Journey Through Northern Italy With Artistic Tile

In the quiet Italian town of Spilimbergo, the Scuola dei Mosaicisti del Friuli stands as a unique institution dedicated to the preservation and evolution of mosaic art. Established in 1922, the school was founded to formalize training for local artisans and maintain a mosaic tradition deeply rooted in the region's history, extending back to the Roman Empire. Today, it remains the sole academic institution globally focused exclusively on mosaic arts, attracting students from diverse backgrounds and ages, from recent high school graduates to seasoned professionals, all seeking to master this intricate craft. The three-year program at the school is rigorous, immersing students in historical mosaic techniques such as Greco-Roman patterns and Byzantine compositions, before encouraging experimentation with contemporary, freeform designs. Annually, approximately 40 students are admitted, but only about 15 successfully complete the full curriculum, earning the esteemed title of _maestri mosaicisti_ (mosaic masters). A select few, typically six, further pursue a fourth year, likened to a master's degree, to refine their skills even more. Director Gian Piero Brovedani emphasizes that becoming a maestro mosaicista demands significant effort and discipline, highlighting the craft's humbling and exacting nature, which fosters patience, attention to detail, and an appreciation for repetitive tasks. Mosaic creation is an exceptionally precise art form, requiring artists to meticulously arrange hundreds, or even thousands, of tiny pieces called _tesserae_—some as small as 0.5cm—to construct elaborate patterns and lifelike scenes. These tesserae, made from materials like marble, glass, _smalto_ (opaque glass tiles), and shells, necessitate careful craftsmanship and an intuitive understanding of rhythm and placement. Cristina de Leoni, a third-year teacher, notes the collaborative and selfless aspect of mosaic-making, where individual tiles only gain significance when combined with others, creating a collective artwork without emphasizing individual ego. The rich history of mosaics, tracing back to Mesopotamia in the 3rd millennium BCE and spanning various cultures including Greek, Maya, Byzantine, and Islamic civilizations, underscores its reliance on anonymous virtuosity rather than individual artistic fame. Friuli-Venezia Giulia has remained a stronghold of this tradition, fueled by an abundance of stones from the Tagliamento river and strong cultural links to Venice. In the 19th century, Friulian artist Gian Domenico Facchina revolutionized the craft with the _rovescio su carta_ (reverse on paper) method, enabling off-site assembly of large mosaic panels, a technique first showcased in the foyer of Paris' Opéra Garnier. Today, Friulian mosaicists, many trained in Spilimbergo, have contributed to prominent projects worldwide, from Rome's Foro Italico to the New York City subway at the World Trade Center, and from Jerusalem's Church of the Holy Sepulchre to galleries in Tokyo. The art form continues to evolve, embracing both precision and expression. Purnima Allinger, a student, describes mosaics as a meditative yet expressive craft that keeps artists fully engaged. Amos Carcano, a Swiss maestro mosaicista, highlights the blend of manual work, invention, and exploration of texture, color, and patterns in contemporary mosaics. Carcano is currently part of a team working on a monumental 1,265-sq-m mosaic floor for the school's courtyard, depicting Friuli's native flora and fauna. The school operates as a _bottega_ (workshop), where students learn through hands-on practice, as explained by mosaic history teacher Danila Venuto. Visitors can also engage with the art through _corsi brevi_ (short courses) ranging from four-day to week-long programs, offering an introduction to mosaic creation. Guided and independent tours provide access to an archive of over 800 mosaic works and opportunities to observe students and masters at work. Spilimbergo itself serves as an open-air gallery, with mosaics adorning buildings, shops, and restaurants. The town also hosts mosaic shops and showrooms, displaying works by alumni, and offers visits to Fabbrica di Mosaici Mario Donà, a historic kiln producing enamels for mosaics. The region's natural landscape, particularly the _grave_ (river-washed stones) from the Tagliamento and the Magredi plain, provides the essential materials and inspiration for many Friulian mosaics, underscoring the deep connection between the art and its environment. Mosaic-making is a central part of Friuli's cultural identity, and the school invites curious individuals to partake in this enduring legacy. #MosaicArt #ItalianCraftsmanship #ArtEducation #Spilimbergo #FriuliVeneziaGiulia #AncientTradition #ContemporaryArt #ArtisanalSkills #TravelDestination

Natural stone company Ca' Pietra has unveiled a new tile collection that draws inspiration from hand-crafted Italian pottery. This collection is designed to instantly transform any room, featuring authentic and eclectic designs with strong shading and tone variations, reminiscent of artisan work. The range offers five distinct styles, each capable of creating a striking aesthetic in a home. The available colors include the vibrant Ocean Blue, the earthy Kale Green, the subtle Khaki Smoke, and the calming Oatmeal and Natural Cotton. These versatile tiles are suitable for both interior walls and floors, as well as exterior wall applications. They come in rectangular and brick formats, providing flexibility in arrangement to suit various design preferences. For those looking to make a bold statement, the 'Ocean Blue' option is recommended, while 'Natural Cotton' is ideal for a softer, more subdued look. Hamish Smith, Creative Director at Ca' Pietra, highlights the unique characteristic of this collection: its inherent irregularities when laid. He encourages embracing these imperfections, as they contribute to a distinctive character and impart a rustic, lived-in feel to spaces. Smith notes that the inspiration for this porcelain tile collection came from a beautiful pottery range discovered in Italy, making it suitable for a wide array of indoor and outdoor wall applications. The five tile designs are currently available for purchase online. To assist customers in making their selection and visualizing how the tiles will appear in their homes, Ca' Pietra offers sample swatches starting from £1. This new collection offers homeowners an opportunity to infuse their living spaces with a touch of hand-crafted elegance and unique charm. #TileCollection #HomeDecor #InteriorDesign #CaPietra #PotteryInspired #WallTiles #FloorTiles #RusticVibe #ItalianInfluence

