Back to black: Edmund de Waal plays with dark glazes in new body of work

The article focuses on the collaborative work between Berlin-based artist Noé Sendas and Wallpaper* magazine for their March issue cover story, 'The Lady Vanishes.' This project integrates Sendas's artistic approach with contemporary fashion, specifically highlighting spring/summer 2015's graphic designs. Noé Sendas is known for his 'un-collage' technique, where he manipulates found photographs by removing elements to introduce new meanings. His work draws inspiration from cinematic and literary sources, treating photographs as three-dimensional objects and exploring concepts of gravity, weight, and balance. Sendas emphasizes the creation of something 'beautifully strange and unexpected' through a combination of hard work, chance, trickery, desire, and intuition. His celebrated 'Crystal Girl' series exemplifies this by deconstructing Hollywood golden age film stills, transforming portraits into ambiguous, elegant still lifes by eliminating faces, limbs, and contextual details. The collaboration for 'The Lady Vanishes' was initiated by Wallpaper*'s creative director, Sarah Douglas, and involved fashion director Isabelle Kountoure. The goal of this project was to produce content that is both contemporary and timeless, with Kountoure expressing keen interest in how Sendas would adapt his methods to new materials, specifically fashion photography. Photographed by Jan Lehner, the 16-page spread presents the human body as both a theoretical and material entity. The imagery explores how a single image can evoke diverse interpretations from viewers. Crucially, in these photographs, the clothing itself becomes the object of focus, rather than the female form, shifting the emphasis from the wearer to the garment. Sendas posits that the artist's role is to 'deceive,' or to cast a 'glamour' that alters the spectator's perception, making objects appear different from their true nature. This perspective is applied to fashion, suggesting that fashion too can create an 'affectation' that transcends mere appearance. The 'The Lady Vanishes' series was also slated for exhibition at the Michael Hoppen Gallery during London Fashion Week, further bridging the gap between fine art and high fashion. The article explores how art can provoke rather than explicitly reveal, adding depth and meaning to otherwise ordinary objects or concepts. The collaboration showcases a unique blend of art, fashion, and photography, challenging traditional perceptions of identity and representation within visual media. #NoéSendas #ArtAndFashion #TheLadyVanishes #Photography #Surrealism #FashionEditorial #MichaelHoppenGallery #LondonFashionWeek #ContemporaryArt

The perception of faux finishing has evolved, transitioning from a once-popular home décor trend to a more nuanced practice now referred to as decorative painting. Initially, faux finishing gained traction for its ability to transform interiors, such as making a contemporary condo kitchen resemble a Tuscan villa. However, this aesthetic eventually became associated with dated styles, leading to a rebranding of the craft. Decorative painting distinguishes itself by focusing on subtle applications and sophisticated techniques. Unlike its predecessor, which sometimes produced overtly themed environments reminiscent of commercial establishments, modern decorative painting aims for understated elegance. An example includes using subtle glazes on kitchen islands or paneled walls to add warmth and depth, rather than creating garish, overtly distressed or textured surfaces. The distinction is crucial for understanding the current relevance of these techniques in contemporary design. Today's design trends frequently incorporate finishes on various surfaces, including furniture, cabinetry, walls, and flooring. Decorative painting techniques are instrumental in achieving these desired looks. For instance, the widespread use of gray tones—ranging from blue-gray to Belgian gray—as a neutral base in modern interiors can be enhanced or achieved through specific painting methods. This color palette is prevalent across windows, upholstery, walls, and wood, signifying a departure from older beige schemes and representing a fresh, current aesthetic. Decorative painting also offers practical solutions for updating existing furniture. Heavy, dark-stained Mediterranean-style pieces, often purchased to complement Tuscan-themed interiors, can be modernized by sanding and applying new paint, tinted waxes, or contemporary gray stains. This process lightens the visual weight of furniture, altering the overall ambiance of a room without requiring entirely new pieces. The ability to refresh items like chairs and tables with paint and aging glazes transforms them into elements suitable for contemporary, elegant spaces. Conversely, a resurgence of vibrant colors from the 1970s Palm Beach style, such as Kelly green, bright yellow, coral, and turquoise, is also observed. These bold hues are featured in lacquered furniture, mirrors, and chests, making strong statements. Geometric patterns like modern trellis, Moroccan, and chevron are appearing in textiles and wallpapers. While wallpaper has traditionally been an alternative to paint, it now often complements painted surfaces, particularly textured and patterned walls, bringing them back into design focus. The article also addresses the use of stencils, which have evolved significantly due to technological advancements. Modern stencils, created with laser-cutting technology, allow for customizable designs, colors, and sizes, enabling the incorporation of intricate patterns into décor, a marked improvement from older, often simplistic stencil applications. Economically, decorative painting provides a cost-effective alternative for homeowners who may not be able to undertake major renovations. Refurbishing items such as melamine cabinets or factory-produced dining sets with paint and glazes can significantly update a kitchen or dining area without the expense of a full remodel or new purchases. The quality of DIY decorative painting products, such as Valspar’s Antiquing Glaze and Annie Sloan Chalk Paint, has improved, making these techniques more accessible for consumers. Annie Sloan Chalk Paint, in particular, is highlighted for its user-friendliness, non-toxic nature, and durability, requiring no priming and offering an easy cleanup process. This product effectively transforms older furniture pieces, such as 1990s armoires, giving them a refreshed and updated appearance. The evolution of decorative painting mirrors fashion trends, where certain styles endure as classics while others are best left in the past, positioning current techniques as versatile and timeless design tools. #DecorativePainting #HomeDecorTrends #FauxFinishing #InteriorDesign #FurnitureRefurbishment #PaintTechniques #GrayInteriors #ColorfulInteriors #DIYHomeDecor

