From textile waste to acoustic panels—BAUX upcycles polyester and creates sound insulation

CFAB™ cellulose acoustical panels offer a sustainable and efficient solution for sound absorption and thermal treatment in various architectural applications. Composed of 65–75% recycled fibers, these panels represent an environmentally conscious alternative to traditional insulation materials. Their manufacturing process utilizes primarily post-consumer and post-industrial paper, with recycled newspaper being a key raw material, ensuring that the products are recyclable and generate no scrap during production or installation. This commitment to sustainability extends to low VOC emissions, allowing CFAB™ panels to contribute to LEED V4.1 EQ Credit: Low-Emitting Materials. The panels are designed for both interior walls and ceilings, providing effective control over sound reflections and reverberation, thereby deadening unwanted noise within a room. Beyond their acoustical properties, they also offer thermal insulation benefits. A significant characteristic is their resistance to mold growth, which is further enhanced by the inclusion of an EPA-registered fungicide. This feature, combined with their non-irritating and non-itching properties, contributes to a safer and healthier indoor environment. Furthermore, CFAB™ panels possess a Class A fire rating, indicating high fire safety for building insulation. Installation of CFAB™ panels is straightforward and cost-efficient, requiring no specialized equipment. They can be applied using adhesives, with pins and washers available for additional fastening where needed. The panels are versatile in application, suitable for a range of environments including industrial and mechanical facilities, breweries, and tap rooms. They can also serve as absorptive layers behind other finishes such as stretched fabric or slatted wood systems, or be integrated into spaces with an industrial or recycled aesthetic, including installation beneath furniture. Available in standard sizes of 24" x 48", and additional sizes of 12" x 12", 24" x 24", 48" x 48", and 48" x 96" (with minimum quantities applying for certain sizes), CFAB™ panels come in thicknesses of ½″, 1″, 1.5", and 2″. Color options include blue, gray, and natural recycled fibers which exhibit non-consistent coloration due to their recycled content. Their open design and density are critical to their acoustical performance, with high Noise Reduction Coefficient (NRC) ratings achievable based on specified density. For example, a 2-inch thick panel can achieve an NRC of 1.00, demonstrating superior sound absorption capabilities across various octave band frequencies. The physical properties of CFAB™ panels are well-documented through various test methods, confirming their acceptable performance in terms of surface burning characteristics, critical radiant flux, corrosiveness, fungal growth, thermal resistance (3.6 – 3.7 R per Inch), moisture absorption, and odor emission. These comprehensive specifications, along with available data sheets, CSI specifications for both ceiling and wall applications, and installation guides, provide architects and designers with the necessary information for informed product selection and application. BIM objects are also available to facilitate integration into design projects. Acoustical Surfaces, the manufacturer, encourages further inquiry through their website and product catalog. #AcousticPanels #CelluloseInsulation #RecycledMaterials #SustainableDesign #SoundAbsorption #ThermalInsulation #BuildingMaterials #InteriorDesign #ArchitecturalProducts

BAUX, a renowned Swedish acoustics brand, has launched its new X-FELT collection, designed in collaboration with international design studio Form Us With Love. This collection introduces precision-cut acoustic panels and tiles that can be combined to create unique interior rhythms. The design concept draws inspiration from the distinct harmony found in Japanese Zen Gardens, aiming for a sense of calm and vibrant continuity in interior spaces. The X-FELT collection features large-format, high-performance acoustic panels measuring 1 x 2.8 meters and tiles of 6 x 6 meters. These products were unveiled during Stockholm Design Week 2025. A key aspect of the collection's sustainability is its construction from ultra-fine, high-quality polyester fibers derived from GRS-certified PET. This material choice eliminates the necessity for harmful fire-retardant treatments, thereby reducing toxic emissions during production, use, and eventual disposal. The panels and tiles possess a smooth, compact, and lightweight layered sandwich structure, contributing to their durability and effective sound absorption. From an environmental perspective, the X-FELT collection is fully recyclable. It can be processed at facilities that handle PET or returned through BAUX’s dedicated BAUX Circle Programme, emphasizing the brand's commitment to circular economy principles. The product also meets safety standards, being rated Fire Class Bs.1-d0 for both wall and ceiling applications. Visually, the X-FELT collection is characterized by intersecting, curvilinear lines that form structured yet flowing geometric compositions. It offers a diverse color palette, including solid and contrasting duo colors. The design utilizes a repeated grid of rectangular panels, each containing mirrored and rotated variations of a single motif. This approach creates symmetrical arches and wave-like curves that interlock, generating a tranquil yet dynamic visual movement across the surface. The interplay of curves and occasional sharp points introduces structured contrast within the fluid patterns, enhancing the aesthetic appeal and rhythmic continuity across entire wall surfaces. The lightweight and large format of these panels and tiles enable the creation of cohesive and visually striking sound-absorbing installations, particularly suitable for larger spaces. BAUX, established in 2014, is a joint venture by Fredrik Franzon, Johan Ronnestam, and Form Us With Love founders Jonas Pettersson and John Löfgren. The company, which now has a global presence in over 30 regions with clients like Google, Stella McCartney, WeWork, Spotify, and Nike, operates with a core belief in developing building materials that are sustainable, highly functional, and visually appealing, without compromising environmental and safety standards. The X-FELT collection exemplifies this ethos, providing interior designers with extensive creative freedom to craft ambiances that are both sensitive and engaging. #AcousticPanels #SustainableDesign #InteriorDesign #RecyclableMaterials #ZenInspiredDesign #FormUsWithLove #BAUX #InnovativeMaterials #SoundAbsorption

