Kyuhyung Cho creates colourful three-sided shelves for Menu

Joy Cho, founder and creative director of Oh Joy!, applied a strategic approach to selecting complementary hues for the multicolored cabinets in her new guesthouse–slash–work studio. Collaborating with Project M Plus and Boswell Construction, Cho utilized door fronts from Reform’s Chelsea by Christina Meyer Bengtsson line, designed to fit simple IKEA frames. Instead of using all four color options available, she opted for a trio: medium-toned gray, muted lavender, and untreated brass. This decision aligns with her preference for odd numbers in design, a principle she applies to create visual balance and interest. Cho's methodology for incorporating metal fronts into a space emphasizes moderation. She advises using them sparingly, particularly avoiding high-touch areas like refrigerator panels, to minimize visible fingerprints and maintenance. For those looking to emulate this multicolored cabinet trend, Cho suggests focusing on analogous colors—hues that are adjacent on the color wheel. This ensures that the chosen colors, even when diverse, maintain a cohesive and harmonious relationship, whether through similar depth or opacity. This approach prevents the design from appearing disjointed and instead creates a sense of intentionality and flow. The kitchen's design also incorporates a bright, white Caesarstone countertop, which contrasts with the cabinet colors while enhancing the natural light entering the space through large glass windows. This choice, along with creamy white backsplash tiles and terrazzo floors, helps to reflect light and create an airy, open atmosphere. While Reform typically pairs this cabinet collection with a black countertop, Cho's selection demonstrates how thoughtful material choices can significantly impact the overall brightness and spaciousness of a room. Expanding on her design philosophy, Cho offers additional countertop, cabinet paint, and hardware combinations. One recommendation is a fun yet chic kitchen featuring a textured, colored countertop, complemented by a rich, sultry cabinet color and brass pulls. She notes that moody emerald and pink, despite their strong presence, can work effectively together, even referencing her own use of a hunter green central beam and rosy sofas in her living room. Another suggestion draws inspiration from the ocean, proposing an airy blue-green cabinet color paired with organic gold hardware accents and white countertops that have subtle veining. These combinations highlight her belief in viewing kitchen design as a sophisticated puzzle, where each element contributes to a cohesive and appealing aesthetic, moving beyond conventional matching expectations. Her advice encourages experimentation with color and material, guided by principles of balance and visual harmony, to achieve distinctive and personalized kitchen spaces. #KitchenDesign #CabinetColors #InteriorDesign #ColorTheory #HomeRenovation #KitchenRemodel #DesignInspiration #OhJoy

Designer Pao Hui Kao has developed the 'Paper Pleats' furniture collection, which includes stools, coffee tables, a dining table set, shelving, a space divider, and a ceiling lamp, all crafted from tracing paper bound with a unique rice glue. This innovative approach stems from the designer's personal sensitivity to chemicals found in many man-made materials and a commitment to creating recyclable products with minimal environmental impact. The core of the Paper Pleats collection lies in its distinctive manufacturing process. Each piece is constructed from tracing paper that is first soaked in rice water. This rice water functions as a natural adhesive, binding the individual sheets of paper together. As the paper absorbs the water and subsequently dries, it undergoes a natural shrinking and wrinkling process. This controlled contraction is crucial, as it contributes to the material's transformation into a surprisingly strong and rigid structure, despite the inherent fragility of paper. To achieve specific forms and maintain the desired aesthetic, Kao has engineered a series of bespoke tools, including various moulds. These tools are utilized to shape the wet paper, ensuring that the natural wrinkles are preserved while also allowing for the creation of regular patterns and pleats across the furniture pieces. The designer describes this process as a collaboration with the material itself, learning to control key elements like humidity and drying temperature to encourage the paper to adopt particular shapes and textures. A significant aspect of Kao's design philosophy is the ability to create objects that can support substantial weight, challenging conventional perceptions of paper's strength. This is achieved by forming numerous irregular paper tubes that are then bound together by the rice water, resulting in objects that possess a deceptive fragility in appearance but demonstrate considerable structural integrity. This method was initially developed during Kao's studies at Design Academy Eindhoven and has been continuously refined since 2016. The latest iterations of the Paper Pleats collection, including a series of three stools, were showcased at the Collectible design fair in Brussels. The presentation was hosted by the Belgian gallery Spazio Nobile, highlighting the collection's artistic and functional merits. Kao's choice of paper as a primary material is deeply rooted in both personal necessity due to allergic reactions to chemical components like pigments and coatings, and a broader interest in sustainable design practices. The designer emphasizes the importance of understanding recycling systems to investigate new methods of object creation that consider the entire lifecycle of a product. Paper, being a widely used and neutral material with a relatively simple and clean manufacturing process, proved to be an ideal choice for this sustainable endeavor. #PaperPleats #FurnitureDesign #SustainableDesign #RecyclableMaterials #RiceGlue #TracingPaper #DesignAcademyEindhoven #CollectibleDesign #EcoFriendly

