leckie studio's mirrored 'arcana' cabins disappear into their forested context

Sharon and Mike Matas, a graphic designer/illustrator and an interface designer/entrepreneur respectively, commissioned Swatt Miers Architects to design an off-grid studio in Healdsburg, California. The couple, who previously worked at Apple in San Francisco, sought a remote workspace deeply connected to nature for their 10-acre off-grid property in wine country. Architect Robert Swatt aimed to create a structure that felt light on the land, cantilevering the studio over a steep wooded hillside. This approach ensured minimal disturbance to the natural environment, with the floor lifted to allow the land and nature to remain untouched. The 648-square-foot studio is supported by two extra-wide, cast-in-place concrete pillars and features concrete and glass walls, complemented by western red cedar for the ceiling and floor. The extensive use of glass blurs the boundaries between the interior and the surrounding woodland, while the cedar introduces natural textures and warmth, echoing the trees. The studio's design intent was not merely to offer views of nature but to be an integral part of it, providing an immersive experience for the users. To further integrate the studio with its environment, Sharon and Mike Matas enlisted Bernard Trainor and David LeRoy of Ground Studio Landscape Architecture to rewild the site. Their goal was to make the landscape around the studio feel native and wild, harmonizing with the architectural design. Trainor and LeRoy established a natural courtyard between the studio and the main house, incorporating an edgeless pool that blends into a native meadow. Stone pavers form an organic path connecting the house, meadow, pool, and studio, encouraging movement and interaction with the outdoor spaces. The landscape architects meticulously protected existing native trees, including oaks and madrones, and focused on restoring the original plant communities that had been removed by previous owners. This involved planting large areas of seasonally changing ferns and grasses, along with supporting understory shrubs, and removing all exotic, water-loving plants from the previous garden. This rewilding effort ensured that the studio's surroundings reflected the natural beauty of the region. The finished studio provides a magical and energizing environment for creative work. Sharon and Mike Matas emphasize the innate connection between the studio and the surrounding landscape, both from within and outside the structure. The changing dappled light throughout the day enhances this connection, creating an inspiring atmosphere for art and design. The project successfully combines thoughtful architecture with a sensitive landscape design approach, resulting in a net-zero, off-grid studio that not only serves as a functional workspace but also acts as a sanctuary immersed in nature. The seamless integration of the building materials—concrete, glass, and western red cedar—with the rewilded landscape creates a cohesive and sustainable design that celebrates the woodland setting of Healdsburg, California. #OffGrid #DesignStudio #ArchitecturalDesign #SustainableLiving #NatureIntegration #HealdsburgCalifornia #SwattMiersArchitects #GroundStudioLandscapeArchitecture

This article explores the growing trend of mirrored architecture, showcasing six distinct examples that blend art and design. These structures, often conceived as art installations, reflect their surrounding environments, creating unique visual experiences. From desert landscapes to urban settings and forested areas, these mirrored buildings demonstrate a variety of functions and aesthetic approaches. The first example is "Mirage" by artist Doug Aitken, located in California's Coachella Valley. This ranch-style house, inspired by Frank Lloyd Wright's residences, features mirrored sides that reflect the desert topography and the San Jacinto Mountains. Originally part of the Desert X art event, "Mirage" was extended to remain open until October 31. Next, the article highlights mirrored prefab houses by the Estonian company ÖÖD. These 200-square-foot units offer a studio layout with a custom bed, kitchenette, and bathroom. Designed to blend into their surroundings, these prefabricated homes cost approximately $36,000. Another featured installation is "Lucid Stead" by artist Phillip K. Smith III in Joshua Tree, California. This project transformed a 70-year-old homesteader shack by incorporating contrasting mirrored panels to create a transparent effect in the desert. The remodel also included LED lighting in the mirrored doors and windows, which produced neon colors at night, though the installation is no longer accessible to the public. The "Broken Mirror House" in Graz, Austria, designed by Hope of Glory, is an apartment building situated in a UNESCO world heritage-listed historic city center. Due to strict historic protection guidelines, the architects utilized a simple facade of mirror-finished, high-gloss polished stainless steel. This design allows the building to both dematerialize and harmonize with the 19th-century aesthetic of its neighboring structures. In Sweden, the Treehotel features the "Mirrorcube," an aluminum-framed structure with reflective glass walls built around a tree trunk by architects Tham & Videgård Bolle in 2010. This accommodation offers space for two guests and provides panoramic views through its six windows. Finally, the article presents "The Invisible Portal" in Ecuador, designed by Natura Futura Arquitectura in 2016. This small mirrored viewing platform serves as a rest stop for hikers on a trail between Guaranda and Babahoyo in the Andes mountains. The wooden structure is covered in mirrored panels, reflecting the valley below and offering a unique observation point. #MirroredArchitecture #ArtInstallations #ArchitecturalDesign #PrefabHomes #DesertX #SustainableDesign #Treehotel #UrbanIntegration #ScenicViewpoints