Andrea Ruggiero's Soundsticks are innovative noise-reducing space dividers designed for Swedish furniture manufacturer Offecct. These products offer a free-standing alternative to traditional acoustic panels, addressing the challenge of reducing ambient noise in various environments. The design concept for Soundsticks was initially inspired by everyday paperboard mailing tubes, with early prototypes utilizing leftover paperboard tubes from upholstery fabric rolls. However, this initial approach faced challenges due to the weight of the tubes, their limited sound absorption capabilities, and inconsistent availability of the material in sufficient quantities for high-volume production. To overcome these limitations, the design evolved away from using actual paperboard tubes. Ruggiero and Offecct explored various alternative solutions and materials, ultimately deciding on acoustic felt. The final Soundsticks are constructed from sound-absorbing acoustic felt, which is molded into a tube shape and then covered with fabric. This acoustic felt is itself a sustainable material, made from a blend of shredded textile off-cuts and shredded PET derived from recycled water bottles, highlighting a commitment to upcycling and circular design principles. Independent testing by the Swedish acoustic authority Akustikverkstan has certified the Soundsticks' effectiveness in reducing ambient noise, underscoring their functional performance. The exterior fabric covers of the Soundsticks are also made from recycled materials, specifically leftover upholstery fabrics collected during Offecct's furniture production processes. This results in a varied palette of four colors—reds, greens, blues, and greys—which were identified as the most common upholstery colors used by the company through an internal audit. Further enhancing their sustainability, the end caps of the Soundsticks are crafted from recycled aluminum, sourced from drink cans. These end caps are designed to be entirely reusable and recyclable, and the overall construction of the Soundsticks requires no glue for assembly. This glue-free design facilitates complete recovery and recycling of the components, making Soundsticks a truly circular product. The space dividers are available in linear, radial, and clustered configurations. The linear and radial versions can be suspended from extruded aluminum tracks, allowing for flexible arrangement to create defined "rooms within rooms" within larger spaces. This project emerged from Offecct's desire to expand beyond its existing line of Soundwave acoustic tiles, with a specific focus on developing free-standing acoustic solutions that are not attached to walls. Soundsticks have been recognized for their innovative design and sustainability, being shortlisted for the Dezeen Awards 2020 in the workplace design category. The product represents a significant step forward in combining effective acoustic solutions with eco-conscious manufacturing practices. #AcousticProducts #SpaceDividers #RecycledTextiles #UpcyclingDesign #CircularEconomy #WorkplaceDesign #SustainableMaterials #AndreaRuggiero #Offecct #DezeenAwards

Lotte Raun, an industrial designer and founder of Mute, has developed an innovative solution to combat excessive echo and ambient noise in homes and offices. Inspired by her Scandinavian background, where acoustic design is often integrated into architecture, Raun devised a method to transform everyday decor into sound-absorbing elements. Her journey began when she and her family moved into a villa in Dubai, where she experienced the common issue of pervasive echo due to minimal interior design and hard surfaces. This 'invisible problem' led her to create functional art that enhances both the aesthetics and acoustics of a space. Mute's flagship product, 'acoustic pictures,' features custom images, including photographs of her children, printed on acoustic-transparent canvases. These canvases allow sound waves to pass through to an inner acoustic core, which converts them into micro-vibrations, effectively dampening sound. Raun worked with local suppliers in Dubai to produce these items, ensuring that the frames are made in Jebel Ali and the acoustic canvas prints come from a local source. The flexibility to use personal photos or select from a curated catalog also supports local artists and photographers by providing new avenues for their work. The timing of Mute's launch proved opportune, coinciding with the rise of remote work during the pandemic. Many individuals faced challenges with poor audio quality during virtual meetings due to echoing environments. Mute's solutions addressed this need by improving speech intelligibility and overall sound clarity in home offices. Raun observed that clients often reported issues based on feedback from others on video calls rather than their own direct experience, highlighting the widespread nature of the problem. Beyond acoustic pictures, Mute has expanded its product line to include 'Mute Felt' panels, which are sound-absorbing felt panels made from recycled plastic bottles, designed for walls and ceilings. These panels offer a lighter and more cost-effective solution for larger surface areas. Mute is also developing products like 'Mute Curtain' and 'Mute Seals' to mitigate external noise, such as traffic or construction, coming through windows and doors, particularly relevant for residents in the UAE. For larger projects, Mute employs a comprehensive approach that starts with an acoustic assessment using specialized equipment to measure reverberation time. After the installation of Mute Pictures and Mute Felt, a follow-up measurement is conducted to quantify the acoustic improvements, making the 'invisible problem' of sound visible and verifiable for clients. Raun's business has seen significant growth, necessitating the recruitment of additional employees to meet the increasing demand for effective and aesthetically pleasing acoustic solutions for both residential and commercial spaces. #Soundproofing #AcousticDesign #HomeDecor #InteriorDesign #SmartHome #Wellbeing #NoiseReduction #WorkFromHome #SustainableMaterials

