ceiling lamp. She shares insights into her vintage shopping habits, mentioning @shopNFS and the Santa Monica Airport Flea, and discusses her splurges and saves, emphasizing the personal effort invested in her custom furniture. #ArtistHome #HomeTour #AbstractArt #HannahPolskin #InteriorDesign #CustomFurniture #DIYHome #ArtisticLifestyle #DesignInspiration

Netjets, a private jet airline, has maintained a 16-year partnership with Art Basel, consistently unveiling collaborative projects at the fair. This year's iteration featured a bespoke installation by Swedish artist Frida Fjellman within the Netjets collectors' lounge. Fjellman's contribution, titled 'Crystal Atmosphere,' brought a new spatial interpretation to her signature blown glass lanterns. These lanterns, first showcased in a solo exhibition in 2015, have since evolved into various colors and sizes, all retaining their distinctive mouth-blown glass and metal components. They are presented both as individual pieces and as elaborate chandelier-like clusters. Fjellman's artistic journey with these lanterns involved a two-year development period in collaboration with The Glass Factory, an art glass producer situated in Boda, a small village nestled within Sweden's forests. The artist initially conceived these lamps not for traditional beauty or utility, but to evoke the impression of exaggerated, somewhat unconventional jewelry—beautiful yet intriguing. The unexpected popularity of these pieces has been a point of interest for Fjellman. The lanterns gained significant attention when they were displayed at Design Miami/ in 2016 as part of a large-scale installation by Hostler Burrows. This exposure captured Netjets' interest, leading to the current collaboration. For the Art Basel lounge, Fjellman was granted complete creative freedom. Over a period of four months, she developed her largest installation of these works to date, comprising 100 lanterns in a spectrum of shades and sizes. This project also involved the creation of a new large-scale piece that pushed existing production boundaries. The installation within the lounge featured the lanterns suspended from the ceiling in color-coordinated clusters. The lighting of these pieces was designed to be discreet, with lights slowly fading in and out, mimicking a breathing pulse. Fjellman's stated intention for the 'Crystal Atmosphere' installation was to cultivate a serene environment, providing a calming respite from the often-hectic atmosphere of the art fair. 'Crystal Atmosphere' underscores Netjets' ongoing commitment to the arts. Previous artistic collaborations by the private aviation company include projects with the art/design duo Snarkitecture and British artist Rebecca Louise Law. Fjellman reflected on the inspiration behind her installation, noting her interest in the almost magical sense of tranquility experienced during flight above the clouds, likening it to a rare oasis of calm in an increasingly hyper-connected digital world. #ArtBasel #Netjets #FridaFjellman #InstallationArt #BlownGlass #DesignMiami #CrystalAtmosphere #ContemporaryArt #ArtCollaboration

This article, originally published in 2016 and updated to reflect Christo's passing in 2020 and Jeanne-Claude's in 2009, revisits the monumental art installation "Running Fence" by Christo and Jeanne-Claude. In 1976, this 24.5-mile long, nearly 20-foot high fabric fence was erected across Sonoma and Marin farmlands, extending into the Pacific Ocean. The article explores the significant impact of this temporary artwork, not only on the landscape but also on the local community and the land-use policies of Sonoma County. The genesis of "Running Fence" began in 1972 when Christo, accompanied by Jeanne-Claude, approached local ranchers like Joe Pozzi with his ambitious proposal. Initially mistaken for an itinerant laborer, Christo's charisma and genuine nature quickly won over the skeptical farming community. He and Jeanne-Claude immersed themselves in the agrarian culture of west county, building trust and personal connections with 59 families whose land lay along the proposed route. This personal engagement was crucial, as many local farmers and ranchers became staunch supporters of the project, driven by their admiration for Christo's character and his commitment to realizing his artistic vision. However, the project faced considerable opposition, primarily from environmentalists concerned about its impact on the land and some locals who questioned its artistic merit. This opposition led to the formation of the "Committee to Stop the Running Fence" and triggered a lengthy and contentious approval process involving the California Coastal Commission, the Marin County Planning Commission, and the Sonoma County Planning Commission. The bureaucratic hurdles and public debates lasted over three years, with meetings often marked by intense emotions and differing views on art, land use, and development. Despite the fierce resistance, Christo maintained a serene and optimistic demeanor. He famously considered the entire process—including the meetings, environmental impact studies, and public discourse—as an integral part of the art itself. Barbara Gonnella, owner of the Union Hotel in Occidental and Joe Pozzi’s sister, highlighted this aspect, noting that even if the fence hadn't been physically constructed, Christo would have considered the project a success due to the engagement it generated. The collaboration between Christo and Jeanne-Claude emphasized their deep connection to each other and their belief in art as a means of connecting with humanity and integrating with the landscape and its people. The article recounts the eventual triumph of the project, with hundreds of volunteers, including a young Joe Pozzi, participating in the construction of the fence. Christo himself was actively involved in the labor, wearing an OSHA-required hard hat and working alongside the volunteers. Although the "Running Fence" stood for only two weeks before being dismantled, its memory profoundly impacted those who witnessed it. Dave Steiner, a former Sonoma County Planning Commissioner, noted Christo's subversive streak, particularly his decision to extend the fence into the sea despite the Coastal Commission's initial refusal, a move seen by supporters as essential to the project's integrity. Ultimately, "Running Fence" played a significant role in shaping public consciousness regarding land use in Sonoma County. Brian Kahn, a former Sonoma County supervisor, suggests that the art installation galvanized public discussion around the county's general plan, which aimed to manage growth and preserve landscapes. The project helped shift popular support towards a more contained and orderly development approach, contributing to the preservation of Sonoma Valley and the west county's natural beauty. The experience of the "Running Fence" fostered a sense of collective accomplishment and brought the diverse community of Sonoma County together, creating a lasting legacy that transcended its temporary physical presence. #ChristoAndJeanneClaude #RunningFence #ArtInstallation #SonomaCounty #MarinCounty #PublicArt #LandUsePolicy #EnvironmentalArt #CommunityEngagement

