Exploring the history and popularity of the ranch-style home on Staten Island | Cool Spaces

The ranch-style house, a distinct American architectural style that emerged from postwar Los Angeles, has become a significant fixture in suburban landscapes across the United States. Unlike European architectural styles such as Colonial or Victorian, the rancher style was indigenous to the U.S. and reflected the optimism of the post-World War II era, the allure of suburban family life, and an informal yet gracious way of living. This enduring style is now experiencing a resurgence in popularity. Historically, the rise of the ranch-style house is closely tied to the end of World War II. Returning war veterans, aided by generous home loans, sought to re-establish their lives and start families. This period faced a housing shortage due to limited construction during the Great Depression and the war. Architectural historian Alan Hess notes that the ranch-style house became a highly desirable consumer product that effectively addressed America’s midcentury housing crisis. Initially conceived in the 1930s by architects like Cliff Mae and William Wurster, the ranch house was well-suited for mass production due to its low, one-story design and the use of simple, affordable materials such as shake roofs, board-and-batten walls, and brick foundations. The popularity of ranch houses was further amplified by the cultural influence of Hollywood. The romanticized image of the Old West, popularized by actors like John Wayne and Randolph Scott, resonated with Americans, and the ranch house, especially prevalent in California and Texas, embodied this mystique. With the Federal Housing Administration's approval, veterans could access low-cost government loans, leading to an unprecedented boom in ranch house construction. By the 1950s, it was the dominant residential housing type, accounting for nine out of ten new houses built in 1955, with over 1.65 million units constructed that year, as detailed by Clifford Edward Clark Jr. in “The American Family Home.” Despite its widespread adoption, the ranch-style house faced criticism in the 1950s and '60s. Critics disparaged it as a symbol of suburban conformity, coining terms like “ranch burger.” Concerns about low-density suburban development and inefficient land use, coupled with rising land prices, contributed to a decline in its popularity by the early 1970s. Buyers and builders then shifted towards larger, more formal, and ornate neo-eclectic homes. Traditional ranch-style homes, also known as ramblers, are characterized by their simple, no-frills design. Key features include a single-story floor plan, low-pitched rooflines, and deep overhanging eaves. These homes are typically rectangular, though U- or L-shaped variations exist, ranging in size from 900 to 2,500 square feet. Exterior materials often include brick, stucco, wood, or siding, and they frequently feature large windows, diamond-paned windows, or Dutch doors. Attached front-facing garages and finished basements are common. The interior layout is typically open-concept, offering easy access between rooms and often connecting to an outdoor space like a patio or deck through large sliding glass doors, promoting an indoor-outdoor lifestyle. This design was particularly appealing to young families, allowing mothers to supervise children playing outdoors while cooking, reflecting the societal norms of the time. Inside, natural wood and knotty pine were common, often complemented by Western-themed wallpaper in children's rooms. The integration of modern appliances like TVs, dishwashers, and intercoms further enhanced the suburban ideal of comfortable, modern living. Currently, the ranch-style house is experiencing a renewed interest. Homeowners across suburban America are acquiring and renovating these properties. Young buyers find them to be affordable options suitable for a minimalist lifestyle in a competitive housing market. The aging population is also drawn to their single-story convenience and nostalgic appeal. Furthermore, preservation efforts are underway, with numerous historic ranch home neighborhoods, such as Arapahoe Acres in Colorado, Eichler houses in California, and Texas Hill Country properties, being listed on the National Register of Historic Places. #RanchStyleHouse #AmericanArchitecture #SuburbanHousing #MidcenturyModern #PostwarEra #ArchitecturalHistory #HomeDesign #RealEstateTrends

SHED Architecture & Design undertook a comprehensive restoration of a 1959 ranch house in Seattle, aiming to resurrect its original mid-century charm while integrating modern functionality. The property, upon acquisition by the homeowners, had undergone multiple remodels that had largely erased its historical character. SHED's approach involved stripping the house back to its foundational elements to meticulously revitalize its inherent aesthetic. The project, known as the Madison Park Ranch House, focused on creating a cohesive and timeless design. This was achieved through the careful selection of materials that resonate with the era of the home's origin, coupled with a contemporary open-plan layout. The chosen color palette was also instrumental in honoring the house's history, facilitating a seamless blend between its past and future iterations. This thoughtful combination of elements ensures that the renovated home functions efficiently for modern living without sacrificing its historical integrity. Externally, significant changes were made to the backyard. Previously existing structures were removed to clear space for a new landscaped area. This outdoor living space now features a fire pit, providing a focal point for gatherings, and a lower patio designed for relaxation. An elevated deck, accessible via a set of stairs, extends directly from the kitchen, blurring the lines between indoor and outdoor living. Large sliding glass doors were incorporated to further enhance this connection, allowing for easy access and an abundance of natural light to penetrate the interior. The interior renovation saw the kitchen undergo a substantial transformation. A prominent, generously sized island was installed, serving multiple purposes from food preparation and cooking to dining and socializing. To compensate for any potential lack of natural light, a series of skylights were integrated into the kitchen ceiling, effectively illuminating the space. The flooring throughout much of the interior was updated with expressed aggregate concrete tiles, which were deliberately chosen to match the pavers used in the outdoor areas, thereby promoting a visual continuity between the indoor and outdoor environments. Bathroom renovations prioritized a minimalist design philosophy, which not only modernized their appearance but also significantly improved their functional utility. Each aspect of the renovation, from the removal of old structures to the selection of new materials and the strategic placement of design elements, contributed to the overall goal of transforming the 1959 ranch house into a functional, aesthetically pleasing, and historically respectful contemporary home. The project successfully reinstated the home's original character while adapting it to meet the demands of a modern lifestyle. #Architecture #HomeRestoration #MidCenturyModern #RanchHouse #SeattleDesign #InteriorDesign #LandscapeDesign #ModernLiving