Across centuries and diverse cultures, the creation of tiles has consistently involved the baking, coloring, and heat-bonding of clay with various coatings. This ancient craft has endured, with artisan studios today diligently preserving the traditional techniques that produce these durable and decorative claddings. The versatility and inherent qualities of tiles are often underestimated. They exhibit remarkable resilience to high temperatures, offer hygienic, wipe-clean surfaces for walls, and possess a robust ability to form protective layers that can withstand centuries of use. Unlike wood, tiles do not rot; unlike metal, they do not corrode; and they will not ignite when exposed to fire. Beyond their practical attributes, tiles serve as significant decorative elements, reflecting rich cultural heritage. Examples include the intricate geometric patterns found in Islamic architecture, the distinctive Art Nouveau murals of the Parisian metro, and the historically significant hand-painted Azulejos on Portuguese houses. While flat tiles are commonly envisioned, embossed patterns, imprints, and convex tiles designed for curved structures are also prevalent, as seen in the roofs of Chinese pagodas or the tiles adorning 18th-century Swedish stoves and Victorian pillars in British institutions. The methods for tile production have evolved since ancient times. Early techniques involved baking earth directly in the sun and in rudimentary firepits, progressing to more sophisticated kiln structures. Historical records indicate that tiles were molded from clay in Ancient Mesopotamia as early as 4000 BC. The Egyptians developed vitreous glass glazes around 2500 BC, and the Romans created intricate mosaics from thousands of small pieces. Islamic artisans, around the 9th century, enhanced glazes with metals like silver or copper to achieve additional luster. Their handmade process for creating Zellige tiles continues to be practiced today in modern Morocco, where artisanal studios use slim metal frames to shape clay tiles. These tiles are sun-dried, hand-dipped in glaze, fired in ground-dug kiln cavities, and then meticulously hand-chiselled into stars, lozenges, and other geometric forms. The subtle irregularities inherent in this artisanal process contribute significantly to the enduring charm of Zellige tiles, with UK suppliers such as Emery & Cie and Mosaic Factory offering authentic handmade ranges. Following the decline of the Roman Empire, tile production in Europe, outside of Moorish Spain, was not widespread until the Middle Ages. In Britain, medieval tile-making was primarily a rural, seasonal occupation, providing supplemental income for peasants. The process involved digging clay in winter, allowing it to weather until spring, cleaning it of debris, and then hand-pressing the reddish-brown material into wooden frame moulds to create tiles up to 3cm thick. As skills advanced and European influences grew, a white clay layer was sometimes applied over the red base and then scratched away using the sgraffito technique to create decorative effects. Patterns were also impressed into wet clay using hand-carved wooden blocks to produce raised motifs. Tube-lined tiles, popular during the Edwardian era, represent a heritage technique that Balineum preserves at its workshop in Stoke-on-Trent, featuring over 70 designs, five core shapes, and 32 glazes. By the 14th century, specialized workers and centers for tile production emerged across Britain, leading to the development of inlaid tiles. This technique involved filling imprinted patterns with a paler-colored clay slip. During firing, glazes altered the clay colors—red turning to brown and white to yellow—to create a two-toned design, a method still employed by Priory Tiles in Kent for medieval-style tiles. The thoughtful use of tile layout, as demonstrated by projects from studios like Studio Duggan, can effectively blend classic and contemporary aesthetics. #TileMaking #ArtisanCraftsmanship #AncientTechniques #ArchitecturalDecor #CeramicArt #InteriorDesign #CulturalHeritage #HomeDecoration