This article details the journey of Amy and Bruce Paul in designing and decorating their 11,000-square-foot home in Rye, New York, focusing on integrating their extensive art collection into a cohesive interior design. Having previously lived in a post-modern home with traditional furnishings and a growing contemporary art collection, the Pauls sought to create a new residence where the exterior architecture and interior aesthetics were harmoniously aligned with their personal taste in design and art. Their objective was to construct a home that could comfortably accommodate their family of six while optimally showcasing their practiced and perfected collection of paintings and sculptures. The couple acquired a 13-acre estate in Rye before the 2001 World Trade Center attacks, subdividing it into seven lots and reserving a two-plus-acre parcel for their own home. They collaborated with builder Michael DiChiaro to construct a six-bedroom, seven-full-bath residence that offers views of a wooded yard, later enhanced with a pool and waterfall by Coral Sea Pools, and adorned with bronze sculptures by Mexican artist Bruno Luna. For the interior design, Amy Paul enlisted Joseph R. Stabile of J.R. Cattington, who had previously worked with them. Stabile and his team were involved from the ground up, providing input on architectural design, interior finishes, electrical layouts, and lighting selection. Stabile chose a palette of cream and gold to complement the Pauls' artwork and suggested structural modifications, such as adding a doorway to improve flow in the formal living room. Amy's primary design directive was for a "light and bright" home, which was achieved in the living room through buttery gold satin-striped fabric from Robert Allen for window treatments and crystal wall sconces by Crystorama. This room serves as a gallery for various notable paintings, including works by Janet Treby, Liane Abrieu, and Russian artists. The soft color scheme is accented by silk brocade wing chairs with colorful throw pillows and fuchsia and silk rugs from China. The family room continues the luminous theme with yellow walls, a toile pattern by Antonia Vella, Seabrook wallcoverings, and similarly colored fabrics in lemon, green, and persimmon for window treatments, pillows, and side chairs. Crystal chandeliers from Murano, imported by Castilian Imports, were chosen to coordinate with paintings by Isaac Maimon and Charles Levier. The coffered ceiling in a green apple shade with cream-colored woodwork further enhances the vibrant, garden-like atmosphere. Bruce Paul's personal space, a clubby card room, contrasts with Amy's preferences, featuring dark wood paneling, built-in bookcases, a bar, and masculine fabrics. This room, separated from the family room by a stone-front fireplace, includes Biedermeier chairs with leopard-print fabric and various personal artifacts. Stabile designed the fireplace with intricately carved mahogany lions and used a Serengeti Leopard carpet to connect Bruce’s adjoining office. The Pauls' children, Joanna, Ryan, Matt, and Jason, also contributed to the design of their respective bedrooms and bathrooms, incorporating elements such as Masland Carpets, Bernhardt furnishings, and Thibaut wallpapers. The master bedroom, with its vaulted ceiling, presented a challenge in scale, addressed by Stabile using Highland Court silk brocade for a cornice "headboard" that coordinates with custom curtains. The article highlights the Pauls' passion for art collection, which began with a French artist Charles Levier painting and expanded to include works from their travels to Europe, South America, Asia, and the Southwest. Despite concerns about diminishing wall space, their quest for art, driven by personal connection and memories from their travels, continues. #HomeDesign #InteriorDecor #ArtCollection #LuxuryHome #RyeResidence #JosephStabile #CustomDesign #ArchitecturalFeatures #PersonalStyle

Portuguese artist Vanessa Barragão creates sculptural textile art that pays tribute to the ocean. Her work, which includes textured woolen rugs, tapestries, and wall hangings, is crafted from discarded industrial textile waste. Barragão employs a variety of traditional techniques such as crochet, latch hook, hand-tufting, embroidery, felting, and knitting to transform these materials into forms reminiscent of natural coral structures found in marine environments. This approach allows her to avoid industrial machinery, further minimizing her environmental impact. Barragão's recent pieces, specifically "Coral Garden" and "Ocean Tapestry," are designed to highlight the extensive pollution generated by the textile industry and its detrimental effects on the natural world. She emphasizes that the textile industry is a significant polluter, consuming vast amounts of energy, producing considerable waste, and contributing to atmospheric pollution, much of which is absorbed by the ocean. Her artistic process is deeply rooted in eco-consciousness, utilizing recycled materials and meticulous hand-production methods. "Coral Garden" is an immersive installation constructed from deadstock supplies sourced from an artisanal rug factory. This collection delves into the destructive impact of global warming on coral reefs. One side of a large textile wall panel within the installation showcases a vibrant, richly colored reef, while the other side is rendered in a subdued color palette, visually representing the devastating phenomenon of coral bleaching. This contrast serves to illustrate the before-and-after effects of environmental degradation on these vital ecosystems. Similarly, her "Ocean Tapestry" is composed of woolen yarns in various cold, blue hues, evoking the depth and mystery of the ocean. Through her art, Barragão aims to raise public awareness about critical environmental issues and encourage individuals to contribute to the planet's well-being. She underscores the ecological importance of coral reefs, describing them as the heart of immense habitats that support countless marine species. The loss of these foundational ecosystems, she warns, could lead to the extinction of a significant portion of marine life, ultimately impacting humanity and other living organisms. Her work serves as both a beautiful artistic expression and a powerful environmental statement, advocating for greater ecological responsibility. #TextileArt #RecycledMaterials #OceanConservation #EnvironmentalArt #CoralReefs #SustainableArt #Handcrafted #VanessaBarragao #InstallationArt