Christina Roughan of Roughan Interiors embarked on an exciting redesign of a historic New York country house, built in 1900 by Charles Wetmore, a prominent NYC architect. This grand English-style manor, set on 20 acres with original horse stables converted into a barn, presented a rewarding project. The clients, knowledgeable in design, art, and furniture, sought a warm, inviting, and child-friendly home that honored its elegance and history, reflecting their family's lifestyle. The entry was designed to make a strong first impression. Christina incorporated the clients’ favorite color, blue, through a focal point artwork, a patterned rug, and antique blue and white jars. Warmth was introduced with a walnut table and camel leather stools, exemplifying happiness within a blue environment. The living room, described as a ballroom, features a custom Venetian plaster ceiling that adds emotional significance and grandeur. With a semi-domed 22-foot-high ceiling and four sets of French doors overlooking the gardens, it evokes a relaxed yet opulent atmosphere. Design details include a custom bookcase with spine colors incorporating the blue, soft gray, and ivory palette, and a year-in-the-making carpet echoing these tones with hints of silver. A flexible seating arrangement around the fireplace, comprising a sofa, armchairs, and a chaise, ensures elegance and comfort. The kitchen's design prioritized timelessness, featuring a classic country style with Carrera marble countertops and a large stainless steel range cooker for a modern twist. A dining area was integrated into the kitchen, serving as a central space for family gatherings, with mid-century Laverne T Chairs in whisky leather and walnut Michael Smith head chairs adding texture against the marble and pale walls. For the dining room, the goal was to create a light-filled space. The room underwent a full renovation, including new millwork, a fireplace surround, and gloss paint. Modern traditional furnishings introduced color with lavender and moss green accents complementing off-white and soft gray schemes. The family room, originally the dining room, was strategically relocated near the kitchen for convenience with young children. It combines oak bookcases with pops of color, fun art, and modern lighting, maintaining an elevated feel suitable for entertaining. The main bedroom balances masculine and feminine elements with a palette of camel, sage, and brown tones, wool sateen drapery, and rattan chairs for added texture. Guest bedrooms were designed to be distinct and inviting; one twin bed guestroom features rose rattan walnut burl headboards, which maximize space while adding texture and depth. The white bathroom offers a light and fresh scheme with a practical, elegant period-style double basin vanity. The extensive project, which included a guest house and pool house, took approximately two years. The pool house renovation was designed to complement the main house and guest house, ensuring a seamless flow throughout the property. The overall interior design, executed by Roughan Interiors and photographed by Jane Beiles, successfully transformed the historic New York country house into a refined yet comfortable family home. #HistoricHome #CountryHouse #InteriorDesign #NewYorkRealEstate #RoughanInteriors #TimelessDesign #LuxuryHomes #HomeRenovation #FamilyLiving

The ranch-style house, a prominent feature of the suburban American landscape post-World War II, is characterized primarily by its functionality, as articulated by architect Holden Spaht. These homes are typically single-story with low-lying roof lines and exhibit a zoned interior layout. This zoning typically separates public 'front-of-house' areas, including formal gathering spaces connected to the front door and backyard, from private 'back-of-house' areas like bedrooms. Key architectural characteristics include bathrooms with small windows or glass blocks, and living rooms featuring expansive, large windows. Spaht highlights the practical design elements, such as strategically placed kitchens that offer views of the family room and yard, enabling parents to supervise children while preparing meals. Additionally, built-in features like bookshelves are designed with purpose, either solid or porous, depending on whether they are separating connected or disconnected spaces. The historical context of ranch-style houses is deeply intertwined with post-World War II America. The period saw a boom in the middle class, and the introduction of 30-year federally backed mortgages made homeownership accessible to many families. This cultural shift, combined with the idealization of a spacious, bucolic domestic environment away from urban centers, fueled the widespread adoption of ranch homes. By the 1950s, nine out of ten newly constructed houses were ranch-style. The availability of building materials, such as industrial plastics and engineered wood products, which emerged from wartime efforts, also facilitated their rapid construction. These homes commonly featured brick or wood siding exteriors and interiors incorporating innovative, high-tech materials for the mid-century period. The Federal Aid Highway Act of 1956 further contributed to the proliferation of ranch homes by opening up affordable land outside city centers, making it easier to develop entire neighborhoods quickly. While distinct, ranch-style houses share significant architectural similarities with mid-century modern homes. Both styles embody the modernist ethos of leveraging technology and industrial production to enhance the quality of life for a broad demographic, not just the elite. They often incorporate influences from architects like Frank Lloyd Wright, seen in deep overhanging eaves and celebrated hearths. Common design principles include a deliberate blurring of interior and exterior spaces, integrated built-in millwork, and a preference for simple architecture that allows nature to be a focal point. Spaht notes that ranch houses are rarely pretentious, making them significant architectural and historical artifacts. There is a growing movement to restore these homes, indicating an appreciation for their rich social and architectural content. #RanchStyleHouse #MidCenturyModern #ArchitecturalHistory #HomeDesign #PostWarArchitecture #SuburbanHomes #FunctionalDesign #AmericanHousing

Julia Kramer, a former Bon Appétit editor, and her husband, Zach Kaplan, purchased a Craftsman home in Koreatown, Los Angeles, sight unseen during the early days of the pandemic. The decision was primarily influenced by a stained-glass peacock window in the dining room, which resonated with their family's experience visiting live peacocks at the Cathedral of St. John the Divine in New York City. This personal connection served as a significant sign, making the long-distance purchase feel destined. The couple, still residing in their two-bedroom apartment in New York’s Upper West Side, relied on an L.A.-based friend to view the property shortly after it was listed before making an offer. Following the purchase, and with only six weeks until their move, Kramer and Kaplan enlisted the help of Jamie Haller, an experienced Craftsman restorer and shoe designer. Haller's primary task was to modernize certain aspects of the home while also stripping away inappropriate additions, such as built-in speaker systems in the living room and kitchen, and numerous recessed lights. The goal was to preserve the original character and 'good stuff' of the Craftsman style. Kramer, who was largely put off by the ubiquity of newly remodeled kitchens featuring subway tile and open shelves during her house hunt, found the untouched, wood-heavy kitchen of this home particularly appealing. She expressed a preference for living without common countertop materials like marble and granite and appreciated the kitchen's separation from other rooms, allowing her personal space while cooking. Restoration efforts in the kitchen focused on subtle yet crucial updates. Haller oversaw the replacement of awning window chains with historically accurate hardware, a task that required considerable effort to source and install. She emphasized 'restraint' in the renovation process, focusing on making the space functional without sacrificing its original charm. A carpenter was brought in to repair the track of the old-fashioned bread box's garage door, ensuring its safe operation. While the kitchen lacks modern amenities like soft-close hinges, it retains a distinct 'soul' that appealed to the owners. One of the most challenging projects was the living room, where plaster walls had been covered in blue silk dupioni fabric and secured with an estimated 45,000 staples. Removing these staples was a laborious process, taking a week of manual effort. The focal point of the revitalized living room became Kramer’s vintage coffee table, a 1stdibs acquisition, which uniquely functions as a champagne and shrimp cocktail station, with its inverted center perfectly accommodating her ice bucket. Haller also had to source new lighting fixtures, as the previous owners took the originals. She turned to a salvage shop in Los Angeles known for preserving lights from Old Hollywood celebrity homes, finding an antique sconce for the guest bedroom’s salvaged sink that once belonged to Buster Keaton. Distinguishing this Craftsman from others, the home features dark, purple-hued mahogany wood rather than the typical red-orange Douglas fir. This unique wood tone harmonizes surprisingly well with subtle pink accents, such as the original fireplace grout and the new dining room walls, which were painted a soft dusty lavender-gray. Haller noted that the natural light interacting with these elements creates a warm glow. Due to the tight renovation schedule, restoring the painted wood trim was not feasible. Instead, it was repainted in Farrow & Ball’s dark navy shade, Railings, to achieve a cohesive look. In contrast to the home’s more vibrant areas, the main bedroom adopted a softer palette, transforming its previous purple walls into a serene cream. Kramer, typically drawn to maximalist designs, was swayed by Haller’s vision for a neutral, tranquil space. The bedroom renovation included creating two closets on either side of the bed by reallocating space from an adjacent children’s room, and adding a built-in reading nook with a tufted cushion, which serves as Kramer’s preferred work-from-home spot. For the children’s bedrooms, Kramer and Haller exercised a different form of restraint, opting for allover wallpapers with prints that strike a balance between kid-friendly and adult-approved aesthetics. Kramer expressed her desire to postpone 'ugly child spaces,' choosing whimsical crane designs by House of Hackney for her youngest son's room and a floral print by the same brand for the bathroom. She found that the numerous built-ins in the large bathroom helped to break up the busy floral pattern effectively. The various bird motifs throughout the home, from the initial peacock window to the crane wallpaper, have become a personal symbol of good fortune for Kramer. #HomeTour #CraftsmanHome #LosAngelesRealEstate #InteriorDesign #HomeRenovation #SightUnseenPurchase #HistoricPreservation #VintageDecor #FamilyHome

