A LARGE PETAG TABRIZ CARPET, NORTH WEST PERSIA, CIRCA 1920

This article explores the significance of an eighth-century Umayyad wool tapestry fragment from the Metropolitan Museum of Art's collection, reconsidering common impressions of Islamic art. While Islamic art is often perceived through its precise and repetitive ornamental motifs, this tapestry fragment offers a counter-example, revealing a more playful spirit in early Islamic textiles. Dated to the mid-eighth century and attributed to the Umayyad Caliphate, the fragment features stylized rosettes and floral motifs that resemble bright flower sprays on a grassy background. The fragmentary nature of the tapestry, lacking selvedges, suggests it was part of a larger furnishing fabric. Reconstructing Umayyad homes from the seventh or eighth century is challenging due to the scarcity of extant textiles. However, wall paintings and mosaics from Umayyad palaces provide insights into their interior decorations. For instance, a fresco at Qusayr 'Amra depicts a heavily draped space with veiled doorways and colonnades, and covered seating, contrasting with the current austere state of these palaces. Similarly, floor mosaics at Khirbat al-Mafjar, edged with tassels, suggest the presence of carpets of similar size, reinforcing the idea of textile use in these grand spaces. The author posits that the floral tapestry fragment might have served as a wool seat or wall furnishing. A key aspect distinguishing this fragment is the irregular design and varied color application of its motifs, a departure from the strict repetitive or symmetrical layouts prevalent in decorative art from later Islamic dynasties. The central part of the textile, a band with a green background, features two rows of medallion-style rosettes. Each of the seven rosettes is distinct in color or form, with individually rendered petals. The flower bouquets on the red band, forming the edge, also exhibit this intentional variation, ensuring no two neighboring motifs are identical. This deliberate variety in repetition is paralleled in the facade of Qasr al-Mshatta, where carved rosettes within hexagons and hexafoils display distinct content while maintaining a general form. The interspaces are densely covered with grape leaves, alongside depictions of lions, griffins, and peacocks. This suggests that such decorative programs were designed to evoke a garden, mimicking the fabled Paradise garden, through a diverse array of flora and fauna. Therefore, the rosette tapestry fragment, whether used as a hanging or a cover, would have functioned as a segment of a portable garden. Spreading the tapestry would have transformed the environment, releasing a miniature Paradise and adding a sense of glamour, as if the owner were seated on a floral lawn or surrounded by fantastic creatures. This interpretation highlights the innovative and artistic intent behind early Islamic textile design, showcasing a sophisticated approach to decoration that went beyond mere repetition to create dynamic and symbolic spaces. #IslamicArt #UmayyadTextiles #TextileHistory #DecorativeArts #MetropolitanMuseum #ArtInterpretation #GardenMotifs #HomeDecor

The article explores four vintage rug styles that designers consistently recommend for their enduring appeal and ability to enhance a home's aesthetic. Rugs are presented as transformative elements that can instantly tie a design together, and while rug trends evolve annually, certain vintage styles maintain their charm and character over time. The first style discussed is the Persian rug, noted for its historical depth, visual balance, adaptability, and high quality. Evelina Juzėnaitė, Principal Interior Designer at Planner 5D, highlights its symmetrical, repeating motifs and centuries-old tradition. Popular Persian rug patterns include Tabriz, known for intricate designs; Kashan, famous for floral medallions; and Heriz, recognized for its geometric weave. The article suggests that Persian rugs can serve as a foundational element in an interior, with their active patterns complementing a more minimalistic surrounding decor. Several examples of antique and vintage Persian rugs, such as Sarouk, Lilihan, and Shiraz runners, are provided to illustrate their vibrant colors and intricate designs, emphasizing their capacity to add luxury, transform spaces, and bring warmth. Next, the Moroccan rug is introduced as a style with an enduring appeal, unlikely to ever fall out of favor. Molly O'Neil, founder of Molly O Interiors, praises Moroccan rugs for their craftsmanship, classic designs, and the sense of history embedded in their making. She points out the wide variety of designs and colors available, making them versatile enough to fit traditional to modern decors. Moroccan rugs are also valued for their ability to add warmth and texture, particularly in cozy spaces like bedrooms. The article features examples like a hand-knotted wool rug with a bold geometric weave, a checkerboard-style Beniourain rug for a subdued look, and a Beni Ourain rug with a classic geometric pattern in cream and dark brown. The Medallion style, derived from Persian designs, is characterized by a distinctive circular pattern at its center, often surrounded by intricate floral borders. Jen Baxter, founder of Baxter Hill Interiors, appreciates its enduring quality, sense of heritage, and the timeless, familiar rhythm of its delicate symmetrical blooms. She describes it as a strong yet calm pattern that introduces movement