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Inside Idina Menzel’s Magical Redwood Dressing Room
Idina Menzel, the celebrated Broadway star, has transformed her Nederlander Theatre dressing room into a tranquil sanctuary, blending city glamour with the calm of a redwood forest. Having spent extensive time in dressing rooms throughout her career, Menzel emphasized the need for comfort and a homey atmosphere. This desire took on new meaning for her role in 'Redwood,' a musical she co-conceived, where her character, Jesse, seeks healing in California's redwood forests after profound loss. The role demands significant physical and emotional endurance, with Menzel climbing and swinging from a massive tree on stage while delivering powerful vocals. Instead of seeking complete detachment from her character off-stage, Menzel chose to deepen her immersion by surrounding herself with elements of Jesse's world, finding sanctuary in the theatrical space.
To bring her vision to life, Menzel enlisted ELLE Decor A-List designer Young Huh. Huh was inspired by Menzel's dedication, including her real-life experience climbing redwoods, and aimed to create a space that reflected Menzel's spirit of discovery and authentic experience. The dressing room design masterfully navigates the constraints of an old New York City theater, dividing the compact space into two distinct zones. One area features a vanity, designed to be bright and functional for hair and makeup, adorned with personal touches like family photos and meaningful accessories. The adjacent lounge area offers a moodier, more meditative ambiance, serving as a peaceful retreat.
A striking scenic wallpaper depicting a winding road through redwoods dominates the lounge, symbolizing Menzel's character's journey of overcoming grief and finding healing in nature. The centerpiece of the lounge is a green velvet couch, chosen by Menzel specifically for its comfort and suitability for naps. This is complemented by antique French chairs, thoughtfully selected by Huh for their small scale and beauty, ensuring the room remains spacious enough for visitors without feeling cluttered. Among the unique accessories are two baby redwoods, strategically placed between the chairs, and a one-of-a-kind Philip Crangi lamp, admired by Huh for its earthy aesthetic. Through this collaboration, Menzel and Huh have created a personal ecosystem within the theater, a space that nurtures both the artist and her character, allowing the spirit of the redwoods to flourish in the heart of New York City.
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