Designer Ernest de la Torre undertook a comprehensive renovation of a 1950s ranch house in Snedens Landing, New York, transforming it into a vibrant, art-filled family home shared with his husband, Kris Haberman, and their son, Parker. The project involved an extensive overhaul, addressing both functional limitations and aesthetic preferences. The original backsplit ranch structure presented challenges, with public rooms on the upper floor and bedrooms downstairs, necessitating a significant reorientation of the interior spaces. After living with the home's initial configuration for eight years, de la Torre conceptualized a radical redesign. The primary modification involved removing a floor to create a double-height living room at the back of the house, better connecting it to the outdoor space. This change also prompted the repositioning of other key areas, including the kitchen, which was originally situated near the front door. The structural changes required extensive reinforcement, an undertaking de la Torre described as a 'master’s degree in construction,' emphasizing that while it would have been more cost-effective to rebuild, preserving the house's original charm was paramount. A central goal of the renovation was to enhance natural light within the formerly dark interior. This was achieved by installing skylights and replacing solid walls with expansive glass, notably custom steel casement windows and matching doors throughout the entire house. Beyond natural light, artificial illumination was a critical design element, with de la Torre incorporating a variety of lamps and overhead fixtures, including a giant bronze cocoon light by Hervé Van der Straeten and Charles Rennie Mackintosh sconces. The interior design emphasizes unique details and a garden theme, albeit with an imaginative, 'wonderland' quality. Examples include a kitchen counter inlaid with petrified wood, brass parakeets as faucet handles, 'cloud' reliefs on plaster walls, blown-glass dragonflies on light fixtures, and raindrop mirrors. De la Torre’s design philosophy prioritizes uniqueness, creating spaces that are distinct and original. Comfort and texture were also integral to the design, influenced by de la Torre's mentor Peter Marino. Furnishings feature diverse materials such as leather, fur, snakeskin, wool, and silk, encouraging prolonged use and tactile engagement. The eclectic mix includes pieces the designer had collected over time, like oversized Wendell Castle newel posts now serving as pedestals, and cast-iron balconies from a 'robber baron’s house.' The blend of historical periods is evident, with an 18th-century Robert Adam mantel juxtaposed with a 1980s cocktail table by Sol LeWitt, creating a dynamic interplay of styles. The renovation culminated with a strict deadline: de la Torre and Haberman's June 2015 wedding, with the reception hosted at their newly transformed home. Just before the event, artist Shantell Martin was commissioned to create a mural in the powder room, depicting the couple's life story. This personal touch symbolizes the completion of one dream and the commencement of another within their reinvented home. #RanchHouseRenovation #UpstateNewYork #ErnestDeLaTorre #InteriorDesign #CustomDesign #ArchitecturalTransformation #LuxuryHome #EclecticDecor #ArtFilledHome

Ragan Wesson, a Birmingham-based interior expert, emphasizes the importance of a home telling a unique story, and her own renovated 1950s ranch-style home exemplifies this philosophy. She champions the integration of sentimental and meaningful items to create spaces that are both distinct and affordable. Wesson's design approach begins with a clean, neutral canvas, allowing for the layering of personalized pieces. Many of the items in her home are inherited or sourced from thrift stores and antique malls, each carrying a personal history that contributes to the home's narrative. Upon purchasing their Homewood ranch home, Wesson and her husband focused on superficial yet impactful renovations. They refreshed the interiors with new paint, removed popcorn ceilings, and updated light fixtures, all while preserving the original character of the house. The home's generous room sizes and functional layout meant that extensive structural changes were unnecessary, allowing them to concentrate on decorative enhancements. For furnishings, Wesson drew from her extensive collection of cherished items, amassed over many years, demonstrating how curated pieces can elevate a space. One example of her approach is the dining room, which serves as a versatile space for family gatherings and a workstation. Here, an antique desk, discovered by a local antique hunter, complements the existing decor. Wesson advocates for repurposing sentimental items, explaining that they introduce a historical dimension to modern settings. This concept is evident throughout her home: a great-grandfather's buffet now functions as an entertainment console in the main living area, her childhood twin beds are in her older daughter’s room, and a cabinet from her great-great-grandfather is featured in her youngest daughter’s room. The breakfast area centers around a family heirloom table, refinished and paired with contemporary chairs, and various small finds from antique malls and thrifting trips are strategically placed throughout the house. Custom upholstery and locally sourced rugs provide the finishing touches, contributing to a cohesive and inviting atmosphere. The home features a formal living room with bookshelves filled with personal items, including books and a collection of blue and white pieces, which Wesson suggests is an effective way for clients to infuse their own stories into their homes. The original fireplace in this room adds character without appearing dated. In her older daughter's room, Ragan used drapery behind her childhood twin beds to create the illusion of larger windows and soften the design, a DIY project supported by her mother, who owns Brock Custom Interiors. The nursery includes an iron crib, a China cabinet from her great-great-grandfather, and a rocking horse from a local thrift store, Sozo Trading Co. Wesson also shares her thrifting prowess, recounting how she found a side table for her master bedroom on the side of the road, which seamlessly integrated into her decor without needing any alterations. She advises staying consistent with a color scheme or theme when collecting pieces. Wesson aims to demystify interior design, emphasizing transparency in project timelines and budgets for her clients. Lacking formal training, she offers a unique perspective on the industry, allowing her personal and family history to anchor her designs. This personal journey has refined her design process, which she now applies to help other homeowners create spaces that tell their own stories. #HomewoodHome #RanchHomeRenovation #InteriorDesign #SentimentalDecor #AffordableDesign #FamilyHeirlooms #ThriftStoreFinds #HomeStorytelling #BirminghamInteriors