The blog post, "Vibrant Vessels: Editor Favorites for Every Flower Preference," curated by Architectural Digest, presents a selection of unique and aesthetically pleasing vases designed to enhance any floral arrangement or stand alone as decorative pieces. The article emphasizes that the right vessel can be as impactful as the flowers it holds, showcasing a range of styles from hand-blown elegance to playfully eccentric designs. Each featured vase is highlighted for its distinct characteristics, offering diverse options for various home aesthetics and personal tastes. The collection includes the Murano Spring Olla Glass Vase from Abask, priced at $860, which exemplifies hand-blown craftsmanship. Another notable piece is the Konstantin Cache Pot by Carolina Irving & Daughters, available for $176, offering a more rustic or classical appeal. For those seeking a contemporary look, the Speckled Vase from Cabana, at $210, features a distinctive yellow splattered glaze, adding an artistic touch to any space. The article also showcases the Worley Vessel - Rising Dawn from The Future Perfect, which merges Murano glass artistry with a whimsical, "Candyland" aesthetic, creating a polished yet playful decor item. A significant discount is noted for the Soho House Carlotta Murano Vase from Soho Home, originally $1295 and now $645, making a luxurious item more accessible. The Ferm Living Verso Table Vase, available at Lulu and Georgia for $144, presents a versatile option with its unique form and texture. Further selections include the Wheaton Decorative Vase, also from Lulu and Georgia, priced at $414, which offers a more traditional yet sophisticated design. The Louise Roe Sophia Roe Glass Vase from Net-a-Porter, at $805, is presented as another elegant glass option. For minimalist and sculptural preferences, the Accordion Vase from Mociun, costing $135, stands out with its distinctive pleated design. More affordable options are also featured, such as the Hibiscus Bud Vase from Nordstrom for $74 and the Fairfax Vase from Serena & Lily, discounted to $50 from $78. The collection is rounded out with the Three Handled Jug from 1690, priced at $522, and the Delft Vase II from Memor, at $375, both offering classic and artistic styles. Lastly, the Bollenglass Hand-Blown Narrow Glass Vase from Abask, available for $134, is specifically recommended for displaying a single, dramatic flower. This vase, with its three-dimensional motifs and textured swirl, exemplifies the detailed craftsmanship highlighted throughout the article. The overall aim of the article is to guide readers in selecting vessels that not only serve their functional purpose but also significantly contribute to the aesthetic appeal of their living spaces, regardless of floral choice. #VibrantVessels #HomeDecor #VaseCollection #FloralArrangement #InteriorDesign #DecorativeObjects #HandBlownGlass #CeramicVases #LuxuryDecor

Floating Canvas Company aims to democratize access to contemporary art through an art-on-subscription service, making it accessible and affordable for homes and commercial spaces. The company was co-founded by Shakti Swarup Sahu, Aagam Mehta, and Rahul Singh, who recognized the challenge of acquiring original art for many individuals. They believe that art provides a personal touch to any space and serves as a foundational element for aesthetic decisions like color palettes, textures, lighting, and furniture. While similar services exist internationally, Floating Canvas Company distinguishes itself by working directly with artists and offering services across major Indian cities including Delhi NCR, Mumbai, Pune, Bengaluru, Kolkata, Hyderabad, Chennai, and Ahmedabad. The subscription model starts at an affordable INR 90 per month, extending up to INR 8,000, ensuring that price is not a barrier to experiencing quality art. Subscribers commit to a minimum rental period of one year, with flexible payment options available on a monthly, quarterly, or half-yearly basis. A key feature of the service is the flexibility to switch artworks: subscribers are entitled to a free artwork switch every six months during their tenure, allowing them to refresh their space with new pieces from the collection without additional charges. For first-time subscribers or those less familiar with art selection, Floating Canvas Company offers a comprehensive 'filter' feature. This tool assists users in choosing artworks based on both practical and aesthetic criteria. Users can shortlist art by themes, styles, and types (e.g., paintings, photographs) and also refine their choices based on practical considerations such as size, budget, orientation, and the designated area within their space. The platform showcases works from a diverse group of featured artists, including Sajid Wajid Shaikh, Pratap Chalke, Pulkit Kamal, and Isha Pimpalkhare, providing subscribers with a wide array of options. Upon selection and payment of a refundable deposit, the chosen artwork is shipped to the subscriber. The company manages warehousing, delivery, and pick-up, with customized processes designed to minimize handling and potential damages. After an artwork is returned, it undergoes a thorough quality check. In cases of damage beyond normal wear and tear, the cost of repairs is adjusted from the refundable deposit or addressed directly with the subscriber on an individual basis. This model benefits artists by offering a new avenue for monetizing their work and introducing it to a broader audience, fostering a more vibrant art ecosystem. #ArtRental #AffordableArt #HomeDecor #InteriorDesign #FloatingCanvasCompany #ArtSubscription #IndianArt #ContemporaryArt