Lucifer Lighting, a company that has grown from a family business to a global entity, is headquartered in San Antonio, Texas, on a 13-acre campus alongside Salado Creek. This facility serves as the hub for all creative processes, including design, assembly, prototyping, and management. The spaces are adorned with art, and the building offers access to 20 miles of walking and biking trails. In addition to its Texas headquarters, Lucifer Lighting expanded its presence by opening a showroom in San Francisco's Jackson Square in 2022, followed by its first New York City showroom in 2023. The company continues its expansion, with 2025 being particularly active, marked by the debut of its new decorative fixture, Stellaris, at Euroluce during Milan Design Week. Gilbert Mathews, the founder of Lucifer Lighting, discussed the evolution of their decorative fixtures. He noted that Stellar, their first decorative fixture, was launched in 2020 to commemorate the company's 40th anniversary. While Stellar is characterized by its elegance and modest scale, Stellaris, their latest creation, measures approximately 30 inches in diameter and is designed to command a striking presence, capable of defining the ambiance of a space independently. A key innovation in Stellaris is its ability to integrate both downlight and volumetric light within a single form. Mathews expressed particular pride in the patented fold design, which incorporates discrete, concealed LEDs within the waveguide, creating a mesmerizing effect that prompts observers to question the light source. Stellaris is slated for an official launch in September 2025. The Stellaris design comprises two primary components: a suspended enclosure featuring internally illuminated tubes and a translucent barrier that defines the fixture. This design was a collaborative effort with the architecture firm Gensler, which also designed Lucifer Lighting's showrooms. All of Lucifer Lighting's finished products are assembled in the United States, with 93% of the fixture components sourced from North America. Mathews emphasized the company's philosophy regarding architectural lighting, stating that “the best lighting is the kind that no one notices.” He explained that their architectural lighting can be customized with special baffles, kick reflectors, and discrete aiming and adjustment mechanisms, allowing for precise illumination without drawing attention to the light source itself. Their motto, “Design, Define, Disappear,” highlights this paradoxical approach where beautifully crafted fixtures are designed not to be the focal point. Mathews noted that this philosophy represents a departure from traditional American lighting product design, which he found to be largely utilitarian and purely functional. He drew inspiration from European lighting fixture design, appreciating its sleek aesthetic, and sought to elevate this approach through Lucifer Lighting's engineering and fabrication capabilities. He finds inspiration in the seamlessly integrated surfaces of sculptural forms, comparing them to fine watches, cameras, and Italian sports cars. The company's work has graced prominent hotels and flagship stores globally, including The Peninsula, The Standard, Four Seasons, Mandarin, St. Regis, Rosewood, and The Ritz Carlton, as well as retail spaces for Apple, Chanel, Cartier, Gucci, Louis Vuitton, Ralph Lauren, and Tiffany & Co. The company's name, Lucifer Lighting, originated from its first strip light, the Lucifer Light, derived from the Latin root "luciferous," meaning "light-bringing," a name that proved memorable and distinctive. #LuciferLighting #LightingDesign #MilanDesignWeek #Stellaris #ArchitecturalLighting #InteriorDesign #ProductInnovation #LuxuryLighting

Ambience Studio, a lighting design firm based in Melbourne, has introduced the Linear LEGO Luminaire, a lighting fixture crafted entirely from repurposed LEGO bricks and plates. This innovative design offers a vibrant and playful addition to any space, utilizing a sleek, minimalist form while radiating a whimsical character through its colorful frame and diffused LED light source. The luminaire's frame is meticulously constructed from carefully chosen LEGO pieces, ensuring a lively and engaging aesthetic. At the core of the Linear LEGO Luminaire's design is a 7W opal diffused linear extrusion, which emits a soft, even LED glow. This lighting element is seamlessly integrated into the LEGO brick frame, creating a harmonious blend of recycled materials and modern illumination technology. The light is designed for versatility in placement; it can be suspended from the ceiling as a pendant light, adding a focal point to a room, or positioned upright on the ground to serve as a decorative sculptural element. This adaptability is facilitated by a two-toned, color-matched flex cord that complements the vibrant LEGO construction. This new offering is a part of Ambience Studio's 'Symphony' range, a collection that specializes in creative linear, pendant, profile, LED neon, and strip lighting solutions. The studio, established in 1987, has a notable history of collaborating with prominent clients such as Aesop, MUJI, and Hilton, and has received international acclaim through various design awards including \[d\]arc, LIT, and the London Lighting Design Awards. Their expertise in lighting design is evident in the thoughtful execution of the Linear LEGO Luminaire, which combines sustainable practices with sophisticated design principles. The Linear LEGO Luminaire represents an intersection of playful nostalgia and contemporary design, transforming discarded toy components into a functional and aesthetically pleasing lighting solution. The use of repurposed LEGO bricks not only champions sustainability but also injects a sense of fun and creativity into interior lighting. The product's design ensures that it is not merely a light source but also a conversational art piece that can enhance the ambiance of diverse environments, from residential spaces to commercial establishments. Through this design, Ambience Studio continues to demonstrate its commitment to innovative lighting concepts and environmentally conscious product development. #LightingDesign #LEGO #RepurposedMaterials #SustainableDesign #LinearLuminaire #PendantLight #LEDLighting #HomeDecor #ProductDesign

OJA (Organic and Joyful Architecture), an Argentinian studio, developed Casa Gallareta, a 250-square-meter boutique holiday complex nestled within the native Coihues and Arrayanes forest of Villa la Angostura, Patagonia. Lead architects María Ayelén Olivieri Martinez and Juan Segundo Diaz Dopazo aimed to create a retreat that harmonizes with the natural environment, utilizing the region's steep slopes, panoramic views, and proximity to Lake Correntoso. The project consists of several timber-clad cabins, designed to offer tourists an immersive experience within the forested surroundings. The core design principle of Casa Gallareta emphasizes integration with the landscape. Each cabin is conceptualized as an extension of the forest, blending into the environment through a balance of structured design and natural placement. The architectural language deliberately connects the built spaces with nature, ensuring that while the cabins share a cohesive aesthetic, each possesses unique characteristics. The strategic positioning of the cabins involved identifying and utilizing vacant spaces within the forest, thereby avoiding any deforestation. This approach reflects the architects' commitment to creating a structure that coexists with the ecosystem without intrusion. The cabins feature an inventive spatial arrangement that blurs the lines between the interior and the forest, all within a compact footprint. The exterior of each structure is clad in eucalyptus wood, treated with the traditional Japanese Shou Sugi Ban technique. This method involves charring the wood surface, which not only creates a distinct texture but also enhances its durability, water resistance, and fire retardancy. The resulting darkened facade, complemented by materials like lapacho wood, black zinguería, glass, and exposed concrete, establishes a visual contrast against the vibrant green trees and snow-covered landscapes. In contrast to the robust exterior, the interiors are designed to evoke tranquility and spaciousness. Guatambú, a light-colored, knot-free wood, is used for the seamless interior coating. This material choice creates an exquisite contrast with the charred exterior and contributes to an expansive feel within the cabins. The use of large Guatambú slabs also streamlined the construction process. Furthermore, all interior furniture is custom-designed to match the materiality of the walls, contributing to a clean, monolithic, and minimalistic aesthetic throughout the living spaces. The design incorporates expansive windows, strategically placed to offer immersive views of the surrounding myrtle trees while maintaining privacy for guests. #PatagoniaArchitecture #EucalyptusWood #ShouSugiBan #SustainableArchitecture #CabinDesign #BoutiqueHotel #OJAArchitecture #TimberArchitecture #ArgentinianDesign