Pita and Bloom, founded in 2010 by Florencia Pita and Jackilin Hah Bloom, emerged from their collaborative experience at SCI-Arc and Greg Lynn's Form. The firm, a finalist in MoMA PS1's YAP competition in 2014, is recognized for its distinctive approach to architecture, which emphasizes color theory, abstraction, and pop art influences. Their designs integrate bright color palettes, collage, pattern, and geometry, intentionally embracing ornament in an architectural context. The practice is typically small, consisting of the two founders, and occasionally expands to include one or two designers and interns for specific projects. The motivation behind establishing their practice stemmed from a strong working relationship and friendship developed during their time at Greg Lynn's office. This led to a natural collaboration, initially exploring shared ideas on color and form through competition projects and speculative work. This early body of work provided the foundation for their nomination in the MoMA PS1 competition. Over time, their collaboration evolved from self-initiated projects to commissioned architectural work, with their academic roles at the Southern California Institute of Architecture (SCI-Arc) continuously informing and being informed by their practice. An example of this synergy is Florencia's Los Angeles River studio, which reimagined the infrastructural space as a public landscape through painting the concrete riverbed, leading to the project 'Flat Pools,' featured in 'Art Papers.' One significant challenge faced by Pita and Bloom is grounding their interests and ideas within the rapidly evolving discourse of architecture, which shifts with advancements in arts, technology, and society. Having transitioned from traditional drafting methods to embracing digital technology, and now navigating a landscape where representational techniques define architecture, they employ a range of analog and digital tools tailored to each project. Despite these evolving mediums, their core template remains consistent: defining the parameters of color and form in architecture. Their projects consistently explore color as a material with texture and patterns, and forms that transition from flat to 2.5D through concurrent lines and volumes. The firm does not set specific goals for its size, viewing growth as an organic process. They value the contributions of talented collaborators and project teams, which allows their practice to remain open and experimental while maintaining a serious and earnest approach. The benefits of a small practice, though not always by choice, include the ability to dedicate extensive time and focus to idiosyncratic and self-initiated projects. This affords them the luxury of sustained creative thought and exploration of ideas, contributing to their unique architectural output. The article showcases several projects by Pita and Bloom, illustrating their design philosophy. 'FLAT POOLS' for the Los Angeles River proposes painting the riverbed to transform it into a public landscape. 'LA MEDIANERA' in Tetla de la Solidaridad, Mexico, presents a rural house prototype for Infonavit's 'From the Territory to the Dweller' initiative. 'THE NEW ZOCALO' for Mexicantown, Detroit, was a project for the 15th Venice Architecture Biennale's U.S. Pavilion, 'The Architectural Imagination.' Finally, 'SIGNATURES' is an entry façade installation for the Princeton School of Architecture in Princeton, New Jersey. These projects exemplify their consistent exploration of color, form, and ornament in diverse architectural contexts. #ArchitecturalDesign #ColorTheory #OrnamentInArchitecture #PitaAndBloom #SmallPractice #ArchitecturalInnovation #LosAngelesArchitecture #AcademicPractice #ArchitecturalCollaboration

Studio GdB, founded by Gilles de Brock and Jaap Giesen in ‘s-Hertogenbosch, The Netherlands, has revolutionized ceramic tile production through the development of a custom-built digital printer. This innovative machine allows for the computer-controlled application of liquid glazes onto ceramic tiles in their biscuit state, resulting in unique and highly customizable designs. The studio's process addresses a previous limitation in finding suitable finishes for their design vision, prompting them to engineer their own solution. This bespoke technology enables them to create a diverse range of patterns and vibrant color schemes, offering endless possibilities for aesthetic expression in tile design. The tiles produced by Studio GdB are characterized by their bold colors and visually complex, almost psychedelic patterns, which evoke a handmade quality despite being digitally fabricated. This blend of precision engineering and artistic flair allows for a broad spectrum of design choices, from subtle and understated to highly intricate and elaborate, catering to various design preferences. The custom printer's capability to accurately apply liquid glazes directly onto the ceramic surface ensures a high level of detail and consistency in each tile, surpassing the limitations of conventional manufacturing methods. The development of this specialized machinery highlights a creative approach to overcoming technical challenges in the design and production of ceramic tiles. By taking control of the manufacturing process, Studio GdB has opened up new avenues for customization and artistic experimentation within the realm of interior design materials. The studio's commitment to innovation has enabled them to achieve desired finishes that were previously unavailable, offering designers and consumers access to truly distinct and personalized tile options for various applications, from staircases to coffee tables and backsplashes. The resulting product line from Studio GdB provides an opportunity for integrating unique and visually striking elements into interior spaces, allowing for highly personalized and dynamic environments. The ability to create seemingly infinite patterns and color combinations means that each project can feature a bespoke tile installation, reflecting individual tastes and design concepts. This innovative method bridges the gap between traditional craftsmanship and modern technology, creating ceramic tiles that are both a functional building material and a work of art. The tiles are suitable for diverse settings, adding a distinctive touch to both residential and commercial projects. #CeramicTiles #DigitalPrinting #CustomDesign #InteriorDesign #StudioGdB #HomeDecor #ArchitecturalSurfaces #GlazeApplication #InnovativeManufacturing