without overwhelming a space. Baxter suggests pairing these vintage-style rugs with clean architectural lines and natural materials to ground a contemporary space and create a sense of balance and quiet contrast. Examples include a tan Persian wool rug with a striking medallion, a triple medallion heirloom rug with a subdued color palette, and a unique double medallion Demitria hand-knotted wool rug. Finally, the Oushak rug, a traditional Turkish floor covering dating back to the fifteenth century, is described. It is distinguished by large-scale floral and geometric patterns, muted colors, and a plush pile. Interior designer Adina Hall notes that Oushak-inspired rugs are timeless due to their stylized motifs, warm color palettes, and luxurious feel, hand-knotted from high-quality wool. She explains how their Turkish artistry and geometric influences blend seamlessly with both traditional and contemporary interiors, anchoring rooms with warmth and depth. Featured Oushak rugs include an antique weave oriental rug with an intricate floral design, a hand-knotted wool rug with pale blue, green, and pink, and a unique Oushak rug with a refreshing contemporary feel and pastel color palette. The article concludes by emphasizing that decorating with antiques and vintage items, particularly these rug styles, consistently brings character and lived-in charm to a home. #VintageRugs #InteriorDesign #HomeDecor #PersianRugs #MoroccanRugs #MedallionRugs #OushakRugs #TimelessDesign #TextileArt

The "Contemporary Persia" collection is a collaborative effort between Swiss textile manufacturer Christian Fischbacher and architect Hadi Teherani. This collection, comprising 10 distinct fabrics in various color variations, aims to encapsulate the diverse and contrasting hues of the Iranian landscape. The fabrics, intended for both curtains and upholstery, are crafted from a blend of materials such as linen, wool, and polyester. The color palette of the collection features soft shades of blush pink, earthy sand tones, muted greens, and occasional splashes of blue and blush accents. Camilla D. Fischbacher, the creative director of Christian Fischbacher, emphasized the significant creative power and rich cultural heritage of Iran that inspired their dialogue with Teherani. Teherani himself noted that fabrics play a crucial role in completing architectural spaces, offering a tactile and sensory experience. The article highlights ten specific fabrics from this collection, each with unique characteristics and inspirations. One featured fabric is "Roya," a jacquard curtain fabric inspired by the landscape and colors of the Iranian Aladagh Mountains. It is a blend of viscose, cotton, and polyester yarns, which allows for intricate color gradients. "Roya" is available in five color options and its name translates to "beautiful dream" in Persian. "Afsun" is another curtain fabric, notable for its design that subtly incorporates the Persian letters H and T, representing Hadi Teherani's initials. This semi-transparent fabric is described as lively and comes in four flame-retardant color options, making it suitable for commercial applications. "Baran," an upholstery fabric, is created by combining linen warp with loosely twisted weft yarn, resulting in an uneven structure and a geometric dobby weave. Its name, meaning "rain" in Persian, alludes to the scarcity of rain in many parts of Iran. "Diba" is a graphic patterned upholstery fabric made from a natural fiber blend, giving it a lively and soft surface texture with a Panama weave. Its design draws inspiration from the distinctive brickwork commonly found in Persian architecture. Similarly, "Mitra," an upholstery fabric, uses wool yarns combined with linen warp to create a voluminous texture, also inspired by traditional Iranian brickwork. "Tara" is a medium-weight upholstery fabric featuring a dobby weave with loosely twisted yarns that rise to the surface, giving it a bold visual effect. "Donya," a densely woven wool satin, is versatile enough for both curtains and upholstery. It is treated with a special dirt-repellent finish, enhancing its durability and stain resistance. "Donya" is offered in ten colors, including earth, vanilla, blue, and salmon red tones. "Dasht," meaning "desert" in Persian, is another dual-purpose fabric for curtains and upholstery. It comes in ten colorways and is made from linen-cotton chenille yarn, providing an elegant, velvety appearance with a grainy touch. "Nasim" is a transparent voile with a cotton-like feel, available in four colors that coordinate with the "Donya" fabric. Finally, "Aramesh," which signifies "calmness, peace of mind, and bliss" in Persian, is a matt, transparent, and lightweight fabric suitable for curtains. It is flame-retardant and available in mélange colors. Christian Fischbacher, a family-owned company with over 200 years of history, specializes in interior fabrics, accessories, carpets, and wallpapers. The collection reflects the combined creative vision of Camilla D. Fischbacher and Hadi Teherani, both of whom have Iranian roots but reside in Europe. #TextileDesign #FabricCollection #IranianLandscape #InteriorDesign #HadiTeherani #ChristianFischbacher #UpholsteryFabric #CurtainFabric #ContemporaryPersia