Konga, founded by Paulius Zemaitis and Goda Zemaite, in collaboration with Danish architect Mette Fredskild, developed a concept for minimalist hotel spaces that immerse occupants in natural landscapes, offering varying views of the outside from within. This approach aims to subtly alter daily routines, making them feel different. The initial cabin design was highly successful, leading to over a thousand orders across Europe and the U.S. Konga emphasizes sustainability by utilizing slim cross-laminated timber (CLT) and wood offcuts in their construction. The company plans to expand its presence across North America and has introduced a new model, the Konga M. The most recent project involved building a new Konga M cabin for a couple, Mark and Saly, who operate a rental property in North Norfolk, U.K. This 195-square-foot cabin serves as a serene retreat, providing a unique experience of silence. It incorporates sustainable materials such as slim CLT for ceilings, walls, and furniture, all finished with Osmo wax. Konga’s distinctive shelving system, made from solid wood offcuts, functions as a divider between the bed and the rest of the cabin. Strategically placed windows create sight lines that connect the interior with the outdoors, making the structure partially see-through. Despite its small size, the cabin can comfortably accommodate two to three people, featuring a twin bed with a pull-out mattress, a kitchen with a refrigerator and stove, a small dining area with seating and built-in storage, additional cabinets, and a fully equipped bathroom. The wood floors are crafted from offcuts supplied by Boen, a Norwegian flooring manufacturer, and upcycled materials are also used for the bedroom-lounge separating bookcase, dining bench upholstery, and bathroom stonework. The base price for a fully furnished Konga M cabin is $53,000, and the Konga L costs $63,700, with these prices applicable only in Europe. Key features that differentiate Konga prefabs include their Scandinavian-inspired design and efficient layout, which create a sense of spaciousness. The cabins blend comfort with sustainability, featuring thoughtfully placed windows that seamlessly connect the interior with the surroundings. The exterior is clad in burned wood, a treatment that ensures durability for up to 100 years and provides a unique aesthetic. The company extensively uses offcuts and leftovers for various components, including flooring, fabrics, and furniture, enhancing the cabin’s sustainability. All furniture, floors, ceilings, walls, and doors are constructed from mass timber or three-layer spruce (slim CLT), avoiding chipboard. Surfaces are treated with Osmo oil or wax, foregoing lacquering. Ceilings and walls are offered in slim CLT, dark waxed, or oak veneer panels, with no painted plaster. For bathrooms, backsplashes, tabletops, and certain interior walls, Konga uses Contec, a Danish micro cement, which offers a durable, seamless, rustic finish, avoiding tiles or painted surfaces. Doors and windows are wooden with tempered glass, minimizing plastic usage. Konga cabins are currently available across Europe, with plans for U.S. delivery in the near future. The designs meet the requirements of the park model RV category, allowing them to be built in most U.S. states. A demo project in the U.S. is scheduled for spring 2024, and if successful, full-scale delivery to the U.S. and Canada will commence. The typical lead time from contract signing to a fully installed cabin is three months. Konga manages the unloading, placement on the client's foundation, terrace assembly, and minor finishing works. Clients are responsible for permitting, site preparation, and utility hookups, though Konga provides necessary plans and information. Customization options are limited to maintain design integrity and sustainability standards but include choices for interior panel finishes (dark waxed slim CLT or light oak veneer), expanded appliance suites, upgraded insulation, temperature control systems, and functional adjustments to furniture, such as bed storage options. The cabins reflect Konga’s philosophy that quality should be paramount, even in minimalist living, evident in features like the kitchen’s two-burner stove, refrigerator, and undermount sink. An L model is also available, offering an additional sleeping area. #PrefabCabins #SustainableDesign #TinyHomes #CrossLaminatedTimber #EcoFriendlyLiving #ScandinavianDesign #ModularConstruction #RecycledMaterials #OffGridLiving

The redesign of a London home by interior designer Tiffany Duggan, owner of Trove, demonstrates a bold yet practical approach to interior design, emphasizing unexpected elements and clever space utilization. The homeowner's desire for a unique yet functional space led to a collaboration that embraced risk-taking in design choices. In the primary suite, a client's request for leopard print was integrated through a custom upholstered bench and bolsters, despite initial concerns about clashing with existing elements like Beata Heuman’s Florentine flowers on curtains and Farrow & Ball’s Pond Green walls. This unconventional choice ultimately added a distinctive touch to the room. The overall design philosophy for the Sloane Square home prioritized individuality without sacrificing functionality. This was evident in the foyer, where classic checkered marble floors, inspired by a trip to Majorca, were paired with an unexpected green-gray paint from Farrow & Ball on the baseboards and stair railing. The breakfast nook also incorporated old-world glamour with a mirrored wall featuring new glass treated with a faux patinated finish. The narrow home, characterized by its five choppy upper floors with small rooms and landings, necessitated designs that were both aesthetically pleasing and practical. A key design challenge was integrating modern conveniences like a television without disrupting the aesthetic. In the green living room, a television was ingeniously concealed behind reflective glass from Overmantels, appearing as a mirror when not in use. This solution addressed the homeowner’s desire for a TV while maintaining the room’s sophisticated decor. The kitchen, being the darkest room in the house, was brightened by painting all surfaces, including tongue-and-groove paneling and low ceilings, in a soft white. Bianco Rhino marble without prominent veining and natural oak plank floors further contributed to a lighter, less cluttered feel, with hardware-less cabinets enhancing the minimalist approach. The attic level features another optical illusion in a guest suite. A twin bed appears custom-built into a window nook but is actually a freestanding divan framed by a valance and curtains, with only the headboard custom-fitted to the sloped corner. This creates a cozy, integrated feel. The adjacent larger guest space shares a blue-red color palette but inverts its dominance, with crimson becoming the focal point. This deliberate coordination, along with details like gingham pillows and a floral quilt, evokes the charm of a hotel guest room or a Cotswolds retreat, offering a comfortable and stylish experience. #InteriorDesign #HomeTour #LondonHome #StudioDuggan #OpticalIllusions #CreativeSolutions #LeopardPrint #HiddenTV #GuestBedroom