Italian company Marazzi has showcased a diverse collection of tiles on Dezeen Showroom, highlighting their commitment to traditional Italian ceramic artistry and modern design. The featured tiles aim to offer versatile solutions for various interior applications, ranging from residential to commercial and hospitality settings. Among the offerings are the Lume tiles, which draw inspiration from vernacular Mediterranean ceramics. These tiles boast a richly glazed, naturally uneven finish, celebrating the handmade qualities often found in traditional Italian ceramics. Their distinctive elongated shape and straight edges facilitate flexible installation, allowing them to be arranged either vertically or horizontally with minimal gapping. The color palette for Lume tiles includes a spectrum from neutral tones to vibrant jewel shades, all characterized by deeply saturated hues and a mottled, handcrafted aesthetic. Another prominent product line is the Cementum tiles, designed to replicate the visual characteristics of cast concrete while maintaining the practicality of a tile format. These tiles are engineered with a soft-touch, anti-slip, and anti-reflective surface, making them suitable for both wall and floor applications in various environments. Marazzi also presents The Top Marble Look tiles, which emulate the elegant veined patterns of natural marble. These tiles combine the aesthetic appeal of traditional stone with advanced hygienic properties, broadening their applicability across different spaces that require both beauty and sanitation. For those seeking decorative wall solutions, the White Deco wall tiles offer an alternative to conventional wallpaper. These tiles feature intricate patterning, with details accentuated by subtle 3D protrusions, creating a tactile and visually engaging surface. Available in three distinct patterns inspired by botanical and foliage motifs, they provide a refined decorative option. Similarly, Momenti wall tiles provide patterned, wallpaper-like finishes that are suitable for all types of interiors, including moisture-prone areas such as kitchens and bathrooms. This collection offers a variety of designs, incorporating botanical prints alongside geometric patterns influenced by Art Nouveau and Art Deco styles. Marazzi, established in 1935, is an Italian company dedicated to designing and manufacturing high-quality wall coverings and flooring. The company consistently strives to produce ceramic tiles that exemplify the excellence of Italian design and manufacturing processes, catering to the evolving needs of contemporary interior design. #Marazzi #Tiles #ItalianDesign #InteriorDesign #HomeDecoration #CeramicTiles #ArchitecturalFinishes #WallCoverings #FloorCoverings

Fornace Brioni, a company renowned for its terracotta products, launched its "Grounded" exhibition showcasing new wall and floor coverings. The exhibition, designed by Snøhetta and Cristina Celestino, with the overall artistic direction by Cristina Celestino Studio, presents three distinct collections comprising five products. These collections were first unveiled during Milan Design Week 2024. The exhibition takes a museum-like approach, telling a material narrative through various vignettes that evoke the feeling of home, achieved by contrasting solid and void, employing absolute geometries, and utilizing surfaces imbued with warmth. The terracotta cladding used in these collections is crafted from fine clays naturally accumulated through sedimentation on the Po River's floodplain, reflecting Fornace Brioni's traditional process involving water, earth, and fire. The contemporary artisan tiles, despite their modern unveiling, possess a timeless quality, reminiscent of historical artifacts. This is attributed to a balance between hand-craftsmanship, technical precision, and a distinctive Italian aesthetic, which together create a sense of future nostalgia. One of the collections, the Void Collection, was designed by Snøhetta. This collection redefines the boundaries of hand-pressed terracotta with a minimalist design philosophy. It emphasizes material reduction, embraces imperfection, and features soft forms. The tiles are characterized by rich textures that interact with light and shadow, highlighting the passage of time. Their bilateral symmetry allows for numerous geometric compositions, offering designers flexibility. An optional glazing is available for those desiring a smoother finish. The deep curves and carvings in the Void collection add dimension while maintaining the structural integrity of the elements. The Araldica Collection, designed by Cristina Celestino, explores Euclidean geometry. Celestino, who also serves as the artistic director, uses points and lines to achieve precise congruence and symmetry in this collection. The rigid geometrical patterns are softened by chromatic variations in the tessellations, creating engaging surface designs. The interplay of joinery and material contrast further enhances the dimensionality. The Araldica collection is available in two patterns, Ducato and Corte. These simplified patterns and variegated terracotta tiles draw inspiration from Cosmati work, a mosaic technique from 12th and 13th-century Roman architects, adapting it for a contemporary aesthetic that achieves harmonic synthesis and visual illusion. Cristina Celestino also developed the Fluviale Collection, which includes Alveo, Plain, and Golena products. This collection adopts a different artistic approach, drawing parallels between the physicality of carving glyphs into stone and the fluid motion of brushstrokes. Each tile in this collection acts as a singular gesture contributing to a larger movement. The variations within the Fluviale Collection are inspired by elements of the natural world: plants found beneath rippling water, flora along riverbanks, and earth shaped by tidal forces. The collection offers versatility, allowing for compositions that can range from organically flowing to precisely structured, depending on whether designers choose to embrace natural entropy or impose intervention. These collections collectively underscore Fornace Brioni’s commitment to innovative design while honoring traditional materials and craftsmanship. The exhibition highlights the versatility and aesthetic potential of terracotta in modern interior applications. The Grounded exhibition successfully demonstrates how an ancient material can be reimagined for contemporary spaces through thoughtful design and artistic collaboration. #TerracottaTiles #MilanDesignWeek #FornaceBrioni #CristinaCelestino #Snøhetta #InteriorDesign #HomeDecor #TileDesign #ArchitecturalMaterials