The Kirei Acoustic Ceiling Baffle system is an innovative solution designed to enhance both the aesthetic appeal and acoustic performance of interior spaces, particularly those with high ceilings. Recognizing the increasing importance of room acoustics in modern design, Kirei, a company specializing in acoustic products, has developed this system. The Kirei Air Baffle, as it is named, draws inspiration from the iconic Nike Air Max, translating a design philosophy focused on performance and comfort into an architectural element. A key aspect of the Kirei Air Baffle is its commitment to sustainability. The product utilizes EchoPanel, a material made from at least 60% recycled PET, demonstrating a mindful approach to environmental responsibility in the manufacturing of acoustic solutions. Furthermore, the baffles are filled with Nike Grind fluff, a material derived from recycled athletic shoe waste. This integration of recycled content not only reduces waste but also contributes to the circular economy, offering an eco-friendly option for interior design. The Kirei Air Baffle product collection encompasses various models, including "No Window," "Short Window," and "Long Window" versions. These variations provide flexibility for different design requirements and aesthetic preferences. Each baffle features an outer hull of 12mm thick EchoPanel, ensuring durability and effective sound absorption. The internal Nike Grind fluff works to further enhance the acoustic properties of the panels, making them more than just decorative elements. Functionally, the Kirei Air Baffle system is engineered to significantly improve the acoustic environment of a room by reducing echo and reverberation. This is particularly beneficial in large open spaces or areas with hard surfaces that tend to amplify sound. The system is available in multiple sizes, including 40-inch, 48-inch, 72-inch, and 96-inch options, allowing for customization based on the specific dimensions and acoustic needs of a space. Each baffle is made to order, with a lead time of four to eight weeks, reflecting the tailored nature of the product. Designers and property owners can choose from 33 different colors of Kirei EchoPanels to seamlessly integrate the baffles into existing color schemes or to create a new visual impact. The installation process is designed to be straightforward, with products shipped ready for direct installation. They include necessary mounting hardware and suspension cables, eliminating the need for on-site assembly. This ease of installation streamlines the design and construction process, making it a practical choice for various projects. Beyond its functional benefits, the Kirei Acoustic Ceiling Baffle system contributes to the overall ambiance of a room, creating a softer visual and auditory experience. The curved design of the baffles, combined with their effective sound-dampening capabilities, ensures that while they improve acoustic performance, they also serve as an architectural design element that can be a focal point or blend harmoniously with the ceiling. This dual functionality highlights the product's role in creating more comfortable, aesthetically pleasing, and acoustically balanced indoor environments. #AcousticDesign #SustainableMaterials #InteriorDesign #CeilingBaffles #EcoFriendlyProducts #Soundproofing #ArchitecturalDesign #RecycledMaterials #ProductDesign

NOWN, an architectural product manufacturer, has introduced a range of 3D-knitted products designed for architectural specifiers, focusing on sustainable acoustic surfaces. Headquartered in Amsterdam, The Netherlands, NOWN is composed of designers, engineers, creators, and architects collaborating to develop materials for walls and ceilings that aim to create stylish and transformative spaces while prioritizing sustainability. Central to NOWN's philosophy is a commitment to precision and quality in material development. An exemplary product is InfiKnit, a 3D-knitted polyester material that features a distinct 3D texture and sound-absorbing properties. This material is specifically engineered to mitigate and control reverberations within interior environments. InfiKnit is suitable for various interior settings, including assembly halls and conference rooms, and boasts a highly efficient manufacturing process that generates only 0.1 percent waste, making it fully recyclable. InfiKnit is offered in a variety of colors and four unique 3D textured pattern collections, intended to enhance acoustic comfort within interiors. The product leverages industry-leading knitting technology alongside established architectural manufacturing techniques, providing designers with a versatile tool to soften, expand, absorb sound, and transform spaces. InfiKnit's material composition and distinctive 3D texture are effective in reducing noise from common office disturbances such as ringing, typing, and conversations, thereby fostering more pleasant and productive environments. Additionally, NOWN states that the production of InfiKnit uses 95 percent less water compared to other textile furnishings, reinforcing the brand's dedication to environmental responsibility. By integrating InfiKnit into design projects, specifiers contribute to a more sustainable future. The 3D-knitted yarns offer significant flexibility, allowing for innovative designs that can adapt and transform spaces creatively. The InfiKnit wall and ceiling panels are designed for installation on a grid system and can be paired with NOWN's Soft Sound material backing for enhanced acoustic performance. Soft Sound is manufactured from polyethylene terephthalate (PET) plastic, with up to 60 percent of its content derived from recycled sources. Beyond InfiKnit, NOWN also produces Graphic Perf panels, which are perforated. A customized version of these panels was utilized for a Tesla showroom in California, where Michael W Folonis Architects adapted them to create a patterned, curved facade that also functions as a sunlight filter. NOWN's commitment to sustainability extends to its partnership with German brand Made Of Air, through which it develops carbon-negative materials. These materials are designed to actively sequester more carbon dioxide than they emit, contributing to carbon neutrality and the fight against climate change. The brand emphasizes creating products with patterns that appear complex but are straightforward to install, offering both aesthetic appeal and practical functionality. In 2023, the company rebranded from Arktura to NOWN to better integrate into the European market, adapting its business culture to meet the diverse demands of the region's architecture and design field. The brand positions itself as a collaborative partner for designers, offering solutions that range from bespoke creations to adaptations of standard products, aiming to fit seamlessly into diverse design projects. #AcousticMaterials #SustainableDesign #3DKnitting #ArchitecturalProducts #InteriorDesign #RecyclableMaterials #CarbonNegativeMaterials #MaterialInnovation #ArchitecturalFinishes