Arik Levy, an Israel-born, Paris-based multidisciplinary designer, showcased his lighting collections 'In & Out' and 'Cage' at Maison et Objet 2012. These collections, designed for the French manufacturer Forestier, highlight a blend of traditional craftsmanship and versatile design, utilizing basic tools and materials like hand-made paper and metalwork. The 'In & Out' collection is conceptualized around flexibility, offering lamps that can function both indoors and outdoors. The design redefines the traditional drop-cord worklight, allowing it to serve as a standing lamp, a pendant light, or to be placed on its side. Its flat base ensures stability on surfaces, while an integrated hook on the opposite side provides the option for hanging. The collection is available in two sizes: 47.5 x 25 cm (18.7 x 9.8 inches) and 65.5 x 30 cm (25.8 x 11.8 inches), demonstrating adaptability for various spaces and uses. The 'Cage' collection features a simplified form that accentuates the texture of its paper lampshade. This series is available in black, blue, and red, adding a vibrant touch to its minimalist aesthetic. A key innovative aspect of the 'Cage' design is its transformable functionality; the smallest size in the collection can serve as a table lamp, and when inverted, it converts into a pendant lamp. The 'Cage' table lamp measures 80 x 43.2 cm (31.5 x 17 inches), and the 'Cage' surface lamp is 48.5 x 42.6 cm (19 x 16.8 inches). These dimensions, combined with the material choices, reflect a thoughtful approach to both aesthetics and utility. Maison et Objet, a bi-annual international trade show held in Paris Nord, Villepinte exhibition center, is a significant event for furniture, interior, industrial, and product design. The winter installment in 2012 served as a platform for both established and emerging talent in the design industry, making it an ideal venue for Levy to present his innovative lighting solutions. His designs for Forestier exemplify a commitment to blending aesthetic appeal with practical functionality, making them suitable for diverse interior and exterior environments. #ArikLevy #Forestier #MaisonEtObjet #LightingDesign #ProductDesign #VersatileLighting #PaperLampshade #ContemporaryDesign

Artist Takashi Kuribayashi's newest installation, 'Oya Genkiro No. 6', is located in the Tochigi countryside, just north of Tokyo. This 59-foot-tall structure, crafted from raw hinoki (cypress) trees, appears as a massive, hollowed-out tree stump. Upon entering, visitors discover hundreds of meticulously lined mirrors within its core, leading to a multi-floored sauna encased in bright, dappled wood and glass. The installation emphasizes tranquility, with the delicate layered bark contrasting with the shimmering mirrored surfaces. The sauna space is designed for relaxation, where guests can unwind to the sounds of dripping condensation and a crackling fireplace, located beneath an outdoor cauldron. The water used in the sauna is boiled in a large kiln with medicinal herbs, and the resulting steam is piped into the space, creating a dense atmosphere where visibility is limited and the scents of herbs and medicinal plants awaken the senses. The name 'Oya Genkiro' is significant, combining 'genshiro' (nuclear reactor) and 'genki' (healthy), serving as a direct reference to the Fukushima Daiichi Nuclear Power Station disaster of March 2011. This incident, caused by a devastating tsunami, led to the leakage of radioactive materials into the environment. Within this context, the installation functions as a profound reflection on the dual nature of steam. It can be a force of destruction, as seen in the Fukushima event, or a medium for restoration, healing, and calming, as experienced in the sauna. Kuribayashi's artistic practice frequently explores making the invisible tangible. In 'Oya Genkiro', he metaphorically manifests steam, allowing visitors to physically engage with a phenomenon that, in the case of Fukushima, represented "completely invisible radioactive contamination." The artist believes that understanding the existence of an unseen world can fundamentally alter one's perspective on life. 'Oya Genkiro No. 6' is a site-specific installation that cleverly disguises a functional sauna within a mirror-lined tree stump, providing a unique blend of art, nature, and introspection. The installation is open to the public in Japan’s Tochigi Prefecture, with reservations available through its dedicated website. Kuribayashi's work consistently challenges viewers to consider what lies beyond immediate perception, using physical experiences to convey deeper meanings. The contrast between the natural, rustic exterior of the tree stump and the sleek, mirrored interior, coupled with the functional and symbolic use of steam, creates a rich, multi-sensory experience that encourages reflection on both environmental events and personal well-being. This project exemplifies contemporary art's capacity to engage with complex social and environmental themes through immersive and interactive forms. #ArtInstallation #ContemporaryArt #JapaneseArt #TakashiKuribayashi #OyaGenkiroNo6 #Fukushima #EnvironmentalThemes #SaunaArt

Studio Verbaan's latest 'Minimal Marquetry' collection showcases the fusion of minimalistic shapes with traditional craftsmanship, reflecting the studio's established design philosophy. Co-founded by artistic woodworker Jordi Verbaan and conceptual artist Solange Frankfort, the Rotterdam-based studio is recognized for its minimalist aesthetic and meticulous material selection. The new collection comprises four veneer wall works, designed to function as art pieces, and two objects that serve as potential tables. All pieces are handcrafted from oak wood in the Netherlands. The collection intentionally blurs the lines between furniture, functional objects, and sculpture. Each piece is handmade by Jordi Verbaan, who carefully selects individual oak boards, matching them for color, grain pattern, and structural integrity. The construction utilizes traditional joinery methods, which not only enhance strength but also accommodate seasonal wood movement, ensuring the longevity of the pieces. Studio Verbaan emphasizes that the marquetry technique, while historically applied to various items from furniture to decorative objects, is employed here to create patterns through the thoughtful combination of fine oak veneers, chosen for their distinctive grain, texture, and color. Influenced by diverse art movements such as the graphic Bauhaus Art and the playful Memphis Design group, the designers integrate functionality with a focus on simplicity and bold, modern forms. The resulting pieces evoke the imagery of a puzzle, composed of two-dimensional shapes that maintain a deliberate ambiguity. This characteristic allows them to seamlessly fit into both domestic environments and art gallery settings. The article notes a resurgence in the popularity of marquetry, a technique dating back to the 16th century, which involves inlaying different materials—such as wood, brass, or shells—into a base material. Studio Verbaan’s 'Minimal Marquetry' collection exemplifies a contemporary approach to this ancient technique. The studio’s designs represent a new generation of designers who are exploring the aesthetic possibilities of marquetry, injecting a fresh, and at times unconventional and playful, twist into the traditional method. This collection underscores the ongoing evolution of design, where heritage techniques are reinterpreted through a modern lens to create pieces that are both artistic and functional. #MinimalMarquetry #StudioVerbaan #WoodenPuzzle #TraditionalCraft #ModernDesign #OakWood #FurnitureDesign #ArtDesign #Handcrafted