Echo Petersen, founder of E Lee Designs, has found a creative outlet for her artistic passion by creating a variety of home decor and kitchen items featuring unique swirled acrylic paint designs. Petersen's work, which includes handblown coasters, trivets, charcuterie boards, and holiday ornaments, will be showcased at the 605 Made Holiday Market in Sioux Falls. Her designs are characterized by their vibrant colors and intricate patterns, achieved through a technique of blowing acrylic paints with drinking straws onto surfaces like ceramic tiles, wooden cutting boards, and canvases. This method allows colors to remain separate and distinct without blending, resulting in visually striking pieces. Petersen's journey into this craft began after she retired from her career as a financial assistant. Inspired by a set of handblown coasters she encountered during a trip to Fort Collins, Colorado, she dedicated herself to learning and mastering the technique. This involved extensive research through online videos and significant experimentation to develop her own proprietary mix of acrylic artist paints. Her husband, Bryce, supports her endeavors by creating custom oak frames for her canvas pieces. Each item crafted by Petersen undergoes a meticulous, multi-stage process that spans approximately one week. After the initial paint application, the piece requires time to dry and for the paint to cure. Following this, Petersen prepares the item by sanding its back and carefully taping it before applying a resin layer, which then takes an additional three days to dry. This commitment to quality ensures the durability and longevity of her handmade products. E Lee Designs offers a range of items, from small porcelain tile coasters to larger six-inch porcelain trivets and various wooden cutting boards. A particularly popular item that frequently sells out is her bamboo charcuterie board, which features pullout drawers and includes small wooden utensils, all adorned with her signature handblown paint designs. Petersen prioritizes using high-quality materials to ensure customer satisfaction and product resilience. In her creative process, Petersen pays close attention to current interior design trends, specifically monitoring popular colors in furniture and granite countertops. This awareness guides her selection of hues, ensuring her designs complement contemporary home aesthetics. She also incorporates micro powder glitter into her paints to add a subtle shimmer to the finished pieces. Popular color palettes in her collection include gray-beige, purple, and various autumn colors, while her personal favorite combination involves navy blue, moss green, and gold. This will be E Lee Designs' first participation in the 605 Made Holiday Market, though Petersen has previously showcased her work at vendor shows across South Dakota in cities such as Brookings, Pierre, Aberdeen, and Yankton. The 605 Made Holiday Market, an event organized by Knotty Gnome Variety & Salvage, Sew Doggy Boutique, and SiouxFalls.Business, and sponsored by The First National Bank in Sioux Falls and Dakota Business Finance, will feature over 40 makers. It is scheduled for Saturday, December 7, from 10 a.m. to 4 p.m. at Cherapa Place in downtown Sioux Falls, with free admission for attendees. #E Lee Designs #HandmadeDecor #AcrylicPouring #HomeDecor #HolidayMarket #Craftsmanship #ArtisanProducts #SmallBusiness #SiouxFallsEvents

Rachel Tan, a 35-year-old Singaporean mumpreneur, founded Urban Li'l, an interior products company that specializes in custom-made wall decals and cake toppers. The business began six years prior to the article's publication. The inspiration for the article's author to learn more about Urban Li'l came from a fabric decal car track featuring Singaporean landmarks and a custom laser-cut Chinese New Year family plaque, both of which were Urban Li'l products. Tan's interest in interior design and entrepreneurship began in childhood. She enjoyed reading Ikea catalogues and designing her own room at 13. With her brother, she gained early business experience by selling items sourced from Bangkok. Before establishing Urban Li'l, Tan worked for a decade in financial planning and analysis at various multinational corporations, aspiring to become a CFO. However, after becoming a mother in 2015, she sought a career that offered more control over her time to balance work and family life. This led her to pursue her passion for design and start Urban Li'l, though it took her four years to transition to running the business full-time. Balancing a corporate job, a startup, and motherhood was challenging, leading to constant multitasking and sleep deprivation. Tan eventually proposed a part-time work arrangement to her employers, which allowed her to work three days in her corporate role and two days on Urban Li'l. This arrangement provided her with renewed energy and better work-life balance. Her full transition to Urban Li'l occurred after the birth of her second child, when she left her corporate job, set up an office, and hired a team. Her confidence to commit to Urban Li'l full-time stemmed from its position as a pioneer in the custom interior decor market and her achievement of earning 75% of her corporate income through the business. The catalyst for Urban Li'l's growth was the family plaque, an idea that went viral after a fellow mumpreneur posted her custom "Home with the Teos" plaque on Instagram. This product led to a significant increase in orders for family plaques and other signage for various purposes. Urban Li'l's official debut product was SG50 National Day milestone stickers for babies, launched on August 1, the company's founding date, when Tan's SG50 child was six months old. These personalized stickers, designed for photo-taking, were well-received and motivated Tan to expand the range of milestone stickers to chart baby growth and achievements. Tan identifies not trying to do it all as the toughest lesson learned as an entrepreneur. She initially experienced burnout due to long working hours and motherhood responsibilities. She learned to delegate tasks and empower her team to foster creativity and ownership. Maintaining focus amid distractions, such as social media metrics, and prioritizing community growth are crucial for building a sustainable business. Effective cash flow management, a skill honed from her finance background, has also been critical, especially during periods of low cash flow due to multiple large projects. Among her favorite memories is the ability to transform houses into homes and empty spaces into meaningful playrooms through Urban Li'l's unique products. The company also had a successful Christmas retail store at Cluny Court, offering products and craft workshops. Urban Li'l's best-selling items include cake toppers, family plaques, nursery name signage, fabric decals, and Christmas wreaths and ornaments, which account for 70% of consumer sales. Corporate projects, designing gifts for clients, contribute nearly half of the annual sales. All products are designed in-house, with Tan now focusing on business development, sales, and marketing, supported by a dedicated design and production team. For brand attention, Tan emphasizes originality, noting that Urban Li'l has faced issues with product copying. Each product undergoes a rigorous design process involving five concept ideas before finalization. Being current and relevant is also vital; during the pandemic, Urban Li'l shifted its marketing focus to home decor like fabric decals and small party items, adapting communications to address the increased time people spent at home. Providing good and reliable customer service, including timely delivery for date-sensitive orders and prompt responses to inquiries, is also a priority. Customer feedback is highly valued for product development. Community involvement, such as participating in the CRIB society for women entrepreneurs and engaging in charity work like HappyTee, which converts children's drawings into t-shirts to benefit the elderly, is also part of their brand strategy. The business faced challenges during the pandemic but adapted quickly by bringing machines home for continued operations and bulk-producing popular items like fabric decals. They also created free printables for pre-schoolers, which drove traffic and sales to their website. Urban Li'l continuously introduces new designs and products weekly to keep customers engaged and remain relevant in a dynamic market. The focus has shifted from event and party decor to home decor to align with changing client needs. Looking ahead to the rest of 2020, Urban Li'l planned to expand its sales channels both locally and overseas, with a major annual launch for its Christmas Collection scheduled for October 2020. #Mumpreneur #RachelTan #UrbanLiL #InteriorProducts #HomeDecor #WallDecals #CakeToppers #EntrepreneurshipJourney #SmallBusiness