The Gatsby wall covering, designed by Jeffrey Ibañez for the Swiss brand Impact Acoustic, is an acoustic product that features a pattern of fine lines reminiscent of the Art Deco era. This wall covering is intended to be a minimal yet delicate geometric pattern, providing both aesthetic appeal and acoustic functionality. Impact Acoustic describes the design as bold, suggesting its potential to create a distinctive feature wall within a space. The Gatsby wall covering is versatile, capable of being used as a standalone design element or integrated with other products from Impact Acoustic's collection. This flexibility allows designers and consumers to create cohesive or varied aesthetic experiences within an interior. The product's material composition highlights a commitment to sustainability, as it is crafted from Impact Acoustic's high-performance Archisonic textile. This textile is derived from recycled plastic bottles, with approximately 88 PET bottles utilized per square meter of the wall covering. Environmental certifications further underscore the product's sustainable credentials. The Gatsby wall covering is both Cradle to Cradle certified and LEED accredited, indicating its adherence to stringent environmental and health standards throughout its lifecycle. These certifications ensure that the product meets criteria for material health, material re-utilization, renewable energy and carbon management, water stewardship, and social fairness. In terms of aesthetic options, the Gatsby wall covering is available in a diverse palette of 28 colors. These colors were developed in collaboration with the creative agency Colour Hive, offering a range that spans from neutral tones to deep hues and energetic brights. This extensive color selection allows for broad applicability across various interior design schemes and personal preferences. Furthermore, the product is offered in two distinct thicknesses, 24 millimeters and 12 millimeters, providing additional choices for visual depth and acoustic performance requirements. The Gatsby wall covering merges art deco-inspired design with modern acoustic technology and sustainable material practices, offering a versatile and environmentally conscious solution for interior spaces. #AcousticProducts #WallCoverings #InteriorDesign #SustainableMaterials #ArtDeco #RecycledPlastic #ImpactAcoustic #JeffreyIbanez #ArchitecturalSurfaces

In an era that values multi-functionality, a new luminaire named “Oloïd” emerges as an innovative solution combining lighting with acoustic dampening capabilities. Designed by Swiss studio atelier oï for Impact Acoustic, this contemporary fixture addresses both aesthetic and functional needs within modern spaces. Its standout feature is the use of high-performance, sound-absorbing felt panels, which are sustainably produced from recycled plastic bottles. This not only contributes to environmental responsibility but also provides a unique material challenge and design opportunity. The creation of “Oloïd” involved working with the inherent stiffness of the recycled felt panels, which Impact Acoustic processes from waste material. The design team at atelier oï overcame this by developing a precise system of scores and folds. This intricate method allows the rigid felt to be transformed into an undulating shape, which can then be cut into various sizes and interlocked to form the fixture's exterior shell. This manufacturing approach highlights a clever integration of material properties with design constraints, resulting in a product that is both visually appealing and structurally sound. The availability of “Oloïd” in 32 different colors offers versatility, allowing it to integrate seamlessly into diverse interior design schemes, from residential to commercial environments. The project underscores a growing trend in design towards sustainable practices and multi-functional products. By utilizing recycled plastic bottles, “Oloïd” exemplifies how industrial waste can be re-purposed into high-value items, reducing landfill waste and conserving resources. The acoustic properties of the felt material mean that the fixture not only illuminates a space but also helps to mitigate noise pollution, a common challenge in open-plan offices and modern homes. This dual functionality is particularly relevant in contemporary living and working spaces where comfort, aesthetics, and environmental consciousness are increasingly prioritized. The design reflects a thoughtful approach to product development, where environmental impact and user experience are considered alongside form and function. The collaboration between atelier oï and Impact Acoustic represents a successful partnership in sustainable design. Impact Acoustic's expertise in transforming recycled materials into acoustic solutions, combined with atelier oï's innovative design sensibility, has resulted in a product that pushes the boundaries of conventional lighting. The “Oloïd” luminaire is more than just a light source; it is an integrated design element that enhances the sensory environment of a space through both light and sound management, while simultaneously championing eco-friendly manufacturing processes. Further details about this product and its features are accessible through the Impact Acoustic website, providing insights into its design philosophy and technical specifications. #ProductDesign #SustainableDesign #AcousticSolutions #RecycledMaterials #LightingFixtures #InteriorDesign #EcoFriendly #Innovation #FeltPanels

