
Claudia's Corner: A reader asks a window treatment question
This article addresses a reader's dilemma regarding window treatments in her bedrooms, seeking advice on how to improve the aesthetic and functionality of her current setup. The reader, Kim, describes herself as "decorating-challenged" and is specifically concerned about the window treatments in her bedrooms. While most rooms in her home feature flat Roman shades or interior pleated shades to preserve views of the golf course and sky, she opted for fabric window treatments in the bedrooms.
Kim explains that the inspiration for her room's color scheme and overall theme came from a hand-painted silk duvet made in Maui. This duvet influenced the selection of other elements in the room, including the rug and glass tiles around the fireplace. In her master bedroom, she initially chose sheer scarves draped over medallions, hoping for a light and airy feel that would complement the existing colors. However, she feels these scarves are too dark and their draping doesn't quite work, especially over a large sitting room window. The master bedroom also features a hand-scraped Brazilian cherry floor, which is a significant design element.
To provide an expert perspective, the article consults Peter Salo, owner of It's Curtains for You in Monroe. Salo acknowledges the beauty of Kim and her husband's home. He confirms Kim's intuition that the unstructured nature of scarf window treatments is likely contributing to her dissatisfaction, as they inherently lack the tailored look she desires. Salo suggests that Kim could achieve the "light" feeling she is looking for by opting for a well-chosen casual valance style made from the right fabric.
Salo addresses Kim's concern about not wanting to obstruct the view or cover the beautiful wood window trim. He points out that there is ample space between the top of the window and the ceiling. Therefore, most of a valance, if properly designed and mounted, would cover the wall above the window rather than encroaching significantly on the glass. He contrasts this with the current scarf treatment, which appears to extend too far down into the window space. He recommends a nicely constructed valance mounted on a board (which would be concealed) or on a decorative wood pole or metal rod with finials, which would prevent excessive glass coverage.
Salo further elaborates on a common misconception among clients, noting that often, a substantial portion of a window treatment is designed to cover the wall above the window rather than the glass itself. He jokingly refers to this as "wall treatments." He emphasizes that a small sacrifice of the very top of the window is generally necessary to integrate a beautiful window treatment that truly completes a room, preventing it from appearing as merely "a window within a wall." He draws an analogy to furniture and an area rug on a beautiful floor, explaining that just as some of the floor must be covered to furnish a room, some of the window might need to be adorned to complete the aesthetic. According to Salo, attractive window treatments serve as the crucial finishing touch for any room.
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