Talk Carpet, featured on Dezeen Showroom, has unveiled its Grid carpet design, drawing inspiration from the rich tradition of Egyptian embroidery. This flooring solution integrates cultural heritage into contemporary design, reflecting the intricate craftsmanship observed by the Talk Carpet team during their visit to Cairo's Khan El Khalili market. The market is renowned for its diverse array of decorative items, antiques, and souvenirs, showcasing the prevalent artistry and skill of local artisans who historically crafted elaborate tents for significant events such as weddings. The design process involved translating these traditional Egyptian motifs into a modern aesthetic. The Grid carpet features a graphic pattern rendered in a sophisticated grey-and-white color palette, intended to make a distinctive statement in both office and hospitality settings. The company emphasizes the adaptability of this design through its custom carpet program, which allows clients to personalize various aspects of their flooring. Customers can select their preferred pattern, choose from a wide range of colors, specify the pile height, and determine the exact dimensions to fit their unique spatial requirements. This customization offers a tailored approach to interior design, ensuring that the carpet aligns seamlessly with specific project visions. Beyond its aesthetic and customizable features, Talk Carpet is also committed to social responsibility. One percent of all sales generated from its custom carpet program is dedicated to supporting the Design Industries Foundation Fighting AIDS (DIFFA). This charitable contribution underscores the brand's commitment to raising awareness and contributing to the fight against HIV/AIDS, integrating a philanthropic dimension into its business model. The Grid carpet is presented as a versatile and culturally inspired flooring option, suitable for enhancing various commercial and public environments. Its design pays homage to traditional artistry while offering modern functionality and aesthetic appeal. The product is part of Talk Carpet's broader offering within the flooring category, which encompasses a variety of carpets designed for different applications. This product aligns with broader trends in interior design that seek to incorporate global cultural influences and sustainable practices into contemporary spaces. The brand's presence on Dezeen Showroom further highlights its position within the design industry as a provider of innovative and thoughtfully designed products. The company's engagement with humanitarian causes through its sales further distinguishes its brand identity in the market. #TalkCarpet #GridCarpet #EgyptianEmbroidery #FlooringDesign #CustomCarpets #InteriorDesign #HospitalityDesign #OfficeDesign #DesignIndustriesFoundationFightingAIDS #CulturalInspiration

The article introduces Danny Mehra, a Bengaluru-based carpet collector whose passion for tribal carpets has led to a remarkable collection of approximately 1,500 pieces from the 19th century, sourced primarily from the Silk Route. Mehra, a 64-year-old former finance professional, began his collecting journey serendipitously with a wedding gift from his mother-in-law. This initial gift, likely Azerbaijani carpets, sparked an interest that grew into a profound fascination with tribal weavings, particularly for their inherent imperfections and the stories they convey. Mehra's collection is characterized by its diversity in size, origin, motif, and color. His apartments are filled with carpets from regions such as Kurdistan, Iran, Afghanistan, Azerbaijan, and the Balkans. He emphasizes that the motifs on these carpets are more than mere decorations; they are narrative elements, with symbols like camels representing wealth, birds signifying faith, snakes wisdom, stars happiness, and trees of life perpetuity. His attraction to tribal carpets stems from their "Wabi sabi shibumi" quality—the beauty found in imperfection—a stark contrast to the rational world of finance he previously inhabited. His journey as a collector began with bargain hunting in Delhi and later extended to antique and thrift stores in Manhattan, where he discovered the abundance of carpets available. Mehra highlights the unique characteristics of tribal carpets, describing them as abstract, spontaneous, and naive, breaking traditional design rules. He explains that these carpets were primarily woven by women who improvised designs from their imaginations, often sharing stories while they worked. This spontaneous and creative process, he notes, results in distinct and whimsical compositions. Mehra shares insights into distinguishing different types of carpets, such as Persian and Kurdish. Persian carpets, including the long-piled Gabbeh, often exhibit a modern aesthetic comparable to the Bauhaus school, while Kurdish carpets are known for their bold designs and vibrant colors. Despite his extensive knowledge, Mehra acknowledges the ongoing learning process in collecting, humorously recounting "early collector's mistakes" and the difficulty in discerning fact from fiction in the often-colorful histories provided by dealers. The article also provides practical advice from Mehra for aspiring collectors. He advocates buying from the heart, selecting pieces that bring personal joy, and designing rooms around carpets rather than the reverse. He suggests hanging carpets on walls to fully appreciate their beauty, noting that they can be more affordable than paintings. Finally, Mehra views good old carpets as safe and lasting investments, though he advises against purchasing them solely for investment purposes, suggesting instead to be open to potential future windfalls. #CarpetCollection #TribalCarpets #BengaluruCollector #SilkRoute #HomeDecor #ArtCollecting #TextileArt #InteriorDesign #WabiSabi