The increasing focus on acoustic comfort in various environments, from restaurants and hotels to open-plan offices and educational spaces, is now extending into the domestic realm. This trend highlights the importance of mitigating acoustic discomfort and stress through innovative design solutions. Sound-absorbing panels, once primarily functional, have evolved into sophisticated decorative elements that combine technological advancements with aesthetic appeal. These panels are designed not only to reduce reverberation and enhance psychophysical well-being but also to integrate seamlessly into interior aesthetics, featuring geometric, floral, and botanical motifs that can either relax or energize a space. A significant aspect of this evolution is the commitment to sustainability, with manufacturers incorporating eco-friendly materials and production processes. Constant research in this field is driven by the desire to create products that are effective, visually appealing, and environmentally and human-friendly. This includes the use of textile scraps, regenerated plastics, and natural raw materials, often resulting in minimal thickness suitable for various applications such as curtains, furniture coverings, and walls. These advancements create serene and harmonious soundscapes while offering a soothing sense of well-being. Several companies and designers are at the forefront of this innovation. Abstracta, in collaboration with Verk and designer Ingegerd Råman, has developed a series of 100% Made in Sweden acoustic panels. These panels feature layers made from textile scraps and polyester from recycled PET bottles, covered with a revolutionary fabric from waste wool fiber, all framed in untreated oak. Råman’s design emphasizes natural colors and wool textures, utilizing unique weaving techniques to achieve an authentic and timeless look. Despite their minimal thickness (no more than 45 mm), these panels offer high sound absorption, making them ideal for noisy environments. Baux, with its X-FELT collection designed by Form Us With Love, takes inspiration from Japanese Zen gardens. This collection offers large-format acoustic wall and ceiling coverings with exceptional creative freedom, allowing for custom graphics and lines through precisely cut modules and a versatile color palette. X-FELT panels are made from ultra-fine, high-quality GRS-certified PET polyester fibers, assembled using a layered construction technique. This results in a smooth, lightweight, and compact structure that efficiently absorbs sound without the need for harmful fire retardant treatments, thus eliminating toxic emissions. X-FELT holds a Class Bs.1-d0 fire rating and is fully recyclable, participating in the BAUX Circle take-back program for responsible disposal. Drip, designed by Stone Designs for Blå Station, offers sound-absorbing panels and wall decorations with a graphic design that evokes a fingerprint in soft clay. These panels provide imaginative flexibility, as they can be rotated in four directions or repositioned to create new arrangements. They attach to the wall with a magnetic clip for easy adjustment, maintaining effective absorption of ambient noise and echoes while enhancing both acoustic and aesthetic quality. Caimi's Biosphere collection, designed by Hsiang Han Hsu, leverages Snowsound-Fiber Textile technology to apply acoustic functions to various fabrics, including curtains, furniture upholstery, and wall coverings. Hsu’s designs aim to reinforce physical and mental well-being by evoking natural elements. The collection features jacquard workmanship inspired by flora (Forest, Woodland, Tundra) and primordial elements (Water, Stone, Clouds), as well as landscapes like Snow and Volcano. The diverse color palette reflects these themes, incorporating earthy tones, shades of green and gray, blues, and stark chiaroscuros. Slalom’s Bloom soundproof panels, a winner of the Hip Awards and Best of NeoCon 2024, exemplify ethical design. They integrate regenerated plastic materials from circular and recycled sources with bio-based materials derived from carefully selected biological corridors. Bloom panels incorporate real grasses, petals, and colorful flowers sourced from farmlands using traditional cultivation, ensuring they are free of chemical additives. The seasonal variation in grasses and flowers ensures each Bloom surface is unique. These panels seamlessly integrate into architectural designs, covering vertical spaces without visible seams and amplifying the floral artistry. A Velcro attachment system simplifies installation, removal, and reuse. #SoundAbsorbingPanels #AcousticComfort #SustainableDesign #InteriorDesign #HomeDecoration #EcoFriendlyMaterials #ArchitecturalDesign #InnovativeMaterials #DomesticLandscapes

The article highlights a selection of acoustic products featured on Dezeen Showroom, designed to mitigate noise levels in various interior environments. These products range from lighting and seating with acoustic properties to sound-absorbing panels, addressing the common issue of excessive noise in modern spaces. Acoustic solutions are crucial not only in workplaces but also in residential, educational, healthcare, and hospitality settings, where maintaining a conducive and calm atmosphere is paramount. The featured acoustic items are typically crafted from fibrous materials known for their sound absorption capabilities, such as felt, with some incorporating recycled plastic, reflecting a growing emphasis on sustainable design practices. The selection showcases a diverse array of innovative designs from internationally renowned studios and brands, each offering a unique approach to sound management. Among the showcased products are the Sonus acoustic pods by Narbutas, designed as single-person pods with clean lines and a minimalist form. These pods provide a private space for focused work or meetings in open-plan offices and can be easily relocated thanks to discrete castors, offering flexibility in office layouts. Arturel, in collaboration with designer Nital Patel, presents Wave acoustic panels. These wall-mounted panels serve a dual purpose as both decorative art pieces and sound absorbers. Their design, featuring curving lines, draws inspiration from Danish coastlines, and they are sustainably made from 100 percent recycled plastic, with 75 percent sourced from the sea. Askia Furniture introduces Acoustic Ceiling Panels, a system of square panels designed for installation within conventional dropped ceiling grids. These panels can also be fitted onto separate frames, providing versatility. Available in various colors and patterns, they can be integrated into diverse interior design schemes. Vika acoustic lighting by Khodi Feiz for Abstracta offers a lighting solution that also dampens sound. The series features crimped, sculptural shades made from PET felt, concealing the lighting elements. Available as standing and pendant lights and in multiple colors, they are suitable for residential, hospitality, and office interiors. Carnegie Acoustic Solutions' Tuned collection comprises a range of acoustic products in diverse shapes, colors, and sizes. This collection offers both block colors and natural textures, allowing for integration into a wide array of interior design aesthetics. Zintra Acoustic's Emboss acoustic wall panels are floor-to-ceiling panels that absorb sound while also adding textural interest to rooms. These panels are available in various relief patterns and colorways, enhancing both the acoustics and visual appeal of a space. Kabin 1 pod by Kabin draws inspiration from luxury aircraft cabins, offering a compact acoustic pod. It features a glass door, steel frame, movable work surface, and an in-built screen, providing a private and functional space. Finally, Acoufelt's Framework Ceiling Frames present a ceiling-mounted grid system made from 60 percent recycled acoustic felt. These frames effectively dampen sound in busy interiors and are available in two formats—capped or open—and a selection of colors, offering an unobtrusive solution for sound management. #AcousticProducts #InteriorDesign #SoundAbsorption #WorkplaceDesign #SustainableMaterials #OfficeFurniture #ResidentialInteriors #LightingDesign