Dana Harel, a San Francisco-based Israeli designer, has launched her inaugural lighting collection under her studio, White Dirt. Harel's career trajectory showcases a diverse artistic exploration, starting with architecture and extending into ceramics and line art before her current venture into luminaires. The new collection, dubbed "Ora," comprises three tented table lamps—Ora I, II, and III—and a suspended, trapeze-like floor lamp, Ora IV. These pieces draw inspiration from Harel’s existing body of work, particularly her vases and vessels, which inform their hand-carved sculptural aesthetic. The lamps are crafted using a combination of gypsum cement, muslin, and brass, materials that contribute to their unique visual and tactile qualities. The design intentionally evokes the imagery of draped wedding gowns, suggesting moments of concealed intimacy and exploring the delicate balance between revealing and hiding forms. This interplay of materials and forms allows the collection to convey a sense of fluidity and softness, a departure from more rigid sculptural traditions. Harel describes the process of working with fabric—folding, pleating, and draping—as a refreshing experience, contrasting with her previous work that often involved tools like chisels and hammers. This shift towards softer, more pliable materials allowed her to experiment with light in a new way, focusing on how textiles interact with illumination to create ambiance and shape. The collection's design ethos embraces a certain spontaneity, reflecting Harel’s approach to her creative process. Each piece in the Ora collection stands as a testament to her evolving artistic language and her ability to translate diverse inspirations into functional art. A notable and unconventional source of inspiration for Harel was a scene from the HBO series *Succession*, where characters Tom Wambsgans and Cousin Greg consume a rare delicacy with napkins tented over their heads. This seemingly obscure reference underscores Harel's willingness to draw from unexpected cultural moments, transforming them into artistic concepts. The designer interprets this act of "masking shame" or "heightening pleasure" as a metaphor for the lamps' ability to create intimate, almost cloistered, environments through their draped forms. The sculptural swagger of the lamps is deeply rooted in these varied influences, bridging architectural precision with textile softness and cultural anecdotes. The collection as a whole is an exploration of form, light, and material, reflecting Harel's multidisciplinary background and her continuous quest for new creative expressions. #DanaHarel #LightingCollection #SculpturalLighting #InteriorDesign #WhiteDirtStudio #ProductDesign #TextileArt #ContemporaryDesign

This article details the journey of Amy and Bruce Paul in designing and decorating their 11,000-square-foot home in Rye, New York, focusing on integrating their extensive art collection into a cohesive interior design. Having previously lived in a post-modern home with traditional furnishings and a growing contemporary art collection, the Pauls sought to create a new residence where the exterior architecture and interior aesthetics were harmoniously aligned with their personal taste in design and art. Their objective was to construct a home that could comfortably accommodate their family of six while optimally showcasing their practiced and perfected collection of paintings and sculptures. The couple acquired a 13-acre estate in Rye before the 2001 World Trade Center attacks, subdividing it into seven lots and reserving a two-plus-acre parcel for their own home. They collaborated with builder Michael DiChiaro to construct a six-bedroom, seven-full-bath residence that offers views of a wooded yard, later enhanced with a pool and waterfall by Coral Sea Pools, and adorned with bronze sculptures by Mexican artist Bruno Luna. For the interior design, Amy Paul enlisted Joseph R. Stabile of J.R. Cattington, who had previously worked with them. Stabile and his team were involved from the ground up, providing input on architectural design, interior finishes, electrical layouts, and lighting selection. Stabile chose a palette of cream and gold to complement the Pauls' artwork and suggested structural modifications, such as adding a doorway to improve flow in the formal living room. Amy's primary design directive was for a "light and bright" home, which was achieved in the living room through buttery gold satin-striped fabric from Robert Allen for window treatments and crystal wall sconces by Crystorama. This room serves as a gallery for various notable paintings, including works by Janet Treby, Liane Abrieu, and Russian artists. The soft color scheme is accented by silk brocade wing chairs with colorful throw pillows and fuchsia and silk rugs from China. The family room continues the luminous theme with yellow walls, a toile pattern by Antonia Vella, Seabrook wallcoverings, and similarly colored fabrics in lemon, green, and persimmon for window treatments, pillows, and side chairs. Crystal chandeliers from Murano, imported by Castilian Imports, were chosen to coordinate with paintings by Isaac Maimon and Charles Levier. The coffered ceiling in a green apple shade with cream-colored woodwork further enhances the vibrant, garden-like atmosphere. Bruce Paul's personal space, a clubby card room, contrasts with Amy's preferences, featuring dark wood paneling, built-in bookcases, a bar, and masculine fabrics. This room, separated from the family room by a stone-front fireplace, includes Biedermeier chairs with leopard-print fabric and various personal artifacts. Stabile designed the fireplace with intricately carved mahogany lions and used a Serengeti Leopard carpet to connect Bruce’s adjoining office. The Pauls' children, Joanna, Ryan, Matt, and Jason, also contributed to the design of their respective bedrooms and bathrooms, incorporating elements such as Masland Carpets, Bernhardt furnishings, and Thibaut wallpapers. The master bedroom, with its vaulted ceiling, presented a challenge in scale, addressed by Stabile using Highland Court silk brocade for a cornice "headboard" that coordinates with custom curtains. The article highlights the Pauls' passion for art collection, which began with a French artist Charles Levier painting and expanded to include works from their travels to Europe, South America, Asia, and the Southwest. Despite concerns about diminishing wall space, their quest for art, driven by personal connection and memories from their travels, continues. #HomeDesign #InteriorDecor #ArtCollection #LuxuryHome #RyeResidence #JosephStabile #CustomDesign #ArchitecturalFeatures #PersonalStyle