The 'Lifelines' collection, developed by designer Kirsi Enkovaara, intricately combines abstract painted landscapes with functional furniture, creating a unique series of objects and artworks. This collection features 'The Lifeline Chair' as a central piece, accompanied by a selection of deconstructed paintings. The design concept revolves around the idea of life as a series of fragmented moments and emotions, rather than a continuous, seamless narrative. Enkovaara disassembles her original paintings and reconfigures them into new arrangements, embodying this philosophy through both the visual art and the interactive furniture. 'The Lifeline Chair' is designed to be an interactive element within the collection. Its innovative structure allows the embedded paintings to be manipulated, much like turning pages in a book. This interactive feature enables users to actively change the visible composition of the artwork, thus creating new visual narratives and spatial experiences. The ability to reconfigure the paintings means that the scenery presented by the chair is adaptable and shifts with each adjustment made by the user, providing a variable and personal aesthetic experience. This interactivity challenges traditional notions of static art and functional furniture, blurring the lines between them. The genesis of the 'Lifelines' collection was Enkovaara's process of deconstructing her own painted works. By taking apart and then reassembling these pieces in different sequences, she explores how individual moments and feelings contribute to the broader tapestry of existence. The collection, therefore, serves as a comprehensive study of fragmented yet interconnected experiences, manifesting both through the tangible furniture and the abstract imagery. This approach offers a fresh perspective on how art can be integrated into daily life and how personal narratives can be expressed through design. Each component of the collection, from the chair to the reconfigured paintings, is designed to evoke a sense of a mental landscape. The abstract nature of the paintings, combined with their movable fragments, invites viewers to engage with the art on a deeper, more personal level. The shifting compositions allow for a continuous rediscovery of the artwork, reflecting the dynamic and ever-changing nature of memory and perception. This interplay between memory and form is a core theme, highlighting how our understanding of our own 'lifelines' is constantly being shaped and reshaped by our experiences and interpretations. In essence, the 'Lifelines' collection by Kirsi Enkovaara is more than just a furniture series; it is an exploration of human experience through the medium of interactive art and design. It encourages engagement, reflection, and a dynamic interaction with one's environment. The merger of abstract painting with furniture design results in pieces that are both aesthetically compelling and conceptually rich, offering users the ability to curate their own visual and emotional spaces within their surroundings. The collection ultimately suggests that art can be a fluid and participatory element, reflecting the complex, fragmented, yet cohesive nature of life itself. #LifelinesCollection #KirsiEnkovaara #AbstractArt #FurnitureDesign #InteractiveDesign #ArtAndDesign #MentalLandscapes #FragmentedCompositions #ChairDesign

In a period marked by global confinement and escalating concerns over environmental destruction, a new wave of visual artists is leveraging 3D rendering to construct utopian and fantastical environments. These digital creations, ranging from ethereal seaside homes to surreal, pastel-hued dreamscapes, have gained considerable popularity as individuals seek imaginative escapes from their daily realities. This trend is further fueled by the pervasive influence of the coronavirus pandemic, which has amplified the desire for alternate realities and a change of scenery, even if purely fictional. These digital spaces are not merely aesthetic exercises; they serve as a powerful outlet for imagination and a response to the contemporary need for escapism. Prominent figures in this emerging field, such as Paul Milinski of Vaulter and interior designer Charlotte Taylor, highlight the growing demand for these imaginative renderings. Taylor, who often collaborates with 3D artists to actualize her conceptual spaces, notes that these utopian settings tap into a fundamental human desire for novelty and wonder. This sentiment was evident during events like Offsite Online, a virtual design fair where designers, unable to physically produce and photograph their work, collaborated with visualizers to create digital photoshoots. This collaboration led to the emergence of highly imaginative and fantastical spaces, demonstrating the adaptability and creative potential of digital visualization in the design industry. The featured artists showcase a diverse range of approaches to creating these fantasy worlds. Charlotte Taylor, in collaboration with Riccardo Fornoni of Cream Atelier, envisions Villa Saraceni, an oceanside home seemingly carved from chalky white stone, blending realistic details with fictional architecture. Andrés Reisinger's work explores dreamlike spaces, such as a lilac room with an eye-shaped portal, emphasizing emotional connection over strict realism, and demonstrating how digital concepts can manifest in physical forms, as seen with his Hortensia Chair. Alexis Christodoulou, influenced by video game aesthetics, crafts sophisticated sun-dappled scenes with circular pools and craggy boulders, seeking to evolve the genre beyond conventional fantasy and sci-fi tropes. Barcelona-based Six N Five studio draws inspiration from Japanese culture to create tranquil tatami mat-lined rooms overlooking meticulously pruned gardens, designed to invite relaxation and meditation. Stefano Giacomello presents a striking living room against a rugged rock face, where furnishings appear bathed in intense desert sunlight, reflecting his minimalist and evolving aesthetic. Mue Studio's "Somewhere in the World" series offers idyllic, potentially nonexistent global locations, aiming to provide a peaceful 'rest stop' for viewers navigating a digitally saturated world. Kefan Weng, drawing inspiration from cinematic architecture and dreams, creates oddly scaled buildings hovering over dark waters, emphasizing the audience's individual interpretation. Paul Milinski designs whimsical scenes like "Work Party," filled with playful elements such as oversized balls and a blush pink sofa, intending to evoke infectious high spirits and transport viewers to potential future inspirations. Lastly, Davit and Mary Jilavyan's Sonora Art Village project features vibrant, geometric buildings and spiky cacti under blue skies, presenting an imaginary community in Mexico that offers a vivid contrast to the 'grey reality' of the pandemic. These artists collectively demonstrate the power of 3D rendering to fulfill the contemporary need for escapism, imagination, and utopian visions in design and art. #DigitalArt #3DRendering #FantasyInteriors #UtopianDesign #EscapistArchitecture #VisualArt #ArchitecturalVisualization #InteriorDesign #CreativeRendering