Nathan Turner and Eric Hughes, a lifestyle expert and a decorator, respectively, have created a nostalgic midcentury ranch home in Ojai, California, that reflects their deep generational ties to the state and their personal histories. The couple discovered this 1950s board-and-batten house during the pandemic and were drawn to Ojai’s timeless charm, with its independent shops, vibrant farmers’ markets, and Spanish Colonial architecture. Their goal was to preserve the home's historical integrity while infusing it with sentimental touches. The renovation of the ranch house involved thoughtful modifications, such as adding two bathrooms and enlarging the kitchen. Despite these changes, the couple ensured that all new architectural elements, including salvaged wood beams, Dutch doors, vintage brick floors, and a landscape with citrus trees, remained true to the midcentury California ranch aesthetic. The interior design prioritizes personal connection and comfort, with Nathan emphasizing the importance of surrounding oneself with meaningful objects, particularly those related to family. The home is filled with cherished items, from portraits of their pets and passed-down cast-iron skillets to prizes won by Nathan's great-grandfather, all contributing to a sense of immense comfort and personal narrative. The entrance features a black barn-style Dutch door that opens into a space adorned with framed pet portraits, each with a story meticulously documented by Nathan. Eric’s childhood handprint and a monogrammed mirror crafted by Nathan’s father further personalize the entry. The living room exudes rustic refinement with walls covered in stick-on wood planks and a ceiling clad in salvaged cedar pickets, creating a barnwood-cabin ambiance. Furnishings like a striped sofa and pillows made from handwoven vintage fabrics echo the warm hues of old trading blankets. Nathan's passion for collecting is evident in the living room's display of cattle show ribbons earned by his family and a vintage movie poster found and framed by Eric, adding cultural depth. The kitchen blends rustic and modern elements, featuring natural Shaker-style cabinets, handmade tiles, and reclaimed brick floors. A half barn door connects the kitchen to the living room, offering a sense of separation while maintaining conversational flow. A pegboard in the kitchen holds Nathan's collection of cast-iron skillets, which serve a practical purpose and evoke childhood memories. Rustic wood shelves display a portion of his extensive collection of midcentury Mexican pottery, used for entertaining large gatherings. The dining room showcases a 1920s map detailing the growth of America and the Western expansion, surrounded by mix-and-match pressed-back oak dining chairs reminiscent of his family’s ranch furniture. A Spanish chandelier from Early California Antiques Shop completes the historical tableau, alongside vintage agave paintings that evoke California's essence. The primary bedroom draws inspiration from Ojai's natural landscape, featuring muted green walls and an angled white ceiling. A handcrafted Monterey-style keyhole bed is adorned with patterned linens and an orange-checked quilt, while Western-style barn doors with iron strappings, custom-made during the renovation, conceal closets. A large 19th-century English dog portrait and a hanging lantern in the sitting area add vintage charm. The primary bathroom maintains a clean, early California aesthetic with a cast-iron tub, milk glass ceiling lights, and black floor tiles, channeling an apothecary vibe. The guest room, vibrant and cheerful, features twin beds with a mix of checks against Nathan’s “Orange Crush” wallpaper, part of his Wallshøppe collection. The adjacent bathroom door is hand-painted with an orange tree motif, complementing the bedroom's theme, and features Nathan's custom-designed “Ojai Stripe” wallpaper. Outdoor spaces are as integral to the home's living experience as the interiors. The breakfast patio features a vintage grizzly bear California state flag, a nod to Nathan's family ranch, and a cushioned bench overlooking the pool. The outdoor kitchen, a favored spot for Nathan, is a fully functional space with vintage wood beams, reclaimed siding, poured concrete countertops, and a Spanish Mission candelabra. Cactus paddles and cast-iron pans decorate the walls, reflecting Nathan's culinary interests and love for local ingredients. The container pool, set just 18 inches above grade, resembles a watering trough and is surrounded by natural grasses and fruit trees. Boardwalks connect various outdoor areas, including an outdoor shower, enhancing the seamless flow between indoor and outdoor living. The entire home is a testament to blending personal history, regional heritage, and functional design into a cohesive and inviting living space. #MidcenturyRanch #OjaiCalifornia #HomeDesign #NostalgicDecor #InteriorDesign #PersonalizedHome #RanchStyle #CaliforniaLiving #VintageFinds