Black paint, often unfairly dismissed as oppressive, is gaining recognition as a versatile and dramatic interior design element. Far from being dingy, when applied correctly, black paint can infuse a room with a refined and sophisticated ambiance, making it a trending choice among interior designers. The article showcases five distinct examples of how black paint can be incorporated tastefully into a home, moving beyond the misconception that it's too dark for residential spaces. The first example highlights a luxurious living room designed by Far Studio, where black walls create a striking contrast with brassy, neutral accents. Interior designer Brittany Hakimfar emphasizes that the Farrow & Ball 'Off-Black' paint adds depth to the room, beautifully complementing custom-designed drywall niches and original reclaimed wooden beams. The combination of black walls with luxurious ochre velvet on the sofa and subtly patterned pillows elevates the space, creating a moody yet thoughtful atmosphere. The second illustration features a dining room by Jessica Gersten Interiors, where black plaster walls serve as a dramatic backdrop for statement gold artwork and accompanying gold accents. This design demonstrates how black can make other elements pop, showcasing its effectiveness in highlighting specific decor. The use of plaster for the walls ensures an earthy feel, avoiding a stark black appearance. Thirdly, a cozy study designed by Susannah Holmberg Studios employs 'Training Wheels from Portola Paints,' a 'black espresso tone,' to create a haven for deep focus. The deep, atmospheric color helps to drown out external distractions, cultivating an ideal work environment. This choice contrasts with other lighter spaces in the home, providing a distinct mental shift for the homeowner when entering the office. The fourth example presents a moody living room that evokes the glamor of a 1950s Golden Age Hollywood mansion, yet remains contemporary. Here, Benjamin Moore 'Temptation' is used to create a dramatic, enveloping black shade that, when combined with wood finishes, delivers a classic and rustic feel, transforming the space into a showstopper. Finally, a tranquil home office showcases a slightly blue-tinged black, 'Deep River by Benjamin Moore,' offering a subdued alternative to a true black. This matte near-black provides a less intense option for those exploring darker wall colors, contributing a calming and elegant touch. Ginger Curtis of Urbanology Designs explains that black with blue undertones creates a serene and sophisticated addition to the home, making it an excellent choice for a library or a calming workspace. These examples collectively argue that black paint, in its various undertones and applications, can transform interiors by adding drama, sophistication, and a sense of coziness, challenging conventional perceptions and encouraging its use in modern home design. #InteriorDesign #WallPaint #BlackWalls #HomeDecor #DramaticInteriors #PaintColors #ModernDesign #LuxuryInteriors #DesignTrends

Armourcoat, a surfaces brand, has introduced a new collection of textured and eco-friendly paints called Limewash, designed for both residential and commercial interiors. This range aims to replicate the distinctive aesthetic and tactile qualities of traditional limewash while offering enhanced durability and a less chalky finish. The collection features 45 shades, each crafted from a blend of slaked lime, kaolinite clay mineral, water, mineral pigments, and natural plant additives. This specific composition ensures that the paints are free from solvents and Volatile Organic Compounds (VOCs), aligning with stringent environmental and health standards within the architectural industry. Armourcoat asserts that its Limewash collection is unique in possessing both Environmental Product Declaration (EPD) and Health Product Declaration (HPD) documentation. This makes the product particularly suitable for construction projects seeking to achieve sustainability certifications such as BREEAM and LEED. Duncan MacKellar, Armourcoat's creative director, emphasized the company's commitment to material transparency, viewing it as crucial for designing aesthetically pleasing interiors that also minimize ecological impact. He stated that the brand's objective as manufacturers is to decrease both embodied carbon and environmental toxins, thereby fostering sustainable innovation in the built environment. MacKellar reassured architects and designers that all Armourcoat finishes, including the new Limewash range, support the creation of environmentally responsible and healthy indoor spaces, backed by their EPD and HPD documentation. A key benefit of the Limewash collection is its naturally high alkalinity, derived from its slaked lime content. This inherent property provides resistance against bacteria and mould growth, contributing to healthier indoor environments. Additionally, the paint is non-combustible, adding a safety dimension to its list of advantages. The introduction of Limewash represents the latest expansion of Armourcoat's portfolio of surface finishes. The brand consistently aims to deliver sustainable luxury finishes to the global community of architects and designers. This product launch underscores Armourcoat's dedication to providing innovative solutions that cater to the increasing demand for sustainable and high-performance interior materials. #Armourcoat #LimewashPaint #EcoFriendlyInteriors #SustainableDesign #InteriorFinishes #GreenBuilding #MaterialTransparency #VOCFreePaint

Heath Ceramics, renowned pottery makers, has introduced 'Mural,' their latest addition to a series of pre-configured tile pattern combinations. The inaugural design within this series is named 'Twill,' which incorporates the 'Little Diamond' shape from their 'Dwell Patterns' collection. This unique pattern is distinguished by its use of six distinct glazes, creating a multidimensional and visually intricate effect. The combination of these glazes is carefully curated to produce a mind-tripping aesthetic, where the interplay of colors and textures adds depth and complexity to the overall design. The Twill pattern is available in eight different color ways, each meticulously designed to offer a dynamic configuration. These color ways integrate both matte and gloss finishes across the six glazes, allowing for a varied sensory experience. The glazes are strategically applied to enhance the multidimensional aspect of the tile, with each color way presenting a unique visual narrative. The inclusion of both matte and gloss elements ensures that the tiles not only offer a diverse visual appeal but also a tactile richness. Among the eight available color ways, several notable options are presented, each with its own distinct character. 'Arctic' offers a cool and serene palette, evoking images of icy landscapes. 'Rhythm' suggests a more energetic and flowing visual, possibly through a harmonious arrangement of colors and finishes. 'Yarrow' likely features a warm and earthy tone, drawing inspiration from natural hues. 'Alabaster' provides a classic, subtle, and perhaps luminous option, indicative of its namesake material. 'Black Walnut' hints at a deeper, richer color scheme, possibly incorporating dark and sophisticated tones. Further options include 'Tide Pool,' which might display a blend of blues and greens, reminiscent of shallow ocean waters. 'Old Growth' could feature colors and textures that evoke ancient forests, suggesting a natural and weathered aesthetic. Lastly, 'Denim' points to a familiar, comforting blue, possibly with a textured finish that mimics the fabric. These diverse color ways demonstrate the versatility of the Twill pattern, allowing it to adapt to various interior design styles and preferences. The introduction of Mural and its Twill pattern underscores Heath Ceramics' commitment to innovation in tile design, blending traditional craftsmanship with contemporary artistic vision. The multidimensionality achieved through the careful selection and combination of glazes and shapes offers a new avenue for interior designers and homeowners to create visually engaging and sophisticated spaces. The article highlights the intricate details and thoughtful design process behind these new tile patterns, providing insight into the aesthetic considerations and technical execution. #HeathCeramics #MuralTile #TwillPattern #TileDesign #InteriorDesign #HomeDecor #MultidimensionalPattern #CeramicGlazes #DwellPatterns