The upcoming year offers an opportunity to refresh home interiors, with flooring serving as an excellent starting point. Whether a space is cozy and benefits from layered rugs or spacious and calls for a design with personality, professional insights guide readers toward current and emerging carpet trends. Top designers have shared their predictions for 2020 carpet trends, offering valuable ideas for enhancing any home. Broadlooms are highlighted as an underrated carpet type, typically made from wool or a wool blend. They are known for their durability, making them suitable for families, and are available in a wide range of colors and patterns, enabling them to add significant style. Broadlooms are often recommended for informal family rooms and bedrooms where a soft underfoot feel is desired. Natural fibers, such as sisal, continue to be a prominent trend in rugs. Variations of this trend include sisal woven with jute or wool. There is also a growing preference for indoor-outdoor rugs, which have seen considerable improvements in quality, offering softness and versatility comparable to indoor options, particularly those from brands like Perennials. Tonal layering is a strategy to prevent wall-to-wall carpeting from appearing dated. Designers foresee layering rugs on top of existing carpets to introduce interest and warmth. Maintaining a tone-on-tone color palette ensures that layered spaces avoid looking overly busy, allowing other furnishings to stand out. Neutral hues are anticipated to gain popularity, shifting away from the bold colors and patterns of previous years. The focus will be on earth-toned, neutral colors with monochromatic designs featuring subtle patterns and textures. Examples include Moroccan-influenced designs that are meticulously crafted by skilled artisans, offering an elegant and understated aesthetic. Moroccan styles, particularly woven mat rugs from Mauritania, are consistently appreciated for their casual elegance and unpretentious nature. Heavy Ralli blankets, which function as patched rugs, also offer versatility and the ability to be collaged together or rearranged to refresh a space. Dhurrie rugs are noted as a versatile and chic option for creating a cozier, layered look. Custom Dhurrie rugs are particularly favored for their ability to complement various settings, even when placed over existing carpet, offering a well-priced solution for adding depth to a room. Patterned area rugs are expected to embrace a more-is-more philosophy, with layered patterns and colors. This trend suggests that bold rugs no longer necessitate subdued furniture, encouraging a dynamic interplay of design elements. Hand-crafted designs are experiencing a significant resurgence, driven by a client desire for longevity and items that can be passed down through generations. Custom rugs, traditionally made by artisans with inherited skills, are increasingly valued for their enduring quality and unique craftsmanship. #CarpetTrends #HomeDecor #InteriorDesign #Flooring #Broadloom #NaturalFibers #LayeredRugs #NeutralHues #MoroccanStyle #HandCrafted

The popularity of pile-woven carpets from the Islamic world, often referred to as oriental carpets, in Europe from the fourteenth century onward is extensively documented through their frequent appearance in European paintings. These paintings serve as a crucial historical resource for scholars studying early carpets, so much so that many types of Islamic carpets from the Middle East are now identified by the names of European artists who depicted them, including Lotto, Holbein, Ghirlandaio, Crivelli, and Memling. The historical significance of expensive textiles underfoot, representing wealth, power, and sanctity, dates back to biblical times. This cultural concept is evident in various artworks, such as the Sienese painter Duccio's depiction of garments spread before Christ on Palm Sunday, and later, Sir Walter Raleigh's gesture of placing his cloak for Queen Elizabeth. A fifteenth-century painting by Giovanni di Paolo, titled *Madonna and Child with Two Angels and a Donor*, features one of the earliest and rarest types of Turkish carpets exported to Italy, characterized by highly stylized animal motifs within octagons. By the sixteenth century, carpets became common motifs in portraits, symbolizing sophistication, education, and high social and economic standing. An anonymous portrait by Moretto da Brescia, for instance, includes a border of a contemporary Anatolian rug from Ottoman Turkey at its base. The seventeenth century saw an even broader integration of carpet depictions across Europe. Lotto carpets, identifiable by their distinctive designs, are well-represented in this period. Earlier, larger examples exhibit borders with stylized strapwork reminiscent of Kufic Arabic script, while later versions feature small medallions. Jan Brueghel and Peter Paul Rubens' painting, *The Feast of Acheloüs*, illustrates a beautiful Lotto carpet with red and yellow arabesques from central Turkey draped over a table during a contemporary Flemish outdoor banquet. The pattern's popularity is further demonstrated by Nicolaes Maes' painting of a young girl peeling apples, seated beside a table adorned with a luxurious Lotto carpet. Syrian carpets, particularly rare in Europe, also appear in paintings. Gabriël Metsu's *A Musical Party* showcases a "chessboard" carpet with