This article delves into the enduring appeal and rich history of Italian floor tiles, highlighting their significant role in home design and decoration. The author recounts a personal experience in Sestri Levante, Italy, where a decades-old hexagonal tile floor in a trattoria sparked an appreciation for the country's dramatic tile tradition. Paolo Colucci, a Rome-based interior designer, emphasizes that flooring is the most crucial element in an Italian home due to the early development and widespread embrace of tile production in the region. The history of Italian floors is traced back to Roman times, with artisans in Pompeii creating intricate mosaics from colored stone. The 15th century saw the emergence of rustic terra-cotta in southern Italy, evolving into refined decorative tiles. Colucci notes that well-preserved ancient terra-cotta tiles, often protected by centuries of carpeting in aristocratic homes, can appear surprisingly contemporary. By the late 16th century, the Amalfi Coast became known for its 'riggiole' tiles, featuring hand-painted nature and religious scenes. Concurrently, Venetians innovated terrazzo, a material made from marble chunks embedded in mortar and ground flat to reveal a confetti-like pattern. The 20th century marked a period of bold geometric designs, exemplified by Gio Ponti's blue-and-white ceramics for the Parco dei Principi hotel in Sorrento, where unique tile patterns adorn each guest room and are even integrated into marble floors as 'clay rugs.' Today, Italian manufacturers continue to advance tile technology, producing three-dimensional glazed surfaces for enhanced texture, porcelain tiles that realistically mimic marble and wood, ultra-thin tiles for overlay installations, and large-format tiles comparable to stone slabs. These innovations coexist with traditional styles like mosaics, terra-cotta, hand-painted tiles, terrazzo, and bold geometrics, all of which remain popular choices depending on the desired aesthetic. Designers frequently incorporate Italian tiles into their projects. Rome-born, Chicago-based interior designer Alessandra Branca is developing tiles inspired by 18th-century hand-painted faux-bois Italian designs for a Palm Beach home, viewing tiles as a means of 'visual articulation of space' rather than mere embellishment. New York City-based interior designer Michelle Gerson increasingly uses tiled floors in foyers, kitchens, and mudrooms for their durability compared to wood. Arlene Gibbs, an American designer based in Rome, favors classic terra-cotta, noting a modern shift towards lighter colors and more texture than the traditional burnt orange. The hexagonal pattern observed in Sestri Levante by the author, remarkably, can be traced back to the unearthed ruins of Pompeii, underscoring the timelessness of Italian design. #ItalianTiles #FloorDesign #HomeDecoration #InteriorDesignTrends #TerraCotta #Terrazzo #TileHistory #ArchitecturalElements #LuxuryInteriors

The new hotel Borgo Santandrea on Italy's Amalfi Coast offers a masterclass in integrating tile into interior and exterior design, treating tile much like fabric by creatively mixing patterns and scales within a consistent color palette. Overlooking the fishing village of Conca dei Marini, the hotel's mid-century aesthetic, particularly its blue and white scheme, pays homage to legendary Italian designer Gio Ponti, who was known for his tile-rich hotel designs in the 1960s. The architects meticulously sourced 31 types of local tiles over 15 months to achieve the hotel's distinct look. One striking application of tile is its use outdoors. Contrary to conventional design, Borgo Santandrea extends decorative tile to its terraces, featuring a sleek navy and white chevron pattern underfoot. This same tile pattern is also incorporated into some of the guest rooms, creating a cohesive design flow between indoor and outdoor spaces. Inside, the hotel innovatively uses tile to define different areas within an open-concept layout. In the lobby, for instance, a "rug" made of handmade ceramic tiles demarcates the reception desk area, providing a visual anchor and adding a unique textural element to the floor. The article highlights how tiling a bedroom, often perceived as cold, can actually enhance the space. Borgo Santandrea demonstrates this by extending the bathroom flooring tiles seamlessly into the rest of the bedroom. This technique not only makes the room appear larger but also contributes to a more unified and sophisticated aesthetic. A particularly artistic use of tile is found in the hotel's restaurant, where columns are adorned with mosaics depicting scenes of daily coastal life. These hand-painted mosaics serve as a tribute to the local culture and provide a visual contrast to the predominantly geometric patterns used elsewhere in the property. This personal touch acts as a refreshing break, adding depth and narrative to the design. The overall design approach of Borgo Santandrea encourages readers to consider innovative ways to incorporate tiles into their own spaces, from creating unique flooring patterns to extending them to outdoor areas and even using them for artistic wall features. The hotel’s commitment to locally sourced materials and thoughtful design choices provides abundant inspiration for home renovation projects, suggesting that tiles can be as versatile and impactful as any other design element. #AmalfiCoastHotel #TileDesign #InteriorInspiration #CeramicTile #HotelDesign #HomeRenovation #GioPonti #DesignInnovation #OutdoorTile