The article reviews "Every Wall is a Door," Superblue Miami’s inaugural exhibition, which features large-scale, immersive artworks by teamLab, James Turrell, and Es Devlin. The exhibition builds upon the visionary ideas of new media pioneer Stan VanDerBeek, who in 1966 envisioned "intermedia experience machines" that would help people process the rapid changes brought by technological innovation. VanDerBeek believed in the importance of artistically cultivated experiences to foster a new, shared vocabulary, incorporating concepts from ecology and cybernetics alongside immersive and collective audience participation. teamLab, a Tokyo-based collective of over 400 "ultra-technologists," is presented as a modern-day realization of VanDerBeek's vision. Their interactive digital installations, such as _Flowers and People, Cannot be Controlled but Live Together - Transcending Boundaries, A Whole Year per Hour_ and _Universe of Water Particles, Transcending Boundaries_ (both 2017), are central to the exhibition. These works utilize darkened rooms, large-scale projections, and intricate visual effects to create immersive environments where visitor participation directly influences the artwork. Flower petals and water particles respond to movement, and luminous flora and swirling streams contribute to a sensuous, expansive illusion accompanied by a dreamy soundtrack. The collective's populist approach encourages audience engagement, ranging from taking selfies to observing the evolving scenery, effectively transforming the gallery into a technologically enhanced "black-box" where art is "democratized." In contrast to teamLab’s vibrant sensory overload, James Turrell’s _AKHU_ (2021) offers a more subdued, perceptual experience. This installation is an iteration of his "Ganzfeld" series, featuring a white chamber that uses high-chroma light to manipulate visual perception. The LED-halo color-cycling is so gradual that it creates an illusion of stillness and ambiguity in space and time. Viewers experience shifts in tonality that are products of their own minds, highlighting the role of perceptual agency in art. This piece emphasizes that the lack of conscious control over perception is not a flaw but a core element of the artwork itself. Es Devlin’s _Forest of Us_ (2021), a London-based stage designer's contribution, concludes the exhibition. Visitors first watch a video montage that draws parallels between fractal branching in nature, such as air movement in bronchial passages, and the interconnectedness of humanity with nature. Following this, they enter a recursive, curvilinear mirror-maze with winding corridors, stairwells, and bright white lights that create infinite reflections. The accompanying cinematic sci-fi synths and slow breathing sounds contribute to an ethereal atmosphere. While the thematic link between the video and the maze might become less apparent during the experience, Devlin’s meticulous execution and background in theatrical design are evident in the installation’s visual impact and spatial choreography. Superblue Miami aims to be a next-generation art space dedicated to large-scale, immersive art, seeking to challenge and transform visitors' understanding of themselves and their relationship with the world. The curated route of "Every Wall is a Door" guides guests through a diverse array of experiential poetics, balancing high-tech spectacle with analog immersion. The installations explore themes of illusion, reality, memory, forgetting, and human agency. The ultimate success of Superblue is presented as residing not just in the artworks themselves, but in their capacity to elevate the viewer's aesthetic sensitivity, leading them to recognize the immersive potential of art and everyday life beyond the confines of a traditional museum setting. Steven Pestana, a visual artist and writer, contributed this review, drawing on his background in digital media and art history. #ImmersiveArt #DigitalArt #NewMediaArt #ArtExhibition #InteractiveInstallation #StanVanDerBeek #teamLab #JamesTurrell #EsDevlin #SuperblueMiami

Jessica and Eliana, the duo behind J. Hargreaves Industry (JHi), discuss their creative journey, the genesis of their small business, and their vision for the future of independent artists. JHi is a women-owned and artist-run enterprise based in New York, specializing in one-of-a-kind jewelry, art, and soft furnishings that are deeply connected to the narratives of their larger fine art practices. One of their most significant projects, "Girls at the End of the World" (GATEOTW), intertwines themes of feminism, global warming, and political conflict. This collection seamlessly merges fine art with jewelry designs and printed furnishings, aiming to appeal to audiences interested in fine art, fashion, and interior design. Jessica explains that the project originated from sculptural paintings created during Donald Trump's first term as President, which depicted allegorical situations often inspired by old master history paintings. These narratives then evolved into hand-drawn toile-style prints for wallpaper and soft furnishings, such as curtains and cushions. From these prints emerged the concept for "The Aquanaut's Amulet," a diver's helmet pendant, with each jewelry piece serving as a wearable extension of the original drawings. The collection also includes smaller, collaborative 4x6-inch oil paintings on yupo, depicting women in green suits, symbolizing love and support among women amidst an allegorical catastrophe. The green suits, inspired by Jessica's fashion industry background, represent rebirth, and the futuristic material protects the figures from environmental elements. Eliana highlights their intention to present a collection that showcases the full range of Jessica’s creative abilities and storytelling, ensuring that no medium or audience is excluded. Both founders emphasize the importance of consumers connecting with the vision and ideas behind their products, as well as their materiality. Jessica Hargreaves, the founder, was born and raised in South London and holds a Bachelor's Degree in Fashion and Textile Design from Central Saint Martins, along with an MFA from The School of The Art Institute of Chicago. Her art practice consistently features narrative elements that allegorize personal and political emotions. Her love for fashion and adornment influences her installations, which initially appear decorative but reveal humorous, satirical, or disturbing elements. Inspired by vintage animal jewelry, she began wax carving in 2014, leading to jewelry that maintains a direct link to her painting, drawing, and sculpture. Eliana Shoffner, co-founder and Studio Manager, moved from Texas to New York City in 2019, pursuing a career in fashion. She earned a Master’s Degree in Fashion Studies from Parsons School of Design, where her research focused on the art of adornment and challenging the established art and fashion institutions. The genesis of JHi was serendipitous, as Jessica and Eliana met at Sephora in August 2023. Eliana was captivated by a ring Jessica had made, leading to a conversation about art, fashion, and their shared vision for a practice where both could coexist. After a month of planning, J. Hargreaves Industry officially launched in October 2024. Their mission is twofold: first, to establish a sustainable living through authentic and transparent creative processes, serving as a model for independent artists. Second, they aim to create "Some Other Future," an extension of JHi that will act as a selling platform for various multi-hyphenate artists, reallocating autonomy to those who haven't found their place in a single industry or medium. They believe society can support artists by encouraging consumption habits that favor small businesses and independent artists, promoting ethical production, and questioning conventional pricing. They advocate for using social media to discover and share works by independent artists, fostering a creative ecosystem that thrives from within. #JessicaEliana #JHi #ArtistRunBusiness #GirlsAtTheEndOfTheWorld #FeminismInArt #WearableArt #InteriorDesign #EthicalConsumption #IndependentArtists