geometric star designs from early seventeenth-century Syria on a table. Medallion carpets from Ushak in west-central Turkey were another frequently depicted type. Metsu's *The Visit to the Nursery*, a rich Dutch interior scene, prominently displays a large Ushak medallion carpet draped over a table. Gerard ter Borch the Younger's *A Woman Playing the Theorbo-Lute and a Cavalier* features a small west Anatolian medallion carpet with a unique design on the table in front of the musical pair. Johannes Vermeer, despite his limited artistic output, frequently included oriental carpets in his paintings. *A Maid Asleep* shows two distinct seventeenth-century Anatolian carpets, while *Young Woman with a Water Pitcher* presents a soft, thickly textured Persian carpet with floral arabesques on a red ground, again placed on a table. The practice of displaying carpets on tables in upper-class interiors continued into the eighteenth century, as seen in Pietro Longhi's *The Visit*, where a West Anatolian prayer carpet from the Gördes district covers a table in an elegant Italian interior. As carpets became more accessible in Europe, larger examples were imported for floor coverings. Francis Wheatley's *The Saithwaite Family* depicts an aristocratic British couple and their daughter on a vast eighteenth-century Ushak carpet. In early nineteenth-century France, Jean August Dominique Ingres' portrait of Jacques-Louis Leblanc reflects a deliberate nod to earlier portraits. The carpet-covered table, adorned with books, a handwritten letter, and an inkwell, symbolizes a long-standing tradition in European painting that links carpets not only with economic and social status but also with learning and literacy. The small Anatolian carpet on the table in Ingres' work closely resembles an actual eighteenth-century example from the Metropolitan Museum's McMullan collection. Depictions of carpets in European and American paintings persisted throughout the twentieth century, appearing in works by artists like Matisse and William Glackens, affirming the enduring fascination with their colors, textures, and patterns among both patrons and artists. #IslamicCarpets #EuropeanPaintings #ArtHistory #TextileArt #CulturalSignificance #DecorativeArts #OttomanTurkey #Vermeer #InteriorDesign

Cities Boutique, a prominent art and design concept store, has broadened its product range by introducing Etqaan, a brand specializing in high-end, handcrafted heritage furniture. This initiative aims to rejuvenate a traditional Arabian craftsmanship that combines intricate, authentic techniques with a contemporary perspective. Cities, located in Galleria Mall on Al Wasl Road, now showcases a selection of pieces from Etqaan's latest collection. Hazem Aljesr, owner of Cities, emphasizes the brand's commitment to supporting the revival of fading crafts and providing customers with unique, deeply rooted furniture that merges original methods with modern design sensibilities while preserving authenticity. The objective is to ensure a memorable and distinctive experience for customers, with these pieces serving as a valuable enhancement to any home. Etqaan’s craftsmanship revives historic Egyptian carpentry, characterized by the meticulous engraving of Arabic calligraphy on various surfaces including tables, doors, mirrors, and banquettes. The brand also undertakes larger projects involving wood paneling and ceiling work for hotels and mansions. The creation process involves the integration of diverse materials such as mother of pearl, brass, camel bones, and natural leather, which are inlaid into genuine massive wood. Each Etqaan art piece is inherently unique due to its handcrafted nature, exhibiting variations, the artist’s individual touch and vision, and a distinct, exquisite unevenness. The aesthetic style of Etqaan products draws inspiration from Egypt's rich history, incorporating influences from Coptic, Islamic, and European traditions, which are beautifully manifested in the furniture designs. Every piece is inspired by a different historical era. For example, a 16th-century Persian bridal box, crafted over 800 hours, features genuine walnut wood inlaid with mother of pearl. Another example is a 19th-century Egyptian Banquette, inspired by the Gayer Anderson Museum in Cairo, which required 350 hours of carving genuine walnut wood into striking floral patterns. Etqaan is a collaborative venture between the holding company Iwan Crafts and the distinguished craftsmanship of Hossama, a legacy extending back to the early 1900s. Hossama brings a remarkable portfolio of historic restoration projects across Egypt, including significant sites such as the Hanging Church in Old Cairo, Amr Ibn Alas Mosque, Al Ghoury Market, and iconic hotels like the Mena House Cairo and the Cairo Marriott, which were once royal palaces. Together, Iwan Crafts and Hossama aim to establish Etqaan as a leading name in trendsetting Arabian habitat art, ensuring that these meticulously crafted pieces continue to offer both historical depth and contemporary appeal. #HandcraftedFurniture #ArabianCraftsmanship #HomeDecor #InteriorDesign #EgyptianCarpentry #LuxuryFurniture #HeritageDesign #ArtisanFurniture