Armourcoat, a surfaces brand, has introduced a new collection of textured and eco-friendly paints called Limewash, designed for both residential and commercial interiors. This range aims to replicate the distinctive aesthetic and tactile qualities of traditional limewash while offering enhanced durability and a less chalky finish. The collection features 45 shades, each crafted from a blend of slaked lime, kaolinite clay mineral, water, mineral pigments, and natural plant additives. This specific composition ensures that the paints are free from solvents and Volatile Organic Compounds (VOCs), aligning with stringent environmental and health standards within the architectural industry. Armourcoat asserts that its Limewash collection is unique in possessing both Environmental Product Declaration (EPD) and Health Product Declaration (HPD) documentation. This makes the product particularly suitable for construction projects seeking to achieve sustainability certifications such as BREEAM and LEED. Duncan MacKellar, Armourcoat's creative director, emphasized the company's commitment to material transparency, viewing it as crucial for designing aesthetically pleasing interiors that also minimize ecological impact. He stated that the brand's objective as manufacturers is to decrease both embodied carbon and environmental toxins, thereby fostering sustainable innovation in the built environment. MacKellar reassured architects and designers that all Armourcoat finishes, including the new Limewash range, support the creation of environmentally responsible and healthy indoor spaces, backed by their EPD and HPD documentation. A key benefit of the Limewash collection is its naturally high alkalinity, derived from its slaked lime content. This inherent property provides resistance against bacteria and mould growth, contributing to healthier indoor environments. Additionally, the paint is non-combustible, adding a safety dimension to its list of advantages. The introduction of Limewash represents the latest expansion of Armourcoat's portfolio of surface finishes. The brand consistently aims to deliver sustainable luxury finishes to the global community of architects and designers. This product launch underscores Armourcoat's dedication to providing innovative solutions that cater to the increasing demand for sustainable and high-performance interior materials. #Armourcoat #LimewashPaint #EcoFriendlyInteriors #SustainableDesign #InteriorFinishes #GreenBuilding #MaterialTransparency #VOCFreePaint

Styling shelves is a nuanced art that transcends simple organization, transforming ordinary storage into visually captivating displays that reflect personal style and enhance a space's ambiance. This guide, featuring insights from design specialists like Kit Kemp and Ottalie Stride, outlines five key principles to master the impressive art of shelf styling. Firstly, it is essential to incorporate a diverse range of items beyond just books. Shelves offer an opportunity to showcase personal trinkets, mementoes, art, and character. Kit Kemp suggests experimenting with book positioning, angling some for visual interest, stacking others for stability, and letting some stand upright. She also encourages unconventional approaches, such as hanging art along the edges or placing a table in front of the shelves, to create intrigue and ignite creativity. Ottalie Stride emphasizes adding layers of curated items, like antique marble sculptures as bookends or trailing houseplants, to break up the linear appearance of joinery and prevent a heavy, one-dimensional look. Secondly, achieving balance and symmetry is crucial for a cohesive and appealing display. This involves distributing visual weight by grouping similar items or using pairs of objects for uniformity. While symmetry offers a sense of order, incorporating asymmetry can create a more dynamic look. Repeating objects on different shelves also contributes to a balanced aesthetic. When arranging items, taller and larger pieces are generally best placed at the ends of shelves to avoid overwhelming the center. Thirdly, selecting a limited color palette can instantly elevate the styled appearance of shelves. Ideally, sticking to no more than three colors ensures variety while maintaining cohesion. Drawing inspiration from the room's existing color scheme, designers can mix in neutrals like white, grey, or cream, and strategically add one or two contrasting colors to enliven the display. Spreading the chosen colors across different shelves, rather than clustering them, prevents monotony. For those with extensive book collections, organizing books by the color of their spines can create a striking visual effect. Fourthly, mixing textures and materials adds depth and dimension to shelves. Combining smooth surfaces with coarser finishes and incorporating diverse materials such as wood, metal, glass, and ceramics creates visual contrast and prevents the display from appearing flat. Interior designer Noor Charchafchi highlights that texture experimentation can extend to the shelves themselves, with options like liquid metal, paint finishes, leather detailing, and veneers offering a broad material design playground beyond traditional timber. Finally, introducing greenery and utilizing negative space are vital for a fresh and uncluttered look. Plants and flowers bring an element of nature, softening the overall aesthetic. Simultaneously, leaving intentional negative space between objects allows each item to stand out and prevents overcrowding. Kasia Kronberger of Studio Bosko advises against over-editing, suggesting that while a single item on a shelf might look forlorn, leaving a compartment empty can be effective, allowing homeowners to add meaningful pieces over time and fostering creativity in the display. #shelfStyling #homeDecor #interiorDesign #decorativeAccessories #designTips #visualBalance #colorPalette #textureMixing #greeneryInDecor