Kelly Wearstler, a renowned designer recognized for her bold, colorful, yet breezy designs, has collaborated with Farrow & Ball to launch a new collection of eight paints, named the California Collection. This collaboration marks Farrow & Ball's first partnership with an outside designer in its 75-year history. The collection is inspired by the natural beauty and architecture of California, aiming to bring the Golden State's sunny energy into living spaces, particularly for those in colder climates. Wearstler's approach to selecting colors for this collection was deeply rooted in the California landscape. She aimed to evoke the natural beauty of the state, bringing the incredible hues found in the environment into the home. The colors are named and inspired by elements of her daily life in California: Citrona reflects the yellow of lemon trees; Palm is inspired by the palm trees in Los Angeles; Hazy, a blue-gray, draws from Malibu’s morning light; Faded Terracotta references Southern California rooftops or sun-drenched pots; Tar is dark like the freeways; and Salt mirrors the misty, salty air at the beach. Developing paint colors presented unique challenges compared to her previous collaborations on carpets, wallpapers, and fabrics. Wearstler noted the difficulty in narrowing down a vast array of colors into a cohesive collection. The process involved a trial-and-error approach to ensure the chosen hues felt refreshed and relaxed while working together harmoniously and standing effectively on their own. The partnership with Farrow & Ball felt natural due to their shared love for color and understanding of its impact on creating dynamic spaces. Wearstler has a long-standing practice of using paint to establish mood and feel in her interior design projects, having utilized Farrow & Ball paints throughout her career. When advising clients on incorporating color, Wearstler suggests starting with a beloved hue already present in their home, perhaps from a vintage chair or artwork, and building a color scheme around it. Another technique is to use a bolder color on wall trim or the ceiling to make a statement without overwhelming the room. She emphasizes the importance of experimenting and taking risks, as color can transform a space's feeling or mood through various elements like artwork, textiles, wall coverings, or objects, allowing for personal expression. A common mistake clients make is not considering natural light, which significantly impacts how a color appears. Additionally, she advises thinking about how a space interacts with bordering areas to ensure seamless transitions between colors. Wearstler highlights black and white as underrated tones that can add depth and drama to a space through neutrals. Her personal style is described as free-spirited, evolving, and inspired, adapting to each project's client and architecture. She considers herself akin to a vintage Mario Botta Quarta chair from the 1980s, embodying an old spirit with daring energy. Wearstler states she loves all colors equally and believes both form and function are essential in design. #KellyWearstler #FarrowAndBall #CaliforniaCollection #PaintDesign #InteriorDesign #HomeDecor #ColorPalette #DesignCollaboration #CaliforniaInspired

The article explores the resurgence of vintage paint colors in home design, according to various interior designers. It highlights how classic tones, ranging from vibrant jewel tones to subdued neutrals, are making a significant comeback, offering timeless appeal to modern homes. The discussion begins by acknowledging the broader trend of retro design elements re-entering style and specifically focuses on paint colors. The piece categorizes these popular vintage hues into several groups: green tones, deep plums, greige, blues, and creams/warm whites, providing expert insights and specific paint recommendations for each. Green tones are presented as a staple of historic interiors, echoing nature and complementing various materials without appearing overtly trendy. Designers suggest shades from moody forest greens to olive hues for a vintage touch. Specific recommendations include Benjamin Moore's Saybrook Sage for a soft, olive-toned green with historic depth, and Sherwin-Williams' Rosemary for a deep, moody green suitable for pantries and home offices. The article also mentions forest and Kelly greens, noting their 80s popularity and suitability with wood and cream colors, and suggests pairing dark green with light blue for a fresh look. Farrow & Ball's Green Smoke, a smoky color with a hint of blue popular in late 19th-century interiors, is also highlighted for color-drenching rooms. Deep plums are discussed as a way to infuse warmth and luxury into rooms. One designer favors these rich purple tones, citing their nod to iconic 1970s palettes and their ability to create a moody yet sophisticated ambiance with a sense of depth that is both dramatic and soothing. Greige, a blend of gray and beige, is another designer favorite, exemplified by Benjamin Moore's Pale Oak. This versatile shade complements both warm and cool tones, serving as a subtle backdrop that enhances vintage or traditional decor rather than dominating the room. Calming blues are presented as a reliable choice for an old-world aesthetic. Farrow & Ball's Oval Room Blue (No. 85), a blue-green hue with black undertones, is praised for its depth and aged quality, making it feel intrinsically part of a space and a good match for navy. Sherwin-Williams' Daphne, a muted blue with gray hints, is recommended for its powdery, vintage softness and ability to evoke nostalgia, ideal for breakfast nooks or any room desiring a serene, timeless feel. Creams and warm whites are detailed as inviting shades that offer warmth without heaviness and brighten spaces while maintaining character. Benjamin Moore's White Down, a warm white with a creamy base, is suggested for classic setups, while Farrow & Ball's Slipper Satin pairs well with oak floors and unlacquered brass. Warm neutrals and earth tones, drawing inspiration from natural materials like clay and raw wood, are described as grounding and enduring. Sherwin-Williams Renwick Rose Beige, a muted rose-beige, is recommended for intimate spaces like powder rooms or bedrooms, offering a sepia undertone that softens modern lines. Benjamin Moore Davenport Tan, a muted gray from their Historical Color Collection, is suggested for home libraries and offices, adding depth and character. The article concludes by emphasizing the enduring appeal and versatility of these vintage colors in contemporary interior design. #VintagePaintColors #HomeDecor #InteriorDesignTrends #ColorPalettes #PaintColorRevival #DesignerTips #GreenTones #DeepPlums #Greige