This article explores the enduring legacy and renewed popularity of terrazzo flooring, particularly highlighting its historical and cultural significance in Fremantle Walyalup, Australia. It begins by likening communities to terrazzo floors, formed by the diverse contributions of cultural groups, with each element adding distinct flavor and color over time. The piece focuses on the Italian community's profound impact on Fremantle's terrazzo tradition, tracing the arrival of Italian immigrants who sought new lives and brought with them the skills to produce these distinctive floors. A central narrative revolves around Guiseppe and Anna Scolaro, who arrived in Fremantle in 1948 and established the Universal Terrazzo Tile company in 1952. Leveraging Guiseppe’s mechanical skills and the post-war building boom, they produced terrazzo tiles, often using imported Italian marble chips, for both new constructions and renovated homes. This enterprise mirrored similar Italian contributions across Australia, such as the De Marco Brothers in Victoria, who laid terrazzo for significant landmarks like the Australian War Memorial’s Hall of Memory. The article delves into the historical origins of terrazzo, noting its development by Venetian artisans in the 15th century as a durable, decorative, and cost-effective flooring solution made from discarded marble offcuts. The popularity of terrazzo surged in the early 20th century with technological advancements in grinding and production, and its use became widespread globally as the Italian diaspora expanded. In Western Australia, terrazzo floors, particularly from the 1950s to the 1970s, introduced a sense of cosmopolitan modernism and offered a familiar ambiance for the Italian community, blending tradition with aspirational living. Over time, these vibrant floors were often concealed under carpet, only to be rediscovered by new homeowners. Visual artist Penny Bovell’s experience exemplifies this rediscovery; she found intricate terrazzo tiles in her new studio in 2000, which inspired her to learn more about their history and artistry. Her subsequent purchase of the Scolaro’s first home revealed unique flooring in each room, further fueling her quest to document these hidden treasures and connect with other owners who cherished them. The article then describes the “Underneath/Overlooked” exhibition at the Moores Building in Fremantle, an homage by Bovell and her daughter, Gabby Howlett, to the Scolaros' artistry. The exhibition creatively reconstructs the Scolaros' first home at half-scale, using silk prints of tile patterns to evoke a magical space. Panoramic photographs of other terrazzo floors adorn the walls, and stacks of foam-core tiles allow visitors to arrange new patterns, replicating the Scolaros’ original design process of collaborating with clients to create unique designs. The exhibition serves as a social document, chronicling Italian migration's impact, celebrating the individuals who created and commissioned these floors, and acknowledging the new custodians who value this heritage. Finally, the article notes terrazzo's recent resurgence in popularity, marked by its recognition as a Pinterest trend around 2017, making it ubiquitous in design magazines and stores. Despite the cyclical nature of trends, the article concludes that the legacy of these remarkable floors and the Scolaro family will endure, transcending transient fads. #Terrazzo #FlooringDesign #ItalianMigration #Fremantle #ArchitecturalHeritage #InteriorDesign #ArtExhibition #CulturalLegacy #HomeRenovation

The article introduces 'Miniature,' the latest small-size tile collection from Marca Corona's 1741 line, which draws inspiration from historic Italian artisanal craftsmanship. Sassuolo, a renowned ceramic production district in Italy, is highlighted as the birthplace of Marca Corona, a brand that has consistently honored its heritage through the 1741 project. This project reinterprets classic styles and images into contemporary designs, with a particular focus on small-format tiles. The 'Miniature' collection features versatile porcelain tiles in a new 6x24 cm size, exploring diverse material and chromatic effects. It evokes the savoir-faire of traditional craftsmanship by incorporating elements reminiscent of majolica, glass, metal, wax, and brick. The small format is not merely a nod to historical artisanal tiles but also offers extensive possibilities for innovative combinations and installation methods across various spaces, surfaces, and curved volumes. The aesthetic variations provide limitless design potential, fostering creative freedom in interior design projects. The collection is a blend of high craftsmanship that complements modern interior design elements like concrete, solid colors, wood finishes, and wallpapers. It encompasses five distinct inspirations: 1. **Miniature Fregio:** This series reinterprets classic Italian majolica with contemporary aesthetics, offering a luxurious and visually impactful surface. Available in Bianco Naturale, Verde Maiolica, Blu Maiolica, and Nero Maiolica, it features glossy surfaces with fragmented designs that mimic handmade embossing, chipping, and cracks, reflecting the beauty of preserved decorative craft. Opaque areas simulate the aging process, giving the appearance of salvaged majolica tiles. 2. **Miniature Soda:** This range draws from the transparencies and reflections of Italian glass, translating them into high-performance ceramics. Each tile is unique, providing a distinct style. The luminous surfaces emphasize color through a palette that includes Bianco Sale, Grigio Luna, Rosa Corallo, Verde Perla, Verde Malva, Azzurro Artico, Blu Galassia, and Nero Magma. 3. **Miniature Fuoco:** This series transforms the colors and shades of oxidized and aged metal into unique ceramic effects, creating dynamic surfaces with metallic reflections. Available in Rame, Brunito, Blu Iron, Corten Bruciato, and Bianco Argenteo, these tiles evoke the charm of metal forged and embellished by time. 4. **Miniature Cera:** Offering a broad palette of pigments, this collection includes Bianco Latte, Cashmere Melato, Grigio Cenere, Nero Inchiostro, Blu Notte, Verde Candito, Verde Foresta, and Amaranto Jam. It features fluid, tactile surfaces with subtle chiaroscuro effects. The new Velvet finish gives a satin appearance and a waxy touch, providing density and depth suitable for combinations with resins, marbles, and woods. 5. **Miniature Fornace:** Inspired by terracotta bricks and ancient building traditions, this series aims to enhance contemporary and reclaimed environments with an industrial aesthetic. It comes in Bianco Minerale, Argilla Naturale, Rosso Mattone, Bruno Bistro, Nero Fumo, and Verde Muschio. A notable variant includes the Formella decoration, influenced by 18th-century London bricks, featuring a recess that originally held trademarks, making the brick lighter and more manageable—a detail intelligently reinterpreted for modern design. #CeramicTiles #ItalianCraftsmanship #MarcaCorona #InteriorDesign #HomeDecoration #TileCollection #Sassuolo #ArchitecturalSurfaces #MaterialInnovation