British-Nigerian multidisciplinary artist and designer Yinka Ilori has partnered with Momentum Textiles & Wallcoverings to launch his inaugural collection of commercial textiles and wallcoverings. This collaboration, Yinka Ilori x Momentum, aims to inject positivity and joy into commercial spaces, drawing inspiration from Ilori's dual heritage and his belief in the power of community and affirmation. The collection is designed to transform commercial environments into vibrant, creative hubs that uplift and inspire. Ilori emphasizes that the collaboration underscores the happiness derived from strong community bonds and storytelling, bringing a fresh, optimistic approach to commercial design. The collection features five distinct patterns available as textiles. "Shower Me With Flowers" reimagines floral motifs with geometric shapes, offering a contemporary take on traditional prints. "Dream Catchers" explores perception through its unique and shapely patterns. "Eyes in Reflection" presents a grid-like design interspersed with subtle rounded elements, providing a structured yet softened aesthetic. "Blossoms Time" focuses on woven textures and is available in a variety of solid colors, adding depth and tactile appeal to the collection. The most dynamic textile pattern, "Rhythms Surround You," layers colors, shapes, and patterns to create a complex and visually engaging design. In addition to its textile form, "Rhythms Surround You WC" is also offered as a wallcovering, expanding its application possibilities within commercial settings. The wallcovering collection further includes "Moving Mountains," a playful geometric pattern that adds a sense of movement and fun to walls, and "Shifting Motions," which delivers a kaleidoscopic explosion of color, creating a dynamic and energetic atmosphere. These wallcoverings are intended to bring Ilori's signature vibrant and fresh perspective to a broader range of commercial interior applications. The Yinka Ilori x Momentum collection is rooted in themes of cultural heritage, community, and the positive influence of joy in everyday life. Ilori's work consistently leverages bold colors and geometric patterns to create spaces that evoke happiness and well-being. This new venture into commercial textiles and wallcoverings allows his distinctive artistic vision to be integrated into larger-scale projects, making his cheerful and thoughtful designs accessible for offices, hospitality venues, and other public spaces. The collection aims to not only enhance aesthetics but also contribute to an atmosphere that encourages creativity and healing, reflecting Ilori's philosophy of design as a tool for positive impact. This collaboration marks a significant step for Ilori in extending his artistic reach into the commercial design sector, promising to bring his characteristic cheerfulness and thoughtful design to a wider audience. #YinkaIlori #CommercialDesign #Textiles #Wallcoverings #MomentumTextiles #InteriorDesign #GeometricPatterns #VibrantColors #CreativeSpaces

This article explores the unique design elements of Glace Candy, a viral new candy shop in New York City, and how these elements can inspire residential kitchen design. Glace Candy is the sister shop to Glace, an ice cream parlor, both located on the Upper East Side near the Guggenheim Museum. The interior design, crafted by Brooklyn-based studio Faber/Hughes, blends 19th-century Parisian apothecary aesthetics with a historic New York institution feel. The co-founder, Audrey Hughes, describes the candy store as a "special little jewel box" designed to fit the high-end boutique and museum context of Madison Avenue. The shop's distinctive style incorporates an unexpected mix of walnut paneling, mint tiling, striped stone, and cloud-like lighting. The designers, Hughes and Levi Shaw-Faber, suggest how homeowners can integrate these rebellious design choices into their kitchens. A significant design takeaway is the attention given to the ceiling, often an overlooked space in kitchen design. Glace Candy features a curved walnut ceiling with wood paneling that forms a grid, framing cylinder lights and creating a cozy, retro ambiance. Shaw-Faber emphasizes that in limited spaces like the candy and ice cream shops, intentional ceiling design makes the spaces feel all-encompassing. Homeowners are encouraged to consider matching ceilings to cabinetry, adding trim for texture, or using paint to tie into the room's palette, and upgrading builder-grade lights to stylish mounted cylinders. Another key inspiration comes from the shop's choice of tile and stone. The mint tiles used around the candy displays feature a crackle glaze, which provides a balance of glossy and matte textures, contributing to a "candy-like" appearance. For those seeking to add personality, the ice cream counter's striped stone facade offers a bold yet achievable look for home kitchens. Shaw-Faber advises using strong, less brittle stones like granite, quartzite, basalt, or soapstone if cutting them into thin strips for practical application on an island front or floor. Finally, the article highlights the importance of combining durability with daring design. Despite its elevated aesthetic, Glace was built with materials chosen for their resilience against high foot traffic and potential spills, including stone, stainless steel, lacquer-coated wood, and tile. These materials are equally suitable for a home kitchen, a space that demands both beauty and longevity. Shaw-Faber notes that using non-porous materials can ensure a beautiful kitchen endures, concluding that a lasting finish is a key component of successful design. The overall message is to draw inspiration from the shop's blend of playful elegance and practicality to create unique and enduring kitchen spaces. #KitchenDesign #InteriorInspiration #TileDesign #StoneWork #CeilingDesign #MaterialSelection #HomeRenovation #DesignTrends #NYCDesign