Designer Thomas O’Brien and his husband and business partner, Dan Fink, embark on a weekly ritual, traveling from Manhattan to their weekend home in Bellport, New York. This tradition, which they playfully call "moving day," involves transporting items from O’Brien’s store, Aero, vintage finds, and pieces collected from their international travels, along with their pets. Their destination is a restored and renovated 1833 schoolhouse, affectionately known as the Academy, which serves as a living embodiment of their philosophy of enduring design and love for historical living. The couple's kitchen, a central hub of their home, is elegantly outfitted with Calacatta marble for the backsplash, counters, and a custom island, with pieces available through Aero and Copper Beech. It is fully stocked with well-loved cookware and illuminated by vintage milk-glass lights and a Eugene pendant lamp designed by O’Brien for Circa Lighting. This space reflects their passion for homemaking and entertaining, which also inspired Copper Beech, their general store located near the Academy. The store, named after the 300-year-old tree under which they married in 2015, is a testament to thoughtful design. The mudroom further exemplifies their practical and timeless aesthetic, featuring a French white metal rack that beautifully displays a collection of new and antique copper pots. The door and a Windsor chair, painted in Safety Black, provide a striking contrast, while a woven cat basket highlights their commitment to creating cozy spaces for all inhabitants. Their home is filled with carefully selected pieces, including items from O’Brien’s collaborations with brands like Circa Lighting, Target, and Century Furniture, all chosen for their quality construction and durable materials. During the summer, their routine extends to a small, open-frame pool house, which O’Brien describes as “teeny-tiny.” This structure, once the writing studio of suffragist and poet Anne Lloyd, who called it the Temple, dates back to the 1920s-1940s. The pool house, with its pale gray-green walls and handmade terracotta tile floors, exudes an atmosphere of calm and contemplation. It is a popular spot for naps, even with ample guest rooms available in the main house, offering a tranquil retreat for visitors. Weekends for Fink and O’Brien also involve culinary adventures, as they frequently consult their extensive library of over 300 vintage cookbooks, often choosing recipes from celebrated chefs like Alice Waters or Julia Child. They source fresh fish and vegetables from a local farm stand, embracing the therapeutic aspect of cooking. Even for simple meals or a glass of wine outdoors, the couple pays meticulous attention to detail, consistently setting the table with candles, tablecloths, napkins, and flowers, viewing these preparations not as chores but as a source of joy. This dedication to enriching their daily lives through design, history, and culinary pursuits underscores the essence of their Bellport home. #HomeTours #DesignInspiration #InteriorDesign #VintageDecor #WeekendHome #HistoricalHomes #LongIsland #DesignerHome #CookbookCollection

An art director, after a decade of renting in Los Angeles's Hancock Park neighborhood, purchased a 1934 Spanish-style house in 2018. The acquisition followed four years of being outbid in a competitive housing market. The opportunity arose unexpectedly when he discovered the house with a 'reduced' sticker during a walk to a local restaurant, leading to him being in escrow within 24 hours. Given his architectural background, the prospect of restoring a Spanish-style home within a historic preservation district was appealing. He enlisted the help of project manager Ari Engelman from Tim Barber Architects and interior designer Tricia Portelli of Scribe Studio to undertake the renovation. The renovation began with addressing dated elements, including magnesite tile in the entry and stairwell, and a 'ketchup-and-mustard' color scheme in the kitchen, all slated for removal. A unique challenge was the faux wood ceiling in the dining room, which the homeowner insisted on keeping despite its red and orange hues. Portelli strategically incorporated an almost-black shade of green paint, 'Nitty Gritty' by Portola, on the walls to connect with the ceiling and create a cohesive atmosphere for entertaining. The den, which doubles as a game room, features existing wood paneling and reclaimed doors that received a fresh stain. The color palette for the home was inspired by a beloved pie chest in the primary bedroom, an antique acquired in Nantucket, and also by the homeowner's travels to safari lodges and various collected objects. A significant design decision involved the entryway, which was initially dim. To introduce more light, a custom rondel glass door was installed. This door, crafted by J. Michael Designs and Leslie Osinoff of Osinoff General Contractors, incorporates round glass disks characteristic of 1930s homes in the area. This design ensures privacy while allowing ample natural light to enter the space. In the primary bathroom, a marble-clad soaking tub is a focal point. Wood flooring extends into this area for visual warmth, and a brass shower enclosure was extended to the ceiling to create a makeshift steam room when the ventilation window is closed. The homeowner's personal preferences also influenced the home's ambiance, notably his choice of incense, 'Tuscon' by Astier de Villatte, discovered at the Nickey Keyhoe store. This scent has become a signature element of the home, frequently noted by visitors. The overall renovation focused on blending the home's historic Spanish style with contemporary design elements, personal collections, and practical functionality, transforming the house into a personalized living space. #HomeTour #SpanishStyleHouse #LosAngelesRealEstate #HistoricPreservation #InteriorDesign #HomeRenovation #ArchitecturalRestoration #DesignInspiration #HancockPark

This blog post highlights a unique early 20th-century two-family residence located at 6322 5th Avenue in Sunset Park, Brooklyn, currently on the market for $1.488 million. Situated on a commercial stretch within sight of the Gowanus Expressway, the property is part of a row of two-story brick buildings constructed between 1916 and 1918. Historical records reveal a colorful past for the building, with its ground-floor commercial space serving various businesses over the decades. Early historic tax photos from around 1939 show the building as a grocery store, among other small businesses like a plumbing supply company and a furrier on the block. The property also had a connection to Marcel de Passy, a notorious confidence man known by multiple aliases. De Passy, who had a criminal record for bigamy, embezzlement, and swindling, briefly rented in the house in 1931 after his release from Sing Sing. During his short residency, he remarried and attempted to promote a new scheme involving a speedy ocean liner to the Brooklyn Daily Eagle, despite the paper noting his extensive criminal history. His stay at 6322 5th Avenue lasted approximately one year, consistent with his frequent moves. In the 1950s, the commercial space transitioned into a branch of the Taffy ‘N Terry Dance Studio, founded by acrobatic dancers Walter and Barbara Wendelken, sometimes performing as the 'Flying Wendelkens.' The studio offered dance classes for children and adults from at least 1954 until 1959 before relocating. Despite the numerous occupants and uses, the building retains significant vintage architectural details. The first-floor unit, which previously housed the dance studio, features an intact tin ceiling in the street-facing space. It includes a full bath and a kitchen at the rear, with the bathroom showcasing earlier period features such as a pedestal tub and a wall-mounted sink. The kitchen, while lacking modern amenities, is spacious and provides access to a small rear yard. The larger upstairs unit offers a flexible layout comprising three bedrooms with closets and a potential fourth bedroom with French doors opening into the living room, suitable for use as a dining room or study. All flooring in the upstairs unit appears to be vintage marbled linoleum. While some photographs reveal cracks in the plaster walls, indicating potential need for mechanical upgrades, the overall vintage aesthetic is well-preserved. A notable highlight for enthusiasts of vintage design is the circa 1930s kitchen, boasting green wood cabinets with original hardware, curved shelves, and scalloped trim. The kitchen walls feature bright yellow tiles in pristine condition, accented with black triangular and border tiles. Vintage appliances, including a stove and a refrigerator, are still present. The upstairs bathroom provides a striking contrast to the downstairs' sanitary style, with burgundy wall tiles, thin accent wave border tiles, and pink fixtures and accessories. A medicine cabinet with original lighting further enhances its period charm. Burgundy tiles and fixtures were popular from the 1920s to the 1950s, with the sink and toilet closely resembling those shown in a 1950 American Standard catalog. The cellar offers usable space for storage or a workshop, and an aerial view shows a small rear yard with landscaping potential. The property has remained within the same family since at least 1950, with census records indicating their tenancy from 1940. The property is listed by Ali Tom of Bellmarc. #SunsetPark #BrooklynRealEstate #VintageHome #TwoFamilyHouse #HistoricProperty #ArchitecturalDetails #MidCenturyDesign #HomeRenovation #NewYorkHistory