Italian ceramics company FMG has launched its Max Fine collection of large-scale tiles, designed for versatile application across floors, walls, and furnishings. These tiles, despite their substantial size, maintain a lightweight profile and a reduced thickness of six millimeters, facilitating their integration into diverse interior spaces. The design intent allows interior designers to utilize them on a wide array of surfaces, offering both aesthetic flexibility and practical application. The Max Fine tiles are crafted from porcelain, yet their surfaces are engineered to meticulously replicate the appearance of various natural materials, including different types of stone, marble, and metal. This hyper-realistic mimicry enables the creation of cohesive, mono-material interior designs when applied uniformly across both floors and walls. Alternatively, designers can strategically contrast different surface finishes within the collection to emphasize specific sections of a space, introducing visual interest and defining distinct areas within an environment. Beyond traditional floor and wall applications, the collection extends its utility to act as cladding for specific decor items. This includes furniture pieces such as dining tables, washbasins, and storage cabinets, allowing for a unified material aesthetic across multiple elements within a room. The tiles can also be used to highlight more substantial fixtures, such as shower cubicles and staircase balustrades, or to form textural panels in room dividers and partition walls, thereby expanding the creative possibilities for interior segmentation and detailing. FMG highlights the collection's ability to foster cohesion and uniformity while simultaneously allowing for selective emphasis through contrasting appearances. This versatility empowers architects and interior designers to explore innovative concepts and push creative boundaries, redefining conventional understandings of architectural and furnishing surfaces. The company emphasizes that the Max Fine collection breaks down the traditional barriers between materials used for structural architecture and those used for interior furnishing, offering a singular, adaptable material solution. Comprising 74 distinct colors and finishes, the Max Fine collection is organized into several sub-ranges. These include 'Marmi,' which emulates the veiny patterns of marble; 'Agata,' designed to mimic surfaces inlaid with chunky aggregate; and 'Iron,' which presents a slightly worn, metallic aesthetic. For those preferring more understated options, classic, plain-color choices are available within the 'Limestone' and 'Walk On' ranges, catering to a broad spectrum of design preferences. Durability is a key feature of the Max Fine tiles, as FMG has engineered each tile to be highly resistant to scratches, mold, staining, chemical exposure, and UV radiation, ensuring their longevity and performance in various environments. The imitation surfaces also contribute to their low-maintenance nature, making them easy to clean. FMG states that these large-format tiles introduce a distinctive look to ceramic surfaces, enhancing any domestic, commercial, or public space while promoting comfort and well-being. Established in 1998 by Romano Minozzi, FMG, or Fabbrica Marmi e Graniti, is headquartered in Modena, Italy, and has a global presence, providing flooring solutions for residential, hospitality, and civic projects worldwide. #TileDesign #InteriorDesign #MaterialInnovation #SurfaceFinishes #PorcelainTiles #HomeDecoration #ArchitecturalMaterials #ItalianDesign

Motawi Tileworks, founded by formally-trained ceramicist Nawal Motawi, specializes in handcrafted ceramic art tiles that combine charming surface motifs with traditional craft techniques. The company's tiles draw illustrative inspiration from Mid-Century design, Art Nouveau, and the Japanese block printer Yoshiko Yamamoto, moving beyond conventional single-color creations. Each tile undergoes a meticulous, hands-on production process. It begins with a block of clay, known as a pug, which is pressed into a plaster mold to form a tile sheet. Following this, a Motawi Tileworks artisan carefully trims, smooths, bisque fires, and glazes the tile. The glazed tile is then fired a second time before undergoing a final quality-control check. This process ensures that every tile is treated as an individual work of art, despite being modular pieces that can be mixed and matched to create diverse arrangements. Many installations feature a few statement tiles framed by solid or alternating colors, allowing for a personalized aesthetic. Nawal Motawi’s journey began with a desire to create the kind of tiles she envisioned, leading her to establish her own studio after an unfulfilling experience at another tile company. She started by producing tiles in her garage and selling them at local farmers' markets. As the popularity of her tile art grew, Motawi focused on acquiring essential business knowledge, attending conferences to learn about manufacturing, pricing, and business development. She invested in state-of-the-art equipment and eventually transitioned her team to a lean, Toyota-style production system to optimize efficiency and avoid excessive inventory. This strategic business approach proved successful, leading to significant growth for Motawi Tileworks. The company now generates $2.7 million annually and was recognized as one of Forbes’ 25 Small Giants in 2017. Based in Ann Arbor, Michigan, Motawi Tileworks offers workshops for those interested in learning about tile making and hosts free weekly public tours, allowing visitors to observe their craft firsthand. The company's success highlights the blend of artistic vision and sound business practices in creating a thriving craft enterprise. Motawi Tileworks continues to create distinctive art tiles with surface designs influenced by various art history movements, providing decorative wall solutions that enhance any room. The focus on handcraftsmanship ensures each piece contributes to a unique and artistic interior design element. #ArtTile #CeramicArt #HandcraftedTiles #MotawiTileworks #HomeDecoration #ArtNouveau #MidCenturyDesign #TileMaking #AnnArbor