The article explores the effective use of dark, moody paint colors in home interiors, challenging the common preference for all-white Scandinavian aesthetics. While Pinterest often showcases light-colored interiors, dark walls have emerged as a sophisticated trend to add bold points of interest to rooms. The article references Tess and Luke's 'Block' home from 2019 as a successful example of embracing moody aesthetics. One key advantage of dark walls, particularly in Australia, is the country's longer and stronger daylight hours, which can better accommodate darker hues compared to Scandinavian climates. Andrea Lucena-Orr, Dulux Colour Planning & Communications Manager, suggests that rooms facing north or west with ample light are ideal for darker palettes, offering flexibility for both warm and cool tones. For south-facing rooms that tend to be colder, greys with subtle red or beige undertones are recommended to create warmth. Deep greys are highlighted as excellent choices for making a strong statement and establishing a dramatic, moody backdrop. Bedrooms are identified as particularly suitable spaces for darker colors, primarily because they are used predominantly at night. To maintain balance, pairing dark walls with light-colored bed linen and soft lighting is advised. The article also notes that dark flooring complements dark walls, enhancing the overall impact and creating a cohesive look. Contrasting dark walls with white accent furniture, floors, and other white elements is presented as a method to make a space more vibrant. An example is provided with Sydney studio Amber Road, which effectively uses white and timber accents against nearly black walls to achieve a sophisticated aesthetic. For those hesitant to fully commit to dark walls, the article suggests incorporating dark cabinetry and flooring, as demonstrated by a kitchen design where exposed white brick pops against dark elements, creating a beautiful impact. Dark walls can also surprisingly contribute to making a room feel larger. Andrea Lucena-Orr explains that cooler greys and greens, such as Dulux Platinum Class or Grey Pail, can visually expand a space. Conversely, warmer greys like Dulux Unforgettable are ideal for creating a cozier ambiance, making them suitable for lounge rooms or study areas. Finally, the article encourages homeowners to consider alternatives beyond traditional blues and charcoals. Forest green, deep grape, and wine hues are suggested as rich, moody colors that can add depth and warmth to a space, especially during winter months. #DarkWalls #InteriorDesign #HomeDecor #PaintColors #MoodLighting #Dulux #RoomDesign #AccentWalls #ColorPsychology

HGTV star Tarek El Moussa recently showcased a striking black kitchen backsplash in his Instagram posts, challenging conventional design rules and sparking conversation among his followers. The backsplash features glossy, inky black marble tiles arranged in a vertical pattern, reminiscent of an artful, geometry-focused subway tile. This design choice contributes to a sleek and modern aesthetic, incorporating a subtle Art Deco appeal. The dark backsplash coordinates with the kitchen island's black countertop, creating a visual contrast against the surrounding white countertops and cabinets. Additional design elements, such as a black vent hood cover and dark brass hardware, further enhance the cohesive black-and-white contemporary theme of the kitchen. El Moussa’s Instagram posts, including one where he is seen juggling with his daughter and another introducing a new black pug puppy, offer glimpses of this distinctive kitchen. The posts reveal sophisticated black barstools at the island and gold trims that add a touch of glamour to the space. The bold backsplash has garnered significant attention, with many commenters expressing admiration for its uniqueness and dramatic impact. While some reactions indicated a preference for more neutral designs, the backsplash clearly stands out as a statement piece for those who appreciate a bold aesthetic. Design experts often discuss common pitfalls in backsplash selection, such as choosing patterns that are too busy or experimental materials like LED-lit tiles, which can quickly make a kitchen appear dated. However, El Moussa's choice demonstrates that boldness can be achieved without sacrificing timelessness. The key lies in selecting an eye-catching design and color that can be harmoniously integrated with other kitchen elements and utilizing durable, classic materials. A dark backsplash, like El Moussa's, possesses strong focal-point potential when executed with timeless materials such as stone, ceramic, or porcelain tiles, which can be found in black, jewel tones, or metallic finishes. For those considering a similar dramatic approach, exploring various kitchen backsplash materials is crucial. Options like metal or concrete can lend a modern look and are easy to coordinate, while stone and ceramic tiles offer lasting appeal. This design choice is particularly suited for individuals aiming to create a maximalist kitchen aesthetic, where bold elements are celebrated. To complete such a design, it is recommended to select coordinating colors for counters, cabinets, and flooring, and to accent the space with metallic touches like gold or silver, ensuring a polished and sophisticated outcome. #KitchenDesign #Backsplash #InteriorDesign #HomeDecor #TarekElMoussa #ModernKitchen #DesignTrends #MarbleTiles #BlackKitchen