Artist and architect Inés Esnal has unveiled her Prism installation, transforming the lobby of a new residential building in New York City. The artwork utilizes colorful elastic ropes to create intricate triangular formations that serve to filter light, producing a dynamic interplay of vivid colors and optical illusions. This installation provides a stark and compelling contrast to the lobby's existing concrete walls, injecting an element of artistic vibrancy into the otherwise stark architectural setting. The Prism installation is characterized by its use of stretched elastic ropes, meticulously arranged to form geometric patterns. These ropes, varying in color, intersect and overlap, creating a complex web that interacts with the ambient light. As light passes through these colored strands, it is fractured and dispersed, casting a spectrum of hues across the lobby space. This optical phenomenon changes throughout the day, depending on the angle and intensity of natural light, offering a constantly evolving visual experience for residents and visitors. The design intention behind Prism is to introduce an element of surprise and visual engagement within a functional architectural space. By contrasting the inherent rigidity and monochromatic nature of concrete with the fluidity and vibrant palette of the elastic ropes, Esnal challenges conventional perceptions of lobby design. The installation effectively redefines the entrance area, transforming it from a transitional zone into an immersive artistic environment. Esnal's work often explores the relationship between art, architecture, and human perception. In Prism, she employs principles of geometry and optics to manipulate space and light, thereby creating an illusory depth and movement within a static structure. The triangular shapes formed by the ropes evoke the concept of prisms, which are known for their ability to refract light into its constituent colors. This not only imbues the space with aesthetic appeal but also invites viewers to contemplate the scientific and artistic principles at play. The installation aims to enhance the sensory experience of the building's occupants, offering a momentary escape from the urban environment. The selection of elastic ropes as the primary material allows for flexibility in form and an ethereal quality that belies the material's strength. This choice also contributes to the lightweight and seemingly gravity-defying appearance of the artwork, further emphasizing its illusory nature. The vibrant colors chosen are intended to evoke a sense of energy and warmth, counteracting the potentially cold aesthetic of modern concrete architecture. The overall effect is one of harmony between the artistic intervention and the architectural context, demonstrating how art can profoundly alter and enrich built environments. #ArchitecturalInstallation #PublicArt #LobbyDesign #InesEsnal #OpticalIllusions #ElasticRopeArt #NYCArchitecture #ColorTheory #GeometricArt

The 2025 Lake Forest Showhouse & Gardens, a biennial event benefiting the Lake Forest Chapter of the Infant Welfare Society of Chicago, showcases the transformation of the historic Pembroke Lodge. This year marks the 20th production of the event, held in a grand Georgian-style main house originally designed in 1895 by architect Henry Ives Cobb with landscape architecture by Frederick Law Olmsted, and later revised by David Adler in the late 1930s. Thirty-eight interior designers and nine landscape design companies collaborated to reimagine the 15,000-square-foot mansion, including its tennis hut, pool house, and the remaining 3.5-acre grounds. Visitors can view numerous showstopping rooms, with nearly all sourced design elements and furnishings available for purchase, and 15% of the proceeds going to the Infant Welfare Society of Chicago. Among the highlighted spaces, the Foyer by Cynthia McCullough Interiors features Braquenie’s Les Muses et Les Lions wallcovering, inspired by the original 1930s design, complemented by Regency mirrors, an upholstered bench, and a Chippendale glass cabinet. Joey Leicht Design's Salon stands out with double doors lacquered in Tropical Rose, handpainted and embroidered silk walls by Fromental, and custom banquettes inspired by Frances Elkins. Birkman Interiors created a masculine, clubby Office, adorned with global artifacts, inviting contemplation and travel planning. Amy Kartheiser Design's Garden Room offers an ideal setting for luncheons, incorporating blue treillage-wrapped walls and chairs upholstered in Pierre Frey fabric with yellow and green accents, effectively bringing the outdoors in. The First Floor Hall/Stairwell by Lauren Collander Interiors is characterized by enchanting, hand-embroidered wallcovering and lush green tones, creating a Parisian garden aesthetic that guides visitors through the home. The Main Kitchen by Ablaze Design Group boasts a spacious central island with dual table-height surfaces, custom cabinetry, heat-resistant Dekton by Cosentino surfaces, and biophilic lighting to support circadian rhythms. JenMarie Interiors designed a stylish Mudroom featuring a striking Schumacher wallcovering, fluted wall paneling, bespoke built-ins, and Corinthian-style marble flooring. Sarah Dippold Design's Second Floor Landing serves as a harmonious transition space with jacquard fabric wallcovering, a custom floor runner, and layered textures. Robbins Architecture created a serene Girl’s Bedroom with a soft, dreamy Benjamin Moore color palette and wildlife imagery, evoking a fairy tale setting. The Mahjong Room by White Couch Design offers a stylish space for the trendy game, featuring House of Harris’ Fancy Flock wallcovering with herons, flowers, and lily pads, a round pink linen-wrapped game table, a custom scalloped settee, vintage chairs, and a Champagne Bar. Lastly, Meghan Jay Design's Cabana blends 1920s chic with contemporary style, utilizing a muted palette of blush tones and soft yellows, enhanced by an arched hallway ceiling with wave-shaped fabric panels. The Lake Forest Showhouse & Gardens is open for a limited time, with advance tickets required. #LakeForestShowhouse #InteriorDesign #HomeDecor #HistoricEstate #LuxuryInteriors #DesignShowcase #ChicagoDesign #PembrokeLodge #PhilanthropicEvent