Mina Abouzahra, a Dutch-Moroccan artist and designer, has curated an exhibition titled “The Soul of a Rug” to highlight the artistry and cultural significance of Amazigh (Berber) weaving traditions. The exhibition, on display at the Palais Bahia in Marrakech until June 30th, features a selection of weavings and tapestries from the weavers of Taznakht, alongside contemporary furniture and objects designed by Abouzahra, some of which incorporate vintage weavings as upholstery. The display also includes photographs, looms, and yarns, allowing visitors to engage with the tactile aspects of the craft. A virtual reality film further immerses viewers in the daily life of the women and the village of Taznakht. Abouzahra's journey to this project began with her exploration of Moroccan craftsmanship, initially through her work as a chef and food stylist. She later transitioned to furniture design, studying woodworking and cabinetry, and undertaking an internship in Essaouira where she discovered the rich textile heritage of Morocco. This led her to establish her own interior label, integrating vintage Moroccan textiles with contemporary furniture. She developed a profound understanding and appreciation for Berber rugs, recognizing them as repositories of stories and rituals unique to their communities, with distinct colors, sizes, and techniques influenced by local resources and traditions passed down through generations. This exhibition builds upon Abouzahra's previous work, including “One Square Meter Berber” in 2019, also held at the Palais Bahia. That exhibition aimed to draw attention to the financial disparity faced by weavers, who are often paid by the square meter, by displaying individual 1-square meter rugs alongside photographs of their creators. This initiative sought to humanize the craft and advocate for fair compensation. During this period, Abouzahra also facilitated a residency program in Taznakht for Dutch designers, fostering an exchange of creative ideas between them and the Amazigh weavers. Following the pandemic, Abouzahra spent several months living in Taznakht, deepening her connection to the community and their weaving practices. This immersive experience revealed the spiritual dimension of the craft, such as the ritual of smashing sugar on a new loom to imbue it with a "sweet soul" and covering it with a black cloth to ward off the evil eye. “The Soul of a Rug” is the culmination of over a decade of Abouzahra’s dedicated research and engagement with Berber weaving. The exhibition not only celebrates ancestral craft, cultural preservation, and female empowerment but also underscores the benefits of collaborative work and the shared connection fostered through community and creativity. After its run in Marrakech, the exhibition is scheduled to travel to Amsterdam, showing at Hotel Arena from August 22nd to September 21st, and at Glue, the Amsterdam Design Fair, from September 18th to 21st. #MinaAbouzahra #BerberRugs #TextileArt #MoroccanCraftsmanship #CulturalPreservation #FemaleEmpowerment #Exhibition #InteriorDesign #TaznakhtWeavers

The article outlines ten prominent interior design trends for homes in Egypt, drawing inspiration from the country's rich cultural heritage and dedicated craftsmanship. Kenda Interiors by NADIM, an established design company, provides insights into these trends, which range from contemporary geometric patterns to traditional Egyptian artistic techniques. The first trend emphasizes bold geometric patterns, lines, and slices. These can be incorporated in various ways to suit individual tastes, adding sophistication, visual harmony, and rhythm to interiors. Kenda Interiors' "Pyramidion" collection exemplifies this by using geometric shapes inspired by ancient obelisks and the gold-covered uppermost parts of pyramids to evoke opulence and modernity. The company suggests pairing these patterns with bold colors to create focal points within a room. The second trend highlights comfort and functionality, stressing the importance of making a home livable and customized to personal needs. Kenda Interiors prioritizes creating spaces that are both aesthetically pleasing and serve as an escape from daily stresses. An example is their "Tetris" room, which features comfortable seating and convenient amenities like charging stations. The advice given is to select items that are personally appealing and to consider bespoke pieces for a unique touch. Sleek and modern high-gloss finishes represent the third trend, which aims to elevate interiors with a luxurious appearance. This material can be applied to walls, furniture, and surfaces to draw attention. Kenda’s “Illusion” dining table, with its ocean-like high-gloss finish paired with walnut burl wood, is presented as an example of this trend. Elegant gold leaf is the fourth trend, connecting contemporary design to Egypt’s historical association with gold. This allows for the incorporation of a sense of history, rarity, and purity into homes. Kenda demonstrates how to integrate gold elements tastefully by combining them with glossy black materials and paintings that feature gold leaf accents. Traditional carving techniques constitute the fifth trend, promoting the preservation of Egypt’s artistic legacy within modern home designs. Intricate carvings and traditional ornaments can add a refined artistic touch. Kenda Interiors merges ancient crafts with modern designs, such as their replica carving of a Fatimid horse panel on a statement side lamp. The sixth trend focuses on stunning artwork that personalizes a home and reflects the inhabitants' identity and aesthetic. Art is seen as a means to introduce color, life, and narrative into a space. Kenda showrooms collaborate with Samah Art Gallery to offer curated artworks that either