Ceramic tile has a long history as an artistic medium, with archaeological findings showcasing its durability and aesthetic appeal across millennia. Contemporary architectural and interior designers continue to leverage ceramic tile for its versatility, durability, and artistic potential, as highlighted by trends observed at the Coverings 2022 global tile expo. The event showcased a range of innovative tile designs and applications, providing inspiration for creating visually striking and functional spaces. Key trends emerging from Coverings 2022 include a rich palette of colorful tiles, particularly blues and greens, often combined with oxidized finishes. Nature-inspired motifs, such as leaves, starfish, birds, and monkeys, are prominent, along with geometric patterns, bold stone interpretations, and vintage aesthetics. These diverse offerings allow designers to craft focal point walls, intricate inserts, stylish shower surrounds, and unique countertops. Several designers shared their approaches to incorporating tile as an artistic element. Rachel Viloria Moriarty, a San Diego-based designer, specializes in creating bold statements, designing a 24-foot tall fireplace resembling the Death Star and incorporating mermaid and cloud motifs in other projects. Her colleague, Susan Wintersteen, uses geometrics to add artistic interest, noting how a mix of shapes, textures, and colors can transform a simple tile into something extraordinary. Wintersteen particularly enjoys adding unexpected artistic accents, such as penny dots in her showroom, which consistently spark conversation. Allison Fannin, a designer from Lubbock, Texas, emphasizes the suitability of ceramic tile for artistic expressions in moisture-prone areas like showers and pools, where other materials might be impractical. She advocates for tiling from floor to ceiling in bathrooms to introduce texture, color, and drama, offering a durable alternative to wallpaper or paint. San Antonio designer Shea Pumarejo views spaces as blank canvases, utilizing tile to achieve rhythm and balance in her room planning. Graphic tile designs have received a modern refresh, moving beyond traditional encaustic styles to incorporate contemporary shapes, sizes, patterns, and finishes. These updated graphic looks draw inspiration from Midcentury and Roaring Twenties aesthetics, offering a fresh take on historical design elements. Natural inspirations continue to be a strong trend, with tile production technology now capable of mimicking the appearance of precious natural stones like onyx and marble. These high-fidelity imitations offer the beauty of natural stone without its fragility, high maintenance, or environmental impact associated with excavation. They can be used for slip-resistant floor tiles in wet areas or book-matched wall surfacing, replicating the continuous movement of stone patterns seen in historic installations. Blended looks represent another significant trend, allowing for creative combinations of different materials, shapes, and finishes. The expo featured ceramic series that integrated geometrics with oxidized or plaster finishes, showcasing a fusion of textures. Plaster looks, noted as a trending finish, were often paired with stippled textures. This season’s tile offerings are characterized by a vibrant mix of colors, materials, shapes, and patterns, reflecting a renewed sense of creativity and energy, potentially influenced by the recent global health crisis. The evolution of ceramic tile technology and design ensures its continued relevance as a versatile and enduring medium for architectural and interior design projects. #CeramicTile #InteriorDesign #ArchitecturalDesign #TileTrends #Coverings2022 #ArtisticTile #HomeDecor #SurfaceMaterials #DesignInspiration

This lookbook showcases ten distinct interior projects that feature vibrant, patterned tiles, drawing inspiration primarily from Mediterranean and Southern European design aesthetics. These projects demonstrate the versatility and visual impact of ceramic and encaustic tiles as decorative elements for both floors and walls. Beyond their aesthetic appeal, the tiles offer practicality, being durable and easy to clean, and in warmer climates, they can even serve as a decorative alternative to traditional rugs. The featured projects highlight various applications and interpretations of patterned tiling. The Barcelona apartment by Narch Architects illustrates how removing internal walls can reveal and unify existing encaustic tile floors, transforming them into large, rug-like design features that visually delineate spaces. In contrast, Kelly Wearstler's design for the Austin Proper Hotel and Residence incorporates a wall clad in joyful Portuguese-style tiles, creating a vibrant pattern clash with vintage rugs on wooden floors, contributing to a bohemian atmosphere. Fraher & Findlay's Tsubo House in London presents a more understated approach, utilizing graphic patterned tiles in a monochromatic scheme for a bathroom, creating a trompe l'oeil effect that complements a jet-black bathtub. Azab's Mixtape Apartment in Bilbao introduces playful, multi-colored herringbone tiles in the kitchen, blending peachy orange, mint green, and cherry red hues to complement existing hardwood floors and the building's communal staircase color. Sāransh's MD Apartment in Ahmedabad, India, features a bedroom with dark blue and turquoise patterned tile floors accented with orange details, harmonizing with teak wood and using an arched doorway to define the sleeping area. Vora's renovation of Vallirana 47 in Barcelona emphasizes the apartment's original patterned tile floors by painting surrounding walls and ceilings white, while new patterned tiles create a playful graphic splashback in the kitchen. Built Architecture's Casa AB in Barcelona showcases original mosaic tiles from a 19th-century apartment, which are integrated into the bedroom, bathroom, and hallway to give each space a unique character. David Kohn Architects' Carrer Avinyo 34 in Spain employs a modern graphic effect with decorative floor tiles comprising 25 different designs, gradually shifting from green near bedrooms to red around the kitchen. The Chloe Hotel in New Orleans preserves original tile work, including an 1861 porch with pale yellow and clear blue tiles that contrast with surrounding greenery and dark-green pillars, offering a hardwearing and lively outdoor surface. Finally, PK Arquitectos' Casa Nido in Buenos Aires, Argentina, retains decorative orange tiling in the entryway of an art deco home, celebrating its history and creating a warm, welcoming ambiance. These diverse examples collectively demonstrate the enduring appeal and functional benefits of patterned tiles in contemporary interior design. #MediterraneanTiling #PatternedTiles #InteriorDesign #HomeDecor #CeramicTiles #EncausticTiles #ArchitecturalRenovation #Lookbook #DesignInspiration