Interior designer Sara Gilbane's summer retreat in Locust Valley, Long Island, is characterized by a "family party house" atmosphere, reflecting her breezy, classic bohemian aesthetic. The home, located an hour's drive from her Manhattan base, prioritizes relaxation and fun, featuring a large backyard with a homemade slip-and-slide. Gilbane, an alumna of Rhode Island School of Design and protégé of Celerie Kemble, established her own firm in 2008 and launched a line of furniture, fabric, and wallpaper in 2014. The design incorporates family heirlooms and personal touches throughout, such as her grandmother’s china, inherited Turkish and Oriental rugs, and an American flag belonging to her grandfather, which is draped over the stairs. The sunroom serves as a primary lounging area, filled with rattan pieces. In the living room, a white IKEA sofa is made comfortable and family-friendly with custom throw pillows and washable slipcovers, illustrating Gilbane's pragmatic approach to design in a house frequented by children and guests. Playful elements like a large clay leopard add a whimsical touch, preventing the space from feeling overly formal. Gilbane describes her aesthetic as "very high-low," blending vintage furniture with vibrant, modern updates. For instance, a vintage sofa is re-upholstered in a bright floral pattern and layered with cheerful throw pillows. The color scheme, featuring bright pastels and bold primaries, is inspired by the natural surroundings, particularly the stunning sunset views over the Sound. The living room walls are painted a light pink, chosen for its changing appearance from nearly white during the day to brighter at night, reflecting the sunset's hues. Sharing the property is a refurbished squash court, now a cottage owned by Gilbane's best friend, designed to be bright and happy with saturated colors. This cottage features white walls as a backdrop, complemented by tailored furniture in blues, greens, and zebra prints, fostering a fun and inviting atmosphere. The children's rooms also reflect this playful use of color; Gilbane’s son James’s room, for example, heavily features blue—a favorite color for both him and his mother—with red accents to create a lively and "punchy" feel, seen in items like an antique quilt and a bobble bed. Gilbane offers five key ideas for incorporating color into a home's design: drawing inspiration from natural surroundings, using large and abstract art for significant impact, avoiding gender stereotypes with colors like pink, utilizing black as a neutral for elements such as picture frames and furniture bases, and strategically investing in high-quality colored pieces while opting for inexpensive items in white or lighter shades to manage budget. This approach culminates in a home that is both aesthetically rich and functionally resilient for a vibrant family life. #LongIsland #VacationHome #PatternMixing #BohemianStyle #SaraGilbane #InteriorDesign #FamilyFriendly #HighLowDesign #ColorPalette

The Federal-style row house at 39 Charlton Street, constructed in 1827, is currently listed for $13.85 million. This 25-foot-wide residence is one of a pair recognized by the Landmarks Preservation Commission as prime examples of Greek Revival/Federal architecture, showcasing original doors and leaded glass sidelights. The house is situated in a historic area where the West Village and Soho converge, formerly known as Richmond Hill. The exterior and interior of 39 Charlton Street have retained a remarkable degree of original detailing. The Landmarks Preservation Commission highlights the street's unified aesthetic, characterized by warm red-brick facades and a consistent four-story human scale, which creates a delightful and unexpected step back in time. The home is legally classified as a three-family dwelling but is presently configured as a single-family residence. The layout of the four-story home is generously proportioned on each level. The parlor floor is particularly striking, featuring a wide entry hall and double parlors. These parlors are illuminated by tall townhouse windows and boast original plaster moldings and marble-mantled fireplaces, preserving the architectural integrity of the period. The kitchen area is described as sunny and inviting, offering views of a garden meticulously planted with roses and peonies. This garden forms part of a larger collection of block gardens, which are noted for being a rare and cherished oasis of flowering trees within the urban landscape, contributing to the serene atmosphere of the property. The residence provides extensive living accommodations, including seven spacious bedrooms, five of which feature wood-burning fireplaces, along with two smaller chambers and 4.5 bathrooms. Additionally, the property includes a studio, further enhancing its versatility and living space. Charlton Street received landmark status in 1966 as part of the Charlton King Vandam Historic District, underscoring the area's historical significance. The property has been under the ownership of the same family for over three decades and has been diligently maintained by preservationists. Notable past residents include William Sloan Coffin, who owned the house in 1917 and later became president of the Metropolitan Museum of Art, hosting numerous art world figures and celebrities within its walls. #WestVillage #FederalStyle #RowHouse #HistoricHome #NewYorkRealEstate #Architecture #HomeForSale #LandmarkBuilding #LuxuryRealEstate

Patrick and Chelsea King's mid-20th-century home in Gatewood, West Seattle, recently hosted the popular television show "Ask This Old House." The couple, who purchased their home on SW Elmgrove in 2011, initially reached out to the show in November to seek assistance with their kitchen floor. Two months later, the production team contacted them, indicating their interest in featuring a project from the area. The chosen project for the episode involved the installation of crown molding, a task Patrick King confirmed was successfully completed and significantly enhanced the home's aesthetic. Contractor Tom Silva, a recognizable figure from the series, traveled from Boston to host the segment. He was accompanied by associate producer Heath Racela. During their time in West Seattle, Patrick King took Silva and Racela for lunch at Cactus on Alki. Furthermore, the Seattle founding monument on Alki was utilized as the opening scene for the episode, showcasing a local landmark to a national audience. Heath Racela documented the ongoing crown molding installation at the King's residence through a Twitter post, sharing a visual update of the project's progress. Patrick King expressed his satisfaction at being able to integrate a "West Seattle flavor" into the program. He described the filming experience as both demanding and enjoyable. The episode, which also includes segments from two homes in Issaquah, is slated to be available for online streaming, with a potential release as early as September. Its broadcast on PBS is scheduled to premiere on Thursday, October 3, 2013. Following its initial airing, the episode will be accessible for viewing on the official "This Old House" website. The news of the show's visit generated local enthusiasm, with several community members commenting on the blog post. One commenter, Char, welcomed Tom Silva and the crew to the West Coast, acknowledging the Kings for their initiative in contacting the show. Randy noted the appropriateness of selecting a mid-20th-century home in West Seattle, drawing a parallel to the age of the Space Needle. Another commenter, lala2mom, inquired about the show's potential interest in a 1908 house in West Seattle, highlighting the prevalence of older homes in need of improvements in the area. The West Seattle Tool Library also expressed regret at not knowing about the crew's presence, as they would have offered a tour of their facility. Sean Sporbert, a local carpenter, shared his positive experience working alongside Tom Silva on the crown molding project, describing it as a dream fulfilled. Colleen Powers, whose parents built the King's house, expressed how special it was for her family to see the home featured and looked forward to witnessing the changes. Another commenter, M., noted that this was the second visit by the "Ask This Old House" crew to West Seattle, recalling a previous feature and a presentation at the Delridge Home Depot several years prior. #WestSeattle #HomeRenovation #AskThisOldHouse #CrownMolding #TomSilva #Gatewood #SeattleTV #HomeImprovement #LocalNews