Artist Stephanie Dillon and her husband, Reilly, were captivated by a model home in Eden Prairie, which boasted a blend of whitewashed shiplap and shakes on its exterior, creating a timeless and airy aesthetic. The interior featured light-filled communal spaces, each with a distinct character, moving away from conventional floorplans. The color scheme ranged from calming charcoals and pale neutrals to deep greens and rich terra-cotta, evoking a European atmosphere. Kelli Fontana Vogelgesang, owner of West Bay Homes and the designer behind the model, drew inspiration from her travels to Paris, characterizing the style as French contemporary farmhouse. She envisioned the kitchen as a French pastry shop, integrating multiple layers of meticulously detailed materials throughout the 5,000-square-foot residence. The kitchen's design incorporates three types of glazed tiles for the backsplashes, with a small hexagonal tile chosen for its light-reflecting properties, contributing to an elevated visual experience. Dillon, an acrylic and mixed-media artist known for painting her emotions, found a kindred spirit in Vogelgesang, whose design philosophy also prioritized passion and feeling. Dillon retained Vogelgesang to complete the interior design of their new home. The designer expressed enthusiasm for incorporating Dillon's extensive rug collection. Elements like shiplap and painted charcoal, seen on the exterior, were repeated inside on the basement's fireplace wall and the vaulted ceiling of a lounge area adjacent to the kitchen, along with charcoal-colored square tiles extending from counter to ceiling in the kitchen backsplash. This repetition of color ensures cohesiveness and a holistic progression throughout the home, where all environmental elements relate to one another. Vogelgesang skillfully managed the abundance of materials, preventing a busy or cluttered appearance, much like Dillon blends colors on her canvases. Some design choices stand out, others recede, and some shimmer, collectively defining the mood of each space. The materials coalesce into a balanced and proportionate composition, resulting in a home tailored for an artist. Vogelgesang aims to create spaces that are timeless and elegant without being overly delicate or cost-prohibitive. The lower-level bar area features charcoal shiplap around the fireplace, painted in Sherwin-Williams’s Dorian Gray, and steps down into a sunken media room, showcasing the designer’s preferred brass and gray combination. Brass hardware also adorns the front entry doors. Light fixtures, including those from Mitzi on the library ladder, were strategically chosen. The unexpected entry leads to a "dining hall" that functions as a grand foyer, as described by Vogelgesang. This space features nine-inch-wide-plank white oak floors laid in a herringbone pattern, with ceiling beams bisecting its soaring height, allowing ample natural light. The built-in bar features a backsplash of alternating light and dark neutral tiles, custom cabinetry with dental molding, and a marble sink skirt. Open shelving in the kitchen displays two sizes of backsplash tiles from The Tile Shop, with custom alder wood cabinetry finished with a clear whitewashed stain and brass hardware for an enhanced shimmer. The kitchen, inspired by Parisian pastry shops, includes two islands for ease of navigation, with only one housing a sink to allow for uninterrupted dining on the other. The mudroom boasts large-format heated tiles combined with white oak cabinetry, finished in a whitewash stain, offering an industrial concrete look harmonized with French country cabinetry. A basement guest bath incorporates vibrant color through whimsical floral tiles from The Tile Shop on one wall and Sherwin-Williams’s Perfect Periwinkle on the adjacent wall. The library features a bold mix of Sherwin-Williams paints: Canyon Clay on the walls and Gauntlet Gray in a high-gloss enamel finish on the moldings and doors, complemented by chartreuse chairs. A wide-plank whitewashed cedar wall on the rear deck provides privacy. The prep kitchen off the mudroom embraces color with Waverly Classics wallpaper by York, cabinets painted in Sherwin-Williams’s Green Onyx, and a hammered copper sink, showcasing how personal touches can enhance practical areas. The powder room dazzles with an antiqued mirrored glass tile wall from The Tile Shop, a custom white oak vanity with a marble shelf, and Savoy House sconces. The floors throughout the home incorporate patterned ceramic tiles from The Tile Shop. The home's floor plan, while a traditional rambler, diverges into an unconventional layout where the front entry opens into a vaulted foyer and dining room, serving as a pass-through to the kitchen and great room. #HomeStyle #InteriorDesign #HomeTours #FrenchContemporaryFarmhouse #CustomCabinetry #TileDesign #ArtisticHome #ArchitecturalDetails #EuropeanInfluence