complement or become central pieces in any room. Varied lighting, including glass chandeliers, salt lamps, and candles, is the seventh trend. Lighting is crucial for setting the ambiance and mood of a room. Kenda Interiors suggests incorporating Egyptian motifs and creating tailored spaces with thoughtful lighting choices, using custom chandeliers, warm salt lamps from Oasis Salt Lamps, and aromatic candles from Candle Connection. The recommendation is to plan lighting early in the design process, considering the room’s function and desired atmosphere. Handmade ceramics are the eighth trend, celebrating Egypt’s skilled artisans. Historically functional, these pieces now bring cultural heritage into modern homes. Kenda Interiors collaborates with Runk Ceramics to produce unique, handmade tiles, such as those used in their “Luster” dining room set, showcasing the beauty of expressive and iridescent ceramics. Unique handmade textiles and decorations form the ninth trend. Textiles like pillows and throws are used to personalize spaces, adding color, texture, and detail. Kenda Interiors highlights the importance of supporting local artisans, featuring "Nebu" pillows that combine kheyameya applique with eclectic designs. The design tip suggests using an odd number of pillows for an artful arrangement and experimenting with different colors, textures, and shapes. Finally, beautifully crafted kilim and rugs represent the tenth trend. These patterned and colorful rugs, while a trend that emerged some years ago, continue to be popular, complementing minimal furnishings and serving as a simple way to incorporate ancient Egyptian motifs symbolizing fertility and familial protection. These trends are available for viewing at Kenda Interiors showrooms located in Concord Plaza, Mall of Egypt, and Dandy Mall, and further information can be found on their website and social media platforms. #InteriorDesign #EgyptianCraftsmanship #HomeDecor #GeometricPatterns #GoldLeaf #TraditionalCarving #ArtInDesign #LightingDesign #HandmadeCeramics #TextileDesign #KilimRugs #KendaInteriors

Maharam, a prominent textile house, has released a new capsule collection of reissued fabrics, rugs, and wallpapers, celebrating the creative legacy of iconic American designer and architect Alexander Girard. This collection is part of Maharam’s ongoing ‘Textiles of the 20th Century’ series, which already features 30 of Girard's patterns. The newly reintroduced designs were originally conceived by Girard during his tenure as founding design director of Herman Miller’s textile division, a period spanning from 1952 to 1973, during which he developed over 300 designs. The current offering from Maharam comprises six designs, available across two upholsteries, three wall coverings, and one hand-woven rug. These selections highlight Girard’s distinctive ability to craft graphic patterns and incorporate unusual color and texture combinations. Maharam's approach involves faithfully reproducing these historic designs while integrating contemporary considerations, such as environmental impact and material innovation. To further illuminate Girard's work and influences, Maharam has commissioned a short film that delves into the significant role of Santa Fe and the New Mexico landscape in shaping his artistic vision. A notable example of this commitment to responsible reproduction is the 'Mexidot' (1963) upholstery pattern. Originally part of a series of handwoven stripes known as 'Mexicotton,' the Girard Studio, managed by Alexander Girard’s grandchildren, requested that the updated version prioritize environmental sustainability and accessibility. In response, Maharam Design Studio utilized recycled spun yarns to mimic the original appearance of natural cotton, ensuring the textile meets current demands for high-traffic commercial and residential settings. The collection also features three wallpaper designs: 'Alphabet' (1952), 'Roman Stripe' (1952), and 'Broken Stripe' (1952). These have been digitally printed on non-PVC substrates, preserving the original warmth, tactility, and vibrant colors of Girard’s initial creations. 'Pepitas' (1952), an upholstery design characterized by a pointed ellipsis formed by two intersecting discs, exemplifies Girard’s versatile aesthetic, suitable for various applications including drapery and wallpaper. The 'Millerstripe' rug, based on a 1972 upholstery textile previously reissued by Maharam in 2002, celebrates the enduring appeal of the stripe motif. This rug is crafted from a wool twill, depicting the original polychromatic layout at double its initial scale. Mary Murphy, Maharam’s vice-president of design, emphasizes the cohesive nature of Girard’s body of work, noting that many of his designs harmonize well together. She also highlights Girard’s belief in textiles as a fundamental building material for any space. The Girard Studio concludes that the collection aims to raise awareness about the breadth and diversity of Girard’s designs. They describe the upholsteries, wallcoverings, and rugs as offering an understated yet distinctly Girardian style, appealing to those who appreciate a classic yet unexpected aesthetic. The partnership between Maharam and Girard Studio reflects a dedication to preserving and recontextualizing historical design while embracing modern demands for sustainability and functionality. #AlexanderGirard #MaharamTextiles #TextileDesign #MidCenturyModern #InteriorDesign #SustainableDesign #Wallpaper #Upholstery #Rugs