This article details the design and aesthetic of a newly constructed American farmhouse located in a rural area outside Los Angeles. The homeowners, who previously resided in a busy Southern Californian beach community, sought to return to their roots in a serene setting. Architect Erik Evens of Evens Architects designed the house to embody the traditions of American farmhouses, emphasizing comfort, family life, and outdoor living. The property was strategically situated atop a hill to maximize views of the Santa Monica Mountains and was carefully planned around existing mature oak trees, which are protected in California. The architectural design features a central Great Hall housing formal living and dining areas, flanked by adjoining wings for casual family spaces and bedrooms. This layout creates the illusion of a home that has evolved over time. The central two-story section is clad in white clapboard with a gable roof and dormers, while the single-story wings are covered in cedar shingle. Reflecting Southern California's outdoor lifestyle, the back of the house includes a spacious veranda for al fresco living and dining, a swimming pool, a large pool terrace, and an outdoor fireplace. Interior designer Joe Lucas of Lucas Studio, Inc., was commissioned to craft a classic interior with a contemporary touch. The design drew inspiration from the clients' desire for a more traditional East Coast style, with a color scheme initiated by their preference for blue and green. These colors were chosen to reflect the youthful, modern family living in the home and the surrounding California hills. The entry hall incorporates a layered scheme with antique furniture and a salon art wall to enhance the sense of a home that has grown over time. The family room boasts a lofty barn truss ceiling, designed for comfort and ease of entertaining a large extended family. Seating includes a plush sofa, armchairs, and pouffes. Classic furniture and floral patterns nod to the rural location. The kitchen also features a barn truss ceiling, with wooden cladding, elegant powder blue cabinetry, a breakfast bar, and a focal wooden island, creating a homey, New England farmhouse atmosphere. The breakfast room showcases hand-painted wallpaper by Fromental above period-style paneling, complemented by cane-back French-style chairs and a Bunny Williams Home table. The formal dining room, situated in the Great Hall, features pink leather dining chairs, a large table, and a statement pendant light. The library was designed as a central hub for family life, serving as a pathway to the bedroom wing. It features a cozy palette of deep, smoky colors and an exposed stone fireplace wall. A large button-back sofa and comfortable cane chairs provide inviting reading nooks. The main bedroom includes a William Yeoward gray oak four-poster bed, inspired by traditional Mallorcan designs, and an Alex Conroy Textiles fabric pillow. The daughter's bedroom features a pastel palette, a traditional white bobbin bed, and a white console table, designed to age gracefully with her. The daughter's bathroom continues the classic, feminine theme with a dusky pink washstand and period-style faucets. #WestCoastNewbuild #AmericanFarmhouse #ClassicInterior #EastCoastVibe #RuralLiving #ArchitecturalDesign #InteriorDesign #LuxuryHomes #FamilyHome #CaliforniaDesign