The art collective rAndom International, known for their interactive and experimental works, has unveiled a monumental outdoor installation titled 'Tower: Instant Structure for Schacht XII' at the Zollverein Coal Mine Industrial Complex in Essen, Germany. This performative structure, a towering shower, cycles an impressive 30,000 liters of water per minute. The choice of location is particularly significant, as the world heritage site requires approximately 6 million cubic meters of water to be pumped out of its former mines annually to maintain the structural integrity of the entire region. The installation ingeniously harnesses this native resource to fuel its ambitious design. This marks rAndom International's first outdoor installation, following their highly successful 'Rain Room' project, which similarly featured large quantities of water in an architectural context. The 'Tower' creates an ephemeral, yet intensely loud, man-made storm, leaving a palpable film of moisture in the surrounding air. The controlled and structured application of such vast amounts of water animates the space, transforming the static architecture of the former industrial site into a dynamic, experiential environment. The project aims to explore new possibilities for engagement with and access to historic industrial spaces that were not originally designed for human or social interaction. It creates a striking juxtaposition between the simulated, temporary architecture of water and the solid, permanent buildings of the coal mine complex. 'Tower: Instant Structure for Schacht XII' was commissioned by Urbane Künste Ruhr for the RuhrTriennale 2013. The installation offers a unique sensory experience, allowing visitors to witness and interact with the immense power and movement of water on a grand scale. The constant flow and visible presence of water highlight the ongoing ecological and structural relationship between the site and its natural resources. By transforming a necessity—water removal from the mines—into a captivating art installation, rAndom International brings attention to the hidden processes that sustain such industrial heritage sites, while simultaneously offering a fresh perspective on architectural possibilities and the interplay between natural elements and constructed environments. The artwork's powerful visual and auditory components, combined with the tactile sensation of moisture, create an immersive experience that challenges perceptions of space, structure, and nature within an industrial setting. It invites contemplation on the history and future of such sites, and the potential for artistic intervention to reveal new layers of meaning and engagement. The installation ran daily from 10 AM to 1 AM until October 6, 2013, offering a temporary yet impactful transformation of the Zollverein complex. #ArtInstallation #InteractiveArt #WaterArt #Ruhrtriennale #ZollvereinCoalMine #OutdoorInstallation #EphemeralArchitecture #PublicArt #RandomInternational

Kimo and Sarah Bertam, after being outbid on traditional homes, discovered a passion for floating homes after renting a houseboat in the Bay Area’s Mission Creek. This experience, fueled by their shared love for water—Kimo as a surfer and Sarah from childhood summers on a sailboat—led them to commission architect Robert Nebolon for their own floating home project. Despite Nebolon’s lack of prior floating home experience, his background in building near and on water made the transition seamless. The 2,100-square-foot, two-bedroom floating house was constructed on land over six months before being moored in Mission Creek. A primary challenge involved maximizing storage within the limited space while ensuring essential functionalities and managing weight, as the home would not move once in place. The resulting structure, inspired by the area's industrial heritage, features a sculptural, loft-like design that integrates seamlessly with its waterfront surroundings. Its distinctive sawtooth roof and expansive windows optimize space and natural light, creating a bright and airy interior. Architectural elements like the door, staircase, and kitchen incorporate an orange hue, referencing the iconic Golden Gate Bridge. The home boasts three decks, enhancing its connection to the water. Oversized warehouse-style windows are strategically placed to allow reflections of the water to ripple across the ceilings, further integrating the aquatic environment into the living space. The exterior is clad in 24-gauge metal siding with a fluorocarbon finish, selected for its durability and resistance to fading and chalking for up to 40 years, eliminating the need for periodic painting. This choice also circumvents the difficulty of painting a floating structure. The warehouse-style windows, made of black anodized aluminum with stainless steel hinges, are designed to withstand corrosion. No wood was used on the exterior, except for the finger pier that provides access to the front door and the couple's boat. From the main deck, residents can enjoy views of downtown San Francisco, including AT&T Park. The first-floor deck is furnished with Amazonia Terra teak chairs and IKEA Runnen teak outdoor floor decking. Inside, the living room features Australian cypress flooring with a tung oil finish, a Solas wall-mounted fireplace by Hearth Innovators, and a unique chair by Putra Salahin from Bali. The kitchen is equipped with a Wolf gas range, a white Carrara marble countertop bar, and Cobb Rise & Fall pendants by Original BTC. A custom wine glass holder, designed by the architect, is also present. The orange staircase, fabricated by Stocklin Iron Works and designed by Nebolon, uses steel railings and IKEA wood butcher blocks for treads, aiming to make the ascent to the second floor an engaging experience. The bathroom includes a teak live-edge countertop and a custom yellow cabinet supporting a Duravit double wash basin. A mirror from Restoration Hardware is paired with custom steampunk-style lights designed by the homeowner. The second-floor master bedroom features a custom captain’s bed, designed by the homeowner, with integrated drawers and storage. Its elevated height provides expansive views through the nearby window, contributing to the home's overall sense of openness and connection to its unique aquatic setting. #FloatingHome #WaterfrontLiving #RobertNebolonArchitects #MissionCreek #BayAreaDesign #ModernArchitecture #CustomHome #SustainableDesign #IndustrialInspiration