The VTNA Table, designed by Yuta Takahashi Design Studio, showcases a radical transformation of an overlooked material: styrofoam. This work table is not merely a functional piece but a symbolic representation of creativity, willpower, and sculptural intention, turning what is often considered disposable into an extraordinary design statement. The design challenges conventional perceptions of material value by elevating styrofoam to a medium capable of bold expression. From an initial glance, the VTNA Table immediately captures attention due to its avant-garde silhouette. The tabletop is gently rounded, providing a softer and more fluid aesthetic compared to the rigid, angular forms commonly found in desk designs. This choice introduces a sense of organic flow to the piece. Beneath the tabletop, the table's legs are formed by two sharply angled triangles that intersect. These triangular structures are designed to provide both strength and stability, grounding the piece with a subtle reference to the Earth's power. The interplay between the tabletop's soft curves and the legs' sharp angles creates a visual tension, which is central to the table's overall sculptural presence and distinctive character. Upon closer inspection, the hand-polished surface of the tabletop reveals subtle irregularities. These imperfections are intentionally crafted to mimic the natural patterns found in wood grain, effectively making the viewer question the table's actual styrofoam composition. This clever detail adds depth and an unexpected natural quality to the material. The contrast between the smoothly polished flat surfaces and the rippling, uneven edges, all meticulously created by hand, establishes a compelling juxtaposition of textures. This tactile variety enhances the piece's futuristic form by injecting warmth and a sense of handmade artistry. The careful execution of these details highlights the studio's commitment to craftsmanship and the deliberate manipulation of material perception. The construction of the VTNA Table involves carving the entire structure from polystyrene foam using a hot wire. After the individual components are shaped, they are securely glued together to form the complete table. To ensure enhanced strength and long-term durability, the assembled styrofoam structure is then coated with a fiber-reinforced polymer (FRP) resin. This final coating not only strengthens the table but also seals and refines its surface. The process exemplifies how a material typically regarded as disposable can be transformed through innovative design and manufacturing techniques into a robust and aesthetically significant piece of furniture. This project serves as a powerful illustration of design's capacity to derive daring possibilities and significant artistic value from everyday, unassuming materials. The VTNA Table by Yuta Takahashi Design Studio stands as a testament to transformative design, demonstrating that even humble materials like styrofoam can be recontextualized into high-design objects. The table's unique blend of soft and sharp geometries, combined with its textural contrasts, creates a distinctive aesthetic that challenges traditional notions of furniture design. Its meticulous construction process, from hot-wire carving to FRP coating, underscores a dedication to both form and function, ultimately producing a piece that is both visually striking and structurally sound. #VTNATable #YutaTakahashiDesign #StyrofoamFurniture #InnovativeMaterials #SculpturalDesign #ModernFurniture #SustainableDesign #HomeFurnishings

This article details a creative DIY project for a child's bedroom, focusing on a unique floating shelf display designed to store and showcase Lego creations. The project, undertaken by DIYer Lindsey Joy for her sons' shared bedroom, was inspired by a desire to keep Lego builds visible and organized without clutter. The central feature of the display is a large circular mural painted on the wall, employing a color-blocking technique with two shades of blue: Clare’s Blue Ivy for the main wall and a slightly darker Deep Dive for the circle itself. This color scheme was chosen to introduce a sophisticated, lunar-inspired aesthetic to the room, moving away from a traditional toddler-like feel. The process of creating the precise circular mural is outlined, involving a simple technique similar to using a giant protractor: a nail is hammered at the desired center, a string of the chosen radius is attached, and a pencil tied to the end is used to draw the perfect circle. After sketching, the border is painted with a small brush, and the interior is filled with a roller. The floating shelves themselves were either custom-built from plywood and pine or can be recreated using readily available options like IKEA’s Lack shelves. The critical aspect is ensuring the shelves fit perfectly within the painted circle’s diameter and are spaced evenly. Joy painted her shelves in the same Deep Dive color as the inner circle, allowing them to blend seamlessly with the mural. The functionality of the display is highlighted by how the Lego structures are arranged. More intricate and cherished builds are placed on higher shelves, protecting them from accidental knocks, while the lowest shelf is equipped with baskets for additional toy storage, such as American Girl Doll accessories, leaving room for future acquisitions. To enhance the space-themed design, two plug-in globe sconces from World Market were installed on either side of the circular mural, eliminating the need for complex wiring. The article also touches upon the importance of reinforcement for floating shelves, particularly in a child's room. Joy used 6-inch-long metal brackets to secure her shelves, a measure proven necessary when her son attempted to use them as a ladder. Fellow DIYer Molly Madfis, who created a similar mustard-toned circle mural, advises painting these metal brackets the same color as the wall to make them virtually invisible. The concept extends beyond kids' rooms, as exemplified by Laura Lane and Nic Rad, who incorporated a custom-built, ombré pink round shelf unit with integrated shelves into their Brooklyn living room, demonstrating the versatility of this design for displaying various knickknacks without creating clutter. #KidsRooms #FloatingShelves #DIYHomeDecor #ColorBlocking #WallMural #LegoStorage #RoomRenovation #CreativeStorage #HomeOrganization