This article explores twenty architectural styles that are no longer commonly built today, examining how each style reflects historical, cultural, and societal values in American identity. Each architectural form, from the Octagon House to the Greek Revival, encapsulates specific periods of American history, revealing evolving aspirations, technological advancements, immigration patterns, and changing family dynamics. Octagon Houses, for instance, highlight a mid-19th-century fascination with health and scientific rationalism. Promoted by Orson Squire Fowler, these eight-sided structures were marketed as scientifically superior for their airflow and natural light, reflecting a cultural desire for solutions to urban disease. Their eventual decline illustrates how architectural innovations, despite initial optimism, can be superseded by practical limitations or shifting preferences. Queen Anne Style homes, popular during America's industrial transformation, represent a period of architectural anxiety. Their intricate designs, featuring turrets and varied textures, were an attempt to invoke a romanticized past amidst the rise of mass production and the decline of traditional craftsmanship. These homes serve as a physical record of the nation's struggle to reconcile progress with a longing for historical continuity. The American Foursquare style, emerging as a response to Victorian excess, embodies American pragmatism and efficiency. Its cubic shape maximized interior space with minimal exterior walls, catering to middle-class families seeking durable, cost-effective homes. This shift from ornamentation to clean lines mirrored a broader cultural movement towards efficiency, influencing later industrial and technological advancements. Craftsman homes emerged as a direct counter-movement against industrialization, emphasizing authenticity and handmade details. Figures like Gustav Stickley championed this style as an alternative to mass-produced goods, promoting a vision of American life centered on craftsmanship. This movement parallels contemporary trends that seek refuge from technology in more traditional or artisanal practices. Shotgun Houses reveal the often-overlooked influence of African architectural traditions on American building. Their narrow, linear design, common in Southern cities like New Orleans, originated from West African and Haitian spatial concepts. These homes demonstrate how cultural memory and practical necessity, particularly among enslaved populations, shaped building traditions in America. Tudor Revival architecture showcases America's complex relationship with authenticity, allowing homeowners to create an instant sense of European heritage through decorative half-timbering. This style's popularity during the Roaring Twenties reflected a desire among the newly affluent to project old-money stability, often in designs that were more theatrical than historically accurate. Dutch Colonial Revival homes illustrate how history is selectively interpreted to create comfortable narratives. The distinctive gambrel roof linked homeowners to early European settlers, becoming popular during periods of high immigration as an architectural expression of nativism, emphasizing certain ancestral connections while other immigrant groups faced restrictions. Lustron Homes, prefabricated all-metal houses from the post-war era, epitomized American technological optimism. These industrial products, intended to solve the housing crisis, ultimately failed due to economic and consumer preference factors, serving as a cautionary tale of innovative solutions clashing with market realities. Atomic Ranch homes emerged during the Cold War, reflecting shifts in family structure and optimism. Their open floor plans and indoor-outdoor connections aligned with women entering the workforce and the growth of suburbs. Large picture windows transformed living spaces into displays of middle-class prosperity. Brutalist Homes, characterized by raw concrete forms, were ideological statements against dishonesty and an embrace of authenticity, aligning with Cold War tensions. This style, like punk rock, rejected conventional aesthetics, its decline reflecting shifting attitudes towards institutional authority. Neoclassical architecture enforced power structures through imposing columns and symmetrical proportions, referencing ancient Greek and Roman ideals of democracy and authority. This style's use in governmental and elite buildings signifies permanence and legitimacy, functioning as an architectural symbol of power. Cape Cod homes, shaped by the harsh New England climate, exemplify practical design and climate adaptation. Their steeply pitched roofs and modest scale offered dignity and affordability during economic hardship, reflecting a cultural search for security in traditional forms. Country French homes demonstrate America's selective adoption of European aesthetics. These designs, influenced more by Hollywood than authentic French farmhouses, illustrate how diluted cultural elements are consumed, often without historical context, prioritizing aesthetics over functional origins. Colonial architecture, born out of survival necessities for early settlers, prioritized practicality over style. Features like central chimneys and evenly spaced windows were functional responses to harsh environmental conditions. Modern replicas often miss the pragmatic origins of these designs. Victorian homes showcase the impact of the Industrial Revolution, with elaborate wooden details made possible by mass production. Their complex, compartmentalized floor plans reveal the social norms and gender roles of the era, marking a shift towards consumer-driven architectural aesthetics. Tudor-style homes functioned as social signaling, with half-timbering and steep rooflines conveying old-money stability. Their popularity during uncertain economic times reveals how architectural choices can serve as aspirational identity markers, often prioritizing perceived heritage over structural authenticity. Cottage-style homes provided escapism during difficult periods like the Great Depression. Their whimsical features created a fairy-tale aesthetic, demonstrating how architecture fulfills emotional needs by allowing inhabitants to live within a narrative, offering comfort rather than pure function. Mediterranean-style homes represent America's appropriation of aesthetics. Red-tiled roofs and stucco walls, popularized after wartime exposure and Hollywood's romantic portrayals, illustrate architectural tourism. These styles spread beyond climatically suitable regions, prioritizing appearance over functionality. Italianate architecture served as a status symbol for the newly wealthy, mimicking European sophistication through decorative brackets and tall windows. This style reflects America's complex relationship with European culture, caught between celebrating independence and craving validation. These were often mass-produced versions, lacking the organic development of true Italian villas. Greek Revival architecture, with its imposing columns, was a deliberate political statement aimed at establishing the young nation's legitimacy. By linking American buildings to ancient Greek democracy, the style conveyed deep cultural roots, addressing national identity crises after events like the War of 1812. Even modest homes adopted these elements, highlighting a collective need for stability and respect. #ArchitecturalHistory #AmericanIdentity #HouseStyles #CulturalSignificance #DesignEvolution #UrbanDevelopment #SocialHistory #BuildingTrends #HistoricHomes

The article showcases the Ojai weekend home of ELLE DECOR A-List designers Eric Hughes and Nathan Turner, highlighting their effort to reclaim a sense of old-school California. Both Hughes and Turner grew up in California, experiencing a simpler, self-sufficient lifestyle through their grandparents' ranch homes. After a period of weekend retreats in increasingly popular Malibu, the couple sought a quieter locale and discovered a 1950s rambler in Ojai, once the centerpiece of a working cattle ranch. This property resonated deeply with their childhood memories; Turner recalled riding his horse to Burger King from his grandparents' Sierra Nevada ranch, and Hughes remembered his grandmother Milly's ranch house in Rancho Santa Fe. Initially, the designers considered renovating and selling the Ojai house, but their growing attachment to the area—hiking trails, biking into town, and connecting with local businesses—convinced them to keep it as a permanent retreat. Their design philosophy centered on restoring the "old ranch" feel to the house. They preserved original features like the one-inch strip oak floors in the dining room and incorporated reclaimed materials, such as bricks in the kitchen and 50-year-old cedar pickets on the family room ceiling, sourced by Hughes from a previous project. Classic ranch design elements, including a low-slung roof and exposed wood beams, define the home's architecture. The property is shaded by a large mulberry tree, providing natural cooling. The interiors feature a blend of vintage and custom pieces. The family room includes a custom sofa in a Madeaux by Richard Smith stripe, a cocktail table from Big Daddy’s Antiques, and Ralph Lauren Home curtain fabric. The dining room boasts an antique Belgian library table with press-back oak chairs from flea markets, a Spanish chandelier, and a 1920s map. The kitchen is equipped with a peg rack for cast-iron cookware, vintage table and chairs, a Barn Light Electric ceiling fixture, and reclaimed brick flooring. The primary bedroom features walls painted in Oak Moss by Sherwin Williams, a vintage Angel Pazmino armchair and footrest, and a 19th-century French lantern. A vintage workbench serves as a console in the hallway, adorned with a rattan stool and a mounted bull head. Beyond the main living spaces, the house incorporates modern comforts while maintaining its rustic charm. The primary bathroom includes a glass and steel shower enclosure and a cast-iron soaking tub from Rejuvenation. The guest room showcases custom orange tree-patterned wallpaper designed by Turner for Wallshøppe, paired with Colefax and Fowler check headboards and Schoolhouse bedspreads. The guest bathroom features a handpainted door by Carly Beck, Rejuvenation fixtures, Wallshøppe striped wallpaper, and black quarry tiles. An outdoor kitchen, built with vintage wood beams and reclaimed siding, has poured concrete countertops, an iron pot rack, and a copper faucet. The exterior boasts White Eden roses, an Alfa Romeo 1959 Giulietta Spider, and a container pool by Modpools. The property's lush outdoor environment, visible from the new primary suite, includes fig, persimmon, grapefruit, tangerine, and loquat trees. The "Orange Crush" wallpaper in the guest room pays homage to Ojai’s renowned citrus groves. Personal touches, such as Hughes and Turner’s grandmothers’ vintage jelly jars and framed mementos from Turner’s great-grandfather, contribute to the home's collected and meaningful aesthetic, reflecting their deep connection to California's heritage. #RanchHouseDesign #CaliforniaLiving #OjaiHome #VintageDecor #RusticCharm #DesignersHome #ReclaimedMaterials #InteriorDesign #OutdoorLiving