This article explores the manufacturing process of BAUX acoustic wall tiles and panels, highlighting their environmentally friendly nature and functional design. BAUX, a Swedish brand, is recognized for its sound-absorbing qualities and the creation of visually appealing geometric patterns. The company's philosophy centers on producing building materials that are both functional and aesthetically pleasing while adhering to strict environmental standards. This approach led to a collaboration with Träullit, a family-owned business specializing in boards and panels made from cement and wood wool. These two basic materials form the foundation of BAUX's eco-friendly acoustic components. The production process begins with sourcing wood locally in Småland, Sweden, to minimize environmental impact. The collected spruce wood is then stacked and air-dried outside the factory. Following this, the spruce is cut into smaller pieces and ground down to create wood wool. This wood wool is then combined with water and cement. The resulting blend is poured into molds, which are subsequently stacked and left to dry. Once dried, the wood wool cement material is cut into various smaller pieces and geometric shapes. BAUX Acoustic Tiles, for instance, are produced in shapes like hexagons and are then spray-painted in a diverse range of colors, offering extensive customization options for designers and consumers. For larger applications, BAUX Acoustic Panels are milled to incorporate intricate patterns. The versatility of BAUX Acoustic Tiles allows for the creation of numerous patterns by combining different shapes and colors, offering significant design flexibility. Similarly, BAUX Acoustic Panels are engineered to revitalize and enhance large spaces, providing both acoustic benefits and aesthetic improvements. The entire process emphasizes sustainability, from the local sourcing of raw materials to the transformation of simple, natural components into advanced acoustic solutions. This detailed deconstruction of BAUX's manufacturing sheds light on how a commitment to both design and environmental responsibility can result in innovative and practical products for interior spaces. #AcousticPanels #EcoFriendlyDesign #WoodWool #SustainableMaterials #InteriorDesign #BAUX #SoundAbsorption #SwedishDesign

Kvadrat, a Danish textile company, produces Soft Cells, a modular acoustic panel system designed to enhance the acoustic performance of various buildings. Zane Walker, head of project management at Kvadrat Soft Cells, explains that these panels are custom-made by hand in their factory located in Poznań, Poland. The panels are versatile and can be utilized in diverse settings, ranging from individual offices to large concert halls or auditoriums that require numerous panels to function cohesively. Each Soft Cell panel is manufactured to order, involving a meticulous process of cutting, assembling, and upholstering by hand. This handcrafted approach ensures a high level of precision, which is crucial for projects with stringent tolerance requirements. The Soft Cells are available in sizes from 20 centimeters to six meters in length and can be produced in various shapes to accommodate specific design needs. The construction of each panel involves a recycled aluminum frame filled with acoustic foam. This core structure is then covered with a selection of Kvadrat's textiles. A distinctive feature of the Soft Cells is the tensioning system, which incorporates spring coils. This system is engineered to maintain the fabric's tautness over the entire lifespan of the panels, ensuring consistent aesthetic and acoustic performance. Modern architectural trends often favor clean, open spaces characterized by hard, reflective materials such as concrete and glass. While aesthetically pleasing, these materials can lead to poor acoustics, resulting in uncomfortable or inefficient environments. Kvadrat's Soft Cells offer a solution by allowing architects to maintain the minimalist design of these spaces while significantly improving their acoustic properties. By integrating these panels, spaces become more comfortable for occupants, whether they are working or living within them. Walker emphasizes that the acoustic performance of a space directly influences the comfort and satisfaction of its users. The Soft Cells provide a way to introduce "softness" into these otherwise rigid, minimalist designs, thereby enhancing both the visual and auditory experience. The production process, detailed in a film by Dezeen, highlights the craftsmanship and attention to detail involved in creating each panel, underscoring the product's quality and its role in harmonizing contemporary architecture with optimal acoustic conditions. #Kvadrat #AcousticPanels #InteriorDesign #TextileInnovation #ArchitecturalSolutions #HandmadeProducts #SustainableMaterials #NoiseReduction #ModernInteriors