New York-based designer Young Huh shares her current inspirations and mood board as she undertakes the renovation of a client's kitchen. Huh aims to create a space that bridges classic and modern aesthetics, incorporating bold graphic prints, mixed metal accents, and rich, saturated hues. A central theme in her current design thinking is a strong preference for plum and aubergine tones, which she finds visually appealing and versatile. She plans to introduce warmth into the kitchen through elements like brass accents, honeysuckle-colored tile, and cream cork wallpaper, creating a balanced and inviting atmosphere. A key component of Huh's design vision is the integration of whimsical and eclectic elements. She highlights Pierre Frey’s Le Paravent Chinois Iris wallpaper, describing it as 'pretty and playful and a little moody,' suggesting its suitability for a kitchen setting. Another wallpaper option considered is Elizabeth Dow's Chenin Blanc Brauca, valued for its simplicity and movement. Her attention to detail extends to hardware, where she selects a solid brass cabinet knob with a botanical motif and high-end JennAir appliance fittings, including a range handle with a laser-etched lace pattern. Huh praises JennAir for its design-forward and detailed appliances, noting their role in providing an experiential design. The designer further elaborates on her material and color choices, which include Dekton Radium samples from Cosentino for countertops, prized for its durability, eco-friendliness, and warm brown undertones that complement the plum and aubergine palette. Custom crown molding in plaster is also incorporated to add architectural interest. For fabrics, she is drawn to Zak+Fox’s El Rais for its patchwork and embroidered edges, and Malabar’s Bamboo in Aubergine for its rich color, which pairs well with black and white. For tiling, Huh plans to use her own Legacy Sapphire Tile for AKDO, appreciating its mathematical patterns and the calming effect of sapphire alongside plum, brass, black, and white. New Ravenna's Snapdragon and Honeysuckle Glazed Basalto tile is another choice, selected for its beautiful glaze, texture, and sophisticated color pairing, as well as its durability for kitchen use. Additional elements considered for the kitchen design include Sherle Wagner’s Acanthus cabinet and drawer knob, described as 'pure delight.' Belgian bluestone from Paris Ceramics is chosen for its chic aesthetic in a kitchen setting. Caroline Cecil Textiles contributes two wallpaper options: Ketut / Black, admired for its relaxed, orderly, and playful movement, and Bridge/Black /Oyster fabric, selected for its graphic and striking statement, along with its eco-friendly materials. Dark walnut finishes from Keith Fritz Fine Furniture are a go-to for Huh, suggesting their use for a dining table. Polished brass samples are also considered for their seamless integration with the plum color scheme. Throughout the design process, Young Huh prioritizes creating an eclectic, elevated, and playful kitchen, characterized by rich, jewel-tone colors and striking contrasts, demonstrating a comprehensive approach to integrating various design elements and materials. #InteriorDesign #KitchenDesign #YoungHuh #MoodBoard #ColorPalette #MaterialSelection #Wallpaper #Appliances #HomeDecor

Marazzi, an Italian ceramics company, has launched its new Crogiolo Rice collection, a line of porcelain tiles designed with an authentic, handmade aesthetic. These tiles feature hand-painted designs and subtle irregularities, such as pitting, smears, and variations in texture, which contribute to their unique character and vibrant appearance when installed. The collection is inspired by thick-glazed majolica tiles, giving them a lustrous, glossy finish. The color palette primarily consists of whites and blues, aiming to impart a lively and welcoming atmosphere to interiors. The Crogiolo Rice tiles are part of Marazzi's broader Crogiolo collection, which represents the company's commitment to blending traditional craftsmanship with industrial technology. This approach allows for the creation of ceramic products that celebrate authentic, colorful, and decorated designs while benefiting from modern manufacturing processes. The brand emphasizes that the minor imperfections in each tile, including grainy surfaces or slight chipping around the edges, are intentional features that enhance the handmade feel and ensure no two pieces are identical. Rectified edges allow for minimal joint lines, further highlighting the tiles' surface qualities. The collection is available in three distinct sizes: 15 by 15 centimeters, five by 15 centimeters, and 7.5 by 20 centimeters. These varying dimensions offer flexibility for different design applications. The subtle shifts in color tone, shadowing, and minute variations in the concave-convex forms are carefully controlled to create a visually rich and dynamic effect. Marazzi's design philosophy for the Crogiolo collection draws from its rich heritage, particularly from a series of booklets developed in the 1980s called 'Il Crogiolo.' These booklets documented 112 projects, illustrating various decorative techniques and capturing insights from potters and designers. This historical resource continues to serve as a source of inspiration for Marazzi's current product development, ensuring a continuity of craft and innovation. The Crogiolo Rice collection is positioned as a testament to Marazzi's ongoing research into materials, colors, glazes, and technological advancements, all while preserving the essence of handmade artistry. The tiles are suitable for various applications, bringing a touch of traditional charm and modern sophistication to residential and commercial spaces. #Marazzi #PorcelainTiles #Ceramics #HandmadeDesign #TileCollection #InteriorDesign #HomeDecoration #BuildingMaterials #SurfaceDesign