Persian rugs maintain their status as a highly desirable rug choice, even after millennia of textile innovation, due to their enduring appeal, inherent character, warmth, and unique capacity to make any room feel like home. While some argue that vintage Persian rugs are superior, even newly manufactured designs exude an inviting vintage charm, capable of imbuing a space with personality and character. Interior designer Buffy Ferguson highlights that Persian rugs bring history, craftsmanship, and soul into a space, with each rug feeling like a piece of art underfoot, and the variations in color and pattern telling a story that cannot be replicated by machines. Other rug trends may exist, but none rival the timeless allure of a vintage-style Persian rug. Interior designer Marie Flanigan emphasizes that a Persian rug instantly grounds a space with character and craftsmanship, creating a sense of quiet sophistication that feels authentic, storied, and carefully curated. For homes lacking character, charm, and warmth, a Persian rug can be a transformative element. Interior designers frequently incorporate Persian rugs into various projects, spanning living rooms, bedrooms, kitchens, and bathrooms, leveraging their expert insights to seamlessly integrate them into home decor. One effective application is in the entryway, where a charming Persian runner rug can welcome guests. Interior designer Lisa Guest demonstrates this by using a vintage-style Persian runner rug to introduce character, soften the space, and provide an attractive pattern that complements other vintage elements, such as a wooden bench, urn planters, and an ornate transom window. The rug adds color, softens the hard stone floors, and completes the entryway's aesthetic. Persian rugs are also instrumental in enhancing coziness. In a room designed by Karin Bennett, a Persian rug contributes significantly to a warm and inviting ambiance by introducing warmth, texture, and pattern. The rug's saturated navy hue and detailed design capture attention, while its soft fibers ensure comfort, making the space feel lived-in. This rug serves to anchor furniture and define the area, fostering intimacy and transforming the room into a stylish retreat. Persian rugs have an inherent ability to soften any room through their inviting patterns and traditionally soft weave. Lisa Guest exemplifies this by layering a Persian rug over a sisal carpet in a bedroom, literally softening the floor for comfort and creating a harmonious ambiance with colors that blend with the existing scheme and a pattern that adds elegance. Home offices, while prioritizing practicality, can also benefit from the stylish addition of a Persian rug. Karin Bennett successfully integrates a rug into an office, combining functionality with aesthetic appeal. The rug acts as a focal point, adding cultural richness and historical depth. Beyond aesthetics, large rugs in offices contribute practically by softening acoustics, creating a quiet and peaceful environment conducive to focus. In the kitchen, a Persian runner rug can elevate the space, offering a soft resting place for feet and contributing to the room's overall design. Karin Bennett notes that a kitchen rug softens hard floors, protects against spills, absorbs noise, and introduces warmth, texture, and personality, transforming a functional area into a cozy and inviting space. Even small Persian rugs can make a significant impact. Raili Clasen’s design of an entryway sitting area demonstrates how a small, distressed Persian rug can function as floor art, bringing warmth, color, and texture to a concrete floor without overwhelming the space. This showcases the importance of scale in interior design. Persian rugs are not limited to dark, rich colors; light-colored designs are also available and can provide visual balance. Buffy Ferguson uses a light-colored Persian rug as the soul of a transitional space, contrasting delicately with darker elements like a four-poster bed and modern mirrors, creating a balanced and timeless sanctuary. Layering Persian rugs over neutral rugs can add depth and warmth to a room. Marie Flanigan illustrates this by using a neutral base layer to expand the visual footprint and create a calm foundation, while the Persian rug defines the seating area, introducing pattern, history, and soul. This layered approach makes the room feel intimate and thoughtfully curated. For entryway sitting areas, a Persian rug can create a welcoming and comfortable atmosphere. Buffy Ferguson describes how such a rug, with its faded pattern and muted tones, subtly grounds antique pieces and cane chairs, making the space feel curated over time and easing the transition from outdoors. In bathrooms, a Persian runner rug, if space permits, can add character and warmth. Karin Bennett incorporates a Persian rug in a bathroom to infuse warmth, color, and a luxurious, layered look, enhancing comfort and texture. For practical purposes, machine-washable Persian-style rugs are recommended for bathrooms to ensure easy cleaning and maintenance. Whether genuinely vintage or newly inspired, Persian rugs invariably enhance any room with character, warmth, and timeless elegance, solidifying their status as a traditional decorating idea that continues to enrich interiors. #PersianRugs #HomeDecor #InteriorDesign #VintageStyle #RugTrends #CozyInteriors #EntrywayDesign #BedroomDecor #HomeOfficeIdeas #KitchenDesign #BathroomDecor #LayeringRugs #TimelessElegance