The Kaleidoscope Project, a unique showhouse initiative, has revitalized The Cornell Inn, an 18th-century collection of historic guest buildings in Lenox, Massachusetts. This project goes beyond a typical showhouse by engaging 23 talented BIPOC interior designers to permanently transform 18 guest rooms, a lobby, dining room, and bar. A significant aspect of the project is its commitment to providing scholarship opportunities for young people of color aspiring to careers in creative fields, highlighting a broader mission of diversity and inclusion within the design industry. Participants in the project were assigned specific themes—rest (neutrals), reflection (cool colors), or rejuvenate (warm hues)—and corresponding color palettes. This approach ensured that while each room maintains its individual character, they collectively contribute to a cohesive and inviting atmosphere throughout the inn. The designers' personal touches are evident in each space, ranging from Shawna Underwood's traditional New England style bedroom to David Santiago's glamorous gold and velvet barroom. The project's organizers praised the designers for their exceptional work and their ability to infuse their unique identities into their respective spaces. Among the featured rooms, the Lady Cicely Room, designed by Austin Gray Design Group, draws inspiration from the Berkshires landscape with a cool palette, Benjamin Moore's River Blue walls, and Phillip Jeffries wallpaper on the sloped ceiling. The designers carefully selected furniture to evoke both femininity and strength, honoring Cicely Tyson. Christy Davis's Davis Room balances Southern roots with Asian heritage, employing yin and yang principles through contrasting Thibaut geometric and Lee Jofa floral wallpapers. Rasheeda Gray's Rasheeda Room is a personal homage to her late grandfather, featuring warm, sunny colors and a Safavieh bed, aiming to offer guests a space for rejuvenation. Rydhima Brar's Rydhima’s Room, or the “Empress’s Quarters,” is characterized by rich jewel tones and a hand-painted panoramic Gracie Studio wallpaper in the bathroom, designed to transport guests to a magical experience. David Santiago’s Acento Bar exudes theatrical glamour with gold Akdo tiles, red silk fabrics, and Currey & Co. sconces, reflecting his Spanish heritage and advocating for diversity. Everick Brown’s Kutana Room, named after the Swahili word for “meet,” celebrates Lenox’s cultural crossroads with a blend of rural and global, modern and rustic elements. Iantha Carley’s Bennet Room, located in the inn’s carriage house, offers a modern interpretation of an English country house, with a custom-designed headboard and Circa Lighting lamp, inspired by Jane Austen's Elizabeth Bennet. Dennese Guadeloupe Rojas’s Doreen Suite pays tribute to her mother, creating a luxurious yet inviting space with custom-upholstered seating in jewel tones and a geode-like Weitzner wallpaper. Linda Hayslett’s Maddi-Mia Room merges edgy and traditional styles with Clarke & Clarke floral wallpaper, a berry-colored platform bed from Kelly Clarkson Home Collection, and budget-friendly decor from Zara Home and HomeGoods, emphasizing the flourishing impact of diversity in design. Nile Johnson’s eponymous room is dedicated to self-care, presenting a simple, welcoming space with neutral accents, including a gray Benjamin Moore ceiling and a smoke-colored Sunpan bed. Purvi Padia’s Lioness Room focuses on relaxation with textured neutrals, white wallcovering by Phillip Jeffries, and black accents, with its name referencing Project Lion, an initiative in partnership with UNICEF. Shawna Underwood’s Hudson Room offers a fresh take on New England aesthetics with inviting textures, whimsical details, and Schumacher floral wallpaper, encouraging designers to embrace their cultural perspectives. Finally, Virginia Toledo’s Comparte Room, a dining space, features a communal red-legged table and Eliza Ikat wallpaper from Schumacher, symbolizing shared experiences and the diverse fabric of America. #KaleidoscopeProject #InteriorDesign #BIPOCDesigners #Berkshires #HotelRenovation #DesignShowhouse #HomeDecor #LuxuryInteriors #CulturalHeritage

The 2020 Lake Forest Showhouse & Gardens, which opened on July 11 and ran until August 9, 2020, showcased a historic Colonial-style estate designed by Frost & Granger in 1906 and later remodeled by Stanley Anderson in 1926. This biennial event benefits the Infant Welfare Society of Chicago, an organization providing healthcare to medically underserved communities for over a century. The estate features 23 light-filled rooms with architectural details, serving as a canvas for over 30 interior and landscape designers. Each space incorporates a mix of antique and vintage items, along with innovative uses of color, texture, and pattern. The outdoor areas include gardens by Scott Byron & Co. and Mariani Landscape Architecture, featuring lush purple and green plantings and original Japanese lilac trees. Inside, the foyer by Konstant Home combines traditional architectural elements and Zuber scenic wallpaper with French Modernist furniture by Charlotte Perriand and Jean Royère, accented by sculptural art and vintage finds. Kelly Hurliman Design's living room emphasizes luxurious textures with Italian velvet sofas, vintage alpaca chairs, a marble cocktail table, and a shagreen cabinet, all within a palette of apricot, rust, and chalky white. Paloma Contreras Design’s dining room is enveloped in an Iksel chinoiserie wallpaper, reflecting a classic-meets-contemporary style, complemented by Schumacher fabrics on window shades and a settee. The powder room by Sarah Vaile Design features de Gournay wallpaper depicting an exotic jungle, highlighted by hot pink lacquered trim and a geometric black and white floor. The sunroom by M + M Interior Design showcases patterned textiles and natural textures, with emerald walls covered in a hand-painted silk wallpaper from a collaboration between Erdem Moralioglu and de Gournay. Shelley Johnstone Design's sun porch and adjacent terrace integrate the outdoors with a custom Gracie wallpaper, a celadon lacquered ceiling, and Janus et Cie furniture, offering views of the gardens. The kitchen, a collaboration between the ABL Group and Dovetails Custom Cabinetry, blends historical design with modern functionality. It features brass hardware, Cambria and Artistic tile surfaces, and custom cabinetry painted in Sherwin Williams’ Sleepy Hollow and Inkwell. Stephanie Kaslow Interiors created a cozy reading room with rustic wood, dusty blue trim and ceiling, and a mix of modern and antique furniture, lighting, and art. Cynthia McCullough Interiors designed a cheerful guest bedroom with a vintage-inspired floral wallpaper by Cole and Son, blue upholstered beds, yellow mohair armchairs, vintage pieces, and seagrass flooring. Wendy Labrum Interiors' sitting room emphasizes its high ceilings with earthy plaster walls, complemented by a Jean Royère sofa, Pierre Jeanneret chairs, vintage lighting, and a custom marble table. Finally, James Thomas's potting room draws inspiration from English manor houses, featuring limed oak, green trim, and off-black plaster walls, filled with baskets, pots, and topiaries. The showhouse offers a range of design ideas across its varied spaces. #LakeForestShowhouse #InteriorDesign #ColonialEstate #LuxuryDecor #GardenDesign #ChinoiserieWallpaper #VintageFurniture #ModernDesign #Showhouse2020