Anthropologie's latest collaboration with London designer Bethan Gray is poised to introduce scallops and zigzags as the next prominent design motifs. The 14-piece collection, launching tonight, features these two distinct patterns across various home furnishings and accessories. The article highlights several items from the collection, including upholstered dining chairs with zigzag patterns, sculptural side tables with carved zigzag bases, velvet accent chairs with scalloped backs, and a teal rug with scalloped edges. These designs are presented as sophisticated and inviting additions to home decor. The inspiration for these geometric forms, according to Bethan Gray, comes from natural landscapes observed during her travels. The scallop shape is an abstraction of the feather motif, which she notes is significant in various cultures globally, from Pakistan and Polynesia to European heraldry. The zigzag design, conversely, is derived from the natural veins and markings found in marble and stone. This organic origin ensures that the geometric patterns feel neither cold nor uninviting. The collection showcases the versatility of these shapes. For instance, zigzag patterns appear subtly on a pink file holder, and more boldly as gold lightning bolt-like designs on a white storage cabinet. The designer expresses confidence in the growing popularity of graphic patterns in design, stating that they are effective for storytelling within craft and design, suggesting a trend towards more expressive and narrative-driven decor. The article includes specific product examples with pricing and direct shopping links, such as the Strike dining chair, the Sculptural side table, the Feather velvet dining chair, and the Feather rug, offering readers immediate access to the featured items. It also briefly mentions other appealing items from the collection, like marbleized desk sets, which, while not featuring the main motifs, complement the overall aesthetic. The collaboration aims to bring fresh, nature-inspired geometric designs into contemporary home interiors, making a statement with their unique and meaningful origins. #Anthropologie #BethanGray #HomeDecor #InteriorDesign #ScallopPattern #ZigzagPattern #GeometricShapes #DesignTrends #FurnitureDesign

The master bathroom serves as a space where designers leverage color and finishes to cultivate a specific mood, tone, style, and personality. While white and gray palettes continue to be prominent, designers are increasingly incorporating color to create unique and personalized spaces. Roshele Allison, CMKBD, CLIPP, NW Home Designers, notes the continued popularity of white and gray, viewing them as the 'new neutral' that offers a spa-like and tranquil ambiance. Karen King, architectural designer at Transitions Kitchen & Bath, echoes this sentiment, observing that these shades remain a benchmark for timeless and classic aesthetics, particularly in painted cabinetry. Richard Ryder, designer/builder at Clearcut Construction, often bases his projects on warm whites, allowing for strategic 'pops' of color to add interest. His clients frequently present inspiration images featuring warm white walls and low contrast between trim and walls. Chelsea Newton, of Chelsea Lauren Interiors, notes that her Southern California clients often prefer neutral colors inspired by nature, emphasizing natural materials like wood and stone. Michelle Fee, a designer at Change Your Bathroom, also finds her clients drawing inspiration from nature, moving away from purely monochromatic white and gray towards warmer tones and earth-friendly colors. Fee observes a growing interest in wood, particularly walnut and teak for furniture and cabinetry, as well as incorporating greenery, either through actual plants or nature-inspired accents like blues and greens, to evoke a restorative and calm feeling. When clients do opt for color beyond white or gray, blues and greens are frequently chosen. These hues are often introduced as easily changeable accessories, but also as more permanent features in cabinetry, tile, or semi-permanent paint applications. Allison highlights the tranquil quality of softer blues and greens, citing an example of a master bathroom with bamboo cabinetry, a green glass countertop resembling water, and green subway tile. Another project incorporated various shades of blue through a custom mosaic on vanity walls and accent walls, illuminated by LED-backlit niches, allowing the client to display international artifacts. Allison encourages clients to infuse personal elements into their designs, even with specific color preferences, ensuring the chosen hues harmonize with the space without being overwhelming. Newton's projects also feature green and blue, utilizing glossy handmade tiles with crackled detailing in master and children's bathrooms. She emphasizes that color and finishes can act as focal points, elevating a room's aesthetic. King notes that clients willing to be bolder are selecting deeper blues and greens, such as the dark navy cabinetry paired with warm gold hardware in a recent bathroom, providing a strong contrast to softer neutrals. She suggests that bathrooms, being more private and enclosed, allow for more daring color choices compared to open-concept kitchens. Ryder's clients also gravitate towards darker shades like dark blue, green, and black for pops of color, often maintaining a 75/25 neutral base-to-color ratio for balance, as demonstrated by a tall black cabinet against a white backdrop in a recent bathroom design. Beyond color, finish selections significantly influence a space, particularly in monochromatic schemes. Allison used large-format dimensional porcelain tile in a white and gray palette to create a focal wall in a 'bathing room' and a unique plumbing fixture to add interest. The increasing availability of tiles with varied finishes, textures, and dimensionality allows designers to personalize spaces. King points out the evolution of subway tile beyond traditional sizes, with options like 4"x12" or 5"x22" and creative finishes such as crackled or inverted bevels. Glossy finishes remain popular for their light-reflecting qualities. Grout color variations can also alter the look, from subtle gray for a refined trim to dark gray for a rustic farmhouse aesthetic. Contemporary designs often feature large-format tiles like 12"x24" or even 13"x40", laid horizontally and stacked with minimal joints to create a simplified, textural, and often multi-dimensional appearance. Allison and Fee's clients appreciate large-format tiles, especially those mimicking natural stone like travertine or marble, offering durability and easier maintenance while making rooms feel more expansive. Fee frequently combines natural and faux materials, such as marble shower floors with porcelain tile walls and floors, to achieve a nature-inspired theme. Matte finish plumbing fixtures, including matte black, brushed nickel, and brushed gold, are also popular for their aesthetic appeal and ease of cleaning, with Newton's clients favoring matte black and patinaed brass, and Ryder often incorporating mixed metals for a sophisticated, complementary look. #BathroomDesign #InteriorColorTrends #HomeFinishes #TileDesign #ColorPalette #NatureInspiredDesign #ModernBathrooms #LuxuryBathrooms