The field of interior design is currently experiencing a shift away from synthetic materials and overly manufactured aesthetics, moving towards more organic designs that feature natural materials. This trend is driven by an interest in sustainability, as well as a desire for products with greater depth and personality. While natural materials such as rattan, antique wood, and various stones are gaining popularity, marble stands out as a material with a long-standing presence in interiors, ranging from historic mansions to contemporary homes. However, a new development involves the increasing use of unique marbles in bold and colorful hues, offering a fresh alternative to the traditional neutral shades like Carrara and Calacatta. These classic neutral marbles are not going out of style, but the vibrant, statement marbles are establishing their own significant place in modern design. Historically, synthetic materials such as engineered quartz, solid surface, and laminate have been favored for their durability, particularly in kitchens. However, designers are observing a growing comfort among clients with natural stone. For instance, Joslyn Taylor of Swoon, The Studio, notes a significant decrease in client hesitation regarding natural stone maintenance over the past five years. This shift suggests that people are becoming more comfortable with natural stone's wear patterns and are embracing it in various applications, sometimes in smaller, more casual doses. Swoon, The Studio, for example, incorporates natural stone into tables, accessories, and even waste bins crafted from leftover marble. Nikki Chu, another designer, points out that marble applications are expanding beyond countertops to include entire backsplashes, shower surrounds, and door frames. While natural stone, including marble, is known to be more susceptible to wear, staining from spills, and etching from acidic substances, designers like Callie Windle view these characteristics as part of marble's inherent charm. She emphasizes that the patina and wear that develop over time contribute to its beauty, warmth, and enjoyment, suggesting that there is no true substitute for natural stone. Among the trending bold marbles, Nero Marquina and Calacatta Viola are particularly popular, both known for their moody, deep tones. Windle utilized honed Nero Marquina in her former home's primary bathroom, pairing it with another marble for a striking black-and-white aesthetic. She chose it for its durability compared to soapstone and for the masculine, worn feel imparted by the honed finish, which adds warmth and depth to an otherwise cold space. Chu centered her Dallas kitchen design around a Calacatta Viola slab, noting that its rich color palette and bold veining transformed the kitchen into a focal point of conversation. She appreciates the marble's bold yet warm appearance, especially in contrast with the room's wood and brass elements. The resurgence of colorful marbles is a broader trend, with Windle observing that deeper, darker, and bolder colors, once popular in the 80s and 90s, are making a comeback. These colorful stones are now more prominently displayed in stone yards, and designers are increasingly integrating them with wallpaper or cabinetry for a tone-on-tone effect. Examples include Windle's use of deep red Rosso Levanto marble in a powder bathroom and the frequent appearance of Empress Green marble. Taylor also expresses a fondness for green and black marbles, especially when honed to give them a modern look. Her firm's renovation of the French Room at the Adolphus Hotel involved refinishing the existing dark green marble floor, which, after honing, achieved a soft, organic, and completely transformed aesthetic, highlighting the modern appeal of this finish. #InteriorDesign #NaturalMaterials #MarbleTrends #HomeDecor #ColorfulMarble #ArchitecturalMaterials #DallasDesign #KitchenDesign #BathroomDesign

Dark paint colors are increasingly popular, moving beyond seasonal trends to become a classic choice in interior design. These deep hues, including blues, grays, blacks, and greens, are no longer considered merely a bold statement but are now embraced as versatile alternatives to traditional neutrals. Designers commonly integrate dark paints into various spaces, such as kitchen cabinets and color-drenched rooms, to create moodier and more intimate environments. The article highlights that despite their dramatic appearance, the most favored dark paints tend to be soft and warm, contributing to a cozy and cocooning atmosphere rather than a harsh or gothic feel. A crucial recommendation for selecting a dark paint is to thoroughly test samples in the actual room, observing how the color interacts with the natural and artificial lighting conditions of the space. Several specific dark paint colors are recommended by interior design experts. Farrow & Ball's "Railings" (No. 31) is praised for its deep, almost-black-blue hue, which adds elegance and coziness, particularly in bedrooms. This shade is considered a nuanced black that can make poorly lit or small rooms appear larger by causing walls to recede. Another Farrow & Ball favorite, "Off-Black" (No. 57), is described as a soft black with warm undertones, resembling a deep gray. It provides a less stark contrast than true black, making it suitable for accenting warm whites in spaces like kitchen color schemes. Sherwin-Williams' "Urbane Bronze" (SW 7048), a rich brown with gray undertones, is also noted as an earthy black alternative that promotes tranquility and sophistication. Benjamin Moore's "Ashland Slate," a moody, medium gray with blue undertones, is recommended for its ability to balance a space when paired with warm, earthy colors, preventing the room from feeling overwhelming. Sherwin Williams' "Inkwell" with its subtle blue undertones is another black paint that enhances warmth and depth without appearing flat or overly intense. These undertones are key to softening dark paints and are particularly effective when color-drenching a room to prevent an overly dramatic effect. Pairing these dark shades with softer colors and wooden accents can introduce a rustic feel and make small rooms appear more expansive. Dark green paints, such as Benjamin Moore's "Black Forest Green," are experiencing a significant trend. They offer a natural, earthy feel that is soothing and grounding, serving as an excellent backdrop for lighter, warmer colors. Designers like Kathy Kuo also favor organic jewel tones like "Deep Sea Green," "Slate Teal," and "Hudson Bay" from Benjamin Moore, emphasizing their ability to exude both serenity and opulence. Farrow & Ball's "Paean Black" with its hint of red adds a touch of fun and glamour, making it suitable for small spaces like powder rooms. This aligns with the idea that dark colors can absorb light, blurring divisions between walls and creating a sense of depth that can make small rooms appear larger. Lastly, Benjamin Moore's "Gentleman's Gray," described as a very dark teal, is highlighted for its versatility in complementing brighter colors while maintaining sophistication. The increasing popularity of jewel tones reflects a broader shift in design trends towards bolder palettes and "dopamine decor," encouraging homeowners to express their personality through color. Ultimately, choosing the right dark paint requires careful consideration, including extensive sampling, to ensure it harmonizes with existing decor and lighting. These colors are particularly effective in creating atmosphere in various rooms, from small living spaces and snugs to dining rooms and kitchens. #InteriorDesign #DarkPaintColors #PaintTrends #FarrowAndBall #BenjaminMoore #SherwinWilliams #ColorDrenching #HomeDecor #ExpertRecommendations