Autex Acoustics has introduced a range of sound-dampening products to the Dezeen Showroom, featuring panels designed to integrate seamlessly into diverse interior aesthetics. The collection includes items that mimic natural materials like wood and stone, alongside customizable systems for walls and ceilings. This release caters to the ongoing demand for acoustic solutions that do not compromise interior design. One of the featured collections is the Stone collection, which offers acoustic panels with the visual characteristics of veined stone, such as travertine and marble. These materials have historically been popular in architectural and interior decoration, and Autex Acoustics leverages this appeal by combining aesthetic value with functional sound absorption. The panels provide a versatile and cost-effective alternative to traditional acoustic cladding, available in various patterns to suit different design preferences. Building on the theme of natural materials, Autex Acoustics also presents Acoustic Timber. This range draws inspiration from the unique knots and grain patterns found in various wood species, including pine, ash, oak, eucalyptus, and walnut. The Acoustic Timber collection is available in three application formats—baffles, tiles, and panels—allowing for flexibility in design and installation. This product line aims to offer the warmth and texture of wood while effectively managing sound within a space. Another significant offering is the Frontier system, which is specifically engineered for ceilings and walls. Composed of 100% polyester fibre shapes, Frontier panels are designed to control noise levels and can be configured to create wave-like effects on interior surfaces. The system provides a broad spectrum of 21 colorways and offers customization options through an adjustable channel and clip mechanism, enabling designers to tailor the acoustic treatment to specific spatial requirements and aesthetic visions. Composition is a sound-dampening product noted for its durability, making it suitable for high-traffic environments. These wall coverings are installed using a drop technique, similar to traditional wallpaper, simplifying the application process. The ease of installation, combined with effective acoustic properties, positions Composition as a practical solution for various commercial and residential settings. The Groove system, yet another innovative product from Autex Acoustics, offers customizable router-cut panels for walls and ceilings. This system provides patterned finishes and features a self-adhesive backing for straightforward installation. With six suggested patterns and five angle options, Groove allows for a high degree of customization, enabling designers to create unique visual and acoustic environments. These panels are also available in a wide array of colors. Autex Acoustics, established in 1967, specializes in developing sound-dampening products primarily for offices and mixed-use interiors. The company maintains showrooms in key international locations, including the UK, USA, New Zealand, and Australia, reflecting its global presence and commitment to providing high-quality acoustic solutions. The featured products highlight the brand's focus on integrating aesthetic appeal with functional sound management, offering versatile options for contemporary interior design. #AcousticProducts #InteriorDesign #SoundDampening #ArchitecturalFinishes #NaturalMaterials #WallPanels #CeilingPanels #AutexAcoustics #DezeenShowroom

Dutch design studio Luis Marie has introduced Plissade, an acoustic room divider that is notable for being entirely textile-based and capable of standing independently. This innovative design reimagines traditional textile pleating techniques to create a sculptural and functional partition, which has been shortlisted in the textile design category of the Dezeen Awards 2025. Plissade is constructed with an inner layer of felt derived from post-consumer polyester clothing and an outer layer made from recycled polyester yarns. The studio employed a unique binder- and adhesive-free stiffening process to fold these materials into a robust structural form. This method allows the divider to maintain its shape and stand without requiring additional support or rigid reinforcements, distinguishing it as the "first-ever all-textile room divider." The design features two interlocking textile layers that form a series of hollow, diamond-shaped tubes. These tubes contribute to the structural stability of the partition while also enabling easy disassembly. The studio highlights that this assembly process integrates existing technologies from the fashion and automotive upholstery industries, applying them in a novel context to ensure the product's circularity. By avoiding adhesives and resins, Plissade can be fully disassembled and recycled at the end of its life cycle. Environmental considerations were central to Plissade's development. The outer woven yarn is dyed using digital printing techniques, a process that significantly reduces the consumption of water and chemicals compared to conventional dyeing methods. This approach aligns with the studio's commitment to sustainable design practices. The resulting product is designed to be foldable, modular, and lightweight, making it a versatile acoustic solution suitable for both residential and professional environments. Its portability and ease of storage mean it can be adapted to various spatial needs, offering flexibility in room arrangement and sound management. Luis Marie, based in Rotterdam, specializes in creating products that enhance living environments with color, warmth, and comfort. The studio aims to push the boundaries of production methods, developing pieces that blur the lines between art and functional design. Plissade exemplifies this philosophy by transforming recycled textiles into a visually striking and highly practical room divider. This design contributes to a broader trend of innovative textile applications in interior design, as seen in other recent developments like Newstalgia flooring, which reinterprets 1970s and 80s fabrics, and pleated lighting displays by A-Poc Able Issey Miyake and Atelier Oï. Plissade stands out for its structural integrity derived solely from textiles and its commitment to circular design principles, offering a sustainable and aesthetically pleasing option for dividing spaces. #TextileDesign #RoomDivider #RecycledMaterials #AcousticSolutions #SustainableDesign #InteriorDesign #PleatingTechnique #CircularEconomy #RotterdamDesign