Marina Baisel, the founder of Rarares, a contemporary art space in DIFC, is approaching the art gallery model with a unique perspective, informed by her previous career in interior design. While Dubai's art scene typically features either large commercial galleries showcasing international artists or smaller ones dedicated to local talent, Rarares aims to bridge this gap by bringing both emerging and established global artists whose works are rarely exhibited in the UAE. The gallery's name, derived from the Latin word 'rarus' meaning rare, reflects this curatorial philosophy. Baisel's background in interior design provides a distinct advantage in the art world. Having spent nearly a decade incorporating artistic elements into interior projects, she understands the synergy between art and living spaces. She views interior design as a canvas where art plays a crucial role in enhancing the overall experience, capable of transforming spaces, evoking emotions, and narrating stories. This passion for the artistic component of interior design motivated her transition to becoming a gallery owner, seeing it as a natural progression to combine her love for aesthetics with a desire to support and promote artists. Her interior design expertise significantly influenced the gallery's physical design and exhibition curation. Baisel believes a gallery should be an immersive environment that enhances the viewer's experience, not just a display space. Consequently, the layout, lighting, and overall aesthetic of Rarares are meticulously planned to highlight each artwork, creating a cohesive narrative throughout the space. This careful curation extends to individual exhibitions, where Baisel leverages her design knowledge to consider how artworks interact with each other and their surroundings. Each exhibition is thoughtfully organized to guide visitors through the space, fostering meaningful engagement with the art. Aspects such as lighting, forms, and palettes are considered to establish a harmonious balance between the artworks and the gallery setting. Currently, Rarares is featuring 'Eidos,' a solo exhibition by multidisciplinary artist Mederic Turay, which marks his debut collection of ceramic works and his first show in the UAE. Following this, in April, the gallery will host 'Powerful Spring,' a group female exhibition that explores the philosophical concept of soft power and acceptance, serving as an ode to feminine strength. The gallery's approach reflects a thoughtful integration of art and design principles, offering a fresh perspective on art display and engagement within the Dubai art scene. #Art #FineArt #Gallery #InteriorDesign #DubaiArtScene #ContemporaryArt #ArtCuration #MarinaBaisel

Jason Brammer, an artist specializing in airbrushing and traditional brush painting, shares insights into his creative journey and the most meaningful projects he has undertaken. His artistic foundation was built working alongside his mother, hand-painting children's rooms for interior designers and private clients, which sparked his passion for transforming spaces through art. His high school art teacher, Glenn Litts, introduced him to airbrushing, a technique he has mastered and continues to refine through ongoing mentorship from Litts. Brammer's work encompasses a wide range of creations, including interior and exterior murals of various scales, original fine art pieces like paintings, drawings, and mixed media works, and custom-painted clothing. A significant aspect of his craft is the creation of public murals, which he believes make art accessible to everyone and contribute to a sense of identity and pride within communities. He emphasizes the lasting connections forged between people and their environment through his art. Among his most cherished projects is the design and painting of artwork on several drum kits for Jimmy Chamberlin of The Smashing Pumpkins. This collaboration held deep personal significance for Brammer, as the band's music had profoundly influenced him since his youth. The process involved interpreting Chamberlin's artistic vision and translating it into dynamic visuals for four drum kits, a custom cymbal cabinet, and an airbrushed stage vest. This experience represented a full-circle moment, merging his artistic passion with a personal connection to influential music. Brammer also recounts a story of resilience involving an outdoor mural commissioned by the Shedd Aquarium in 2018 for their 'Underwater Beauty' show. This mural, located at a prominent intersection in Logan Square, Chicago, was unfortunately vandalized with blue paint. Rather than seeing this as a setback, Brammer seized the opportunity to repair and expand the mural. He added new elements, including a nine-foot shark and a giant octopus, demonstrating how adaptability and persistence can transform challenges into opportunities for growth and improvement. This experience reinforced his belief in thriving in the artistic field through innovative problem-solving. For Brammer, the most rewarding aspect of being a creative is the immediate and enthusiastic feedback he receives while working on public murals. The direct expressions of appreciation from passersby—such as honks, thumbs-ups, and shouts of approval—provide positive affirmation that fuels his passion. He finds it uniquely fulfilling to know that his art brings joy to people in real-time. #JasonBrammer #Airbrushing #MuralArt #PublicArt #CreativeProcess #ArtistInterview #Resilience #ArtisticJourney #TheSmashingPumpkins

This article features an interview with artist Kylie Daniel, who discusses her life as a creative, her artistic journey, and her unique approach to art. At 53, Daniel expresses contentment and reflects on a diverse creative past that includes radio announcing, festival MCing, feature writing, and co-owning a guitar teaching clinic, all while consistently painting. She has been actively developing her distinct artistic style for many years. Kylie Daniel draws her primary inspiration from the Australian outback, particularly its vast, unforested landscapes. She finds solace and a sense of simplicity in these regions, viewing them as opportunities to disconnect from modern technology. Her art is characterized as unconventional, moving beyond typical pretty landscapes to focus on the geological formations of the land itself. She aims to capture the earth's surface changes resulting from events like fire, drought, and flood. Daniel incorporates various finishes to emphasize the textures and sheens of the landscape, inviting viewers to engage with her work not just visually but also tactilely, experiencing the physical sensation of the Australian Outback. Her artwork has gained significant recognition through its feature on "The Block," an Australian reality television series focused on house renovations. Following a successful placement last year with contestants Steph & Gian, Daniel's art was again selected for the show this year, with three pieces chosen by Kristian & Mimi. She views this exposure as a validation of her hard work and dedication. Her art was strategically placed in prominent areas within the homes, such as the entry and a hallway, and received positive commentary from judges, including Neale Whittaker. Daniel attributes the ongoing success to the support from The Block, The Block Shop, Artist Lane, and the contestants. Being a Block Shop artist is profoundly meaningful to Daniel, offering validation for her unique artistic style and chosen color palette, which she believes resonates with the public. When asked about her favorite Block couple, she playfully names Kristian & Mimi but also acknowledges the authenticity of Haydn & Ricky. Among artists, she expresses admiration for Jackson Pollock, valuing artists who break traditional molds and pioneer distinctive styles. Daniel finds inspiration in the idea of creating something entirely new and recognizable as her own. Her creative process often takes place outdoors, where she feels most inspired by nature, surrounded by wildlife. While working, she enjoys listening to country rock music, finding that its themes of land and country life align with the imagery she aims to convey in her art. A typical day involves managing her online presence, including social media and website interactions, before heading to her studio. She often works on multiple pieces simultaneously, as her heavy-textured works require several drying applications. Daniel can spend entire days and nights immersed in her art, describing it as her dream job. For holidays, she consistently chooses the Outback, specifically mentioning places like Cobar, Broken Hill, and Dubbo, where the landscape takes center stage. If she were to shop at The Block Shop, her obsession with Manchester would lead her to purchase sheet sets and quilt covers. Her favorite house decorating trend is "Japandi" due to its earthy, warm aesthetic and ease of pairing with furnishings, a style she believes has lasting appeal. Finally, her most cherished artwork is an original piece by Grace Brown, a respected Indigenous artist. #KylieDaniel #ArtistSpotlight #AustralianOutbackArt #TheBlock #HomeDecor #JapandiStyle #ArtisticProcess #InteriorDesign #TexturedArt