Artist and architect Inés Esnal has unveiled her Prism installation, transforming the lobby of a new residential building in New York City. The artwork utilizes colorful elastic ropes to create intricate triangular formations that serve to filter light, producing a dynamic interplay of vivid colors and optical illusions. This installation provides a stark and compelling contrast to the lobby's existing concrete walls, injecting an element of artistic vibrancy into the otherwise stark architectural setting. The Prism installation is characterized by its use of stretched elastic ropes, meticulously arranged to form geometric patterns. These ropes, varying in color, intersect and overlap, creating a complex web that interacts with the ambient light. As light passes through these colored strands, it is fractured and dispersed, casting a spectrum of hues across the lobby space. This optical phenomenon changes throughout the day, depending on the angle and intensity of natural light, offering a constantly evolving visual experience for residents and visitors. The design intention behind Prism is to introduce an element of surprise and visual engagement within a functional architectural space. By contrasting the inherent rigidity and monochromatic nature of concrete with the fluidity and vibrant palette of the elastic ropes, Esnal challenges conventional perceptions of lobby design. The installation effectively redefines the entrance area, transforming it from a transitional zone into an immersive artistic environment. Esnal's work often explores the relationship between art, architecture, and human perception. In Prism, she employs principles of geometry and optics to manipulate space and light, thereby creating an illusory depth and movement within a static structure. The triangular shapes formed by the ropes evoke the concept of prisms, which are known for their ability to refract light into its constituent colors. This not only imbues the space with aesthetic appeal but also invites viewers to contemplate the scientific and artistic principles at play. The installation aims to enhance the sensory experience of the building's occupants, offering a momentary escape from the urban environment. The selection of elastic ropes as the primary material allows for flexibility in form and an ethereal quality that belies the material's strength. This choice also contributes to the lightweight and seemingly gravity-defying appearance of the artwork, further emphasizing its illusory nature. The vibrant colors chosen are intended to evoke a sense of energy and warmth, counteracting the potentially cold aesthetic of modern concrete architecture. The overall effect is one of harmony between the artistic intervention and the architectural context, demonstrating how art can profoundly alter and enrich built environments. #ArchitecturalInstallation #PublicArt #LobbyDesign #InesEsnal #OpticalIllusions #ElasticRopeArt #NYCArchitecture #ColorTheory #GeometricArt

In commemoration of Black History Month, TRNK founder Tariq Dixon launched “Resistance::Resilience,” the latest installment of the TRNK Editions art series. This collection of photographic and mixed-media works aims to provide a fresh perspective on the history of Black activism in the United States, specifically addressing the Black Lives Matter protests of summer 2020. Dixon, a Black retailer and head of a design studio, sought to leverage his platform to inspire change and contextualize these significant events. The exhibition features diverse artistic voices, including Amandla Baraka, Gregory Prescott, and Quan Brinson, offering varied interpretations of protest and its implications for the Black American experience. These works are available for purchase, framed and unframed, starting at $150, with 25 percent of sales throughout the year benefiting the Black Youth Project 100, an organization dedicated to Black youth activism. Dixon discussed the curatorial process and the exhibition's intentions, emphasizing a desire to redefine protest art beyond a singular focus on trauma and struggle. While including documentary-style photographs of Black Lives Matter protests, the collection also highlights humanity and power within these movements. Other works, while not directly addressing recent protests, are inherently political, as Black identity and existence continue to be seen as a political act. The selection criteria involved exploring artists' broader bodies of work, even if their initial connection to the project stemmed from their protest-related art. The goal was to encompass various ways to depict Black strength and resilience, from staged vignettes and models to graphic art used in protests or created for social media amplification. One notable graphic piece included is the “All Black Lives Matter” poster by Joanne Petit-Frère. The collaborative nature of the show was evident in the development of its narrative. Dixon's understanding of protest art expanded through conversations with contributors. For example, Myesha Evon Gardner's barbershop series, which she proposed, resonated with the show's theme of resilience. This series portrays barbershops as spaces of community and camaraderie for Black men, offering a moment to depoliticize their identity. The artists featured in the exhibition come from diverse backgrounds, including commercial photographers like Anthony Geathers (sports) and Amandla Baraka (fashion campaigns), alongside those with more traditional fine art practices like Felli Maynard. Despite their varied professional paths, a common thread among all participating artists is the personal and deeply meaningful nature of their work. For those beginning to collect art and photography, Dixon advises prioritizing works that evoke a strong personal connection, whether through their intellectual message or visual appeal. He suggests that the integration of art with home decor is a secondary consideration, as beloved pieces will naturally find a harmonious place within a space. From TRNK’s perspective as a design studio, curating such art is vital because these pieces are meant to be lived with. Certain images, Dixon notes, can offer comfort, reinforce feelings of strength and humanity, and serve as daily reminders of persistence—messages that are universally valuable. #BlackHistoryMonth #ProtestArt #TRNKEditions #BlackLivesMatter #ArtExhibition #DesignStudio #Activism #Photography #CulturalDialogue