The article explores the increasing trend of integrating color and acoustic design in interior spaces, moving away from minimalist aesthetics towards more vibrant and functional environments. It highlights how humans are naturally drawn to color, linking specific hues to emotions and experiences, making color a powerful tool for architects and designers. This shift is evident not only in residential settings but also in modern workspaces and high-traffic areas where energetic and creative atmospheres are desired. The core challenge addressed is balancing visual appeal with acoustic comfort. The article emphasizes that a colorful ambiance can lose its effectiveness if not properly sound-proofed, as excessive noise can lead to distraction, stress, and reduced productivity. To overcome this, the integration of colorful acoustic panels is presented as an effective solution, offering both aesthetic enhancement and sound control. Autex Acoustics is introduced as a provider of such solutions, manufacturing carbon-neutral acoustic panels from at least 40% recycled PET. These panels are available in a wide array of colors across their product lines, including Cube (lightweight, semi-ridged panels) and Vertiface (fabric wallcoverings). The company has also expanded its palette with four new nature-inspired colors: Canyon (terracotta), Caspian (stormy grey-blue), Highland (moss green), and Terrace (warm grey alternative). For bespoke projects, Autex offers advanced UV printing for solid colors and custom patterns through its Solid Color and Acoustic Surface Finishes ranges, allowing for precise color matching and unique designs. Four creative applications for integrating colorful acoustic panels in interior design are detailed. The first method suggests adding surfaces that bring the colors of the outdoors indoors. The new nature-inspired colorways — Canyon, Caspian, Highland, and Terrace — are designed to evoke biophilic experiences, fostering comfort and well-being while managing acoustics. These hues are versatile enough to blend with rustic designs or create accent walls. The second application focuses on creating focal points with accent walls. Colorful acoustic panels can be strategically placed to both enhance sound isolation and draw attention to specific areas. The choice of color significantly impacts the visual effect; for instance, a bold color like Ink (deep blue) from the Vertiface series creates a dramatic impact, while a subtle shade like Terrace offers an elegant alternative. Designers can customize these choices to align with the desired ambiance and maintain visual harmony. The third approach involves establishing color zones to divide functions, particularly in busy work environments. Using colored sound-proofing solutions helps visually separate different activity areas while ensuring acoustic comfort. This strategy can delineate collaborative spaces with bright colors or create quiet zones for focused work with more subdued biophilic tones. Color gradients can also be employed for smooth transitions and aesthetic flair. The final creative method highlights making a statement with patterns, depth, and custom designs. When a solid color might not suffice, designers can opt for acoustic systems that incorporate unique shapes, intricate patterns, color blocking, and textured surfaces. Autex Surface Finishes facilitate these possibilities, allowing for customization, replication of natural material looks, and the creation of sculptural elements that serve as both art and acoustic solutions, adding identity and personality to spaces. #AcousticPanels #InteriorDesign #ColorTheory #SoundProofing #BiophilicDesign #SustainableMaterials #WorkplaceDesign #ResidentialArchitecture #ArchitecturalInnovation

Autex has introduced Acoustic Raft, an adaptable acoustic beam system designed for both ceilings and walls, which is the latest addition to their Frontier system. This innovative system is engineered to absorb sound and can be customized to suit various environments, offering a versatile solution for noise management in diverse spaces. The Acoustic Raft components are meticulously scored, folded, and connected using a locking channel, which facilitates their integration with Autex Mounting Clips and Autex Frontier Extrusions. This modular design allows for a multitude of configurations without compromising its acoustic performance. One of the notable features of the Acoustic Raft is its aesthetic flexibility. The system is available in a palette of seventeen colors, providing designers with the opportunity to blend and contrast hues to create visually striking acoustic elements within an interior. This extensive color range enhances its appeal as a decorative feature in addition to its primary function of sound absorption. Each beam within the system is constructed from a high-performing, highly compressed polyester material, ensuring that they are both solid and lightweight. This material choice prevents bending or warping after installation, contributing to the system's longevity and maintaining its intended appearance over time. The installation and removal process of the Acoustic Raft system is designed for efficiency and adaptability. It is assembled using aluminum channels and clips, which allows for quick installation and easy disassembly. This feature is particularly beneficial in dynamic environments where the use of a space might change, requiring the removal or reconfiguration of acoustic treatments. This ease of manipulation makes the system a practical choice for temporary installations or spaces that undergo frequent redesigns. Beyond its functional benefits, Acoustic Raft also serves as a significant decorative element. When mounted on walls, it enhances both the acoustic properties and the visual appeal of a room. Alternatively, when suspended from ceilings using extension rods, it can transform into a prominent statement piece, drawing attention and contributing to the overall design narrative of the space. The customizable nature of the system allows designers to craft unique patterns by varying the spacing between modules or by incorporating multiple colored versions, enabling seamless integration into almost any interior design scheme. In addition to the Acoustic Raft, Autex's Frontier system can also incorporate Autex Acoustic Fins. These fins are offered in five standard designs and are available in two thicknesses, 12mm and 24mm, further expanding the design possibilities and acoustic solutions provided by the Frontier range. The Frontier system, including Acoustic Raft and fins, is engineered for a broad spectrum of applications. It is suitable for various settings, from retail spaces and office environments to commercial interiors, hospitality venues, and educational facilities, demonstrating its versatility and effectiveness across different sectors. Autex recently inaugurated a gallery-like showroom in London's Clerkenwell Design District to showcase their product offerings, including the Frontier system. Designers and interested parties can find examples of the Frontier system's application in specific projects and access additional details on the Autex website or by visiting their showrooms. #AcousticProducts #SoundAbsorption #InteriorDesign #ArchitecturalDesign #CommercialInteriors #CustomizableDesign #BuildingMaterials #OfficeDesign #ProductLaunch