teamLab, an international art collective, has partnered with TikTok to launch an innovative immersive art and sauna experience in Tokyo called 'TikTok teamLab Reconnect.' This unique exhibition, open until August 31, aims to allow visitors to experience art in an enhanced mental state, referred to as a 'sauna trance.' This state is achieved by cycling through saunas, cold showers, and periods of rest, which are believed to sharpen the senses and clarify the mind, enabling a deeper appreciation of the art. The concept draws inspiration from ancient Japanese traditions, blending this historical pastime with digital and immersive art. The exhibition features various saunas, each equipped with colorful lighting and calming scents, followed by a cold bathing area. After this cycle, visitors enter one of five immersive art installations. The experience encourages repeating this process before viewing each new art piece. The installations showcase several of teamLab’s signature boundary-defying works, including pieces from their new project, 'Supernature Phenomena.' Notable installations include 'Levitation,' 'Ephemeral Solidified Light,' 'Proliferating Immense Life in the Rain,' and 'Step into the Light Circle.' These pieces incorporate elements such as levitating orbs that pulsate with energy and color, and floating crystals of solidified light, creating an otherworldly environment. The exhibition challenges conventional notions of art viewing by integrating a physical and mental conditioning process. In collaboration with TikTok, teamLab also developed an augmented reality (AR) piece called 'Every Life Survives in Fluctuating Space,' which can be experienced remotely through the TikTok app. This extends the accessibility of the art beyond the physical exhibition space. The entire experience of 'TikTok teamLab Reconnect' is designed to be unconventional, pushing the boundaries of how art is perceived and interacted with. Further details about the exhibition are available on teamLab's official website. #TeamLab #ImmersiveArt #SaunaExperience #DigitalArt #ArtInstallation #TokyoExhibition #TikTokCollaboration #SupernaturePhenomena

Artist and architect Inés Esnal has unveiled her Prism installation, transforming the lobby of a new residential building in New York City. The artwork utilizes colorful elastic ropes to create intricate triangular formations that serve to filter light, producing a dynamic interplay of vivid colors and optical illusions. This installation provides a stark and compelling contrast to the lobby's existing concrete walls, injecting an element of artistic vibrancy into the otherwise stark architectural setting. The Prism installation is characterized by its use of stretched elastic ropes, meticulously arranged to form geometric patterns. These ropes, varying in color, intersect and overlap, creating a complex web that interacts with the ambient light. As light passes through these colored strands, it is fractured and dispersed, casting a spectrum of hues across the lobby space. This optical phenomenon changes throughout the day, depending on the angle and intensity of natural light, offering a constantly evolving visual experience for residents and visitors. The design intention behind Prism is to introduce an element of surprise and visual engagement within a functional architectural space. By contrasting the inherent rigidity and monochromatic nature of concrete with the fluidity and vibrant palette of the elastic ropes, Esnal challenges conventional perceptions of lobby design. The installation effectively redefines the entrance area, transforming it from a transitional zone into an immersive artistic environment. Esnal's work often explores the relationship between art, architecture, and human perception. In Prism, she employs principles of geometry and optics to manipulate space and light, thereby creating an illusory depth and movement within a static structure. The triangular shapes formed by the ropes evoke the concept of prisms, which are known for their ability to refract light into its constituent colors. This not only imbues the space with aesthetic appeal but also invites viewers to contemplate the scientific and artistic principles at play. The installation aims to enhance the sensory experience of the building's occupants, offering a momentary escape from the urban environment. The selection of elastic ropes as the primary material allows for flexibility in form and an ethereal quality that belies the material's strength. This choice also contributes to the lightweight and seemingly gravity-defying appearance of the artwork, further emphasizing its illusory nature. The vibrant colors chosen are intended to evoke a sense of energy and warmth, counteracting the potentially cold aesthetic of modern concrete architecture. The overall effect is one of harmony between the artistic intervention and the architectural context, demonstrating how art can profoundly alter and enrich built environments. #ArchitecturalInstallation #PublicArt #LobbyDesign #InesEsnal #OpticalIllusions #ElasticRopeArt #NYCArchitecture #ColorTheory #GeometricArt