Artist Stephanie Dillon and her husband, Reilly, were captivated by a model home in Eden Prairie, which boasted a blend of whitewashed shiplap and shakes on its exterior, creating a timeless and airy aesthetic. The interior featured light-filled communal spaces, each with a distinct character, moving away from conventional floorplans. The color scheme ranged from calming charcoals and pale neutrals to deep greens and rich terra-cotta, evoking a European atmosphere. Kelli Fontana Vogelgesang, owner of West Bay Homes and the designer behind the model, drew inspiration from her travels to Paris, characterizing the style as French contemporary farmhouse. She envisioned the kitchen as a French pastry shop, integrating multiple layers of meticulously detailed materials throughout the 5,000-square-foot residence. The kitchen's design incorporates three types of glazed tiles for the backsplashes, with a small hexagonal tile chosen for its light-reflecting properties, contributing to an elevated visual experience. Dillon, an acrylic and mixed-media artist known for painting her emotions, found a kindred spirit in Vogelgesang, whose design philosophy also prioritized passion and feeling. Dillon retained Vogelgesang to complete the interior design of their new home. The designer expressed enthusiasm for incorporating Dillon's extensive rug collection. Elements like shiplap and painted charcoal, seen on the exterior, were repeated inside on the basement's fireplace wall and the vaulted ceiling of a lounge area adjacent to the kitchen, along with charcoal-colored square tiles extending from counter to ceiling in the kitchen backsplash. This repetition of color ensures cohesiveness and a holistic progression throughout the home, where all environmental elements relate to one another. Vogelgesang skillfully managed the abundance of materials, preventing a busy or cluttered appearance, much like Dillon blends colors on her canvases. Some design choices stand out, others recede, and some shimmer, collectively defining the mood of each space. The materials coalesce into a balanced and proportionate composition, resulting in a home tailored for an artist. Vogelgesang aims to create spaces that are timeless and elegant without being overly delicate or cost-prohibitive. The lower-level bar area features charcoal shiplap around the fireplace, painted in Sherwin-Williams’s Dorian Gray, and steps down into a sunken media room, showcasing the designer’s preferred brass and gray combination. Brass hardware also adorns the front entry doors. Light fixtures, including those from Mitzi on the library ladder, were strategically chosen. The unexpected entry leads to a "dining hall" that functions as a grand foyer, as described by Vogelgesang. This space features nine-inch-wide-plank white oak floors laid in a herringbone pattern, with ceiling beams bisecting its soaring height, allowing ample natural light. The built-in bar features a backsplash of alternating light and dark neutral tiles, custom cabinetry with dental molding, and a marble sink skirt. Open shelving in the kitchen displays two sizes of backsplash tiles from The Tile Shop, with custom alder wood cabinetry finished with a clear whitewashed stain and brass hardware for an enhanced shimmer. The kitchen, inspired by Parisian pastry shops, includes two islands for ease of navigation, with only one housing a sink to allow for uninterrupted dining on the other. The mudroom boasts large-format heated tiles combined with white oak cabinetry, finished in a whitewash stain, offering an industrial concrete look harmonized with French country cabinetry. A basement guest bath incorporates vibrant color through whimsical floral tiles from The Tile Shop on one wall and Sherwin-Williams’s Perfect Periwinkle on the adjacent wall. The library features a bold mix of Sherwin-Williams paints: Canyon Clay on the walls and Gauntlet Gray in a high-gloss enamel finish on the moldings and doors, complemented by chartreuse chairs. A wide-plank whitewashed cedar wall on the rear deck provides privacy. The prep kitchen off the mudroom embraces color with Waverly Classics wallpaper by York, cabinets painted in Sherwin-Williams’s Green Onyx, and a hammered copper sink, showcasing how personal touches can enhance practical areas. The powder room dazzles with an antiqued mirrored glass tile wall from The Tile Shop, a custom white oak vanity with a marble shelf, and Savoy House sconces. The floors throughout the home incorporate patterned ceramic tiles from The Tile Shop. The home's floor plan, while a traditional rambler, diverges into an unconventional layout where the front entry opens into a vaulted foyer and dining room, serving as a pass-through to the kitchen and great room. #HomeStyle #InteriorDesign #HomeTours #FrenchContemporaryFarmhouse #CustomCabinetry #TileDesign #ArtisticHome #ArchitecturalDetails #EuropeanInfluence

This article profiles Chicago-based visual artist Amanda Williams, highlighting her distinctive approach to exploring race, social space, and urban landscapes through the medium of color. Williams, recognized as a future creative leader by architect Frida Escobedo, leverages her architectural training from Cornell University to critically examine how racial dynamics influence the perceived value of spaces. Her work, showcased in prestigious venues like the Venice Architecture Biennale, MoMA, and the Museum of Contemporary Art in Chicago, challenges viewers to reconsider their understanding of built environments. One of Williams' most significant projects, *Color(ed) Theory*, delves into the redefinition of color through the lens of Black culture. This series features eight houses in Chicago’s Englewood neighborhood, all slated for demolition. By painting these neglected structures in specific hues and then photographing them, Williams draws attention to the systemic underinvestment in African American communities. A key aspect of this project is the unique color palette she developed, with each color named after culturally resonant items, places, or spaces within the Black community. Examples include "Pink Oil Moisturizer," referencing a hair product for Black hair, and "Harold’s Chicken Shack," an homage to a popular African American-founded fast-food chain in Chicago. Other colors like "Ultrasheen," "Newport 100s," "Crown Royal Bag," "Flamin’ Hot Cheetos," "Currency Exchange," and "Safe Passage" all carry specific cultural meanings, which Williams notes are immediately understood by members of the African diaspora. This linguistic and cultural nuance highlights the different interpretations and understandings that arise between disparate communities, effectively using color to bridge or highlight these gaps. *Color(ed) Theory* gained significant recognition, being exhibited at MoMA and featured in *The New York Times* as one of the "25 Most Significant Works of Postwar Architecture." Another notable exhibition, *Embodied Sensations*, a solo show at MoMA in spring 2021, explored themes of bodily autonomy and movement within space. Williams conceptualized this exhibition during the global pandemic, drawing parallels between the disorientation and restrictions experienced by the general population during Covid-19 and the everyday physical and social constraints faced by marginalized groups, particularly Black women. The exhibition included a performance piece where visitors engaged with prompts related to movement, further emphasizing the lived experience of navigating restricted spaces. Williams explains that this shared sense of vulnerability during the pandemic allowed her to remind audiences that such limitations are a constant reality for many. Looking ahead, Williams is scheduled to participate in a group exhibition titled *Social Works II* at Gagosian London and will present a standalone booth at Art Basel Miami with Rhona Hoffman Gallery. Her year-long project, *What Black Is This You Say*, which began as an Instagram series during the pandemic, has evolved into watercolors, oil paintings, and public art installations displayed at the Storefront for Art and Architecture in Manhattan. Williams views her work as an opportunity to ask challenging questions about racial inequality and the persistent struggle for existence faced by Black individuals globally. She contends that art, design, and architecture have historically contributed to these spatial injustices, making it imperative to address them through creative practice. Williams expresses optimism about the current moment, believing it to be a crucial period for Black artists and designers to not only be recognized but to thrive. She emphasizes the concept of prosperity, which for her encompasses joy, liberation, and self-determination. This idea is explicitly explored in projects such as *We’re Not Down There, We’re Over Here*, featured in MoMA’s *Reconstructions* exhibition. Through her diverse artistic output—including paintings, installations, and exhibitions—Williams consistently raises critical questions about urban environments, racial undertones, and political issues, asserting that "There is no day when colour isn’t present," underscoring the pervasive nature of these themes in daily life. #AmandaWilliams #ArtAndArchitecture #ColorTheory #SocialJustice #UrbanArt #BlackCulture #ContemporaryArt #RacialEquality