This article details the interior design of a one-storey holiday home in Grosseto, Tuscany, by architects Emanuela Frattini Magnusson and Pietro Todeschini. The home, situated on a hillside overlooking vineyards and olive groves, was purchased by a US-based couple with two teenage children, with its floor slab, overhanging roof, and retaining walls already in place. The architects were tasked with transforming it into a comfortable summer retreat, focusing on the use of local Italian materials and accurate detailing. The design philosophy centered on integrating local resources. The exterior features a “thick skin” created from different-hued chunks of Alberese stone, sourced from a nearby town. The facade is also equipped with full-height black shutters, which allow for natural ventilation and cooling breezes. This thoughtful integration of local materials and climate-responsive features contributes to the home's connection with its Tuscan surroundings. Inside, a long corridor leads to an open-plan living area, where the flooring is a notable design element. Hand-cut terracotta tiles are inlaid in alternating sizes, emulating seminato, a traditional Italian composite flooring technique that involves setting chips of glass, granite, quartz, or marble into concrete. In this case, the use of terracotta provides a warm and earthy aesthetic that complements the natural setting. In the kitchen, oak wood forms the cabinetry and the base of the breakfast island. The countertops and splashback are crafted from pale Carrara marble, quarried in the Tuscan city of Carrara, further emphasizing the use of high-quality local Italian materials. This material palette extends into the home's three bedrooms, each with en-suite wash facilities, creating a cohesive and luxurious feel throughout the residence. The bedrooms feature wardrobes, chest of drawers, and vanity units made from oak wood, while Carrara marble is used to line the sink basins and the lower half of the bathroom walls. A subtle but impactful touch of color is introduced through teal blue door frames, which are matched by the curtains in the living area. The living space also includes a floor-to-ceiling bookcase designed in the 1950s by Italian architect Gianfranco Frattini for Poltrona Frau, adding a historical design element. Emanuela Frattini Magnusson, from Milan, and Pietro Todeschini, from Verona, collaborate on various projects, showcasing their commitment to utilizing local materials. This approach is mirrored in other architectural projects mentioned, such as Escobedo Soliz's house in Mexico City, which used volcanic stone found on-site, and Rafael Freyre's dwelling in Azpitia, Peru, constructed with stones from a nearby mountain bed and locally fired bricks. The project highlights a broader trend in architecture towards incorporating regional materials and traditional craftsmanship. #HolidayHome #TuscanDesign #ItalianInteriors #LocalMaterials #StoneArchitecture #MarbleAccents #TerracottaFlooring #OakWoodwork #ResidentialArchitecture

Photographer Sebastian Erras, known for his captivating series of mosaic floors, continues to expand his project by documenting diverse and imaginative tiled patterns across Europe and Cuba. Erras initially focused on the intricate floors found throughout Paris, meticulously capturing their unique designs. Over time, his project broadened to include other European cities such as Barcelona and London, where he discovered equally stunning examples of floor artistry. His work is primarily showcased on his Instagram account, @parisianfloors, where he shares his downward-facing photographic finds. The article highlights several of Erras's recent captures, including two distinct perspectives of a sea-themed floor located at the restaurant Le Bon Pecheur in Paris. One image features a friendly-looking crab rendered in mosaic, while another depicts a fantastically detailed conical shell. These examples demonstrate the variety and charm of the mosaic and tile work that Erras seeks out. The photographer's dedication to this niche subject reveals the often-overlooked beauty beneath our feet, transforming everyday surfaces into works of art. His collection serves as a visual archive of these intricate designs, many of which embody historical and cultural narratives through their patterns and motifs. By presenting these floors from a unique, direct-overhead perspective, Erras invites viewers to appreciate the craftsmanship and aesthetic appeal of these architectural elements, encouraging a closer look at the details that contribute to a space's character. His ongoing project underscores the importance of preserving and recognizing these traditional forms of interior design, which are often integral to the identity of the buildings they adorn. Erras's work not only documents these beautiful floors but also brings them to a wider audience, fostering an appreciation for the artistic heritage embedded in urban environments. The expansion of his project beyond Paris to other European and even Cuban locations signifies the universal appeal and presence of such decorative floorings, indicating a rich tapestry of design history waiting to be explored. #FloorArt #MosaicPhotography #TileDesign #SebastianErras #EuropeanFloors #ParisianFloors #ArchitecturalDetails #InteriorDesign #VisualCulture