Designers are increasingly drawing inspiration from English interiors, and tapestries are emerging as a prominent antique item in stylish spaces. These textiles are being embraced to introduce warmth and character into modern interiors, moving away from formal perceptions to appear cozy and confident. Whitney Romanoff of Meet West notes that tapestries instantly add mystery, romance, and softness, captivating with their historical craftsmanship and visual narratives. This trend signifies a shift towards cultivating atmosphere, reminiscent of English country houses where layered textures, mixed patterns, and a lived-in feel are valued over excessive polish. Modern applications of tapestries emphasize rich, moody aesthetics, often featuring velvets, fringe, and pastoral scenes that contribute texture and depth, creating an intimate, cocooning effect in living spaces and bedrooms. The renewed appeal of tapestries aligns with a broader desire for personalized rather than impeccably polished rooms. Designer Sarah Stacey highlights that tapestries are classic, versatile, and can function as wall art, a means to conceal televisions, or even as material for pillows and upholstery. She notes their ability to read as almost neutral despite intricate designs due to their non-repeating patterns. The growing appreciation for handmade items in an increasingly AI-driven world also contributes to the timing of this trend. For individuals seeking impactful decor without committing to extensive gallery walls or large paintings, a tapestry offers an accessible solution to complete a large wall. Designers recommend specific strategies for styling tapestries. Crystal Sinclair appreciates the texture antique tapestries bring, using them to introduce a sense of history and balance to modern environments. She advocates for pairing them with contemporary furniture to avoid a heavy or theatrical feel, emphasizing that the textile's age becomes an asset when contrasted with clean-lined pieces. Sinclair advises homeowners to be bold with their choices, suggesting that a tapestry should be a room's focal point. Both Stacey and Chiara de Rege agree on the importance of scale, encouraging oversized pieces that can extend almost wall-to-wall or behind furniture, making the layering appear intentional and allowing the tapestry to define the space. Achieving a current aesthetic with tapestries hinges on contrast. Designers stress the importance of combining them with modern furniture, streamlined shapes, or unconventional materials. De Rege particularly enjoys the dynamic tension created by juxtaposing very old tapestries with contemporary elements like steel consoles or modern seating, describing the effect as both grand and subtly satirical. The objective is not to replicate historical period rooms but to use the tapestry as a grounding element, allowing the rest of the decor to feel fresh and contemporary. When sourcing, designers overwhelmingly favor vintage pieces for their unique character and inherent narrative. Sinclair emphasizes the challenge and reward of finding suitable vintage tapestries, while Stacey often searches auctions, flea markets, and online marketplaces. De Rege encourages selecting pieces whose stories resonate with the client and project. In an era where warmth, personality, and thoughtful design are highly valued, tapestries provide a unique blend of intimacy, layering, and groundedness, offering a sense of escapism that aligns with current design sensibilities. #InteriorDesign #HomeDecor #TapestryTrend #AntiqueDecor #DesignInspiration #EnglishInteriors #TextileArt #VintageHome

Draga & Aurel, a multidisciplinary design studio founded by Draga Obradovic and Aurel K. Basedow, recently unveiled their latest collection of furniture called 'Zen.' This collection, presented during Milan Design Week by the Rossana Orlandi Gallery, builds upon their previous work with the 'Flare series' by exploring the phenomenon of light refractions within furniture pieces. The 'Zen' collection features three coffee tables and a dining table, all meticulously handcrafted from Lucite by artisans in Como, Italy. The tables in the 'Zen' collection are designed to resemble blocks of ice, achieved through a frosted surface treatment applied to the Lucite. This treatment creates a cool, ethereal aesthetic. Inside each table, carefully arranged sheets of pastel-hued Lucite are embedded, capturing and replicating multi-colored light refractions as if they were frozen in time. The unique characteristic of each table, resulting from the handcrafted process and the distinct arrangement of the Lucite sheets, reinforces the idea that these pieces are individual works of art. Draga & Aurel's deep fascination with the interplay of color and light is a central theme throughout their work. They view light as an activator of color through matter, and their exploration of this dynamic interaction is a continuous process. The designers emphasize that their achievements are the result of extensive experimentation and study, utilizing material samples to observe how light behaves when passing through different layers of varying colors, shapes, and thicknesses. This methodical approach allows them to discover the perfect interconnection between color, light, matter, and form. The studio consistently merges artistic vision with functional design, as exemplified by these sculptural tables. Draga & Aurel challenge the notion that functionality and aesthetics are opposing concepts, asserting that their pieces are collectible design objects due to the experimental and artisanal processes involved, yet they always fulfill a practical function. This balance makes their creations viable objects for everyday life. They prioritize in-depth research and the elevation of materials, particularly acrylic resin, which has become a signature element of their style. Their goal is to integrate the material meaningfully into the context of the object itself, ensuring its functional relevance. Looking ahead, Draga & Aurel are pursuing three interconnected directions for their studio's evolution. Their art design project, especially the 'Transparency matters' collection, is expanding their presence in the gallery world, collaborating with prominent partners like Rossana Orlandi, Nina Yashar, and Todd Merrill on exclusive projects. Additionally, they are engaging in new collaborations with design companies, having recently debuted with historic furniture brands Poltrona Frau and Giorgetti at Milan Design Week. Their commitment lies in fostering valuable partnerships that benefit both the studio and the collaborating companies. Finally, their purely artistic side is flourishing through Aurel K. Basedow’s paintings, a growing project that has necessitated the expansion of their workshop to accommodate increased artistic production. #DragaAurel #ZenCollection #LuciteFurniture #LightRefractions #MilanDesignWeek #ContemporaryDesign #HomeFurnishings #ArtisticFurniture #Craftsmanship

The Rustic Canyon House, designed by Walker Workshop and situated in Los Angeles's Rustic Canyon area, seamlessly integrates nature and natural light into its architectural design. The residence, a single-story structure, is characterized by its central living room and kitchen, both featuring expansive floor-to-ceiling glass walls. These transparent elements serve as the focal point, connecting the interior spaces with the surrounding environment. Four rectilinear wings extend outwards from this central core, each accommodating one of the home's four bedrooms and a garage. This spoke-like layout is a key organizational principle of the design. A subtle nod to nature is found in the north wall, where a small fireplace is thoughtfully bordered by a garden of succulents, bringing greenery indoors. The south-facing kitchen stands out with its impressive fifteen-foot-high ceiling, further enhanced by framed glass that offers direct views of a grove of melaleuca trees, reinforcing the home's connection to its natural surroundings. The exterior of the Rustic Canyon House is distinguished by smooth stucco walls, which exhibit subtle variations in height and depth, harmonizing with the overall rectilinear and radial design. This modern interpretation pays homage to the classic hacienda style, balancing tradition with contemporary minimalism. Notable design features include a walled courtyard, specifically created to provide a safe and private play area for children. In the master bedroom, a skylight is integrated into the floating ceiling, allowing for views of the existing coast live oaks, thus enhancing the natural ambiance of the private space. Walker Workshop not only conceived the architectural design but also acted as the general contractor for the project. This integrated approach allowed them to oversee critical details, such as the fabrication of the custom steel window system and the design and crafting of the dining room furniture, ensuring a cohesive aesthetic throughout the residence. The interior design was personally handled by the homeowner, Lisa Petrazzolo, while artworks were provided by Creative Art Partners, adding a personalized and curated touch to the living spaces. Joe Fletcher is credited with the photography for the project. #RusticCanyonHouse #WalkerWorkshop #LosAngelesArchitecture #ResidentialDesign #NatureCentricDesign #Skylights #GlassWalls #ModernHacienda #InteriorDesign